Boston Symphony Orchestra Summer 2015

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Summer 2015 summer 2015 boston symphony orchestra andris nelsons music director AndRis Nelsons, Ray and MaRia Stata Music DiRectoR BeRnaRd Haitink, LaCRoix Family Fund ConductoR EmeRitus, Endowed in PeRpetuity Seiji Ozawa, Music DiRectoR LauReate 134th season, 2014–2015 Trustees of the Boston Symphony Orchestra, Inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • CaRmine A. MaRtignetti, Vice-Chair • Arthur I. Segel, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • GeoRge D. Behrakis • Ronald G. Casty • Susan BRedhoff Cohen, ex-officio • RichaRd F. Connolly, JR. • Diddy Cullinane • Cynthia CuRme • Alan J. DwoRsky • William R. ElfeRs • Thomas E. Faust, JR. • Michael GoRdon • BRent L. Henry • Susan Hockfield • BaRbaRa W. Hostetter • ChaRles W. Jack, ex-officio • Stephen B. Kay • Edmund Kelly • Joyce Linde • John M. Loder • Nancy K. Lubin • Joshua A. Lutzker • Robert J. Mayer, M.D. • Robert P. O’Block • Susan W. Paine • Peter Palandjian, ex-officio • John Reed • CaRol Reich • Roger T. Servison • Wendy Shattuck • CaRoline TayloR • Roberta S. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • HaRlan E. Anderson • David B. Arnold, JR. • J.P. BaRger • GabRiella Beranek • Leo L. Beranek • DeboRah Davis Berman • Jan BRett • Peter A. BRooke • John F. Cogan, JR. • Mrs. Edith L. Dabney • Nelson J. DaRling, JR. • Nina L. Doggett • Nancy J. Fitzpatrick • Thelma E. GoldbeRg† • ChaRles H. Jenkins, JR. • MRs. Béla T. Kalman • GeoRge KRupp • MRs. HenRietta N. MeyeR† • RichaRd P. MoRse • David MugaR • MaRy S. Newman • Vincent M. O’Reilly • William J. PooRvu • PeteR C. Read • EdwaRd I. Rudman • RichaRd A. Smith • Ray Stata • Thomas G. StembeRg • John Hoyt Stookey • WilmeR J. Thomas, JR.† • John L. ThoRndike • Stephen R. Weiner • Dr. Nicholas T. Zervas Other Officers of the Corporation MaRk Volpe, Managing Director • Thomas D. May, Chief Financial Officer • BaRt Reidy, Clerk of the Board Board of Overseers of the Boston Symphony Orchestra, Inc. Susan BRedhoff Cohen, Co-Chair • Peter Palandjian, Co-Chair NoubaR Afeyan • James E. AisneR • PeteR C. AndeRsen • Lloyd AxelRod, M.D. • Liliana BachRach • Judith W. BaRR • Lucille M. Batal • Linda J.L. Becker • Paul Berz • James L. Bildner • MaRk G. BoRden • PaRtha Bose • KaRen BRessler • Anne F. BRooke • GregoRy E. Bulger • Joanne M. Burke • RichaRd E. Cavanagh • Yumin Choi • Dr. LawRence H. Cohn • ChaRles L. Cooney • William CurRy, M.D. • James C. Curvey • Gene D. Dahmen • Michelle A. Dipp, M.D., Ph.D. • DR. Ronald F. Dixon • Ronald M. DRukeR • Philip J. Edmundson • URsula Ehret-Dichter • SaRah E. Eustis • Joseph F. Fallon • Beth Fentin • Peter Fiedler • Steven S. Fischman • John F. Fish • SanfoRd Fisher • Jennifer MugaR Flaherty • Alexandra J. Fuchs • Robert Gallery • Levi A. GaRRaway • Zoher Ghogawala, M.D. • CoRa H. Ginsberg • Robert R. Glauber • StuaRt HiRshfield • LawRence S. HoRn • Jill HoRnoR • Valerie Hyman • Everett L. Jassy • Stephen J. Jerome • DaRlene Luccio JoRdan, Esq. • Paul L. Joskow • KaRen Kaplan • Stephen R. KaRp • John L. Klinck, JR. • Jay MaRks • Jeffrey E. MaRshall • Paul M. Montrone • Sandra O. Moose • Robert J. MoRRissey • Cecile Higginson Murphy • Joseph Patton • Donald R. Peck • Steven R. Perles • Ann M. Philbin • Wendy PhilbRick • Randy Pierce • Claudio