DOCSLIB.ORG

Steve Martin a Wild and Crazy Guy Album Download a Wild and Crazy Guy

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Steve Martin a Wild and Crazy Guy Album Download a Wild and Crazy Guy steve martin a wild and crazy guy album download A WIld and Crazy Guy. © 2021 Rhapsody International Inc., a subsidiary of Napster Group PLC. All rights reserved. Napster and the Napster logo are registered trademarks of Rhapsody International Inc. Napster. Music Apps & Devices Blog Pricing Artist & Labels. About Us. Company Info Careers Developers. Resources. Account Customer Support Redeem Coupon Buy a Gift. Legal. Terms of Use Privacy Policy End User Agreement. © 2021 Rhapsody International Inc., a subsidiary of Napster Group PLC. All rights reserved. Napster and the Napster logo are registered trademarks of Rhapsody International Inc. A Wild and Crazy Guy. "Repeat after me. I promise to be different! I promise to be unique! I promise not to repeat things other people tell me to repeat!" This is Steve Martin in action. He says something somewhat pseudo-intellectual followed by something silly, observation of the moment in tow. Throughout the Wild & Crazy Guy compilation, Steve Martin continuously caps on himself for being a comedian. "It's really great to be here. There's nothing like doing the same thing over and over again every night for two weeks in a row." Self-reflective, one of his gimmicks is to put on the super suave act and compliment that by then turning into a complete imbecile. (Reference the movie The Jerk for a more complete definition of the phrase "complete imbecile.") Not only do his jokes fall into this unique-to-him format, but the album itself is set up the same way. The first half of the compilation is a series of clips of Steve Martin working the nightclub crowds in San Francisco. Very intimate settings. Lots of brainpower being exercised. The second half is Martin caught onstage in a frenzy of celebrating mob mentality in front of a fantastic crowd. There's a heavy reliance on his Saturday Night Live bits and creative but simple sex jokes. Part one of the Wild & Crazy Guy album is wry and elicits a series cock-eyed grins along with several guttural "a-ha-I-get-its" from its audiences. There are many "takes" of the same joke (different versions, different clubs) that can give the at-home listener a sense of inertia, but this is forgivable (even enjoyable) because of the special kind of brilliance he bombards the audience with. Not everyone can play an idiot with the amount of savvy that Steve Martin can. Also, it is very interesting to hear how the same joke plays itself out with different crowds. The listener almost gets the sense that s/he is being let in on the creative process. In the first half, Martin notes idiosyncrasies about college (his major, Philosophy, no surprise) career, and language. He claims he has a way with words, while other people, he notes, "er. not have way." This comedy album also contains some of Martin's best (and most repeatable, not to mention stolen) comeback lines. When interrupted by a catcall from the peanut gallery, Martin takes a moment, then offers, "Yeah, I remember when I had my first beer." (Some of the more "heady" humor from this section that would be lost on a larger crowd also translates into his written works. He even names a few new faux titles including, "I'll Take the Alphabet." An important work for him, he muses, because it's when he first started to include verbs in his writing.) Part two of the Wild & Crazy Guy album (the crazy part) isn't quite as engaging from a philosophical standpoint. But if you're looking for zany, "Excuse me, I lost my mind for a moment." Here Martin lovably panders to a roaring audience. He leaves his intellect for the crowd who can really appreciate it and beefs up posing as a complete idiot for the enjoyment of all involved. Non sequiturs abound between gags. (Another Steve-ism). He sings, "I'm a neat guy." And "Grandpa/bought a rubber." The crowd, obvious SNL devotees, gets treated to the famous "kitty handcuffs" bit, King Tut, and a rare on-stage appearance of the album's namesake and actual wild and crazy guy character. All in all, a very enjoyable album highlighting the range of Steve Martin's craft. A must-have for the shelf of every fan. Steve Martin’s 10 Greatest ‘Saturday Night Live’ Sketches. Despite never having been a Saturday Night Live cast member, Steve Martin is synonymous with the sketch show. The comedian has appeared on the show a whopping 27 times since the mid-’70s and we can guarantee you he’ll be back for more. It’s undeniable: he’s a fan favorite. Of course, after hosting 15 times, he was bound to be the reason for some of the most