DOCSLIB.ORG

1981-03-21 Boxell Workshop Syllabus Original.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1981-03-21 Boxell Workshop Syllabus Original.Pdf DENNIS BOXELL Now a resident of Seattle, Washington, Dennis Boxell is originally from Minnesota but lived in Dayton and Miamisburg, Ohio from 1946-52, where he attended 1st through 6th grade. "Welcome back Dennis!" Between his stay in Ohio and his present residence in Seattle, his travels and research have taken him to many different areas of the world. He is one of this nation's leading authorities on Yugoslav. Bulgarian and Assyrian Dances. In 1960. while stationed in Germany, Dennis toured Northern Europe with "Kolo," the national Yugoslav dance ensemble from Beograd. Between 1962 and 1965 he studied dance in the Balkans, working with all the major groups in Yugoslavia, as well as with village dancers. Sponsored by Lykeion of Athens, he was able to visit many of the remoter regions of Greece and collect a great number of authentic dances. Under the auspices of the Bulgarian government, he made a regional study of Bulgarian village dances and costumes. Dennis is responsible for over 150 dance tunes commonly used today by most folkdancers, which he recorded while in the Balkans. His continuous research by frequent trips to the Balkans has attributed to his well earned recognition of an authority on the Dances, Music and Customs of the Balkans. Not only is Dennis knowledgeable in the area of Balkan Folklore. but very creative. Dennis is an accomplished director and choreographer. He is the founder of the Ensemble Koleda, an international performing group that has toured in Europe, as well as the U.S.A. He worked for a while with the Ensemble Sokole in Canada, as well as forming his own performing group in Montreal. Dennis has also worked with many other groups throughout the U.S.A. in the capacity of guest choreographer. He is presently the Artistic Director of the Vela Luka Croation Folklore Ensemble, a group of talented professionally oriented dancers and musicians of Croation descent based in the fishing village of Anacortes, Washington. Dennis Boxell Weekend, March 21-22, 1981 Miami Valley Folk Dancers Dayton, Ohio INDEX OF DANCES LOCALE PAGE Berovka Macedonia (Eastern Region) 1 BHati Assyria 2 Dajtovo Horo Bulgaria-Serbia 3 Djurdjevica South Serbia 4 Drhtavac Croatia (Slavonia) 6 Ekizliisko Horo Bulgaria 7 Gaitanaki Greece (Rhodes) 8 Haniotiko (Kritiko Syrto) Crete 9 Jagneto Bulgaria 10 Kamenopolsko Bulgaria 12 Kofto Sta Tria Greece 17 Lakhana 18 Makedonikos Horos Greek Macedonia 19 Nebesko Sl*vonia - Croatia 20 Omal Pontos Greeks living in 22 Turkey Ovcepolsko Macedonia 23 Paidushka Bulgaria 24 Pargarusa Slavonia - Croatia 25 Pentozali - Crete Greece 26 Pinosavka Serbia 27 Pleskavac Serbia 28 Sheikhani Assyria 29 Shopsko Horo Bulgaria 30 Sousta Rodou 32 Tris Fores or Trite pati 33 Vlakha Greece - Epirus 34 Zajecarka Serbia Zita .Croatia - Slavonija 36 BEROVKA Macedonia (Eastern Region) RECORD: Folkraft LP-24, Side A, band 1 FORMATION: Belt hold. R ft free. Line dance, no partners. TRANSLATION: From village of Berovo METER: 2f4 STEPS & PATTERN STEPS: HOP-STEP-STEP (L) (IJ~ J ): With wt on L ft, hop on L ft (ct 1). Step on R ft (ct &). Step on L ft (ct 2). TWO-STEP (R) (f). J): Step on R ft (ct 1). Close and step on L ft beside R (ct &). Step on R ft (ct 2). Pause (ct &). Repeat, reversing footwork, for Two-Step (L). RUNNING TWO-STEP: Same, except a slight leap on ct 1, or on all cts. LEAP-HOP: Same as Step-Hop, except a slight leap on ct 1. STEP-HOP (R): Step on R ft (ct 1). Hop on R ft (ct 2). Measures Pattern 1 JFJ.J Facing slightly and moving R, Hop-Step-Step (L) fwd (cts 1, &,2). 