Pincus • Lina S. Plantilla, M.D. • IRene Pollin • Jonathan PooRvu • DR. John Thomas Potts, JR. • William F. Pounds • ClaiRe PryoR • Programs copyright ©2015 Boston Symphony Orchestra, Inc. Cover photo by Marco Borggreve James M. Rabb, M.D. • Ronald Rettner • Robert L. Reynolds • Robin S. Richman, M.D. • Dr. CaRmichael Roberts • Graham Robinson • Patricia Romeo-Gilbert • Susan Rothenberg • Joseph D. Roxe • Malcolm S. Salter • Kurt W. SaRaceno • Donald L. ShapiRo • Phillip A. ShaRp, Ph.D. • Christopher SmallhoRn • Michael B. SpoRn, M.D. • Nicole Stata • MaRgery Steinberg • Patricia L. Tambone • Jean Tempel • Douglas Thomas • MaRk D. Thompson • Albert Togut • Joseph M. Tucci • Sandra A. URie • Robert A. Vogt • Dr. Christoph Westphal • June K. Wu, M.D. • Patricia Plum Wylde • MaRillyn ZachaRis • Dr. Michael Zinner • D. BRooks Zug Overseers Emeriti Helaine B. Allen • MaRjoRie Arons-BaRRon • Diane M. Austin • CaRoline Dwight Bain† • Sandra BakalaR • William T. Burgin • Mrs. Levin H. Campbell • EaRle M. Chiles • CaRol Feinberg Cohen • Mrs. James C. Collias • Ranny Cooper • Joan P. Curhan • Phyllis Curtin • TamaRa P. Davis • Mrs. Miguel de BRagança • Paul F. Deninger • JoAnne Walton Dickinson • Phyllis Dohanian • Alan Dynner • HaRRiett Eckstein • GeoRge Elvin • Pamela D. EverhaRt • Judy Moss Feingold • RichaRd Fennell† • MyRna H. FReedman • Mrs. James GaRivaltis • Dr. Arthur Gelb • Robert P. Gittens • JoRdan Golding • MaRk R. Goldweitz • Michael Halperson • John Hamill • DeboRah M. Hauser • CaRol Henderson • Mrs. RichaRd D. Hill • Roger Hunt • Lola Jaffe • MaRtin S. Kaplan • Mrs. GoRdon F. Kingsley • Robert I. Kleinberg • David I. Kosowsky • Robert K. Kraft • FaRla H. Krentzman† • Peter E. Lacaillade • Benjamin H. Lacy • Mrs. William D. LaRkin • Robert J. Lepofsky • Edwin N. London • FRederick H. Lovejoy, JR. • Diane H. Lupean • Mrs. HaRRy L. MaRks • Joseph B. MaRtin, M.D. • Joseph C. McNay • Dr. MaRtin C. Mihm, JR. • Robert Mnookin • John A. Perkins • May H. Pierce • Dr. Tina Young Poussaint • Daphne BRooks Prout • Robert E. Remis • John Ex Rodgers • Alan W. Rottenberg • Kenan Sahin • Roger A. Saunders • Lynda Anne Schubert • L. Scott Singleton • Gilda Slifka • Samuel ThoRne • Diana Osgood Tottenham • Paul M. VerRochi • David C. Weinstein • James Westra • Mrs. Joan D. Wheeler • MaRgaRet Williams-DeCelles • RichaRd Wurtman, M.D. † Deceased Established 1974 Berkshire Record Outlet Thank you all for your past patronage. After forty-one consecutive summers, our retail store has closed. Please visit our website: www.berkshirerecordoutlet.com Tanglewood The Tanglewood Festival On August 13, 15, and 16, 1936, the Boston Symphony Orchestra gave its fiRst concerts in the BeRkshiRe Hills of westeRn Massachusetts; music diRectoR SeRge Koussevitzky conducted. But those outdooR concerts, attended by a total of 15,000 people, did not take place at Tanglewood: the oRchestRa peRfoRmed neaRby undeR a laRge tent at Holmwood, a foRmer Vanderbilt estate that later became The Center at Foxhollow. In fact, the fiRst BerkshiRe Symphonic Festival had taken place two summers eaRlier, at Interlaken, when, oRganized by a group of music-loving BerkshiRe summer Residents, three outdooR concerts were given by members of the New YoRk PhilhaRmonic, under the diRection of composer/conductoR Henry Hadley. But after a second concert series in 