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Mas Alla De Las Nubes Ojos De Serpiente Principio Y Fin La
WENDERS MAS ALLA DE LAS NUBES DE PALMA OJOS DE SERPIENTE RIPSTEIN PRINCIPIO Y FIN IMAMURA LA ANGUILA SUSCRIBASE A EL AMANTE y RECIBA UN VIDEO O UN LIBRO DE REGALO ¡ Argentina $ 70 o dos pagos de $--3.5 I MercoslJ( u$s 70 + gastos de envío (U$S 60) I Resto-dMillérLca .. -ll$S-.ZQ uaslQS de envío (U$S 80l _1_ ..__EULOP.a.y.re.sl0.d.elmundo U$.510 +.gastos.de_enVlo.(U$S.201.__..1 ! 0,\ Envíe este cupón y un cheque o giro postal a la orden de EDICIONES TATANKA S A., Esmeralda 779 6° A (lOa?) Buenos Aires, o comuníque- se con la redacción de EL AMANTE: 322-7518 O por e-mail a: [email protected]. QUIERO UNASUSCRIPCIONANUAL (12 NUMERaS) y UN VIDEO o UNLIBRO GRATIS: n Gertrud de Carl Dreyer n El de Luis Buñuel n Martin Scorsese n Wim Wenders NOMBRE y APELLIDO DIRECCIQN TE LEFa NO EL AMANTE CINE Directores secretaria 2 Editorial EduardoAntin (Quintín) María Alimova (la más bella) 4 The Truman Show (1) Flavíade la Fuente Chocolates 6 The Truman Show (2) y GustavoNonega Martha González (bondad humana) 7 Ojos de serpiente (1) Consejo de redacción Corresponsal extranjero en Japón 10 Ojos de serpiente (2) los arriba citados y GustavoJ. Castagna Gustavo J. Kikuchiyo Castagna 12 Más allá de las nubes (1) Colaboraron en este número Cadete puntero invicto 14 Más allá de las nubes (2) Alejandro Ricagno Gustavo Requena Mifune Johnson 16 La anguila SantiagoGarcia 18 Principio y fin Tortilla rusa EduardoA. Russo 20 Cuando vuelve el amor Norma Arguiñano Postel JorgeGarcia 22 La ostra y el viento Corrige y todavía no se muda TomásAbraham 23 Pequeños -
Aikido XXXIX
Anno XXXIX(gennaio 2008) Ente Morale D.P.R. 526 del 08/07/1978 Periodico dell’Aikikai d’Italia Associazione di Cultura Tradizionale Giapponese Via Appia Nuova 37 - 00183 Roma ASSOCIAZIONE DI CULTURA TRADIZIONALE GIAPPONESE AIKIKAI D’ITALIA 30 ANNI DI ENTE2008 MORALE 3NOVEMBRE0 Sommario 02 - Editoriale 03 - Comunicati del fondo Hosokawa 04 - Nava, estate 2007... 05 - Ricordi:Giorgio Veneri - Cesare Abis 07 - ..a proposito di Ente Morale 10 - Lezione agli insegnanti dell’Aikikai d’Italia del maestro Hiroshi Tada Composizione dell’Aikikai d’Italia 14 - Le due vie del Budo: Shingaku no michi e Shinpo no michi Presidente 15 - Premessa allo studio dei principi Franco Zoppi - Dojo Nippon La Spezia di base di aikido 23 - La Spezia, Luglio 2007 Vice Presidente 25 - Roma, Novembre 2007 Marino Genovesi - Dojo Fujiyama Pietrasanta 26 - I giardini del Maestro Tada Consiglieri 28 - Nihonshoki Piergiorgio Cocco - Dojo Musubi No Kai Cagliari 29 - Come trasformarsi in un enorme macigno Roberto Foglietta - Aikido Dojo Pesaro Michele Frizzera - Dojo Aikikai Verona 38 - Jikishinkage ryu kenjutsu Cesare Marulli - Dojo Nozomi Roma 39 - Jikishinkageryu: Maestro Terayama Katsujo Alessandro Pistorello - Aikikai Milano 40 - Nuove frontiere: il cinema giapponese Direttore Didattico 52 - Cinema: Harakiri Hiroshi Tada 55 - Cinema: Tatsuya Nakadai Vice Direttori Didattici 58 - Convegno a Salerno “Samurai del terzo millennio” Yoji Fujimoto Hideki Hosokawa 59 - Salute: Qi gong Direzione Didattica 61 - Salute: Tai ji quan- Wu Shu - Aikido Pasquale Aiello - Dojo Jikishinkai -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
El Testamento Fílmico De Akira Kurosawa
