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Seize the Day! March 23 & 24, 2013 Jordan Hall at New England Conservatory
Seize the Day! March 23 & 24, 2013 Jordan Hall at New England Conservatory Reuben M. Reynolds III, Music Director Craig Coogan, Executive Director Chad Weirick, Principal Accompanist and Assistant Music Director LeWana Clark, American Sign Language Interpreter Jared West, General Manager Brian C. Griffin, Operations Manager Daniel John Carroll, Communications Intern Leadership Sponsor OFFICIAL AIRLINE Corporate Sponsors with support from This program is supported in part by a grant from the Boston Cultural Council, a local agency which is funded by the Massachusetts Cultural Council, administered by the Mayor’s Office of Arts, Tourism and Special Events. At Ipswitch, community involvement is an integral part of our culture and values. At the heart of our commitment is the recognition that the vitality of our company is linked to the health of our communities. And we know that our communities cannot flourish unless we invest in their future. We make more than software. We make a difference. Visit www.ipswitch.com to learn more about our company, our products and our commitment to our communities. 2 From the Maestro One of the greatest things about singing in BGMC is the adventures we get to have together. One of those started several years ago when I stumbled across a recording of Only Heaven, a set of songs for soprano by Ricky Ian Gordon to text of Langston Hughes. Intrigued – we sang Ricky’s Love, My Sweet Rain a few years ago. I adore the poetry of Langston Hughes and I fell madly in love with the music. It sang to me of optimism, of people living their lives unfettered by the restrictions of society. -
Goran Navojec Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ)
Goran Navojec Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) Ministry of Love https://bg.listvote.com/lists/film/movies/ministry-of-love-28154706/actors The Romanoffs https://bg.listvote.com/lists/film/movies/the-romanoffs-46031730/actors Vukovar: The Way Home https://bg.listvote.com/lists/film/movies/vukovar%3A-the-way-home-7943427/actors Long Dark Night https://bg.listvote.com/lists/film/movies/long-dark-night-1156694/actors Territorio comanche https://bg.listvote.com/lists/film/movies/territorio-comanche-21819908/actors Russian Meat https://bg.listvote.com/lists/film/movies/russian-meat-7382080/actors ÄŒetverored https://bg.listvote.com/lists/film/movies/%C4%8Detverored-1565253/actors Forest Creatures https://bg.listvote.com/lists/film/movies/forest-creatures-12646204/actors Celestial Body https://bg.listvote.com/lists/film/movies/celestial-body-5057890/actors Falsifier https://bg.listvote.com/lists/film/movies/falsifier-12760558/actors God Forbid a Worse Thing https://bg.listvote.com/lists/film/movies/god-forbid-a-worse-thing-should-happen-5575860/actors Should Happen Holidays in the Sun https://bg.listvote.com/lists/film/movies/holidays-in-the-sun-16083347/actors A Perfect Day https://bg.listvote.com/lists/film/movies/a-perfect-day-16389827/actors Mare https://bg.listvote.com/lists/film/movies/mare-105157284/actors Libertas https://bg.listvote.com/lists/film/movies/libertas-6541454/actors The Brave Adventures of a https://bg.listvote.com/lists/film/movies/the-brave-adventures-of-a-little-shoemaker-21999962/actors Little Shoemaker -
Sneed-Rojas Hands That Hold
Hands that Hold By Emilio Rojas and Pamela Sneed Commissioned by the Centre for Human Rights and the Arts Bard College, 2021 Let me sip your sap Through a sumac straw I am a vessel, Overflowing. Let me drink your blood of my blood, Your roots imbibe water from the ground Who owns this land? Who was here before us? Whose hands worked the fields, picked up the fruits? My arms, your branches, My torso, your trunk My lungs, your leaves Alveoli, A tree lives inside me, Upside down, I inhale oxygen, Exhale CO2 You inhale CO2 Exhale oxygen Beings in symbiosis Invisible rhythms, we’ve forgotten how to breathe into each other’s utterances, language became a thing of the mouth, And the vocal cords, And the body forgot its speech, when did we think ourselves different from the land from each other? then our mother? How much blood, sap, serum, suero, sweat has fed this soil? Whose hands, whose sweat, whose blood has dripped into this dirt, we try to call home? Even if we have been displaced to many times to count or carry, We are settlers in stolen territories How can anyone be illegal in looted land? What is the weight of the blood running through my veins, valves, and vacancies? Each drop a portal a place to be, The sweet locus of your origin Blood like sap traveling Through my body. I inhale oxygen, Exhale CO2 You inhale CO2 Exhale oxygen Am I drinking from the roots, or from the branches? Which way does your scarlet gown flow, the color of cardinals and martyrs, sweet rain and iron Our bodies swelling, made of water and matter. -
Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 files of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the first sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4. -
Japanese Haiku Second Series ;
JAPANESE HAIKU SECOND SERIES ; . *. m $ ( 1 / • i I due roan seasons JAPANESE HAIKU WRITTEN BY BASHO•BUSON ISSA • SHIKI • AND MANY OTHERS TRANSLATION BY PETER BEILENSON THE PETER PAUPER PRESS MOUNT VERNON • NEW YORK COPYRIGHT »958 © BY THE PETER PAUPER PRESS i A NOTE ON JAPANESE HAIKU The haiku is a seventeen-syllable poetic form that has been written in Japan for three hun dred years. It has been enormously popular with out becoming banal. For the haiku does not make a complete poem in our usual sense; it is a lightly- sketched picture the reader is expected to fill in from his own memories. Often there are two pic tures, and the reader is expected to respond with heightened awareness of the mystical relationship between non-related subjects. This mystical awareness is one of the seekings of Zen Buddhism, and was introduced into haiku by the first, best-loved, greatest master of the form, Basho (1644-1694). A second master was Buson (1715-1783), a poet less interested in mystical re lationships than in exquisite vignettes. A third was Issa (1763-1827), pathetic, wryly humorous, ut terly individual. A fourth was Shiki (1866-1902) — a modern Buson who gives us perfectly-phrased glimpses of everyday scenes and situations. Almost every haiku holds a season key-word; often the name of the season itself, otherwise a seasonal reference easily understood. The reader must take this key-word not as a statement, but as the author’s cue to him, so that he can call up 3 in himself his own associations and nostalgias, and read the little poem against this background. -
From the on Inal Document. What Can I Write About?
DOCUMENT RESUME ED 470 655 CS 511 615 TITLE What Can I Write about? 7,000 Topics for High School Students. Second Edition, Revised and Updated. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-5654-1 PUB DATE 2002-00-00 NOTE 153p.; Based on the original edition by David Powell (ED 204 814). AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock no. 56541-1659: $17.95, members; $23.95, nonmembers). Tel: 800-369-6283 (Toll Free); Web site: http://www.ncte.org. PUB TYPE Books (010) Guides Classroom Learner (051) Guides Classroom Teacher (052) EDRS PRICE EDRS Price MF01/PC07 Plus Postage. DESCRIPTORS High Schools; *Writing (Composition); Writing Assignments; *Writing Instruction; *Writing Strategies IDENTIFIERS Genre Approach; *Writing Topics ABSTRACT Substantially updated for today's world, this second edition offers chapters on 12 different categories of writing, each of which is briefly introduced with a definition, notes on appropriate writing strategies, and suggestions for using the book to locate topics. Types of writing covered include description, comparison/contrast, process, narrative, classification/division, cause-and-effect writing, exposition, argumentation, definition, research-and-report writing, creative writing, and critical writing. Ideas in the book range from the profound to the everyday to the topical--e.g., describe a terrible beauty; write a narrative about the ultimate eccentric; classify kinds of body alterations. With hundreds of new topics, the book is intended to be a resource for teachers and students alike. (NKA) Reproductions supplied by EDRS are the best that can be made from the on inal document. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Tanja Zimmermann (Ed.) Balkan Memories Media Constructions of National and Transnational History
From: Tanja Zimmermann (ed.) Balkan Memories Media Constructions of National and Transnational History September 2012, 270 p., 33,80 €, ISBN 978-3-8376-1712-2 This book gives an insight into the media constructions of historical remembrance reflecting transnational, national or nationalistic forms of politics. Authors from post-Yugoslavia and neighbouring countries focus on the diverse transnational (such as Austro-Hungarian, Yugoslav etc.) and na- tional (such as Bosnian, Croatian, Serbian etc.) memory cultures in South- Eastern Europe, their interference and rivalry. They examine constructions of memory in different media from the 19th century to recent wars. These include longue durée images, breaks and gaps, selection and suppression, traumatic events and the loss of memory, nostalgia, false memory, reactiva- tion, rituals and traces of memory. Tanja Zimmermann (Junior Professor; PhD in art history and Slavic studies) teaches East-European literature and art history at the University of Constance (Germany). For further informationen: www.transcript-verlag.de/ts1712/ts1712.php © 2012 transcript Verlag, Bielefeld 2012-08-30 14-48-05 --- Projekt: transcript.anzeigen / Dokument: FAX ID 03a2313724081992|(S. 1 ) VOR1712.p 313724082000 Inhalt Acknowledgements | 9 Introduction | 11 Tanja Zimmermann (Konstanz) NATIONAL MEMORIES Public Monuments, Memorial Churches and the Creation of Serbian National Identity in the 19th Century | 33 Nenad Makuljević (Belgrade) Banknote Imagery of Serbia | 41 Ivana Živančević-Sekeruš (Novi Sad) City Identity -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Deeperthan the Soli
