Treasures and Dreams 2000-8 2001-1 Nova Southeastern University
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Seize the Day! March 23 & 24, 2013 Jordan Hall at New England Conservatory
Seize the Day! March 23 & 24, 2013 Jordan Hall at New England Conservatory Reuben M. Reynolds III, Music Director Craig Coogan, Executive Director Chad Weirick, Principal Accompanist and Assistant Music Director LeWana Clark, American Sign Language Interpreter Jared West, General Manager Brian C. Griffin, Operations Manager Daniel John Carroll, Communications Intern Leadership Sponsor OFFICIAL AIRLINE Corporate Sponsors with support from This program is supported in part by a grant from the Boston Cultural Council, a local agency which is funded by the Massachusetts Cultural Council, administered by the Mayor’s Office of Arts, Tourism and Special Events. At Ipswitch, community involvement is an integral part of our culture and values. At the heart of our commitment is the recognition that the vitality of our company is linked to the health of our communities. And we know that our communities cannot flourish unless we invest in their future. We make more than software. We make a difference. Visit www.ipswitch.com to learn more about our company, our products and our commitment to our communities. 2 From the Maestro One of the greatest things about singing in BGMC is the adventures we get to have together. One of those started several years ago when I stumbled across a recording of Only Heaven, a set of songs for soprano by Ricky Ian Gordon to text of Langston Hughes. Intrigued – we sang Ricky’s Love, My Sweet Rain a few years ago. I adore the poetry of Langston Hughes and I fell madly in love with the music. It sang to me of optimism, of people living their lives unfettered by the restrictions of society. -
Sneed-Rojas Hands That Hold
Hands that Hold By Emilio Rojas and Pamela Sneed Commissioned by the Centre for Human Rights and the Arts Bard College, 2021 Let me sip your sap Through a sumac straw I am a vessel, Overflowing. Let me drink your blood of my blood, Your roots imbibe water from the ground Who owns this land? Who was here before us? Whose hands worked the fields, picked up the fruits? My arms, your branches, My torso, your trunk My lungs, your leaves Alveoli, A tree lives inside me, Upside down, I inhale oxygen, Exhale CO2 You inhale CO2 Exhale oxygen Beings in symbiosis Invisible rhythms, we’ve forgotten how to breathe into each other’s utterances, language became a thing of the mouth, And the vocal cords, And the body forgot its speech, when did we think ourselves different from the land from each other? then our mother? How much blood, sap, serum, suero, sweat has fed this soil? Whose hands, whose sweat, whose blood has dripped into this dirt, we try to call home? Even if we have been displaced to many times to count or carry, We are settlers in stolen territories How can anyone be illegal in looted land? What is the weight of the blood running through my veins, valves, and vacancies? Each drop a portal a place to be, The sweet locus of your origin Blood like sap traveling Through my body. I inhale oxygen, Exhale CO2 You inhale CO2 Exhale oxygen Am I drinking from the roots, or from the branches? Which way does your scarlet gown flow, the color of cardinals and martyrs, sweet rain and iron Our bodies swelling, made of water and matter. -
Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 files of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the first sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Deeperthan the Soli
