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Nosferatu. Revista De Cine (Donostia Kultura)

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Nosferatu. Revista de cine (Donostia Kultura) Título: FILMOGRAFÍA Autor/es: Dolores Devesa, Alicia Potes Citar como: Dolores Devesa, AP. (2003). FILMOGRAFÍA. Nosferatu. Revista de cine. (44). Documento descargado de: http://hdl.handle.net/10251/41363 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: Filmografía I<agcmusha, la sombra del guerrero Dolores Devesa Alicia Potes La leyenda d el gran judo (Sugala Sanshiro) (Japón, 1943) Los que cons truyen el pon•e nir (Asu o lsukuru hilobilo} (Japón, 1946) Dirección: Akira Kurosawa. Producción: Toho (Tokio). Productor: Keiji Matsuzaki. Guión: A kirn Kurosawa. Ba­ Dirección: Kaj iro Yama moto, Hi deo Sekigawa, Akira Ku­ sado en la novela de Tsuneo Tomita. F'otograffa: Akira Mi­ ros awa. Producción : Toho (Tokio). Productores: Ryo mura. Iluminación: Shogo Onuma. il'lúsica: Seichi Suzuki . Takci, Sojiro Motoki, Ke ij i Matsuzaki , Tomoyuki Tanaka. Montaje: Toshio Goto, Akira Kurosawa. Dirección artísti• Guión: Yusaku Yamagata, Kajiro Yamamoto. Fotografía: ca: Masao Totsuka. Sonido: Tomohisa Higuchi. Intérpre­ T akeo lto, M it sui Miura, T aiichi Kankura. Intérp r e tes: tes: Susumu Fuj ita (Sugala Sanshiro), De nj iro Okochi (Sho­ Kenji Susukida (padre), Chieko Takehisa (madre), Chieko goro Yana, el maeslro de judo), Takashi Shimura (Hansuke Nakak ita (hermana mayo1), M its ue T achibana (hermana 1'vfurai, viejo maeslro de jiu-ji/su), Yukiko Todoroki (Sayo, su meno1) , Masayuki Mori (chóf er), Sumie Tsubaki (muj er del hija}, Yoshio Kosugi (Saburo Momma, maeslro de jiu-ji/su), chófe!), lchiro Chiba (lécnico de iluminación) , Hyo Kita­ Ranko Hanai (Oswni, su hija), Ryunosuke Tsukigata (Gen­ zawa (el directo1), ltoko Kono (la aclriz), Takashi Shimura nosuke Higaki, j oven maeslro de j iu-jilsu), Akitake Kono (el administrador del leatro}, Masao Shimizu Oefe de equi­ (Yoshima Dan), Soshi Kiyokawa (Yuj iro Toda), Kunio Mita po), Yuriko Hamada (bailarina), Sayuri Tanima (bailarina) . (Kohei Tsuzaki), Akira Nakamura (Toranosuki Niiseki) , Sugi­ Duración aproximada: 8 1 mi n. saku Aoyama (Tsunelami limura), Kokuten Kodo (el monje), lchiro Sugai (Mishima, j efe de la policía), Michisaburo Segawa (Halla), Eisaburo Sakauchi (Nemolo}, Hajime Hikari (Toraki­ chi) . Duración aproxi mada: 79 min. Primera versión: 99 No añoro mi juventud (JVaga seislum ni kuiuashi) (Japón, 1946) min. Otras ve rsiones: Sugata Sans hiro (Shigeo Ta naka, 1955); Sugata Sanshiro (Seiichiro Uchikawa, 1965). Dirección: Akira Kurosawa. Producción: Toho {Tokio). Productor: Keiji Matsuzaki. G uión: Eijiro Hisaita, Akira Ku rosawa. Fotografía: Asakazu Nakai. Iluminación : Choshiro lshii. Música: Tadashi Hattori. Montaje: Akira La más bella (lchiban Ulsukushiku) (Japón, 1944) Ku rosawa, Toshio Goto. Dirección artística: Kcij i Kita­ gawa. Sonido: lsamu Suzuki. Intérpretes : De nj iro Okochi Dirección y g uión : Akira Kurosawa. Producción: T oho (profesor Yagihara), Eiko Miyoshi (su