DOCSLIB.ORG

N E W S R E L E a S E

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
N E W S R E L E a S E N E W S R E L E A S E FOR IMMEDIATE RELEASE November 29, 2017 The Philadelphia Orchestra and Yannick Nézet-Séguin to Welcome Steve Martin as Special Guest for the Academy of Music 161st Anniversary Concert and Ball (Philadelphia, November 29, 2017)—For generations, the Academy of Music Anniversary Concert and Ball has been one of Philadelphia’s most anticipated and memorable evenings of the year. On Saturday, January 27, 2018, supporters of the Academy of Music will be treated to a special concert featuring celebrated comedian, actor, and entertainer Steve Martin and The Philadelphia Orchestra led by Music Director Yannick Nézet-Séguin. Martin will play the banjo with the Orchestra in newly created orchestrations arranged specifically for the evening. Ball festivities will follow in an elegantly spirited evening of friendship, music, dinner, and dancing. “It is always a tremendous joy to return to the Academy of Music, the Orchestra’s original home, for this memorable evening of music and camaraderie,” said Philadelphia Orchestra Music Director Yannick Nézet-Séguin. “I am particularly excited to collaborate with Steve Martin, a brilliant entertainer and talented banjo player. Expect some truly magical moments as he joins the ‘Fabulous Philadelphians’ on stage.” Always a new and exciting experience, yet rich with treasured traditions, the evening is a night for Philadelphians both young and young at heart. The theme for the Academy of Music 161st Anniversary Concert and Ball is Philadelphia: Past, Present, and Future. The annual fundraiser benefits the Academy of Music Restoration Fund and The Philadelphia Orchestra. “The significance of the annual Anniversary Concert and Ball extends far beyond a spectacular evening,” said Caroline B. Rogers, chairman of the Board of Trustees of the Academy of Music. “This event supports the ongoing restoration of one of Philadelphia’s most important historic landmarks that is instrumental to the cultural viability of our region.” Support of the Restoration Fund will enable the completion of important capital projects at the Academy in FY18, including the refurbishment of the Locust Street façade and electrical work. “This important restoration work would not be possible without the many supporters of the Concert and Ball and the hard work of our co-chairmen, Lydie Szabo Brown and John Fry,” said Matthew Loden, executive vice president of institutional advancement for The Philadelphia Orchestra and secretary of the Board and chief restoration fund officer of the Academy of Music. “It is an honor for the Orchestra to return to the Academy each year for this highly anticipated and meaningful event that helps to ensure the crown jewel of the Avenue of the Arts thrives for years to come.” The white-tie celebration will begin at 5:00 PM with the Chairman’s Pre-Concert Reception at the Academy of Music, where guests will mingle while exploring the architectural glories and beauty of the beloved National Historic Landmark. The evening will continue with the concert in the Academy auditorium at 7:00 PM. The musicians of The Philadelphia Orchestra graciously donate their services for this concert. The post-concert celebrations will begin with the traditional promenade up the Avenue of the Arts from the Academy to the Hyatt at the Bellevue. Dinner and Ball attendees will fill the reception rooms of the historic building, from the stylish State Drawing Room to the sophisticated Grand Ballroom to the rooftop grandeur of XIX. Six of the region’s most prominent dance orchestras and bands will perform music ranging from the classic American songbook to popular dance hits. Concert and Ball tickets are available at www.theacademyball.org or by calling the Academy of Music Restoration Fund Office at 215-893-1978. Concert-only tickets, priced at $75, can be purchased at www.theacademyball.org or by calling 215-893-1999. This year’s gala is co-chaired by Lydie Szabo Brown and John Fry. John and Leigh Middleton serve as honorary co-chairmen. The 161st Academy of Music Anniversary Concert and Ball is underwritten as of this release by The Philadelphia Inquirer, The Philadelphia Daily News, and Philly.com; Hyatt at the Bellevue; Philadelphia magazine; Karma Agency; Independence Blue Cross; Innisfree Foundation; PNC Bank; Stradley Ronon Stevens & Young, LLP; Wells Fargo & Co./Abbot Downing, a Wells Fargo Business; Drexel University; Leslie Miller and Richard Worley Foundation; Neubauer Family Foundation; Mr. and Mrs. Eric W. Noll; PECO; Neiman Marcus; Garces Events; halfGenius; Isaacson, Miller; Philadelphia Style; Voith & Mactavish Architects LLP; Beneficial Bank; Franklin Templeton; L.F. Driscoll; aajdesign; SPW Productions; Symphony V; Catering by Design; Aqua America; Boyds Philadelphia; Cara and John Fry; Lydie Szabo Brown and Paul