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Albuquerque Museum + Foundation 2011 ANNUAL REPORT UNEXPECTED ALBUQUERQUE MUSEUM + FOUNDATION From telling the stories of the earliest days of living along the banks of the Rio Grande, to presenting contemporary artists from our region, The Albuquerque Museum of Art and History provides our community with a myriad ALBUQUERQUE MUSEUM FOUNDATION of contrasting and unique experiences. From Our mission is to provide financial support to position The Albuquerque traditional to modern, the celebration of Museum of Art and History as the outstanding museum of its kind in the Southwest. Through the generosity of Albuquerque’s past, present and future lives private and corporate supporters who committed both time and money, The right here. In addition to showcasing our rich Museum continues to offer cultural and educational programming for all generations in our community. and colorful history and artifacts, The Museum is home to one of the Southwest’s finest collections of traditional and contemporary art. It is also an education resource for thousands of kids of all ages every year. Every time you 10 12 24 27 visit, you’re bound to discover something new, Foundation Support Making Financial 2011 to the Museum A Difference Highlights Acquisitions something old, and something UNEXPECTED. 3 Peter Hurd, A Shower In A Dry Year (Detail) 1969, egg tempera on panel, 50 x 48 in. Museum purchase, 1985 General Obligation Bonds 1985.103.1 Everything The Albuquerque Museum of Art and History has served as the city’s cultural center since 1967. Today, The Museum maintains a reputation for being one of the leading institutions for art, history you’d EXPECT and culture in the Southwest. Come stroll through bygone periods, and embrace the history of this colorful region. Come discover some of the most remarkable works of art from the Southwest, and the to find, and world. Discover yourself here. At The Museum. so much more. 4 5 C.G. Wallace, Wallace Belt (Detail) 1930s-1950s, Lambert Homer and Roger Skeet, A’shiwi A’wan (Zuni) and Diné (Navajo), Blue Gem turquoise, silver, leather Gift of Kenneth Alan Wallace and his children, Andrew, Aaron, Susanna, Megan and Glen, PC2010.34.1 DISCOVERancient WHERE modernMEETS Art inspires just as history captivates. The Museum provides for the sharing of knowledge and appreciation for art and history, collecting and preserving objects of historic and artistic interest, and encouraging Cochiti Jar fom the Alvarado Hotel Indian Building, ca. 1865; continued excellence in the cultural life of our community. There’s Natural clay and paint; Gift of Drs. Bette K. and John R. Graham, in memory of Dr. Bette Kaufman Graham, PC2008.21.19 something for you here. Richard Hogan, Pharoah (Detail) 2008, oil and charcoal on canvas, Gift of Peg and Dick Cronin, Barbara Doroba-Ogg and Michael Ogg, Kris Kron and Ted Davis, Arden Reed and Drury Sherrod, Kevin and Elizabeth Hogan, and Rebecca and Joseph Hogan, PC 2011.31.1 6 7 Big ideas require big thinking. In 2005, the City of Albuquerque, the State of New Mexico and The Foundation partnered to fund an expansion of The Museum. This 40,000-square-foot expansion allows The Museum to present more of its permanent collection while providing a grander venue for the community. Phase II is set to begin in 2012, and will expand the opportunities to further serve the community. expansiveDISCOVER WHERE intimacyCREATES Even with the openness of its design, The Museum feels personal, making it ideal for creating those special connections between a people and their history, an individual and art, and a community and its culture. 8 9 smallWHERE hands bigEXPLORE hearts WHAT PROVIDE Education is at the center of The Museum’s programming. The Foundation supports many educational offerings through broad public and private gifts and volunteer support. These include Magic Bus, The Museum School, Family Days, and docent programs. The Museum and Foundation strive to inspire future generations to embrace art, history and culture of Albuquerque and the surrounding area. Through community partnerships, we are cultivating the next generation of Museum supporters. 