muje1), Setsuko Hara {Tokio). Productor: Motohiko lto. Fotografía: Joji Oha­ (Ynkie Yagihara, la hija), Susumu Fujita {Takayoshi Noge), ra. Iluminación: Masayoshi Onuma. Música: Seichi Suzu­ Kokuten Kodo (padre de Noge), Haruko Sugimura (la ma­ ki. Extractos de Semper Fidelis, de John Philip Sousa. Mon­ dre), Akitake Kono (llokawa), Takashi Shimura (comisario taje: Akira Kurosawa. Dirección artística: Te ruaki Abe. de policía), Taizo Fukami {ministro de Educación), Masao Sonido: Ryoachi Sugawa ra. Intérpretes: Takash i Shimura Shimizu (profesor Hakozaki) , Haruo Tanaka, lchiro Chiba, (direclor de la fábrica) , lchiro Sugai (su ayudante), Yoko lsamu Yonekura, Noboru Takag i y Hiroshi Sano (esludian­ Yaguchi (Tsuru Walanabe), Takako lrie (Tokuko Mizushi­ tes). Duración aproximada: 110 min. ma), Sayuri Tanima (Yuriko Tanimura), Sachiko Ozaki (Sa­ chiko Ya mazaki), Shizuko Nishio ka (Fusae Nish ioka), 172 Asako Suzuki (A sako S uzumara), Haruko Toyama (Masako Koyama) y Tokiko Hiromishi {Tokiko Hirota) {obreras), Un domingo maravilloso (Subarashiki nichiyobi) (Japón, 1947) Akitake Kono (maestro de música), Koyuri Tanima, Toshi­ ko Hattori. Duración a proxim ada: 85 min. Dirección : Akira Kurosawa. Pr oducción: Toho {Tokio). Productor: Sojiro Motoki. Guión: Keinosukc Uekusa, Akira Kurosawa. Fotografia: Asakazu Na kai. Ilumina ­ ción: Kyoichiro Kishida. Música: Tadashi Ha ttori. Adap­ La nueva leyenda d el gran judo o Sugata Sans hiro, se­ tación de extractos de la Sinfonía inacabado , de Franz gunda parte (Zoku Sugala Sanshiro) (Japón, 1945) Schubert. Montaj e: Akira Kurosawa. Dirección arHstica: Kazuo Kubo. Sonido: Shigetoshi Yasue. Intérpretes: lsao Dirección: A ki ra Ku rosawa. Producción: Toho (Tokio). Numazaki (Yuzo), Chieko Nakakita (Masako), lchiro Sugai Productor: Motohiko lto. G uión: Akira Kurosawa. Bas ado (Yamiya, el hombre del mercado negro), Midori Ariyama e n la novela de Tsuneo Tomita. Fotograffa: Hiroshi Suzuki. (Sono, su aman/e), Masao Shimizu {propielario del bar) , Iluminación: Choshi ro lshi i. Música: Seichi Suzuki . Mon­ Sachio Sakai (hombre), Toshi Mori (viejo), Tokuj i Kobayas­ taje: Akira Kurosawa. Dirección artística: Kazuo Kubo. hi (el hombre con la cara desfigurada) , Aguri Hidaka (bai­ Sonido : Soic hi Kameyama. Inté rpretes: Susumu Fujita larina), Koreyoshi Nakamura (vendedor de zapatos) , Atsus­ (Sugata Sanshiro), Denj iro Okochi (Shogoro Yana), Ryu­ hi Watanabe (gamberro), lchi ro Namiki (fotógrafo), Toppa nosuke Ts ukigata (Gennosuke y Tesshin Higaki) , Yukiko Utsumi (/ológrafo). Duración aproximada: 108 mi n. Todoroki (Sayo), Soshi Kiyokawa (Yujiro Toda), Akitake Kono (Genzaburo Higaki}, Masayuki Mori (Yoshima Dan), Seij i Miyaguchi (Kohei Tsuzaki), Ko lshida (Daizo Samonji). Duración aproximada: 83 mi n. El ángel borrac ho (Yoidore lenshi) (Japón, 1948) Dirección : Akira Ku rosawa. Producción: Toho (Tokio). Productor: Soj iro Motoki. G uión : Ke inosu ke Ue kusa, Los hombres que camina n sobre la cola del tigr e (Tora­ Akira Kurosawa. Fotogr a fía : Takeo lto. Iluminación : no-o fumu otokolachi) (Japón, 1945) Kinzo Yoshizawa. 