PAGES WEEKLY. K�NSAS, JUNE 17, 18'85. {SIXTEENPRICE. 81.50 A YEAR. VOL.ESTABLISHED.IRR3.}XXIII. No. 24. TOPEKA, ltveredhts semi-annual address, which was. excellent of straw business. The great difficulty In the way'of HORTIOULTURAL SOOIETY. fourth a. crop. An crop KANSAS carelessnes·lI. If a thoughtful and well-written paper, urging berries, currants" and gooseberries. Only a success was the proverbial or- measures till; Society and vines the same attenti lD was given to the fruit very cautionary by The Fifteenth Semi-annual Session, Held fair crop of grapes; some ten-year-old members the of Indorsing fruit as Is to farm crops to make its In way 11th and 12th. were winter-killed. chards given at Oswego, June that 'are con-' them there would be no question as theories, varlous devices, etc., Montgomery.-Apples a poor crop, except succeed, FIRST.DAY. the members and So- to the success of fruit staqtly pressed upon of the the Ben Davis. Jonathan and Malden's growing. 'I'he fif.tecJlth seml-aununl session swindlers and unreliable Missouri on the Orchard clety. Traveling State Horticultural held at Blush. The Winesap and Pippin The committee Apple Kansas Society, nurserles were roundly scored in the paper. bloomed but reduced Manual at the last annual meet- the 10th and 12th lnst., was full, greatly by drop appotnted vis Oswego, Kansas, After II few remarks by members and will a F. Leaven- most sessions held ping of the fruit. Pears produce good ing, consisting of Wellfinuse, line of the entertalnlna itors, and the passing of resolutlnns thank on the bottom laud poor worth Wm. -
T H E F I N E L I
THE FINE LINE A student publication Bishop Brady High School Volume VII MAGAZINE Editor Staff James Marceau Maria Bailey Jane Bradley Margaux Guion Anusha Murali Advisor Mrs. Sica Tech Support Mrs. Marinace 2 MAGAZINE Table of Contents Poetry Short Fiction 06 The Loaf - Anusha Murali 10 The Story of Us - James Marceau 07 Summer Lover - Anusha Murali 24 The Ringling Brothers: Barnum, Bailey, and Burn - Maya Heafield 08 All Because Two People Fell in Love - Jane Bradley 30 Great Blasket 1892 - Ana Carroll 09 Survivors - Chris Carmichael 36 Try and Keep the Conversation 16 Wishing Well - Maria Bailey Alive - Jane Bradley 16 Home - Johanna Fitzgibbons 41 Emerald City - Lauren Lamberger 17 Graffiti - Olivia Galvin 18 In A Moment - Ana Carroll 19 Inspired Poetry - Caitlin Mallahan 20 The Beach - Lauren Lamberger 21 ACK - Alex Sacco 22 Cape Cod - Margaux Guion 23 That Was The Summer - Jordan Bergeron 28 I Could Only Think of Him - Jordan Bergeron 29 The House That Stands No More - Samuel Buzzotta 34 Field of Flowers - Jane Bradley 35 Seasons - Margaux Guion 39 I Hate Sonnets by Caitlin Mallahan 40 The Wolf - Maya Heafield 46 Stevie - Mikaela Newman Three Machines 3 by Kyle Cioffi (pastel) Letter from the Editor Dear Readers, hen Mrs. Sica told our E Period Creative Writing class at the beginning of the semester that one of our final goals was to create and publish a literary Wmagazine, I was a little bit skeptical. I didn't believe that we could bring back The Fine Line in all of its former glory. As the year progressed, however, I began to understand that our class was more than capable of completing the task. -
Downbeat.Com April 2021 U.K. £6.99
APRIL 2021 U.K. £6.99 DOWNBEAT.COM April 2021 VOLUME 88 / NUMBER 4 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Compact Disc F75 2016 1-14.Pdf