2 9 , 6 4 4 = The total attendance for all museum educational programs in FY 2011 10 11 MAKING A DIFFERENCE DEBRA ROMERO Executive Director, We have more than a million reasons to be grateful for the ongoing Albuquerque Museum Foundation philanthropy of our community. Your efforts support The Museum and Foundation in presenting the historical, cultural and artistic heritage of CATHY WRIGHT our community. Director, The Albuquerque Museum of Art and History IT’S POSSIBLE WITH DearFriends, Where else could you have experienced a room lined with H. Joe Waldrum Polaroids, attended a lecture about the brain functioning of synesthesic artists, learned the history behind the design and creation of Tiffany lamps, and examined the detailed stitchery of New Mexico colcha? At The Albuquerque Museum of Art and History, all of these opportunities —and more —were presented to our community this past fiscal year. your support We are proud to present this report to the community because it highlights the work and mission of The Albuquerque Museum and its supporting Foundation. Through this unique partnership, we are able to deliver to Albuquerque not only critical cultural education to our school children, but also national and international exhibitions to our community, as well as presentations of our permanent collection. We thank the City of Albuquerque and its Cultural Services Department, all those who are members of The Museum, our community business partners, and all our donors who made it possible for us to meet our mission this year. FOUNDATION SUPPORT TO THE MUSEUM The Albuquerque Museum is where the unexpected meets the exceptional. With sincere regards, $1,099,326 7% Management & General 9% Miscellaneous Support 26% Education & Exhibitions 16% Museum Store & Cafe 7% Communications DEBRA ROMERO CATHY WRIGHT 20% Administrative Executive Director, Director, 16% Special Events Albuquerque Museum Foundation The Albuquerque Museum of Art and History 12 13 13 THOSE WHO MAKE A DIFFERENCE 124,848 Visitors CORPORATE PATRONS’ CIRCLE * MAJOR GIFTS PLATINUM ($10,000+) Albuquerque Community Foundation Garcia Automotive Group Alice Brasfield PNM American Home Estate of Lucia V.B. Batten REDW Bank of America Foundation 2,359 Members Bernalillo County CORPORATE PATRONS’ CIRCLE The Cherry Picker Foundation GOLD ($5,000 - $9,999) Frontier/Golden Pride Restaurants McCune Foundation US NM Federal Credit Union Smart Center Albuquerque Wells Fargo Bank New Mexico N.A. State Farm Insurance Companies US Trust-Bank of America Private 1,591 Donors CORPORATE PATRONS’ CIRCLE Wealth Management SILVER ($2,500 - $4,999) Vintage Albuquerque Keleher & McLeod Kleinfeld Commercial Brokerage PATRONS’ CIRCLE TO PROVIDE THE MOST ENRICHING Modrall, Sperling, Roehl, Harris & Sisk P.A. GOLD ($5,000+) Rodey, Dickason, Sloan, Akin & Robb P.A. Vicki and Samuel Dazzo Jr. EXPERIENCE FOR OUR COMMUNITY X Ray Associates of New Mexico Cyrene Inman Sheila Peloso and Dr. Ole Peloso 1 Goal AND GUESTS CORPORATE PATRONS’ CIRCLE Frauke and Keith Roth BRONZE ($1,000 - $2,499) Tracey and Martin Weisberg Dr. Dean Yannias The A Store First National Bank of Santa Fe Sandia BMW PATRONS’ CIRCLE SILVER ($2,500 - $4,999) The generous support of our members, individual donors and Stephanie and Leonard Armstrong *This program was launched in April, 2011 Dr. Ronald Bronitsky corporate sponsors — all with a shared belief in the importance of Beth Corbin Margaret Cronin and Dr. Richard J. Cronin art, history and cultural awareness — is absolutely essential for The Dr. Madeleine Grigg-Damberger and Albuquerque Museum to present our world-class collections and Stanley Damberger Frontier/Golden Pride Restaurants dynamic schedule of community programs to a broader audience. Julie and Alberto Gutierrez Julia Kalmus and Abe Lillard We thank the following individuals for their contributions which support Greta and Tom Keleher Dr. Angelique Cook and Dr. James Lowry our mission. Kathleen and Andrew Metzger Marilyn and Ron Racca Nancy Anderson Roberts Susan Matteson and Allan Saloka Elizabeth and Robert Wertheim Elizabeth Wills 14 15 THOSE WHO MAKE A DIFFERENCE THOSE WHO MAKE A DIFFERENCE PATRONS’ CIRCLE Elaine and Frederick Fiber Pamela and Donald Michaelis BENEFACTORS BRONZE ($1,000 - $2,499) Mary Kay and James Foley WEAR IT!