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Wolves of Paseo
Wolves of Paseo Media and Entertainment Sector Philippine Stock Exchange (PSE) ABS-CBN Corporation Date: 06/11/2019 Current Price: Recommendation: Buy Ticker: ABS:PM PHP18.6 Target Price: PHP31.8 Market Profile We issue a BUY recommendation for ABS-CBN Closing Price 18.58 Corporation (ABS) with a target price of PHP31.8, (PHP) representing a 71% upside from its closing price of 52-Week 16.80 – PHP18.6 on 06 November 2019. We arrived at our Range 25.30 Average 213.5 target price using the Discounted Free Cash Flow to Volume Equity method. (PHP’000) Shares 861.97 Strong Core Business Anchored on Growing Outstanding Consumption (Millions) Market Cap 15.07 (PHPbn) Consumer Spending is expected to pick up in the Dividend 2.96% next few years as inflation levels out and labor Yield market strengthens. Furthermore, spending will also P/E (ttm) 5.47 be supported by continuously strong inflows coming Source: MarketWatch from remittances. Figure 1. Forecasted EPS (in PHP) Outlook towards the labor market and 6 unemployment is positive, with unemployment maintaining its low level. In addition, the higher 4 minimum wage will increase disposable income which will eventually translate to consumption. ABS 4.4 4.7 4.9 2 3.8 4.1 is well positioned to reap the benefits of this trend as 0 it remains to be the leading media company in the 2020F 2021F 2022F 2023F 2024F Philippines. It consistently leads the industry based on rating agencies. Source: Team Estimates Ratios 2019F 2020F 2021F 2022F 2023F 2024F Gross Margin 41% 40% 40% 40% 40% 40% Net Profit Margin 7% 7% 7% 8% 8% 8% Current Ratio 3.0 3.1 3.2 3.4 3.5 3.6 Debt-to-Equity 0.9 0.8 0.7 0.7 0.6 0.6 Return on Asset 4% 3% 4% 4% 4% 4% Return on Equity 9% 8% 8% 8% 8% 7% Earnings per Share 3.8 3.8 4.1 4.4 4.7 4.9 Business Description ABS is the Philippines’ leading media and entertainment organization. -
Si Judy Ann Santos at Ang Wika Ng Teleserye 344
Sanchez / Si Judy Ann Santos at ang Wika ng Teleserye 344 SI JUDY ANN SANTOS AT ANG WIKA NG TELESERYE Louie Jon A. Sánchez Ateneo de Manila University [email protected] Abstract The actress Judy Ann Santos boasts of an illustrious and sterling career in Philippine show business, and is widely considered the “queen” of the teleserye, the Filipino soap opera. In the manner of Barthes, this paper explores this queenship, so-called, by way of traversing through Santos’ acting history, which may be read as having founded the language, the grammar of the said televisual dramatic genre. The paper will focus, primarily, on her oeuvre of soap operas, and would consequently delve into her other interventions in film, illustrating not only how her career was shaped by the dramatic genre, pre- and post- EDSA Revolution, but also how she actually interrogated and negotiated with what may be deemed demarcations of her own formulation of the genre. In the end, the paper seeks to carry out the task of generically explicating the teleserye by way of Santos’s oeuvre, establishing a sort of authorship through intermedium perpetration, as well as responding on her own so-called “anxiety of influence” with the esteemed actress Nora Aunor. Keywords aura; iconology; ordinariness; rules of assemblage; teleseries About the Author Louie Jon A. Sánchez is the author of two poetry collections in Filipino, At Sa Tahanan ng Alabok (Manila: U of Santo Tomas Publishing House, 2010), a finalist in the Madrigal Gonzales Prize for Best First Book, and Kung Saan sa Katawan (Manila: U of Santo To- mas Publishing House, 2013), a finalist in the National Book Awards Best Poetry Book in Filipino category; and a book of creative nonfiction, Pagkahaba-haba Man ng Prusisyon: Mga Pagtatapat at Pahayag ng Pananampalataya (Quezon City: U of the Philippines P, forthcoming). -
Expressions of Tagalog Imaginary the Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959)
