Henry Miller Papers, 1896-1984, 1930-1980
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Jack Spicer Papers, 1939-1982, Bulk 1943-1965
http://oac.cdlib.org/findaid/ark:/13030/kt9199r33h No online items Finding Aid to the Jack Spicer Papers, 1939-1982, bulk 1943-1965 Finding Aid written by Kevin Killian The Bancroft Library University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2007 The Regents of the University of California. All rights reserved. Finding Aid to the Jack Spicer BANC MSS 2004/209 1 Papers, 1939-1982, bulk 1943-1965 Finding Aid to the Jack Spicer Papers, 1939-1982, bulk 1943-1965 Collection Number: BANC MSS 2004/209 The Bancroft Library University of California, Berkeley Berkeley, California Finding Aid Written By: Kevin Killian Date Completed: February 2007 © 2007 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Jack Spicer papers Date (inclusive): 1939-1982, Date (bulk): bulk 1943-1965 Collection Number: BANC MSS 2004/209 Creator : Spicer, Jack Extent: Number of containers: 32 boxes, 1 oversize boxLinear feet: 12.8 linear ft. Repository: The Bancroft Library Berkeley, California 94720-6000 Abstract: The Jack Spicer Papers, 1939-1982, document Spicer's career as a poet in the San Francisco Bay Area. Included are writings, correspondence, teaching materials, school work, personal papers, and materials relating to the literary magazine J. Spicer's creative works constitute the bulk of the collection and include poetry, plays, essays, short stories, and a novel. Correspondence is also significant, and includes both outgoing and incoming letters to writers such as Robin Blaser, Harold and Dora Dull, Robert Duncan, Lewis Ellingham, Landis Everson, Fran Herndon, Graham Mackintosh, and John Allan Ryan, among others. -
Oral History Interview with Richard Ayer, 1964 September 26
Oral history interview with Richard Ayer, 1964 September 26 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview Interview with Richard Ayer Conducted by Mary McChesney In San Francisco, California September 26, 1964 Preface The following oral history transcript is the result of a tape-recorded interview with Richard Ayer on September 26, 1964. The interview was conducted at 1321 19th Avenue San Francisco, California by Mary McChesney for the Archives of American Art, Smithsonian Institution. MM: - Mary McChesney RA: - Richard Ayer RM: - Robert McChesney MM: Dick, I would like to ask you first where were you born? RA: In San Bernardino. MM: That’s in Southern California? RA: That is in Southern California, yes. MM: In what year was that? RA: That was in 1909. Hardly a man is now alive. It hardly matters now. MM: The date of the recording is September 26, 1964. Dick, where did you receive your art training? RA: Well, I was largely self-taught most of my life and I studied some with Hilaire Hiler and I studied at the California School of Fine Art, as it was. And I don’t know, picked up study with various people who were teaching on the WPA. I don’t know, it was pretty haphazard but it came out pretty consistent. MM: Where did you study with Hiler? RA: Well, I worked with him on the Aquatic Park project and studied color with him on the outside. -
UNIVERSITY of CALIFORNIA Los Angeles the School of the Library A
UNIVERSITY OF CALIFORNIA Los Angeles The School of the Library A thesis submitted in partial satisfaction of the requirements for the Degree of Masters in Library and Information Science by Christine Michele Curley 2017 © Copyright by Christine Curley 2017 ABSTRACT OF THE THESIS The School of the Library by Christine Michele Curley Masters in Library and Information Science University of California, Los Angeles, 2017 Professor Johanna R Drucker, Chair Despite the enormous efforts which preceded the founding of the School of Library service at UCLA, two critics in the August 1959 issue of Southern California Chapter of the Special Libraries Association Bulletin--Robert Lewis and Frank Bennett, the latter of which was the Bulletin’s editor--created a stir in the special libraries community when they adamantly went against the general consensus of enthusiasm for the School of Library Service, and rather, vehemently opposed it. In exploring the reasons for and responses to these criticisms, this thesis will present an argument as to why these early critics were erroneous in their assessment of library education in Southern California and why the School of Library Service’s legacy and history, especially the efforts of Regent Edward Augustus Dickson, are essential in understanding the importance of UCLA’s “School of the Library.” Using information which was known in 1959 as well as that which is now known in retrospect, this thesis will assert reasons why the University of California Regents made a commendable decision in approving the School -
