DOCSLIB.ORG

Download Cast Sheet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Cast Sheet Did you know? A co-production from In 2018 we had 19,940 screenings around the world. by Stefano Massini adapted by Ben Power directed by Sam Mendes Enjoy the show Cast Creative Team We hope you enjoy your National Theatre Please do let us know what you think Henry Lehman Simon Russell Beale Director Sam Mendes Live screening. We make every attempt to through our channels listed below or Mayer Lehman Adam Godley Set Designer Es Devlin replicate the theatre experience as closely approach the cinema manager to share Emanuel Lehman Ben Miles Costume Designer Katrina Lindsay as possible for your enjoyment. your thoughts. Janitor Ravi Aujla Video Designer Luke Halls Pianist Candida Caldicot Lighting Designer Jon Clark Alternate Pianist Gillian Berkowitz Composer and Sound Designer Nick Powell Connect with us Understudies Co-Sound Designer Dominic Bilkey Music Director Candida Caldicot Emanuel Lehman Ravi Aujla Movement Polly Bennett Mayer Lehman Will Harrison-Wallace Explore Never miss out Associate Director Zoé Ford Burnett Go behind the scenes of The Lehman Trilogy Get the latest news from Henry Lehman Leighton Pugh and learn more about how our broadcasts National Theatre Live straight Broadcast Team happen on our website. to your inbox. Screen Director Matthew Amos ntlive.com ntlive.com/signup Technical Producer Christopher C Bretnall Script Supervisor Emma Ramsay Sound Supervisor Conrad Fletcher Lighting Consultant Gemma O’Sullivan Join in Feedback Use #The Lehman Trilogy and be a part of Share your thoughts by taking our the conversation online. short online survey and enter into a prize draw to win £100. /ntlive ntlive.com/feedback Running time: 210 minutes, @ntlive including two intervals AnDirecting excerpt Arthur from BenMiller’s Power’s All My programme Sons Coming soon ntlive.com Directornote on Jeremy this Herrinadaptation answers aof few The questions Lehman about Trilogyhis approach to All My Sons. Find the next broadcast or screening near you at ThisWhat is do the you English-language think makes this premiere of TheOur productionLehman Trilogy plays is gently an epic with theatrical this Stefanoplay classic? Massini’s play, though it is far from poem,construct almost in a wayHomeric that Iin hope its length will and in theMiller’s fi rst craft.production. This play The has piece been was solidly fi rst itsencourage repetitions audiences and rhetoric. to consider Massini the utilises performedbuilt from the in Parisground in 2013,up, and before Miller Luca has hispolitical own backgroundquestions Miller in the is Jewishasking –faith without Ronconi’screated a worldproduction that will at irresistiblythe Piccolo pull in togetting place in the the founding play’s way. Lehmans’All My Sonsreligious has Milanan audience in 2015, into with its further orbit and productions let them in practiceonly become at the more centre urgent of the in storythe 72 and years France,engage withItaly theand grave Germany realities amongst of our others. thesince play Miller can first also laboured read like scripture.over it. This is condition, whilst making it captivating and about a family and a country losing its faith. Alltouching across in Europe, the familiar audiences form of have a realistic What are the challenges of directing this respondedfamily drama. to theIt’s astory classic of 150 for yearsgood reason.of Inplay translating and how and will adapting you approach the play this? into Western Capitalism told through a single EnglishThe complexity and creating and subtly the version of the forcharacters the NT family.What is The your narrative vision offor three bringing immigrant this production,and how their I studied truths collide the many requires different some brothersproduction and to their the offspring stage? becomes a versionspsychological of the insight text that and exist theatrically. in Italian. lensArthur through Miller seemswhich weto besee writing America about and ThisThe playadaptation needs ais rhythmic only one andpossible dynamic route Americanthe bigger capitalismeconomic grow,picture accomplish and how the throughcontrol that the Ivast enjoyed reac learninghes of the and, original. crucially, miraclescapitalist and system ultimately works. succumb He lays out to thea dog- InI’m rendering hoping remains the spirit unseen. and the I want heart the of hubristiceat-dog vision tragedy of theof 2008. world It’s where the storypeople of Massini’saudience toplay get into swept English, into anwe intense have wherethink of we themselves are and how as individualswe got here. rather attemptedand immersive to preserve experience. the ambitious The biggest scope than as members of a wider community. ofchallenge his vision, was his casting wit and it hisand humanity. I’m delighted ‘The course of true love The individual and his family is at the heart that we’ve got such an exciting ensemble: never did run smooth.’ of the American Dream. great actors in each and every role. A feuding fairy King and Queen of the forest cross Neal Street Productions National Theatre Live paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute by William Shakespeare grows, the magical royal couple meddle with TheSet up Old in 2003 Vic by Sam Mendes, Pippa National Theatre Theatre Live distributes Live a Bridge Theatre production mortal lives leading to love triangles, mistaken Harris and Caro Newling, Neal Street world-class theatre straight from stages identities and transformations… with hilarious, The Old Vic aims to be surprising, National Theatre Live distributes Productions is one of the UK’s most across the United Kingdom to cinema but dark consequences. unpredictable, ground-breaking, rule- world-class theatre straight from stages respected production companies, screens around the world. Gwendoline Christie (Game of Thrones) and breaking, independent, accessible across the United Kingdom to cinema producing distinctive and award-winning Oliver Chris (Green Wing, NT Live: Young Marx) and uplifting. Today, Artistic Director screens around the world. fi lm, television and theatre. Working with the best of British star as Titania and Oberon star in Shakespeare’s Matthew Warchus is building on 200 years most famous romantic comedy, directed by theatre companies and producers, we of creative adventure. A not-for-profit theatre Working with the best of British theatre Nicholas Hytner. simultaneously broadcast live theatre shows operatingNational a breakevenTheatre budget in a historic, companies and producers, we to cinemas in the UK, Europe and sometimes Grade II* listed building with the help of simultaneously broadcast live theatre North America, as well as capturing the live £3.6 million of philanthropic support every shows to cinemas in the UK, Europe At the National Theatre, we make world- performance for encore screenings in Olivier Award-winners Lindsay Duncan (Birdman, year from generous supporters, the building and sometimes North America, as well as class theatre that is entertaining, challenging other territories. About Time) and Alex Jennings (The Lady in andis open inspiring. and alive And day we and make night. it for everyone. capturing the live performance for encore the Van, The Queen) feature in this witty and screenings in other territories. devastating portrait of the governing class, Headlong Our live broadcasts and screenings have a new play by Simon Woods directed by Simon Godwin. We stage over 20 productions at our been seen by over 9 million people in 2,500 Our live broadcasts and screenings a National Theatre production It’s 1988 and Tory politician Robin Hesketh has HeadlongSouth Bank is homeone of in the London most ambitiouseach year. cinemas in 65 countries since we launched Our programme is broad and inclusive, have been seen by over 8 million people returned home to the idyllic Cotswold house and exciting theatre companies in the UK, in 2009. he shares with his wife, Diana. But all is not as creatingappealing exhilarating to the widest contemporary possible audiences theatre: in 2,500 cinemas in 65 countries since blissful as it seems. Diana has a stinking hangover, we launched in 2009. awith provocative new plays, mix musicals, of innovative reimagined new writing, ntlive.com a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws reimaginedclassics and classics work for and young influential audiences. 20th- Our facebook/ntlive work is also seen in London’s West End, on on, what starts as gentle ribbing and marital century plays that illuminate our world. @ntlive scrapping quickly turns to blood-sport. tour across the UK and internationally..
Load more

Recommended publications
  • THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
    PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay.
    [Show full text]
  • Thursday 17 January 2019 National Theatre: February
    Thursday 17 January 2019 National Theatre: February – July 2019 Inua Ellams’ Barber Shop Chronicles will play at the Roundhouse, Camden for a limited run from July as part of a UK tour Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre Justine Mitchell joins Roger Allam in Rutherford and Son by Githa Sowerby, directed by Polly Findlay Phoebe Fox takes the title role of ANNA in Ella Hickson and Ben and Max Ringham’s tense thriller directed by Natalie Abrahami Further casting released for Peter Gynt, directed by Jonathan Kent, written by David Hare, after Henrik Ibsen War Horse will return to London as part of the 2019 UK and international tour, playing at a new venue, Troubadour Wembley Park Theatre, for a limited run in October Olivier Theatre SMALL ISLAND adapted by Helen Edmundson based on the novel by Andrea Levy Previews from 17 April, press night 1 May, in repertoire until 10 August Andrea Levy’s epic, Orange Prize-winning novel bursts into new life on the Olivier Stage. A cast of 40 tell a story which journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Adapted for the stage by Helen Edmundson Small Island follows the intricately connected stories of two couples. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.