PAGES WEEKLY. K�NSAS, JUNE 17, 18'85. {SIXTEENPRICE. 81.50 A YEAR. VOL.ESTABLISHED.IRR3.}XXIII. No. 24. TOPEKA, ltveredhts semi-annual address, which was. excellent of straw business. The great difficulty In the way'of HORTIOULTURAL SOOIETY. fourth a. crop. An crop KANSAS carelessnes·lI. If a thoughtful and well-written paper, urging berries, currants" and gooseberries. Only a success was the proverbial or- measures till; Society and vines the same attenti lD was given to the fruit very cautionary by The Fifteenth Semi-annual Session, Held fair crop of grapes; some ten-year-old members the of Indorsing fruit as Is to farm crops to make its In way 11th and 12th. were winter-killed. chards given at Oswego, June that 'are con-' them there would be no question as theories, varlous devices, etc., Montgomery.-Apples a poor crop, except succeed, FIRST.DAY. the members and So- to the success of fruit staqtly pressed upon of the the Ben Davis. Jonathan and Malden's growing. 'I'he fif.tecJlth seml-aununl session swindlers and unreliable Missouri on the Orchard clety. Traveling State Horticultural held at Blush. The Winesap and Pippin The committee Apple Kansas Society, nurserles were roundly scored in the paper. bloomed but reduced Manual at the last annual meet- the 10th and 12th lnst., was full, greatly by drop appotnted vis Oswego, Kansas, After II few remarks by members and will a F. Leaven- most sessions held ping of the fruit. Pears produce good ing, consisting of Wellfinuse, line of the entertalnlna itors, and the passing of resolutlnns thank on the bottom laud poor worth Wm. -
Capitalist Realism As Dreamwork and Memory Disorder 54
Mark Fisher is a writer, theorist and teacher. His writing regularly appears in frieze, New Statesman, The Wire and Sight & Sound. He was a founding member of the Cybernetic Culture Research Unit. He is now a Visiting Fellow in the Centre for Cultural Studies at Goldsmiths, University of London and a tutor in Philosophy at the City Literary Institute, London. His weblog can be found at http://k-punk.abstractdynamics.org. He is married and lives in Suffolk. To my wife, Zoe, my parents, Bob and Linda, and the readers of my website 1: It's easier to imagine the end of the world than the end of capitalism 1 2: What if you held a protest and everyone came? 12 3: Capitalism and the Real 16 4: Reflexive impotence, immobilization and liberal communism 21 5: October 6, 1979: 'Don't let yourself get attached to anything' 31 6: All that is solid melts into PR: market Stalinism and bureaucratic anti-production 39 7: '...if you can watch the overlap of one reality with another': capitalist realism as dreamwork and memory disorder 54 8: 'There's no central exchange' 62 9: Marxist Supernanny 71 It's easier to imagine the end of the world than the end of capitalism In one of the key scenes in Alfonso Cuaron's 2006 film Children of Men, Clive Owen's character, Theo, visits a friend at Battersea Power Station, which is now some combination of government building and private collection. Cultural treasures - Michelangelo's David, Picasso's Guernica, Pink Floyd's inflatable pig - are preserved in a building that is itself a refurbished heritage artifact. -
Adidas Originals Unite All Originals Press
Very few DJs can jump from club sets to high-profile festival performances, to Kanye West’s larger- than-life stadium shows with ease. In today’s DJ culture, A-Trak holds a truly unique place. He and partner Nick Catchdubs founded America’s most trendsetting new label, Fool’s Gold, launching the careers of artists such as Kid Sister and Kid Cudi. Fool’s Gold’s mission to merge all aspects of club music was already outlined in Trizzy’s original mixtape manifesto, Dirty South Dance, which set the tone for his own production. He is now one of the most sought-after remixers in electronic music, and his remixes for the likes of the Yeah Yeah Yeahs and Boys Noize have become undeniable mainstays in DJ sets the world over. 2009 saw the release of two critically acclaimed DJ mixes, Infinity +1 and Fabriclive 45, as well as the birth of Duck Sauce, his collaboration with Armand Van Helden. The duo’s radio smash “aNYway” cemented itself as the dance anthem of the year, A-Trak’s first true chart- topper with two videos in international rotation and across-the-board support from Pete Tong to Busy P, David Guetta to 2manydjs. Duck Sauce’s 2010 follow up “Barbra Streisand” was even bigger, a whistling pop sensation that accumulated over 60 million YouTube views of its star-studded video while hitting platinum heights around the globe. They even covered it on X-Factor and Glee! Not bad for a kid whom many viewed as a 90’s turntablism prodigy.