2-3 Continuing, 2 running Two-Steps (R,L) fwd. 4 Turning to face ctr, Leap-Hop (R) sdwd R. 5 Hop on R ft in place (ct 1). Step sdwd L on L ft (ct &) . Cross and step on R ft in back of L (ct 2). 6 A small leap sdwd Lon L ft (ct 1). Hop on L ft, swinging R f~ fwd, R knee almost straight (ct 2). 7 Cross and a slight leap on R ft in front of L, bending body slightly fwd to swing L ft straight back (ct 1), pause (ct 2). 8 Hop on R ft in place, swinging L ft fwd (ct 1). Turning to face slightly and moving R, a small leap fwd on L ft (ct 2) • Dennis Boxell Weekend, March 21-22, 1981 Miami Valley Folk Dancers Page 1 BtLAT! (Assyria) RECORD: Folkraft LP-4 uTanzara" FORMATION: Arms straight down, fingers interlocked, shoulders close to neighbor's, Kurdish style. METER: 21.t.; PATTERN Measure 1 Facing center, step-hop frwd on L ft (ct. 1) ; step-hop bkwd on R ft (ct. 2). 2 Touch L heel frwd (ct. 1) ; Step-hop on L ft frwd (ct. 2) • 3 Step-hop on R frwd (ct. 1); touch L heel frwd (ct. 2). 4 Step bkwd on L ft (ct. 1) ; touch R heel frwd (ct. 2) • 5 Step-hop frwd on R (ct. 1) ; step-hop bkwd on L (ct. 2) • 6 Step-hop bkwd on R ft (ct. 1) ; touch L heel frwd (ct. 2). Frequent variation for Meas. 1 and 2, ct. 1: Turning to face R, step-hop on L ft in pI, tucking L hand into small of back (ct. 1). Turning to face center, step on R ft in pI (ct. 2). Touch L heel frwd (ct. 1). Notation by Dennis Boxell Presented by Dennis Boxell Dennis Boxell Weekend, March 21-22, 1981 Miami Valley ?olk Dancers Page 2 v' DAJCOVO HORO (Bulgaria-Serbia) RECORD: XOPO LP #1 FORMATION: May be done either with joined hands, or holding neighbors' belts. In the latter case, R arm is under, L arm is over. BACKGROUND NOTES: This is a dance-type widelu found in S. E. Serbia and W. Bulgaria with numerous choreographic variations, melodies and names. RHYTHM: The dance is found either in 5/4 or 9/8 rhythm, and is most easily broken down for descriptive purposes into a "1-2-3-4-hold" pattern. PATTERN Measure 1 Ct. 1 - Hop on L ft, moving in a direction forward R from place Ct. 2 - Step on R ft, continuing in this direction Ct. 3 - Step on L ft, continuing in this direction Ct. 4 - Step on R ft, continuing in this direction Ct. &- Hold 2 Ct. 1 - Hop on R ft, continuing in this direction Ct. 2 - Step on L ft, continuing in this direction Ct. 3 - Step on R ft, continuing in this direction Ct. 4 - Step on L ft, continuing in this direction Ct. & - Hold 3 Ct. 1 - Hop on L ft, facing direct center, moving straight back Ct. 2 - Step on R ft, facing direct center, moving straight back Ct. 3 - Step on L ft, facing direct center, moving straight back Ct. 4 - Step on R ft, facing direct center, moving straight back Ct. &- Hold 4 Ct. 1 - Hop on R ft, moving L and facing slightly L Ct. 2 - Step on L ft, moving L and facing slightly L Ct. 3 - Step on R ft, moving L and facing slightly L Ct. 4 - Step on L ft, moving L and facing slightly L Ct. & - Hold NOTE: During the basic pattern of Dajcovo Horo, the dancer traces an incomplete triangle as follows: -meas. meas. 3 meas. 1 The whole line gradually moves R during the whole dance. Presented by Dennis Boxell Seattle, June 20-25, 1977 Dennis Boxell Weekend, March 21-22, 1981 Miami Valley Folk Dancers Page 3 DJURDJEVICA (South Serbia) RECORD: Folklorist 101 FORMATION: ''W'' position. Right foot free. METER: 2{4 PATTERN Measure: FIGURE I (Music A) 1 Facing slightly and moving R, step fwd on R ft with double bounces. 