    [Show full text]
  • Press Release
    PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter/ Facebook / Website #FairytaleCast CASTING ANNOUNCED FOR THE NEW NATIONWIDE TOUR OF SHREK THE MUSICAL CAST INCLUDES STEFFAN HARRI AS ‘SHREK’, CALL THE MIDWIFE STAR LAURA MAIN AS ‘PRINCESS FIONA’, MARCUS AYTON AS ‘DONKEY’ AND SAMUEL HOLMES AS ‘LORD FARQUAAD’ NIGEL HARMAN RETURNS AS DIRECTOR FOR THE HIT PRODUCTION, OPENING AT THE EDINBURGH PLAYHOUSE FOR CHRISTMAS 2017 Believe all ‘ogre’ again! SHREK THE MUSICAL® today announces casting for the major nationwide tour. Following the unprecedented success of the first UK and Ireland tour, the original production team reunites to bring the hit musical to a swamp near you. Opening at Edinburgh Playhouse for the festive season this year from 12 December, the production will then tour throughout the country in 2018. Leading the cast as beloved swamp-dwelling ogre ‘Shrek’ will be Steffan Harri, having previously starred in the original UK tour of SHREK THE MUSICAL®, and Call the Midwife star Laura Main as ‘Princess Fiona’. Due to filming commitments Laura will be performing at selected venues throughout the tour, with full list of dates below*. Also joining the cast will be Marcus Ayton as Shrek’s wisecracking sidekick ‘Donkey’ and Samuel Holmes as pint-sized villain ‘Lord Farquaad’. Further casting to be announced. The company of fairy-tale characters will include Adam Baker, Ethan Bradshaw, Michael Carolan, Joseph Dockree, Will Hawksworth, Sarah-Louise Jones, Reece Kerridge, Thomas Lee Kidd, Amy Oxley, Jemma Revell, Lucinda Shaw, Sam Stones, Adam Taylor, Jennifer Tierney, Sophie Wallis, Francesca Williams, Laura Wilson and Kevin Yates. Laura Main (Princess Fiona) says: ‘I’ve been waiting a long time for an adventure like this to come along and now that it has I am ready to swap the surgery for the swamp in one of my favourite musicals.
    [Show full text]
  • Organisations Alexandra Theatre, Bognor Regis
    Statement from (in alphabetical order) Organisations Alexandra Theatre, Bognor Regis - Hazel Latus Almeida Theatre – Rupert Goold, Denise Wood Ambassador Theatre Group - Mark Cornell and Michael Lynas Andrew Treagus Associates - Andrew Treagus Arcola Theatre – Mehmet Ergen, Leyla Nazli, Ben Todd Arts Theatre - Louis Hartshorn and Lizzie Scott Barbican Theatre - Toni Racklin Battersea Arts Centre – David Jubb Belgrade Theatre – Hamish Glen, Joanna Reid Birmingham Hippodrome - Fiona Allan Birmingham Repertory Theatre – Roxana Silbert and Stuart Rogers Birmingham Stage Company - Neal Foster and Louise Eltringham Bridge Theatre – Nicholas Hytner, Nick Starr Bristol Old Vic – Tom Morris, Emma Stenning Bush Theatre – Madani Younis, Jon Gilchrist Cheek by Jowl - Declan Donnellan, Nick Ormerod and Eleanor Lang Chichester Festival Theatre – Daniel Evans, Rachel Tackley Citizens Theatre - Dominic Hill, Judith Kilvington Curve Theatre - Chris Stafford and Nikolai Foster Darlington Hippodrome - Lynda Winstanley Derby Theatre – Sarah Brigham Disney Theatrical Productions - Richard Oriel and Fiona Thomas Donmar Warehouse – Josie Rourke, Kate Pakenham Donna Munday Arts Management - Donna Munday D'Oyly Carte Opera Trust - Ian Martin Eclipse - Dawn Walton Empire Street Productions - James Bierman English National Ballet - Tamara Rojo & Patrick Harrison English Touring Theatre - Richard Twyman, Sophie Watson Everyman Theatre, Cheltenham - Paul Milton and Penny Harrison Festival City Theatres Trust - Duncan Hendry and Brian Loudon Fit The Bill - Martin Blore
    [Show full text]
  • Production Notes
    Version française par www.cittagazze.com Notes de Production Cet article a été traduit par Haku pour Cittàgazze.com. Si vous souhaitez utiliser l'article sur votre site, intégralement ou non, veuillez s'il vous plait faire un lien vers Cittàgazze. Note du scénariste et réalisateur, Chris Weitz. Pour Lyra, l’enfant autour de laquelle tourne La Boussole d’Or, le voyage débute dans la relative sécurité de son Oxford natal et l’emporte au bout du monde. Mon voyage avec cette histoire a démarré à Londres il y a sept ans, quand un ami m’a conseillé de lire les livres de Pullman alors que j’étais dans la relative sécurité du tournage d’un film, Pour un