memorable moments in the show’s history. Case in point: the fact that VH1 Classic is dedicating a whole block of their “SNL Rewind: 2015- 1975 Mega Marathon” to him today. For those of you whose Valentine’s Day plans are taking you away from the TV, don’t worry. Here are Steve Martin’s greatest SNL sketches. “Coneheads: IRS” (Season 2, Episode 14) Being a great comedian isn’t always about being the funniest guy in the room. Comedians know how to take turns, and most importantly, give other people the chance to steal the scene. Take, for example, Steve Martin’s appearance as an IRS agent in a Coneheads sketch. The other- worldly family makes jokes and chugs beer and eats “chicken embryos” for breakfast, and Steve Martin plays the straight man perfectly. “The Festrunk Brothers” (Season 3, Episode 1) You have to wonder if, when Steve Martin and Dan Aykroyd first donned their matching hats, plaid pants, and perfected their Czech accent, they knew they were creating iconic characters. They misuse American pop culture catch phrases and attempt to woo women, all while rocking a gold chain and wiggling around. The characters are still so popular that 36 years later, they appeared alongside Andy Samberg and Justin Timberlake ’s characters, Andy and Raif, of “Dick in a Box” fame, in a dating show sketch. The audience still lost their minds when the wild and crazy guys showed up. “Dancing in the Dark” (Season 3, Episode 18) [Photo Credit: NBC] Check out a classic episode hosted by Steve Martin, with musical guest The Blues Brothers : “King Tut” (Season 3, Episode 18) “King Tut” is the five-time Grammy Award winning Steve Martin at his most bizarre. Alongside his backup band, the “Toot Uncommons,” Martin offers a song for the boy pharaoh, whose recent traveling exhibit, “Treasures of Tutankhamun,” drew in eight million visitors. The sketch was the most expensive production that SNL had tried up to this point, and Lorne Michaels planned it all. “Theodoric of York, Medieval Barber” (Season 3, Episode 18) While the premise of Martin’s character, Theodoric of York, who’s a barber and also a doctor, is pretty out there, the sketch itself is a hilarious example of every generation thinking they know what is right. He perfects haircuts and blood-lets anyone that’s hurt, even if it’s obvious one woman suffers from too much blood-letting and another man only has broken legs. What makes Theodoric memorable is his smug attitude, something Martin’s characters are known for, namely when he laughs off the previous era’s ideas of medicine, in which they blame everything on witchcraft. He proudly states that they now know what causes illness: “Perhaps… toad or a small dwarf living in her stomach.” “Rise” (Season 5, Episode 1) Commercial parodies are always popular on SNL , but with so many memorable ones out there, it’s a shame that “Rise” doesn’t get the credit it deserves. Steve Martin, as himself, endorses the personal hygiene product as he appears in the public bathroom of New York City’s dirtiest bus station. His timing is magnificent as he steps into a stall, drops his drawers, and raises his head slowly above the door, while Rise does it’s work by making him hover eight inches above the toilet seat. It’s so simple, and his straight face totally sells it. “A Holiday Wish” (Season 12, Episode 6) Watching Martin appear as a character isn’t nearly as fun as watching him play his over-the-top version of himself. While he’s actually quiet in real life, even referring to himself as a “lonely guy who’s alone even with people,” his persona on stage is over the top and self centered. In “A Holiday Wish,” he captures a feeling that lives deep inside everyone, greed at the holiday season. “Theatre Stories” (Season 17, Episode 9) Alongside other notable SNL greats, Mike Myers and Martin Short , Martin played an old British stage actor, sharing stories about Dustin Hoffman and Nazi attacks. His posh attitude is humorous, but it’s when he discusses things like Hoffman telling a Brit to suck it, and having soiled himself, that makes the sketch really memorable. “Steve Martin’s Penis Beauty Creme” (Season 20, Episode 1) Home Shopping Network-type parodies are a dime a dozen, but this one, featuring Martin, who is proud to put his name on this product, is much more, uh, hard to come by. Steve Martin’s Penis Beauty Creme is a simple product, which you only have to apply on your down under for several minutes to a half hour. The commercial is tongue-in-cheek, but totally unabashed in admitting what it’s really for. “Memories” Monologue (Season 31, Episode 12) To honor his 14th time hosting SNL , Steve Martin reminisced about his past on the show, beginning with his first hosting gig back in 1976.
