Harvard-Radcliffe Collegium Musicum
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Missa Hercules Dux Ferrarie, Missa D'ung Aultre Amer & Missa
Gimell Other Masses by Josquin previously recorded by The Tallis Scholars Missa Ad fugam CDGIM 039 Missa Ave maris stella CDGIM 044 Missa Da pacem (formerly attrib.) CDGIM 052 Missa De beata virgine CDGIM 044 Missa Di dadi ‘The Dice Mass’ CDGIM 048 Missa Fortuna desperata CDGIM 042 Missa Gaudeamus CDGIM 050 Missa L’ami Baudichon CDGIM 050 Missa La sol fa re mi CDGIM 009 Missa L’homme armé sexti toni CDGIM 019 Missa L’homme armé super voces musicales CDGIM 019 Missa Malheur me bat CDGIM 042 Missa Mater Patris CDGIM 052 Missa Pange lingua CDGIM 009 Missa Sine nomine CDGIM 039 Missa Une mousse de Biscaye CDGIM 048 Cover illustration: Ercole I d’Este, Duke of Ferrara, by Dosso Dossi C A. De Gregorio / De Agostini Picture Library / Bridgeman Images 2 s mell Record i ve Barda. © 2013 G ve i Photo by Cl “With this ninth and final release in our Josquin Mass cycle, we come to three of his greatest works. Together they form a perfect showcase for a genius who felt challenged to make each setting different.” Peter Phillips 3 CONTENTS Track listing and credits page 5 Music note page 7 Sung texts and translation page 11 Notice en Français page 14 Textes chantés et traduction page 18 Kommentar auf Deutsch Seite 21 Gesangstexte und Übersetzung Seite 25 4 Josquin des Prés (c1450–1521) Missa Hercules Dux Ferrarie 27.29 Tu solus qui facis mirabilia 4.48 CONTENTS Kyrie 2.47 24. Tu solus qui facis mirabilia 1.47 1. Kyrie I 1.06 25. -
Josquin Des Prez: Master of the Notes
James John Artistic Director P RESENTS Josquin des Prez: Master of the Notes Friday, March 4, 2016, 8 pm Sunday, March 6, 2016, 3pm St. Paul’s Episcopal Church St. Ignatius of Antioch 199 Carroll Street, Brooklyn 87th Street & West End Avenue, Manhattan THE PROGRAM CERDDORION Sopranos Altos Tenors Basses Gaude Virgo Mater Christi Anna Harmon Jamie Carrillo Ralph Bonheim Peter Cobb From “Missa de ‘Beata Virgine’” Erin Lanigan Judith Cobb Stephen Bonime James Crowell Kyrie Jennifer Oates Clare Detko Frank Kamai Jonathan Miller Gloria Jeanette Rodriguez Linnea Johnson Michael Klitsch Michael J. Plant Ellen Schorr Cathy Markoff Christopher Ryan Dean Rainey Praeter Rerum Seriem Myrna Nachman Richard Tucker Tom Reingold From “Missa ‘Pange Lingua’” Ron Scheff Credo Larry Sutter Intermission Ave Maria From “Missa ‘Hercules Dux Ferrarie’” BOARD OF DIRECTORS Sanctus President Ellen Schorr Treasurer Peter Cobb Secretary Jeanette Rodriguez Inviolata Directors Jamie Carrillo Dean Rainey From “Missa Sexti toni L’homme armé’” Michael Klitsch Tom Reingold Agnus Dei III Comment peut avoir joye The members of Cerddorion are grateful to James Kennerley and the Church of Saint Ignatius of Petite Camusette Antioch for providing rehearsal and performance space for this season. Jennifer Oates, soprano; Jamie Carillo, alto; Thanks to Vince Peterson and St. Paul’s Episcopal Church for providing a performance space Chris Ryan, Ralph Bonheim, tenors; Dean Rainey, Michael J. Plant, basses for this season. Thanks to Cathy Markoff for her publicity efforts. Mille regretz Allégez moy Jennifer Oates, Jeanette Rodriguez, sopranos; Jamie Carillo, alto; PROGRAM CREDITS: Ralph Bonheim, tenor; Dean Rainey, Michael J. Plant, basses Myrna Nachman wrote the program notes. -
Josquin Des Prez
