GIT II Touring Exhibition (Pdf)
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Craft Production in the Kingdom of Crystal (Glasriket) and Its Visual Representation Constructing Authenticity in Cultural/Marketing Production
Doctoral Thesis Craft production in the Kingdom of Crystal (Glasriket) and its visual representation Constructing authenticity in cultural/marketing production Songming Feng Jönköping University Jönköping International Business School JIBS Dissertation Series No. 140 • 2020 Doctoral Thesis Craft production in the Kingdom of Crystal (Glasriket) and its visual representation Constructing authenticity in cultural/marketing production Songming Feng Jönköping University Jönköping International Business School JIBS Dissertation Series No. 140 • 2020 Doctoral Thesis in Business Administration Craft production in the Kingdom of Crystal (Glasriket) and its visual representation: Constructing authenticity in cultural/marketing production JIBS Dissertation Series No. 140 © 2020 Songming Feng and Jönköping International Business School Published by Jönköping International Business School, Jönköping University P.O. Box 1026 SE-551 11 Jönköping NMÄ NE M RK Tel. +46 36 10 10 00 A EN ÄR E N K VA ET SV T www.ju.se S Trycksak Trycksak 3041 0234 Printed by Stema Specialtryck AB 2020 3041 0234 ISSN 1403-0470 ISBN 978-91-7914-003-8 Abstract Authenticity is a core concept and phenomenon in contemporary marketing, as both marketers and consumers seek the authentic. Individuals, companies, and industries all work to establish and accomplish authenticity for themselves and related stakeholders. As a marketing point for creating differentiation and singularity, authenticity has the potential to augment the value of a product above and beyond its promising functional, esthetic, or experiential significance. However, authenticity is a concept with heavily debated characteristics, and it is not well understood in its market manifestations. Academic work on authenticity remains vague in terms of both its definition and its marketing relevance. -
XIX Century Murano Glass Tableware Kindle
GLASS FOR THE TABLE : XIX CENTURY MURANO GLASS TABLEWARE PDF, EPUB, EBOOK Andrea Morucchio | 51 pages | 01 Jan 2000 | Arsenale | 9788877432131 | English, Italian | San Giovanni Lupatoto, United States Glass for the Table : XIX Century Murano Glass Tableware PDF Book Sort By:. Item Location see all. Fusing The process of founding or melting the batch. Heating pieces of glass in a kiln or furnace until they bond. The unofficial capital of glassmaking is perhaps known best for their dazzling chandeliers and opulent vases, which add a pop of color and sophistication to any room. Mentioned for accuracy Sign In Register. Cart 0. Originally established in in Pittsburgh , the first city to use coal for fuel in glassmaking, the company survived under several different firms until Much modern glass must be heated to about 2, degrees Farenheit, followed by a maturing period when the molten glass cools to a working temperature of about 2, degrees Farenheit. For a downloadable PDF, click here 27 pages. Since childhood he has shown great interest in art. Attributed to Salviati Dott. After annealing, the disk is cut into panes. In the master suite of a Long Island home, a motorized cabinet containing a Samsung television stands at the foot of the bed. Result is a polychrome design that is visible only when seen in cross section. So called because one surviving example is said to have belonged to Saint Hedwig of Silesia. Made by inflating a large gather, swinging it until it forms a cylinder, detaching it from the blowpipe, cutting it lengthwise, reheating it, and allowing it to slump to the form of a flat sheet. -
New Glass Review 10.Pdf
'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate. -
Rosa Barovier Mentasti and Cristina Tonini Some Questions About The
R osa Barovier Mentasti and Cristina Tonini SOME QUESTIONS ABOUT THE MURANO REVIVAL After the fall of the Republic of Venice in 1797, the Venetian economy underwent a deep crisis both in its industrial and commercial activity. Glass production was one of the worst affected sectors. Almost all luxury glass production stopped and an entire generation of young glassmakers was unable to practise the ancient production techniques. Starting in the 1820s various attempts were made to revive old working techniques, but the Murano glassworks only overcame the long crisis after 1866, when Veneto was annexed to the Kingdom of Italy. Murano glassblowers and technicians were also able to recover traditional techniques thanks to the foundation of the Museo Vetrario at Murano, where they could study old artworks. The magazine La Voce di