EL TESTAMENTO FÍLMICO DE AKIRA KUROSAWA J. M. CAPARRÓS LERA Pocos cineastas han hecho tanto por el cine japonés como este gran maestro del Séptimo Arte. Porque Akira Kurosawa, como lo fue Vincent van Gogh –a quien rememora y homenajea en Los sueños–, fue un incomprendido en su país. Desengañado, en la década de los setenta, Akira Kurosawa incluso intentó suicidarse. Años más tarde, cineastas estadounidenses como Francis Ford Coppola, George Lucas, Steven Spielberg y Martin Scorsese recogieron al entonces artista octogenario y financiaron o ayudaron a distribuir sus películas en todo el mundo. Ahora que celebramos el centenario de su nacimiento, el Centre d’Inves- tigacions Film-Història de la Universitat de Barcelona, conjuntamente con Casa Asia y Cultural Affairs, ha promovido el Año Kurosawa en España, con gran repercusión mediática. Gracias a las gestiones de mi colega Menene Gras, hemos llegado a 12 ciudades españolas y comprometido a 26 instituciones del país. Aniversario que está teniendo su culmen en la exposición inaugurada en Bilbao, bajo el título La mirada del samurái: los dibujos de Akira Kurosawa. No voy a referirme directamente aquí a su influencia y legado en el cine mundial –tema del que se ocuparán los siguientes conferenciantes, los tres autores del libro Akira Kurosawa. La mirada del samurái (Madrid: Ediciones JC, 2010)–, sino a la genial película que significó el resumen de su obra y, prácticamente, la síntesis de su postura creadora y el pensamiento en sus postreros años como autor. Me refiero a Akira Kurosawa’s Dreams (Konna Yume Wo Mita, 1990). GENIO DEL SÉPTIMO ARTE Denominado en su propio país como el “Emperador” del cine japonés, Akira Kurosawa (1910-1998) es el maestro que dio a conocer la cinematografía nipona al mundo occidental. -
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . -
China Y Japonesa En El Siglo XX
José María Tápiz (editor) La Historia a través del cine China y Japón en el siglo XX La Historia a través del cine China y Japón en el siglo XX José María Tápiz (editor) ARGITALPEN ZERBITZUA SERVICIO EDITORIAL La publicación de este libro ha sido posible gracias a la colaboración del Ayunta- miento de Vitoria-Gasteiz y del Instituto de Historia Social Valentín de Foronda (UPV/EHU). © Servicio Editorial de la Universidad del País Vasco Euskal Herriko Unibertsitateko Argitalpen Zerbitzua ISBN: 978-84-9860-107-7 Depósito legal/Lege gordailua: BI-2323-08 Fotocomposición/Fotokonposizioa: Ipar, S. Coop. Zurbaran, 2-4 - 48007 Bilbao Impresión/Inprimatzea : Itxaropena, S.A. Araba Kalea, 45 - 20800 Zarautz (Gipuzkoa) ÍNDICE Presentación . 11 La China tradicional a través de La linterna roja de Zhang Yimou Araceli Rodríguez Mateos . 17 La mirada incómoda de la Quinta Generación . 17 ¿Hay que cuestionar las tradiciones? . 20 «En realidad ¿qué somos las que vivimos aquí? Somos menos que nada» . 21 Una voz censurada . 29 Ficha técnica . 30 La lucha contra el Japón: El Imperio del Sol Juan Vaccaro . 31 Introducción . 31 Situación anterior a la guerra chino-japonesa . 31 La guerra chino-japonesa (1937-1945) . 34 La guerra chino-japonesa y el cine . 41 El imperio del Sol . 47 Ficha técnica . 53 ¡Vivir! En la China de Mao Fernando Martínez Rueda . 55 China y la revolución maoísta . 55 ¡Vivir!, la revolución vista desde el sujeto . 64 Ficha técnica . 73 7 Un gigante que se despierta: el desafío de China en el si- glo XX. Juntos (Chen Kaige) Ricardo Martín de la Guardia . -