World War II Pilot Frank Welford Kerikeri Music
Erika Grundmann N L. W ZEALAND • (T" I Mansons Landing BC VOP 1KO moneAugust/Septembesr 2000 World War II pilot Frank Welford ISSN 1173-4159 Kerikeri Music Camps Childhood memories - 'Strawberry Fields Forever' Antarctic journey : Robert Falcon Scott 9 "771 173"415007 Images from the regions : Hawke's Bay and Otago jqSism IIB jqj if 3§Bd oj ujttix '9161 u^-ip az^dBj^ 3i[j uo (Mopq SuiSuiMs) uj^qqiQ ^Sjo^^ jo joqs IIOIJOB siqj SuonjdBD joj ^qisuods^j awAi ^JIA^UUBQ ui soipn^s uojjaS^ pjoxejj aqx *^JO^s [Bnsnun UB saDnpojjui qdBjSojoqd jBtisnun uy of rust, lured by the freedom of Australia, he jumped ship in Sydney and set out to seek his fortune in the Blue Mountains. Confident to the point of appearing GERMAN cocky, his motto was "I'm a sailor -1 can do anything!" He worked with the blasting crew in the Lithgow Tunnel construction, and as a waiter at The Hydro Hotel in GEORGE Medlow Bath where he quickly learned English and became known as "George." It was at The Hydro that Erika Grundmann is researching the intriguing he met fellow German Wilhelm Hugo Hildebrandt with character of George Dibbern. In this short whom, in 1910, he travelled to New Zealand. excerpt Erika explores a segment of George's diverse life whilst living in the Hawke's Bay. Hildebrandt, ten years Dibbern's senior and married to Francis Keneally, a young Australian widow with two George Dibbern, as "Business Man," Sydney, 1911 eorge Johann Dibbern was born March 26, 1889 in Kiel, Germany. -
University of Groningen Genealogies of Shamanism Boekhoven, J.W
University of Groningen Genealogies of shamanism Boekhoven, J.W. IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2011 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Boekhoven, J. W. (2011). Genealogies of shamanism: Struggles for power, charisma and authority. s.n. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 24-09-2021 3 Early twentieth-century American interpretations The German immigrant of Jewish descent Franz Boas (1858-1942) played a key role in the structuring of the American field of cultural anthropology and the gradual but major shift in which evolutionary and armchair anthropology gave way to new perspectives and new methods of inquiry. For his interpretation of shamanism, Boas depended primarily on the biographical accounts of his princi- ple informant Maxulagilis, the man who became known under his shamanic name Quesalid. -
On Henry Miller
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. In Praise of Flight There is no salvation in becoming adapted to a world which is crazy. — Henry Miller, The Colossus of Maroussi La fuite reste souvent, loin des côtes, la seule façon de sauver le bateau et son équipage. Elle permet aussi de découvrir des rivages inconnus qui surgiront à l’horizon des calmes retrouvés. Rivages inconnus qu’ignoreront toujours ceux qui ont la chance apparente de pouvoir suivre la route des cargos et des tankers, la route sans imprévu imposée par les compagnies de trans- port maritime. Vous connaissez sans doute un voilier nommé “Désir.” — Henri Laborit, Éloge de la fuite A man wakes. He knows exactly what is going to happen today, or at least he thinks he does (like everyone, he knows that the unexpected might occur at any time, that he might go to see his doctor and be told he has an inoperable cancer, or his girlfriend, who stood by him all through that messy divorce, will call him at the office mid- morning to say that she has met someone else, but he keeps the thought of random harm • 1 For general queries, contact [email protected] © Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. at bay as well as he is able, usually by means of a combination of superstition, moral duplicity, and steady, if uninventive, self- medication). -
Denman Marine Newsletter
