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Christopher Isherwood Papers
http://oac.cdlib.org/findaid/ark:/13030/c8pk0gr7 No online items Christopher Isherwood Papers Finding aid prepared by Sara S. Hodson with April Cunningham, Alison Dinicola, Gayle M. Richardson, Natalie Russell, Rebecca Tuttle, and Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2, 2000. Updated: January 12, 2007, April 14, 2010 and March 10, 2017 The Huntington Library. All rights reserved. Christopher Isherwood Papers CI 1-4758; FAC 1346-1397 1 Overview of the Collection Title: Christopher Isherwood Papers Dates (inclusive): 1864-2004 Bulk dates: 1925-1986 Collection Number: CI 1-4758; FAC 1346-1397 Creator: Isherwood, Christopher, 1904-1986. Extent: 6,261 pieces, plus ephemera. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the papers of British-American writer Christopher Isherwood (1904-1986), chiefly dating from the 1920s to the 1980s. Consisting of scripts, literary manuscripts, correspondence, diaries, photographs, ephemera, audiovisual material, and Isherwood’s library, the archive is an exceptionally rich resource for research on Isherwood, as well as W.H. Auden, Stephen Spender and others. Subjects documented in the collection include homosexuality and gay rights, pacifism, and Vedanta. Language: English. Access The collection is open to qualified researchers by prior application through the Reader Services Department, with two exceptions: • The series of Isherwood’s daily diaries, which are closed until January 1, 2030. -
People, Objects, and Anxiety in Thirties British Fiction Emily O'keefe Loyola University Chicago
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loyola eCommons Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2012 The Things That Remain: People, Objects, and Anxiety in Thirties British Fiction Emily O'Keefe Loyola University Chicago Recommended Citation O'Keefe, Emily, "The Things That Remain: People, Objects, and Anxiety in Thirties British Fiction" (2012). Dissertations. Paper 374. http://ecommons.luc.edu/luc_diss/374 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2012 Emily O'keefe LOYOLA UNIVERSITY CHICAGO THE THINGS THAT REMAIN: PEOPLE, OBJECTS, AND ANXIETY IN THIRTIES BRITISH FICTION A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN ENGLISH BY EMILY O‘KEEFE CHICAGO, ILLINOIS AUGUST 2012 Copyright by Emily O‘Keefe, 2012 All rights reserved. ACKNOWLEDGEMENTS Thank you to Joyce Wexler, who initially inspired me to look beyond symbolism to find new ways of engaging with material things in texts. Her perceptive readings of several versions of these chapters guided and encouraged me. To Pamela Caughie, who urged me to consider new and fascinating questions about theory and periodization along the way, and who was always ready to offer practical guidance. To David Chinitz, whose thorough and detailed comments helped me to find just the right words to frame my argument. -
Christopher Isherwood in Transit: a 21St-Century Perspective
Transcription University of Minnesota Press Episode 2: Christopher Isherwood in Transit: A 21st-Century Perspective https://soundcloud.com/user-760891605/isherwood-in-transit Host introduction: Isherwood in Transit is a collection of essays that considers Christopher Isherwood as a transnational writer whose identity politics and beliefs were constantly transformed by global connections arising from journeys to Germany, Japan, China and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s. We're here today to talk about Isherwood's reception and history of publication in the US, as well as what we mean by the title Isherwood in Transit, which is open to interpretation and refers to the writer's movement on a personal and spiritual level as much as geographic. Here we have book editors Jim Berg and Chris Freeman, who have co-edited several volumes on Isherwood, including The Isherwood Century and The American Isherwood. Berg is associate dean of faculty at the Borough of Manhattan Community College in New York City. Freeman is professor of English and gender studies at the University of Southern California. They are joined by University of Minnesota press director Doug Armato. This conversation was recorded in June 2020. Jim Berg: This is Jim Berg. Here's a quick bit of background on Christopher Isherwood. He was born in 1904 in England. His best-known British work is Goodbye to Berlin from 1938, which was published with Mr. Norris Changes Trains in the United States as The Berlin Stories featuring Sally Bowles. And that was turned into the musical Cabaret. -
Christopher Isherwood's Camp