1\lírs ica: Fumio Hayasaka. Tema: El vals del cuco. Montaje: Akira Kurosawa. Dirección a rtística: Dirección: Akira Ku rosawa. Producción : Toho (Tokio). Takashi Matsuyama. So nido : Wataru Konuma. Inté rpre­ Productor: Motohiko lto. G uión : Akira Kurosawa. Basado tes: Takashi Shimura (doclor Sanada) , T osh iro Mifune e n la obra de teatro kabuki Kanj incho. Fotografía: Takeo (Malsunaga, el gángs1e1) , Michiyo Kogure (amante de Ma­ lto. Iluminación : lwa ha ru Hirao ka. Música: Tad ashi tsunaga) , Reizaburo Ya mamoto (Okada, jefe de los gángs­ Hattor i. Montaje: Akira Kurosawa. Dirección a rtística: ters}, Chieko Nakakita (Miyo, enfermera}, Noriko Sengoku Kazuo Ku bo. Sonido: Keiji Hasebe. Intérp retes: Denj iro (Gin, chica del bar), Shizuku Kasaoki (can/anle), Eitaro O kochi (Benkel) , Susumu Fujita {Togashi), Masayuki Mori Shindo (doclor Takahama), Yoshiko Kuga (la chica), Choko (Kamei), Takashi Shimu ra (Kataoka) , Akitake Kono (/se), lida (sirvienla de Sanada}, Ta ij i Tonoyama (tendero), Ma­ Yoshio Kosug i (Sum ga), Dekao Yoko (Hitachibo) , Hanshi­ sao Shimizu (gángsler), Katao Kawasaki (vendedor de flo­ ro lwai {príncipe Yoshils rme) , Ke nic hi Enomoto (mozo). res), Sachio Sakai (gamberro), Sumi re Sh iroki (matrona) . Duración aproximada: 58 min. Duración aproximada : 98 min. Versión original: 150 min. Du elo silencioso (Shi=ukanaru kello) (Japón, 1949) chi Nagata), Sojiro Motoki. Guión: Shinobu Hashimoto, Akira Ku rosawa. Basado en las novelas Ras/toman y Yabu Dirección : Ak ira Kurosawa. P•·oducció n: Daiei (Kioto). no nata, de Ryunosuke Akutagawa. Fo tografía : Kazuo Mi­ Producto•·es: Hi sao lchikawa, Sojiro Motoki. Guió n: Sen­ yagawa. Iluminación: Kenichi Okamoto. i\lúsica: Furnio kichi Taniguchi, Akira Kurosawa. Basado en una obra de Hayasaka. Montaje: Ak ira Kurosawa, Shigeo Nishida. Di­ Kazuo Kikuta. Fotografía: Shoichi Aisaka. Iluminación: rección artística: Takashi Matsuyama, Uichiro Yamamo­ Tsuneyoshi Shi bata. Música: Akira Ifukube. i\lontajc: Aki­ to. Sonido: lwao Otani. Intérpretes: Toshiro Mifune (Ta ­ ra Ku rosawa, Masanori Tsuji. Dirección artística: Koichi jomaru, el bandido), Masayuki Mori (Takeltiro, el sa11111· lmai , Kiyoshi Araki. Sonido: Mitsuo Hasegawa. Intérpre­ rái), Machiko Kyo (Masago, su mrtjer), Takashi Shimura (el tes: Toshiro Mifune (doctor Kyoji Frtjisaki), Takashi Shi­ le!1ado1) , Minoru Chiaki (e l sacerdote), Kichijiro Ueda (el mura (Kyonosuke Frtjisaki, Sil padre), Miki Sanjo (Misao aldeano), Daisuke Kato (el policía), Fumiko Hornma (me­ Mats11 moto, novia de Kyoji), Kenjiro Uemura (SIISII/1111 dium). Duración aproximada: 88 min. Estreno: Madrid : Nakada, el enfermo), Chieko Nakakita (Takiko, s11 m1tjer), 12 de febrero de 1954: Capitol. Reestreno: Madrid : 26 de Noriko Sengoku (R11i Minegislri. la enf ermera), Jyunnosuke abril de 1985: Infantas. Premios: Festival Internacional de Miyazaki (Horig11chi) , Isamu Yamaguchi (Nozaka), Shigeru Cine de Venecia 195 1: León de Oro
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    S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 .