PROGRAM CD {-7f/7;4S/ Program subject to change I BALLET 75;40 Z FEELINGS AND THINGS q'.5""2.. 3 AND ON THE THIRD DAY l2.j.b.~.........................................................................................Michael Gibbs 1" BLUE COMEDY '1-;1:; t;; SWEET RAIN (g~'t~ Bill Frisell, guitar Cuong Vu, trumpet Luke Bergman, bass Ted Poor, drums ue;vej (p" 2. 2 (9 THE UNANSWERED QUESTION ..............~.......'.......................................................................... Charles Ives Bill Frisell, guitar Cuong Vu, trumpet Natalie Ham, Sabrina Bounds, McKenzie Rickman and Leanna Keith, flutes String section of the UW Symphony (backstage) with Abbie Naze, conductor David Alexander Rahbee, conductor INTERMISSION CD 2.. -7ff"ii'f51. NoaURNE VULGAIRE .............1..:..t;.3.................................................................................. Michael Gibbs z.. THROB..............................1.::..f;!:t........................................................................................... Michael Gibbs 3 RICHTER 858 #7 ..........................;f...;//:....................................................................... Bill Frisell, arr. Gibbs t (JULIET OF THE SPIRITS(........70,:-o·<t..................·......·......·..........·..·........................... Nino Rota, arr. Gibbs LRAG ...........................~........................................................................................... Bill Frisell, arr. Gibbs 5: M ~lY1a-rJes - I've 5> - (; '+1 -uw ~ymphony Bill Frisell, guitar Cuong -
Morgenstern, Dan. [Record Review: Gary Burton: Duster]
Rc<ords ar e rev iewed by Don DeMlcheal , Gilbert M. Erskine, Ke nny Dorham, Ira ~ Iller, Rolph John son, Bill Mathieu , Morion McPar lla Dan Morgenstern, Harvey Pekar, 8111Qu inn, William Ruu o, Harvey Siders, Carol Sloane , Edward A, Spring, Pate Welding, and Michael Zwe, Reviews are signed by the writers . Ratings ar e: * * * * * excellent , * * * * very good , * * * good , * * fair, * poor. When two catalog numbers are listed, the first i• mono , and the second is stereo . Dave Brubeck musical context and relates to that context, his is living music. It is not that BRAVO I BRUBECK !-Co lumbi <t 2695/ 9495: strikes a balance between playfulness and lives in the past or is trying to b Ci1/ito Li 11do; La Palo 111a A~11I• SobrD las Oias; Btsa'mc M11, b1J; N os111lgi11,le i\i, xiro; Poi11cia11a; thoughtfulness, and is never willful or life into a corpse so much as h El Rt111cbo Gra11de; BstroWta; I.a, IJ11mbt1. egocentric. elected to mature and grow with· lht Personnel: Paul Desmond, alco saxophone; B_rubeck, piono; Be.njarn.in Correa, guitar; Gene And ali these cats can play. Burton has confines of a musical idiom that h«11ill \ X, d ght, bass; Joe 1\forello, drums ; Salvador his own voice on an instrument that too greatest flowering two decades ago bot Agueros, bongo,s, conga drum. often swallows the player's identity, and still continues to exert an influcnc«1'n JlOQ Rating:**½ Coryell, too, has found his own way on the music. This innocuous music was recorded a much-abused ax. -
J!� I Weather-Orop Bulletin
TOPEKA, KANSAS, THuRsDAY, MAY 14, 1896. TABLE OF CONTENTS: SWINE. SWINE. T. 'PAGE 806-AGBIOULTURAL MATTEB8.-Ex LAWTON, North Ta J• breeder at With Oorn. ... 'pelr&, Ku., R. S. COOK perlments Improved Cheater WhIte PAGE 8O'1-TBB STOOK J:'NTBBB8T. - What I Wlohlta, Rae.. � awlne. Cholae.19nng 1010., Know About Berksh1res. Dispersion of bred to order. BraIl Breedarot _'- _- .LoIIIh' Linwood Short-horns. Prize Pens for Swine. ma chlokena. Kaftlr Oorn. Poland - Chlnas.- PAGE 808-IRRIGATIoN.