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DENNIS BOXELL Now a resident of Seattle, Washington, Dennis Boxell is originally from Minnesota but lived in Dayton and Miamisburg, Ohio from 1946-52, where he attended 1st through 6th grade. "Welcome back Dennis!" Between his stay in Ohio and his present residence in Seattle, his travels and research have taken him to many different areas of the world. He is one of this nation's leading authorities on Yugoslav. Bulgarian and Assyrian Dances. In 1960. while stationed in Germany, Dennis toured Northern Europe with "Kolo," the national Yugoslav dance ensemble from Beograd. Between 1962 and 1965 he studied dance in the Balkans, working with all the major groups in Yugoslavia, as well as with village dancers. Sponsored by Lykeion of Athens, he was able to visit many of the remoter regions of Greece and collect a great number of authentic dances. Under the auspices of the Bulgarian government, he made a regional study of Bulgarian village dances and costumes. Dennis is responsible for over 150 dance tunes commonly used today by most folkdancers, which he recorded while in the Balkans. His continuous research by frequent trips to the Balkans has attributed to his well earned recognition of an authority on the Dances, Music and Customs of the Balkans. Not only is Dennis knowledgeable in the area of Balkan Folklore. but very creative. Dennis is an accomplished director and choreographer. He is the founder of the Ensemble Koleda, an international performing group that has toured in Europe, as well as the U.S.A. He worked for a while with the Ensemble Sokole in Canada, as well as forming his own performing group in Montreal. Dennis has also worked with many other groups throughout the U.S.A. in the capacity of guest choreographer. He is presently the Artistic Director of the Vela Luka Croation Folklore Ensemble, a group of talented professionally oriented dancers and musicians of Croation descent based in the fishing village of Anacortes, Washington. Dennis Boxell Weekend, March 21-22, 1981 Miami Valley Folk Dancers Dayton, Ohio INDEX OF DANCES LOCALE PAGE Berovka Macedonia (Eastern Region) 1 BHati Assyria 2 Dajtovo Horo Bulgaria-Serbia 3 Djurdjevica South Serbia 4 Drhtavac Croatia (Slavonia) 6 Ekizliisko Horo Bulgaria 7 Gaitanaki Greece (Rhodes) 8 Haniotiko (Kritiko Syrto) Crete 9 Jagneto Bulgaria 10 Kamenopolsko Bulgaria 12 Kofto Sta Tria Greece 17 Lakhana 18 Makedonikos Horos Greek Macedonia 19 Nebesko Sl*vonia - Croatia 20 Omal Pontos Greeks living in 22 Turkey Ovcepolsko Macedonia 23 Paidushka Bulgaria 24 Pargarusa Slavonia - Croatia 25 Pentozali - Crete Greece 26 Pinosavka Serbia 27 Pleskavac Serbia 28 Sheikhani Assyria 29 Shopsko Horo Bulgaria 30 Sousta Rodou 32 Tris Fores or Trite pati 33 Vlakha Greece - Epirus 34 Zajecarka Serbia Zita .Croatia - Slavonija 36 BEROVKA Macedonia (Eastern Region) RECORD: Folkraft LP-24, Side A, band 1 FORMATION: Belt hold. R ft free. Line dance, no partners. TRANSLATION: From village of Berovo METER: 2f4 STEPS & PATTERN STEPS: HOP-STEP-STEP (L) (IJ~ J ): With wt on L ft, hop on L ft (ct 1). Step on R ft (ct &). Step on L ft (ct 2). TWO-STEP (R) (f). J): Step on R ft (ct 1). Close and step on L ft beside R (ct &). Step on R ft (ct 2). Pause (ct &). Repeat, reversing footwork, for Two-Step (L). RUNNING TWO-STEP: Same, except a slight leap on ct 1, or on all cts. LEAP-HOP: Same as Step-Hop, except a slight leap on ct 1. STEP-HOP (R): Step on R ft (ct 1). Hop on R ft (ct 2). Measures Pattern 1 JFJ.J Facing slightly and moving R, Hop-Step-Step (L) fwd (cts 1, &,2). 2-3 Continuing, 2 running Two-Steps (R,L) fwd. 4 Turning to face ctr, Leap-Hop (R) sdwd R. 5 Hop on R ft in place (ct 1). Step sdwd L on L ft (ct &) . Cross and step on R ft in back of L (ct 2). 6 A small leap sdwd Lon L ft (ct 1). Hop on L ft, swinging R f~ fwd, R knee almost straight (ct 2). 7 Cross and a slight leap on R ft in front of L, bending body slightly fwd to swing L ft straight back (ct 1), pause (ct 2). 