2 Step fwd on L with double bounces. 3 Two quick steps fwd (R, L) (cts 1,2). 4 Step fwd on R ft with double bounces. 5-6 Same as measures 3-4, but with opposite footwork. 7-8 Same as measures 3-4. 9-12 Turning slightly and moving L, repeat pattern of meas. 1-4, reversing direction and footwork. 13 Turning and moving R, step fwd on R ft (ct 1); step fwd on L (ct 2). 14 Turning to face ctr, step sdwd R on R ft with double bounces. 15-16 Repeat pattern of measures 13-14, reversing direction and footwork. FIGURE II (Music B) 1-3 Facing slightly and moving R, three hop-step-steps (L). 4 Facing ctr, three stamps (R, L, R) in place. 5-8 Repeat pattern of meas. 1-4, reversing direction and footwork. 9-16 Repeat pattern of meas. 1-8. FIGURE 111 (Music C) 1 Facing ctr, hop on L (ct 1); cross and step on R heel in f~9nr. of L (ct &); step bk on L in pl (ct 2). 2 Hop on L in pl (ct 1); cross and step on R heel in ~ of L (ct &); step on L in pl (ct 2). 3 Repeat pattern of measure 1. 4 Three stamps (R, L, R) in place. 5-8 Repeat pattern of measures 1-4, reversing footwork. 9-16 Repeat pattern of measures 1-8. Dennis Boxell Weekend, March 21-22, 1981 (Continued) Miami Valley Folk Dancers Page 4 DJURDJEVICA (Continued) Measure FIGURE IV 1-2 Facing and moving R, two hop-step-steps (L) fwd. 3 Turning to face L, two steps bkwd (R,L). 4 Three stamps in pl. (R,L,R). 5-8 Reverse pattern and footwork of measures 1-4.
Load more

Recommended publications
  • Results Level 3
    Pass (P) Level First Name Last Name or Fail (F) 4132 CHRISTINA S ABARTSOUMIDOU F 4132 EMMANOUIL G ABARTZAKIS P 4132 PANAYIOTIS M ABARTZAKIS P 4132 CHOUSEIN S ABASI F 4132 KONSTANTINOS N ACHILEUS F 4132 PANAGIOTIS V ACHILLEOPOULOS P 4132 DIMITRIOS V ACHILLEOPOULOS P 4132 ARCHODOULA MARIA D ACHINIOTI F 4132 TSAMPIKOS-ELEFTHERIOS M ACHIOLAS P 4132 VASILIKI D ACHLADIOTI P 4132 THEMISTOKLIS G ACHYRIDIS P 4132 ANGELIKI N ADALI F 4132 MARIA A ADAM P 4132 KONSTANTINOS-IOANNIS I ADAMAKIS P 4132 IOANNIS P ADAMAKOS P 4132 GEORGIOS S ADAMIDIS P 4132 KIRIAKOS A ADAMIDIS P 4132 ANTIGONI G ADAMIDOU P 4132 THEODOROS G ADAMOPOULOS P 4132 NIKOLAOS G ADAMOPOULOS P 4132 GEORGIOS E ADAMOPOULOS P 4132 GEORGIOS I ADAMOPOULOS F 4132 NIKOLAOS T ADAMOPOULOS P 4132 GEORGE K ADAMOPOULOS P 4132 AGELOS S ADAMOPOULOS P 4132 ANNA N ADAMOPOULOU P 4132 MARIGO I ADAMOPOULOU F 4132 GEORGIA D ADAMOPOULOU F 4132 THEODORA P ADAMOPOULOU F 4132 POLYXENI A ADAMOPOULOU P 4132 IOANNA S ADAMOPOULOU P 4132 FOTIS S ADAMOS F 4132 EVAGGELIA A ADAMOU P 4132 MARIA G ADAMOU F 4132 SOULTANA T ADAMOU-ANDROULAKI P 4132 EVAGELIA V ADONAKI P 4132 THEODOROS N ADONIOU F 4132 CHRISOULA K ADONIOU F 4132 ANA D ADRANJI P 4132 LAZAROS T AEFADIS F 4132 ANDREAS K AERAKIS P 4132 EMMANOUIL G AERAKIS P 4132 EMMANOUIL M AERAKIS P 4132 CHARA P AFALONIATI P 4132 TSAMPIKA D AFANTENOU P 4132 VASILIKI G AFENTOULI P 4132 SAVVAS A AFENTOULIDIS F 4132 ALEXANDROS P AFENTOULIDIS F 4132 MARIA A AGA P 4132 BRUNILDA I AGALLIU P 4132 ANASTASIOS G AGAOGLOU F 4132 ELENI V AGAPITOU F 4132 JOHN K AGATHAGGELOS P 4132 PANAGIOTA
    [Show full text]
  • Ö 10 - 1 Royal Empress Tango English Couple I A- 5