ISSN: 0041-7149 ISSN: 2619-7987 VOL. 89 • NO. 2 • NOVEMBER 2016 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Antonio p. AfricA . UNITAS Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) . VOL. 89 • NO. 2 • NOVEMBER 2016 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Antonio P. AfricA since 1922 Indexed in the International Bibliography of the Modern Language Association of America Expressions of Tagalog Imgaginary: The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Copyright @ 2016 Antonio P. Africa & the University of Santo Tomas Photos used in this study were reprinted by permission of Mr. Simon Santos. About the book cover: Cover photo shows the character, Mercedes, played by Rebecca Gonzalez in the 1950 LVN Pictures Production, Mutya ng Pasig, directed by Richard Abelardo. The title of the film was from the title of the famous kundiman composed by the director’s brother, Nicanor Abelardo. Acknowledgement to Simon Santos and Mike de Leon for granting the author permission to use the cover photo; to Simon Santos for permission to use photos inside pages of this study. UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). -
Maximising Availability of International Connectivity in Developing Countries: Strategies to Ensure Global Digital Inclusion Acknowledgements
REGULATORY AND MARKET ENVIRONMENT International Telecommunication Union Telecommunication Development Bureau Place des Nations Maximising Availability CH-1211 Geneva 20 OF INTERNATIONAL CONNECTIVITY Switzerland www.itu.int IN DEVELOPING COUNTRIES: STRATEGIES TO ENSURE GLOBAL DIGITAL INCLUSION ISBN: 978-92-61-22491-2 9 7 8 9 2 6 1 2 2 4 9 1 2 Printed in Switzerland Geneva, 2016 INCLUSION GLOBAL DIGITAL TO ENSURE STRATEGIES CONNECTIVITY IN DEVELOPING COUNTRIES: OF INTERNATIONAL AVAILABILITY MAXIMISING Telecommunication Development Sector Maximising availability of international connectivity in developing countries: Strategies to ensure global digital inclusion Acknowledgements The International Telecommunication Union (ITU) would like to thank ITU experts Mike Jensen, Peter Lovelock, and John Ure (TRPC) for the preparation of this report. This report was produced by the ITU Telecommunication Development Bureau (BDT). ISBN: 978-92-61-22481-3 (paper version) 978-92-61-22491-2 (electronic version) 978-92-61-22501-8 (EPUB) 978-92-61-22511-7 (MOBI) Please consider the environment before printing this report. © ITU 2016 All rights reserved. No part of this publication may be reproduced, by any means whatsoever, without the prior written permission of ITU. Table of Contents 1 Introduction and background 1 2 The dynamics of international capacity provision in developing countries 2 2.1 The Global context 2 2.2 International capacity costs 3 2.3 Global transit 4 3 International connectivity provision 5 3.1 Ways and means of enabling international -
Studio-23-Inc
STUDIO 23, INC., IPCNo. 14-2015-00120 Opposer, Opposition to: Applrv Serial No. 4-2014-503322 Date Filed: 30 July 2014 -versus- TM: "STINCO STUDIO 23 INTERLINKS CORPORATION' HENRYA.ARCENAL, Respondent- Applicant. Y NOTICE OF DECISION VILLARAZA & ANGANGCO Counsel for the Opposer V & A LAW CENTER 11th Avenue corner 39th Street Bonifacio Triangle, Bonifacio Global City Taguig, Metro Manila HENRY A. ARCENAL Respondent-Applicant # 20 Gordon Avenue, New Asinan Olongapo City, Zambales GREETINGS: Please be informed that Decision No. 2017 - dated June 30, 2017 (copy enclosed) was promulgated in the above entitled case. Pursuant to Section 2, Rule 9 of the IPOPHL Memorandum Circular No. 16-007 series of 2016, any party may appeal the decision to the Director of the Bureau of Legal Affairs within ten (10) days after receipt of the decision together with the payment of applicable fees. Taguig City, June 30, 2017. MARILYN F. RETUTAL IPRS IV Bureau of Legal Affairs Republic of the Philippines INTELLECTUAL PROPERTY OFFICE Intellectual Property Center # 28 Upper McKinley Road, McKinley Hill Town Center, Fort Bonifacio, Taguig City 1634 Philippines •www.ipophil.aov.ph T: +632-2386300 • F: +632-5539480 •[email protected] IP -TIL INTELLECTUAL PROPERTY OFFICE OF THE PHILIPPINES STUDIO 23, INC., Opposer, IPC No. 14-2015-00120 Opposition to Trademark -versus- Application No. 4-2014-503322 Date Filed: 30 July 2014 HENRYA. ARCENAL, Trademark: "STINCO STUDIO 23 Respondent-Applicant, INTERLINKS CORPORATION" x x Decision No. 2017- & DECISION Studio 23, Inc.1 ("OpP°ser") filed an opposition to Trademark Application Serial No. 4-2014-503322. The contested application, filed by Henry A. -