1935, plans foR 1936 pRoved difficult, foR Reasons including Hadley’s health and aspects of the musical programming; so the oRganizing committee instead approached Koussevitzky and the BSO’s TRustees, whose enthusiastic Response led to the BSO’s fiRst concerts in the BerkshiRes. In the winter of 1936, following the BSO’s concerts that summer, Mrs. GoRham BRooks and Miss MaRy Aspinwall Tappan offered Tanglewood, the Tappan family estate, with its buildings and 210 acRes of lawns and meadows, as a gift to Koussevitzky and the oRchestRa. The offeR was gRatefully accepted, a two-weekend festival was planned foR 1937, and on August 5 that yeaR, the festival’s laRgest crowd to date assembled under a tent foR the fiRst Tanglewood concert, an all-Beethoven program. At the all-Wagner concert that opened the 1937 festival’s second weekend, Rain and thundeR twice inteRRupted the Rienzi OveRtuRe and necessitated the omission altogetheR of the Siegfried Idyll, music too gentle to be heaRd through the downpour. At the inter- mission, Miss GeRtRude Robinson Smith, one of the festival’s foundeRs, made an appeal to Raise funds foR the building of a permanent structure. The appeal was bRoadened by means of a printed ciRculaR handed out at the two Remaining concerts, and within a shoRt time enough money was Raised to begin active planning foR a “music pavilion.” Eliel SaaRinen, the eminent aRchitect selected by Koussevitzky, proposed an elaboRate design that went faR beyond the festival’s immediate needs, and also well beyond the $100,000 budget. When his second, simplified plans were again deemed too expensive, A banner advertising the 1939 Berkshire Symphonic Festival (BSO Archives) he finally wRote that if the TRustees insisted on Remaining within theiR budget, they would have “just a shed...which any buildeR could accomplish without the aid of an aRchitect.” The TRustees then asked StockbRidge engineeR Joseph FRanz to simplify SaaRinen’s plans fuRtheR, and the “Shed” he eRected—which Remains, with modifica- tions, to this day—was inaugurated on August 4, 1938, with the fiRst concert of that yeaR’s festival. It has Resounded to the music of the Boston Symphony Orchestra every summer since, except foR the waR yeaRs 1942-45, and has become almost a place of pilgrimage to millions of concertgoers. In 1959, as the Result of a collaboRa- tion between the acoustical consultant Bolt Beranek and Newman and aRchi- tect EeRo SaaRinen and Associates, the installation of the then-unique Edmund Hawes Talbot ORchestRa Canopy, along with otheR impRove- After the storm of August 12, 1937, which precipitated a fundraising drive ments, produced the Shed’s present for the construction of the Tanglewood Shed (BSO Archives) woRld-famous acoustics. In 1988, on the occasion of its fiftieth anniveRsaRy, the Shed was Rededicated as “The SeRge Kous- sevitzky Music Shed,” Recognizing the faR-Reaching vision of the BSO’s
Recommended publications
  • Radio 3 Listings for 6 – 12 April 2013 Page 1 of 10
