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Nosferatu. Revista De Cine (Donostia Kultura)

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Nosferatu. Revista De Cine (Donostia Kultura) Nosferatu. Revista de cine (Donostia Kultura) Título: FILMOGRAFÍA Autor/es: Dolores Devesa, Alicia Potes Citar como: Dolores Devesa, AP. (2003). FILMOGRAFÍA. Nosferatu. Revista de cine. (44). Documento descargado de: http://hdl.handle.net/10251/41363 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: Filmografía I<agcmusha, la sombra del guerrero Dolores Devesa Alicia Potes La leyenda d el gran judo (Sugala Sanshiro) (Japón, 1943) Los que cons truyen el pon•e nir (Asu o lsukuru hilobilo} (Japón, 1946) Dirección: Akira Kurosawa. Producción: Toho (Tokio). Productor: Keiji Matsuzaki. Guión: A kirn Kurosawa. Ba­ Dirección: Kaj iro Yama moto, Hi deo Sekigawa, Akira Ku­ sado en la novela de Tsuneo Tomita. F'otograffa: Akira Mi­ ros awa. Producción : Toho (Tokio). Productores: Ryo mura. Iluminación: Shogo Onuma. il'lúsica: Seichi Suzuki . Takci, Sojiro Motoki, Ke ij i Matsuzaki , Tomoyuki Tanaka. Montaje: Toshio Goto, Akira Kurosawa. Dirección artísti• Guión: Yusaku Yamagata, Kajiro Yamamoto. Fotografía: ca: Masao Totsuka. Sonido: Tomohisa Higuchi. Intérpre­ T akeo lto, M it sui Miura, T aiichi Kankura. Intérp r e tes: tes: Susumu Fuj ita (Sugala Sanshiro), De nj iro Okochi (Sho­ Kenji Susukida (padre), Chieko Takehisa (madre), Chieko goro Yana, el maeslro de judo), Takashi Shimura (Hansuke Nakak ita (hermana mayo1), M its ue T achibana (hermana 1'vfurai, viejo maeslro de jiu-ji/su), Yukiko Todoroki (Sayo, su meno1) , Masayuki Mori (chóf er), Sumie Tsubaki (muj er del hija}, Yoshio Kosugi (Saburo Momma, maeslro de jiu-ji/su), chófe!), lchiro Chiba (lécnico de iluminación) , Hyo Kita­ Ranko Hanai (Oswni, su hija), Ryunosuke Tsukigata (Gen­ zawa (el directo1), ltoko Kono (la aclriz), Takashi Shimura nosuke Higaki, j oven maeslro de j iu-jilsu), Akitake Kono (el administrador del leatro}, Masao Shimizu Oefe de equi­ (Yoshima Dan), Soshi Kiyokawa (Yuj iro Toda), Kunio Mita po), Yuriko Hamada (bailarina), Sayuri Tanima (bailarina) . (Kohei Tsuzaki), Akira Nakamura (Toranosuki Niiseki) , Sugi­ Duración aproximada: 8 1 mi n. saku Aoyama (Tsunelami limura), Kokuten Kodo (el monje), lchiro Sugai (Mishima, j efe de la policía), Michisaburo Segawa (Halla), Eisaburo Sakauchi (Nemolo}, Hajime Hikari (Toraki­ chi) . Duración aproxi mada: 79 min. Primera versión: 99 No añoro mi juventud (JVaga seislum ni kuiuashi) (Japón, 1946) min. Otras ve rsiones: Sugata Sans hiro (Shigeo Ta naka, 1955); Sugata Sanshiro (Seiichiro Uchikawa, 1965). Dirección: Akira Kurosawa. Producción: Toho {Tokio). Productor: Keiji Matsuzaki. G uión: Eijiro Hisaita, Akira Ku rosawa. Fotografía: Asakazu Nakai. Iluminación : Choshiro lshii. Música: Tadashi Hattori. Montaje: Akira La más bella (lchiban Ulsukushiku) (Japón, 1944) Ku rosawa, Toshio Goto. Dirección artística: Kcij i Kita­ gawa. Sonido: lsamu Suzuki. Intérpretes : De nj iro Okochi Dirección y g uión : Akira Kurosawa. Producción: T oho (profesor Yagihara), Eiko Miyoshi (su muje1), Setsuko Hara {Tokio). Productor: Motohiko lto. Fotografía: Joji Oha­ (Ynkie Yagihara, la hija), Susumu Fujita {Takayoshi Noge), ra. Iluminación: Masayoshi Onuma. Música: Seichi Suzu­ Kokuten Kodo (padre de Noge), Haruko Sugimura (la ma­ ki. Extractos de Semper Fidelis, de John Philip Sousa. Mon­ dre), Akitake Kono (llokawa), Takashi Shimura (comisario taje: Akira Kurosawa. Dirección artística: Te ruaki Abe. de policía), Taizo Fukami {ministro de Educación), Masao Sonido: Ryoachi Sugawa ra. Intérpretes: Takash i Shimura Shimizu (profesor Hakozaki) , Haruo Tanaka, lchiro Chiba, (direclor de la fábrica) , lchiro Sugai (su ayudante), Yoko lsamu Yonekura, Noboru Takag i y Hiroshi Sano (esludian­ Yaguchi (Tsuru Walanabe), Takako lrie (Tokuko Mizushi­ tes). Duración aproximada: 110 min. ma), Sayuri Tanima (Yuriko Tanimura), Sachiko Ozaki (Sa­ chiko Ya mazaki), Shizuko Nishio ka (Fusae Nish ioka), 172 Asako Suzuki (A sako S uzumara), Haruko Toyama (Masako Koyama) y Tokiko Hiromishi {Tokiko Hirota) {obreras), Un domingo maravilloso (Subarashiki nichiyobi) (Japón, 1947) Akitake Kono (maestro de música), Koyuri Tanima, Toshi­ ko Hattori. Duración a proxim ada: 85 min. Dirección : Akira Kurosawa. Pr oducción: Toho {Tokio). Productor: Sojiro Motoki. Guión: Keinosukc Uekusa, Akira Kurosawa. Fotografia: Asakazu Na kai. Ilumina ­ ción: Kyoichiro Kishida. Música: Tadashi Ha ttori. Adap­ La nueva leyenda d el gran judo o Sugata Sans hiro, se­ tación de extractos de la Sinfonía inacabado , de Franz gunda parte (Zoku Sugala Sanshiro) (Japón, 1945) Schubert. Montaj e: Akira Kurosawa. Dirección arHstica: Kazuo Kubo. Sonido: Shigetoshi Yasue. Intérpretes: lsao Dirección: A ki ra Ku rosawa. Producción: Toho (Tokio). Numazaki (Yuzo), Chieko Nakakita (Masako), lchiro Sugai Productor: Motohiko lto. G uión: Akira Kurosawa. Bas ado (Yamiya, el hombre del mercado negro), Midori Ariyama e n la novela de Tsuneo Tomita. Fotograffa: Hiroshi Suzuki. (Sono, su aman/e), Masao Shimizu {propielario del bar) , Iluminación: Choshi ro lshi i. Música: Seichi Suzuki . Mon­ Sachio Sakai (hombre), Toshi Mori (viejo), Tokuj i Kobayas­ taje: Akira Kurosawa. Dirección artística: Kazuo Kubo. hi (el hombre con la cara desfigurada) , Aguri Hidaka (bai­ Sonido : Soic hi Kameyama. Inté rpretes: Susumu Fujita larina), Koreyoshi Nakamura (vendedor de zapatos) , Atsus­ (Sugata Sanshiro), Denj iro Okochi (Shogoro Yana), Ryu­ hi Watanabe (gamberro), lchi ro Namiki (fotógrafo), Toppa nosuke Ts ukigata (Gennosuke y Tesshin Higaki) , Yukiko Utsumi (/ológrafo). Duración aproximada: 108 mi n. Todoroki (Sayo), Soshi Kiyokawa (Yujiro Toda), Akitake Kono (Genzaburo Higaki}, Masayuki Mori (Yoshima Dan), Seij i Miyaguchi (Kohei Tsuzaki), Ko lshida (Daizo Samonji). Duración aproximada: 83 mi n. El ángel borrac ho (Yoidore lenshi) (Japón, 1948) Dirección : Akira Ku rosawa. Producción: Toho (Tokio). Productor: Soj iro Motoki. G uión : Ke inosu ke Ue kusa, Los hombres que camina n sobre la cola del tigr e (Tora­ Akira Kurosawa. Fotogr a fía : Takeo lto. Iluminación : no-o fumu otokolachi) (Japón, 1945) Kinzo Yoshizawa. 