PH - Songs on Streaming Server 1 TITLE NO ARTIST
TITLE NO ARTIST 22 5050 TAYLOR SWIFT 214 4261 RIVER MAYA ( I LOVE YOU) FOR SENTIMENTALS REASONS SAM COOKEÿ (SITTIN’ ON) THE DOCK OF THE BAY OTIS REDDINGÿ (YOU DRIVE ME) CRAZY 4284 BRITNEY SPEARS (YOU’VE GOT) THE MAGIC TOUCH THE PLATTERSÿ 19-2000 GORILLAZ 4 SEASONS OF LONELINESS BOYZ II MEN 9-1-1 EMERGENCY SONG 1 A BIG HUNK O’ LOVE 2 ELVIS PRESLEY A BOY AND A GIRL IN A LITTLE CANOE 3 A CERTAIN SMILE INTROVOYS A LITTLE BIT 4461 M.Y.M.P. A LOVE SONG FOR NO ONE 4262 JOHN MAYER A LOVE TO LAST A LIFETIME 4 JOSE MARI CHAN A MEDIA LUZ 5 A MILLION THANKS TO YOU PILITA CORRALESÿ A MOTHER’S SONG 6 A SHOOTING STAR (YELLOW) F4ÿ A SONG FOR MAMA BOYZ II MEN A SONG FOR MAMA 4861 BOYZ II MEN A SUMMER PLACE 7 LETTERMAN A SUNDAY KIND OF LOVE ETTA JAMESÿ A TEAR FELL VICTOR WOOD A TEAR FELL 4862 VICTOR WOOD A THOUSAND YEARS 4462 CHRISTINA PERRI A TO Z, COME SING WITH ME 8 A WOMAN’S NEED ARIEL RIVERA A-GOONG WENT THE LITTLE GREEN FROG 13 A-TISKET, A-TASKET 53 ACERCATE MAS 9 OSVALDO FARRES ADAPTATION MAE RIVERA ADIOS MARIQUITA LINDA 10 MARCO A. JIMENEZ AFRAID FOR LOVE TO FADE 11 JOSE MARI CHAN AFTERTHOUGHTS ON A TV SHOW 12 JOSE MARI CHAN AH TELL ME WHY 14 P.D. AIN’T NO MOUNTAIN HIGH ENOUGH 4463 DIANA ROSS AIN’T NO SUNSHINE BILL WITHERSÿ AKING MINAHAL ROCKSTAR 2 AKO ANG NAGTANIM FOLK (MABUHAY SINGERS)ÿ AKO AY IKAW RIN NONOY ZU¥IGAÿ AKO AY MAGHIHINTAY CENON LAGMANÿ AKO AY MAYROONG PUSA AWIT PAMBATAÿ PH - Songs on Streaming Server 1 TITLE NO ARTIST AKO NA LANG ANG LALAYO FREDRICK HERRERA AKO SI SUPERMAN 15 REY VALERA AKO’ Y NAPAPA-UUHH GLADY’S & THE BOXERS AKO’Y ISANG PINOY 16 FLORANTE AKO’Y IYUNG-IYO OGIE ALCASIDÿ AKO’Y NANDIYAN PARA SA’YO 17 MICHAEL V. -
Dish TV (DSTV.BO) Initiation of Coverage Initiating with Buy: Satellite Success
Asia Pacific India Cable & Satellite (GICS) Media - General (Citi) Company 2 May 2010 32 pages Equity Dish TV (DSTV.BO) Initiation of coverage Initiating with Buy: Satellite Success Buy; Target Price of Rs48 — Digitalization of India's cable & satellite market has Buy/Medium Risk 1M reached an inflexion point, driven by acceleration in DTH market growth. We Price (29 Apr 10) Rs35.60 believe Dish TV is well positioned to benefit from its (a) first-mover advantage, (b) Target price Rs48.00 strong distribution/infrastructure, (c) lower cost base, and (d) attractive fixed price Expected share price return 34.8% content tie-ups. We initiate coverage with Buy (1M) and DCF based TP of Rs48. Expected dividend yield 0.0% DTH subscriber growth on a roll; Dish TV is the leader — We expect the DTH sub Expected total return 34.8% base to double over next 2 yrs to ~32m driven by: (a) investments by 6 corporates Market Cap Rs37,858M resulting in category growth, (b) shift from analog cable, and (c) increase in new US$850M subs from cable dark areas. Dish TV is the market leader with ~7m subs. Strategic focus shifts to profitability — (a) Dish has changed its focus – mix of calibrated growth & profitability v/s pure growth earlier. (b) While the market will Price Performance (RIC: DSTV.BO, BB: DITV IN) follow, we believe Dish’s superior cost controls stand out – the closest local peer's staff costs are 2.5x, despite similar revenues. (c) Scale benefits and fixed programming agreements will drive better payback – we expect contribution/sub to increase ~60% over FY10-FY12E. -
COVER SHEET for AUDITED FINANCIAL STATEMENTS SEC Registration Number 1 8 0 3 Company Name A
