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From the Surf to the Desert: Place Identity in California Indigenous Rock President's Column
F A L L 2 0 1 3 PacificaPacifica ASSOCIATION OF PACIFIC COAST GEOGRAPHERS In This Issue From the Surf to the Desert: Place Identity in Feature Article: From the Surf to the Desert: California Indigenous Rock Place Identity in 1 California Indigenous Jonathan Taylor associated with Southern California in the early Rock California State University, Fullerton 1960s. The genre is largely instrumental and is typified by clean, non-distorted electric guitars President’s Column 1 How important is place in popular music and the played through “wet” reverb springs and heavily Meeting Recap 3 development of unique musical styles? How do amplified to create a percussive, twangy, sound musicians and composers express their subjective while the tremolo bar is used to bend chords or Business Meeting 7 experiences of place? In this paper I discuss two notes, changing their pitch. Though quintessen- bands as exemplars of two locales in the develop- tially Californian, the genre actually owes a debt to Student Awards 9 ment of specifically Californian genres of rock mu- earlier instrumental rock pioneers such as UK in- Treasurer’s Report 10 sic: surf music and desert rock. The Mermen, from strumental group The Shadows, the Tacoma-based San Francisco and later Santa Cruz, present a North- instrumental group The Ventures, and earlier rock- ern Californian neo-psychedelic reimagining of surf abilly artists such as Link Wray and Duane Eddy. A b o u t A P C G music which itself has influenced the expansion of In terms of a defined and named style, though, surf the genre even as it transcends it. -
Rock Nacional” and Revolutionary Politics: the Making of a Youth Culture of Contestation in Argentina, 1966–1976
“Rock Nacional” and Revolutionary Politics: The Making of a Youth Culture of Contestation in Argentina, 1966–1976 Valeria Manzano The Americas, Volume 70, Number 3, January 2014, pp. 393-427 (Article) Published by The Academy of American Franciscan History DOI: 10.1353/tam.2014.0030 For additional information about this article http://muse.jhu.edu/journals/tam/summary/v070/70.3.manzano.html Access provided by Chicago Library (10 Feb 2014 08:01 GMT) T HE A MERICAS 70:3/January 2014/393–427 COPYRIGHT BY THE ACADEMY OF AMERICAN FRANCISCAN HISTORY “ROCK NACIONAL” AND REVOLUTIONARY POLITICS: The Making of a Youth Culture of Contestation in Argentina, 1966–1976 n March 30, 1973, three weeks after Héctor Cámpora won the first presidential elections in which candidates on a Peronist ticket could Orun since 1955, rock producer Jorge Álvarez, himself a sympathizer of left-wing Peronism, carried out a peculiar celebration. Convinced that Cám- pora’s triumph had been propelled by young people’s zeal—as expressed in their increasing affiliation with the Juventud Peronista (Peronist Youth, or JP), an organization linked to the Montoneros—he convened a rock festival, at which the most prominent bands and singers of what journalists had begun to dub rock nacional went onstage. Among them were La Pesada del Rock- ’n’Roll, the duo Sui Géneris, and Luis Alberto Spinetta with Pescado Rabioso. In spite of the rain, 20,000 people attended the “Festival of Liberation,” mostly “muchachos from every working- and middle-class corner of Buenos Aires,” as one journalist depicted them, also noting that while the JP tried to raise chants from the audience, the “boys” acted as if they were “untouched by the political overtones of the festival.”1 Rather atypical, this event was nonetheless significant. -
5-Stepcoordination Challenge Pat Travers’ Sandy Gennaro Lessons Learned Mike Johnston Redefining “Drum Hero”
