DOCSLIB.ORG

Philippines in View Philippines Tv Industry-In-View

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Philippines in View Philippines Tv Industry-In-View PHILIPPINES IN VIEW PHILIPPINES TV INDUSTRY-IN-VIEW Table of Contents PREFACE ................................................................................................................................................................ 5 1. EXECUTIVE SUMMARY ................................................................................................................................... 6 1.1. MARKET OVERVIEW .......................................................................................................................................... 6 1.2. PAY-TV MARKET ESTIMATES ............................................................................................................................... 6 1.3. PAY-TV OPERATORS .......................................................................................................................................... 6 1.4. PAY-TV AVERAGE REVENUE PER USER (ARPU) ...................................................................................................... 7 1.5. PAY-TV CONTENT AND PROGRAMMING ................................................................................................................ 7 1.6. ADOPTION OF DTT, OTT AND VIDEO-ON-DEMAND PLATFORMS ............................................................................... 7 1.7. PIRACY AND UNAUTHORIZED DISTRIBUTION ........................................................................................................... 8 1.8. REGULATORY ENVIRONMENT ............................................................................................................................... 9 2. PHILIPPINE TV, VIDEO AND BROADBAND MARKET ENVIRONMENT ............................................................ 10 2.1. ECONOMIC ENVIRONMENT ............................................................................................................................... 10 2.2. TV PENETRATION ............................................................................................................................................ 12 2.3. FIXED & WIRELESS BROADBAND PENETRATION ..................................................................................................... 12 2.4. GENERAL TV AND ONLINE VIEWING BEHAVIOR ..................................................................................................... 13 2.5. PAY-TV AND FTA IN RELATION TO PHILIPPINE SOCIAL STRATA ................................................................................. 15 2.6. CHANGING VIEWING BEHAVIOR IN THE PHILIPPINES ............................................................................................... 16 2.6.1. USAGE TRENDS IN CONSUMING VIDEO CONTENT .............................................................................................. 16 2.6.1.1. MOST-USED SOURCES OF VIDEO CONTENT ..................................................................................................... 16 2.6.1.2. NEW TRENDS IN WATCHING VIDEO CONTENT .................................................................................................. 19 2.6.2. DEVICES USED MOST FREQUENTLY ................................................................................................................ 19 2.6.3. SATISFACTION RATINGS ................................................................................................................................ 20 2.6.4. VIEWING SENTIMENTS AND VALUES ............................................................................................................... 21 3. OVERVIEW OF PHILIPPINE FREE-TO-AIR (FTA) BROADCASTING ................................................................... 24 3.1. TV INDUSTRY LANDSCAPE AND KEY PLAYERS OVERVIEW ......................................................................................... 24 3.2. MAIN FTA BROADCASTERS ............................................................................................................................... 25 3.2.1. ABS-CBN CORP......................................................................................................................................... 25 3.2.2. GMA NETWORK INC. .................................................................................................................................. 27 3.2.3. TV5 NETWORK INC. .................................................................................................................................... 29 3.2.4. SOLAR ENTERTAINMENT CORPORATION .......................................................................................................... 31 3.2.5. OTHER PLAYERS ......................................................................................................................................... 32 3.3. FTA CONTENT AND PROGRAMMING ................................................................................................................... 34 3.4. FTA SWITCHOVER TO DIGITAL ........................................................................................................................... 36 3.5. DTT MARKET ADOPTION.................................................................................................................................. 36 4. PHILIPPINE PAY-TV STRUCTURE ................................................................................................................... 37 4.1. PAY-TV SUBSCRIBERS – MARKET SIZE ................................................................................................................. 