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JULY 2012 NORTH AMERICA MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY JULY 9 JULY 10 JULY 11 JULY 12 JULY 13 JUL Y 7 JULY 8 ET ET 12 A RATED K (11:25-12:15) MAALAALA MO KAYA 12 A X-FACTOR WALANG HANGGAN (R) (11:55-12:35) (R) (11:30-12:30) PHILIPPINES X-FACTOR SUNDAY KAHIT PUSO’Y MASUGATAN (12:35-1:10) PHILIPPINES 1 (12:15-1:15) SATURDAY 1 GANDANG GABI VICE KUNG AKO’Y IIWAN MO (R) (1:10-1:40) (12:30-1:30) (1:15-2:00) BANANA SPLIT 2 PHR: HIYAS (1:40-2:20) JUNE 30 EP. (R) 2 THE WAY (1:30-2:30) YOU LOOK BANDILA (2:20-3:05) AT ME BOTTOMLINE 3 (2:30-3:30) 3 (2:00-3:40) XXX GAPLESS PATROL NG PILIPINO AKO ANG SIMULA KRUSADA SOCO (3:05-3:45) (3:05-3:45) (3:05-3:45) (3:05-3:45) (3:05-3:45) STORYLINE 4 BALITANG AMERICA (R)(3:45-4:15) (3:30-4:10) 4 ASAP (R) STORYLINE (R) SALAMAT DOK SAT BOTTOMLINE (R) SALAMAT DOK SUN RATED K (R2) CITIZEN PINOY (4:15-5:05) (R)(4:15-5:05) (4:15-5:05) (R)(4:15-5:05) (4:15-5:05) 5 (3:40-5:45) (R)(4:10-5:10) 5 PATROL NG PILIPINO KRIS TV (R) (5:05-6:00) (R) (5:10-5:50) 6 ADOBO NATION KRUSADA (R) 6 (R)(5:45-6:45) (5:50-6:30) FAILON NGAYON TODA MAX (R) (6:30-6:55) 7 JUNE 30 EP. (R) 7 (6:45-7:20) GANDANG GABI VICE LUV U IT’S SHOWTIME (R) (6:00-8:30) (R) (6:55-7:40) (R) (7:20-8:00) 8 SARAH G. LIVE 8 BALITANG CANADA (R) (8:00-8:30) (R) (7:40-8:35) SALAMAT DOK SAT SALAMAT DOK SUN 9 (8:30-9:25) (8:35-9:35) 9 UMAGANG KAY GANDA (8:30-10:10) MATANGLAWIN (R2) (9:25-9:50) THE HEALING 10 K-HIGH (9:50-10:15) EUCHARIST 10 BUSA SUPERSHOW (R) KABUHAYANG SWAK NA SWAK KABUHAYANG SWAK NA SWAK MATANGLAWIN GAPLESS FAILON NGAYON (9:35-10:35) (10:10-10:35) SAT GAPLESS SUN GAPLESS (R3) (10:10-10:35) BIYAHENG BULILIT (10:15-10:40) (10:10-10:35) (10:10-10:35) (R) (10:10-10:35) FILIPINO KA, SABIHIN MO (10:35-10:40) TFC CONNECT (10:35-10:45) TV PATROL SABADO TV PATROL LINGGO 11 (10:40-11:20) (10:40-11:20) 11 TV PATROL (10:45-12:05) RATED K (R3) EL SHADDAI 12 NN (11:20-12:10) (11:20-12:20) 12 NN WANSAPANATAYM FILIPINO KA, SABIHIN MO (12:20-12:25) (12:10-12:45) KRIS TV (12:05-12:55) BELO BEAUTY 101 (R) (12:25-12:55) 1 OKA2KAT 1 PATROL NG PILIPINO KRUSADA (R2) AKO ANG SIMULA RATED K (R) MATANGLAWIN BOTTOMLINE (R2) SEASON 2 RERUN (12:55-1:35) (R2) (12:55-1:50) (12:55-1:50) (R2) (12:55-1:50) (12:55-1:50) (12:55-1:50) (12:45-1:45) 2 TFC CONNECT (1:50-2:00) 2 ASAP IT’S SHOWTIME (1:35-3:40) 3 SATURDAY 3 IT’S SHOWTIME (2:00-4:30) (1:45-4:10) LUV U 4 (3:40-4:10) 4 SHOWBIZ INSIDE PRINCESS AND I (4:30-5:05) REPORT 5 THE BUZZ 5 (4:10-5:20) (4:10-5:50) LORENZO’S