Pokémon, Cultural Practice and Object Networks Jason Bainbridge
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Pokemon Buy List
Pokemon Buy List Card Name Set Rarity Cash Value Credit Value Absol EX - XY62 XY Promos Holofoil $1.04 $1.24 Acerola (Full Art) SM - Burning Shadows Holofoil $6.16 $7.39 Acro Bike (Secret) SM - Celestial Storm Holofoil $5.11 $6.13 Adventure Bag (Secret) SM - Lost Thunder Holofoil $2.72 $3.26 Aegislash EX XY - Phantom Forces Holofoil $1.06 $1.27 Aegislash V SWSH04: Vivid Voltage Holofoil $0.68 $0.82 Aegislash V (Full Art) SWSH04: Vivid Voltage Holofoil $3.96 $4.75 Aegislash VMAX SWSH04: Vivid Voltage Holofoil $1.07 $1.28 Aegislash VMAX (Secret) SWSH04: Vivid Voltage Holofoil $6.28 $7.54 Aerodactyl EX - XY97 XY Promos Holofoil $0.84 $1.00 Aerodactyl GX SM - Unified Minds Holofoil $0.88 $1.05 Aerodactyl GX (Full Art) SM - Unified Minds Holofoil $1.56 $1.87 Aerodactyl GX (Secret) SM - Unified Minds Holofoil $5.40 $6.48 Aether Foundation Employee Hidden Fates: Shiny Vault Holofoil $3.32 $3.98 Aggron EX XY - Primal Clash Holofoil $0.97 $1.16 Aggron EX (153 Full Art) XY - Primal Clash Holofoil $4.27 $5.12 Air Balloon (Secret) SWSH01: Sword & Shield Base Set Holofoil $4.57 $5.48 Alakazam EX XY - Fates Collide Holofoil $1.28 $1.53 Alakazam EX (Full Art) XY - Fates Collide Holofoil $3.37 $4.04 Alakazam EX (Secret) XY - Fates Collide Holofoil $5.32 $6.38 Alakazam V (Full Art) SWSH04: Vivid Voltage Holofoil $3.92 $4.70 Allister (Full Art) SWSH04: Vivid Voltage Holofoil $5.70 $6.84 Allister (Secret) SWSH04: Vivid Voltage Holofoil $7.99 $9.58 Alolan Exeggutor GX SM - Crimson Invasion Holofoil $0.80 $0.96 Alolan Exeggutor GX (Full Art) SM - Crimson Invasion -
Implications of Abenomics on Gender Equality in Japan and Its Conformity with CEDAW
TUCKER (DO NOT DELETE) 4/24/2017 6:16 PM RICKY TUCKER* Implications of Abenomics on Gender Equality in Japan and Its Conformity with CEDAW Introduction ....................................................................................... 544 A. Abenomics ...................................................................... 545 B. Female Workforce Participation ..................................... 546 C. History of Japanese Gender Equality Laws .................... 549 I. The Purpose of the Third Arrow Casts Doubt on its Ability to Accomplish Its Goals ............................................. 551 A. Addressing Financial Insecurity ..................................... 551 B. Addressing Gender Equality ........................................... 552 II. The Third Arrow Does Not Conform to the Strict Mandates Imposed Upon Member Countries to CEDAW ..... 554 A. Leadership ......................................................................... 555 1. CEDAW Article II .................................................... 556 2. CEDAW Article XI ................................................... 558 B. Childcare Waiting Lists .................................................. 559 C. Support for a Return to Work ......................................... 561 D. Assistance for Reentering the Workforce ....................... 563 III. Abenomics’ Conformity with CEDAW and the Overall Goal of Boosting the Economy Are Not Mutually Exclusive ................................................................................ 564 IV. A Counterpoint: -
O(S) Fã(S) Da Cultura Pop Japonesa E a Prática De Scanlation No Brasil
UNIVERSIDADE TUIUTI DO PARANÁ Giovana Santana Carlos O(S) FÃ(S) DA CULTURA POP JAPONESA E A PRÁTICA DE SCANLATION NO BRASIL CURITIBA 2011 GIOVANA SANTANA CARLOS O(S) FÃ(S) DA CULTURA POP JAPONESA E A PRÁTICA DE SCANLATION NO BRASIL Dissertação apresentada no Programa de Mestrado em Comunicação e Linguagens na Universidade Tuiuti do Paraná, na Linha Estratégias Midiáticas e Práticas Comunicacionais, como requisito parcial para obtenção do título de Mestre, sob orientação do Prof. Dr. Francisco Menezes Martins. CURITIBA 2011 2 TERMO DE APROVAÇÃO Giovana Santana Carlos O(S) FÃ(S) DA CULTURA POP JAPONESA E A PRÁTICA DE SCANLATION NO BRASIL