Robert Lehman Papers
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VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final
VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final Survey Report August 9, 2013 Village of River Forest Historic Preservation Commission CONTENTS INTRODUCTION P. 6 Survey Mission p. 6 Historic Preservation in River Forest p. 8 Survey Process p. 10 Evaluation Methodology p. 13 RIVER FOREST ARCHITECTURE P. 18 Architectural Styles p. 19 Vernacular Building Forms p. 34 HISTORIC CONTEXT P. 40 Nineteenth Century Residential Development p. 40 Twentieth Century Development: 1900 to 1940 p. 44 Twentieth Century Development: 1940 to 2000 p. 51 River Forest Commercial Development p. 52 Religious and Educational Buildings p. 57 Public Schools and Library p. 60 Campuses of Higher Education p. 61 Recreational Buildings and Parks p. 62 Significant Architects and Builders p. 64 Other Architects and Builders of Note p. 72 Buildings by Significant Architect and Builders p. 73 SURVEY FINDINGS P. 78 Significant Properties p. 79 Contributing Properties to the National Register District p. 81 Non-Contributing Properties to the National Register District p. 81 Potentially Contributing Properties to a National Register District p. 81 Potentially Non-Contributing Properties to a National Register District p. 81 Noteworthy Buildings Less than 50 Years Old p. 82 Districts p. 82 Recommendations p. 83 INVENTORY P. 94 Significant Properties p. 94 Contributing Properties to the National Register District p. 97 Non-Contributing Properties to the National Register District p. 103 Potentially Contributing Properties to a National Register District p. 104 Potentially Non-Contributing Properties to a National Register District p. 121 Notable Buildings Less than 50 Years Old p. 125 BIBLIOGRAPHY P. 128 ACKNOWLEDGEMENTS RIVER FOREST HISTORIC PRESERVATION COMMISSION David Franek, Chair Laurel McMahon Paul Harding, FAIA Cindy Mastbrook Judy Deogracias David Raino-Ogden Tom Zurowski, AIA PROJECT COMMITTEE Laurel McMahon Tom Zurowski, AIA Michael Braiman, Assistant Village Administrator SURVEY TEAM Nicholas P. -
Download Brochure Pdf
106 WEST 56TH STREET THESIX56.COM OPEN FOR OCCUPANCY A BESPOKE OPPORTUNITY FOR SINGLE FULL FLOOR OFFICE TENANTS RANGING IN SIZE FROM 2,500 RSF TO 4,500 RSF WITH TENANT EXCLUSIVE AMENITIES BUILDING LOBBY + LOUNGE AMENITIES AMENITIES TENANT EXCLUSIVE LOUNGE LOCATED ON THE LOBBY LEVEL, THE LOUNGE FEATURES TWO SEMI -PRIVATE AREAS THAT CAN ALSO TENANT EXCLUSIVE LOUNGE BELOCATED UTILIZED ON FOR THE INFORMAL LOBBY LEVEL, MEETINGS THE LOUNGE AND EVENTS. COFFEEFEATURES AND TWO BEVERAGE SEMI-PRIVATE SERVICE AREAS AVAILABLE. THAT CAN ALSO BE UTILIZED FOR INFORMAL MEETINGS AND EVENTS. COFFEE AND BEVERAGE SERVICE AVAILABLE. TENANT CONFERENCE CENTER SPACE IS FLEXIBLE: A 26-PERSON LOWER LEVEL BOARDROOMSPACE IS FLEXIBLE OR TWO FROM SEPARATE A 26-PERSON 8 -PERSON CONFERENCE CENTER MEETINGBOARDROOM ROOMS. INTO THE TWO CONFERENCE SEPARATE 8-PERSON CENTER MEETING ROOMS. THE CONFERENCE CENTER FEATURES CATERING SUPPORT. FEATURES CATERING SUPPORT. 16TH FLOOR PREBUILT INDUSTRIAL ELEGANCE 6TH FLOOR PREBUILT MODERN MINIMALISM AVAILABILITIES FLOOR SQ FT 26TH 2,492 RSF 25TH 2,492 RSF 24TH 2,483 RSF 23RD 2,483 RSF 22ND LEASED 21ST 2,483 RSF 20TH 2,483 RSF 19TH 2,682 RSF 18TH 2,682 RSF 17TH 2,682 RSF * 16TH 3,051 RSF 15TH 3,051 RSF 14TH 3,051 RSF 12TH 3,482 RSF 11TH 3,482 RSF 10TH 3,482 RSF 9 TH 3,850RSF 8TH 3,850RSF 7TH 3,850RSF * 6TH 4,524 RSF 5TH 4,524 RSF 4TH 4,524 RSF 3 RD 4,524 RSF 2 ND 4,524 RSF TERRACE FLOORS * PRE-BUILT FLOORS CENTRAL PARK VIEWS FROM THE TOWER FLOORS SLAB HEIGHTS OF 13’6” OUTSIDE AIR IS TAKEN FROM THE ROOF REDUCING THE QUANTITY OF POLLUTANTS -