Denman Marine Newsletter Hi, and welcome to the latest Denman Marine newsletter. In this month's newsletter we have; Te Rapunga Restoration Centre Harbour 31 May Special - $150 o all Chesapeake Light Craft Kayak Kits Small Boats Monthly Features the Chester Yawl Customer Build Update Website Additions If there is anything you would like to see in our future newsletters, discuss, query or order, please contact us via the contact form on our website. Te Rapunga Restoration Bruny Island Coastal Retreats and Nature Pact together with the help of some fellow sailing enthusiasts have acquired the boat Te Rapunga. Their goal is to realise Erika Grundmann’s “nostalgic vision” - to fully restore and return Te Rapunga to the Sea - her rightful home. Denman Marine is very proud to be restoring the historic vessel Te Rapunga. Please watch and share the videos below that illustrate the CAD technology being used for the restoration of Te Rapunga, Who is George Dibbern? and the journey of Te Repunga from a suburban backyard in Auckland New Zealand, all the way to our workshop in Kettering Tasmania. Te Rapunga is the foundation for an amazing story about a man, a small boat and the many lives they inuenced along the way. Never heard of George and his boat Te Rapunga? Take a look at Erika Grundman's website which has loads of info on the man and the boat. Better still, buy the books (Quest by George Dibbern and Dark Sun by Erika Grundman) and read about a man who had the courage to follow his heart, regardless of the cost. -
Winter 2008 Volume 22
COMMUNITY AUTHOR #9,000 obody’s counting—except a computer at Simon Fraser University Library—but David Stanley is the 9,000th B.C. author to be added to our encyclopedic, ever- expanding, massive on-line Author Bank for B.C. literature—replete with photos, re- “DAVID views and essays—at www.abcbookworld.com. We’d never heard of NDavid Stanley either, but hey, isn’t that somehow the point? STANLEY, WE Turns out David Stanley once pur- David Stanley has visited more than chased the longest plane ticket ever is- 195 countries and territories. PRESUME.” sued in Canada by Pan American “Each year I try to get to a few Airways back in 1978. He arranged to more countries on my to-do list,” he make over 50 stops between Los Ange- says. “I stay at inexpensive hotels, the les and Singapore. kind I recommend in my guide- Now with nine books to his credit, books. Mostly I prefer to travel in- Stanley has recorded the development cognito, and rough, using public of tourism in the South Pacific over the transport as much as possible.” past quarter-century. Stanley’s “under the radar” approach David Stanley of Nanaimo, seen here on Aitutaki in the Cook Islands, has “In the early days there was only one backfired on him during the papal visit visited more than 195 countries and territories as a travel writer. large resort on Bora Bora,” he recalls, of John Paul II to the Solomon Is- “and it was fine to camp free, for as long lands in 1984. -
PIRATES of BOAT HARBOUR -DESTINATION: WEST COAST July 1999-$ 4.50 Acific
PIRATES Of BOAT HARBOUR -DESTINATION: WEST COAST July 1999-$ 4.50 acific I X i ML; 17™' 78624" 70129"" 9" HISTORY By Erika Grundmann George Dibbern: Sailor-Philosopher A free-spirited wanderer who declared himself beyond nationality, Qeorge Dibbern spent two years on the B.C. coast, writing, cruising, and inspiring all he met with his idealism and charisma. Left: George Dibbern sailed the 32' ketch Te Rapunga from his native Germany to New Zealand, then to B.C. and back to New Zealand. She is pictured at the start of the 1934 Trans Tasman Race, which she won. Below: Dibbern aboard Te Rapunga at Immigration Wharf, Vancouver, in 1937. HEY hove to in the early morning mist. After 31 days en route from Honolulu, a clean-up was in order for boat and Tcrew. Te Rapunga had once again made landfall, this time in Victoria. Canada at last! Skipper George Dibbern, along with Roy Murdock and Eileen Morris, had started their adventure in Auckland, New Zealand almost two years earlier. The brass polished and the crew, like the deck, scrubbed, the 32' ketch sailed (no motor for this lot!) confidently into Vic- toria Harbour. Puzzled by the fact that no harbour boat came to meet them, they circled, then tied up at Enterprise Wharf, only to learn that they would have to return to William Head for pratique. It was July 1, 1937. By late afternoon, with proper clearance, Te Rapunga lay silent alongside Enterprise Wharf. Her crew had been whisked off to the hospitality of the Royal Victoria YC. -
Selections in Alcheringa, 1975