    MVFD Listing by OLD Number CD Track Dance Name Nationality Type Inst Old # 9 - 20 Canadian Breakdown USA Contra A- 3 9 - 19 Petronella USA Contra I A- 3 ö 10 - 1 Royal Empress Tango English Couple I A- 5 9 - 21 Tango Waltz, The English Couple A- 5 10 - 2 Camptown Races USA Square I A- 8 10 - 3 Old Joe Clark USA Square A- 8 10 - 3 Old Joe Clark USA Contra A- 8 10 - 4 Bonfire (Fisher's Hornpipe) Irish Couple I A- 9 10 - 5 Come Up the Backstairs (Sacketts USA Contra I A- 9 10 - 4 Fisher's Hornpipe USA Contra I A- 9 10 - 5 Sacketts's Harbour (Come Up the USA Contra I A- 9 ö 81 - 17 Aird Of Coigah (Reel of Mey) Scottish Set 4 Couple I A-10 81 - 18 Cauld Kail in Aberdeen Scottish Set 4 Couple I A-10 81 - 15 Gates of Edinburgh (8x32 Reel) S Scottish Set 4 Couple A-10 81 - 13 Hooper's Jig (8x32 Jig) SKIPS Scottish Jig A-10 81 - 16 Jessie's Hornpipe (8x32 Reel) Scottish Contra I A-10 81 - 19 Kingussie Flower (8x40 Reel) Scottish Reel A-10 81 - 14 Macphersons of Edinburgh, The ( Scottish Set 4 Couple A-10 81 - 12 Mairi's Wedding (8x40 Reel) Scottish Set 4 Couple I A-10 81 - 19 Red House Reel (Kingussie Flow Scottish Set 4 Couple I A-10 ö 81 - 17 Reel of Hey, The (8x48 Reel) Scottish Set 4 Couple I A-10 81 - 19 White Heather Jig (Kingussie Flo Scottish Set 4 Couple I A-10 10 - 7 Geudman Of Ballangigh English Contra I A-11 10 - 6 Larusse English Square I A-11 10 - 8 Yorkshire Square Eight English Square I A-11 10 - 12 Dargason English Set 4 Couple I A-12 10 - 9 Little Man in a Fix Danish Set 2 Couple I A-12 Saturday, July 29, 2000 Page 1 of 96 MVFD
    [Show full text]
  • "Κ'na" Dance: the Construction of Ethnic and National Identity in Nea
    ISSN 2039-2117 (online) Mediterranean Journal of Vol 9 No 2 ISSN 2039-9340 (print) Social Sciences March 2018 Research Article © 2018 Filippidou et.al.. This is an open access article licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License (http://creativecommons.org/licenses/by-nc-nd/3.0/). Cybernetic Approach of the "Κ’na" Dance: The Construction of Ethnic and National Identity in Nea Vyssa, Thrace , Greece Eleni Filippidou Ph.D. holder, School of Physical Education and Sports Science, National and Kapodistrian University of Athens, Greece, Athens Maria Koutsouba Associate professor, School of Physical Education and Sports Science, National and Kapodistrian University of Athens, Greece, Athens Vassiliki Lalioti Assistant Professor, Department of music studies, National and Kapodistrian University of Athens Vassilis Lantzos Assistant Professor, School of Physical Education and Sports Science, National and Kapodistrian University of Athens, Greece, Athens Doi: 10.2478/mjss-2018-0022 Abstract The research field of this project is the area if Greek Thrace, which is a great geopolitical-cultural unity that was divided – due to political process – in three subareas that were distributed to three different countries: Bulgaria, Turkey and Greece. A dance happening that took place before the lining of the boundaries to date in the Greek and Turkish Thrace is that of “K’na”. “K’na” is a female dance happening which is danced to date by the people of both areas in spite of their religious beliefs, social – economic and cultural development. The purpose of this project is to study the different expressions of this dance in Nea Vyssa and examine if these are related to matters of search and conformation of ethnic and national identity of this group under the terms of the social cybernetics.