Garçon. J’ai tout de suite su que je voulais transposer ces livres en films. J’étais absolument abasourdi par l’imagination, l’audace et l’intelligence de ces livres. La plume de Pullman va de la vie de tous les jours au métaphysique, et son impressionnante trilogie est un testament au nom de la liberté et du potentiel de l’âme humaine. Les Royaumes du Nord, le premier livre de la trilogie, offre tous ce qu’un réalisateur peut espérer – une histoire captivante, des personnages fascinants, une profondeur psychologique et philosophique, et une très respectable merveille en son cœur. Pour moi, il n’y avait pas de meilleur challenge que de m’y consacrer dans les années à venir. Cela demande beaucoup de courage de voir quelqu’un adapter votre travail pour un autre support, et je suis redevable à M.
    [Show full text]
  • J. & W. Seligman & Company Building
    Landmarks Preservation Commission February 13, 1996, Designation List 271 LP-1943 J. & W. SELIGMAN & COMPANY BUILDING (later LEHMAN BROTHERS BUILDING; now Banca Commerciale Italiana Building), 1 William Street (aka 1-9 William Street, 1-7 South William Street, and 63-67 Stone Street), Borough of Manhattan. Built 1906-07; Francis H. Kimball and Julian C. Levi, architects; George A. Fuller Co., builders; South William Street facade alteration 1929, Harry R. Allen, architect; addition 1982-86, Gino Valle, architect. Landmark Site: Borough of Manhattan Tax Map Block 29, Lot 36. On December 12, 1995, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the J. & W. Seligman & Company Building (later Lehman Brothers Building; now Banca Commerciale Italiana Building) and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to January 30, 1996 (Item No. 4). The hearing had been duly advertised in accordance with the provisions of law. Nine witnesses spoke in favor of designation, including representatives of Manhattan Borough President Ruth Messinger, Council Member Kathryn Freed, Municipal Art Society, New York Landmarks Conservancy, Historic Districts Council, and New York Chapter of the American Institute of Architects. In addition, the Commission has received a resolution from Community Board 1 in support of designation. Summary The rusticated, richly sculptural, neo-Renaissance style J. & W. Seligman & Company Building, designed by Francis Hatch Kimball in association with Julian C. Levi and built in 1906-07 by the George A. Fuller Co. , is located at the intersection of William and South William Streets, two blocks off Wall Street.
    [Show full text]
  • 16 Weeks Only!
    99 PERFORMANCES ONLY! “MAGNIFICENT. A GENUINELY EPIC PRODUCTION. THREE OF THE MOST VIRTUOSIC PERFORMANCES YOU’RE EVER LIKELY TO SEE.” --The New York Times Under the direction of Tony Award®, Academy Award® and Golden Globe winner Sam Mendes (The Ferryman; “1917;” “American Beauty”), a trio of accomplished actors who represent the best of British Theatre – Simon Russell Beale, Adam Godley, Ben Miles – transfer to Broadway after their sold-out runs at London’s National Theatre, West End and New York’s Park Avenue Armory. This New York Times Critic’s Pick is written by Stefano Massini and adapted by Ben Power. On a cold morning in 1844, a young man from Bavaria stands on a New York dockside dreaming of a new life in the new world. He is joined by his two brothers, and therein begins an American tale of ambition. THE LEHMAN TRILOGY brings to light their modest beginnings and enormous successes until, 163 years later, the firm they establish – Lehman Brothers – dramatically collapses into bankruptcy, generating the largest financial crisis in history. The New York Post hails the production as “the must-see event of the year. Do anything you can to get a ticket” while The Wall Street Journal declares, “You should crawl across broken glass to see it.” NEDERLANDER THEATRE 208 West 41st Street New York, NY 10036 Groups 10+ Previews begin September 25, 2021 Opening Night October 14, 2021 Running Time 3 hours, 20 minutes, including 2 intermissions (told in 3 parts, presented together as 1 piece of theatre) Limited Engagement through January 2, 2022 NOTES FROM THE PRODUCTION: This production features instances of flashing lights and some video effects that may cause dizziness.
