Will Shuster Papers
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Owings-Dewey North a Gallery for 19Th and 20Th Century American Art Consultation Sales Appraisal
OWINGS-DEWEY NORTH A GALLERY FOR 19TH AND 20TH CENTURY AMERICAN ART CONSULTATION _SALES _ APPRAISAL For Immediate Release Contact: Kelly Lyon, Director, Owings-Dewey North Phone: (505) 986-9088 Fax: (505) 982-8428 E-mail: [email protected] Transparencies and photos available upon request OWINGS-DEWEY NORTH Presents the work of: WILL SHUSTER (1893-1969) Who: Owings-Dewey North What: Gallery Exhibition: WILL SHUSTER (1893-1969) – Paintings, Drawings and Prints Will Shuster (William Howard Shuster, Jr.) was a versatile and well loved New Mexico artist, sculptor, inventor and writer. He was one of the founding members of Los Cinco Pintores – a group of Santa Fe artists, including Jozef Bakos, Fremont Ellis, Walter Mruk, Willard Nash, and Shuster, that became Santa Fe’s first modernist art group. The five young painters, all under thirty, considered themselves the radical young avant-garde artists of Santa Fe. In Shuster’s fifty-year career as an artist, he drew heavily upon local customs and ceremonies as subjects for his art, so it seems only fitting that he played a part in creating one of Santa Fe’s most popular rituals. Perhaps the most well-loved and well-known Shuster creation is Zozobra, the giant, 20 ft. paper puppet of Old Man Gloom, whose annual burning signifies the exoneration of last year’s sorrows and the beginning of hope, celebration and Fiestas. Originally created by Shuster in 1926, Zozobra has become one of the symbols of Santa Fe and a part of the colorful legacy that Will Shuster created as “a Santa Fe legend.” Shuster’s work has been exhibited widely throughout the country over the years and today, his work can be found in the collections of the Brooklyn Museum in New York, the Delaware Art Center in Wilmington, the Fine Arts Museum in Santa Fe and the New Jersey Museum in Newark to name a few. -
Oral History Interview with Richard Ayer, 1964 September 26
Oral history interview with Richard Ayer, 1964 September 26 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview Interview with Richard Ayer Conducted by Mary McChesney In San Francisco, California September 26, 1964 Preface The following oral history transcript is the result of a tape-recorded interview with Richard Ayer on September 26, 1964. The interview was conducted at 1321 19th Avenue San Francisco, California by Mary McChesney for the Archives of American Art, Smithsonian Institution. MM: - Mary McChesney RA: - Richard Ayer RM: - Robert McChesney MM: Dick, I would like to ask you first where were you born? RA: In San Bernardino. MM: That’s in Southern California? RA: That is in Southern California, yes. MM: In what year was that? RA: That was in 1909. Hardly a man is now alive. It hardly matters now. MM: The date of the recording is September 26, 1964. Dick, where did you receive your art training? RA: Well, I was largely self-taught most of my life and I studied some with Hilaire Hiler and I studied at the California School of Fine Art, as it was. And I don’t know, picked up study with various people who were teaching on the WPA. I don’t know, it was pretty haphazard but it came out pretty consistent. MM: Where did you study with Hiler? RA: Well, I worked with him on the Aquatic Park project and studied color with him on the outside. -
Coming out on June 14Th 2011