Cubism in America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1985 Cubism in America Donald Bartlett Doe Sheldon Memorial Art Gallery Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Part of the Art and Design Commons Doe, Donald Bartlett, "Cubism in America" (1985). Sheldon Museum of Art Catalogues and Publications. 19. https://digitalcommons.unl.edu/sheldonpubs/19 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. RESOURCE SERIES CUBISM IN SHELDON MEMORIAL ART GALLERY AMERICA Resource/Reservoir is part of Sheldon's on-going Resource Exhibition Series. Resource/Reservoir explores various aspects of the Gallery's permanent collection. The Resource Series is supported in part by grants from the National Endowment for the Arts. A portion of the Gallery's general operating funds for this fiscal year has been provided through a grant from the Institute of Museum Services, a federal agency that offers general operating support to the nation's museums. Henry Fitch Taylor Cubis t Still Life, c. 19 14, oil on canvas Cubism in America .".. As a style, Cubism constitutes the single effort which began in 1907. Their develop most important revolution in the history of ment of what came to be called Cubism art since the second and third decades of by a hostile critic who took the word from a the 15th century and the beginnings of the skeptical Matisse-can, in very reduced Renaissance. -
Download Cast Sheet
Did you know? A co-production from In 2018 we had 19,940 screenings around the world. by Stefano Massini adapted by Ben Power directed by Sam Mendes Enjoy the show Cast Creative Team We hope you enjoy your National Theatre Please do let us know what you think Henry Lehman Simon Russell Beale Director Sam Mendes Live screening. We make every attempt to through our channels listed below or Mayer Lehman Adam Godley Set Designer Es Devlin replicate the theatre experience as closely approach the cinema manager to share Emanuel Lehman Ben Miles Costume Designer Katrina Lindsay as possible for your enjoyment. your thoughts. Janitor Ravi Aujla Video Designer Luke Halls Pianist Candida Caldicot Lighting Designer Jon Clark Alternate Pianist Gillian Berkowitz Composer and Sound Designer Nick Powell Connect with us Understudies Co-Sound Designer Dominic Bilkey Music Director Candida Caldicot Emanuel Lehman Ravi Aujla Movement Polly Bennett Mayer Lehman Will Harrison-Wallace Explore Never miss out Associate Director Zoé Ford Burnett Go behind the scenes of The Lehman Trilogy Get the latest news from Henry Lehman Leighton Pugh and learn more about how our broadcasts National Theatre Live straight Broadcast Team happen on our website. to your inbox. Screen Director Matthew Amos ntlive.com ntlive.com/signup Technical Producer Christopher C Bretnall Script Supervisor Emma Ramsay Sound Supervisor Conrad Fletcher Lighting Consultant Gemma O’Sullivan Join in Feedback Use #The Lehman Trilogy and be a part of Share your thoughts by taking our the conversation online. short online survey and enter into a prize draw to win £100. -
Real Proofs of Complex Theorems (And Vice Versa)
REAL PROOFS OF COMPLEX THEOREMS (AND VICE VERSA) LAWRENCE ZALCMAN Introduction. It has become fashionable recently to argue that real and complex variables should be taught together as a unified curriculum in analysis. Now this is hardly a novel idea, as a quick perusal of Whittaker and Watson's Course of Modern Analysis or either Littlewood's or Titchmarsh's Theory of Functions (not to mention any number of cours d'analyse of the nineteenth or twentieth century) will indicate. And, while some persuasive arguments can be advanced in favor of this approach, it is by no means obvious that the advantages outweigh the disadvantages or, for that matter, that a unified treatment offers any substantial benefit to the student. What is obvious is that the two subjects do interact, and interact substantially, often in a surprising fashion. These points of tangency present an instructor the opportunity to pose (and answer) natural and important questions on basic material by applying real analysis to complex function theory, and vice versa. This article is devoted to several such applications. My own experience in teaching suggests that the subject matter discussed below is particularly well-suited for presentation in a year-long first graduate course in complex analysis. While most of this material is (perhaps by definition) well known to the experts, it is not, unfortunately, a part of the common culture of professional mathematicians. In fact, several of the examples arose in response to questions from friends and colleagues. The mathematics involved is too pretty to be the private preserve of specialists. -