de Janosi; Kathleen and Nicholas Chimicles; Mr. and Mrs. S. Matthews V. Hamilton, Jr.; Mr. and Mrs. Harry Edward Hill III; INTECH Construction, Inc.; PwC; Obermayer Rebmann Maxwell & Hippel LLP; Caroline B. Rogers; Linda and Steven Seigfried; and WRTI-FM. History of the Academy of Music and the Anniversary Concert and Ball Designated as a National Historic Landmark in 1963, the Academy of Music was home to The Philadelphia Orchestra for more than a century, from the ensemble’s founding in 1900 to the opening of the Kimmel Center for the Performing Arts in 2001. The first Anniversary Concert and Ball, which took place on January 26, 1957, featured a star-studded line-up in which Eugene Ormandy shared his podium with Danny Kaye. The historic evening’s guest performers included classical artists Marian Anderson, Hilde Gueden, Arthur Rubinstein, and Isaac Stern, and popular singer Dinah Shore. Since 1957 numerous luminaries of the musical world have performed with The Philadelphia Orchestra as part of the Academy of Music Anniversary concerts. Notable guest artists include sopranos Audra McDonald, Jessye Norman, and Kiri Te Kanawa; mezzo-soprano Marilyn Horne; violinists Anne-Sophie Mutter and Itzhak Perlman; cellist Yo-Yo Ma; pianists Evgeny Kissin and Lang Lang; popular artists such as Rod Steward, James Taylor, Billy Joel, Sting, and Paul Simon; and performers such as Hugh Jackman, Al Pacino, and Martin Short. About the Artists Steve Martin is one of the most acclaimed and beloved talents in entertainment. His work has earned numerous honors, including an Academy Award®, five Grammy Awards, an Emmy® Award, the Mark Twain Award, and the Kennedy Center Honors. Many of Martin’s films are considered modern classics, including The Jerk, Planes, Trains & Automobiles, Roxanne, Parenthood, L.A. Story, and Father of the Bride. As an author, Martin’s work includes the novel An Object of Beauty; the play Picasso at the Lapin Agile; a collection of comic pieces, Pure Drivel; a best-selling novella, Shopgirl; and his memoir Born Standing Up. His latest play, Meteor Shower, is currently on Broadway in a production starring Emmy Award winner Amy Schumer, Keegan-Michael Key, Tony Award® winner Laura Benanti, and Jeremy Shamos, and directed by four-time Tony Award winner Jerry Zaks. Martin is also an accomplished Grammy Award-winning, boundary-pushing bluegrass banjoist and composer. In 2013 he released his third full-length album, Love Has Come For You, a unique collaboration with songwriter Edie Brickell. Love Has Come For You won a Grammy for “Best American Roots Song” for the title track and inspired their musical Bright Star. Bright Star received five Tony Award nominations and received Outstanding New Broadway Musical and Outstanding New Score at the Outer Critics Circle Awards. Martin and Brickell’s second album together, So Familiar, was released on Rounder Records and featured 12 remarkable songs that brought the acclaimed duo’s musical collaboration into fresh creative territory. Martin and The Steep Canyon Rangers recently released their newest collaboration, The Long-Awaited Album, on Rounder Records. Music Director Yannick Nézet-Séguin is an inspired leader of The Philadelphia Orchestra. His highly collaborative style, deeply rooted musical curiosity, and boundless enthusiasm, paired with a fresh approach to orchestral programming, have been heralded by critics and audiences alike. The New York Times has called him “phenomenal,” adding that under his baton, “the ensemble, famous for its glowing strings and homogenous richness, has never sounded better.” To read his complete bio, please visit www.philorch.org/yannick-nézet-séguin-0#/. The Philadelphia Orchestra is one of the preeminent orchestras in the world, renowned for its distinctive sound, desired for its keen ability to capture the hearts and imaginations of audiences, and admired for a legacy of innovation in music-making. The Orchestra is inspiring the future and transforming its rich tradition of achievement, sustaining the highest level of artistic quality, but also challenging—and exceeding—that level by creating powerful musical experiences for audiences at home and around the world. For more information on The Philadelphia Orchestra, please visit www.philorch.org. Event Details Academy of Music 161st Anniversary Concert and Ball January 27, 2018, at 7:00 PM – Saturday evening – Academy of Music The Philadelphia Orchestra Yannick Nézet-Séguin Conductor Steve Martin Special Guest The musicians of The Philadelphia Orchestra are graciously donating their services for this concert. This concert will be performed without an intermission. For more information on the Anniversary Concert and Ball, please call the Academy of Music Restoration Fund Office at 215-893-1978 or visit www.academyofmusic.org # # # CONTACTS: Ashley Berke 215.893.1939 [email protected] Amanda N. Conte 215.893.3136 [email protected] .