Coming out on June 14th 2011, new releases from Actors and Actresses, Geza X, Hardgirls, Kudrow, Naked Raygun, Slow Gherkin, The Holy Mess, The Preachers, The Saint Catherines, and The Tigermilks Exclusively Distributed by INDEPENDENT LABEL COLLECTIVE Actors & Actresses Street Date: We Love Our Enemy LP 06/14/2011 INFORMATION: Artist Hometown: Kansas City, MO For Fans Of: Low, Juno, Autolux, Swervedriver Actors&Actresses are a 3 piece from Kansas City, MO who mix synthetic, pre-recorded and organic sounds to produce alternately chilling backdrops and intense sequences of heavy post... whatever. While the stage presence of the band is relatively calm, the visual accompaniments filmed and edited by drummer Dave Sumner provide textural kinetics, without actually overpowering the complex rumble the band creates. Triggered samples and treated drum loops roil in the background, while the overpowering down-tuned bass ARTIST: ACTORS & ACTRESSES played by vocalist Scott Bennett bursts at the seams. Moving forward TITLE: WE LOVE OUR ENEMY and aft through the stereo field, Andrew Schiller’s guitars provide CAT#: Sheath028v eerie whines alternating with roaring walls of chords. The band can FORMAT: LP deftly move from a vast downpour to a quite intimate and delicate GENRE: shoegaze indie rock singularity, often within mere measures. The lean arrangements of BOX LOT: 12 the band’s material allow for the players to concoct a sound all their SRLP: $16.98 own yet deliver full sets of songs, each one sounding very different UPC: 798546267017 from the last. As record reviewers often note, it’s easy to hear where EXPORT: NO RESTRICTIONS A&A’s influences originate, but they’re somehow able to bring it all within their hazy machinery and make it all seem new again. -
PRESIDENT SENDS HIS MESSAGE to PEACE Socffities
■ / M ’Tr-.. ''. f" s n s m A m m s ' - ^ iT iiu n ViULT c m e o j a i M i i r M m M i «f ApiO^ 1M9 5,509 M M Nr of Affifi B o m m iMmurbrolrr lEiintinn lirraUi tw o . - ' ' •ICXr M M Io i. 4 ft; , PRICE THREE CENTS (ftH iittff A4vcrttilflf M f« fi !•«) SOUtH BfANCHESTER, CpNN.« MONDAY. MAY 2, 1932. (TWELVE PAGES) VOLi LI^ n o ; 192. GEORGE WASHINGTON IS ‘ONAUGURATED” AGAIN SNATEVOTES Atom Is Shattered —IN SHADOW OP MODERN SKYSCRAPERS PRESIDENT SENDS WCREASEDTAX By English Savants HIS MESSAGE TO O N TQ IGRAM S London, May 2,— (AP)—Two<^#v«r for ev«ry 10,000,000 particles younc scientists of CamBirdGe Uni-1 used to BomBard it, Be said. Dr. versity were hailed today os havinG j Cockroft, the elder of the two ex- PEACE SOCffiTIES ochleved a Great Goal physicists perimenters U only 34. TdephoM R at« AUo hchid have souGht to reach for years— O pti^tlc sdentis^ lonG have SW Bav“ Broken the atom, ; hoi^ In announclDg details of what he j tending that w ^ ^ feat was «c- id Bit Greater Exemp- eoli^ “A discovery of great science compllshed a boundl^ source of K ID N APED IN T E X A S jB M h res That Jostiee Is lh« » Lord Rutherford, energy would be available. M ' S S I "It U dUflcult to « y to whjit tU . tia ii Are ADewed — Tax Doiea scienvw , ^ ociom- ^scovery majrn fy lead'' Lord Ruther- roft and E. -
INSIDE:- Earliest Use of “Heavy Metal” - 1300 Underground Metal Flyers - Original KISS Zine Art - Signed Books, Albums and More
METALSECOND CATALOG OF HEAVY METAL JUNE 2015 Featuring: INSIDE:- Earliest Use of “Heavy Metal” - 1300 Underground Metal Flyers - Original KISS Zine Art - Signed Books, Albums and More.... Arthur Brown The God of Hellfire TERMS OF SALE This material is subject to prior sale. If you are interested in items in this catalog, we recommend you contact us HEAVY right away to secure it. As always, if you are not satis- fied with your purchase, all items are returnable within ten days of delivery. Materials must be returned in the same condition as sent. Simply call us at 626.967.1888 to discuss. Institutions and previously known custom- METAL ers can expect the usual terms. We accept all manner of payment. California residents will pay 9% sales tax, or, if items are purchased at a book fair, pay the sales ORIGIN tax appropriate to that local. As proud members of the Antiquarian Book- STORY sellers’ Association of America, we uphold our The Fugs. THE FUGS PRESENT A NIGHT OF NAPALM association’s code of IN SUPPORT OF THE ASSEMBLY OF UNREPRESENTED ethics. For more information about ABAA book fairs and PEOPLE. New York: [Ed Sanders / Fuck You Press], [1965]. events and to review our complete code of ethics, please An original flyer promoting the band’s August 7, 1965 visit the website: www.ABAA.org concert at The Bridge Theatre in New York. Mimeographed on a 8 ½” x 11” sheet of yellow paper. Mild smudging of the BRAD & JEN JOHNSON mimeo ink to the top right corner; else clean and bright. -
