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Seize the Day! March 23 & 24, 2013 Jordan Hall at New England Conservatory
Seize the Day! March 23 & 24, 2013 Jordan Hall at New England Conservatory Reuben M. Reynolds III, Music Director Craig Coogan, Executive Director Chad Weirick, Principal Accompanist and Assistant Music Director LeWana Clark, American Sign Language Interpreter Jared West, General Manager Brian C. Griffin, Operations Manager Daniel John Carroll, Communications Intern Leadership Sponsor OFFICIAL AIRLINE Corporate Sponsors with support from This program is supported in part by a grant from the Boston Cultural Council, a local agency which is funded by the Massachusetts Cultural Council, administered by the Mayor’s Office of Arts, Tourism and Special Events. At Ipswitch, community involvement is an integral part of our culture and values. At the heart of our commitment is the recognition that the vitality of our company is linked to the health of our communities. And we know that our communities cannot flourish unless we invest in their future. We make more than software. We make a difference. Visit www.ipswitch.com to learn more about our company, our products and our commitment to our communities. 2 From the Maestro One of the greatest things about singing in BGMC is the adventures we get to have together. One of those started several years ago when I stumbled across a recording of Only Heaven, a set of songs for soprano by Ricky Ian Gordon to text of Langston Hughes. Intrigued – we sang Ricky’s Love, My Sweet Rain a few years ago. I adore the poetry of Langston Hughes and I fell madly in love with the music. It sang to me of optimism, of people living their lives unfettered by the restrictions of society. -
Dispatch Support Information
Emergency Services Dispatch Support Information Reference and Resource Handbook Edition 1.0 Emergency Services Call Takers and Dispatchers Supporting One Another JACK A. DIGLIANI, PhD, EdD Emergency Services Dispatch Support Information Contents Introduction 2 Stress and Traumatic Stress The Concept of Stress 3 The Dispatcher Culture 5 Dispatch Stressors and Stress Management 12 Signs of Excessive Stress 14 Critical Incident Information 15 Traumatic Stress: Shock, Impact, and Recovery – PTS/PTSD 16 Trauma: Chronological History and Psychological History 17 How to Recover from Traumatic Stress 18 Suggestions for Supporting Dispatchers Involved in Critical Incidents 19 Suggestions for Spouses of Dispatchers Involved in a Critical Incident 22 Tips for Recovering From Disasters and Other Traumatic Events 25 Recovering from Traumatic Stress 28 Incident Debriefing Information 29 Stress and Behavior Life Management: Life by Default - Life by Design 30 Issues of Behavior, Change, and Communication 31 Considerations for Change 32 Anger: Get Educated 33 Warning Signs of Alcoholism – Information 34 Some Things to Remember 36 Suicide and Risk Factors Suicide Risk and Protective Factors 37 Dispatch Suicide Risk Factors 38 Suicidal Callers 39 Helping a Person that is Suicidal 41 Common Misconceptions about Suicide 42 Death, Grief, and Mourning Death, Loss, and Survivorship 43 The Effects of Exposure to Death - Death Imprint 44 Marriage and Relationships Foundation Building Blocks of Functional Relationships 46 Gottman’s Marriage Tips 48 The Imperatives Communication, Occupational, and Relationship Imperatives 49 The Twelve Elements of the “Make it Safe” Initiative 50 Information About the Author 51 Introduction As first-responders, emergency services call takers and dispatchers (CT&D) confront many of the same stressors as those they dispatch. -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 files of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the first sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
The American Stravinsky
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries. -
Deeperthan the Soli