Load more

Recommended publications
  • Martin Plays the Banjo, Twice at Broadway Opening of 'Bright Star'
    SATURDAY, MARCH 26, 2016 Martin plays the banjo, twice at Broadway opening of ‘Bright Star’ Steve Martin, right, appears at the curtain call for the Broadway opening of “Bright Star” at the Cort Theatre on Thursday in New York. — AP he Broadway musical “Bright Star” had a couple of unan- Technicians prepare the stage where UK rock band Rolling Stones will perform at “Ciudad Deportiva” in nounced cast members for its opening night performance Havana. —AFP photos TMarch 24: Steve Martin and Edie Brickell, who wrote the show, and joined the actors for curtain call. Martin slung a banjo over his shoulder, and he and Brickell led a reprise of “Sun’s Gonna Shine,” a tune from the show. Brickell and Martin have been working together Rolling Stones to rock Cuba long enough - on the 2013 album “Love Has Come For You,” and on a tour with the Steep Canyon Rangers-that they come close to finish- ing each other’s sentences. in historic concert “We met at a dinner 27 years ago...” Brickell said after the opening night performance. “But we started-we don’t really know, but about undreds of thousands of Cubans Barebones six years ago we started working together,” Martin finished. “It was a were expected at the Rolling There were no concert posters around suggestion of Edie’s. She said ‘Let’s write a song together.’ I thought, HStones’ first gig on the communist Havana as late as Thursday and the only ‘Eeeeuw, what? I didn’t know how to write a song with someone island, with fans once banned from listen- merchandising AFP reporters found were else!’” “I don’t like to go to lunch,” Brickell put in.
    [Show full text]
  • Download Press Release As PDF File
    JULIEN’S AUCTIONS - PROPERTY FROM THE COLLECTION OF STEVE MARTIN PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE COLLECTION OF STEVE MARTIN Emmy, Grammy and Academy Award Winning Hollywood Legend’s Trademark White Suit Costume, Iconic Arrow through the Head Piece, 1976 Gibson Flying V “Toot Uncommons” Electric Guitar, Props and Costumes from Dirty Rotten Scoundrels, Dead Men Don’t Wear Plaid, Little Shop of Horrors and More to Dazzle the Auction Stage at Julien’s Auctions in Beverly Hills All of Steve Martin’s Proceeds of the Auction to be Donated to BenefitThe Motion Picture Home in Honor of Roddy McDowall SATURDAY, JULY 18, 2020 Los Angeles, California – (June 23rd, 2020) – Julien’s Auctions, the world-record breaking auction house to the stars, has announced PROPERTY FROM THE COLLECTION OF STEVE MARTIN, an exclusive auction event celebrating the distinguished career of the legendary American actor, comedian, writer, playwright, producer, musician, and composer, taking place Saturday, July 18th, 2020 at Julien’s Auctions in Beverly Hills and live online at juliensauctions.com. It was also announced today that all of Steve Martin’s proceeds he receives from the auction will be donated by him to benefit The Motion Picture Home in honor of Roddy McDowall, the late legendary stage, film and television actor and philanthropist for the Motion Picture & Television Fund’s Country House and Hospital. MPTF supports working and retired members of the entertainment community with a safety net of health and social
    [Show full text]
  • Peter Asher Music Producer and Performer
    PETER ASHER MUSIC PRODUCER AND PERFORMER 1964, one half of Peter & Gordon, who amassed nine Top 20 records. 1968, head of A&R for the Beatles’ record company, Apple Records, where he found, signed and produced James Taylor. 1971, founded Peter Asher Management, representing James Taylor, Linda Ronstadt, Joni Mitchell, Carole King, Randy Newman and more for several decades. As a producer, Mr. Asher has worked with such diverse artists as James Taylor, 10,000 Maniacs, Diana Ross, Neil Diamond, Ringo Starr, Linda Ronstadt, Hans Zimmer, Ed Sheeran, Miguel and Cher, among many others. He has produced thirteen Grammy Award-winning recordings, and in 1977 and 1989 won the Grammy for "Producer of the Year". Recent projects include the production of “So Familiar” the follow-up album (released October 2015) to the highly successful (and Grammy-winning) “Love Has Come for You” (Steve Martin & Edie Brickell), which has also generated a PBS special and a stage musical, “Bright Star”, of which Peter is the music supervisor. “Bright Star”, directed by Walter Bobbie, opened on Broadway in March of 2016 and the Broadway Cast Album (produced by Peter) was released in May. Peter also directed the highly acclaimed Hans Zimmer live concerts (“Hans Zimmer Revealed”), which took place in London on October 10th and 11th .2014 and toured Europe extensively in the spring of 2016. In the New Year’s Honours list for 2015, Peter Asher was awarded a CBE (“Commander of the Most Excellent Order of the British Empire”) by Her Majesty Queen Elizabeth. The official investiture took place at Buckingham Palace on February the 24th.