Evaluation Guidelines to Deal with Implicit Phenomena to Assess Factuality in Data-To-Text Generation
Evaluation Guidelines to Deal with Implicit Phenomena to Assess Factuality in Data-to-Text Generation Roy Eisenstadt Michael Elhadad Ben Gurion University Ben Gurion University Computer Science Department Computer Science Department Be’er Sheva, Israel Be’er Sheva, Israel [email protected] [email protected] Abstract Yet, recent work has shown that neural genera- tion models risk to create text that is not faithful Data-to-text generation systems are trained to the input data specification (Wang, 2019; Chen on large datasets, such as WebNLG, Ro- toWire, E2E or DART. Beyond traditional et al., 2019a), by either introducing content which token-overlap evaluation metrics (BLEU or is not warranted by the input or failing to express METEOR), a key concern faced by recent gen- some of the content which is part of the input. In erators is to control the factuality of the gen- fact, studies indicate that the training datasets also erated text with respect to the input data spec- suffer from problematic alignment between data ification. We report on our experience when and text (e.g., (Rebuffel et al., 2020) and (Dusekˇ developing an automatic factuality evaluation et al., 2019)), because large-scale data collection is system for data-to-text generation that we are complex. testing on WebNLG and E2E data. We aim to prepare gold data annotated manually to iden- In response, new evaluation metrics are being de- tify cases where the text communicates more veloped to assess the factuality of text with respect information than is warranted based on the in- to the input data. -
EXHIBITION of AMERICAN ART LEAVES for PARIS April
38418 - 17 THE MUSEUM OF MODERN ART F0R 14 WEST 49TH STREET, NEW YORK IMMEDIATE RELEASE TELEPHONE: CIRCLE 7-MKE TO EDITORS OUTSIDE NEW YORK CITY: Artists and lenders of paintings and sculptures here listed are natives or residents in various cities and towns throughout the country. Localities are given in every instance. Today, April 20, the large Exhibition of American Art 1609-1938, which the Museum of Modern Art has assembled for Paris,, will leave New York for France on the S.S. Lafayette. More than one thousand items are included in the exhibition which will be held at the Jeu de Paume, Paris, from May 24 to July 13. For more than a year, at the invitation of the French Government, the Museum has been assembling the exhibition. The largest section includes approximately 200 oils and watercolors, 40 sculptures, and 80 prints, the work of artists in all parts of the United States during the past three centuries. The exhibits shown in this section have been selected by Mr. A. Conger Goodyear, President of the Museum, assisted by Mr. Alfred H. Barr, Jr., Director, and Miss Dorothy C. Miller, Assistant Curator of Painting and Sculpture. Mr. Barr is sailing this week to supervise the in stallation of the exhibition in Paris. The following pieces of sculpture and contemporary paintings will be shown in the exhibition: CONTEMPORARY PAINTINGS: GIFFORD BEAL, b. 1879, New York. Lives in New York. "Horse Tent" (1937) Lent by the Artist GEORGE WESLEY BELLOWS, b. 1882, Columbus, Ohio; d. 1925 "Stag at Sharkey's" (1909) Lent by the Cleveland Museum of Art, Cleveland, Ohio . -
3Dpageflip Ebook Maker Page 1 of 129 INTRODUCTION