PAGES WEEKLY. K�NSAS, JUNE 17, 18'85. {SIXTEENPRICE. 81.50 A YEAR. VOL.ESTABLISHED.IRR3.}XXIII. No. 24. TOPEKA, ltveredhts semi-annual address, which was. excellent of straw business. The great difficulty In the way'of HORTIOULTURAL SOOIETY. fourth a. crop. An crop KANSAS carelessnes·lI. If a thoughtful and well-written paper, urging berries, currants" and gooseberries. Only a success was the proverbial or- measures till; Society and vines the same attenti lD was given to the fruit very cautionary by The Fifteenth Semi-annual Session, Held fair crop of grapes; some ten-year-old members the of Indorsing fruit as Is to farm crops to make its In way 11th and 12th. were winter-killed. chards given at Oswego, June that 'are con-' them there would be no question as theories, varlous devices, etc., Montgomery.-Apples a poor crop, except succeed, FIRST.DAY. the members and So- to the success of fruit staqtly pressed upon of the the Ben Davis. Jonathan and Malden's growing. 'I'he fif.tecJlth seml-aununl session swindlers and unreliable Missouri on the Orchard clety. Traveling State Horticultural held at Blush. The Winesap and Pippin The committee Apple Kansas Society, nurserles were roundly scored in the paper. bloomed but reduced Manual at the last annual meet- the 10th and 12th lnst., was full, greatly by drop appotnted vis Oswego, Kansas, After II few remarks by members and will a F. Leaven- most sessions held ping of the fruit. Pears produce good ing, consisting of Wellfinuse, line of the entertalnlna itors, and the passing of resolutlnns thank on the bottom laud poor worth Wm. -
T H E F I N E L I
THE FINE LINE A student publication Bishop Brady High School Volume VII MAGAZINE Editor Staff James Marceau Maria Bailey Jane Bradley Margaux Guion Anusha Murali Advisor Mrs. Sica Tech Support Mrs. Marinace 2 MAGAZINE Table of Contents Poetry Short Fiction 06 The Loaf - Anusha Murali 10 The Story of Us - James Marceau 07 Summer Lover - Anusha Murali 24 The Ringling Brothers: Barnum, Bailey, and Burn - Maya Heafield 08 All Because Two People Fell in Love - Jane Bradley 30 Great Blasket 1892 - Ana Carroll 09 Survivors - Chris Carmichael 36 Try and Keep the Conversation 16 Wishing Well - Maria Bailey Alive - Jane Bradley 16 Home - Johanna Fitzgibbons 41 Emerald City - Lauren Lamberger 17 Graffiti - Olivia Galvin 18 In A Moment - Ana Carroll 19 Inspired Poetry - Caitlin Mallahan 20 The Beach - Lauren Lamberger 21 ACK - Alex Sacco 22 Cape Cod - Margaux Guion 23 That Was The Summer - Jordan Bergeron 28 I Could Only Think of Him - Jordan Bergeron 29 The House That Stands No More - Samuel Buzzotta 34 Field of Flowers - Jane Bradley 35 Seasons - Margaux Guion 39 I Hate Sonnets by Caitlin Mallahan 40 The Wolf - Maya Heafield 46 Stevie - Mikaela Newman Three Machines 3 by Kyle Cioffi (pastel) Letter from the Editor Dear Readers, hen Mrs. Sica told our E Period Creative Writing class at the beginning of the semester that one of our final goals was to create and publish a literary Wmagazine, I was a little bit skeptical. I didn't believe that we could bring back The Fine Line in all of its former glory. As the year progressed, however, I began to understand that our class was more than capable of completing the task. -
Off-Line Learning Packet
OFF-LINE LEARNING PACKET GRADE 8 While the experience of in-classroom instruction cannot be replaced, we hope that our home learning resources are supportive of your efforts at home. This is not intended to take the place of regular classroom instruction but will serve to supplement and provide opportunities for student learning. Learning activities are a combination of paper and technology-based options across multiple subject areas, including consideration for student physical and metal wellness. In addition to these resources, we have prepared activities that are available for students who receive additional supports including dual language, highly capable, and special education services. KELLOGG MIDDLE SCHOOL – SHORELINE PUBLIC SCHOOLS PACKET #2: FOR MAY 16 – JUNE 5, 2020 (Please be sure to pick up all 3 parts.): 1. 