    [Show full text]
  • N E W S R E L E a S E
    N E W S R E L E A S E FOR IMMEDIATE RELEASE November 29, 2017 The Philadelphia Orchestra and Yannick Nézet-Séguin to Welcome Steve Martin as Special Guest for the Academy of Music 161st Anniversary Concert and Ball (Philadelphia, November 29, 2017)—For generations, the Academy of Music Anniversary Concert and Ball has been one of Philadelphia’s most anticipated and memorable evenings of the year. On Saturday, January 27, 2018, supporters of the Academy of Music will be treated to a special concert featuring celebrated comedian, actor, and entertainer Steve Martin and The Philadelphia Orchestra led by Music Director Yannick Nézet-Séguin. Martin will play the banjo with the Orchestra in newly created orchestrations arranged specifically for the evening. Ball festivities will follow in an elegantly spirited evening of friendship, music, dinner, and dancing. “It is always a tremendous joy to return to the Academy of Music, the Orchestra’s original home, for this memorable evening of music and camaraderie,” said Philadelphia Orchestra Music Director Yannick Nézet-Séguin. “I am particularly excited to collaborate with Steve Martin, a brilliant entertainer and talented banjo player. Expect some truly magical moments as he joins the ‘Fabulous Philadelphians’ on stage.” Always a new and exciting experience, yet rich with treasured traditions, the evening is a night for Philadelphians both young and young at heart. The theme for the Academy of Music 161st Anniversary Concert and Ball is Philadelphia: Past, Present, and Future. The annual fundraiser benefits the Academy of Music Restoration Fund and The Philadelphia Orchestra. “The significance of the annual Anniversary Concert and Ball extends far beyond a spectacular evening,” said Caroline B.
    [Show full text]
  • Press Release
    Press Release CONTACT: John Olson Communications, Press Agent [email protected] • (773) 517-6962 BOHO THEATRE LAUNCHES 15TH SEASON WITH STEVE MARTIN AND EDIE BRICKELL’S “BRIGHT STAR” CHICAGO (February 6, 2019) – BoHo Theatre begins its 2019 season with BRIGHT STAR, a new musical by playwright Steve Martin and musician Edie Brickell, directed by Ericka Mac. This production marks the company’s first as a resident company at Lincoln Park’s Greenhouse Theater Center and also the first under new artistic director Stephen Schellhardt. BRIGHT STAR was nominated for five Tony Awards and called “a shining achievement” by The New York Times. It received a Drama Desk Award for Outstanding Music and Outer Critics Circles Awards for Outstanding New Broadway Musical and Outstanding Score. LISTING INFORMATION BRIGHT STAR Music, lyrics, and book by Steve Martin and Edie Brickell Directed and choreographed by Ericka Mac Music Direction by Julie B. Nichols March 16 – May 5, 2019 Performing at the Greenhouse Theater Center, 2257 N Lincoln Ave, Chicago PERFORMANCE TIMES Previews: Saturday, March 16 @ 8:00pm, Sunday, March 17 @ 2:00pm, Thursday, March 21 @ 8:00pm, and Friday, March 22 @ 8:00pm Press Opening / Opening Night: Saturday, March 23, at 8:00 pm **press invitation to follow Performance run: March 24 – May 5 Thursdays through Saturdays at 8:00 pm and Sundays at 2:00 pm. TICKETS General Tickets on sale February 19 at www.BoHoTheatre.com, (773) 975-8150, or the Greenhouse Theater Center box office. Tickets are $25 for previews and $35 for regular performances. (more) Stephen Schellhardt Meg Love Mailing Address: P.O.