    Radio 3 Listings for 6 – 12 April 2013 Page 1 of 10 SATURDAY 06 APRIL 2013 Symphony No.4 (Op.52), 'Spring' Wigmore Hall: Arcanto Quartet Hungarian State Orchestra, János Ferencsik (conductor) SAT 01:00 Through the Night (b01rl3kr) Live from Wigmore Hall, London. The Arcanto Quartet play BBC Proms 2012, The Vienna Philharmonic & Bernard Haitink 6:27 AM Haydn's String Quartet in B minor, Op 64 No 2 and Brahms's perform Bruckner's 9th Symphony. John Shea presents. Kreisler, Fritz (1875-1962) String Quartet in B flat, Op 67. Berceuse romantique (Op.9) - for violin and piano Presented by Louise Fryer. 1:01 AM Tobias Ringborg (violin), Anders Kilström (piano) Bruckner, Anton [1824-1896] Haydn: String Quartet in B minor 'Tost' Op 64 No 2 Symphony no. 9 in D minor (unfinished) 6:32 AM Vienna Philharmonic Orchestra, Bernard Haitink (conductor) Fesch, Willem de (1687-1757) Brahms: String Quartet No 3 in B flat major Op 67 Joseph's Aria "Tremble Shudder at the Guilt" - from the 2:07 AM oratorio Joseph, Act 1 Arcanto Quartet. Strauss, Richard (1864-1949) Claron McFadden (soprano: Joseph), Musica ad Rhenum, Jed Four Last Songs (1948) Wentz (conductor) Elisabeth Söderström (soprano), Royal Concertgebouw SAT 15:00 Saturday Classics (b01rr6lk) Orchestra, Bernard Haitink (conductor) 6:38 AM Rachel de Thame Cervello, Jordi [b.1935] 2:27 AM To Bach Gardener Rachel de Thame introduces a selection of green- Stravinsky, Igor (1882-1971) Atrium Quartet fingered music for Spring. Orpheus - ballet in three scenes Royal Concertgebouw Orchestra, Bernard Haitink (conductor) 6:49 AM Mendelssohn, Felix (1809-1847) SAT 17:00 Jazz Record Requests (b01rrm5v) 2:55 AM The Hebrides (Fingal's Cave) - overture (Op.26) Alyn Shipton's selection of listeners' requests includes music in Stravinsky, Igor (1882-1971) BBC National Orchestra of Wales, Richard Hickox (conductor).
    [Show full text]
  • The Digital Concert Hall
    Welcome to the Digital Concert Hall he time has finally come! Four years have Emmanuelle Haïm, the singers Marlis Petersen passed since the Berliner Philharmoniker – the orchestra’s Artist in Residence – Diana T elected Kirill Petrenko as their future chief Damrau, Elīna Garanča, Anja Kampe and Julia conductor. Since then, the orchestra and con- Lezhneva, plus the instrumentalists Isabelle ductor have given many exciting concerts, fuel- Faust, Janine Jansen, Alice Sara Ott and Anna ling anticipation of a new beginning. “Strauss Vinnitskaya. Yet another focus should be like this you encounter once in a decade – if mentioned: the extraordinary opportunities to you’re lucky,” as the London Times wrote about hear members of the Berliner Philharmoniker their Don Juan together. as protagonists in solo concertos. With the 2019/2020 season, the partnership We invite you to accompany the Berliner officially starts. It is a spectacular opening with Philharmoniker as they enter the Petrenko era. Beethoven’s Ninth Symphony, whose over- Look forward to getting to know the orchestra whelmingly joyful finale is perfect for the festive again, with fresh inspiration and new per- occasion. Just one day later, the work can be spectives, and in concerts full of energy and heard once again at an open-air concert in vibrancy. front of the Brandenburg Gate, to welcome the people of Berlin. Further highlights with Kirill Petrenko follow: the New Year’s Eve concert, www.digital-concert-hall.com featuring works by Gershwin and Bernstein, a concert together with Daniel Barenboim as the soloist, Mahler’s Sixth Symphony, Beethoven’s Fidelio at the Baden-Baden Easter Festival and in Berlin, and – for the European concert – the first appearance by the Berliner Philharmoniker in Israel for 26 years.