Editors: Dennis Tedlock and Jerome Rothenberg Editorial Assistant: Paul Kahn Contributing Editors: David Antin, Kofi Awoonor, Ulli Beier, Stanley Diamond, Charles Doria, Dell Hymes, Harris Lenowitz, David McAllester, William Mullen, .Simon Ortiz, Gary Snyder, Nathaniel Tarn. ALCHERINGA: ETHNOPOETICS, "A First Magazine of the World's Tribal Poetries," is published biannually by Boston Uni versity. Designed by the Boston University Graphics Office. Annual subscription rates are $7.00 for individuals and $10.00 for institutions (outside the U.S.A., add $1.00 for postage). Single copies of current issues are $3.50 each; back issues (Numbers 1-5 in the old series, 1970-73) are available in limited supply at $5.00 each. Subscription orders, single copy and bulk purchase orders, claims, and notices of change of address should be sent to: Sub scription Department, Boston University Scholarly Publications, 775 Commonwealth Avenue, Boston, MA 02215. Requests for advertising and distribution information should be sent to The Coordinator, Boston University Scholarly Publications, 775 Com monwealth A venue, Boston, MA 02215. Manuscripts and illustrations (accompanied by a stamped, self addressed envelope) should be sent to The Editors at ALCHERINGA, Boston University, 270 Bay State Road, Bos ton, MA 02215. Contributors are paid a nominal fee at the time of publication. Publication and payment of fees are made possible, in part, by a grant from the Coordinating Council of Literary Magazines. Copyright © 1975 by the Editors and by the Trustees of -
Autograph Auction Saturday 14 December 2013 11:00
Autograph Auction Saturday 14 December 2013 11:00 International Autograph Auctions (IAA) Radisson Edwardian Heathrow Hotel 140 Bath Road Heathrow UB3 5AW International Autograph Auctions (IAA) (Autograph Auction) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 4 GULLY JOHN: (1783-1863) CARNERA PRIMO: (1906-1967) English Boxer, Sportsman and Italian Boxer, World Heavyweight Politician. Signed Free Front Champion 1933-34. Bold blue envelope panel, addressed in his fountain pen ink signature ('Primo hand to Thomas Clift at the Carnera') on a page removed Magpie & Stumps, Fetter Lane, from an autograph album. One London and dated Pontefract, very slight smudge at the very 27th September 1835 in his conclusion of the signature and hand. Signed ('J Gully') in the some slight show through from lower left corner. Very slightly the signature to the verso. VG irregularly neatly trimmed and Estimate: £60.00 - £80.00 with light age wear, G. The Magpie & Stumps public house is situated opposite the Old Bailey Lot: 5 and was famous for serving BOXING: Small selection of execution breakfasts up until vintage signed postcard 1868 when mass public hangings photographs by the boxers Gene were stopped. Tunney (World Heavyweight Estimate: £80.00 - £100.00 Champion 1926-28), Max Baer (World Heavyweight Champion 1934-35) and Ken Overlin (World Lot: 2 Middleweight Champion 1940-41; WILLARD JESS: (1881-1968) signed to verso). Each of the American World Heavyweight images depict the subjects in full Boxing Champion 1915-19. Blue length boxing poses and all are fountain pen ink signature ('Yours signed in fountain pen inks. truly, Jess Willard') on a slim Some slight corner creasing, G to oblong 8vo piece. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date: 16-Aug-2010 I, John Lane , hereby submit this original work as part of the requirements for the degree of: Doctor of Musical Arts in Percussion It is entitled: Abstracted Resonances: A Study of Performance Practices Reflecting the Influence of Indigenous American Percussive Traditions in the Music of Peter Garland Student Signature: John Lane This work and its defense approved by: Committee Chair: Allen Otte, MM Allen Otte, MM 8/18/2010 1,060 Abstracted Resonances: A Study of Performance Practices Reflecting the Influence of Indigenous American Percussive Traditions in the Music of Peter Garland A doctoral document submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music by John Lane March 22, 2010 B.M., Stephen F. Austin State University, 2002 M.M., University of North Texas, 2004 Project Advisor: Allen Otte Abstract The history of purely American musical traditions—those not influenced by European ideals—has been largely unexplored by composers. One of the few composers to have created a new music in the search for a uniquely American identity is Peter Garland. Unlike the Euro- centric approach of George Gershwin, Aaron Copland, or William Grant Still, Garland attempts to create an American identity in music by utilizing the actual resonances—both physical and psychological—of indigenous cultures. The intent of this document is to shed light on Native American influences in the percussion music of Peter Garland and their realization through the most conscientious and sympathetic of performance practices.