    [Show full text]
  • Department of Theatre
    Department of Theatre Bright Star: Concert Version March 26-28, 2021 Southwestern University Sarofim Open Air Theater SAROFIM OPEN AIR THEATER BRIGHT STAR Concert Version Inspired By A True Story Music, Book, and Story by Music, Book, and Story by STEVE MARTIN EDIE BRICKELL DIRECTOR MUSIC DIRECTOR Joey Banks ’07 Beth Everett STAGE MANAGER COSTUME DESIGN Logan Holmes ’22 Campbell Duffy ’22 LIGHTING DESIGN SCENIC DESIGN Andrew Snyder ’21 Lilly Percifield Smith ’22 Luis Sandoval ’22 SOUND DESIGN DRAMATURG Rodd Simonsen Hannah Rutt ’22 Produced by Joey Parnes, Sue Wagner, John Johnson, Zebulon LLC, Jay Alix & Una Jackman, Len Blavatnik, James L. Nederlander, Carson & Joseph Gleberman, Balboa Park Productions, The Shubert Organization, James deRoy/ Catherine Adler/Cricket Jiranek In Association with Rodger Hess, A.C. Orange International, Broadway Across America, Sally Jacobs & Warren Baker, Diana DiMenna, Exeter Capital, Agnes Gund, True Love Productions and The Old Globe BRIGHT STAR is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide 1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.theatricalrights.com CAST Alice Murphy..................................................................................Trinity Denson ’23 Alice Murphy/Swing.......................................................................Christian Erben ’21 Billy Cane..........................................................................................Will Mallick ’24 Jimmy
    [Show full text]
  • Steve Martin Albums Download the Long-Awaited Album
    steve martin albums download The Long-Awaited Album. The Long-Awaited Album arrived six years after Rare Bird Alert, the 2011 collaboration between Steve Martin and the Steep Canyon Rangers, so perhaps the wait between records wasn't all that long. Still, the clever title also suggests the difference between this 2017 affair and its predecessor: Martin is no longer hesitant to crack a joke as he stands behind a banjo. After playing it relatively straight on 2009's The Crow -- the album where he revived his longstanding love of bluegrass -- a smile started to creep into his performances on Rare Bird Alert, but on The Long- Awaited Album he seems unable to resist any quip that fluttered across his mind. Perhaps this is a reaction to the pair of subdued records Martin cut with Edie Brickell in the mid-2010s, but Martin seems ready to cut loose with jokes and fingerpicking. The Steep Canyon Rangers are ideal foils for him in that regard, as they're fleet-fingered and versatile, and they boast a fine deadpan singer in Woody Platt, who trades off tunes with Martin. The songs on The Long-Awaited Album are littered with references to contemporary life -- references to cell phones, Olive Garden, and Skype calls are threaded into a mosaic of modern life -- and the music feels fresh too, alternating between lilting ballads, funny bits designed for a stage, and the quick-stepping instrumentals that act as the glue binding it all together. Martin and the Steep Canyon Rangers specialize in good cheer, and while that means they can sometimes overplay their hand here -- "Strangest Christmas Yet" sticks out like a sore thumb, each punch line landing with a thud -- their act is ingratiating and so is The Long-Awaited Album.
    [Show full text]
  • Taproot Theatre Extends Steve Martin and Edie Brickell's Musical Bright Star
    FOR IMMEDIATE RELEASE Release Date: July 29, 2019 Kill Date: August 25, 2019 Taproot Theatre extends Steve Martin and Edie Brickell’s musical Bright Star “a top-notch show” “the entire cast was absolutely stellar!” Eclectic Arts “Brenna Wagner takes on the lead role of Alice Murphy and is a thrill to behold.” Drama in the Hood SEATTLE, WA – July 29, 2019 – Taproot Theatre Company is excited to announce the extension of Steve Martin and Edie Brickell’s award-winning musical, Bright Star. Additional performances have been added on Wednesday, August 21 at 7:30 PM; Thursday, August 22 at 7:30 PM; Friday, August 23 at 8:00 PM; and Saturday, August 24 at 2:00 PM and 8:00 PM. Single tickets for all performances through August 24 are available online at taproottheatre.org, by phone at 206.781.9707 (Tue – Sat, noon - 5:00 PM) or in person at 204 N 85th St. Group tickets are available for groups of 8 or more by calling 206.781.9708 or by visiting taproottheatre.org/group-sales/. Bright Star won the 2016 Outer Critics Circle awards for Best Musical and Best Score, in addition to the Drama Desk award for Outstanding Music. It was nominated for Best Musical, Best Score, Best Book, Best Lead Actress in a Musical and Best Orchestrations at the 2016 Tony Awards. Bright Star is the uplifting and powerful tale of a simple summer romance blossoming into true love. Alice and Jimmy Ray’s parents have forbidden their union, but the young couple is about to be propelled into a daring and unexpected future that spans decades.