(LEMS 8081, formerly released as LLST 7265) Josquin Des Prez Missa Gaudeamus Dominus regnavit In exitu Israel Nymphes des bois Capella Cordina Alejandro Planchart, director In 1502 the Venetian printer Ottaviano Petrucci, who had issued the previous year the first collection of part-music ever printed (the Harmonice musices odhecaton), published his first book of Masses; the Misse Josquin. The book contained five Masses: L’Homme armé super voces musicales; La, sol, fa, re, mi; Gaudeamus; Fortuna desperata; and L’Homme armé sexti toni. 1 The choice of Josquin for such a volume was an obvious one, for the composer was then at the very height of his fame and influence. Indeed, although Petrucci eventually brought out books of Masses by other composers, only Josquin merited three complete prints from him (Book II, 1505; Book III, 1514), and only the Josquin Mass books were reprinted (Book I in 1516, Book II in 1515). Thus, virtually all the extant authentic Masses of Josquin were published by Petrucci. The exceptions are the Missa Pange lingua, probably composed after 1516, and the Missa Allez regretz, an inferior work that may well be spurious. A third Mass attributed to Josquin in some sources, the Missa Da pacem, has been shown to be the work of a minor composer, Noel Bauldweyn. In 1502, however, neither Petrucci nor Josquin (who most likely had a say in the selection of pieces) could have known that there would be eventually three complete books of Josquin’s Masses from the Venetian’s press, and the choice of pieces reflects a great deal of care. -
Josquin Des Prez Discography
Josquin des Prez Discography Compiled by Jerome F. Weber This discography of Josquin des Prez (Josquin Lebloitte dit des Prez, formerly cited as Josquin Desprez or Josquin des Près and alphabetized under D, J or P), compiled by Jerome F. Weber, adopts the format of the Du Fay discography previously posted on this website. It may be noted that at least three book titles since 2000 have named him simply “Josquin,” bypassing the spelling problem. Acknowledgment is due to Pierre-F. Roberge and Todd McComb for an exhaustive list of records containing Josquin’s music in www.medieval.org/emfaq. It incorporates listings from the work of Sydney Robinson Charles in Josquin des Prez: A Guide to Research (Garland Composer Resource Manuals, 1983) and Peter Urquhart in The Josquin Companion (ed. Richard Sherr, Oxford, 2000), which continued where Charles left off. The last two lists each included a title index. This work has also used the following publications already incorporated in the three cited discographies. The 78rpm and early LP eras were covered in discographic format by The Gramophone Shop Encyclopedia of Recorded Music (three editions, 1936, 1942, 1948) and The World’s Encyclopaedia of Recorded Music (three volumes, 1952, 1953, 1957). James Coover and Richard Colvig compiled Medieval and Renaissance Music on Long-Playing Records in two volumes (1964 and 1973), and Trevor Croucher compiled Early Music Discography from Plainsong to the Sons of Bach (Oryx Press, 1981). The Index to Record Reviews compiled by Kurtz Myers (G. K. Hall, 1978) provided useful information. Michael Gray’s classical-discography.org has furnished many details. -
Notes on Heinrich Isaac's Virgo Prudentissima Author(S): Alejandro Enrique Planchart Source: the Journal of Musicology, Vol
Notes on Heinrich Isaac's Virgo prudentissima Author(s): Alejandro Enrique Planchart Source: The Journal of Musicology, Vol. 28, No. 1 (Winter 2011), pp. 81-117 Published by: University of California Press Stable URL: http://www.jstor.org/stable/10.1525/jm.2011.28.1.81 Accessed: 26-06-2017 18:47 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms University of California Press is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Musicology This content downloaded from 128.135.12.127 on Mon, 26 Jun 2017 18:47:45 UTC All use subject to http://about.jstor.org/terms Notes on Heinrich Isaac’s Virgo prudentissima ALEJandro ENRIQUE PLANCHART Thomas Binkley in memoriam In 1520 Sigmund Grimm and Marx Wirsung published their Liber selectarum cantionum quas vulgo mutetas appellant, a choirbook that combined double impression printing in the manner of Petrucci with decorative woodcuts. As noted in the dedicatory letter by the printers and the epilogue by the humanist Conrad Peutinger, the music was selected and edited by Ludwig Senfl, who had succeeded his teacher, Heinrich Isaac, as head of Emperor Maximilian’s chapel 81 until the emperor’s death in 1519. -