COVER SHEET FOR AUDITED FINANCIAL STATEMENTS SEC Registration Number 1 8 0 3 Company Name A B S - C B N C O R P O R A T I O N A N D S U B S I D I A R I E S Principal Office (No./Street/Barangay/City/Town/Province) A B S - C B N B r o a d c a s t i n g C e n t e r , S g t . E s g u e r r a A v e n u e c o r n e r M o t h e r I g n a c i a S t . Q u e z o n C i t y Form Type Department requiring the Secondary License Type, If report Applicable A A F S COMPANY INFORMATION Company’s Email Address Company’s Telephone Mobile Number Number/s [email protected] (632) 3415-2272 ─ Annual Meeting Fiscal Year No. of Stockholders Month/Day Month/Day 7,985 09/24 December 31 CONTACT PERSON INFORMATION The designated contact person MUST be an Officer of the Corporation Name of Contact Person Email Address Telephone Mobile Number Number/s Ricardo B. Tan Jr. [email protected] (632) 3415-2272 ─ Contact Person’s Address ABS-CBN Broadcast Center, Sgt. Esguerra Avenue corner Mother Ignacia St. Quezon City Note: In case of death, resignation or cessation of office of the officer designated as contact person, such incident shall be reported to the Commission within thirty (30) calendar days from the occurrence thereof with information and complete contact details of the new contact person designated. -
APPROVED by the Annual General Shareholders' Meeting of OJSC
APPROVED by the Annual General Shareholders’ Meeting of OJSC Rostelecom June 14, 2012 Minutes #1 dated June 18, 2012 ANNUAL REPORT FOR THE LONG-DISTANCE AND INTERNATIONAL TELECOMMUNICATIONS OPEN JOINT STOCK COMPANY ROSTELECOM BASED ON YEAR 2011 RESULTS President of OJSC Rostelecom s/s A. Yu. Provorotov Chief Accountant of OJSC Rostelecom s/s R.A. Frolov April 27, 2012 Moscow, 2012 ANNUAL REPORT CONTENTS OJSC ROSTELECOM AT A GLANCE ............................................................................................................. 4 THE CHAIRMAN’S STATEMENT ..................................................................................................................... 5 THE PRESIDENT’S MESSAGE ........................................................................................................................ 6 CALENDAR OF 2011 EVENTS ......................................................................................................................... 8 THE COMPANY’S POSITION IN THE INDUSTRY ......................................................................................... 10 THE COMPANY AND THE BOARD OF DIRECTORS’ REVIEW OF THE YEAR 2011 ................................ 15 GUARANTEE OF HIGH QUALITY COMMUNICATION SERVICES ........................................................... 16 DEVELOPING RETAIL RELATIONSHIPS .................................................................................................. 17 RUSSIAN OPERATORS MARKET ............................................................................................................. -
Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/The Philippines Louie Jon A
Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/the Philippines Louie Jon A. Sanchez In a previous paper, the author had begun discoursing on the process of acculturating Korean/Hallyu soap opera aesthetics in television productions such as Only You (Quintos, 2009), Lovers in Paris (Reyes, 2009), and Kahit Isang Saglit (Perez & Sineneng, 2008). This paper attempts to expand the discussions of his “critico-personal” essay by situating the discussions in what he described as the “diasporization” of the Filipino, and the Philippines, as constructed in recent soap operas namely Princess and I (Lumibao, Pasion, 2012) A Beautiful Affair (Flores, Pobocan, 2012), and Kailangan Ko’y Ikaw (Bernal & Villarin, 2013). In following the three teleserye texts, the author observes three hallyu aesthetic influences now operating in the local sphere—first, what he called the “spectacularization” of the first world imaginary in foreign dramatic/fictional spaces as new “spectre of comparisons” alluding to Benedict Anderson; the crafting of the Filipino character as postcolonially/neocolonially dispossessed; and the continued perpetration of the imagination of Filipino location as archipelagically—and consequently, nationally—incoherent. The influences result in the aforementioned “diasporization”, an important trope of simulated and dramaturgically crafted placelessness in the process of imagining Filipino “communities” and their sense of “historical” reality, while covering issues relating to the plight and conditions of the diasporic Filipino. Keywords: Koreanovelas, Korean turn, teleserye, translation, imagined communities, diaspora, hallyu After a decade of its constant presence in the Philippine market, the extent of change brought about by the “Koreanovela” in the landscape of Philippine television is clearly noticeable and merits revaluation. -