    [Show full text]
  • Rolling Stone | Rollingstoneaus.Com January, 2016
    Issue 770 January 2016 $9.95 (GST INC) >> NZ $9.95 (GST INC) The Dark Web INSIDE THE HIDDEN INTERNET The Weeknd SEX, DRUGS AND R&B Tom Petty’s Lost Years Kurt Cobain HIS SECRET RECORDINGS Plus BUDDY GUY BILLY GIBBONS ARCHIE ROACH PHIL COLLINS TIM ROGERS COLDPLAY Adele GRIMES A Private Life 100007738 Print Post Approved Print Post More rooms. More music. More happy. 2 Room Starter Set - $529 $YDLODEOHDW-%+L)L+DUYH\1RUPDQ 6SHFLDOLVW+L)L6WRUHV Limited time offer. Save $69. 2σHUSHULRGDSSOLHV1RYWR'HF ELVIS PRESLEY JOE COCKER Elvis as you have never heard him before! The first comprehensive double album of Joe’s entire Featuring classic Elvis hits including musical history 36 unforgettable recordings, including ‘Burning Love’, Love Me Tender’, and ‘Fever’ ‘You Are So Beautiful’, ‘Many Rivers To Cross’, and (featuring Michael Buble). ‘You Can Leave Your Hat On’. ROGER WATERS BOB DYLAN The eponymous soundtrack to the globally acclaimed Latest volume in acclaimed Dylan Bootleg series feature filmCaptures Waters’ sold-out 2010-2013 premieres previously unreleased studio recordings. ‘The Wall Live’ tour, the first complete staging of the Includes never-before-heard songs, outtakes, rehearsal classic Pink Floyd concept album since 1990. tracks, and alternate versions, from the BRINGING IT ALL BACK HOME, HIGHWAY 61 REVISITED and BLONDE ON BLONDE Sessions. LEGENDS ALBUMS AC/DC DAVID GILMOUR ROCK OR BUST! Brand new solo album. New album featuring ‘Play Ball’, and ‘Rock Or Bust’. Features ‘Rattle That Lock’, A Boat Lies Waiting’, and ‘The Girl In The Yellow Dress’. JEFF LYNNE’S ELO BRUCE SPRINGSTEEN First album of all-new ELO music in over a decade! Contains 4 CDs, with a wealth of unreleased material, Features new songs including ‘When I Was A Boy’, and 4 hours of never-before-seen video on 3 DVDs ‘When The Night Comes’, and ‘ The Sun Will Includes studio outtakes; a two-DVD film of never- Shine on You’.
    [Show full text]
  • Program Bohotheatre Brightstar.Pdf
    BoHo Theatre creates bold theatre that challenges convention through innovative storytelling and creates a shared community of artists and patrons in which all members are moved through art to make thoughtful, well-examined, caring relationships the highest priority in their lives. Company Board ARTISTIC DIRECTOR PRESIDENT Stephen Schellhardt Nancy Bullock EXECUTIVE DIRECTOR TREASURER Meg Love Richard Maxen MANAGING DIRECTOR MEMBERS Nick Barsuli Adam Brakhane Sara Coffou MARKETING DIRECTOR/ Silvia Rota GRAPHIC DESIGNER Michael Schwartz Charles Riffenburg Kevin Sullivan ARTISTIC ASSOCIATE Peter Marston Sullivan BOX OFFICE ASSOCIATE Artistic Collin Walker Affiliates CASTING ASSOCIATES Adam Hill, Molly Layton Christa Buck Justin Castellano SOCIAL MEDIA COORDINATOR Brandon Dahlquist Ashley Hannon Diane Fairchild PRODUCTION MANAGER Greg Foster Lindsay Brown Patrick Ham Theresa Ham PRODUCTION STAGE MANAGER Steve O’Connell Dalton Long Thomas Samorian TECHNICAL ADVISOR Cassy Schillo Anthony Churchill Danni Smith Katie Stanley ACCOUNTING CLERK Jeremy Trager David Tibble Megan Turnquist COMPANY MEMBERS John Zuiker Peter Blair, Eleanor Katz, Peter Robel Emeritus Members Stephen Genovese, Thomas Samorian, www.BoHoTheatre.com Ryan Guhde, Kaela Altman, @BoHoTheatre Mary Kate Robel FROM THE ARTISTIC DIRECTOR Welcome. I am so proud to kick off BoHo’s 15th anni- versary season – and our first as the resident theatre at Lincoln Park’s Greenhouse Theater Center – with BRIGHT STAR. At BoHo, we tell stories – bold, intimate and insight- ful ones that examine and celebrate human relationships – and Bright Star, written and composed by Steve Martin and Edie Brickell, masterfully captures our storytelling mission. It’s a gem of a musical, a mystery based on a true tale of a baby, tagged the “Iron Mountain Baby,” thrown from a train, rescued and cared for by strangers right after World War II in North Carolina’s Blue Ridge Mountains.