    [Show full text]
  • Digital Concert Hall Where We Play Just for You
    www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca.
    [Show full text]
  • Digital Concert Hall
    Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • Premiere „La Passione“ Bachs Matthäus
    5 2015 | 16 April, Mai, Juni DAS MAGAZIN DER HAMBURGISCHEN STAATSOPER Premiere „La Passione“ Bachs Matthäus-Passion mit Romeo Castellucci und Kent Nagano Ballett John Neumeiers „Matthäus-Passion“ kehrt zurück Premiere Richard Strauss „Daphne“ mit Christof Loy und Michael Boder DAS INTERNATIONALE MUSIKFEST HAMBURG, EIN FESTIVAL, DAS MUSIKALISCHE GRENZEN ÜBERSCHREITET – EINER VON VIELEN GRÜNDEN, SICH FÜR KULTUR IN HAMBURG ZU BEGEISTERN. Kulturmetropole Hamburg. Meine große Freiheit. Unser Titelfoto ist während der Arbeiten an „La Passione“ in den Werkstätten entstanden Inhalt April bis Juni 2016 OPER BALLETT 04 Premiere 1: La Passione in den Deichtorhallen Hamburg. 10 Wiederaufnahme: Matthäus-Passion 35 Jahre nach der Urauf- Romeo Castellucci „inszeniert“ die Matthäus-Passion. Dabei führung erlebt John Neumeiers Ballett mit Johann Sebastian erliegt er nicht der Versuchung, die Stationen und den Lei- Bachs gleichnamiger Musik seine Wiederaufnahme. Als Chef- densweg als Theater nachzustellen, sondern nähert sich über choreograf vertraut er wichtige Rollen bewusst den jungen den Weg einer der Bildenden Kunst eigenen Zeichenhaftigkeit, Tänzern seiner Compagnie an, damit sie die Aufführungstra- die sich aus dem Potential zur Allegorie speist. Dieser Umweg dition dieses einzigartigen Gesamtkunstwerks weiterführen. ist Spur einer Suche nach einer neuen Form von Offenbarung und dem, was Leiden dem heutigen Zuhörer bedeuten und 14 Repertoire: Das Hamburg Ballett setzt mit Aufführungen von wie es ihm erfahrbar werden kann. John Neumeiers Romeo und Julia sowie Othello den diesjähri- gen Shakespeare-Schwerpunkt fort. Daneben lockt die farben- 14 Premiere 2: Daphne Regisseur Christof Loy erzählt den zeitlo- prächtige Choreografie Napoli von A. Bournonville und Lloyd sen mythischen Stoff als aktuelle Parabel über Verweigerung Riggins sowie John Neumeiers Ballett Tatjana, dessen DVD- und Gegenwehr.