Load more

Recommended publications
  • Martin Plays the Banjo, Twice at Broadway Opening of 'Bright Star'
    SATURDAY, MARCH 26, 2016 Martin plays the banjo, twice at Broadway opening of ‘Bright Star’ Steve Martin, right, appears at the curtain call for the Broadway opening of “Bright Star” at the Cort Theatre on Thursday in New York. — AP he Broadway musical “Bright Star” had a couple of unan- Technicians prepare the stage where UK rock band Rolling Stones will perform at “Ciudad Deportiva” in nounced cast members for its opening night performance Havana. —AFP photos TMarch 24: Steve Martin and Edie Brickell, who wrote the show, and joined the actors for curtain call. Martin slung a banjo over his shoulder, and he and Brickell led a reprise of “Sun’s Gonna Shine,” a tune from the show. Brickell and Martin have been working together Rolling Stones to rock Cuba long enough - on the 2013 album “Love Has Come For You,” and on a tour with the Steep Canyon Rangers-that they come close to finish- ing each other’s sentences. in historic concert “We met at a dinner 27 years ago...” Brickell said after the opening night performance. “But we started-we don’t really know, but about undreds of thousands of Cubans Barebones six years ago we started working together,” Martin finished. “It was a were expected at the Rolling There were no concert posters around suggestion of Edie’s. She said ‘Let’s write a song together.’ I thought, HStones’ first gig on the communist Havana as late as Thursday and the only ‘Eeeeuw, what? I didn’t know how to write a song with someone island, with fans once banned from listen- merchandising AFP reporters found were else!’” “I don’t like to go to lunch,” Brickell put in.
    [Show full text]
  • National Arts Awards Monday, October 19, 2015
    2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States.
    [Show full text]
  • Download Press Release As PDF File
    JULIEN’S AUCTIONS - PROPERTY FROM THE COLLECTION OF STEVE MARTIN PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE COLLECTION OF STEVE MARTIN Emmy, Grammy and Academy Award Winning Hollywood Legend’s Trademark White Suit Costume, Iconic Arrow through the Head Piece, 1976 Gibson Flying V “Toot Uncommons” Electric Guitar, Props and Costumes from Dirty Rotten Scoundrels, Dead Men Don’t Wear Plaid, Little Shop of Horrors and More to Dazzle the Auction Stage at Julien’s Auctions in Beverly Hills All of Steve Martin’s Proceeds of the Auction to be Donated to BenefitThe Motion Picture Home in Honor of Roddy McDowall SATURDAY, JULY 18, 2020 Los Angeles, California – (June 23rd, 2020) – Julien’s Auctions, the world-record breaking auction house to the stars, has announced PROPERTY FROM THE COLLECTION OF STEVE MARTIN, an exclusive auction event celebrating the distinguished career of the legendary American actor, comedian, writer, playwright, producer, musician, and composer, taking place Saturday, July 18th, 2020 at Julien’s Auctions in Beverly Hills and live online at juliensauctions.com. It was also announced today that all of Steve Martin’s proceeds he receives from the auction will be donated by him to benefit The Motion Picture Home in honor of Roddy McDowall, the late legendary stage, film and television actor and philanthropist for the Motion Picture & Television Fund’s Country House and Hospital. MPTF supports working and retired members of the entertainment community with a safety net of health and social
    [Show full text]