  • KUROSAWA Player.Bfi.Org.Uk

    KUROSAWA Player.Bfi.Org.Uk

    OVER 100 YEARS OF JAPANESE CINEMA Watch now on PART 1: KUROSAWA player.bfi.org.uk Watch now on 1 @BFI #BFIJapan OVER 100 YEARS OF JAPANESE CINEMA We have long carried a torch for Japanese film here at the BFI. IN PARTNERSHIP WITH Since the first BFI London Film Festival opened with Akira Kurosawa’s Throne of Blood in 1957, we’ve played a vital role in bringing the cinema of this culturally rich nation to UK audiences through our festivals, seasons, theatrical distribution, books and video publishing. In this major season we spotlight filmmakers who have inspired admiration and With special thanks to: fascination around the world. We begin our story with Akira Kurosawa, and over the coming months we’ll present films from the Golden Age, a focus on Yasujiro Ozu, new wave rebels, the visionary creations of anime, the netherworlds of J-horror, and so much more from archive rarities to contemporary works and cult classics. This landmark season will take place on BFI Player from 11 May onwards, With the kind support of: with new online collections released each month, and we expect to present it Janus Films/The Criterion Collection, Kadokawa Corporation, at BFI Southbank and cinemas nationwide later this year. Kawakita Memorial Film Institute, Kokusai Hoei Co., Ltd, The Japanese Cinema Book, published by BFI & Bloomsbury to coincide Nikkatsu Corporation, Toei Co., Ltd with the season, is out now. Cover artwork: TOKYO STORY ©1953/2011 Shochiku Co., Ltd., OUTRAGE 2010 Courtesy of STUDIOCANAL, AUDITION 1999 © Arrow Films, HARAKIRI ©1962 Shochiku Co., Ltd. Watch now on 2 @BFI #BFIJapan PART 1: KUROSAWA WATCH ON NOW This retrospective collection on BFI Player helps to confirm Kurosawa’s status as one of the small handful of Japanese directors who truly belong to world cinema, writes Alexander Jacoby If Yasujiro Ozu is often called ‘the most Japanese of Japanese directors’, then one could almost identify Akira Kurosawa as the least Japanese of Japanese directors.