    [Show full text]
  • Theatregraphy
    Theatregraphy Play Company Year Date Theatre Co Stars Director Author Richard III National 1981 nn nn nn nn Youth Theatre Macbeth National 1982 nn nn Sally Dexter nn (as Macbeth) Youth Theatre Trumpets and Drums (based on London 1984 nn nn nn Berthold The Recruiting Officer) Academy of Brecht (as Captain Brazen) Music and Dramatic Art Claw Theatre 1985 nn Theatre Clwyd / nn nn nn (as Lusby) Clwyd / Mold Mold Trumpets and Drums (based on Theatre 1985 nn Theatre Clwyd / nn nn Berthold The Recruiting Officer) Clwyd / Mold Mold Brecht (as Captain Brazen) Romeo and Juliet (as Tybalt) Young Vic, 1986 11.02.1986 - Old Vic Vincenzo Ricotta, David William London ??? Mike Shannon, Rob Thacker Shakespeare Edwards, Paul Bradley, Geoffrey Beavers, Edward York, Gary Lucas, Sharon Bower, Suzan Sylvester, Val McLane, Gary Cady, Leslie Southwick, John Hallam The Winter's Tale (as Florizel) RSC 1986 25.05.1986 – Royal Terry Hands William Raymond Bowers, 17.01.1987 Shakespeare Shakespeare Gillian Barge, 14.10.1987 - Theatre Eileen Page, ??? Jeremy Irons, Stanley Dawson, Penny Downie, Paul Greenwood, Joe Melia, Sean O'Callaghan, Henry Goodman, Mark Lindley, Cornelia Hayes, Caroline Johnson, Susie Fairfax, David Glover, Brian Lawson, Bernard Horsfall, Simon Russell Beale, Roger Watkins, Trevor Gordon, Gary Love, Roger Moss, Patrick Robinson, Martin Hicks, Richard Parry, Sam Irons, Richard Easton Every Man in His Humour RSC 1986 15.05.1986 – Swan Theatre Haig, David Caird, John Jonson, Ben (as Wellbred) 07.01.1987 Richardson, Joely Postlethwaite, Pete Moss,
    [Show full text]
  • Ntlive Lehman Trilogy Castlist UK A4.Indd
    Did you know? A co-production from In 2018 we had 19,940 screenings around the world. by Stefano Massini adapted by Ben Power directed by Sam Mendes Enjoy the show Cast Creative Team We hope you enjoy your National Theatre Please do let us know what you think Live screening. We make every attempt to through our channels listed below or Henry Lehman Simon Russell Beale Director Sam Mendes replicate the theatre experience as closely approach the cinema manager to share Mayer Lehman Adam Godley Set Designer Es Devlin as possible for your enjoyment. your thoughts. Emanuel Lehman Ben Miles Costume Designer Katrina Lindsay Janitor Ravi Aujla Video Designer Luke Halls Pianist Candida Caldicot Lighting Designer Jon Clark Alternate Pianist Gillian Berkowitz Composer and Sound Designer Nick Powell Connect with us Understudies Co-Sound Designer Dominic Bilkey Music Director Candida Caldicot Emanuel Lehman Ravi Aujla Movement Polly Bennett Explore Never miss out Mayer Lehman Will Harrison-Wallace Associate Director Zoé Ford Burnett Go behind the scenes of The Lehman Trilogy Get the latest news from Henry Lehman Leighton Pugh and learn more about how our broadcasts National Theatre Live straight happen on our website. to your inbox. Broadcast Team Screen Director Matthew Amos ntlive.com ntlive.com/signup Technical Producer Christopher C Bretnall Script Supervisor Emma Ramsay Sound Supervisor Conrad Fletcher Join in Feedback Lighting Consultant Gemma O’Sullivan Use #TheLehmanTrilogy and be a part of Share your thoughts by taking our the conversation
    [Show full text]
  • Page to Stage
    PAGE TO STAGE Curriculum resources based on the extraordinary children’s classic by Roald Dahl Updated for the Australian Curriculum by Eli Erez and David Perry The World’s No. 1 Storyteller Appropriate for ages 7-12 www.qpac.com.au/event/charlie_chocolate_factory_21/ 1 LIST OF CONTENTS INTRODUCTION CONNECTIONS TO AUST CURRICULUM ACTIVITIES: ENGLISH VISUAL ARTS Slam Writing Unchartered Territory Diary Entry Setting the Scene Poetry in Motion Packaging Design Spotting Adjectives Create Your Own Chocolate Treat A Ride in the Glass Elevator Your Favourite Scene Which Words WORKSHEETS: THE ARTS 1. Character Cards DANCE 2. Poetry In Motion Making Moves 3. Spotting the Adjectives Discussing Dance 4. Mr Wonka’s Factory Creating Choreography 5. Character Portraits 6. Adventure Cards DRAMA 7. Structuring Your Scene 8. Who’s Involved? Character Portraits 9. Design A Mood Board What Would You Ask? 10. The Right Material Storyboarding a Scene 