A WILD ZEBRA BLACK FADE DRUMKIT FROM $ WIN DIXON VALUED OVER 9,250 • HAIM • WARPAINT • MIKE BORDIN THE WORLD’S #1 DRUM MAGAZINE APRIL 2014 DARKEST HOUR’S TRAVIS ORBIN BONUS! MIKE’S LOVES A GOOD CHALLENGE 5-STEPCOORDINATION CHALLENGE PAT TRAVERS’ SANDY GENNARO LESSONS LEARNED MIKE JOHNSTON REDEFINING “DRUM HERO” MODERNDRUMMER.com + SABIAN CYMBAL VOTE WINNERS REVIEWED + VISTA CHINO’S BRANT BJORK TELLS IT LIKE IT IS + OLSSON AND MAHON GEAR UP FOR ELTON JOHN + BLUE NOTE MASTER MICKEY ROKER STYLE AND ANALYSIS NICKAUGUSTO TRIVIUM LEGENDARYIT ONLYSTARTS BEGINS TO HERE.DESCRIBE THEM. “The excitement of getting my first kit was like no other, a Wine Red 5 piece Pearl Export. I couldn’t stop playing it. Export was the beginning of what made me the drummer I am today. I may play Reference Series now but for me, it all started with Export.” - Nick Augusto Join the Export family at pearldrum.com. ® CONTENTS Cover and contents photos by Elle Jaye Volume 38 • Number 4 EDUCATION 60 ROCK ’N’ JAZZ CLINIC Practical Independence Challenge A 5-Step Workout for Building Coordination Over a Pulse by Mike Johnston 66 AROUND THE WORLD Implied Brazilian Rhythms on Drumset Part 3: Cô co by Uka Gameiro 68 STRICTLY TECHNIQUE Rhythm and Timing Part 2: Two-Note 16th Groupings by Bill Bachman 72 JAZZ DRUMMER’S WORKSHOP Mickey Roker Style and Analysis by Steve Fidyk EQUIPMENT On the Cover 20 PRODUCT CLOSE˜UP • DW Collector’s Series Cherry Drumset • Sabian 2014 Cymbal Vote Winners • Rich Sticks Stock Series Drumsticks • TnR Products Booty Shakers and 50 MIKE JOHNSTON Little Booty Shakers by Miguel Monroy • Magnus Opus FiBro-Tone Snare Drums Back in the day—you know, like ve years ago—you 26 ELECTRONIC REVIEW had to be doing world tours or making platinum records Lewitt Audio DTP Beat Kit Pro 7 Drum to in uence as many drummers as this month’s cover Microphone Pack and LCT 240 Condensers star does with his groundbreaking educational website. -
Escúchame, Alúmbrame. Apuntes Sobre El Canon De “La Música Joven”
ISSN Escúchame, alúmbrame. 0329-2142 Apuntes de Apuntes sobre el canon de “la investigación del CECYP música joven” argentina entre 2015. Año XVII. 1966 y 1973 Nº 25. pp. 11-25. Recibido: 20/03/2015. Aceptado: 5/05/2015. Sergio Pujol* Tema central: Rock I. No caben dudas de que estamos viviendo un tiempo de fuerte interroga- ción sobre el pasado de lo que alguna vez se llamó “la música joven ar- gentina”. Esa música ya no es joven si, apelando a la metáfora biológica y más allá de las edades de sus oyentes, la pensamos como género desarro- llado en el tiempo según etapas de crecimiento y maduración autónomas. Veámoslo de esta manera: entre el primer éxito de Los Gatos y el segundo CD de Acorazado Potemkin ha transcurrido la misma cantidad de años que la que separa la grabación de “Mi noche triste” por Carlos Gardel y el debut del quinteto de Astor Piazzolla. ¿Es mucho, no? En 2013 la revista Rolling Stone edición argentina dedicó un número es- pecial –no fue el primero– a los 100 mejores discos del rock nacional, en un arco que iba de 1967 a 2009. Entre los primeros 20 seleccionados, 9 fueron grabados antes de 1983, el año del regreso de la democracia. Esto revela que, en el imaginario de la cultura rock, el núcleo duro de su obra apuntes precede la época de mayor crecimiento comercial. Esto afirmaría la idea CECYP de una época heroica y proactiva, expurgada de intereses económicos e ideológicamente sostenida en el anticonformismo de la contracultura es- tadounidense adaptada al contexto argentino. -
Jim Crow at the Beach: an Oral and Archival History of the Segregated Past at Homestead Bayfront Park