Theory and Practice in English Studies Volume 8, No. 2, 2019 E-ISSN: 1805-0859 CHRISTOPHER ISHERWOOD’S CAMP Thomas Castañeda Abstract In this paper I consider recurrent themes in the work of Christopher Isherwood, a novelist best known for his portrayal of Berlin's seedy cabaret scene just before the outbreak of the Second World War. The themes I discuss each hinge on un- canny discrepancies between youth and old age, male and female, sacred and pro- fane, real and sham. Together, I argue, these themes indicate the author's invest- ment in a queer camp sensibility devoted to theatricality, ironic humor, and the supremacy of style. I focus on specific descriptions of characters, objects, and places throughout the author's work in order to foreground camp's rather exuber- ant interest in artifice, affectation, and excess, as well as its ability to apprehend beauty and worthiness even, or especially, in degraded objects, people, or places. Ultimately, I argue that the term camp, especially as it applies to Isherwood's work, names both a comedic style and a specifically queer empathetic mode rooted in shared histories of hurt, secrecy, and social marginalization. Keywords Artifice; camp; dandy; humor; irony; style; theatricality; queerness * * * CHRISTOPHER Isherwood (1904–1986) first glossed the term camp in a 1954 novel entitled The World in the Evening; there, he describes camp as a way of “ex- pressing what’s basically serious to you in terms of fun and artifice and elegance” (125). The novel centers around a bisexual widower named Stephen Monk, who flees his second marriage in Los Angeles to live with his “aunt” Sarah – a close family friend – in a small Quaker community outside Philadelphia. -
The Unforgiving Margin in the Fiction of Christopher Isherwood
The Unforgiving Margin in the Fiction of Christopher Isherwood Paul Michael McNeil Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 Copyright 2011 Paul Michael McNeil All rights reserved ABSTRACT The Unforgiving Margin in the Fiction of Christopher Isherwood Paul Michael McNeil Rebellion and repudiation of the mainstream recur as motifs throughout Christopher Isherwood‟s novels and life, dating back to his early experience of the death of his father and continuing through to the end of his own life with his vituperative rant against the heterosexual majority. Threatened by the accepted, by the traditional, by the past, Isherwood and his characters escape to the margin, hoping to find there people who share alternative values and ways of living that might ultimately prove more meaningful and enlightened than those they leave behind in the mainstream. In so doing, they both discover that the margin is a complicated place that is more often menacing than redemptive. Consistently, Isherwood‟s fiction looks at margins and the impulse to flee from the mainstream in search of a marginal alternative. On the one hand, these alternative spaces are thought to be redemptive, thought to liberate and nourish. Isherwood reveals that they do neither. To explore this theme, the dissertation focuses on three novels, The Berlin Stories (The Last of Mr. Norris and Goodbye to Berlin), A Meeting by the River, and A Single Man, because ach of these novels corresponds to marginal journeys of Isherwood— namely, his sexual and creative exile in Berlin from 1929 to 1933, his embrace of Hindu philosophy, and his life as a homosexual. -
The Berlin Stories (1945) the Berlin Stories New Directions, 1954 1
DISCUSSION QUESTIONS Select Works by Isherwood The Berlin Stories (1945) The Berlin Stories New Directions, 1954 1. What do you like about the structure of The Berlin Stories? Would it have been a Christopher and His Kind (1976) stronger work if the two halves had been re-written as one novel? Univ. of Minnesota Press, 2001 2. What do you think Isherwood is referring to when he writes about the “indestructible Santa Monica something” that he comes back to Berlin to look for in the early 1950’s? (p.xii) Diaries,Vol.1: 1939-60 K. Bucknell (ed.) 3. Does Frl. Schroeder represent more than just a friend in this work? HarperCollins, 1997 4. Which characters did you recognize from both books? Did they take on different characteristics depending on which story you are reading? My Guru and His Disciple (1980) Univ. of Minnesota Press, 2001 CITYWIDE The Last of Mr. Norris Prater Violet (1945) 1. The desperate economic climate influences the political leanings of the young Univ. of Minnesota Press, 2001 population: “And morning after morning, all over the immense, damp, dreary town . A Single Man (1964) young men were waking up to another workless empty day to be spent as they could Univ. of Minnesota Press, 2001 best contrive . .”(p. 87) Within this context, compare the pull of the Communist The World in the Evening (1954) READS Party versus the National Socialists (Nazis) for the characters. Univ. of Minnesota Press, 1999 2.“’You’re young. Your standards are so severe. When you get to my age, you’ll see things differently, perhaps. -