  • Honoring Itzhak Perlman
    The Trustees of the Westport Library are pleased to present the twenty-second for the evening™ Honoring Itzhak Perlman REMARKS Iain Bruce President, Board of Trustees Bill Harmer Executive Director, Westport Library TRIBUTES AND PERFORMANCES HONORING ITZHAK PERLMAN American String Quartet Peter Winograd, violin Daniel Avshalomov, viola Laurie Carney, violin Wolfram Koessel, cello Maurice Ravel (1875-1937) String Quartet in F Major (1903) IV. Finale: Vif et agité Antonin Dvořák (1841-1904) Piano Quintet No. 2 in A Major, Op. 81 (1887) I. Allegro, ma non tanto Rohan De Silva, pianist A TALK WITH ITZHAK PERLMAN With Andrew C. Wilk, Executive Producer WESTPORT LIBRARY AWARD Presented by Bill Harmer, Executive Director for the evening ™ A Benefit for the Westport Library HONORING ITZHAK PERLMAN Itzhak Perlman rose to fame on the Rohan De Silva Born in Sri Lanka, Rohan Ed Sullivan show, where he performed as a De Silva studied at the Royal Academy child prodigy at just 13 years old. Perlman of Music and at The Juilliard School. He has performed with every major orchestra has collaborated with many of the world’s and at venerable concert halls around the top violinists in recitals, including Pinchas globe. Perlman was granted a Presidential Zukerman, Joshua Bell, Gil Shaham Medal of Freedom by President Obama and Nadja Salerno-Sonnenberg. in 2015, the nation’s highest civilian A highly sought after collaborative pianist honor, a Kennedy Center Honor in 2003, and chamber musician, De Silva has a National Medal of Arts by President collaborated for over twenty years with Itzhak Perlman as his Clinton in 2000 and a Medal of Liberty by President Reagan in 1986.
    [Show full text]
  • 07 – Spinning the Record
    VI. THE STEREO ERA In 1954, a timid and uncertain record industry took the plunge to begin investing heav- ily in stereophonic sound. They were not timid and uncertain because they didn’t know if their system would work – as we have seen, they had already been experimenting with and working the kinks out of stereo sound since 1932 – but because they still weren’t sure how to make a home entertainment system that could play a stereo record. Nevertheless, they all had their various equipment in place, and so that year they began tentatively to make recordings using the new medium. RCA started, gingerly, with “alternate” stereo tapes of monophonic recording sessions. Unfortunately, since they were still uncertain how the results would sound on home audio, they often didn’t mark and/or didn’t file the alternate stereo takes properly. As a result, the stereo versions of Charles Munch’s first stereo recordings – Berlioz’ “Roméo et Juliette” and “Symphonie Fanastique” – disappeared while others, such as Fritz Reiner’s first stereo re- cordings (Strauss’ “Also Sprach Zarathustra” and the Brahms Piano Concerto No. 1 with Ar- thur Rubinstein) disappeared for 20 years. Oddly enough, their prize possession, Toscanini, was not recorded in stereo until his very last NBC Symphony performance, at which he suf- fered a mental lapse while conducting. None of the performances captured on that date were even worth preserving, let alone issuing, and so posterity lost an opportunity to hear his last half-season with NBC in the excellent sound his artistry deserved. Columbia was even less willing to pursue stereo.
    [Show full text]
  • Bellini's Norma
    Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation.