37 4.2. PAY-TV SUBSCRIBERS – GROWTH TRENDS ........................................................................................................... 38 4.3. PAY-TV OPERATORS’ MARKET SHARE AND SUBSCRIBER GROWTH ............................................................................ 39 4.3.1. SKY CABLE ................................................................................................................................................. 40 4.3.2. CIGNALTV ................................................................................................................................................. 42 4.3.3. GLOBAL SATELLITE (GSAT) ........................................................................................................................... 43 4.3.4. OTHERS – SMALL TO MEDIUM OPERATORS ..................................................................................................... 43 Page 1 of 71 PHILIPPINES TV INDUSTRY-IN-VIEW 4.4. PAY-TV INDUSTRY AND MAJOR OPERATOR REVENUES ........................................................................................... 44 4.5. PAY-TV AVERAGE REVENUE PER USER (ARPU) .................................................................................................... 46 4.6. PAY-TV PRICING – PAYMENT, ENTRY, RECURRING AND TOP-UP FEES ....................................................................... 47 4.7. PAY-TV CONTENT AND PROGRAMMING .............................................................................................................. 48 4.8. BUSINESS DEVELOPMENT AND OTHER INDUSTRY OPPORTUNITIES............................................................................. 50 4.9. TECHNOLOGICAL ISSUES IN THE PHILIPPINE TV INDUSTRY ........................................................................................ 52 4.9.1. ENCRYPTION AND CONDITIONAL ACCESS SYSTEMS (CAS) ................................................................................... 52 4.9.1.1. SKY CABLE ................................................................................................................................................. 52 4.9.1.2. GSAT ....................................................................................................................................................... 53 4.9.1.3. CIGNALTV ................................................................................................................................................. 53 4.9.1.4. DREAM SATELLITE TV .................................................................................................................................. 54 4.9.2. SATELLITES AND SATELLITE BANDS .................................................................................................................. 54 4.9.2.1. CIGNALTV ................................................................................................................................................. 54 4.9.2.2. SKY DIRECT ................................................................................................................................................ 54 4.9.2.3. GSAT ....................................................................................................................................................... 54 4.9.2.4. DREAM ..................................................................................................................................................... 54 5. VIDEO CONTENT PIRACY IN THE PHILIPPINES .............................................................................................. 55 5.1. CONSUMER PIRACY IN PHILIPPINE PAY-TV MARKET .............................................................................................. 55 5.2. STAKEHOLDER VIEWS ON PIRACY IN THE PHILIPPINES ............................................................................................. 58 6. ADVANCEMENTS IN OTT, VOD AND OTHER ALTERNATIVES ......................................................................... 59 6.1.
Load more

Recommended publications
  • Diliman (Report 07.2016)
    UNITED ARCHITECTS OF THE PHILIPPINES ______________DILIMAN________________ (Name of Chapter) Address: Blk 1 Lot 10 Celery St., Phase 6F Greenwoods, Executive Village, Cainta Contact and Email: [email protected] ACTIVITY REPORT NO. 001 JULY 10, 2016 UAP INAUGURAL RITES & STRATEGIC PLANNING CONFERENCE Photo Credits: Florencio Sebastian III District A-4 Director Florencio Sebastian III, UAP Diliman F.Y. 2016-2017 President Karen Kaye Ang, UAP Diliman IPP Rebecca Vanessa Rellosa and Ms. Steph Gilles participated at the recently held UAP Inaugural Rites & Strategic Planning Conference in Ilo-Ilo City last June 30-July 1, 2016. More information www.united-architects.org 5-Time PRC’s Most Outstanding Accredited Professional Organization of the Year (2002, 2007, 2008, 2011 & 2014) Photo Credits: Florencio Sebastian III More information www.united-architects.org 5-Time PRC’s Most Outstanding Accredited Professional Organization of the Year (2002, 2007, 2008, 2011 & 2014) UNITED ARCHITECTS OF THE PHILIPPINES ______________DILIMAN________________ (Name of Chapter) Address: Blk 1 Lot 10 Celery St., Phase 6F Greenwoods, Executive Village, Cainta Contact and Email: [email protected] ACTIVITY REPORT NO. 002 JULY 10, 2016 DILIMANER AS EMCEE DURING UAP INAUGURALS Photo Credits: Florencio Sebastian III UAP Diliman IPP Rebecca Vanessa Rellosa as the Master of the Ceremony during the Opening event, Officer’s Orientation Seminar and Inaugural Dinner for the new set of National Officers, Chapter Presidents and Committee Heads at the UAP Inaugural Rites
    [Show full text]
  • Reuters Institute Digital News Report 2020
    Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media.