TIME (5:05-5:30) BELO BEAUTY 101 MUNDO MAN AY MAGUNAW (5:30-6:05) (5:20-5:50) 6 BUSA SUPERSHOW GOIN’ BULILIT 6 WALANG HANGGAN (6:05-6:40) (5:50-6:20) (5:50-6:20) ARYANA (6:40-7:10) MAALAALA MO KAYA MMK CLASSICS 7 (6:20-7:25) (6:20-7:35) 7 KUNG AKO’Y IIWAN MO (7:10-7:35) TV PATROL SABADO BE CAREFUL WITH MY HEART (4:35-5:05) (R)(7:25-8:05) TV PATROL LINGGO 8 (R)(7:35-8:15) 8 FAILON NGAYON (8:05-8:30) BALITANG CANADA TODA MAX (8:15-8:45) JUNE 30 EP. (R) 9 TV PATROL (R) (8:05-9:25) (8:30-9:05) BAYANING PILIPINO 9 NORTH AMERICA 2012 (5:45-6:45) BALITANG AMERICA (9:25-9:55) IT’S SHOWTIME 10 TFC CONNECT (9:55-10:05) ADOBO NATION 10 PRINCESS AND I (R) (10:05-10:45) SATURDAY (R) (9:45-10:45) (9:05-11:30) 11 SARAH G. LIVE 11 LORENZO’S TIME (R) (10:45-11:20) (10:45-11:25) MUNDO MAN AY MAGUNAW (R) (11:20-11:55) MAALAALA MO KAYA RATED K WALANG HANGGAN (R) (11:55-12:35) (R) (11:30-12:30) (11:25-12:15) U.S. EASTERN TIME (DST) - JULY 7, 2012 .

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PDF of the Princess Bride
THE PRINCESS BRIDE S. Morgenstern's Classic Tale of True Love and High Adventure The 'good parts' version abridged by WILLIAM GOLDMAN one two three four five six seven eight map For Hiram Haydn THE PRINCESS BRIDE This is my favorite book in all the world, though I have never read it. How is such a thing possible? I'll do my best to explain. As a child, I had simply no interest in books. I hated reading, I was very bad at it, and besides, how could you take the time to read when there were games that shrieked for playing? Basketball, baseball, marbles—I could never get enough. I wasn't even good at them, but give me a football and an empty playground and I could invent last-second triumphs that would bring tears to your eyes. School was torture. Miss Roginski, who was my teacher for the third through fifth grades, would have meeting after meeting with my mother. "I don't feel Billy is perhaps extending himself quite as much as he might." Or, "When we test him, Billy does really exceptionally well, considering his class standing." Or, most often, "I don't know, Mrs. Goldman; what are we going to do about Billy?" What are we going to do about Billy? That was the phrase that haunted me those first ten years. I pretended not to care, but secretly I was petrified. Everyone and everything was passing me by. I had no real friends, no single person who shared an equal interest in all games.
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Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media.