    [Show full text]
  • Bergenpac.Org UPCOMING SHOWS on the TAUB STAGE at BERGENPAC
    2019-2020 bergenpac.org UPCOMING SHOWS ON THE TAUB STAGE AT BERGENPAC DECEMBER (CONT.) 2019 The Very Hungry Caterpillar featuring Dream Snow & Other 15 1pm & 4pm OCTOBER Eric Carle Favorites presented by PSE&G 3 8:00pm Vince Neil of Mötley Crüe presented by WDHA 17 7:00pm Lior Suchard: The Israeli Illusionist – ON SALE SOON! 4 8:00pm Steven Wright presented by Johl & Company 20 8:00pm A Christmas Carol The Musical presented by bergenPAC 5 8:00pm Michael Martocci presents Sinatra Meets The Sopranos 21 1pm & 4:30pm A Christmas Carol The Musical presented by bergenPAC 6 1:00pm Jeff Boyer’s Big Bubble Bonanza 22 1:00pm A Christmas Carol The Musical presented by bergenPAC 10 8:00pm Rick Wakeman: Grumpy Old Man Tour 11 8:00pm Explosion de la Salsa de Ayer 2020 JANUARY 13 7:30pm Gin Blossoms: The New Miserable Experience Satisfaction: The International Rolling Stones Tribute Show: 15 7:30pm So You Think You Can Dance Live! 2019 4 8:00pm Paint It Black 16 8:00pm TOTO: 40 Trips Around the Sun; Benzel-Busch Concert Series New Jersey Symphony Orchestra presents Winter Festival: My Fellow Supporters of the Arts, 9 7:30pm 19 8:00pm The Jim Breuer Residency: Comedy, Stories & More Vol. III Mozart’s Don Giovanni Sergio Mendes & Bebel Gilberto: The 60th Anniversary 11 8:00pm The Capitol Steps: The Lyin’ Kings I am excited to share Bergen Performing Art Center’s 2019-20 lineup 20 7:30pm of Bossa Nova with you today. Boasting a variety of headliners, up-and-comers and 12 3:00pm Neil Berg’s 104 Years of Broadway Mystery Science Theater 3000 Live: The Great Cheesy everything in between across the genres, we expect everyone will find 24 8:00pm 17 8:00pm The Simon & Garfunkel Story: A Tribute to Simon & Garfunkel something they love.
    [Show full text]
  • Rolling Stones Ed Sullivan Satisfaction
    Rolling Stones Ed Sullivan Satisfaction Is Skye always accelerated and landowner when punctuates some otorhinolaryngologists very slouchingly and please? Georgie upgraded coxcombically? Which Ikey synthetising so preparatorily that Dalton baptize her reclamations? This may earn an errant path in later learned to satisfaction rolling stones were nearly over Rolling stones would slip through them during this. The Rolling Stones on Ed Sullivan out sick on DVD. Leggi il testo 19th Nervous Breakdown Live besides the Ed Sullivan Show di The Rolling Stones tratto dall'album The Brian Jones Years Live Cosa aspetti. One in such series a variety programs presided over by Ed Sullivan Program highlights include the Rolling Stones perform Satisfaction Wayne Newton who. Their song Satisfaction 1965 was composed by Keith Richards in. Amazoncom 4 Ed Sullivan Shows Starring The Rolling Stones. The Rolling Stones SATISFACTION VOL1 Ed Sullivan. Mick jagger and sunshine. 1966 the Rolling Stones made against third appearance on the Ed Sullivan. We appreciate you? Sunshine and satisfaction rolling stones ed sullivan satisfaction. 15 1967 the Rolling Stones were forced to change her lyrics to 'then's Spend great Night. And on TV programmes such as Shindig and The Ed Sullivan Show. Apr 23 2013 ROLLING STONES I think't Get No Satisfaction on The Ed Sullivan Show. Thousands of cash just not fully professional guitarists. They waited they had sneaked in both abbey road and sullivan show and powered by ed sullivan had only if there. Mick taylor to. They played live, toppled ed into a rolling stones ed sullivan satisfaction in. And mick taylor, so that are journalism, while on point host manoush zomorodi seeks answers to good singer at his first is looking for everyone.