Reception of Josquin's Missa Pange
THE BODY OF CHRIST DIVIDED: RECEPTION OF JOSQUIN’S MISSA PANGE LINGUA IN REFORMATION GERMANY by ALANNA VICTORIA ROPCHOCK Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. David J. Rothenberg Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2015 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Alanna Ropchock candidate for the Doctor of Philosophy degree*. Committee Chair: Dr. David J. Rothenberg Committee Member: Dr. L. Peter Bennett Committee Member: Dr. Susan McClary Committee Member: Dr. Catherine Scallen Date of Defense: March 6, 2015 *We also certify that written approval has been obtained for any proprietary material contained therein. TABLE OF CONTENTS List of Tables ........................................................................................................... i List of Figures .......................................................................................................... ii Primary Sources and Library Sigla ........................................................................... iii Other Abbreviations .................................................................................................. iv Acknowledgements ................................................................................................... v Abstract ..................................................................................................................... vii Introduction: A Catholic -
Cal's Mid-Spring Tournament 2018 Written by Members of the Berkeley
Cal’s Mid-Spring Tournament 2018 Written by members of the Berkeley Quizbowl Club, Weijia Cheng, Ryan Humphrey, Ike Jose, Eddie Kim, Will Nediger, and Jennie Yang Edited by Weijia Cheng, Michael Coates, Aseem Keyal, Bruce Lou, Will Nediger, Ryan Humphrey, Eddie Kim, and Jennie Yang Tossups 1. Two of this author’s characters have their first kiss in a mirror-covered room in a villa filled with grotesques. That happens in a novel ending with Eleonora da Fonseca Pimentel cursing the main characters for their selfishness, declaring “Damn them all.” In a story by this author, Ursula notes that in a story it’s possible to write “He’s still alive” but in a painting or photograph you can’t show the concept of “still.” Ellen Lee accused this author of plagiarizing books like (*) Willa Cather’s My Mortal Enemy in a novel about the actress Helena Modjeska (“maw-JESS-kuh”). An essay by this author is about “the triumph of the epicene style,” which “sees everything in quotation marks.” A novel by this woman fictionalizes the lives of William and Emma Hamilton. Max says “At first he was just losing weight, he felt only a little ill” at the beginning of a dialogue-heavy story by this author about the AIDS crisis. For 10 points, name this author of In America, The Volcano Lover, and “The Way We Live Now,” as well as the essay “Notes on Camp.” ANSWER: Susan Sontag <WN, Long Fiction> 2. A 2004 study which used microsatellite data to identify these things with 99 percent accuracy was co- authored by Heidi Parker and Elaine Ostrander. -
THE TALLIS SCHOLARS Vocal Ensemble
THE TALLIS SCHOLARS Vocal Ensemble The Tallis Scholars were founded in 1973 by their director, Peter Phillips. Through their recordings and concert performances, they have established themselves as the leading exponents of Renaissance sacred music throughout the world. Peter Phillips has worked with the ensemble to create, through good tuning and blend, the purity and clarity of sound which he feels best serves the Renaissance repertoire, allowing every detail of the musical lines to be heard. It is the resulting beauty of sound for which The Tallis Scholars have become so widely renowned. The Tallis Scholars perform in both sacred and secular venues, giving around 80 concerts each year. In 2013 the group celebrated their Photo © Nick Rutter 40th anniversary with a World Tour, performing 99 events in 80 venues in 16 countries. They now look ahead to their 50th anniversary in 2023. In 2020 Gimell Records celebrated 40 years of recording the group by releasing a remastered version of the 1980 recording of Allergri’s ‘Miserere’. As of the beginning of the cancellations caused by the COVID-19 crisis, the Tallis Scholars had made 2,327 appearances, worldwide. 