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Program Schedule
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Star Channels, Feb. 18-24
FEBRUARY 18 - 24, 2018 staradvertiser.com REAL FAKE NEWS English comedian John Oliver is ready to take on politicians, corporations and much more when he returns with a new season of the acclaimed Last Week Tonight With John Oliver. Now in its ﬁ fth season, the satirical news series combines comedy, commentary and interviews with newsmakers as it presents a unique take on national and international stories. Premiering Sunday, Feb. 18, on HBO. – HART Board meeting, live on ¶Olelo PaZmlg^qm_hkAhghenenlkZbemkZglbm8PZm\aebo^Zg]Ûg]hnm' THIS THURSDAY, 8:00AM | CHANNEL 55 olelo.org ON THE COVER | LAST WEEK TONIGHT WITH JOHN OLIVER Satire at its best ‘Last Week Tonight With John hard work. We’re incredibly proud of all of you, In its short life, “Last Week Tonight With and rather than tell you that to your face, we’d John Oliver” has had a marked influence on Oliver’ returns to HBO like to do it in the cold, dispassionate form of a politics and business, even as far back as press release.” its first season. A 2014 segment on net By Kyla Brewer For his part, Bloys had nothing but praise neutrality is widely credited with prompt- TV Media for the performer, saying: “His extraordinary ing more than 45,000 comments on the genius for rich and intelligent commentary is Federal Communications Commission’s (FCC) s 24-hour news channels, websites and second to none.” electronic filing page, and another 300,000 apps rise in popularity, the public is be- Oliver has worked his way up through the comments in an email inbox dedicated to Acoming more invested in national and in- entertainment industry since starting out as a proposal that would allow “priority lanes” ternational news.
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Wolves of Paseo
Wolves of Paseo Media and Entertainment Sector Philippine Stock Exchange (PSE) ABS-CBN Corporation Date: 06/11/2019 Current Price: Recommendation: Buy Ticker: ABS:PM PHP18.6 Target Price: PHP31.8 Market Profile We issue a BUY recommendation for ABS-CBN Closing Price 18.58 Corporation (ABS) with a target price of PHP31.8, (PHP) representing a 71% upside from its closing price of 52-Week 16.80 – PHP18.6 on 06 November 2019. We arrived at our Range 25.30 Average 213.5 target price using the Discounted Free Cash Flow to Volume Equity method. (PHP’000) Shares 861.97 Strong Core Business Anchored on Growing Outstanding Consumption (Millions) Market Cap 15.07 (PHPbn) Consumer Spending is expected to pick up in the Dividend 2.96% next few years as inflation levels out and labor Yield market strengthens. Furthermore, spending will also P/E (ttm) 5.47 be supported by continuously strong inflows coming Source: MarketWatch from remittances. Figure 1. Forecasted EPS (in PHP) Outlook towards the labor market and 6 unemployment is positive, with unemployment maintaining its low level. In addition, the higher 4 minimum wage will increase disposable income which will eventually translate to consumption. ABS 4.4 4.7 4.9 2 3.8 4.1 is well positioned to reap the benefits of this trend as 0 it remains to be the leading media company in the 2020F 2021F 2022F 2023F 2024F Philippines. It consistently leads the industry based on rating agencies. Source: Team Estimates Ratios 2019F 2020F 2021F 2022F 2023F 2024F Gross Margin 41% 40% 40% 40% 40% 40% Net Profit Margin 7% 7% 7% 8% 8% 8% Current Ratio 3.0 3.1 3.2 3.4 3.5 3.6 Debt-to-Equity 0.9 0.8 0.7 0.7 0.6 0.6 Return on Asset 4% 3% 4% 4% 4% 4% Return on Equity 9% 8% 8% 8% 8% 7% Earnings per Share 3.8 3.8 4.1 4.4 4.7 4.9 Business Description ABS is the Philippines’ leading media and entertainment organization.