    [Show full text]
  • Bright Star Inspired by a True Story Music, Book & Story by Music, Book & Story by STEVE MARTIN EDIE BRICKELL CAST (In Alphabetical Order) D.C
    Mainstage Playbill This project is sponsored in part by the Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture and the State of Florida. Pictured: Meredith Jones and Blake Price. Photo by John Jones. Bright Star Inspired By A True Story Music, Book & Story by Music, Book & Story by STEVE MARTIN EDIE BRICKELL CAST (in alphabetical order) D.C. Anderson* ..................................Daddy Murphy Travis Mitchell* ................................... Mayor Dobbs Mimi Bessette* ........ Mama Murphy, Florence, Clerk Rachel Mulcahy ..............................Lucy Grant, Edna Michael Grieve .................. Daryl Ames, Max, Doctor Blake Price*.................................. Jimmy Ray Dobbs Meredith Jones* .................................. Alice Murphy Ashley Rose* ............... Margo, Well Dressed Woman Max Meyers* .............................................Billy Cane William Selby* ....................... Daddy Cane, Stanford BAND (in alphabetical order) Howie Banfield .............................. Banjo, Mandolin Paul Helm ......................................Piano/Conductor Chuck Davis .................................................... Guitar Kroy Presley .........................................Upright Bass UNDERSTUDIES For Jimmy Ray Dobbs - Michael Grieve; for Alice Murphy - Ashley Rose* DANCE CAPTAIN: Michael Grieve Directed by: Kate Alexander Music Director Scenic Designers Costume Designer Paul Helm Isabel & Moriah Curley-Clay Kathleen Geldard Lighting Designer Sound Designer
    [Show full text]
  • 1975, the the 1975 A$AP Ferg Trap Lord Aaron Neville My True Story
    ARTIST ALBUM 1975, The The 1975 A$AP Ferg Trap Lord Aaron Neville My True Story Air Review Low Wishes Airhead For Years Akron/Family Sub Verses Alessi's Ark Still Life Alex Andwandter Rebeldes Aloonaluna A House Made Of Cloud & Bone Alpine A Is For Alpine Andrea Echeverri Ruisenora Andrew Cedermark Home Life Anna Calvi One Breath Anna Netrebko Verdi Anna Von Hausswolff Ceremony Antonio Pompa-Baldi The Rascal And The Sparrow Arcade Fire Reflektor Archie Pelago Sly Gazabo Arp More Asphodells Ruled by Passion, Destroyed by Lust Atoms For Peace Amok Fellow Traveler, The Complete String Quartets Of John Attacca Quartet Adams Au Revoir Simone Move In Spectrums Austra Olympia Avett Brothers, The Magpie And The Dandelion Bajofondo Presente Ballake Sissoko At Peace Bangladesh Ponzi Scheme Basia Bulat Tall Tall Shadow Baths Obsidian Beatles, The On Air: Live At The BBC, Vol. 2 Beautiful Swimmers Son Benjamin Britten Benjamin Britten's War Requiem Benoit Pioulard Hymnal Best Coast Fade Away Bilal A Love Surreal Bill Baird Spring Break Of The Soul Bill Bragg Tooth And Nail Bill Callahan Dream River Black Angels, The Indigo Meadow Blaudzun Heavy Flowers Blind Boys Of Alabama, The I'll Find A Way Blood Orange Cupid Deluxe Blow, The The Blow Boards of Canada Tomorrow's Harvest Boban & Marko Markovic Orchestra Gipsy Manifesto Bombino Nomad Bonobo The North Borders Bosnian Rainbows Bosnian Rainbows Bots, The Sincerely Sorry Boy Mutual Friends Brandt Brauer Frick Miami ARTIST ALBUM Brandy Clark 12 Stories Brass Bed The Secret Will Keep You Brendan Benson
    [Show full text]