Murano, founded in 1867, gave useful information for the progress of glass technology and announced all the stages in the progress itself. Today the same magazine is the best source for historians who want to explain the development of Venetian glassmaking in the nineteenth century and investigate how and when every traditional technique was recovered, by whom or in which glassworks. Moreover, other techniques were inspired by archaeological masterpieces and, later, some innovations, such as iridescence, were introduced. Thanks to the books and essays written byV incenzo Zanetti, the first director of the Museo Vetrario, and articles published in La Voce di Murano a lot is now known about the several stages of recovering, for instance, the techniques of retortoli and reticello filigree, the recipes for chalcedony glass and the date (1877) when mosaic glass, the so called murrina, entered into the Murano technical heritage and in which glassworks (Venice and Murano Glass and Murano Company). -
132 the London Gazette, January 8, 1897
132 THE LONDON GAZETTE, JANUARY 8, 1897. Drugs.—Robert Hogg and Son. E.. Grisbrook. .Roskell; John Wells ; Frederick Elkington ; and Robert Wood, Windsor. [ C. F. Hancock ; Collingwood and Co.; Lambert Lavender Essence.—Sarah Sprules. and Co.; F. P. Bhumgara; George Edward and Van Builders.—Hazeldine Brothers, Royal. Laun- Sons ;' Henry Lewis Turner and Co.; Phillips dry, Richmond. ' . ? Brothers and Son ; Albert Barker; John Wells. T. C. MARCH, . Gunmakers.—James* Purdey, Alexander Henry Secretary. '. Ltd. Board of Green Cloth, Buckingham Palace, Gymnastic Apparatus Maker.—George Spencer. January 1, 1897. Harp and Pianoforte Ma'kers.—S. and P. Erard ; Imhof and Muckle; John Broadwood and Sons ; Carl F..W. Bechstein ; Steinway.and Sons. LIST of Tradesmen who hold Warrants of Hatters.—Cater and Co. Appointment from the Lord Chamberlain,'with Herald Painters.—G. and C. Bishop. Authority to Use the Royal Arms :— Home Art Decorator.—Miss Charlotte Robinson. LONDON. Insignia Riband Makers.—Redmayne and Co. Art Fabrics.—Liberty and Co. Limited. Invalid Chair Maker.—John Ward. Art Printsellers and Publishers. — Thomas Ironmongers and Stove Makers.—Adams and Son; McLean ; Dickinson; Algernon Graves; P. and M. Feetham and Co.; Barron and Wilson. D. Colnaghi; Isaac P. Mendoza; Boussod Joiners.—George Smith and Co. Valadon and Co. Lamp and Lustre Manufacturers.—Arthur T. Artists' Colourmen.—Winsor and Newton. Miller ; Perry and Co. Bedding Manufacturers.—Blyth and Sons. Lift Manufacturers.—R. Waygood and Co. Billiard Table Manufacturers.—Thurston and Co. Linen Drapers.—Capper Son and Co.; Alfred Limited. Stratton. Black lead Manufacturer. —-W. G. Nixey. Lithographers.—Maclure and Company ; J. A. Boat Builders.—James A. -
Cersaie Bologna | International Exhibition of Ceramic Tile
INTINTERNATIONAL EXHIBITION OF CERAMIC TILE AND BATHROOM FURNISHINGS 28 SEPTEMBER - 2 OCTOBER 201 Cersaie Bologna | International Exhibition of Ceramic Tile ... ERNATIONAL EXHIBITION OF CERA AND BATHROOM FURNISHINGS Home > Events > Protagonists Protagonists Claudio Musso Digicult Network Oscar G. Colli Biographical notes Columnist for the magazine “il Bagno Oggi e Domani” of which he was co-founder and editorial director. He is been part for about 16 years of the ADI’s Permanent Observatory of Design. From 2008 to 2010 he directed the selection and publication on the ADI-Design-Index of the best products and services among which the winners of the “Compasso d’Oro” are selected. He held many conferences and talks with students in various universities and he is often moderator for conventions and seminars about interior design and industrial design. Marco Vismara Architect Biographical notes Studio D73 by Marco Vismara and Andrea Viganò is specialized in architectural and design projects in a wide international dimension. Studio D73 deals with interior design, different commercial and private projects, from analysis to production, and carries out the project phases thanks to a very efficient team of professionals based in the headquarter in Italy and the two other offices in Moscow, Tunis and Tbilisi. Within the past few years, Studio D73 has grown and reached many countries abroad, mainly in Russia, East Europe and North Africa, with the aim of keeping growing in new countries in the near future. State-of- the-art design project solutions by Studio D73 include Spa, hotel, showroom, and residential buildings. Giampietro Sacchi Interior designer Biographical notes Interior designer and director of the masters “High education design” at POLI.design – Polytechnic University of Milan. -
GLASTON CORPORATION Yliopistonkatu 7 - 00100 Helsinki - Finland Tel.: +358 10 500 500 / Fax: +358 10 500 6515