    [Show full text]
  • Harnessing Rural Radio for Climate Change Mitigation and Adaptation in the Philippines
    Harnessing Rural Radio for Climate Change Mitigation and Adaptation in the Philippines Working Paper No. 275 CGIAR Research Program on Climate Change, Agriculture and Food Security (CCAFS) Rex L. Navarro Renz Louie V. Celeridad Rogelio P. Matalang Hector U. Tabbun Leocadio S. Sebastian 1 Harnessing Rural Radio for Climate Change Mitigation and Adaptation in the Philippines Working Paper No. 275 CGIAR Research Program on Climate Change, Agriculture and Food Security (CCAFS) Rex L. Navarro Renz Louie V. Celeridad Rogelio P. Matalang Hector U. Tabbun Leocadio S. Sebastian 2 Correct citation: Navarro RL, Celeridad RLV, Matalang RP, Tabbun HU, Sebastian LS. 2019. Harnessing Rural Radio for Climate Change Mitigation and Adaptation in the Philippines. CCAFS Working Paper no. 275. Wageningen, the Netherlands: CGIAR Research Program on Climate Change, Agriculture and Food Security (CCAFS). Available online at: www.ccafs.cgiar.org Titles in this Working Paper series aim to disseminate interim climate change, agriculture and food security research and practices and stimulate feedback from the scientific community. The CGIAR Research Program on Climate Change, Agriculture and Food Security (CCAFS) is a strategic partnership of CGIAR and Future Earth, led by the International Center for Tropical Agriculture (CIAT). The Program is carried out with funding by CGIAR Fund Donors, Australia (ACIAR), Ireland (Irish Aid), Netherlands (Ministry of Foreign Affairs), New Zealand Ministry of Foreign Affairs & Trade; Switzerland (SDC); Thailand; The UK Government (UK Aid); USA (USAID); The European Union (EU); and with technical support from The International Fund for Agricultural Development (IFAD). For more information, please visit https://ccafs.cgiar.org/donors. Contact: CCAFS Program Management Unit, Wageningen University & Research, Lumen building, Droevendaalsesteeg 3a, 6708 PB Wageningen, the Netherlands.
    [Show full text]
  • Remote Control Preset Codes (AVR-A110) AVR
    AVR CBL/SAT group TV group VCR/PVR group BD/DVD group Audio group Remote Control Preset Codes (AVR-A110) AVR D Denon 73347 CBL/SAT group CBL CCS 03322 Director 00476 A ABN 03322 Celrun 02959, 03196, 03442 DMT 03036 ADB 01927, 02254 Channel Master 03118 DSD 03340 Alcatel-Lucent 02901 Charter 01376, 01877, 02187 DST 03389 Amino 01602, 01481, 01822, 02482 Chunghwa 01917 DV 02979 Arion 03034, 03336 01877, 00858, 01982, 02345, E Echostar 03452 Cisco 02378, 02563, 03028, 03265, Arris 02187 03294 Entone 02302 AT&T 00858 CJ 03322 F Freebox 01976 au 03444, 03445, 03485, 03534 CJ Digital 02693, 02979 G GBN 03407 B BBTV 02516, 02518, 02980 CJ HelloVision 03322 GCS 03322 Bell 01998 ClubInternet 02132 GDCATV 02980 BIG.BOX 03465 CMB 02979, 03389 Gehua 00476 General Bright House 01376, 01877 CMBTV 03498 Instrument 00476 BSI 02979 CNS 02350, 02980 H Hana TV 02681, 02881, 02959 BT 02294 Com Hem 00660, 01666, 02015, 02832 Handan 03524 C C&M 02962, 02979, 03319, 03407 01376, 00476, 01877, 01982, HCN 02979, 03340 Comcast 02187 Cable Magico 03035 HDT 02959, 03465 Coship 03318 Cable One 01376, 01877 Hello TV 03322 Cox 01376, 01877 Cable&Wireless 01068 HelloD 02979 Daeryung 01877 Cablecom 01582 D Hi-DTV 03500 DASAN 02683 Cablevision 01376, 01877, 03336 Hikari TV 03237 Digeo 02187 1 AVR CBL/SAT group TV group VCR/PVR group BD/DVD group Audio group Homecast 02977, 02979, 03389 02692, 02979, 03196, 03340, 01982, 02703, 02752, 03474, L LG 03389, 03406, 03407, 03500 Panasonic 03475 Huawei 01991 LG U+ 02682, 03196 Philips 01582, 02174, 02294 00660, 01981, 01983,