    [Show full text]
  • Boston Symphony Orchestra Summer 2015
    summer 2015 boston symphony orchestra andris nelsons music director AndRis Nelsons, Ray and MaRia Stata Music DiRectoR BeRnaRd Haitink, LaCRoix Family Fund ConductoR EmeRitus, Endowed in PeRpetuity Seiji Ozawa, Music DiRectoR LauReate 134th season, 2014–2015 Trustees of the Boston Symphony Orchestra, Inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • CaRmine A. MaRtignetti, Vice-Chair • Arthur I. Segel, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • GeoRge D. Behrakis • Ronald G. Casty • Susan BRedhoff Cohen, ex-officio • RichaRd F. Connolly, JR. • Diddy Cullinane • Cynthia CuRme • Alan J. DwoRsky • William R. ElfeRs • Thomas E. Faust, JR. • Michael GoRdon • BRent L. Henry • Susan Hockfield • BaRbaRa W. Hostetter • ChaRles W. Jack, ex-officio • Stephen B. Kay • Edmund Kelly • Joyce Linde • John M. Loder • Nancy K. Lubin • Joshua A. Lutzker • Robert J. Mayer, M.D. • Robert P. O’Block • Susan W. Paine • Peter Palandjian, ex-officio • John Reed • CaRol Reich • Roger T. Servison • Wendy Shattuck • CaRoline TayloR • Roberta S. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • HaRlan E. Anderson • David B. Arnold, JR. • J.P. BaRger • GabRiella Beranek • Leo L. Beranek • DeboRah Davis Berman • Jan BRett • Peter A. BRooke • John F. Cogan, JR. • Mrs. Edith L. Dabney • Nelson J. DaRling, JR. • Nina L. Doggett • Nancy J. Fitzpatrick • Thelma E. GoldbeRg† • ChaRles H. Jenkins, JR. • MRs. Béla T. Kalman • GeoRge KRupp • MRs. HenRietta N. MeyeR† • RichaRd P. MoRse • David MugaR • MaRy S. Newman • Vincent M. O’Reilly • William J. PooRvu • PeteR C. Read • EdwaRd I. Rudman • RichaRd A. Smith • Ray Stata • Thomas G. StembeRg • John Hoyt Stookey • WilmeR J.
    [Show full text]
  • Digital Concert Hall Die Berliner Philharmoniker Live Im Internet
    www.digital-concert-hall.com DIGITAL CONCERT HALL DIE BERLINER PHILHARMONIKER LIVE IM INTERNET PROGRAMM 2013/ 2014 3 WILLKOMMEN WILLKOMMEN IN DER DIGITAL CONCERT HALL Ein kleines Jubiläum ist zu feiern: Seit fünf Jahren übertragen die Berliner Philharmoniker ihre Konzerte in der Digital Concert Hall — live und in exzel- lenter HD-Qualität. Über 200 Produktionen mit rund 450 Werken sind bisher entstanden und bleiben dauerhaft im Video-Archiv verfügbar. Hinzu kommen zahlreiche Künstlerinterviews und vielfältige Bonus-Videos. All das lässt sich nicht nur über die Website der Digital Concert Hall abrufen, sondern ebenso als App für Mobilgeräte und Fernseher. — Für viele Konzert-Highlights der neuen Saison 2013/2014 zeichnet Chefdirigent Sir Simon Rattle verantwortlich. Nach seinem Eröffnungs- konzert mit einem Mozart-Programm ist vor allem das Festkonzert zum 50-jährigen Bestehen der Philharmonie zu nennen, ebenso die Wieder- aufnahme der hoch gelobten Matthäus-Passion in der halbszenischen Fassung von Peter Sellars, der in dieser Spielzeit außerdem seine Lesart der Johannes-Passion präsentieren wird. — Wie immer bereichern bedeutende musikalische Gäste — New- comer wie Altmeister — den Konzertkalender: von Gustavo Dudamel bis Claudio Abbado, von Andris Nelsons bis Nikolaus Harnoncourt. Eine gute Nachricht gibt es außerdem für alle Freunde Lorin Maazels, der nach langer Pause mit einem Strauss-Abend in die Philharmonie zurückkehrt. Und wir erleben zwei weitere Jubiläen mit Daniel Baren- boim und Bernard Haitink, die beide seit einem halben Jahrhundert mit den Berliner Philharmonikern musizieren. — Unser Partner Deutsche Bank unterstützt die Digital Concert Hall seit ihrem Start 2008. Sony stellt die audiovisuelle Aufnahmetechnik zur Verfügung. Bis heute ist dieser virtuelle Konzertsaal ein weltweit einzigartiges Angebot.