Esta dissertação foi julgada e aprovada para a obtenção do título de Mestre em Comunicação e Linguagens no Programa de Pós-graduação em Comunicação e Linguagens da Universidade Tuiuti do Paraná. Curitiba, 27 de maio de 2011. Programa de pós-graduação em Comunicação e Linguagens Universidade Tuiuti do Paraná Orientador: Prof. Dr. Francisco Menezes Martins Universidade Tuiuti do Paraná Prof. Dr. Carlos Alberto Machado Universidade Estadual do Paraná Prof. Dr. Álvaro Larangeira Universidade Tuiuti do Paraná 3 AGRADECIMENTOS Aos meus pais, Carmen Dolores Santana Carlos e Vilson Antonio Carlos, e à Leda dos Santos, por me apoiarem durante esta pesquisa; À minha irmã, Vivian Santana Carlos, por ter me apresentado a cultura pop japonesa por primeiro e por dar conselhos e ajuda quando necessário; Aos professores Dr. Álvaro Larangeira e Dr. Carlos Machado por terem acompanhado desde o início o desenvolvimento deste trabalho, melhorando-o através de sugestões e correções. À professora Dr.ª Adriana Amaral, a qual inicialmente foi orientadora deste projeto, por acreditar em seu objetivo e auxiliar em sua estruturação. -
The Brahma Kumaris World Spiritual University
IIAS Newsletter 47 | Spring 2008 | free of charge | published by IIAS | P.O. Box 9515 | 2300 RA Leiden | The Netherlands | T +31-71-527 2227 | F +31-71-527 4162 | [email protected] | www.iias.nl Photo ‘Blue Buddha’ by Lungstruck. Courtesy www.flickr.com 47 New Religious Movements The Brahma Kumaris World Spiritual University The Indian-based BKWSU arose from a Hindu cultural base, but tors are all ethnic Indian women although they have long been resident overseas. distinct from Hinduism. It began in the 1930s as a small spiritual National coordinators may be ethnic Indian, local members, or third country community called Om Mandli (Sacred Circle), consisting primarily of nationals, and some are males. In this sense the BKWSU closely resembles a young women from the Bhai Bund community of Hyderabad Sindh, multinational corporation (MNC) in tend- ing to have home country nationals posted now part of Pakistan. Since the 1960s the community has been known to key management roles overseas, with a degree of localisation at the host country as the Brahma Kumaris World Spiritual University (BKWSU), translated level. The use of third country nationals, or members from one overseas branch from the Hindi, ‘Brahma Kumaris Ishwariya Vishwa Vidyalaya’. It is posted to lead another overseas branch, attests to the strength of its organisational significant that the movement included a ‘world’ focus in its name, culture and the strength of shared values of its members. even though active overseas expansion did not begin until 1971. BKWSU is an international non–govern- mental organisation (NGO) that holds Tamasin Ramsay and Wendy Smith dle East), the US (America and Carib- general consultative status with the Eco- bean Islands), Russia (Eastern Europe) nomic and Social Council (ECOSOC) of the he BKWSU headquarters in Mt. -
Sword & Shield—Vivid Voltage Card List
Pokémon TCG: Sword & Shield—Vivid Voltage Card List Use the check boxes below to keep track of your Pokémon TCG cards! 001 Weedle ● 048 Zapdos ★H 095 Lycanroc ★ 142 Tornadus ★H 002 Kakuna ◆ 049 Ampharos V 096 Mudbray ● 143 Pikipek ● 003 Beedrill ★ 050 Raikou ★A 097 Mudsdale ★ 144 Trumbeak ◆ 004 Exeggcute ● 051 Electrike ● 098 Coalossal V 145 Toucannon ★ 005 Exeggutor ★ 052 Manectric ★ 099 Coalossal VMAX X 146 Allister ◆ 006 Yanma ● 053 Blitzle ● 100 Clobbopus ● 147 Bea ◆ 007 Yanmega ★ 054 Zebstrika ◆ 101 Grapploct ★ 148 Beauty ◆ 008 Pineco ● 055 Joltik ● 102 Zamazenta ★A 149 Cara Liss ◆ 009 Celebi ★A 056 Galvantula ◆ 103 Poochyena ● 150 Circhester Bath ◆ 010 Seedot ● 057 Tynamo ● 104 Mightyena ◆ 151 Drone Rotom ◆ 011 Nuzleaf ◆ 058 Eelektrik ◆ 105 Sableye ◆ 152 Hero’s Medal ◆ 012 Shiftry ★ 059 Eelektross ★ 106 Drapion V 153 League Staff ◆ 013 Nincada ● 060 Zekrom ★H 107 Sandile ● 154 Leon ★H 014 Ninjask ★ 061 Zeraora ★H 108 Krokorok ◆ 155 Memory Capsule ◆ 015 Shaymin ★H 062 Pincurchin ◆ 109 Krookodile ★ 156 Moomoo Cheese ◆ 016 Genesect ★H 063 Clefairy ● 110 Trubbish ● 157 Nessa ◆ 017 Skiddo ● 064 Clefable ★ 111 Garbodor ★ 158 Opal ◆ 018 Gogoat ◆ 065 Girafarig ◆ 112 Galarian Meowth ● 159 Rocky Helmet ◆ 019 Dhelmise ◆ 066 Shedinja ★ 113 Galarian Perrserker ★ 160 Telescopic Sight ◆ 020 Orbeetle V 067 Shuppet ● 114 Forretress ★ 161 Wyndon Stadium ◆ 021 Orbeetle VMAX X 068 Banette ★ 115 Steelix V 162 Aromatic Energy ◆ 022 Zarude V 069 Duskull ● 116 Beldum ● 163 Coating Energy ◆ 023 Charmander ● 070 Dusclops ◆ 117 Metang ◆ 164 Stone Energy ◆ -