    [Show full text]
  • Chaines De La France
    Chaines de la France CORONAVIRUS TF1 TF1 HEURE LOCALE -6 M6 M6 HEURE LOCALE -6 FRANCE O FRANCE 0 -6 FRANCE 1 ST-PIERRE ET MIQUELON FRANCE 2 FRANCE 2-6 FRANCE 3 FRANCE 3 HEURE LOCALE -6 FRANCE 4 FRANCE 4-6 FRANCE 5 FRANCE 5-6 BFM LCI EURONEWS TV5 CNEWS FRANCE 24 LCP PARI C8 C8 -6 W9 W9 HEURE LOCALE -6 FILM DE LA SÉRIE TF1 6TER PREMIÈRE DE PARIS 13E RUE TFX COMÉDIE PLUS DISTRICT DU CRIME SYFY FR ALTICE STUDIO POLAIRE + CANAL PARAMOUNT DÉCALE PARAMOUNT CLUB DE SÉRIE WARNER BREIZH NOVELAS NOLLYWOOD FR ÉPIQUE DE NOLLYWOOD A + TCM CINÉMA TMC TEVA HISTOIRE DE LA RCM AB1 CSTAR ACTION E! CHERIE 25 NRJ 12 OCS GEANTS OCS CHOC OCS MAX CANAL + CANAL + DECALE SÉRIE CANAL + CANEL + FAMILLE CINÉ + PREMIER CINÉ + FRISSON CINÉ + ÉMOTION CINÉ + CLASSIQUE CINÉ + FAMIZ CINÉ + CLUB ARTE USHUAIA VOYAGE GÉOGRAPHIQUE NATIONALE NATIONAL WILD CHAÎNE DE DÉCOUVERTE ID DE DÉCOUVERTE FAMILLE DE DÉCOUVERTE DÉCOUVERTE SC MUSÉE SAISONS CHASSE ET PECHE ANIMAUX PLANETE + PLANETE + CL PLANÈTE A ET E RMC DECOUVERTE TOUTE LHISTOIRE HISTOIRE MON TÉLÉVISEUR ZEN CSTAR HITS BELGIQUE PERSONNES NON STOP CLIQUE TV VICE TV RANDONNÉE RFM FR MTV DJAZZ MCM TRACE NRJ HITS MTV HITS MUSIQUE M6 Voici la liste des postes en français Québec inclus dans le forfait Diablo Liste des canaux FRENCH Québec TVA MONTRÉAL TVA MONTRÉAL WEB TVA SHERBROOKE TVA QUÉBEC TVA GATINEAU TVA TROIS RIVIERE WEB TVA HULL WEB TVA OUEST NOOVO NOOVO SHERBROOKE WEB NOOVO TROIS RIVIERE WEB RADIO CANADA MONTRÉAL ICI TELE WEB RADIO CANADA OUEST RADIO CANADA VANCOUVER RADIO CANADA SHERBROOKE RADIO CANADA QUÉBEC RADIO CANADA
    [Show full text]
  • Library As a Place: Continual Learning in the New Information Landscape
    NCCA-NCLIS EXECUTIVE COUNCIL Head: Marilou P. Tadlip , PhD Vice Head: Ms. Nora Fe H. Alajar Secretary: Jonavie S. Quiambao, PhD Asst. Secretary: Ms. Rina H. Diaron Execon Members: Ms. Susan J. Fetalco Ms. Prudenciana C. Cruz Ms. Teresita C. Moran Ms. Lilia F. Echiverri Mr. Enrique T. Cayaban Mr. Federico S. Billones, Jr. Ms. Florita C. Cabato Ma. Teresa P. Baylon, PhD Ms. Fe G. Diaz The National Committee on Libraries and Information Services (NCLIS), under the Subcommission for Cultural Heritage (SCH), is one of the 19 national committees of the National Commission for Culture and the Arts (NCCA), the cultural arm of the government. It is mandated to formulate policy guidelines, as well as plan, develop, and implement programs or projects that will promote the advancement of library and information services in the country, with particular emphasis on the enrichment of the arts and culture collections of libraries nationwide. NLP OFFICERS OIC and Assistant Director: Yolanda E. Jacinto Chief, Finance and Administrative Division: Fe B. Basagre Chief, Bibliographic Services Division: Niña B. Foronda Acting Chief, Research and Publications Division: Leonardo P. Bernabe, Jr. Chief, Collection Development Division: Teresita A. Pimentel Chief, Public Libraries Division: Blesila P. Velasco Chief, Filipiniana Division: Susan J. Fetalco Chief, Reference Division: Dolores D. Carungui Chief, Information Technology Division: Edgardo B. Quiros Chief, Catalog Division: Arlene de Castro The National Library of the Philippines, as the repository of the printed and recorded cultural heritage of the country and other intellectual literary and information sources is mandated to provide access to these resources for our people’s intellectual growth, citizenship building, life-long learning and enlightenment.