-The Water Supply . , tor ilrrtgatlon. Irrlltatlon Farmlug by Ar BELMONT STOCK'·FARM. , WOD MTeD P� at tesian Wells. Geo. Cedar .... Oolorado for Fruit. ToppinS, Point, Kan World'. �.ON UlaIlIloll7. .lnIIle bree4er .......ot Irrigation IMPROVED CBESTER JudJre Emery In Oklahoma. BWlNlII-Pure-bred Breeder of OllJo. Omoand registered. One hundred at berd EngJIsh Berbblre and Poland-Ohlna PAGE 809-Potato and Pasteur spring pigs swine, B. C. Brown B. Bugs Slugs. times prices. Alao a few boars ready for servloe. ,Legbornl. Plymouth Bocl<a, Wng Mllk. Kerosene on Seed Oorn. "Iron- Mamm<oth Bronze and duol<a. � H. S. DAY, DwIght, Morris eo., Kas. turkeys Imperial PeJdIl qulll." Write for prloes. Farm six miles south of Cedar PAGE 81�TBB HOMB OIROLB.-There Point, Chase oounty, Kansas. (poem). FOR BALE.-YoungModeI1l837, - Extension Table. The Screen. To Sewing P0LAND-OBIMABKtJiir's Royalty 189'.!'l. Their get, either sex. 1,309 POLAND CHINAS Prevent Wrinkles. Various Vses of Salt. Co_old buoll<a. The above stock W'Ill be aold right w. S. A G:enulne The Most If taltell" BOOn. Address H. H. ATTEBURY, to elgh&een Statea and' Novelty. -
LESTER BOWIE Brass Memories
JUNE 2016—ISSUE 170 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM LESTER BOWIE brASS MEMories REZ MIKE BOBBY CHICO ABBASI REED PREVITE O’FARRILL Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East JUNE 2016—ISSUE 170 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Rez Abbasi 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Mike Reed 7 by ken waxman General Inquiries: [email protected] On The Cover : Lester Bowie 8 by kurt gottschalk Advertising: [email protected] Encore : Bobby Previte by john pietaro Calendar: 10 [email protected] VOXNews: Lest We Forget : Chico O’Farrill 10 by ken dryden [email protected] LAbel Spotlight : El Negocito by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] In Memoriam by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD Reviews 14 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Miscellany 41 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 42 Andrew Vélez, Ken Waxman Contributing Writers Tyran Grillo, George Kanzler, Matthew Kassel, Mark Keresman, Eric Wendell, Scott Yanow Jazz is a magical word. -
TORONTO PUBLIC LIBRARY Sneabra Y U K U N S Noweria Zhang, Age 16
YOUNG VOICES 2007 TORONTO PUBLIC LIBRARY SNEabra Y U K U N S NOWERIA ZHANG, AGE 16 WELCOME TO YOUNG VOICES 2007 This year is the beginning of something new and exciting for Young Voices: the stories and artwork in this edition of Toronto Public Library’s magazine for teen writing and art were selected by editorial teams consisting of teens working with Toronto writers Hadley Dyer, Emily Pohl-Weary, Karen Krossing, Dwayne Morgan, Jay MillAr and Angela Rawlings and Toronto artist Michael Brown. Thanks to members of the Editorial Youth Advisory Group who selected the works you are about to enjoy: Jinesh Bhatt Mandy Che Otiena Ellwand Guia Gali Patricia Gali Patrycja Khucznik Anna Li Justin Moga Jessica Paczuski Kirsten Parucha Aruna Raghuraman Sula Sidnell-Greene Simli Srivastava Deanne Vincent Jenney Wang Shawna Wang Stephanie Zhou Our biggest thanks, however, goes to everyone who submitted to Young Voices this year. Just the fact that you put yourself out there is a good thing. If you didn’t get published, don’t give up – try again this year. There’s an entry form at the back of the magazine. Congratulations to all those whose work is contained in these pages. You are all talented, creative individuals enriching the cultural landscape of Toronto. Keep creating! 2 YOUNG VOICES 2007 ContEnts AR T WORK P ROSE I Wish Arriane Lo cover The Sun Rises in the West Yukun Snoweria Zhang 5 Sneabra Yukun Snoweria Zhang 2 Complexity of Dating Andrew Antinicci 7 Camouflaged Dragons Max Mak 4 The Fundamentals of Eyeliner and Burns Gothica Sandy Escobar