Robert De Montessus De Ballore's 1902 Theorem on Algebraic
Robert de Montessus de Ballore’s 1902 theorem on algebraic continued fractions : genesis and circulation Hervé Le Ferrand ∗ October 31, 2018 Abstract Robert de Montessus de Ballore proved in 1902 his famous theorem on the convergence of Padé approximants of meromorphic functions. In this paper, we will first describe the genesis of the theorem, then investigate its circulation. A number of letters addressed to Robert de Montessus by different mathematicians will be quoted to help determining the scientific context and the steps that led to the result. In particular, excerpts of the correspondence with Henri Padé in the years 1901-1902 played a leading role. The large number of authors who mentioned the theorem soon after its derivation, for instance Nörlund and Perron among others, indicates a fast circulation due to factors that will be thoroughly explained. Key words Robert de Montessus, circulation of a theorem, algebraic continued fractions, Padé’s approximants. MSC : 01A55 ; 01A60 1 Introduction This paper aims to study the genesis and circulation of the theorem on convergence of algebraic continued fractions proven by the French mathematician Robert de Montessus de Ballore (1870-1937) in 1902. The main issue is the following : which factors played a role in the elaboration then the use of this new result ? Inspired by the study of Sturm’s theorem by Hourya Sinaceur [52], the scientific context of Robert de Montessus’ research will be described. Additionally, the correlation with the other topics on which he worked will be highlighted, -
Introduction
Ambrosio – Cubism and the Fourth Dimension To appear in Interdisciplinary Science Reviews, vol. 41, no. 2-3 Please cite from the published version Cubism and the Fourth Dimension Chiara Ambrosio Department of Science and Technology Studies UCL [email protected] Abstract: This article revisits the historiography of Cubism and mathematics, with a particular focus on Pablo Picasso’s uses of geometry at the end of the first decade of the twentieth century. In particular, I consider the artistic appropriation of the concept of the fourth dimension, and its pictorial uses as a conduit for a conceptual reformulation of pictorial space. I investigate Picasso’s distinctive adoption of this geometric framework in relation to one of his 1909 experiments across painting and photography, and advocate the possibility of drawing novel historiographical lessons from Picasso’s work - lessons that bring the historiography of Cubism in a closer dialogue with recent debates in the historiography of science. I conclude with an appeal to consider the continued relevance of this past experiment in art and science when assessing the contemporary drive toward art-science collaborations, and use the case of Cubism and the fourth dimension as a springboard for a critical reflection on the future directions of art-science collaborations. Keywords: Cubism, Fourth Dimension, Art and Science, Interdisciplinarity Introduction “The new painters do not claim to be geometricians any more than painters of the past did. But it is true that geometry is to the plastic arts what grammar is to the art of the writer. Nowadays scientists have gone beyond the three dimensions of Euclidean geometry. -
27Th IAMA International Conference Shohei Abe Executive Vice President AMATI Inc. Ark Hills Executive Tower S201 1-14-5 Akasaka