2015 world directory 2 - Copia omaggio € ââÊ`ÊV«iÀÌ>Ê > Suppliers’ THAT’S WHY THIS WILL BE Profiles YOUR NEXT LAMINATING LINE ZERO DEFECTS ZERO WASTE ZERO DOWNTIME > Suppliers’ ZERO DISPERSION Products & ÊʰÊÓÇÉäÓÉÓää{ÊcÊ{È®Ê>À̰ʣ]ÊV>Ê£ÊÊ Ê>ÊÊÊUÊÊÊ*Ài Yellow Pages > Glassworks’ Addresses ÌÌ]Ê*ÃÌiÊÌ>>iÊ-«>ÊÊ-«i`°ÊÊ>°Ê«°ÊÊ °°ÊÎxÎÉÓääÎÊVÛ° Powerlam FLAT GLASS LAMINATING LINE WITH EVA & PVB AVAILABLE IN ABSOLUTE PERFORMANCE AND RELIABILITY INTERACTIVE VERSIONS TOO }ÞÊÌiÀ>Ì>]Ê->ÀÌiiÀ}ÞÊ-°À°°]Ê À°Ê,ië°Ê>ÀVÊ*i DESKTOP DISCOVER MORE www.rcnengineering.it IPAD/IPHONE RCN ENGINEERING S.R.L. Via Marcatutto, 7 - 20080 Albairate (MI) Italy Tel +39 02 94602434 - [email protected] www.rcnengineering.it -Õ««iiÌÊÊ>ʰʣ{{ÊÊ>ÀV É«ÀÊʰÊÓÉÓä£xÊ`Ê>ÃÃ/iV ANDROID DEVICES www.glassonline.com Multi-roller coating machine for the enamelling and design printing of float glass sheets. ROLLMAC a division of GEMATA - Via Postale Vecchia, 77 - 36070 Trissino (VI) Italy Tel. +39.0445.490618 - Fax +39.0445.490639 - E-mail: [email protected] - www.rollmac.it Because we care Revolutionary. Also our technologies. INSULATING GLASS MANUFACTURING Bystronic glass symbolises innovation with machinery, HANDLING EQUIPMENT systems and services for the processing of architectural AUTOMOTIVE GLASS PREPROCESSING and automotive glass focused on tomorrow’s market. From basic requirements through to entire, customised installations Bystronic glass provides pioneering solutions – naturally, all in the highest quality. www.bystronic-glass.com IR medium wave twin tubes emitters for: iÃÊÌ>µÕ>ÀÌâÊ>ÃÊ«À`ÕViÃÊ } ÞÊ Ê UÊ >>Ì}Êià >««ÀiV>Ìi`Ê iµÕ«iÌÊ vÀÊ Ì iÊ }>ÃÃÊ Ê UÊ ÀÀÀ}Êià industry such as manual and au- Ê UÊ `ÀÞÊÃVÀiiÊ«ÀÌ}Êià tomatic tin side detectors and UV polymerization units. -
GV 2016 All.Pdf
ISTITUTO VENETO DI SCIENZE, LETTERE ED ARTI ATTI TOMO CLXXIV CLASSE DI SCIENZE FISICHE, MATEMATICHE E NATURALI Fascicolo I CLXXVIII ANNO ACCADEMICO 2015-2016 VENEZIA 2016 ISSN 0392-6680 © Copyright Istituto Veneto di Scienze, Lettere ed Arti - Venezia 30124 Venezia - Campo S. Stefano 2945 Tel. 041 2407711 - Telefax 041 5210598 [email protected] www.istitutoveneto.it Progetto e redazione editoriale: Ruggero Rugolo Direttore responsabile: Francesco Bruni Autorizzazione del Tribunale di Venezia n. 544 del 3.12.1974 stampato da CIERRE GRAFICA - Sommacampagna (VR) 2016 ISTITUTO VENETO DI SCIENZE, LETTERE ED ARTI STUDY DAYS ON VENETIAN GLASS T he Birth of the great museum: the glassworks collections between the Renaissance and the Revival edited by ROSA BAROVIER MENTASTI and CRISTINA TONINI VENEZIA 2016 Si raccolgono qui alcuni dei contributi presentati dall’11 al 14 marzo 2015 al Corso di alta formazione organizzato dall’Istituto Veneto sul tema: Study Days on Venetian Glass. The Birth of the Great Museums: the Glassworks Collections between the Renaissance and Revival Giornate di Studio sul vetro veneziano. La nascita dei grandi musei: le collezioni vetrarie tra il Rinascimento e Revival higher education course With the support of Corning Museum of Glass Ecole du Louvre Fondazione Musei Civici di Venezia Venice International Foundation Victoria & Albert Museum With the participation of UNESCO Regional Bureau for Science and Culture in Europe Venice (Italy) Organised with the collaboration of AIHV – Association Internationale pour l’Historie -
Robert Lehman Papers
Robert Lehman papers Finding aid prepared by Larry Weimer The Robert Lehman Collection Archival Project was generously funded by the Robert Lehman Foundation, Inc. This finding aid was generated using Archivists' Toolkit on September 24, 2014 Robert Lehman Collection The Metropolitan Museum of Art 1000 Fifth Avenue New York, NY, 10028 [email protected] Robert Lehman papers Table of Contents Summary Information .......................................................................................................3 Biographical/Historical note................................................................................................4 Scope and Contents note...................................................................................................34 Arrangement note.............................................................................................................. 36 Administrative Information ............................................................................................ 37 Related Materials ............................................................................................................ 39 Controlled Access Headings............................................................................................. 41 Bibliography...................................................................................................................... 40 Collection Inventory..........................................................................................................43 Series I. General -