  • Programmation Septembre 2020

    Programmation Septembre 2020

    Une sélection du meilleur du cinéma de patrimoine par Carlotta Films ! PROGRAMMATION SEPTEMBRE 2020 MIKIO NARUSE RÉALISATEUR DU MOIS 4 fi lms majeurs AU GRÉ DU COURANT (1956) QUAND UNE FEMME MONTE L’ESCALIER (1960) UNE FEMME DANS LA TOURMENTE (1964) NUAGES ÉPARS (1967) UNE FAMILLE DÉVOYÉE ÉVÉNEMENT SPÉCIAL : AVANT-PREMIÈRE EXCEPTIONNELLE un fi lm de Masayuki Suo (1984) - EXCLUSIVITÉ LE VIDÉO CLUB CARLOTTA FILMS (Int. -16 ans) - THE ENDLESS SUMMER DÉJÀ CULTE un fi lm de Bruce Brown (1966) THE EXTERMINATOR (LE DROIT DE TUER) DÉJÀ CULTE un fi lm de James Glickenhaus (1980) A FULLER LIFE DÉCOUVERTES & RARETÉS un fi lm de Samantha Fuller (2013) LE COUSIN JULES DÉCOUVERTES & RARETÉS un fi lm de Dominique Benicheti (1973) LE MONDE SUR LE FIL LE FILM FLEUVE un fi lm de Rainer Werner Fassbinder (1973) LEVIDEOCLUB.CARLOTTAFILMS.COM CARLOTTA FILMS 5-7, imp. Carrière-Mainguet 75011 Paris Tél. : 01 42 24 10 86 LE RÉALISATEUR DU MOIS MIKIO NARUSE DÉCOUVREZ 4 MAGNIFIQUES PORTRAITS DE FEMME PAR L’UN DES PLUS GRANDS CINÉASTES JAPONAIS AU GRÉ DU COURANT QUAND UNE FEMME MONTE L’ESCALIER UNE FEMME DANS LA TOURMENTE NUAGES ÉPARS Longtemps méconnue en Occident, l’œuvre de Mikio Naruse est aujourd’hui élevée au même rang que celle de ses compatriotes Mizoguchi, Ozu et Kurosawa. À partir des années 1950, il se spécialise dans le shomin geki, genre qui vise à dépeindre le quotidien des gens de la classe moyenne. Son œuvre à la fois poétique et réaliste, pleinement ancrée dans son temps, donne à voir de magnifiques portraits de femmes, portés par les plus grandes actrices du cinéma nippon comme Hideko Takamine, sa muse, ou Yoko Tsukasa.
  • Movie Museum JULY 2011 COMING ATTRACTIONS

    Movie Museum JULY 2011 COMING ATTRACTIONS

    Movie Museum JULY 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY LA CHÈVRE KAMOME SHOKUDO 13 ASSASSINS CEDAR RAPIDS Hawaii Premiere! aka The Goat aka Seagull Diner aka Juusan-nin no Shikaku (2011) L'EMMERDEUR (1981-France/Mexico) (2006-Japan) (2010-Japan/UK) in widescreen (1973-France/Italy) in French with English in Japanese with English in French with English in Japanese/Finnish w/English subtitles & in widescreen subtitles & in widescreen subtitles & in widescreen subtitles & in widescreen with Ed Helms, John C. Reilly, with Pierre Richard, Gérard Isiah Whitlock Jr., Anne w/Lino Ventura, Jacques Brel with Satomi Kobayashi, Hairi Koji Yakusho, Takayuki 12:30, 2:00, 3:30. 5:00 & Depardieu, Pedro Katagiri, Masako Motai, Yamada, Yusuke Iseya, Goro Heche, Kurtwood Smith, Armendariz Jr., Michel Stephen Root, Alia Shawkat. 6:30pm only Jarkko Niemi, Tarja Markus. Inagaki, Masachika Ichimura, ---------------------------------- Robin, Corynne Charbit. Tsuyoshi Ihara. Directed by LA CHÈVRE Directed and Co-written by (1981-France/Mexico) Written and Directed by Directed by Takashi Miike. Miguel Arteta. Francis Veber. Naoko Ogigami. French w/Eng subtitles & w.s. Pierre Richard, Gérard 12:15, 2:30, 4:45, 7:00 & 12:15, 2:00, 3:45, 5:30, 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 & Depardieu, Corynne Charbit. 9:15pm 7:15 & 9:00pm 8pm only & 8:30pm 7 8:30pm 8 9 10 11 LA NUIT DE VARENNES TAMPOPO SIN VERGÜENZA RANGO Hawaii Premiere! LES FUGITIFS (1982-France/Italy) (1985-Japan) (2001-Spain) (2011) animation & widescreen voiced by Johnny Depp, Bill (1986-France) in French with English in Japanese with English Spanish w/Eng subtitles & w.s.