    [Show full text]
  • Digital Concert Hall Programme 2018/2019 3
    2 DIGITAL CONCERT HALL PROGRAMME 2018/2019 3 WELCOME TO THE DIGITAL CONCERT HALL The 2018/2019 season marks a very special Zubin Mehta. Another highlight is the return phase in the history of the Berliner Philhar- on two occasions of Sir Simon Rattle, and moniker. Following on from the end of the with several debuts, new artistic connections Simon Rattle era, it is characterised by look- will also be made. Among the top-class guest ing forward to a new beginning when Kirill soloists is the pianist Daniil Trifonov to name Petrenko takes up office as chief conductor. but one, the Berliner Philharmoniker’s current Although this is not due until the summer of Artist in Residence. 2019, exciting joint concerts are on the hori- zon, beginning with the season opening con- Another special feature of this season: cert which is dedicated to the core repertoire the 10th anniversary of the Digital Concert of the Berliner Philharmoniker: a Beethoven Hall. On 17 December 2008, this unprece- symphony and two symphonic poems by dented project went online, followed by a first Richard Strauss. In the Digital Concert Hall live broadcast on 6 January 2009. Since then, we are also showing a tour concert from Lu- around 50 live concerts have been shown cerne, a programme with works by Schoen- per season. The video archive now holds more berg and Tchaikovsky in the spring of 2019, than 500 concert recordings, from the and Kirill Petrenko appears at the helm of the present day back to the Karajan era. There National Youth Orchestra of Germany as well.
    [Show full text]
  • Memòria 11/12
    MEMÒRIA GRAN TEATRE DEL LICEU 2011-2012 G r a n T e a t r e d e l Liceu 11 Me /1 m ò ri a 2 Memòria 11/12 FuNdació GraN Teatre del Liceu ÍndEx ÍndICE ÒrgaNs de goverN 5 ÓrgaNos de gobierNo Programa de mecenatge 11 Programa de meceNazgo Temporada artística 17 Temporada artística Audiovisuals 205 Audiovisuales La institució 223 La iNstitucióN Altres líNies d’activitat 241 Otras liNeas de actividad Estadístiques 259 Estadísticas ÒrgaNs de goverN ÓrgaNos de gobierno Patronat de la Fundació 6 Patronato de la Fundación Comissió Executiva 7 Comisión Ejecutiva Comitè de Direcció 8 Comité de Dirección Consell d’Assessorament Artístic 9 Consejo de Asesoramiento Artístico PatroNat de la FuNdació PatroNato de la Fundación President Vocal representant de la Diputació de Barcelona Presidente Vocal representante de la Diputació de Barcelona José Manuel González LabRadoR (fins ARtuR Mas i GavarRó novembre de 2011) / Mònica QueRol i QueRol Vicepresidents Vocals representants de la Societat del Vicepresidentes Gran Teatre del Liceu MeRcedes ElviRa del Palacio Tascón (fins Vocales representantes de la Sociedad del desembre de 2011) / José Mª Lassalle Ruiz Gran Teatre del Liceu Jordi HeReu i BoheR (fins juliol de 2011) / Manuel BeRtRand i VeRgés JavieR Coll Olalla XavieR TRias i Vidal de LlobateRa José María CoRonas i GuinaRt Antoni Fogué i Moya (fins novembre de 2011) Manuel Busquet ARRufat / SalvadoR Esteve i FigueRas Vocals representants del Consell de Mecenatge Vocals representants de la Generalitat de Catalunya Vocales representantes del Consejo de Mecenazgo
    [Show full text]
  • Opera, Ballet, Classical Music the Arts Escorted and Bespoke Holidays