Philippines in View Philippines Tv Industry-In-View
PHILIPPINES IN VIEW PHILIPPINES TV INDUSTRY-IN-VIEW Table of Contents PREFACE ................................................................................................................................................................ 5 1. EXECUTIVE SUMMARY ................................................................................................................................... 6 1.1. MARKET OVERVIEW .......................................................................................................................................... 6 1.2. PAY-TV MARKET ESTIMATES ............................................................................................................................... 6 1.3. PAY-TV OPERATORS .......................................................................................................................................... 6 1.4. PAY-TV AVERAGE REVENUE PER USER (ARPU) ...................................................................................................... 7 1.5. PAY-TV CONTENT AND PROGRAMMING ................................................................................................................ 7 1.6. ADOPTION OF DTT, OTT AND VIDEO-ON-DEMAND PLATFORMS ............................................................................... 7 1.7. PIRACY AND UNAUTHORIZED DISTRIBUTION ........................................................................................................... 8 1.8. REGULATORY ENVIRONMENT .............................................................................................................................. -
Request for Quotation
REQUEST FOR QUOTATION Date : June 30, 2010 Project Title : 2 Years Cable Subscription for Four (4) units Television for PAGCOR Hyatt ITB No. : 06-08-2010 Approved Budget : Php48,400.00 annually Deadline of Submission of Quotation : July 7, 2010 (OPEN QUOTATION) Sir/Madame: In accordance with the Technical Specifications/Scope of Work and General Conditions for the aforementioned project stated herewith, kindly fill up and submit your lowest quotation on the item/s services stated below. Thank you. DELIO N. MAGSUMBOL JR. BBAC Chairman PAGCOR-Hyatt Dear Mr. Magsumbol Jr.: In accordance with your request, following is our proposal for your requirement: Offered Technical Proposal Description of Service Requirement Please fill up each column with either: “comply” or “not comply” Project: 2 Years Cable Subscription for Four (4) units Television for PAGCOR Hyatt Location: #1588 Hyatt Hotel and Casino Manila, M.H. Del Pilar corner Pedro Gil Street, Malate, Manila Technical Specifications/Scope of Work 1. Monthly Subscription for Four (4) units Television for Two (2) Years Contract 2. To provide PAGCOR-Hyatt with Cable TV entertainment including but not limited to the following channel guide: ANC Studio 23 Teleradyo Net 25 MAX QTV Hallmark CNN Discovery Channel BBC World Page 1 of 3 Request for Quotation Animal Planet Bloomberg MYX Star Sports Cinema One National Geographic Knowledge Channel Cartoon Network Animax Nickelodeon Hero TV Disney Channel NBN4 Star World ABS-CBN AXN TV5 HBO CS9 Star Movies GMA 7 MTV IBC 13 Living Asia 3. The system shall be capable of providing the aforementioned TV channels to all subscribers connected thereto, and such television signals shall be free of noticeable degradation when signals delivered to any subscriber are compared with the television signals impressed upon the transmission system at the point of origin.