8 Hop on R ft in place, swinging L ft fwd (ct 1). Turning to face slightly and moving R, a small leap fwd on L ft (ct 2) • Dennis Boxell Weekend, March 21-22, 1981 Miami Valley Folk Dancers Page 1 BtLAT! (Assyria) RECORD: Folkraft LP-4 uTanzara" FORMATION: Arms straight down, fingers interlocked, shoulders close to neighbor's, Kurdish style. METER: 21.t.; PATTERN Measure 1 Facing center, step-hop frwd on L ft (ct. 1) ; step-hop bkwd on R ft (ct. 2). 2 Touch L heel frwd (ct. 1) ; Step-hop on L ft frwd (ct. 2) • 3 Step-hop on R frwd (ct. 1); touch L heel frwd (ct. 2). 4 Step bkwd on L ft (ct. 1) ; touch R heel frwd (ct. 2) • 5 Step-hop frwd on R (ct. 1) ; step-hop bkwd on L (ct. 2) • 6 Step-hop bkwd on R ft (ct. 1) ; touch L heel frwd (ct. 2). Frequent variation for Meas. 1 and 2, ct. 1: Turning to face R, step-hop on L ft in pI, tucking L hand into small of back (ct. 1). Turning to face center, step on R ft in pI (ct. 2). Touch L heel frwd (ct. 1). Notation by Dennis Boxell Presented by Dennis Boxell Dennis Boxell Weekend, March 21-22, 1981 Miami Valley ?olk Dancers Page 2 v' DAJCOVO HORO (Bulgaria-Serbia) RECORD: XOPO LP #1 FORMATION: May be done either with joined hands, or holding neighbors' belts. In the latter case, R arm is under, L arm is over. BACKGROUND NOTES: This is a dance-type widelu found in S. E. Serbia and W. Bulgaria with numerous choreographic variations, melodies and names. RHYTHM: The dance is found either in 5/4 or 9/8 rhythm, and is most easily broken down for descriptive purposes into a "1-2-3-4-hold" pattern. PATTERN Measure 1 Ct. 1 - Hop on L ft, moving in a direction forward R from place Ct. 2 - Step on R ft, continuing in this direction Ct. 3 - Step on L ft, continuing in this direction Ct. 4 - Step on R ft, continuing in this direction Ct. &- Hold 2 Ct. 1 - Hop on R ft, continuing in this direction Ct. 2 - Step on L ft, continuing in this direction Ct. 3 - Step on R ft, continuing in this direction Ct. 4 - Step on L ft, continuing in this direction Ct. & - Hold 3 Ct. 1 - Hop on L ft, facing direct center, moving straight back Ct. 2 - Step on R ft, facing direct center, moving straight back Ct. 3 - Step on L ft, facing direct center, moving straight back Ct. 4 - Step on R ft, facing direct center, moving straight back Ct. &- Hold 4 Ct. 1 - Hop on R ft, moving L and facing slightly L Ct. 2 - Step on L ft, moving L and facing slightly L Ct. 3 - Step on R ft, moving L and facing slightly L Ct. 4 - Step on L ft, moving L and facing slightly L Ct. & - Hold NOTE: During the basic pattern of Dajcovo Horo, the dancer traces an incomplete triangle as follows: -meas. meas. 3 meas. 1 The whole line gradually moves R during the whole dance. Presented by Dennis Boxell Seattle, June 20-25, 1977 Dennis Boxell Weekend, March 21-22, 1981 Miami Valley Folk Dancers Page 3 DJURDJEVICA (South Serbia) RECORD: Folklorist 101 FORMATION: ''W'' position. Right foot free. METER: 2{4 PATTERN Measure: FIGURE I (Music A) 1 Facing slightly and moving R, step fwd on R ft with double bounces. 2 Step fwd on L with double bounces. 3 Two quick steps fwd (R, L) (cts 1,2). 4 Step fwd on R ft with double bounces. 5-6 Same as measures 3-4, but with opposite footwork. 7-8 Same as measures 3-4. 9-12 Turning slightly and moving L, repeat pattern of meas. 1-4, reversing direction and footwork. 13 Turning and moving R, step fwd on R ft (ct 1); step fwd on L (ct 2). 14 Turning to face ctr, step sdwd R on R ft with double bounces. 15-16 Repeat pattern of measures 13-14, reversing direction and footwork. FIGURE II (Music B) 1-3 Facing slightly and moving R, three hop-step-steps (L). 4 Facing ctr, three stamps (R, L, R) in place. 5-8 Repeat pattern of meas. 1-4, reversing direction and footwork. 9-16 Repeat pattern of meas. 1-8. FIGURE 111 (Music C) 1 Facing ctr, hop on L (ct 1); cross and step on R heel in f~9nr. of L (ct &); step bk on L in pl (ct 2). 2 Hop on L in pl (ct 1); cross and step on R heel in ~ of L (ct &); step on L in pl (ct 2). 3 Repeat pattern of measure 1. 4 Three stamps (R, L, R) in place. 5-8 Repeat pattern of measures 1-4, reversing footwork. 9-16 Repeat pattern of measures 1-8. Dennis Boxell Weekend, March 21-22, 1981 (Continued) Miami Valley Folk Dancers Page 4 DJURDJEVICA (Continued) Measure FIGURE IV 1-2 Facing and moving R, two hop-step-steps (L) fwd. 3 Turning to face L, two steps bkwd (R,L). 4 Three stamps in pl. (R,L,R). 5-8 Reverse pattern and footwork of measures 1-4.