J-Pop and the Marginalization of Mixed-Heritage Japanese Americans
POKEMON(ORACIAL): J-POP AND THE MARGINALIZATION OF MIXED-HERITAGE JAPANESE AMERICANS . A thesis submitted to the faculty of San Francisco State University 3 Q> In partial fulfillment of The Requirements for The Degree Master of Arts In Ethnic Studies by Morgan Michele Melendres Mentz San Francisco, California May 2016 Copyright by Morgan Michele Melendres Mentz 2016 CERTIFICATION OF APPROVAL I certify that I have read Pokemon(oracial): J-pop and the Marginalization of Mixed-Heritage Japanese Americans by Morgan Michele Melendres Mentz, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree: Master of Arts in Ethnic Studies at San Francisco State University. A A ' Ethnic Studies Dawn missa Mscner Professor of Africana Studies POKEMON(ORACIAL): J-POP AND THE MARGINALIZATION OF MIXED-HERITAGE JAPANESE AMERICANS Morgan Michele Melendres Mentz San Francisco, California 2016 This thesis deconstructs the use of Japanese popular cultural iconography by art and community festival spaces in Bay Area Japantowns and critiques the ways in which they reinforce traditional and new Orientalist stereotypes of the Japanese American community. Through use of Japanese popular culture these spaces create a visual narrative that promotes homogenous and monoracial stereotypes of the Nikkei community. Leveraging ethnographic observations of community gallery and festival spaces this work investigates how meaning is constructed and derived within Japantown spaces through the use of Japanese popular culture imagery. Furthermore, this thesis explores how such imagery reinforces Japanophilic delineations of the Nikkei community that distort the heterogeneous mixed-heritage make-up of the Japanese America. -
Japan Analysis 34 EN
Japan Analysis La lettre du Japon 34 July 2014 Perspectives on Japan’s openness to the world in 2014 CLOSE UP ON THE NEWS 1. The Abe government and the gender equality issue: “towards a society where women shine” – AMÉLIE CORBEL 3 2. Japan’s Revitalized Engagement with Africa: Key Issues and Challenges – YUKO KAWATO 11 POINT OF NEWS 3. Nishikawa Shūichi, “What anglicization is bringing to business: points of views of employees of Uniqlo and Rakuten”, Chūō Kōron, November 2013. (Translated from the Japanese source by Sophie Buhnik) 20 4. Yoshikuni Shin’ichi’s, “Reflections on the ‘third arrow’ of Abenomics: towards a diverse society more open to female employment”, Kin.yūzaiseibijinesu, March 2014. (Translated from the Japanese source by Arnaud Grivaud) 26 ÉDITORIAL The number and nature of published in But these comparative indexes also suggest large-circulation magazines have grown that Japan’s “decline” is far from being a significantly in importance in the last fifteen homogeneous process: depending on the years. They now cover a multiplicity of topics topic, the country’s position in the various and are structured around criteria ranging international rankings is either falling, rising1, from gross domestic product and the quality or staying the same (in absolute or relative of education dispensed by the leading higher terms). For instance, the number of Japanese education establishments (the Shanghai students spending a year abroad has been Ranking) to more abstract notions such as falling, in absolute terms, for the last ten years. competitiveness and urban standards of But Japan’s slippage in the annual ranking living (e.g. -
Japanophilia: Becoming the Other