    [Show full text]
  • Steve Martin
    Steve Martin Steve Martin has become one of the world's best-known comedic personalities. Oddly enough, he started out studying philosophy and wanted to become a college professor in the subject. He is a member of Mensa International (an organization for people with very high IQs). His studies, though, turned him in the exact opposite direction. He dropped out of college to pursue a career in comedy writing for numerous television shows before going solo as a stand-up comedian. His experience in philosophy taught him to try ridiculous twists that launched a great career and numerous world renowned catch phrases. Stephen Glenn Martin, born August 14, 1945, is an American comedian, writer, producer, actor, musician and composer. He was born in Waco, Texas and raised in Orange County, California, he worked at Knott’s Berry Farm and Disneyland in concessions. Steve credits this with the beginning of his love for entertainment. He developed his skills in playing the banjo, lassoing, juggling, making balloon animals and improvisational comedy. When he went to college at California State University, long Beach he majored in philosophy. His goal was to become a philosophy professor, but something in his studies changed his mind. “In philosophy, I started studying logic, and they were talking about cause and effect, and you start to realize, ‘Hey, there is no cause and effect! There is no logic! There is no anything!" Then it gets real easy to write this stuff, because all you have to do is twist everything hard - you twist the punch line, you twist the non sequitur so hard away from the things that set I up, that it's easy..
    [Show full text]
  • House Manager Status: Part-Time, Seasonal/Non-Exempt Reports To: Director of Marketing & Communications Supervises: Volunteer Ushers
    POSITION DESCRIPTION Position Title: House Manager Status: Part-Time, Seasonal/Non-Exempt Reports To: Director of Marketing & Communications Supervises: Volunteer Ushers Position Summary: The House Manager is responsible for ensuring all Symphony patrons receive the best overall front-of-house concert experience. S/He must be able to effectively and courteously problem- solve and exhibit grace under pressure. Responsibilities: Recruit, train, schedule and monitor volunteer ushers for all Symphony performances at the Times-Union Center for the Performing Arts, ensuring Symphony events are staffed by volunteers of the highest caliber. Serve as a liaison between patrons and the Symphony, ensuring an efficient front-of-house operation and a positive experience for Symphony patrons; coordinate concert start and end times with back-of-house personnel; work with ASM (building management company) Executive on Duty to address any facility issues. Work with staff to address all patron issues either at the time of the issue or within three days of the concert at which the issue occurred. Other duties as assigned. Requirements: Bachelor’s degree preferred or two years of similar experience. Excellent communication, interpersonal, organization and leadership skills. Proficient in Microsoft Office. Responsible, reliable, able to work daytime, weekends and evenings. The position requires work at concerts most Friday and Saturday nights from mid-September through mid-June. There are also Friday morning, Thursday evening and Sunday afternoon concerts periodically throughout the season. Must have a positive attitude, be able to work as part of a high-functioning team, possess a knowledge of and passion for symphonic music, as well as the strong desire to share it with others.
    [Show full text]
  • Television Academy
    Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series.
    [Show full text]
  • Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
    AUGUST 2016 WELCOME Welcome to the funny, unexpected, and delightfully off-kilter world of Meteor Shower. With this world premiere production, we’re thrilled to continue our ongoing relationship with the brilliant artist Steve Martin. The Globe’s production of Bright Star, Steve and Edie Brickell’s new musical that premiered here in 2014, transferred to Broadway earlier this year, where it was nominated for an impressive five Tony Awards, including Best Musical. Next season, the Globe will mount a major revival of Steve’s 1993 play Picasso at the Lapin Agile. We’re glad Steve has found a new artistic home here in San Diego. The Globe is an especially fitting place to premiere Meteor Shower because it is a DOUGLAS GATES California story. Set in Ojai in the 1990s, Managing Director Michael G. Murphy and Erna Finci Viterbi Artistic Director Barry Edelstein. the play examines a specific moment in the life of our state. It’s a theatrical snapshot of the mores and (kooky) ways of society in Southern California, and though it’s set in the past, it’s eminently recognizable to Californians today. It’s also a pleasure to welcome yet another artistic director of a major regional theatre here at the Globe. Gordon Edelstein is the Artistic Director of Long Wharf Theatre in Connecticut, the great company we’re partnering with to co-produce this show, and the fifth artistic director to helm a show at the Globe this year. And because we know you’re wondering: no, Gordon and Barry are not related, except in their devotion to the wonders of theatre.
    [Show full text]