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    International Label Discography: 13000 Series: PR-INT 13001 - Golden Songs of Greece - Spero Spyros [1960] Tsutsurada/Samiotissa/Pounafta Matia/Tria PediaYasu Costa/Egiotissa (Kalamatianos)/Itia (Tsamiko)/Kanarini/Poli Kala/Vlaha/Glendi (Syrtos) PR-INT 13002 - Best of Ed McCurdy - Ed McCurdy [1961] The Miller/Jolly Roger/Chilly Winds/Fireman’s Not For Me/Maidenhead/The Fox/Blues Ain’t Nothing/Doleful Tale/Cindy/Once I Loved a Maiden Fair/Mrs. McGrath/Wee Cooper of Fife/Every Night When the Sun Goes In/John Henry/Ploughman/Old Joe Clark/Lonesome Valley/Good Morrow/Gossip Joan/Branch of May PR-INT 13003 - Best of Jean Ritchie - Jean Ritchie [1961] Shady Grove/Nottamun Town/Old Virginny/I Wonder When I Shall Be Married/Gentle Fair Jenny/Sweet Jane/Pretty Polly/Come All Ye fair and Tender Ladies/Pretty Fair Miss/Goin’ to Boston/Christ Was Born in Bethlehem/Little Devils/Hangman/Children, Go Where I Send thee/Moonshiners/Dying Cowboy/Lord Thomas and Fair Ellender/Lullabies: Go to Sleep Little Baby, Dance to Your Daddy, Go Tell Aunt Rhodie PR-INT 13004 - Best of Ewan MacColl - Ewan MacColl [1961] Cardsong/Shepherd Lad/Gallant Colliers/General Wolfe/Girls Around Cape Horn/Henry Martin/Come All Ye Tramps and Hawkers/Foggy, Foggy Dew/Bonny Ship the Diamond/Cruel Mother/Black Velvet Band/Deserter/Farewell to Tarwathie/Tatties an’ Herrin’ PR-INT 13005 - Best of Peggy Seeger - Peggy Seeger [1961] Pretty Little Baby/Raccoon and Possum/I’ll Not Marry at All/Chickens They are Crowing/Lowlands of Holland/Wagoner’s Lad/Brave Wolfe/Old Woman and Her Little
  • The Transformation of the Intangible Cultural Heritage of Dance Through State Education and Politics in the Ritual of a Rural Greek Community

    The Transformation of the Intangible Cultural Heritage of Dance Through State Education and Politics in the Ritual of a Rural Greek Community

    ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 8 No 1 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy January 2017 The Transformation of the Intangible Cultural Heritage of Dance through State Education and Politics in the Ritual of a Rural Greek Community Giorgos K. Fountzoulas School of Physical Education and Sports Science, National and Kapodistrian University of Athens, Greece, Athens Email: [email protected] Maria I. Koutsouba School of Physical Education and Sports Science, National and Kapodistrian University of Athens, Greece, Athens Email: [email protected] Anastasios Hapsoulas School of Philosophy, Department of Music Studies, National and Kapodistrian University of Athens, Greece, Athens Email: [email protected] Vasilios Lantzos School of Physical Education and Sports Science, National and Kapodistrian University of Athens, Greece, Athens Email: [email protected] Doi:10.5901/mjss.2017.v8n1p243 Abstract In many cases, dance, as an embodied practice reflects habits, views, relations and juxtaposition and thus constitutes a “vessel” of meanings, is used by the ruling class as a means of enforcement or manipulation, whereas by the people, as a means to resist or express opposition to the policies of the respective ruling class. In such cases, dance stands as a symbol that carries values and meanings, embodies cultural classifications, reflects social relations and diversifications, and defines integration and exclusion. Dance, as “an inalienable structural component” of the “Gaitanaki” ritual in a community of Central Greece, i.e. Skala in the Nafpaktia province, is one of such cases. Thus, the aim of this paper is to study the transformation of dance during the “Gaitanaki” ritual as a result of the manipulation by the ruling class through the Greek formal education in the 20th century.