Download New Glass Review 08
The Corning Museum of Glass NewGlass Review 8 The Corning Museum of Glass Corning, New York 1987 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1986 calendar year. innerhalb des Kalenderjahres 1986 entworfen und gefertigt wurden. For additional copies of New Glass Review Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: Sales Department The Corning Museum of Glass One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1987 Alle Rechtevorbehalten, 1987 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-: 1-116-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Kongref3-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements and Comments/Statements und Kommentar der Jury 4 Artists and Objects/Kunstler und Objekte 9 Doug Anderson's Finders Creepers 30 Bibliography/Bibliographie 33 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 35 Countries RepresentedA/ertretene Lander 68 ch mag die Arbeit von Mark Lorenzi - jedenfalls mag ich das, was Jury Statements Imir das Dia davon wiedergibt. Diese Farben passen auffallend gut zu- sammen, und Hohe und Starke der Mauer scheinen erstaunlich, aber genau richtig fur diesen Durchmesser. Das Objekt kann ebenso gut ein like Mark Lorenzi's piece - at least I like what the slide tells me about it. -
GLASS CONE” - CONTENTS Numbers 1 to 111 and Glass Matters
THE “GLASS CONE” - CONTENTS Numbers 1 to 111 and Glass Matters PURCHASING BACK COPIES OF OUR PUBLICATIONS. Back issues of most editions of the Glass Cone and The Glass Association Journal are available from this website via Paypal. Members get discounted rates please e mail for a quotation. There is a discount for three or more publications, please e mail [email protected] for a quotation & your individual Paypal invoice. You can also order by post & pay by UK cheque by contacting the membership secretary 150 Braemar Road Sutton Coldfield B73 6LZ or [email protected] Buy from The Glass Association stands at the Cambridge / Knebworth & Motor Cycle Museum Birmingham Glass Fairs and save on post & packing costs etc. Document revised 18 February 2018 Revised 18 February 2018 Page 1 of 51 THE “GLASS CONE” - CONTENTS Numbers 1 to 111 and Glass Matters No. I MARCH 1984 Glass Makers’ Union Certificate ..................................................................................................... Cover Glass on Tyne and Wear Simon Cottle .................................................................................. p3-5 Setting up a Glass Studio Richard Golding ................................................................................. p6 Glassworks Closed (Trent Valley Glassworks, Tutbury) .......................................................................................................... p7 Crystal Glass Billiard Table, 1884 .......................................................................................................... -
Bertil-Vallien-Catalogo-9-Rooms.Pdf
BV cop.indd 1 10/08/12 12.17 BV cop.indd 1 10/08/12 12.17 Bertil Vallien, Nine Rooms 13th International Architecture Exhibition La Biennale di Venezia Editorial Coordination Design and Layout Francesca Giubilei studio +fortuna / studio cheste Paola Fortuna / Peppe Clemente Texts by Jim Baker Photo Credits Rosa Barovier Mentasti Göran Örtegren Dawn Bennet Anders Qwarnström Adriano Berengo Jonas Lindström Giacinto Di Pietrantonio Nadia Taiga p. 14 Francesca Giubilei Laura Christine Johnson Pre-Press Matthew Kangas Puntofotolito, Sara Cupoli Ewa Kumlin Gunnar Lindqvist Cover Marcel Paquet Bertil Vallien, Resting Head Andreas Ravelli (detail), 2009 Lino Tagliapietra Photo Anders Qwarnström William Warmus We apologize if, due to reasons English Translations wholly beyond our control, Brenda Lea Stone some of the photo surces have Emily Ligniti not been listed. Editing Emily Ligniti Bertil Vallien, Nine Rooms 13th International Architecture Exhibition La Biennale di Venezia Venice Thanks to our Collaborators With the Support and Cooperation of 28 August Marco Berengo 25 November 2012 Luca Berta Laura Bresolin Istituto Veneto di Scienze Stefano Donò Lettere ed Arti Mauro Falcier Palazzo Cavalli Franchetti Gianni Gallo Grafiche Veneziane Produced and Organized by Gruppo Fallani Berengo Studio Karlsson Spedition AB Roberto Lazzari Curators Stefano Lo Duca Adriano Berengo Walter Maccaro With the Patronage of and Börge Kamras Gianluca Rossetti Sandro Santi With the Assistance of Falegnameria Santini Francesca Giubilei Giovanni Scarpa Studio CandC