1\lírs ica: Fumio Hayasaka. Tema: El vals del cuco. Montaje: Akira Kurosawa. Dirección a rtística: Dirección: Akira Ku rosawa. Producción : Toho (Tokio). Takashi Matsuyama. So nido : Wataru Konuma. Inté rpre­ Productor: Motohiko lto. G uión : Akira Kurosawa. Basado tes: Takashi Shimura (doclor Sanada) , T osh iro Mifune e n la obra de teatro kabuki Kanj incho. Fotografía: Takeo (Malsunaga, el gángs1e1) , Michiyo Kogure (amante de Ma­ lto. Iluminación : lwa ha ru Hirao ka. Música: Tad ashi tsunaga) , Reizaburo Ya mamoto (Okada, jefe de los gángs­ Hattor i. Montaje: Akira Kurosawa. Dirección a rtística: ters}, Chieko Nakakita (Miyo, enfermera}, Noriko Sengoku Kazuo Ku bo. Sonido: Keiji Hasebe. Intérp retes: Denj iro (Gin, chica del bar), Shizuku Kasaoki (can/anle), Eitaro O kochi (Benkel) , Susumu Fujita {Togashi), Masayuki Mori Shindo (doclor Takahama), Yoshiko Kuga (la chica), Choko (Kamei), Takashi Shimu ra (Kataoka) , Akitake Kono (/se), lida (sirvienla de Sanada}, Ta ij i Tonoyama (tendero), Ma­ Yoshio Kosug i (Sum ga), Dekao Yoko (Hitachibo) , Hanshi­ sao Shimizu (gángsler), Katao Kawasaki (vendedor de flo­ ro lwai {príncipe Yoshils rme) , Ke nic hi Enomoto (mozo). res), Sachio Sakai (gamberro), Sumi re Sh iroki (matrona) . Duración aproximada: 58 min. Duración aproximada : 98 min. Versión original: 150 min. Du elo silencioso (Shi=ukanaru kello) (Japón, 1949) chi Nagata), Sojiro Motoki. Guión: Shinobu Hashimoto, Akira Ku rosawa. Basado en las novelas Ras/toman y Yabu Dirección : Ak ira Kurosawa. P•·oducció n: Daiei (Kioto). no nata, de Ryunosuke Akutagawa. Fo tografía : Kazuo Mi­ Producto•·es: Hi sao lchikawa, Sojiro Motoki. Guió n: Sen­ yagawa. Iluminación: Kenichi Okamoto. i\lúsica: Furnio kichi Taniguchi, Akira Kurosawa. Basado en una obra de Hayasaka. Montaje: Ak ira Kurosawa, Shigeo Nishida. Di­ Kazuo Kikuta. Fotografía: Shoichi Aisaka. Iluminación: rección artística: Takashi Matsuyama, Uichiro Yamamo­ Tsuneyoshi Shi bata. Música: Akira Ifukube. i\lontajc: Aki­ to. Sonido: lwao Otani. Intérpretes: Toshiro Mifune (Ta ­ ra Ku rosawa, Masanori Tsuji. Dirección artística: Koichi jomaru, el bandido), Masayuki Mori (Takeltiro, el sa11111· lmai , Kiyoshi Araki. Sonido: Mitsuo Hasegawa. Intérpre­ rái), Machiko Kyo (Masago, su mrtjer), Takashi Shimura (el tes: Toshiro Mifune (doctor Kyoji Frtjisaki), Takashi Shi­ le!1ado1) , Minoru Chiaki (e l sacerdote), Kichijiro Ueda (el mura (Kyonosuke Frtjisaki, Sil padre), Miki Sanjo (Misao aldeano), Daisuke Kato (el policía), Fumiko Hornma (me­ Mats11 moto, novia de Kyoji), Kenjiro Uemura (SIISII/1111 dium). Duración aproximada: 88 min. Estreno: Madrid : Nakada, el enfermo), Chieko Nakakita (Takiko, s11 m1tjer), 12 de febrero de 1954: Capitol. Reestreno: Madrid : 26 de Noriko Sengoku (R11i Minegislri. la enf ermera), Jyunnosuke abril de 1985: Infantas. Premios: Festival Internacional de Miyazaki (Horig11chi) , Isamu Yamaguchi (Nozaka), Shigeru Cine de Venecia 195 1: León de Oro
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