3DPageFlip eBook Maker Page 1 of 129 INTRODUCTION After years of pondering over how awesome it would be to release a compilation of bands from all around the world, we have finally gone and done just that! We asked bands to submit a song and bio for this huge compilation and the response was fantastic. This free e-book is our way of saying thanks to the readers of Heavy Planet and a terrific way to promote some amazing bands spanning the Stoner Rock, Doom, Psychedelic and Sludge Metal genres. Many thanks goes out to all of the bands and labels for allowing us to use their music and most of all to you the readers for making Heavy Planet what it has become today. Cheers! Enjoy and Doom on! ~Reg 3DPageFlip eBook Maker Page 2 of 129 THE ALBUM TITLE I asked my talented group of writers to come up with a name for the compilation and a bunch of different titles were thrown around but one truly encapsulated what Heavy Planet is about. Misha suggested..."Bong Hits From the Astral Basement", we all agreed and here it is, sixty-one of the finest bands from all around the world. Following are the biographies of each band and the artist that contributed the killer artwork. 3DPageFlip eBook Maker Page 3 of 129 THE BANDS 1000MODS 1000mods is a psychedelic/stoner rock band from Chiliomodi, Greece. They were formed in the summer of 2006 and since then, they have played over 100 live shows, including openings for Brant Bjork, Colour Haze, Karma to Burn, My Sleeping Karma, Radio Moscow and many others. -
Supplementary Materials
Guo, Jin, Wang, Qiu, Zhang, Zhu, Zhang, Wipf Supplementary Materials The supplementary file includes additional content related to the following: 1. Synthetic Experiments (Section 5.1 in main paper): We explain why the synthetic data loosely align with Definition 1, describe the network architectures of the CycleBase and CycleCVAE models, and include additional generation results. 2. WebNLG Experiments (Section 5.2 in main paper): We describe the experimental setup for WebNLG, including the task description, cycle-consistency model design, and all baseline and implementation details. We also include an ablation study varying dim[z]. 3. T5 Extension (Section 5.3 in main paper): We provide details of the CycleCVAE+T5 extension and include additional generated samples showing textual diversity. 4. Proof of Proposition 2. 5. Proof of Corollary 3. 7 Synthetic Dataset Experimental Details and Additional Results 7.1 Dataset Description and Relation to Definition 1 To motivate how the synthetic data used in Section 5.1 from the main paper at least partially align with Definition 1, we let c and e be zero vectors and A 2 Rd×10 be a d × 10 transformation matrix from images to digits, where d is the total number of pixels in each image x. In other words, each column i 2 f0; 1;:::; 9g of A is a linearized pixel sequence of the 2D image of digit i from top left to bottom right. Based on A, we construct an example inverse matrix D so that DA = I. Specifically, D can be a 10 × d matrix where each row i 2 f0; 1;:::; 9g is a linearized pixel sequence of a masked version of the image of the digit i, and this image can have, for example, only one non-zero pixel that is sufficient to distinguish the digit i from all other nine possibilities. -
File #1: File #2: File #3A: File #4: Installation Year of Exhib
File #1: File #2: File #3a: File #4: Installation Year of Exhib. Dates of Exhibition Title of Exhibition Objects/Installation Publications Press Background Photography 1941 June 5-September 1 Painting Today and Yesterday in the U.S Yes Yes Yes No Yes Masterpieces of Ancient China from Jan 1941 October 19-November 23 Kleijkamp Collection ? Yes ? ? No Arts of America Before Columbus: 500 B.C. - AD 1942 April 18-June 1500 (Ancient American Art) ? Yes Yes ? Yes United Nations Festival and Free France Exhibit Lent by Mr. & Mrs. Walter Arensberg and Edward 1942 May G. Robinson. ? No Yes ? No Yes 1942 July 1-July 31 Modern Mexican Painters Yes ? ? No 1943 March 7-April 11 Five Centuries of Painting lent by Jacob Heimann ? No ? ? No Paintings, Sculpture, and Lithographs by Arnold 1943 June Ronnebeck No No Yes No 1943 October 3 - ? America in the War. No Yes No 1943 November 16-December 7 Paintings by Agnes Pelton ? No ? ? No 1944 February 9-March 12 Paintings and Drawings by Jack Gage Stark ? Yes ? ? No Annual Exhibition of the California Watercolor 1944 March 15-April 7 Society Yes Yes ? ? No 1944 April 8-April 30 Paintings by Hilaire Hiler Yes No ? ? No 1944 July 8-July 23 Abstract and Surrealist Art in the United States ? Yes ? ? No 1944 September 5-October 5 First Annual National Competitive Exhibition ? Yes ? ? No Chinese Sculpture from the I to XII Centuries A.D. from the collection of Jan Kleijkamp and Ellis Monro. (“12 Centuries of Sculpture from Yes (Call# China”) Rare NB 1944 October-November 26 ? 1043.S3) ? ? No Charlotte Berend: Exhibition of Paintings in Oil 1944 November 9-December 10 and Watercolor ? Yes ? ? No 1945 March 11- The Debt to Nature of Art and Education ? Yes ? ? No Memorial Exhibition: "Philosophical & Allegorical" 1945 March 15-April 11 Paintings by Spencer Kellogg, Jr. -