National Park Service U.S. Department of the Interior Biscayne National Park Jim Crow at the Beach: An Oral and Archival History of the Segregated Past at Homestead Bayfront Park. ON THE COVER Biscayne National Park’s Visitor Center harbor, former site of the “Black Beach” at the once-segregated Homestead Bayfront Park. Photo by Biscayne National Park Jim Crow at the Beach: An Oral and Archival History of the Segregated Past at Homestead Bayfront Park. BISC Acc. 413. Iyshia Lowman, University of South Florida National Park Service Biscayne National Park 9700 SW 328th St. Homestead, FL 33033 December, 2012 U.S. Department of the InteriorNational Park Service Biscayne National Park Homestead, FL Contents Figures............................................................................................................................................ iii Acknowledgments.......................................................................................................................... iv Introduction ..................................................................................................................................... 1 A Period in Time ............................................................................................................................. 1 The Long Road to Segregation ....................................................................................................... 4 At the Swimming Hole .................................................................................................................. -
Open Valhalla's Door! Wikingowie I Heavy Metal
1 | S t r o n a OPEN VALHALLA’S DOOR! Wikingowie i heavy metal Wikingowie. Groźni piraci, bezlitośni wojownicy, poganie. Nieustraszeni żeglarze, odkrywcy, obrotni kupcy. Skojarzenia bywają różne, jednak nie ulega wątpliwości, że po dziś dzień Skandynawia łączona jest z wikińskim dziedzictwem jej wczesnośredniowiecznych mieszkańców. Jednym z najważniejszych aspektów kultury Normanów pozostaje ich sztuka wojenna oraz barwna mitologia, szczęśliwie w dużej mierze ocalała, dzięki islandzkim skrybom. Historia ludzi Północy i ich wierzenia z epoki wikingów inspirują kolejne generacje pisarzy fantasy, twórców filmowych, producentów gier i, przede wszystkim, muzyków sceny metalowej. W niniejszym artykule chciałabym pokrótce poruszyć temat wykorzystywania wątków związanych z kulturą wikingów przez wykonawców metalu1. Muzyka metalowa to oczywiście nader pojemny termin. Choć sam metal jest częścią szerszego stylu – rocka, możemy w nim wydzielić kilkadziesiąt podgatunków, pomiędzy którymi często nie da się zarysować jasnych granic. Jednak metal ma pewien specyficzny dźwięk, instrumentację, dzięki czemu możemy mówić o nim jako o odrębnym gatunku muzycznym. Klasycznymi instrumentami używanymi przez grupy metalowe pozostają gitara elektryczna, gitara basowa oraz perkusja. Wiele zespołów jako standardowe wyposażenie wykorzystuje ponadto keyboard, a okazjonalnie używane bywają także skrzypce, flety i inne zasadniczo nietypowe dla rocka instrumenty, jak chociażby organy. Charakterystyczny wokal to także cecha dystynktywna metalu. Metal jest głośny i taki właśnie ma być. „Of all rock & roll's myriad forms, heavy metal is the most extreme in terms of volume, machismo, and 1 Stosuję tutaj termin ‘metal’ jako zbiorczy na poszczególne gatunki które narodziły się z pierwotnego heavy metalu. Ów heavy metal bywa też nazywany classic metalem. W tekście nie będę robić różnicy między artystami wykonującymi hard rock, klasyczny heavy metal oraz power metal, ponieważ grupy te często przeplatają poszczególne podgatunki rocka w swojej twórczości. -
ENTERTAINMENT Page 17 Technique • Friday, March 24, 2000 • 17
ENTERTAINMENT page 17 Technique • Friday, March 24, 2000 • 17 Fu Manchu on the road On shoulders of giants ENTERTAINMENT The next time you head off down the Oasis returns after some troubling highway and are looking for some years with a new release and new hope tunes, try King of the Road. Page 19 for the future of the band. Page 21 Technique • Friday, March 24, 2000 Passion from the mouthpiece all the way to the back row By Alan Back Havana, Cuba, in 1949, Sandoval of jazz, classical idioms, and Living at a 15-degree tilt began studying classical trumpet traditional Cuban styles. at the age of 12, and his early