    TRAVELFOR THE ARTS AUTUMN, WINTER & SPRING 2016/17 OPERA, BALLET, CLASSICAL MUSIC THE ARTS ESCORTED AND BESPOKE HOLIDAYS NEW PRODUCTIONS FOR 2017 CHRISTMAS IN NEW YEAR STOCKHOLM IN ZURICH page 8 page 13 THE BERLIN THE RING IN FESTTAGE WIESBADEN page 20 page 24 www.travelforthearts.com +44 20 8799 8350 [email protected] welcome welcome to the world of BOOKING DETAILS 2016/17 OPERA, All tours mentioned in this brochure (as well as additional tours) CLASSICAL MUSIC are available to view online at www.travelforthearts.com OPERA, DANCE, Many of our holidays are taken up very quickly after the brochure AND DANCE SEASON launch. Sometimes they are fully booked after appearing on our website or as advance information in our Newsletter. We would We are delighted to present our selection of highlights from CLASSICAL MUSIC encourage you to book early if you are interested in one of our the new 2016/17 Season, featuring the best of opera, music and group tours. dance programmes across Europe. This brochure includes new ARTS HOLIDAYS MAKE AN ENQUIRY destinations and old favourites alike. You can make an enquiry about one of our tours in three ways: • Call us on 020 8799 8350 CONTENTS We are delighted to bring you exciting new tours in our brochure • Email [email protected] • Visit our website www.travelforthearts.com and make Tours 4 – 27 for the 2016/17 Season. Our exclusive group tours are specifically a booking enquiry by going into the tour and completing À la Carte guide 28 – 41 tailored to cater to the needs of opera, ballet and arts lovers.
    [Show full text]
  • Felix Mendelssohn Bartholdy
    hänssler CLASSIC No. 94.008 JOHANNES (1833-1897) ALT-RHAPSODY OP. 53 Rhapsodie für Altstimme, Männerchor und Orchester Auf einen Text von Johann Wolfgang von Goethe (Fragment aus: Harzreise im Winter) FESTUND GEDENKSPRÜCHE OP. 109 Für achtstimmigen Chor a cappella FELIX (1809-1847) MOTETTEN Jauchzet dem Herrn, alle Welt (Psalm 100) op. 69 No. 2 Motette für vierstimmigen gemischten Chor a cappella Richte mich Gott (Psalm 43) op. 78 No. 2 Motette für achtstimmigen Chor a cappella Denn er hat seinen Engeln befohlen (Psalm 91) 1844 Motette für achtstimmigen Chor a cappella Lioba Braun, Alto Windsbacher Knabenchor Österreichisch-Ungarische Philharmonie Friedemann Winklhofer, Orgel/Organ/Orgue/Órgano Karl-Friedrich Beringer 1 hänssler CLASSIC DEUTSCH JOHANNES BRAHMS Rhapsodie für Altstimme, Männer- ob Brahms die durch den Interpretationsver- chor und Orchester 0p. 53 such eines Prenzlauer Gymnasiallehrers inspi- rierte Interpretation Goethes kannte, in der der Dichter seine Poesie distanziert auf jene jun- Verworren wie die Entwicklung seiner ‘Privatre- gen Männer bezieht, die »von der damals ligion’, mag der Nachwelt das Verhältnis von herrschenden EmpfindsamkeitsKrankheit« Johannes Brahms zu Clara Schumann und befallen und den Dichter des Werther mit ihren ihrer Familie erscheinen. Wie viele andere »Seel-Enthüllungen« in »wiederholten zudring- Werke auch, nötigt die Entstehung eines der lichen Äußerungen« belästigten. Bedeutsam intimsten Werke von Brahms, über dessen bleibt, daß Brahms die Komposition der von Drucklegung für die Öffentlichkeit er lange im ihm gewählten drei Strophen zum Hochzeits- Zweifel blieb, die sogenannte Alt-Rhapsodie, geschenk für Julie Schumann an Clara Schu- zur Notwendigkeit der Umschau in der Privat- mann überbrachte, die daraufhin in ihrem Ta- sphäre des Komponisten.
    [Show full text]