    [Show full text]
  • The Hellenic Centre News
    THE HELLENIC CENTRE NEWS MARCH 2018 ● ISSUE NO 23 THE HELLENIC COMMUNITY TRUST REGISTERED CHARITY NO 1010360 Overview of the Year 2017 Patrons HE The Archbishop of Thyateira 2017 was a rich and successful cultural year. Aiming to include rather than exclude we organised, as and Great Britain, Gregorios always, events that were varied and attracted different audiences. HE The Ambassador of Greece Mr Dimitrios Caramitsos-Tziras As we welcomed the new influx of mainland Greeks who moved to London we realised that for many of HE The High Commissioner for Cyprus them we are a home away from home. This has created more demand for events in Greek and our Mr Euripides L Evriviades responsibility to our younger friends became a priority. To date we have put on The Boy with the Blue Hair, a play in Greek performed by theatre Fournos which was followed by a variety of carnival activi- ties like the traditional gaitanaki and a Christmas workshop where they had the chance to sing kalanta Hellenic Community Trust (Greek Christmas Carols) and bake tasty kourabiedes. We were happy we gave them the chance to Council hear their mother-tongue outside of Greek school and the home and we promise to organise more Costas Kleanthous (Chairman) events like that for them. Michael Agathou Sylvia Christodoulou Haralambos J Fafalios Of course, as always, we had a diverse cultural programme of lectures, recitals and exhibitions in place Michael Iacovou with established speakers or artists. At the same time however, opportunities were given to emerging Marilen Kedros academics and young talent.
    [Show full text]
  • Dick Crum (1928-2005) Dated Material Published by the Folk Dance Federation of California, South Volume 42, No
    FOLK DANCE SCENE First Class Mail 4362 Coolidge Ave. U.S. POSTAGE Los Angeles CA, 90066 PAID Los Angeles, CA Permit No. 573 ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ ADDRESS _________________________________________ PHONE (_____)_____–________ CITY _________________________________________ STATE __________________ E-MAIL _________________________________________ ZIP __________–________ Please mail subscription orders to the Subscription Office: 19 Village Park Way Santa Monica, CA 90405 (Allow 6-8 weeks for subscription to start if order is mailed after the 10th of the month.) First Class Mail Dick Crum (1928-2005) Dated Material Published by the Folk Dance Federation of California, South Volume 42, No. 1 February 2006 Folk Dance Scene Committee Club Directory Coordinators Jay Michtom [email protected] (818) 368-1957 SKANDIA FOLK DANCE DUNAJ INT’L Jill Michtom [email protected] (818) 368-1957 Beginner’s Classes Mon 7:00-10:00 Wed 7:00-10:00 FOLK ENSEMBLE Calendar Jay Michtom [email protected] (818) 368-1957 CABRILLO INT’L (714) 893-8888 Ted Martin FOLK DANCERS Wed 7:00-10 On the Scene Jill Michtom [email protected] (818) 368-1957 (310) 827-3618 Sparky Sotcher (714) 641-7450 Richard Duree Club Directory Steve Himel [email protected] (949) 646-7082 Tue 7:00-8:00 ANAHEIM, Community Ctr, SANTA ANA, WISEPlace, Contributing Editor Richard Duree [email protected] (714) 641-7450 (858) 459-1336 Georgina 250 E Center (Mon) 1414 N.