Shakespeare Bulletin Final Article Project Muse 629790.Pdf
ORE Open Research Exeter TITLE The Auteur Affect: "Forces of Encounter" between Shakespeare and Kurosawa in The Bad Sleep Well AUTHORS Gee, FC JOURNAL Shakespeare Bulletin: a journal of performance, criticism, and scholarship DEPOSITED IN ORE 24 November 2016 This version available at http://hdl.handle.net/10871/24579 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication 7KH$XWHXU$IIHFW¶)RUFHVRI(QFRXQWHU·EHWZHHQ6KDNHVSHDUHDQG.XURVDZDLQ 7KH%DG6OHHS:HOO )HOLFLW\*HH 6KDNHVSHDUH%XOOHWLQ9ROXPH1XPEHU)DOOSS $UWLFOH 3XEOLVKHGE\-RKQV+RSNLQV8QLYHUVLW\3UHVV '2, KWWSVGRLRUJVKE )RUDGGLWLRQDOLQIRUPDWLRQDERXWWKLVDUWLFOH KWWSVPXVHMKXHGXDUWLFOH Access provided by University of Exeter (23 Nov 2016 16:34 GMT) The Auteur Affect: ‘Forces of Encounter’ between Shakespeare and Kurosawa in The Bad Sleep Well FELICITY GEE University of Exeter In “Revenge of the Author” (1999), Colin MacCabe attempts to “bring into alignment two major and contradictory areas” that he finds difficult to resolve within the field of 1970s film studies. The first of these is the seismic shift brought about by reading Roland Barthes’s “The Death of the Author” (1967), and the second his own participation in the making of feature films. The former dispatches with the “origin” (author) of the text in favor of the destination (reader/audience), while the experience of being an active crewmember on a film set reveals the steer of an author (MacCabe 30). As MacCabe notes, in the 1970s the discipline of film studies was largely defined by the seeming impasse posited via theories of authorship in Cahiers du cinéma and dissected in concurrent works of poststructuralism: “For Barthes, the author is the figure used to obscure the specificity of the textual. -
Grabaciones En Dvd
LAS CORLEONE DVD GRABACIONES EN DVD - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - PRECIOS HORARIO LISTADO DE PELÍCULAS EN DVD JUEGOS PARA PS2 LISTADO DE MUSICALES EN DVD LISTADO DE SERIES EN DVD KARAOKES EN DVD OTROS LISTADO DE CONDICIONADAS EN DVD VOLVER VOLVER AL PRINCIPIO PRECIOS DISCOS EN SOBRES: DISCOS ESTAMPADOS EN SOBRES: CON BOX+LAMINA: CON BOX+LAMINA+DISCO ESTAMPADO: LOS PRECIOS ESTÁN SUJETOS A CAMBIOS SIN PREVIO AVISO - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - WWW.LASCORLEONE.ESHOST.COM.AR [email protected] (0341) 156- 806174 HORARIOS DE ATENCIÓN LUNES A SABADOS 8:00 HS A 21:00 HS ENTREGAS LUNES A SABADOS 18:00 HS A 21:00 HS SIGUIENTE X4 X10 X25 X 50 X 100 X1 c/u c/u c/u c/u c/u $7,50 $6,50 $6.- $5,50 $5,25 $5.- $9,50 $8,50 $7,50 $7,- $6,75 $6,50 $12,50 $10,50 $9,50 $9.- $8,75 $8,50 13.50 12.5 11.5 10.00 9.75 9.25 50 HORARIOS DE ATENCIÓN LUNES A SABADOS 8:00 HS A 21:00 HS ENTREGAS LUNES A SABADOS 18:00 HS A 21:00 HS X10 X25 X 50 X 100 c/u c/u c/u c/u DVD VERBATIM ESTAMPADOS (+/-R) $2,00 $1,80 $1,65 $1,50 DVD VERBATIM INKJET (+/-R) $2,25 $2,00 $1,85 $1,70 NOTA: SI NO VES EN EL LISTADO LO QUE BUSCÁS, CONSULTANOS TITULO CANTIDAD DE DISCOS WIPE OUT 1 LEGO - HARRY POTTER 1 TRANSFORMERS - BERTRON ADVENTURES 1 TOY STORY 3 1 SUPER MARIO GALAXY 2 1 IRON MAN 2 1 LEGO - INDIANA JONES 2 1 MADAGASCAR KARTZ 1 DIRT 2 1 MARVEL ULTIMATE ALLIANCE 2 1 AVATAR 1 LEGO INDIANA JONES 1 NARUTO CLASH OF NINJA 1 NOTA: SI NO VES EN EL -
Film Collection