8th GRADE CORE PACKET (science, social studies, English/language aRts, EL) 2. MS MATH PACKET (7 & 8 – contains all levels of math) 3. ELECTIVES SUPPLEMENT (includes art, music, world language, and PE/health) 8TH CORE CLASSES Kellogg MS May 26 – june 5, 2020 ________________________ Table of contents ENGLISH 8/ENGLISH 8 HONORS . 1-14 SCIENCE 8/SCIENCE 8 HONORS. 15-27 SOCIAL STUDIES 8/SOCIAL STUDIES 8 HONORS . 28-59 ENGLISH LEARNING . 60-65 1 The Challenge to Make a Difference, Ms. Jarvis and Ms. Petersen English 8: The Wise Old Woman Main idea we’re learning about I know I learned this idea if I can... Essential question: What can I learn about ● Know the definitions for the figurative analyzing text from the author’s use of figurative language terms. language? How does the theme of a short story ● Accurately find figurative language examples relate to the topic of “The Challenge to Make a in the short story. -
Downbeat.Com April 2021 U.K. £6.99
APRIL 2021 U.K. £6.99 DOWNBEAT.COM April 2021 VOLUME 88 / NUMBER 4 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Compact Disc F75 2016 1-14.Pdf
PROGRAM CD {-7f/7;4S/ Program subject to change I BALLET 75;40 Z FEELINGS AND THINGS q'.5""2.. 3 AND ON THE THIRD DAY l2.j.b.~.........................................................................................Michael Gibbs 1" BLUE COMEDY '1-;1:; t;; SWEET RAIN (g~'t~ Bill Frisell, guitar Cuong Vu, trumpet Luke Bergman, bass Ted Poor, drums ue;vej (p" 2. 2 (9 THE UNANSWERED QUESTION ..............~.......'.......................................................................... Charles Ives Bill Frisell, guitar Cuong Vu, trumpet Natalie Ham, Sabrina Bounds, McKenzie Rickman and Leanna Keith, flutes String section of the UW Symphony (backstage) with Abbie Naze, conductor David Alexander Rahbee, conductor INTERMISSION CD 2.. -7ff"ii'f51. NoaURNE VULGAIRE .............1..:..t;.3.................................................................................. Michael Gibbs z.. THROB..............................1.::..f;!:t........................................................................................... Michael Gibbs 3 RICHTER 858 #7 ..........................;f...;//:....................................................................... Bill Frisell, arr. Gibbs t (JULIET OF THE SPIRITS(........70,:-o·<t..................·......·......·..........·..·........................... Nino Rota, arr. Gibbs LRAG ...........................~........................................................................................... Bill Frisell, arr. Gibbs 5: M ~lY1a-rJes - I've 5> - (; '+1 -uw ~ymphony Bill Frisell, guitar Cuong -
Morgenstern, Dan. [Record Review: Gary Burton: Duster]
Rc<ords ar e rev iewed by Don DeMlcheal , Gilbert M. Erskine, Ke nny Dorham, Ira ~ Iller, Rolph John son, Bill Mathieu , Morion McPar lla Dan Morgenstern, Harvey Pekar, 8111Qu inn, William Ruu o, Harvey Siders, Carol Sloane , Edward A, Spring, Pate Welding, and Michael Zwe, Reviews are signed by the writers . Ratings ar e: * * * * * excellent , * * * * very good , * * * good , * * fair, * poor. When two catalog numbers are listed, the first i• mono , and the second is stereo . Dave Brubeck musical context and relates to that context, his is living music. It is not that BRAVO I BRUBECK !-Co lumbi <t 2695/ 9495: strikes a balance between playfulness and lives in the past or is trying to b Ci1/ito Li 11do; La Palo 111a A~11I• SobrD las Oias; Btsa'mc M11, b1J; N os111lgi11,le i\i, xiro; Poi11cia11a; thoughtfulness, and is never willful or life into a corpse so much as h El Rt111cbo Gra11de; BstroWta; I.a, IJ11mbt1. egocentric. elected to mature and grow with· lht Personnel: Paul Desmond, alco saxophone; B_rubeck, piono; Be.njarn.in Correa, guitar; Gene And ali these cats can play. Burton has confines of a musical idiom that h«11ill \ X, d ght, bass; Joe 1\forello, drums ; Salvador his own voice on an instrument that too greatest flowering two decades ago bot Agueros, bongo,s, conga drum. often swallows the player's identity, and still continues to exert an influcnc«1'n JlOQ Rating:**½ Coryell, too, has found his own way on the music. This innocuous music was recorded a much-abused ax.