    [Show full text]
  • Neat Document
    JANUARY 1970 Ifembers of Oakland Recreation Dance Arts Millie von Konsky, Director Photo: Charles Emerson THE MAGAZINE OF INTERNATIONAL FOLK DANCING 35c >^e^ ^OHCC THE ͣ«t«Illlt OF IRTCINATIONill FOLK OilllClllt January 1970 Vol 27 - 1 TABLE OF CONTENTS OFFICIAL PUBLICATION OF THE FOLK DANCE FEDERATION OF CALIFORNIA, INC. Costiimes of Peru............ 1 EDITOR ........... VI Dexhelmer BUSINESS MGR ....... Walt Dexhelmer Folk Dance Popularity List,. 5 COVER DESIGN ........ Hilda Sachs Party Places................ 7 PHOTOGRAPHY ......... Henry Bloom The Party Planner.......... 11 RESEARCH COORDINATOR . Dorothy Tamburini Scottish Steps, Terms COSTUME RESEARCH EDITOR . Audrey F1field and Styling.............. l6 CONTRIBUTORS Dance Description (Scottish) Llesl Bamett Cliff Nickel! White Heather Jit........ l8 Perle Bleadon Lydia Strafelda Gall dune Fred Sweger Paris in Springtime........ 19 Al Dobrlnsky Avis Tarvin Festival Dance Program.....20 Ernest Drescher Claire Tllden Audrey Fifleld Suzy Vails In Memoriam - Dennis Evans. 29 Vera Jones Bee Whittler Echoes from the Southland.. 31 FEDERATION OFFICERS Council Clips.............. 33 (North) Calendar of Events.......38-39 PRESIDENT ........ Ernest Drescher Classified Ads............. Uo 920 Junlpera Serra, San Francisco 94132 VICE PRESIDENT........Elmer Riba TREASURER..........Leo Haimer RECORDING SECRETARY . Ferol Ann Williams DIR. of PUBLICATIONS.....Gordon Deeg DIR. of EXTENSION . .Dolly Schlwal Barnes DIR. of PUBLICITY........Ray Kane HISTORIAN..........Bee Mitchell (South) PRESIDENT .......... Avis Tarvin 314 Amalfl Dr. , Santa Monica, 90402 VICE PRESIDENT ....... Al Dobrlnsky TREASURER...........Jim Matlln RECORDING SECRETARY.....Flora Codman CORRESPONDING SECY.....Elsa Miller DIR. of EXTENSION.......Sheila Ruby DIR, of PUBLICITY.....Perle Bleadon HISTORIAN...........Bob Bowley OFFICES EDITORIAL . Advertising and Promotion VI Dexhelmer, 1604 Felton Street San Francisco, California 94134 Phone ~ 333-5583 PUBLICATION Folk Dance Federation of California, Inc.
    [Show full text]
  • Dance and Socio-Cybernetics: the Dance Event of “K’Na” As a Shaping Component of the Cultural Identity Amongst the Arvanites of Neo Cheimonio Evros, Greece1
    Journal of Ethnic and Cultural Studies Copyright 2020 2020, Vol. 7, No. 2, 30-49 ISSN: 2149-1291 http://dx.doi.org/10.29333/ejecs/342 Dance and Socio-Cybernetics: The Dance event of “K’na” As A Shaping Component of The Cultural Identity Amongst the Arvanites of Neo Cheimonio Evros, Greece1 Eleni Filippidou2 and Maria Koutsouba National and Kapodistrian University of Athens, Greece Abstract: The research field of this paper is the wedding dance event of “K’na”, as this takes place by the Arvanites of Greek Thrace, an ethnic group moved to the area from Turkish Thrace in 1923. The aim of this paper is to investigate whether the three components of dance, music and song of Greek traditional dance, as these reflected in the “K’na” dance event amongst the Arvanites ethnic group of Neo Cheimonio (Evros), are related to issues of ethno-cultural identity under the lens of socio-cybernetics. Data was gathered through ethnographic method as this is applied to the study of dance, while its interpretation was based on socio-cybernetics according to Burke’s identity control theory. From the data analysis, it is showed that through the “K’na” dance event the Thracian Arvanites of Neo Cheimonio shape and reshape their ethno- cultural identity as a reaction to the input they receive from their environment. Therefore, the “construction” of their identity, as a constant process of self-regulation and internal control, is subjected to the conditions of a cybernetic process. Keywords: dance ethnography, ethnic group, identity control theory, refugees, Thrace. Introduction Identity is a concept that has come to the fore in recent years, as it has attracted the interest of many scholars.
    [Show full text]
  • The Dick Crum Collection, Date (Inclusive): 1950-1985 Collection Number: 2007.01 Extent: 42 Boxes Repository: University of California, Los Angeles
    http://oac.cdlib.org/findaid/ark:/13030/kt2r29q890 No online items Finding Aid for the The Dick Crum Collection 1950-1985 Processed by Ethnomusicology Archive Staff. Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ ©2009 The Regents of the University of California. All rights reserved. Finding Aid for the The Dick Crum 2007.01 1 Collection 1950-1985 Descriptive Summary Title: The Dick Crum Collection, Date (inclusive): 1950-1985 Collection number: 2007.01 Extent: 42 boxes Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Dick Crum (1928-2005) was a teacher, dancer, and choreographer of European folk music and dance, but his expertise was in Balkan folk culture. Over the course of his lifetime, Crum amassed thousands of European folk music records. The UCLA Ethnomusicology Archive received part of Dick Crum's personal phonograph collection in 2007. This collection consists of more than 1,300 commercially-produced phonograph recordings (LPs, 78s, 45s) primarily from Eastern Europe. Many of these albums are no longer in print, or, are difficult to purchase. More information on Dick Crum can be found in the Winter 2007 edition of the EAR (Ethnomusicology Archive Report), found here: http://www.ethnomusic.ucla.edu/archive/EARvol7no2.html#deposit. Language of Material: Collection materials in English, Croatian, Bulgarian, Serbian, Greek Access Collection is open for research. Publication Rights Some materials in these collections may be protected by the U.S.