Film Collection 1. Abe Lincoln in Illinois, US 1940 (110 min) bw (DVD) d John Cromwell, play Robert E. Sherwood, ph James Wong Howe, with Raymond Massey, Ruth Gordon, Gene Lockhart, Howard de Silva AAN Raymond Massey, James Wong Howe 2. Advise and Consent, US 1962 (139 min) (DVD) d Otto Preminger, novel Allen Drury, ph Sam Leavitt, with Don Murray, Charles Laughton, Henry Fonda, Walter Pidgeon. 3. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, m Elmer Bernstein, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. 4. Alexander France/US/UK/Germany, Netherlands 2004 (175 min) (DVD) d Oliver Stone, m Vangelis, with Antony Hopkins, Val Kilmer, Colin Farrell 5. Alexander Nevsky, USSR 1938 (112 min) bw d Sergei Eisenstein, w Pyotr Pavlenko, Sergei Eisenstein, m Prokofiev, ph Edouard Tiss´e, with Nikolai Cherkassov, Nikolai Okhlopkov, Andrei Abrkikosov. 6. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. AA Best Costume Design AAN Best Music; Best Screenplay; Winona Ryder; 7. The Agony and the Ecstacy, US 1965 (140 min) (DVD) d Carol Reed, novel Irving Stone, ph Leon Shamroy, with Charlton Heston, Rex Harrison, Diane Cilento, Harry Andrews. 8. All Quiet on the Western Front, US 1930 (130 min) bw (DVD) d Lewis Milestone (in a manner reminiscent of Eisenstein and Lang), novel Erich Maria Remarque, ph Arthur Edeson, with Lew Ayres, Louis Wolheim, Slilm Sum- merville, John Wray, Raymond Griffith. -
Confucian Philosophy in the Films of Akira Kurosawa Through the Documentary Film Medium
Wu, Li-Hsueh Truth and Beauty: Confucian Philosophy in the Films of Akira Kurosawa Through the Documentary Film Medium Doctor of Design 2008 Swinburne Abstract This doctoral research consists of two 90 minute DVD documentaries and a complementary text about the Japanese film director, Akira Kurosawa, a major figure in 20th century cinema. It focuses on how the Confucian cultural heritage has informed many aspects of his approach to filmmaking, especially his manifestation of philosophical and aesthetic concepts. To bridge the gap in the existing critiques of Kurosawa’s films, the research incorporates critical analysis of interviews with twelve filmmakers and scholars in philosophy, history, arts, drama and film. The interviews discuss the aesthetic elements from traditional arts and theatre, and address a failure in the literature to draw from the deep meaning of the Confucian cultural heritage. The first documentary, An Exploration of Truth in the Films of Akira Kurosawa, has three sections: The Way of Self- Cultivation, The Way of Cultivating Tao and The Way of Cultivating Buddhism. It explores how the films of Kurosawa manifested the Confucian philosophy via inner self-cultivation, which displayed his humanist values. It also examines the ‘outer enlightenment pattern’ in Kurosawa’s films which effects profound dramatic tension. The interrelationship between Confucianism, Shinto and Buddhism in different periods of Kurosawa’s films is explored, focusing on issues of historical background, cultural heritage and philosophy and film narrative elements. The second documentary, The Origin and Renovation of Traditional Arts and I Theatre in the Films of Akira Kurosawa, has three sections: Structure and Mise-En-Scene from Noh and Kabuki, Representation and Symbolism from Noh Masks and Chinese Painting and Color and Mise-En-Scene from The ‘Five Elements’ Theory and Japanese Prints. -