27th IAMA International Conference Shohei Abe Mathieu Abelli Ahmed Abouzahra Executive Vice President Founder, President of Opera Musica General Manager AMATI Inc. Opera Musica Arabesque International LLC Ark Hills Executive Tower S201 10, allée des Champs Elysées P.O.Box. 287, jawharat Al-Shatti, 1-14-5 Akasaka F-91042 Evry Shatti Al Qurum Minato-ku France Muscat Tokyo [email protected] 134 107-0052 www.operamusica.com Oman Japan +968 24 494 553 +81 3 3560 3007 [email protected] +81 3 3560 3008 www.arabesqueint.com [email protected] www.amati-tokyo.com Kristina Aljinovic John Anderson Marie Andrieux Managing Director Odradek Records Déléguée générale Specialised Travel Ltd 1040 New Hampshire Street Le Poème Harmonique 12-15 Hanger Green Lawrence KS 66044 128 rue Léon Salva London USA F-76300 Sotteville-lès-Rouen W5 3EL +1 785 842 2756 France United Kingdom +1 785 371 0246 +33 2 3514 2090 +44 20 8799 8322 [email protected] +33 2 3515 4107 +44 20 8998 7965 www.odradek-records.com [email protected] [email protected] www.lepoemeharmonique.fr www.stlon.com Peter Ansell Wray Armstrong Jonas Arndt Director/Head of International Touring CEO MünchenMusik GmbH & Co KG Intermusica Artists' Management Ltd Armstrong Music and Arts Widderstrasse 20 Crystal Wharf DRC, Suite 12-2, Building 4-2, D-81679 München 36 Graham Street 1 XiuShui Bei Lu, Chaoyang District Germany London Changyang District, Beijing +49 89 9438 960 N1 8GJ 100600 +49 89 9393 1123 United Kingdom China [email protected] +44 20 7608 9900 -
Orders, Medals and Decorations
Orders, Medals and Decorations To be sold by auction at: Sotheby’s, in the Lower Grosvenor Gallery The Aeolian Hall, Bloomfield Place New Bond Street London W1A 2AA Day of Sale: Thursday 1 December 2016 at 12.00 noon and 2.30 pm Public viewing: Nash House, St George Street, London W1S 2FQ Monday 28 November 10.00 am to 4.30 pm Tuesday 29 November 10.00 am to 4.30 pm Wednesday 30 November 10.00 am to 4.30 pm Or by previous appointment. Catalogue no. 83 Price £15 Enquiries: Paul Wood, David Kirk or James Morton Cover illustrations: Lot 239 (front); lot 344 (back); lot 35 (inside front); lot 217 (inside back) Tel.: +44 (0)20 7493 5344 Fax: +44 (0)20 7495 6325 Email: [email protected] Website: www.mortonandeden.com This auction is conducted by Morton & Eden Ltd. in accordance with our Conditions of Business printed at the back of this catalogue. All questions and comments relating to the operation of this sale or to its content should be addressed to Morton & Eden Ltd. and not to Sotheby’s. Online Bidding This auction can be viewed online at www.the-saleroom.com, www.numisbids.com and www.sixbid.com. Morton & Eden Ltd offers an online bidding service via www.the-saleroom.com. This is provided on the under- standing that Morton & Eden Ltd shall not be responsible for errors or failures to execute internet bids for reasons including but not limited to: i) a loss of internet connection by either party; ii) a breakdown or other problems with the online bidding software; iii) a breakdown or other problems with your computer, system or internet connec- tion. -
Deming Graphic, 08-10-1920 N
University of New Mexico UNM Digital Repository Deming Headlight and Deming Graphic, 1890-1921 New Mexico Historical Newspapers 8-10-1920 Deming Graphic, 08-10-1920 N. S. Rose Follow this and additional works at: https://digitalrepository.unm.edu/deming_headlight_news Recommended Citation Rose, N. S.. "Deming Graphic, 08-10-1920." (1920). https://digitalrepository.unm.edu/deming_headlight_news/1342 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Deming Headlight and Deming Graphic, 1890-1921 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. V. 4 V' THE BEMIHG GRAPESEC VOL. XVI NO. 4S THE DEMLNG GRAPHIC. TI'ESDAY, AIW8T 10, 120 Debt PagM riVB CENTS THE OOPf CALL FOR REPt BLICAN MRS. CORHETT8 SENTIMENTS FACTORIES STATE CONVENTION SKIT. 7 ARE WORTHY OK 1IKR GIFT CAB l GOV. COX FILES ANSWER MASCOT OIL CO. A delegate convention of the Itcpiih-llcan- s Frank Kimball was In from Ills of tin Htate of New Mexico, Is farm last