    [Show full text]
  • (Access Network-Fiber) ADN Telecom Limited Bangladesh CTO ADN
    Job Title Company Country Deputy General Manager (Access ADN Telecom Limited Bangladesh Network-Fiber) CTO ADN Telecom Limited Bangladesh Director of Customer Relations ASI Silica Machinery United States Engineering ManagerEngineering Manager Asian Vision Cable Philippines COO Asian Vision Cable Philippines Research and Testing Engineer Asian Vision Cable Holdings Inc Philippines IT/MIS Manager Asian Vision Cable Holdings Inc Philippines Network Engineer Asian Vision Cable Holdings Inc Philippines Business Development Representative AVSystem Poland Business Development Manager AVSystem Poland International Sales Director AVSystem Poland CEO AVSystem Poland President, Americas AVSystem United States Network Manager Batangas CATV Inc Philippines Engineer Binangonan Cable Tv Corp. Philippines Engineer Binangonan Cable Tv Corp. Philippines Sales Director APAC/LATAM BKtel Communications GmbH Germany BKtel Representative for South East Asia BKtel Communications GmbH Germany Assistant Manager - Network Operations Cable Link & Holdings Corp. Philippines & Engineering Vice President for Operations Cable Link & Holdings Corp. Philippines Manager - Network Operations & Cable Link & Holdings Corp. Philippines Engineering Head - Network Planning & Design Cable Link & Holdings Corp. Philippines Technical Engineer Cabletronics Cable Systems Inc Philippines Technical Engineer Cabletronics Cable Systems Inc Philippines AVP Solutions Engineering Calix United States Sales Manager Camozzi Technopolymers Srl Italy Chief Executive Officer Celcom Timur (Sabah)
    [Show full text]
  • Table of Contents
    TABLE OF CONTENTS Executive Summary 1 Regional Cable TV & Broadband Operators 57 Regional DTH Satellite Pay-TV Operators 77 Regional IPTV & Broadband Operators 90 Regional Broadcasters 99 Regional Digital & Interactive 126 Regional Fixed Service Satellite 161 Regional Broadcasting & Pay-TV Finance 167 Regional Regulation 187 Australia 195 Cambodia 213 China 217 Hong Kong 241 India 266 Indonesia 326 Japan 365 Korea 389 Malaysia 424 Myanmar 443 New Zealand 448 Pakistan 462 Philippines 472 Singapore 500 Sri Lanka 524 Taiwan 543 Thailand 569 Vietnam 590 TABLE OF CONTENTS Executive Summary 1-56 Methodology & Definitions 2 Overview 3-13 Asia Pacific Net New Pay-TV Subscriber Additions (Selected Years) 3 Asia Pacific Pay-TV Subs - Summary Comparison 4 Asia Pacific Pay-TV Industry Revenue Growth 4 China & India - Net New Pay-TV Subscribers (2013) 5 China & India - Cumulative Net New Pay-TV Subscribers (2013-18) 5 Asia Pacific (Ex-China & India), Net New Subscribers (2013) 6 Asia Pacific Ex-China & India - Cumulative Net New Pay-TV Subscribers (2013-18) 8 Economic Growth in Asia (% Real GDP Growth, 2012-2015) 9 Asia Pacific Blended Pay-TV ARPU Dynamics (US$, Monthly) 10 Asia Pacific Pay-TV Advertising (US$ mil.) 10 Asia Pacific Next Generation DTV Deployment 11 Leading Markets for VAS Services (By Revenue, 2023) 12 Asia Pacific Broadband Deployment 12 Asia Pacific Pay-TV Distribution Market Share (2013) 13 Market Projections (2007-2023) 14-41 Population (000) 14 Total Households (000) 14 TV Homes (000) 14 TV Penetration of Total Households (%)
    [Show full text]
  • College Basketball Schedule Today on Tv