/Janet L. Moses ($500 - $999) Michael D. Freccia and Kim Sugg Leonard Napolitano Cinco Bisco L.L.P. Maxine and Jerald Friedman Irene Navarre Jaynes Corp. DW Turner Carlos Garcia Dale Gunn and Mark Naylor Marsha Adams French Mortuary, Inc. Sonya Priestly and Art Gardenswartz Nancy and Seth Nodelman Dr. Rudolfo Anaya Karen Alarid Sharon and Jerry Geist Mary Osborn Marion and Edward Blank Maureen and David Anderson Doreen and Mike Godwin The Hon. James Parker Monica and Michael Bowlin Heather and John Badal Cathy and Joseph Goldberg Catherine Hollander and Charles Price III Shirley and George D. Brabson Barbara and Dan Balik Lorraine Goss and Dr. Jerome Goss Roberta Ramo and Dr. Barry Ramo Sandra Brentan James and Paula Brentan Karen and Christopher Bard Carol and John Grassham Connie Lovelady-Rappaport and Stuart Rappaport Elaine and Wayne Chew Patricia Bates Lynda and Harvey Grasty Lynn Reed Hilma and Jim Chynoweth Margaret and Hugh Bell Sharon Gross Roxana and Ogden Reid Michelle and Douglas Clark Beverly and Perry Bendicksen, III Jacqueline Guaderrama and Dr. Lauro Guaderrama Veronica Arzate de Reyes and David Reyes Marsha Swiss and Dr. Ronald Costell Michele and Rett Benedict Mr. Sidney Gutierrez Beverly Rogoff Dr. and Mrs. Michael Crews Nancy M. Berg Jane and Fred Hampton Debra Romero Norma and George Dallal Bronnie Blaugrund and Dr. Alan Blaugrund Judy and Michael Hauger Donna and Jack Rust Revathia and Russ Davidson Nancy and Cliff Blaugrund Robert G. Heiser Ellen Ann Ryan Dr. and Mrs. Michael G. Flax Sarah and Douglas Brown Dee Hines Pia and Jesus Salazar Ruth Gannaway Emily and Ken Brudos Debbie and Michael R.
Recommended publications
  • Oral History Interview with Richard Ayer, 1964 September 26
    Oral history interview with Richard Ayer, 1964 September 26 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview Interview with Richard Ayer Conducted by Mary McChesney In San Francisco, California September 26, 1964 Preface The following oral history transcript is the result of a tape-recorded interview with Richard Ayer on September 26, 1964. The interview was conducted at 1321 19th Avenue San Francisco, California by Mary McChesney for the Archives of American Art, Smithsonian Institution. MM: - Mary McChesney RA: - Richard Ayer RM: - Robert McChesney MM: Dick, I would like to ask you first where were you born? RA: In San Bernardino. MM: That’s in Southern California? RA: That is in Southern California, yes. MM: In what year was that? RA: That was in 1909. Hardly a man is now alive. It hardly matters now. MM: The date of the recording is September 26, 1964. Dick, where did you receive your art training? RA: Well, I was largely self-taught most of my life and I studied some with Hilaire Hiler and I studied at the California School of Fine Art, as it was. And I don’t know, picked up study with various people who were teaching on the WPA. I don’t know, it was pretty haphazard but it came out pretty consistent. MM: Where did you study with Hiler? RA: Well, I worked with him on the Aquatic Park project and studied color with him on the outside.
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  • Year of Exhib. Dates of Exhibition Title Of
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  • Harry Crosby, Frances Andre, Kenneth Rexroth, Arthur L
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  • RED BANK US, Britain Plan Early Laos Reply
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  • Nolde’S Search for Ruleless Color
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  • Painting Today and Yesterday in the United States (June 5–September 1)
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  • Color & Process
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