Did you know? A co-production from

In 2018 we had 19,940 screenings around the world.

by Stefano Massini adapted by Ben Power directed by

Enjoy the show Cast Creative Team We hope you enjoy your National Theatre Please do let us know what you think Henry Director Sam Mendes Live screening. We make every attempt to through our channels listed below or Set Designer Es Devlin replicate the theatre experience as closely approach the cinema manager to share Costume Designer Katrina Lindsay as possible for your enjoyment. your thoughts. Janitor Ravi Aujla Video Designer Luke Halls Pianist Candida Caldicot Lighting Designer Jon Clark Alternate Pianist Gillian Berkowitz Composer and Sound Designer Nick Powell Connect with us Understudies Co-Sound Designer Dominic Bilkey Music Director Candida Caldicot Emanuel Lehman Ravi Aujla Movement Polly Bennett Mayer Lehman Will Harrison-Wallace Explore Never miss out Associate Director Zoé Ford Burnett Go behind the scenes of Get the latest news from Leighton Pugh and learn more about how our broadcasts National Theatre Live straight Broadcast Team happen on our website. to your inbox. Screen Director Matthew Amos ntlive.com ntlive.com/signup Technical Producer Christopher C Bretnall Script Supervisor Emma Ramsay Sound Supervisor Conrad Fletcher Lighting Consultant Gemma O’Sullivan Join in Feedback Use #The Lehman Trilogy and be a part of Share your thoughts by taking our the conversation online. short online survey and enter into a prize draw to win £100. /ntlive ntlive.com/feedback Running time: 210 minutes, @ntlive including two intervals AnDirecting excerpt Arthur from BenMiller’s Power’s All My programme Sons Coming soon ntlive.com Directornote on Jeremy this Herrinadaptation answers aof few The questions Lehman about Trilogyhis approach to All My Sons. Find the next broadcast or screening near you at

ThisWhat is do the you English-language think makes this premiere of TheOur productionLehman Trilogy plays is gently an epic with theatrical this Stefanoplay classic? Massini’s play, though it is far from poem,construct almost in a wayHomeric that Iin hope its length will and in theMiller’s fi rst craft.production. This play The has piece been was solidly fi rst itsencourage repetitions audiences and rhetoric. to consider Massini the utilises performedbuilt from the in Parisground in 2013,up, and before Miller Luca has hispolitical own backgroundquestions Miller in the is Jewishasking –faith without Ronconi’screated a worldproduction that will at irresistiblythe Piccolo pull in togetting place in the the founding play’s way. Lehmans’All My Sonsreligious has Milanan audience in 2015, into with its further orbit and productions let them in practiceonly become at the more centre urgent of the in storythe 72 and years France,engage withItaly theand grave realities amongst of our others. thesince play Miller can first also laboured read like scripture.over it. This is condition, whilst making it captivating and about a family and a country losing its faith. Alltouching across in Europe, the familiar audiences form of have a realistic What are the challenges of directing this respondedfamily drama. to theIt’s astory classic of 150 for yearsgood reason.of Inplay translating and how and will adapting you approach the play this? into Western Capitalism told through a single EnglishThe complexity and creating and subtly the version of the forcharacters the NT family.What is The your narrative vision offor three bringing immigrant this production,and how their I studied truths collide the many requires different some brothersproduction and to their the offspring stage? becomes a versionspsychological of the insight text that and exist theatrically. in Italian. lensArthur through Miller seemswhich weto besee writing America about and ThisThe playadaptation needs ais rhythmic only one andpossible dynamic route Americanthe bigger capitalismeconomic grow,picture accomplish and how the throughcontrol that the Ivast enjoyed reac learninghes of the and, original. crucially, miraclescapitalist and system ultimately works. succumb He lays out to thea dog- InI’m rendering hoping remains the spirit unseen. and the I want heart the of hubristiceat-dog vision tragedy of theof 2008. world It’s where the storypeople of Massini’saudience toplay get into swept English, into anwe intense have wherethink of we themselves are and how as individualswe got here. rather attemptedand immersive to preserve experience. the ambitious The biggest scope than as members of a wider community. ofchallenge his vision, was his casting wit and it hisand humanity. I’m delighted ‘The course of true love The individual and his family is at the heart that we’ve got such an exciting ensemble: never did run smooth.’ of the American Dream. great actors in each and every role. A feuding fairy King and Queen of the forest cross National Theatre Live paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute by grows, the magical royal couple meddle with TheSet up Old in 2003 Vic by Sam Mendes, Pippa National Theatre Theatre Live distributes Live a Bridge Theatre production mortal lives leading to love triangles, mistaken Harris and , Neal Street world-class theatre straight from stages identities and transformations… with hilarious, aims to be surprising, National Theatre Live distributes Productions is one of the UK’s most across the United Kingdom to cinema but dark consequences. unpredictable, ground-breaking, rule- world-class theatre straight from stages respected production companies, screens around the world. Gwendoline Christie (Game of Thrones) and breaking, independent, accessible across the United Kingdom to cinema producing distinctive and award-winning Oliver Chris (Green Wing, NT Live: Young Marx) and uplifting. Today, Artistic Director screens around the world. fi lm, television and theatre. Working with the best of British star as Titania and Oberon star in Shakespeare’s Matthew Warchus is building on 200 years most famous romantic comedy, directed by theatre companies and producers, we of creative adventure. A not-for-profit theatre Working with the best of British theatre Nicholas Hytner. simultaneously broadcast live theatre shows operatingNational a breakevenTheatre budget in a historic, companies and producers, we to cinemas in the UK, Europe and sometimes Grade II* listed building with the help of simultaneously broadcast live theatre North America, as well as capturing the live £3.6 million of philanthropic support every shows to cinemas in the UK, Europe At the National Theatre, we make world- performance for encore screenings in Olivier Award-winners Lindsay Duncan (Birdman, year from generous supporters, the building and sometimes North America, as well as class theatre that is entertaining, challenging other territories. About Time) and Alex Jennings (The Lady in andis open inspiring. and alive And day we and make night. it for everyone. capturing the live performance for encore the Van, The Queen) feature in this witty and screenings in other territories. devastating portrait of the governing class, Headlong Our live broadcasts and screenings have a new play by Simon Woods directed by Simon Godwin. We stage over 20 productions at our been seen by over 9 million people in 2,500 Our live broadcasts and screenings a National Theatre production It’s 1988 and Tory politician Robin Hesketh has HeadlongSouth Bank is homeone of in the most ambitiouseach year. cinemas in 65 countries since we launched Our programme is broad and inclusive, have been seen by over 8 million people returned home to the idyllic Cotswold house and exciting theatre companies in the UK, in 2009. he shares with his wife, Diana. But all is not as creatingappealing exhilarating to the widest contemporary possible audiences theatre: in 2,500 cinemas in 65 countries since blissful as it seems. Diana has a stinking hangover, we launched in 2009. awith provocative new plays, mix musicals, of innovative reimagined new writing, ntlive.com a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws reimaginedclassics and classics work for and young influential audiences. 20th- Our facebook/ntlive work is also seen in London’s West End, on on, what starts as gentle ribbing and marital century plays that illuminate our world. @ntlive scrapping quickly turns to blood-sport. tour across the UK and internationally.