During a 1977 visit to Cuba, Spend five minutes, or even experience included a three-year bebop master and Latin music five seconds, talking with enrollment at the Cuba National enthusiast Dizzy Gillespie heard trumpeter Arturo Sandoval and the young upstart performing you get an idea of just how with Irakere and decided to be- dedicated he is to his art. Whether “I don’t have to ask gin mentoring him. In the fol- working as a recording artist, lowing years, Sandoval left the composer, professor, or amateur permission to group in order to tour with both actor, he knows full well where anybody to do Gillespie’s United Nation Or- his inspiration comes from and chestra and an ensemble of his does everything in his power to what I have to.” own. The two formed a friend- pass that spark along to anyone Arturo Sandoval ship that lasted until the older who will listen. -
Fireworks Magazine, Issue 59/2013
whole band in on the fly. That way, if you do a great take but are not happy with the second half of the song you can have the band play along and seamlessly drop into record mode. The production for an independently released album is wonderful.What can you tell us about it? That would be down to Bruce Quarto, the head of our record company. From the very beginning he said:"1 want this album to be exceptional, not just great. I don't care how long it takes or how much it costs but if you come out of the studio and feel you could have done better, go back in and do it again." Giving us the financial freedom to concentrate on the album instead of struggling to survive gave us the chance to really spend a 'iot of time crafting the songs before we even went in to record them. The same goes for the recording process.We spent a lot of time finding the right guitar, amp or keyboard to get the perfect sound. The cover art for the album is fantastic. Who didit and are you and the band pleased with how it turned out? Were you involved in the concept? The cover was designed and put together by Gien Wexler. Apart from approving the concept we had no involvement with it and of course, we are more than pleased with it. Gien has produced over 300 album covers and has worked with everyone ENJOY THIS UNHIP, from Black Sabbath, toVan Haien to Michael jackson.This cover UNCOOl AND UN-SEXY MUSIC! was originally a concept Gien had for Led Zeppelin with a http://www.comerstone.co.at zeppelin being dug out of the ground but got nixed by jimmy Page's art director. -
Coming out on June 14Th 2011
Coming out on June 14th 2011, new releases from Actors and Actresses, Geza X, Hardgirls, Kudrow, Naked Raygun, Slow Gherkin, The Holy Mess, The Preachers, The Saint Catherines, and The Tigermilks Exclusively Distributed by INDEPENDENT LABEL COLLECTIVE Actors & Actresses Street Date: We Love Our Enemy LP 06/14/2011 INFORMATION: Artist Hometown: Kansas City, MO For Fans Of: Low, Juno, Autolux, Swervedriver Actors&Actresses are a 3 piece from Kansas City, MO who mix synthetic, pre-recorded and organic sounds to produce alternately chilling backdrops and intense sequences of heavy post... whatever. While the stage presence of the band is relatively calm, the visual accompaniments filmed and edited by drummer Dave Sumner provide textural kinetics, without actually overpowering the complex rumble the band creates. Triggered samples and treated drum loops roil in the background, while the overpowering down-tuned bass ARTIST: ACTORS & ACTRESSES played by vocalist Scott Bennett bursts at the seams. Moving forward TITLE: WE LOVE OUR ENEMY and aft through the stereo field, Andrew Schiller’s guitars provide CAT#: Sheath028v eerie whines alternating with roaring walls of chords. The band can FORMAT: LP deftly move from a vast downpour to a quite intimate and delicate GENRE: shoegaze indie rock singularity, often within mere measures. The lean arrangements of BOX LOT: 12 the band’s material allow for the players to concoct a sound all their SRLP: $16.98 own yet deliver full sets of songs, each one sounding very different UPC: 798546267017 from the last. As record reviewers often note, it’s easy to hear where EXPORT: NO RESTRICTIONS A&A’s influences originate, but they’re somehow able to bring it all within their hazy machinery and make it all seem new again. -