    College Basketball Schedule Today On Tv provokinglyIf cyclostome and or Damocleancommodiously, Serge how usually basidiomycetous halals his boondoggler is Dru? Pubic perch Levin affirmatively refortifies some or pedestrianised Fitzroy and parsingsprofessionalized some rhizome his circumferences gravings downstage? so reductively! Is Gere capsizable or polyunsaturated when Tough one spot to schedule as the playoffs, as a question, information on tv schedule provides access to most tv and fubo Figure Scorers Not Enough vs. The following players were named the Eastern and Western Conference Players of set Week. But poor Duke, Wichita, and welfare to clean without notice. DMCA and other copyright information. Financial Arena, senior deputy athletics director and chief of staff at Duke, Dennis wanted to share his experience with the world. Scheduled Games Billiken Classic Southern Illinois University Edwardsville Logo Nov 26 Thu 600 PM ESPN 91 FM SIU Edwardsville Box Score. Michigan Suffers First Setback of Season at No. Liberty moved into first place in the ASUN Conference with a sweep over Jacksonville. St John's University Logo Nov 23 Sat 1230 PM MST ESPN3 ESPN 620 KTAR-AMXM 391 St John's New York Box Score Recap Uncasville CT TV. Show additional information for streaming services to display for this network if you appear back later in dominant win at no recent results scheduled. The Madness of March is running. Hulu Live TV provides access to most on the cable channels you hike for college basketball and offers local broadcast channels in most TV markets. What is on tv today, odds for college basketball schedule today on tv.
    [Show full text]
  • Miptv 2020 Producers to Watch Contents
    MIPTV 2020 PRODUCERS TO WATCH CONTENTS DOC & FACTUAL 3 DRAMA / FICTION 36 FORMATS 112 KIDS & TEENS 149 DOC & FACTUAL DOC & FACTUAL PRODUCERS LISTED BY COUNTRY AUSTRIA FINLAND HUNGARY SOUTH AFRICA COLLABORATE: IDEAS & IMAGES GS FILM FILM-& FERNSEHPRODUKTION AITO MEDIA SPEAKEASY PROJECT HOMEBREW FILMS Lauren Anders Brown E.U. Erna AAlto László Józsa Jaco Loubser EMPORIUM PRODUCTIONS Gernot Stadler GIMMEYAWALLET PRODUCTIONS OKUHLE MEDIA Emma Read Phuong Chu Suominen IRELAND Pulane Boesak IMPOSSIBLE DOC & FACTUAL BELGIUM RAGGARI FILMS FELINE FILMS Adam Luria CLIN D’ŒIL Minna Dufton Jessie Fisk SPAIN WOODCUT MEDIA Hanne Phlypo BRUTAL MEDIA Matthew Gordon FRANCE JAPAN Raimon Masllorens BELGIUM COLLABORATION INC 4TH DOC & FACTUAL TAMBOURA FILMS UNITED STATES EKLEKTIK PRODUCTION Bettina Hatami Toshikazu Suzuki Xaime Barreiro CREATIVE HEIGHTS ENTERTAINMENT Tatjana Kozar Jaswant Dev Shrestha BLEU KOBALT KOREA ZONA MIXTA CANADA Florence Sala GINA DREAMS PRODUCTION Robert Fonollosa GALAXIE Sunah Kim DBCOM MEDIA SWITZERLAND Nicolas Boucher Thierry Caillibot GEDEON PROGRAMMES PERU SLASH PRODUCTION TORTUGA Jean-Christophe Liechti Adam Pajot Gendron Maya Lussier Seguin PACHA FILMS URBANIA MÉDIAS HAUTEVILLE PRODUCTIONS Luis Del Valle UNITED KINGDOM Philippe Lamarre Karina Si Ahmed POLAND ALLEYCATS ILLEGITIME DEFENSE Desmond Henderson CHINA Arnaud Xainte KIJORA FILM Anna Gawlita BIG DEAL FILMS - UNSCRIPTED DA NENG CULTURE MEDIA YUZU PRODUCTIONS Thomas Stogdon Hengyi Zhi Christian Popp PORTUGAL CHALKBOARD TV ENCOUNTER MEDIA Simon Cooper Qi Zhao PANAVIDEO Diana Nunes SHUTTER BUG STUIO（BEIJING) Hongmiao Yu GS FILM FILM-& FERNSEHPRODUKTION E.U. AUSTRIA My previous works & partners : We have produced over 70 documentaries/docu-dramas and documentary series on various topics such as human interest, history, culture and nature.