タリforces of Encounter¬タル Between Shakespeare and Kurosawa in The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Research Exeter 7KH$XWHXU$IIHFW¶)RUFHVRI(QFRXQWHU·EHWZHHQ6KDNHVSHDUHDQG.XURVDZDLQ 7KH%DG6OHHS:HOO )HOLFLW\*HH 6KDNHVSHDUH%XOOHWLQ9ROXPH1XPEHU)DOOSS $UWLFOH 3XEOLVKHGE\-RKQV+RSNLQV8QLYHUVLW\3UHVV '2, KWWSVGRLRUJVKE )RUDGGLWLRQDOLQIRUPDWLRQDERXWWKLVDUWLFOH KWWSVPXVHMKXHGXDUWLFOH Access provided by University of Exeter (23 Nov 2016 16:34 GMT) The Auteur Affect: ‘Forces of Encounter’ between Shakespeare and Kurosawa in The Bad Sleep Well FELICITY GEE University of Exeter In “Revenge of the Author” (1999), Colin MacCabe attempts to “bring into alignment two major and contradictory areas” that he finds difficult to resolve within the field of 1970s film studies. The first of these is the seismic shift brought about by reading Roland Barthes’s “The Death of the Author” (1967), and the second his own participation in the making of feature films. The former dispatches with the “origin” (author) of the text in favor of the destination (reader/audience), while the experience of being an active crewmember on a film set reveals the steer of an author (MacCabe 30). As MacCabe notes, in the 1970s the discipline of film studies was largely defined by the seeming impasse posited via theories of authorship in Cahiers du cinéma and dissected in concurrent works of poststructuralism: “For Barthes, the author is the figure used to obscure the specificity of the textual. ForCahiers , the author, while sharing the Romantic features of creativity, inferiority, etc., -
Gorringekarl2007ma.Pdf (3.620Mb)
THE UNIVERSITY LIBRARY PROTECTION OF AUTHOR ’S COPYRIGHT This copy has been supplied by the Library of the University of Otago on the understanding that the following conditions will be observed: 1. To comply with s56 of the Copyright Act 1994 [NZ], this thesis copy must only be used for the purposes of research or private study. 2. The author's permission must be obtained before any material in the thesis is reproduced, unless such reproduction falls within the fair dealing guidelines of the Copyright Act 1994. Due acknowledgement must be made to the author in any citation. 3. No further copies may be made without the permission of the Librarian of the University of Otago. August 2010 SAMURAI LEAR? THE CROSS·CULTURAL INTERTEXUALITY OF AKIRA KUROSAWA'S RAN KarlGorringe A thesis submitted for the degree of Master of Arts at the University of Otago, Dunedin New Zealand Date: August 20, 2007 Abstract Much of the critical literature on Akira Kurosawa's film Ran has focused, whether in part or in whole, on its intertextuality, In particular, critical analysis of the film has largely focused on the intertextual relationship between Ran and its dominant Western intertext, Shakespeare's monumental play King Lear. However, the critical concentration on this intertext has had a number of effects. In particular, it has meant that the role of other intertextual sources, specifically those of Japanese origin, has not been explored independently without reference to the Shakespearean intertext, It has also meant that the influence of Shakespeare's play has been overstated or presented in a misleading manner that distorts the actual impact the play has had on the film.