Theory and Practice in English Studies Volume 8, No. 2, 2019 E-ISSN: 1805-0859 JAPANOPHILIA: BECOMING THE OTHER Marcel Koníček Abstract Even before the dissolution of Shogunate and the Meiji Reforms around 1868, which opened Japan to the world, Japan has been of considerable cultural influ- ence on the English-speaking world. This remote country in East Asia has for a long time been a foil to the Western view of the world in the 19th century, with its isolated culture that willingly refused “superior” western culture and religion and was perceived as developing in a unique condition of complete isolation. With its opening Japan aimed to embrace modernity and distance itself from its tradition, but its efforts attracted various artists, such as van Gogh and Monet, who admired the traditional Japanese art and incorporated it into their works. At the same time, foreign scholars invited by the government to industrialise Japan and teach the young elite, started to see Japanese art and culture as superior to the European. They not only regarded Japan as their new homeland but also strove to become Japanese themselves. Today Japanese culture is again gaining popularity, this time the interest be- ing centred around animation and popular culture. This current wave of Japano- philia shares many similarities with the 19th century one. Current fans of all that is Japanese also frequently strive to attain Japanese identity and also interact with the fantasy of an “eastern Other” in complex ways. This paper will discuss the comparison of these waves and how this relates to historical and cultural issues surrounding the relationship between the Anglo- phone and Japanese cultures. -
Kumoricon 2006 Pocket Programming Guide
Kumoricon 2006 Exhibitors Hall / Main Events Console / LAN / Live 1 / Karaoke Panel 1 Panel 2 Panel 3 Workshop 1 RPG Room Video Art Show Fan Creation Station - 2 - Pocket Programming Guide Kumoricon 2006 Pocket Programming Guide Table of Contents Policies Change and Reference 4 Convention Programming Hours 6 Tickets, Guests, and Exhibitors 7 Video, Panel, and Event Schedules 8 Con Tips 19 Art Contest Entrants 20 Survival Guide 23 - 3 - Kumoricon 2006 Props and Costume Policy Change We regret to announce that due to last-minute changes, Kumoricon policy must be amended as follows: • Absolutely no metal props will be allowed within Kumoricon convention space. This includes but is not limited to prop swords and stage steel. • No masks or other items which obscure an attendee’s face from view may be worn while in the corridors and common areas of the hotel. • No airsoft guns will be permitted. Plastic toy guns are acceptable, if not designed to fire a projectile. Guns must be obvious fakes at a distance of ten feet. • As always, props cannot be brandished in any way. Only when posing for a still photo may props be held in any manner that could be deemed threatening. The staff of Kumoricon extends our apologies to anyone adversely affected by this policy change. If you have any questions, please ask at the peacebonding desk. These policy changes supersede the policies printed in the main convention book. All other policies in the convention book remain in effect. - 4 - Pocket Programming Guide Policies Please be sure to read the full policies in the main convention book. -
Cool Japan Fund Launched to Aid Global Promotion of Japanese Culture by Japan SPOTLIGHT Editorial Section
Column Cool Japan Fund Launched to Aid Global Promotion of Japanese Culture By Japan SPOTLIGHT Editorial Section Japanese culture, from animation to fashion and the broader that their popularity will become a driving force for Japan’s economic notion of “Japanese hospitality”, is now a new target for export growth. promotion for the Ministry of Economy, Trade and Industry (METI) in You can learn about the targets and projects below. If you are the 21st century. interested in the Cool Japan Fund, you can contact us (tel:03-5565- Prior to our next issue highlighting “the role of Japanese culture in 4822 or [email protected]) and we will connect you with the