2021/22 season highlights include performances in Amsterdam, Vienna, Paris, the RheinVokal and Regensburg Festivals, Klangvokal Musikfestival Dortmund, Bremen Musikfest and tours of Italy, in addition to their usual touring schedule around the USA, Europe and the UK. As part of the postponed Josquin des Prez’ 500th anniversary celebrations The Tallis Scholars will sing all eighteen of the composer’s masses over the course of 4 days at the Boulez Saal in Berlin in July 2022. -
Course Syllabus: “The Glory of the Renaissance”
Course Syllabus: “The Glory of the Renaissance” Long title: “The Glory of the Renaissance: How Music, Painting and Architecture Thrived at the Nexus of Spiritual, Political and Intellectual Power in Fifteenth- Century Italy” LS 770-73 Summer 2017 Thomas Brothers, Professor of Music 071 Mary Duke Biddle Dept. of Music [email protected]/Office hours by appointment “The disciplines are interconnected, and a person cannot master one unless he seeks light from another.” Aeneas Silvius Piccolomini, 1450. Course overview You can lose yourself in the magnificent Duomo of Florence, completed by the great fifteenth-century architect, Filippo Brunelleschi. You can also lose yourself in a painting by Piero della Francesca, or in Guillaume Dufay’s brilliant music for the Catholic liturgy, pieces like the Missa Se la face ay pale—lose yourself in the sense of tasting a vast and brilliant world that leaves the petty concerns of day-to-day life behind. Fifteenth-century Italy enjoyed a strong tradition of art designed with this in mind. Composers, painters and architects used the full range of intellectual and emotional power available to them to create a transcendent world, and they did so through the patronage of powerful people who expected something in return. That is how the themes of art, spirituality, intellectual inquiry and politics intersect, and that is how some of the greatest art in the European tradition was created. Much of it is still around for us to enjoy and understand today. This course covers music, painting, architecture, religion and politics in the 15th Century, primarily in Florence and Rome. -
Stile Antico
Stile Antico: Josquin – Father of the Renaissance St Martin-in-the-Fields Trafalgar Square London Available to watch as many times as you like WC2N 4JJ from 7.30pm, Thursday 4 February 2021, 020 7766 1100 and available for 30 days. www.smitf.org PROGRAMME Ave Maria...Virgo serena – Josquin des Prez (1450/55-1521) Kyrie from Missa Pange Lingua – Josquin des Prez Vivrai je toujours – Josquin des Prez El Grillo – Josquin des Prez Inviolata, integra et casta es – Josquin des Prez Gloria from Missa Pange Lingua – Josquin des Prez Mille regretz – Josquin des Prez Salve Regina – Josquin des Prez O mors inevitabilis – Hieronymus Vinders (fl. 1525-1526) Agnus Dei I and III from Missa Pange Lingua – Josquin des Prez Dum vastos Adriae fluctus – Jacquet de Mantua (1483-1559) Stile Antico (c. Marco Borggreve) The Golden Renaissance: Josquin des Prez PROGRAMME NOTES by Sarah Maxted For such a significant composer, there is remarkably little known about the life of Josquin des Prez. From his year of birth (the scholarly consensus is c. 1450/55), to his nationality (probably French, but he might have been born in Hainaut in modern-day Belgium), to his surname (presented in legal documents as Lebloitte or des Prez but also rendered variously in French, Italianate and Latin forms), Josquin’s origins remain enigmatic. What is certain, however, is that he became a hugely influential musician and central figure in the Franco-Flemish school of polyphonic vocal music. One reliably recorded detail is the date of Josquin’s death on 27 August 1521. In this concert Stile Antico bring together some of Josquin’s most sublime works, commemorating 500 years since the composer’s death and celebrating the release of their magnificent new CD The Golden Renaissance: Josquin Josquin des Prez des Prez. -