RYKO/ADA Global - NEWS 03/08 Im Vertrieb Von Lotus Records
RYKO/ADA Global - NEWS 03/08 im Vertrieb von Lotus Records Wien, 07.03.08 Hallo Redaktionen! Kurz bevor der Osterhase nach seinen Schoko- und Gelee-Auftritten in allen einschlägigen Supermärkten endgültig seine Nase durch die Tür steckt, präsentieren wir unseren Alternative/Indie-Feinkostbauchladen mit Athens/Georgia-Folk-Pop-Rock-Formation Elf Power und den fulminanten Hard-Rock-Neulingen Year Long Disaster aus L.A., die im Rahmen der "A SPRING BREAK ORGY TO REMEMBER" Tournee mit Turbonegro und Valient Thorr im März in Graz und Wien auch live zu sehen sein werden. Aktuell bei RYKO/ADA Global: Elf Power "In A Cave" - FuzzBox-Electonic, Acoustic-Folk, Kraut und Grass-Root-Rock, sowie klassischen Pop-Melodien ... Elf Power gelingt, was im heutigen Musik-Business kaum noch möglich scheint – langsames und nachhaltiges Entwickeln eines eigenen Sounds, das Experiment als Chance neue Spielarten zu entdecken und zu kultivieren – ohne dabei den Spass, Bauchgefühl und Tanzbein zu vergessen. Year Long Disaster "Year Long Disaster" - Das Rock 'n' Roll Power Trio gilt als Gitarren- Hoffnung des Jahres und brettert auf seinem Debüt-Album den "Highway to Hardrock-Hell" entlang. Daniel Davis (Sohn der Kinks-Legende Dave Davis), Rich Mullins (Ex-Karma To Burn) und Brad Hargreaves (Third Eye Blind) zeigen das Drogen-Rehab erfolgreich sein kann und die Erinnerung an 70er Power-Chords überlebt. Live-Termine in Österreich von Joe Jackson, Volcom Year Long Disaster und The Wombats RYKO/ADA podcast - The Real Alternative feat. Year Long Disaster, Elf Power & The Wombats http://www.tautscher.net/?tag=podcast Wir freuen uns über Anfragen, Ankündigung, Berichte, Kritiken, etc. -
Fall 2017 Main Stage Pitch DIRECTED BY: Zach Schiffman MUSICALLY DIRECTED BY: Jessie Rosso CHOREOGRAPHED BY
BU ON BROADWAY: Fall 2017 Main Stage Pitch DIRECTED BY: Zach Schiffman MUSICALLY DIRECTED BY: Jessie Rosso CHOREOGRAPHED BY: Emma Howard MUSIC: Duncan Sheik BOOK: Steven Slater BASED ON: Spring Awakening Rights available through MTI by Frank Wedekind 1 INTRODUCTION ZACH SCHIFFMAN - DIRECTOR Zach is a rising senior in the College of Communications, majoring in Film & Television major concentrating in writing and producing for television. He is also minoring in Spanish in the College of Arts and Sciences. He will be returning this fall from a semester abroad in Madrid. He has been a part of over 40 shows since the age of eight and has performed on the stage of multiple professional theaters in the Chicago area, such as the Northlight Theatre and the Goodman Theatre. He also has extensive training in theatre including Laban movement, Stanislavsky methods, Chekhov techniques, and more. Directing has been a passion of his since the beginning of his high school career. He has taken courses on directing, studying the methods of William Ball and Richard Brestoff, and engaged in a summer intensive for new directors at the Actors Training Center in Wilmette, IL. In high school, he independently directed two short plays and also assistant directed both a student-written musical and August: Osage County In the summer of 2014, he faced his biggest theatrical challenge to date: co-founding a theatre company while simultaneously directing its inaugural production. The show was the Pulitzer Prize- winning play Proof by David Auburn. The Unit 14 Theatre Company was established with no support from his high school or other adults in the area. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,