11. Dressing the Oompa-Loompas The Final Chapter 12. Read All About It Who’s Involved 13. Create Your Own Chocolate Treat The Right Material 14. Design A Chocolate Bar Wrapper Dressing the Oompa-Loompas (Parts 1, 2 & 3) 15. Design Your Own Packaging MEDIA ARTS Read All About It ADDITIONAL RESOURCES: Design an Ad Biographies of the Cast & Creative Team Spread the Word Synopsis Where Are They Now? Character Descriptions Wonka Promo Ad Other Resources MUSIC Be a Broadway Songwriter Have a Good Time with Rhyme Call and Response Special Effects The Oompa-Loompa Song 2 WELCOME TO THE WONDROUS WORLD OF THE MAJOR NEW STAGE MUSICAL Charlie and the Chocolate Factory, the deliciously dark children’s classic, has been turned into a brand-new musical from three-time Tony Award© winning director Jack O’Brien and the Grammy© and Tony-winning songwriters of Hairspray: Marc Shaiman and Scott Wittman.
    [Show full text]
  • Robert Lehman Papers
    Robert Lehman papers Finding aid prepared by Larry Weimer The Robert Lehman Collection Archival Project was generously funded by the Robert Lehman Foundation, Inc. This finding aid was generated using Archivists' Toolkit on September 24, 2014 Robert Lehman Collection The Metropolitan Museum of Art 1000 Fifth Avenue New York, NY, 10028 [email protected] Robert Lehman papers Table of Contents Summary Information .......................................................................................................3 Biographical/Historical note................................................................................................4 Scope and Contents note...................................................................................................34 Arrangement note.............................................................................................................. 36 Administrative Information ............................................................................................ 37 Related Materials ............................................................................................................ 39 Controlled Access Headings............................................................................................. 41 Bibliography...................................................................................................................... 40 Collection Inventory..........................................................................................................43 Series I. General
    [Show full text]
  • The Lehman Trilogy
    Park Avenue Armory, in collaboration with the National Theatre and Neal Street Productions, brings The Lehman Trilogy, by Stefano Massini, adapted by Ben Power, and directed by Sam Mendes to the Wade Thompson Dill Hall, following a sold-out run at the National Theatre Master actors Adam Godley, Ben Miles, and Simon Russell Beale will reprise their critically- acclaimed roles March 22 – April 20, 2019 Simon Russell Beale, Ben Miles and Adam Godley in The Lehman Trilogy at the National Theatre. Photo by Mark Douet. New York, NY – September 12, 2018 – In March 2019, Park Avenue Armory – in collaboration with the National Theatre and Neal Street Productions – will present the North American premiere of The Lehman Trilogy. Told in three parts in a single evening, the production will unfold in the 1 soaring 55,000-square-foot Wade Thompson Drill Hall from March 22 through April 20, 2019 in a strictly limited engagement. Directed by Sam Mendes, The Lehman Trilogy weaves through nearly two centuries of Lehman lineage, following the brothers Henry, Emanuel, and Mayer Lehman from their 1844 arrival in New York City to the 2008 collapse of the financial firm bearing their name. Adam Godley, Ben Miles, and Simon Russell Beale play the Lehman brothers, and a cast of characters including their sons and grandsons. As the inaugural production of the 2019 season, The Lehman Trilogy builds on the Armory’s history of presenting bold and engaging theater productions that explore the unexpected possibilities of the cross-genre cultural institution. The world premiere of Stefano Massini’s The Lehman Trilogy opened at the Piccolo Teatro in Milan in 2015.
    [Show full text]