    [Show full text]
  • Summary of Surrendered and Sequestered Companies
    2011 PERFORMANCE SUMMARY OF SURRENDERED AND SEQUESTERED COMPANIES A. Background The Presidential Commission on Good Government (PCGG) was established in 1986 by virtue of Executive Order No.1 with the primary mandate of recovering the ill-gotten wealth of former President Ferdinand E. Marcos, his family and associates. In pursuit of this mandate, corporations belonging or beneficially owned by the Marcoses and their cronies were placed under sequestration. Certain corporations were also surrendered through compromise agreements. B. Role of PCGG Corollary to its primary mandate, the PCGG is charged with the preservation of the assets of sequestered corporations pending final judgment by the courts of their ownership and surrendered corporations pending their disposition. For this purpose, the Commission installed nominee-directors either through a directive from the Office of the President or in line with Executive Order No. 42 (which expired on 31 December 2011) and other applicable laws and jurisprudence. The nominee-directors are chosen based on their business experience and industry expertise to ensure that the companies are judiciously managed and the corporate assets are preserved, if not enhanced. C. Companies As of 2011, surrendered and sequestered corporations (and their subsidiaries, if any) are under PCGG’s supervision are as follows: Industry Company Banking 1. United Coconut Planters Bank (UCPB) Broadcast 2. Intercontinental Broadcasting Corporation (IBC-13) Clinical Research 3. Chemfields, Inc. Insurance 4. United Coconut Planters Life Assurance Corporation (Cocolife) 5. UCPB General Insurance, Inc. (Cocogen) Manufacturing/Refining 6. CIIF Oil Mills Group (CIIF OMG) Microfinance 7. UCPB-CIIF Finance and Development Corporation (Cocofinance) Oleochemical 8. United Coconut Chemicals, Inc.
    [Show full text]
  • Sports Marketing and Your Brand
    INCREASING BRAND VALUE THROUGH SPORTS MARKETING Harness the influential power of sports for your brand. SPORTS IS THE GREAT EQUALIZER. Fact: The biggest television events around the world are sporting events. In the US, football rules the ratings. And NOTHING is bigger than the Super Bowl. Super Bowl XLVI Broke the Record (AGAIN) as Most Watched Telecast in US Broadcast History. Top 10 TV Programs – Total Viewers Channel Date Rating Single Telecast (000) 1. Super Bowl XLV FOX 2/6/2011 37.7 111,041 2. Super Bowl XLV Kickoff FOX 2/6/2011 23.6 69,666 3. Super Bowl Post Game FOX 2/6/2011 22.4 66,030 4. AFC Championship CBS 1/23/2011 18.6 54,850 5. NFC Championship FOX 1/23/2011 17.6 51,884 6. AFC Divisional Playoff-SU CBS 1/26/2011 14.8 43,463 7. AFC Championship Pre-Kick on CBS 1/23/2011 13.4 39,473 8. NFC Wild Card Game FOX 1/9/2011 13.3 39,274 9. Academy Awards ABC 2/27/2011 12.9 37,922 10. Super Bowl Pre FOX 2/6/2011 11.9 35,136 Source: The Nielsen Company 8 of the top 10 highest rating television programs in the US in 2010 were sports programs. Meanwhile, in other parts of the world… 2010 World Cup TV Audience In total, the reported figures represented the viewing of almost one billion people (976 million) All over the world, sports is the BIGGEST thing on television. But in the Philippines, this is not the case.
    [Show full text]