Geherin, David J., "An Interview with Christopher Isherwood,"
An Interview with Christopher Isherwood Author(s): Christopher Isherwood and David J. Geherin Source: The Journal of Narrative Technique, Vol. 2, No. 3 (Sep., 1972), pp. 143-158 Published by: Journal of Narrative Theory Stable URL: https://www.jstor.org/stable/30225283 Accessed: 09-12-2018 14:43 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Journal of Narrative Theory is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Narrative Technique This content downloaded from 95.183.180.42 on Sun, 09 Dec 2018 14:43:19 UTC All use subject to https://about.jstor.org/terms AN INTERVIEW WITH CHRISTOPHER ISHERWOOD David J. Geherin The following interview took place on March 17, 1972 at Mr. Isherwood's home in Santa Monica, California. The interview, as it appears here, has been corrected and emended by Mr. Isherwood. One of the most interesting aspects of your fiction is the use of a character named Christopher Isherwood in several of your novels. I'd like to begin by asking what prompted you to use this Christopher Isherwood persona in the first place. Simply this. I felt that the story could only be told from the point of view of myself as the narrator. -
Of Man in the Works of Christopher
TllliJ ICNOWI.1EDGE OF JlfAN, 341. THE KNOWLEDGE· OF MAN IN THE WORKS OF I CHRISTOPHER ISHERWOOD To be a novelist in tll.~ thirties. meant that one inevita-bly feit the pressure of the social, economic and· ._politic-al ·struggle .. If .. a write·r was interested at all in his follow-men, he .could no longei·· afford to live h.1 an ivory-tower ; he ahiiost necessarily became· involved in the conflict which stfrred up Europe. and in which the life of e,iery individual was at .stake. Eve~1 those who wer~ not moved by the political issues were forced to face, at least, the economic crisis and the social .distul.·bances. Christopher Isher wood belonged to a left-:wing group·· of writers which als9 included C. Day Lewis, Spender, and Auden, with whom his name is usually associated. They were all indignant at the abuses of capitalistic, decaying democratic or dictatorial socie ties. Their interest in politics ha:d its origin in theii· interest in l\Ian, and with most of them it collapsed when tJie.y. realised'. that politics offered no real solution to the world's problems. But for some time nio.st of them took a· more or less active ·part in the battle. Their opinions are naturally reflected in' theh... "fritings,. ap.d some of their works deal directly with the con temporary situation. Yet, even at the time when ihe was most involved in the anti-fascist campaign, Isherwood never stated I his own v~ew of th~ problems explicitly in his rn;>Vels and stories. -
A Study of Christopher Isherwood's Novels
THE ARTIST'S SEARCH FOR SELF-IDENTITY : A STUDY OF CHRISTOPHER ISHERWOOD'S NOVELS A DISSERTATION SUBMITTED TO THE UNIVERS\TY OF NORTH BENGAL FOR THE DEGREE OF Ph. D. IN ENGLISH By Debashis Chatterjee Supervisor: Dr. G. N. Roy DEPARTMENT OF ENGLISH UNIVERSITY OF NORTH BENGAL 2001 SZ'3-S/Z H616J 1 a MftR '^531 ^{y^vtmiM Preface and Acknowledgements. Chapter I INTRODUCTION 1 Chapter II THE OLD GANG : Allthe Conspirators 13 Chapter III THE HALLOWED DEAD : The Memorial 26 Chapter IV THE CIVIL MONSTER :Mr. Noms Changes Trains 35 Chapter V THE LOST-.Goodbye to Berlin 47 Chapter VI THE LOSS OF THE SELF : Prater Violet and The World in the Evening 64 Chapter VII THE NETHER WORLD WITHIN ".Down There on a Visit 89 Chapter VIII THE PROFESSOR :A Single Man 101 Chapter IX BETWEEN TWO BROTHERS : A Meeting by the River 111 Condusion 122 »•• Select Bibliography 128 Chnstopher Ishenvood is one of the stimulating novelists ofthegenm-ation of the thirties. He came of age too late for the First World War and too early for the Second, and survived', in letters and deeds, through their terrible tests. Tossed as he was between ^two worlds at war\ Ishenvood along with all his contemporaries like WH.Auden, Stephen Spender, William Mac Neice etc., felt everything rocking round, the self remaining the only stable element in the fleeting world. The fact is that the thirties writers, products as they were of a bourgeois society, were preoccupied with the larger objective world around them but always with the individual at thepirot. -
The World in the Evening. Christopher Isherwood