Haturday. OPEN LASTOF MONTH hereby called to meet at Albuquerque, K. Hollgnac was transiting huiuexx New Mexico, on the 7lh day of Heptem-- 1 Governor Cox formally accepted hla 1st rat ion railroad control and the In the city bixt Haturday. TO DRILL NEAR HERE 1st, A. I), lir.t), at twelve o'clock noon noniliiatioii for the .presidency on tlie wolildy Mexican policy, Mrs. John Corls-t- t made a gift to the or the aald day, for the purpose of .democratic ticket at hla boine in tb speech, partiiailarlly those parts Iteming library of fit), transmitting candidate for Presidential ton, Ohio, laxt Haturday. -
Picasso Drága Múzsái Feleségek, Szeretők, Múzsák a Műtárgypiacon M a Rt O S G Á B O R
Picasso drága múzsái Feleségek, szeretők, múzsák a műtárgypiacon M A rt OS G ÁBO R Idén június 22-ig volt látható New Yorkban át jelentősen. Ahogyan egyikük, Dora Maar az életrajzíró a Gagosian Gallery 980 Madison Avenue Richardsonnak fogalmazott egy beszélgetésben, „amikor alatti kiállítótermében (merthogy a világ ma új nő lépett be Picasso életébe, minden megváltozott: a talán legjelentősebb műkereskedőjének csak művészet, a ház, még a kutya is”. ebben a városban három galériája is van) Az alábbi írás nem tér ki arra, hogy Picassónak milyen volt a Picasso’s Women: Fernande to Jacqueline a személyes kapcsolata az egyes nőkkel, hogy melyiküket című kiállítás, amely a katalán művész bántalmazta fizikálisan, illetve melyiküket hogyan gyötörte legfontosabb „nőit” mutatta be a róluk készített lelkileg, hogy milyen hatással volt az életükre, a sorsukra, Picasso-festmények, rajzok és szobrok hogy mi történt velük a festővel való szakításuk után, hogy segítségével. A tárlatot – a művész ma élő ki lett közülük idegbeteg, ki(k) lett(ek) öngyilkos(ok); ezzel leszármazottjainak közreműködésével – még szemben kizárólag azt igyekszik áttekinteni, hogy az egykori a festő barátja, az idén márciusban 95 éves élettársakról készített portrék közül melyik hogyan szerepelt korában elhunyt John Richardson művészettör- az elmúlt években a műtárgypiacon, vagyis hogy az utókor ténész készítette elő, aki 1991 óta adta ki A Life melyik múzsát (pontosabban a róla készített Picasso- of Picasso című hatalmas művészéletrajzának műveket) értékeli a legtöbbre. eddigi három kötetét (az utolsó, a negyedik megjelenése talán valamikor idén várható), Az biztos, hogy Picasso egyike volt a világ legtermékenyebb és aki korábban már hat Picasso-kiállítást alkotóinak: egyes becslések mintegy ötvenezer (!) darabosra rendezett Gagosian különböző galériáiban. -
Twelve African American Members of the Society for Classical Studies: the First Five Decades (1875-1925)
Twelve African American Members of the Society for Classical Studies: The First Five Decades (1875-1925) by Michele Valerie Ronnick Copyright © 2018 by the Society for Classical Studies All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. Published October 2018 For Ward W. Briggs, Jr., Henry Louis Gates, Jr., Meyer Reinhold and Cornel West, my friends and teachers. Introduction Many of us remain unaware that among the members of the American Philological Association (Society for Classical Studies since 2014) during the latter half of the nine- teenth century were people of African and African American descent, for little or noth- ing had been written about them before the American Philological Association published my pamphlet, The First Three African American Members of the American Philological Association in 2001. We have, however, understood for some time that Americans from the late eighteenth century through the nineteenth century were engaged in heated argu- ments about the appropriate type of education needed by Americans in general, and particularly over the needs of the newly-freed slaves after the Civil War. What we had not yet realized was that these were also concerns among members of the black diasporic community itself, which understood that the study of ancient Greek and Latin had long been the intellectual standard