    [Show full text]
  • PETALUMA ALPHABETICAL FOLK DANCE LOCATOR Home: Petaluma’S Best Balkan Folk Dance Music
    PETALUMA ALPHABETICAL FOLK DANCE LOCATOR Home: Petaluma’s Best Balkan Folk Dance Music- http://www.sonic.net/~stevayla/PetaBestNew.html 1 = F IRST STRING DANCES, 2 = SECOND STRING DANCES, TR = TEACHING RESERVED RECORDINGS (PERMISSION NEEDED), NAMES IN BOLD TYPE = DANCE STEPS & STYLE DESCRIBED (30-PAGE, 694 KB .PDF FILE - FOLDER IV) Abdala – Bulgaria TR Bela Rada Kolo – Serbia TR Cotton Eyed Joe– USA TR Ada's Kujawiak – Poland 2 Belasicko Oro – Macedonia 1 Cradle Dance (= Legnala Dana) Adje Lepa Maro – Serbia 1 Berance (Bajcace) – Macedonia TR Cretan Syrto – Greece 1 Adjun az Isten - Hungary 1 Beratis – Greece 2 Croatian Medley – Croatia 2 Agir Halay – Turkey 1 Berovski Cocek – Macedonia 1 Cross Bar (Ari Ari) - Armenia 1 Ais Giorgis – Greece 1 Bicak – Bulgaria TR Cujes Mala (U Sest) – Serbia 1 Ajde Jano – Serbia 1 Biserka – Serbia 1 Cupi Kasturcanki – Macedonia 2 Al Sadenu – Israel 1 Bistrica Kopanica – Bulgaria 1 Cveta Moma – Bulgaria 1 Al Sadenu B – Israel TR Bistrica Kopanica B – Bulgaria TR Ali Pasha – Turkey 1 Bitola – Macedonia 1, 2 Ali Pasha (Durst) – Turkey 1 Bo Dodi – Israel TR Alunelul B – Romania TR Bobik Djour Mi Era – Armenia 2 Alunelul Batut – Romania TR Boereasca – Romania 1 Dado La Dado – Romania 1 Alunelul de la Urzica – Romania 1 Boker – Israel 2 Daichovo Horo – Bulgaria 1 An Dro – Brittany 1 Bracno Oro – Albania 2 Daichovo Horo (6 min) – Bulgaria 2 An Dro Retourne – Brittany 1 Brasni Carvul – Bulgaria 1 Daichovo Oro – Bulgaria 2 An Dro Retourne – Brittany 2 Bregovsko Horo – Bulgaria 2 Daliana – Greece 2 Andaman Pallikari
    [Show full text]
  • Concert Part 1 1
    CONCERT PART 1 1. NAOUSA, LYKION ELLINIDON XANTHI COSTUME Is called Gennitsaros and is usually worn with a mask during the Carnival period in Naoussa. The mask was used as a form of camouflage. The traditional Tsolia costume is worn with the chest heavily adorned with silver coins. 1: SKAROS: A musical introduction 2. MAKRINITSA: A dance replicating the falling off the cliff to their deaths by the women of Zolongo 3. BOULES DANCES Always danced by males even the role of the bride and is performed during the Carnival season. A. NIZAMIKOS: A circular all male dances called Boules & Gennitsaros B. PATRONA: A dance from Central Macedonia 2. CHILDREN’S GROUP: KIMI EVIA COSTUME A white cotton blouse is worn underneath and for special occasions is made of silk with embroidery on the bodice. A black pleated long pinafore is worn on top. The waistcoat has broad sleeves and is velvet with gold braid. A yellow cotton scarf is worn on the head which is trimmed. DANCES 1. PALAMAKIA: This dance has taken its name from the movement of the hands that clap to the rhythm of the music while dancing. 2. KASTORIANO: Originating from the Macedonian region of Kastoria, this dance is about Penelope Karana. It asks her who her mother-in-law will be, but Penelope is playing hard to get “pizma”. 3. KOULOURGIOTIKO: From the region of Koulouri in Salamina. It is a form of Hasaposerviko that is dance in many regions in Greece and known under the Makelarokos in Asia Minor or Hasaposeviko in Macedonia.