The World in the Evening. Christopher Isherwood 2012. 1446468984, 9781446468982. 352 pages. Random House, 2012. Christopher Isherwood. The World in the Evening. At a party in the Hollywood Hills, Stephen Monk finds his wife in the arms of another man. Betrayed and furious, he packs his belongings and returns to the home he was born in. There he begins to retrace the steps that have brought him to this crisis. He is reminded of his own betrayals and weaknesses. But most of all, the memory of his lost love, Elizabeth Rydal, haunts him. Can he forgive his wife, and most importantly, himself? file download cypyge.pdf ISBN:9780062063274. The Sixties. Diaries:1960-1969. Nov 16, 2010. 800 pages. Christopher Isherwood. This second volume of Christopher Isherwood's remarkable diaries opens on his fifty-sixth birthday, as the fifties give way to the decade of social and sexual revolution. Biography & Autobiography 240 pages. Fiction. Mr Norris Changes Trains. Christopher Isherwood. Sep 30, 2011. After a chance encounter on a train the English teacher William Bradshaw starts a close friendship with the mildly sinister Arthur Norris. Norris is a man of contradictions. ISBN:9781448103478 The World in the Evening pdf file The Berlin Novels. Oct 31, 2011. ISBN:9781448113385. 512 pages. Fiction. MR NORRIS CHANGES TRAINS The first of Christopher Isherwood's classic 'Berlin' novels, this portrays the encounter and growing friendship between young William Bradshaw and the. Christopher Isherwood 416 pages. Great English Short Stories. ISBN:044033084X. Christopher Isherwood. Fiction. Jun 1, 1987 Christopher Isherwood. 274 pages. In the 1960s, Christopher Isherwood gave an unprecedented series of lectures at California universities on the theme A Writer and His World. -
The Minor Transnationalism of Christopher Isherwood
CENTRAL EUROPEAN UNIVERSITY A SINGULAR NOMAD: THE MINOR TRANSNATIONALISM OF CHRISTOPHER ISHERWOOD by CALVIN W. KEOGH Doctoral Dissertation Submitted to Central European University Gender Studies Department In partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY Comparative Gender Studies CEU eTD Collection Supervisor: Jasmina Lukić Budapest, Hungary August, 2018 CEU eTD Collection Declaration I hereby declare that this dissertation contains no materials previously accepted for any other degrees in any other institutions, and contains no materials previously written and/or published by any other persons, except where appropriate acknowledgement is made in the form of bibliographic reference. Calvin W. Keogh CEU eTD Collection CEU eTD Collection Abstract This project brings a transnational perspective to the work of Christopher Isherwood (1904-86), a writer who began his career in the UK in the 1920s, established his reputation in mainland Europe in the 1930s, and published most of his writing in the US from the 1940s-80s. Transnationalism in literary studies is presented as a critical methodology of selection and analysis, which calls attention to the work of migrant writers and involves a sophisticated approach to related issues of identity, selfhood, and subject positioning. A selection of novels and novellas from the three main periods of Isherwood’s career is made according to his concept of Wanderjahren, or years of wandering, which refers to a time from before he left London in the 1920s to when he felt settled in the US in the 1960s. For the purposes of analysis, ‘minor transnationalism’ is presented as a theoretical framework on the basis of the philosophy of nomadism and the related concept of minor literature as devised by Gilles Deleuze (1925-95) and Félix Guattari (1930-92). -
Biographical Glossary
Biographical Glossary All entries are British unless otherwise noted. Ackerley, Joseph Randolph (1896–1967). Literary editor, author, and close friend of Forster’s. He was the literary editor of The Listener from 1935 to 1959. He is also the author of My Dog Tulip (1956) and We Think the World of You (1960). Auden, Wystan Hugh (1907–73). Poet and intimate friend of Isherwood’s. Major works of poetry include The Orators (1932), The Age of Anxiety: A Baroque Eclogue (1947), The Shield of Achilles (1955), and City Walls and Other Poems (1969). He collaborated with Isherwood on three plays: The Dog Beneath the Skin (1935), The Ascent of F6 (1936), and On the Frontier (1939). Bachardy, Don (1934– ). American painter and Isherwood’s companion from 1953 until Isherwood’s death in 1986. His drawings have been pub- lished in several books: October (1983), Last Drawings of Christopher Isherwood (1990), and Stars in My Eyes (2000). His paintings and drawings are in the collections of the National Portrait Gallery in London, the Metropolitan Museum of New York, and other major art institutions. Barger, Harold (1907–89). Professor of Economics at Columbia University form 1937 to 1975. He graduated from King’s College, Cambridge, and the London School of Economics. Baxter, Walter (1915– ). Author of a novel, Look Down in Mercy (1951), which was considered controversial. He had previously owned a restaurant in London. Beerbohm, Henry Maximilian (Max) (1872–1956). Humorist and essay- ist. Author of Zuleika Dobson (1911). His A Christmas Garland (1912) con- tains parodies of contemporary literary writers, such as Henry James, Joseph Conrad, and H.