Albuquerque Museum + Foundation
2011 ANNUAL REPORT UNEXPECTED ALBUQUERQUE MUSEUM + FOUNDATION From telling the stories of the earliest days of living along the banks of the Rio Grande, to presenting contemporary artists from our region, The Albuquerque Museum of Art and History provides our community with a myriad ALBUQUERQUE MUSEUM FOUNDATION of contrasting and unique experiences. From Our mission is to provide financial support to position The Albuquerque traditional to modern, the celebration of Museum of Art and History as the outstanding museum of its kind in the Southwest. Through the generosity of Albuquerque’s past, present and future lives private and corporate supporters who committed both time and money, The right here. In addition to showcasing our rich Museum continues to offer cultural and educational programming for all generations in our community. and colorful history and artifacts, The Museum is home to one of the Southwest’s finest collections of traditional and contemporary art. It is also an education resource for thousands of kids of all ages every year. Every time you 10 12 24 27 visit, you’re bound to discover something new, Foundation Support Making Financial 2011 to the Museum A Difference Highlights Acquisitions something old, and something UNEXPECTED. 3 Peter Hurd, A Shower In A Dry Year (Detail) 1969, egg tempera on panel, 50 x 48 in. Museum purchase, 1985 General Obligation Bonds 1985.103.1 Everything The Albuquerque Museum of Art and History has served as the city’s cultural center since 1967. Today, The Museum maintains a reputation for being one of the leading institutions for art, history you’d EXPECT and culture in the Southwest. -
April 4-10, 2012
April 4-10, 2012 Can this happen here? LSJ vs. mlive.com Page 9 FEC@E<K?@JN<<B J8M<,'8K ILDILEE<IJ j\\gX^\) 5EQQVGTU6Q)QRCIG 2 www.lansingcitypulse.com City Pulse • April 4, 2012 It has been my honor and DEAL OF THE WEEK privilege to serve USE BONUS CODE: you as your 73RRS Ingham County Drain Commissioner SAVE 50% AT Rum Runners for the past 20 years. on SaveLansing.com Together we have improved the quality of our water resources for the citizens of Ingham County and the Great Lakes. I look forward to many more years of working with you protecting these great resources of ours. Thank you for your recognition and Live entertainment in a support by choosing me as Caribbean-style setting Environmentalist of the year for the Come experience a tropical paradise lled with great last 4 years in the City Pulse and food, drinks, and entertainment at its best! The menu oers freshly prepared appetizers, chicken, beef and WLNS Top of the Town awards. seafood entrees, hamburgers and other sandwiches, salads, barbecued ribs, pizza, desserts and other light fare. The main attraction includes interactive Together we are making a better entertainment ranging from live dueling piano future and leaving a positive shows, karaoke, “open mic” shows, and a variety of other legacy for generations to come. live events that focus heavily on audience participation. You must sign up and purchase our stupendous deals online only at: SaveLansing.com City Pulse • April 4, 2012 www.lansingcitypulse.com 3 TICKET PRICES Old Town Lansing $13 in advance Progressive Food Sampling and Loft Tours $15 day of Old Town Commercial Association is hosting its fifth annual Taste & $5 children 12 & under Tour of Old Town on Saturday, April 14th from noon to 5pm.