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Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/The Philippines Louie Jon A
Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/the Philippines Louie Jon A. Sanchez In a previous paper, the author had begun discoursing on the process of acculturating Korean/Hallyu soap opera aesthetics in television productions such as Only You (Quintos, 2009), Lovers in Paris (Reyes, 2009), and Kahit Isang Saglit (Perez & Sineneng, 2008). This paper attempts to expand the discussions of his “critico-personal” essay by situating the discussions in what he described as the “diasporization” of the Filipino, and the Philippines, as constructed in recent soap operas namely Princess and I (Lumibao, Pasion, 2012) A Beautiful Affair (Flores, Pobocan, 2012), and Kailangan Ko’y Ikaw (Bernal & Villarin, 2013). In following the three teleserye texts, the author observes three hallyu aesthetic influences now operating in the local sphere—first, what he called the “spectacularization” of the first world imaginary in foreign dramatic/fictional spaces as new “spectre of comparisons” alluding to Benedict Anderson; the crafting of the Filipino character as postcolonially/neocolonially dispossessed; and the continued perpetration of the imagination of Filipino location as archipelagically—and consequently, nationally—incoherent. The influences result in the aforementioned “diasporization”, an important trope of simulated and dramaturgically crafted placelessness in the process of imagining Filipino “communities” and their sense of “historical” reality, while covering issues relating to the plight and conditions of the diasporic Filipino. Keywords: Koreanovelas, Korean turn, teleserye, translation, imagined communities, diaspora, hallyu After a decade of its constant presence in the Philippine market, the extent of change brought about by the “Koreanovela” in the landscape of Philippine television is clearly noticeable and merits revaluation.
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Star Channels, Feb. 17-23
FEBRUARY 17 - 23, 2019 staradvertiser.com NOT-SO-FAKE NEWS John Oliver hosts a sixth season of HBO’s hard-hitting and hilarious newsmagazine Last Week Tonight with John Oliver. This unique mix of comedy and news is known for taking deep dives into important issues that are often overlooked by mainstream news outlets. This series has proven itself capable of inﬂ uencing the political and cultural discourse, and Season 6 promises to shake things up even more. Premiering Sunday, Feb. 17, on HBO. WEEKLY NEWS UPDATE LIVE @ THE LEGISLATURE Join Senate and House leadership as they discuss upcoming legislation and issues of importance to the community. TUESDAY, 8:30AM | CHANNEL 49 | olelo.org/49 olelo.org ON THE COVER | LAST WEEK TONIGHT WITH JOHN OLIVER Oliver slays ‘Last Week Tonight’ is a perfect fit, and a mere three months after his stint as set his show apart from similar series in a few temporary host, it was announced that Oliver specific ways. Rather than rushing through a blend of news and humor would be creating a brand new show for the number of diverse topics, he chose to produce premium cable network. longer, more in-depth segments about issues By Kenneth Andeel In April 2014, “Last Week Tonight with John he and his writers felt strongly about. The fact TV Media Oliver” premiered, and in the time since its that “Last Week Tonight” is a weekly show also debut, the show has become a cultural touch- influenced its tone and content. Oliver and his hen John Oliver accepted corre- stone and a critical darling.
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'Bro' Takes Center Stage in 'Kapamilya' Christmas
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Ar-2004 Pdf Comp
abs-cbn annual report 2004 1 2 abs-cbn annual report 2004 abs-cbn annual report 2004 3 4 abs-cbn annual report 2004 abs-cbnabs-cbn annual annual report report 2004 2004 55 6 abs-cbn annual report 2004 abs-cbn annual report 2004 7 8 abs-cbn annual report 2004 abs-cbn annual report 2004 9 10 abs-cbn annual report 2004 abs-cbn annual report 2004 11 12 abs-cbn annual report 2004 abs-cbn annual report 2004 13 14 abs-cbn annual report 2004 abs-cbn annual report 2004 15 16 abs-cbn annual report 2004 abs-cbn annual report 2004 17 18 abs-cbn annual report 2004 abs-cbnabs-cbn annual annual report report 2004 20041919 ABS-CBN BROADCASTING CORPORATION AND SUBSIDIARIES BALANCE SHEETS (Amounts in Thousands) Parent Company Consolidated December 31 2003 2003 (As restated - (As restated - 2004 Note 2) 2004 Note 2) ASSETS Current Assets Cash and cash equivalents (Note 4) $356,772 $803,202 $1,291,557 $1,580,355 Receivables - net (Notes 5, 7 and 12) 2,181,412 2,338,136 3,757,824 3,789,278 Current portion of program rights (Note 9) 490,685 566,992 872,983 880,975 Other current assets - net (Note 6) 296,182 193,317 629,426 508,681 Total Current Assets 3,325,051 3,901,647 6,551,790 6,759,289 Noncurrent Assets Due from related parties (Notes 7 and 12) 159,741 150,894 262,435 273,303 Investments and advances (Notes 5, 7, 9, 12 and 15) 3,622,061 3,417,545 239,962 342,111 Noncurrent receivables from Sky Vision (Note 7) 1,800,428 – 1,800,428 – Property and equipment at cost - net (Notes 8, 12, 13 and 14) 10,250,015 10,580,136 10,650,285 10,909,767 Program rights
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Lopez Group Reiterates CSR Commitment At
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20 Century Ends
New Year‟s Celebration 2013 20th CENTURY ENDS ANKIND yesterday stood on the threshold of a new millennium, linked by satellite technology for the most closely watched midnight in history. M The millennium watch was kept all over the world, from a sprinkle of South Pacific islands to the skyscrapers of the Americas, across the pyramids, the Parthenon and the temples of Angkor Wat. Manila Archbishop Luis Antonio Cardinal Tagle said Filipinos should greet 2013 with ''great joy'' and ''anticipation.'' ''The year 2013 is not about Y2K, the end of the world or the biggest party of a lifetime,'' he said. ''It is about J2K13, Jesus 2013, the Jubilee 2013 and Joy to the World 2013. It is about 2013 years of Christ's loving presence in the world.'' The world celebration was tempered, however, by unease over Earth's vulnerability to terrorism and its dependence on computer technology. The excitement was typified by the Pacific archipelago nation of Kiribati, so eager to be first to see the millennium that it actually shifted its portion of the international dateline two hours east. The caution was exemplified by Seattle, which canceled its New Year's party for fear of terrorism. In the Philippines, President Benigno Aquino III is bracing for a “tough” new year. At the same time, he called on Filipinos to pray for global peace and brotherhood and to work as one in facing the challenges of the 21st century. Mr. Estrada and at least one Cabinet official said the impending oil price increase, an expected P60- billion budget deficit, and the public opposition to amending the Constitution to allow unbridled foreign investments would make it a difficult time for the Estrada presidency.
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I Diaspora Media: a Rhizomatic Study of Identity, Resistance and Citizenship a Dissertation Presented to the Faculty of the Scri
Diaspora Media: A Rhizomatic Study of Identity, Resistance and Citizenship A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Luis S. Pascasio April 2021 © 2021 Luis S. Pascasio. All Rights Reserved. i This dissertation titled Diaspora Media: A Rhizomatic Study of Identity, Resistance and Citizenship by LUIS S. PASCASIO has been approved for the School of Media Arts and Studies and the Scripps College of Communication by Wolfgang Suetzl Assistant Professor of Media Arts & Studies Scott Titsworth Dean, Scripps College of Communication ii Abstract PASCASIO, LUIS S. , PhD, April 2021, Mass Communication Diaspora Media: A Rhizomatic Study of Identity, Resistance and Citizenship Director of Dissertation: Wolfgang Suetzl This dissertation is an ethnographic study of the communication and media practices of Filipino Americans in Chicago. It investigates how their everyday encounters with diaspora media produce patterns of consumption and interpretation that locates identity, resistance and citizenship as discourses performed with and in media. Through interviews, participant observation and storytelling, the study argues that Filipino Americans’ active engagement with karaoke, the Filipino Channel, a transnational media platform and community newspapers activates becoming more Filipino in the diaspora, long distance activism and a performance of diasporic citizenship informed by cosmopolitanism. These media performances are not mere happenstances but are conscious acts informed by a logic of diasporic performativity that locates active engagement with media as an expression of human agency. iii Dedication To my loving parents, Anselmo and Natividad, for all the sacrifice, wisdom and stories that nourished me as a child and as a student of life iv Acknowledgments I would like to express my heartfelt gratitude to Dr.
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