foreign policy”, we introduce our readers to METI’s new policy to relevant person in the fund. promote exports of Japanese cultural goods. This is considered one of the important policy measures presented as “the third arrow of Abenomics”, the growth strategy, and thus culture in our postindustrial society has economic policy implications as well. In Photo: Ministry of Economy, Trade and Industry (METI) Japan reading both this short article and our next issue we hope you will enjoy learning about the wide range of these implications. On Nov. 25, 2013, at Toyko’s Roppongi Hills, Japanese business people and bureaucrats celebrated the office opening of the Cool Japan Fund, financed to the tune of 60 billion yen by the government and the private sector. This fund aims to invest money in companies and projects selling Japanese cultural products (the basic scheme is shown in the Charts below). -
Copy of Anime Licensing Information
Title Owner Rating Length ANN .hack//G.U. Trilogy Bandai 13UP Movie 7.58655 .hack//Legend of the Twilight Bandai 13UP 12 ep. 6.43177 .hack//ROOTS Bandai 13UP 26 ep. 6.60439 .hack//SIGN Bandai 13UP 26 ep. 6.9994 0091 Funimation TVMA 10 Tokyo Warriors MediaBlasters 13UP 6 ep. 5.03647 2009 Lost Memories ADV R 2009 Lost Memories/Yesterday ADV R 3 x 3 Eyes Geneon 16UP 801 TTS Airbats ADV 15UP A Tree of Palme ADV TV14 Movie 6.72217 Abarashi Family ADV MA AD Police (TV) ADV 15UP AD Police Files Animeigo 17UP Adventures of the MiniGoddess Geneon 13UP 48 ep/7min each 6.48196 Afro Samurai Funimation TVMA Afro Samurai: Resurrection Funimation TVMA Agent Aika Central Park Media 16UP Ah! My Buddha MediaBlasters 13UP 13 ep. 6.28279 Ah! My Goddess Geneon 13UP 5 ep. 7.52072 Ah! My Goddess MediaBlasters 13UP 26 ep. 7.58773 Ah! My Goddess 2: Flights of Fancy Funimation TVPG 24 ep. 7.76708 Ai Yori Aoshi Geneon 13UP 24 ep. 7.25091 Ai Yori Aoshi ~Enishi~ Geneon 13UP 13 ep. 7.14424 Aika R16 Virgin Mission Bandai 16UP Air Funimation 14UP Movie 7.4069 Air Funimation TV14 13 ep. 7.99849 Air Gear Funimation TVMA Akira Geneon R Alien Nine Central Park Media 13UP 4 ep. 6.85277 All Purpose Cultural Cat Girl Nuku Nuku Dash! ADV 15UP All Purpose Cultural Cat Girl Nuku Nuku TV ADV 12UP 14 ep. 6.23837 Amon Saga Manga Video NA Angel Links Bandai 13UP 13 ep. 5.91024 Angel Sanctuary Central Park Media 16UP Angel Tales Bandai 13UP 14 ep. -
MAD SCIENCE! Ab Science Inc
MAD SCIENCE! aB Science Inc. PROGRAM GUIDEBOOK “Leaders in Industry” WARNING! MAY CONTAIN: Vv Highly Evil Violations of Volatile Sentient :D Space-Time Materials Robots Laws FOOT table of contents 3 Letters from the Co-Chairs 4 Guests of Honor 10 Events 15 Video Programming 18 Panels & Workshops 28 Artists’ Alley 32 Dealers Room 34 Room Directory 35 Maps 41 Where to Eat 48 Tipping Guide 49 Getting Around 50 Rules 55 Volunteering 58 Staff 61 Sponsors 62 Fun & Games 64 Autographs APRIL 2-4, 2O1O 1 IN MEMORY OF TODD MACDONALD “We will miss and love you always, Todd. Thank you so much for being a friend, a staffer, and for the support you’ve always offered, selflessly and without hesitation.” —Andrea Finnin LETTERS FROM THE CO-CHAIRS Anime Boston has given me unique growth Hello everyone, welcome to Anime Boston! opportunities, and I have become closer to people I already knew outside of the convention. I hope you all had a good year, though I know most of us had a pretty bad year, what with the economy, increasing healthcare This strengthening of bonds brought me back each year, but 2010 costs and natural disasters (donate to Haiti!). At Anime Boston, is different. In the summer of 2009, Anime Boston lost a dear I hope we can provide you with at least a little enjoyment. friend and veteran staffer when Todd MacDonald passed away. We’ve been working long and hard to get composer Nobuo When Todd joined staff in 2002, it was only because I begged. Uematsu, most famous for scoring most of the music for the Few on staff imagined that our three-day convention was going Final Fantasy games as well as other Square Enix games such to be such an amazing success.