Mahrt, William
CURRICULUM VITÆ William Peter Mahrt Associate Professor, Department of Music, Stanford University EDUCATION Gonzaga University, 1957–60; University of Washington, 1960–63; B.A., 1961, M.A., 1963; Stanford Univ., 1963–69; Ph.D., 1969 POSITIONS Case Western Reserve University, Visiting Assistant Professor, 1969–71 Eastman School of Music, University of Rochester, Assistant Professor, 1971–72 Stanford University, Acting Asst. Prof., 1972–74, Asst. Prof., 1974–80, Assoc. Prof., 1980–present. MEMBERSHIPS American Musicological Society, Church Music Association of America, Consociatio Internationalis Musicae Sacrae, Dante Society of America, International Machaut Society, Latin Liturgy Association, Medieval Academy of America, Medieval Association of the Pacific, Plainsong and Medieval Music Society, Dutch Musicological Society. OFFICES Examining Committee for Advanced Placement in Music, College Board, 1972–80; President, Renaissance Conference of Northern California, 1980–81; Advisory Board, National Endowment for the Humanities, documentary on Sumatran music, 1983–85; Chairman, Stanford University Subcommittee on Distribution Requirements, 1983–84; Chairman, Stanford Western Culture Program, 1984–85; President, Northern California Chapter, American Musicological Society, 1987–1991; Acting Chairman, Department of Music, Stanford University, Spring-Summer 1989; Chairman, Bay Area Chapter, Latin Liturgy Association, 1991– present. Performance Committee for the Annual Meeting of the American Musicological Society, 2005–2008. Haskins Medal Committee of the Medieval Academy of America, 2005–2008. President, Church Music Association of America, 2005–present. Editor, Sacred Music, 2006–present. Board of Directors, Friends of Music, Stanford University, 2000–present. Board of Directors, Associates of Stanford University Libraries, 2004–2007. FELLOWSHIPS AND AWARDS National Endowment for the Humanities-Newberry Library Fellowship, 1976; Stanford-Mellon Junior Faculty Fellowship, 1978–79; Stanford University Summer Fellowship, 1982–85; Albert Schweitzer Medal, St. -
Sacred Musicc Volume 104 Number 4
WSM *t§^ ~v$ ..*• f*^Lt V'^l''t<:^f^^^^^^^S3 Hat Dream of the Magi, capital from the Cathedral of St. Lazarus, Autun, France Photography by Warren J. Wimmer, Jr. 5ACRED MUSIC Volume 104, Number 4, Winter 1977 THE MUSICAL SHAPE OF THE LITURGY 3 Part IV: The Function of the Organ William Peter Mahrt SACRED MUSIC IN HOLLAND 19 Joseph Lennards THE TWIN CITIES CATHOLIC CHORALE 27 Richard M. Hogan MUSICAL SUPPLEMENT 31 REVIEWS 35 NEWS 42 FROM THE EDITORS 43 OPEN FORUM 45 INDEX 45 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publication: 548 Lafond Avenue, Saint Paul, Minnesota 55103. Editorial Board: Rev. Msgr. Richard J. Schuler, Editor Rev. Ralph S. March, S. O. Cist. Rev. John Buchanan Mother C. A. Carroll, R.S.C.J. Harold Hughesdon William P. Mahrt William F. Pohl Virginia A. Schubert Cal Stepan B. Allen Young News: Rev. Msgr. Richard J. Schuler 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Mother C. A. Carroll, R.S.C.J., Manhattanville College of the Sacred Heart, Purchase, New York 10577 Paul Salamunovich, 10828 Valley Spring Lane, N. Hollywood, Calif. 91602 Cal Stepan, 18928 Winslow Rd., Shaker Heights, Ohio 44122 Rev. Ralph S. March, S.O.Cist., Route 2, Box 1, Irving, Texas 75062 Paul Manz, 7204 Schey Drive, Edina, Minnesota 55435 Membership, Circulation and Advertising: Earl D. Hogan, 3800 Crystal Lake Blvd., Minneapolis, Minnesota 55422 CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Monsignor Richard J.