    [Show full text]
  • International Label Discography
    International Label Discography: 13000 Series: PR-INT 13001 - Golden Songs of Greece - Spero Spyros [1960] Tsutsurada/Samiotissa/Pounafta Matia/Tria PediaYasu Costa/Egiotissa (Kalamatianos)/Itia (Tsamiko)/Kanarini/Poli Kala/Vlaha/Glendi (Syrtos) PR-INT 13002 - Best of Ed McCurdy - Ed McCurdy [1961] The Miller/Jolly Roger/Chilly Winds/Fireman’s Not For Me/Maidenhead/The Fox/Blues Ain’t Nothing/Doleful Tale/Cindy/Once I Loved a Maiden Fair/Mrs. McGrath/Wee Cooper of Fife/Every Night When the Sun Goes In/John Henry/Ploughman/Old Joe Clark/Lonesome Valley/Good Morrow/Gossip Joan/Branch of May PR-INT 13003 - Best of Jean Ritchie - Jean Ritchie [1961] Shady Grove/Nottamun Town/Old Virginny/I Wonder When I Shall Be Married/Gentle Fair Jenny/Sweet Jane/Pretty Polly/Come All Ye fair and Tender Ladies/Pretty Fair Miss/Goin’ to Boston/Christ Was Born in Bethlehem/Little Devils/Hangman/Children, Go Where I Send thee/Moonshiners/Dying Cowboy/Lord Thomas and Fair Ellender/Lullabies: Go to Sleep Little Baby, Dance to Your Daddy, Go Tell Aunt Rhodie PR-INT 13004 - Best of Ewan MacColl - Ewan MacColl [1961] Cardsong/Shepherd Lad/Gallant Colliers/General Wolfe/Girls Around Cape Horn/Henry Martin/Come All Ye Tramps and Hawkers/Foggy, Foggy Dew/Bonny Ship the Diamond/Cruel Mother/Black Velvet Band/Deserter/Farewell to Tarwathie/Tatties an’ Herrin’ PR-INT 13005 - Best of Peggy Seeger - Peggy Seeger [1961] Pretty Little Baby/Raccoon and Possum/I’ll Not Marry at All/Chickens They are Crowing/Lowlands of Holland/Wagoner’s Lad/Brave Wolfe/Old Woman and Her Little
    [Show full text]
  • The Transformation of the Intangible Cultural Heritage of Dance Through State Education and Politics in the Ritual of a Rural Greek Community
    ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 8 No 1 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy January 2017 The Transformation of the Intangible Cultural Heritage of Dance through State Education and Politics in the Ritual of a Rural Greek Community Giorgos K. Fountzoulas School of Physical Education and Sports Science, National and Kapodistrian University of Athens, Greece, Athens Email: [email protected] Maria I. Koutsouba School of Physical Education and Sports Science, National and Kapodistrian University of Athens, Greece, Athens Email: [email protected] Anastasios Hapsoulas School of Philosophy, Department of Music Studies, National and Kapodistrian University of Athens, Greece, Athens Email: [email protected] Vasilios Lantzos School of Physical Education and Sports Science, National and Kapodistrian University of Athens, Greece, Athens Email: [email protected] Doi:10.5901/mjss.2017.v8n1p243 Abstract In many cases, dance, as an embodied practice reflects habits, views, relations and juxtaposition and thus constitutes a “vessel” of meanings, is used by the ruling class as a means of enforcement or manipulation, whereas by the people, as a means to resist or express opposition to the policies of the respective ruling class. In such cases, dance stands as a symbol that carries values and meanings, embodies cultural classifications, reflects social relations and diversifications, and defines integration and exclusion. Dance, as “an inalienable structural component” of the “Gaitanaki” ritual in a community of Central Greece, i.e. Skala in the Nafpaktia province, is one of such cases. Thus, the aim of this paper is to study the transformation of dance during the “Gaitanaki” ritual as a result of the manipulation by the ruling class through the Greek formal education in the 20th century.
    [Show full text]