DOCSLIB.ORG

Organisations Alexandra Theatre, Bognor Regis

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Organisations Alexandra Theatre, Bognor Regis Statement from (in alphabetical order) Organisations Alexandra Theatre, Bognor Regis - Hazel Latus Almeida Theatre – Rupert Goold, Denise Wood Ambassador Theatre Group - Mark Cornell and Michael Lynas Andrew Treagus Associates - Andrew Treagus Arcola Theatre – Mehmet Ergen, Leyla Nazli, Ben Todd Arts Theatre - Louis Hartshorn and Lizzie Scott Barbican Theatre - Toni Racklin Battersea Arts Centre – David Jubb Belgrade Theatre – Hamish Glen, Joanna Reid Birmingham Hippodrome - Fiona Allan Birmingham Repertory Theatre – Roxana Silbert and Stuart Rogers Birmingham Stage Company - Neal Foster and Louise Eltringham Bridge Theatre – Nicholas Hytner, Nick Starr Bristol Old Vic – Tom Morris, Emma Stenning Bush Theatre – Madani Younis, Jon Gilchrist Cheek by Jowl - Declan Donnellan, Nick Ormerod and Eleanor Lang Chichester Festival Theatre – Daniel Evans, Rachel Tackley Citizens Theatre - Dominic Hill, Judith Kilvington Curve Theatre - Chris Stafford and Nikolai Foster Darlington Hippodrome - Lynda Winstanley Derby Theatre – Sarah Brigham Disney Theatrical Productions - Richard Oriel and Fiona Thomas Donmar Warehouse – Josie Rourke, Kate Pakenham Donna Munday Arts Management - Donna Munday D'Oyly Carte Opera Trust - Ian Martin Eclipse - Dawn Walton Empire Street Productions - James Bierman English National Ballet - Tamara Rojo & Patrick Harrison English Touring Theatre - Richard Twyman, Sophie Watson Everyman Theatre, Cheltenham - Paul Milton and Penny Harrison Festival City Theatres Trust - Duncan Hendry and Brian Loudon Fit The Bill - Martin Blore G Live – Tim Brinkman Gate Theatre – Ellen McDougall, Jo Royce Global Creatures - Carmen Pavlovic and Patrick Murphy Glyndebourne - Gus Christie and Sebastian F Schwarz Great Leap Forward - Jennie Green and Kayte Potter Greenwich Theatre - James Haddrell Hal Luftig Company - Hal Luftig Hall For Cornwall - Julien Boast Hampstead Theatre – Edward Hall, Greg Ripley-Duggan Harrogate Theatre - David Bown Headlong – Jeremy Herrin, Alan Stacey Hofesh Shechter Company – Hofesh Shechter, Henny Finch HOME, Manchester – Dave Moutrey, Sheena Wrigley HQ Theatres and Hospitality – Julian Russell Hull Truck Theatre - Janthi Mills-Ward and Mark Babych Icarus Theatre Collective - Max Lewendel Jamie Wilson Productions - Jamie Wilson Kenneth More Theatre - Sally Woodfield and Steven Day Kenny Wax Family Entertainment Ltd – Nat Habety, Siobhan Higgins Kenny Wax Ltd - Kenny Wax and Kezia Lock Kneehigh – Mike Shepherd, Ali Robertson KTM Promotions - Katie Milton Leeds Grand Theatre & Opera House - Chris Blythe Lichfield Garrick Theatre – Karen Foster Littlestar Services Ltd – Judy Craymer Live Theatre - Jim Beirne, Max Roberts and Wendy Barnfather Liverpool Everyman and Theatre - Gemma Bodinetz and Deborah Aydon London Theatre Consortium – Emma Rees Lyric Hammersmith – Sean Holmes, Sian Alexander Lyric Theatre, Belfast - Ciaran McAuley Macrobert Arts Centre - Julie Ellen Manchester Royal Exchange Theatre – Mark Dobson Marina Theatre - Lee Henderson Mark Goucher Productions Limited – Mark Goucher Mark Rubinstein Ltd – Mark Rubinstein Marlowe Theatre - Paula Gillespie Menier Chocolate Factory - David Babani and Tom Siracusa Mercury Theatre Colchester - Steve Mannix, Daniel Buckroyd Michael Grandage Company - Michael Grandage and Nick Frankfort MJE Productions - Carole Winter Mousetrap Productions – Stephen Waley-Cohen and Andrew Mills Mousetrap Theatre Projects - Susan Whiddington Music & Lyrics Limited - John Stalker and Anne McCluskey Music Theatre Wales - Carole Strachan and Michael McCarthy National Theatre – Rufus Norris, Lisa Burger National Theatre of Scotland - Jackie Wylie and Brenna Hobson National Theatre Wales - Kully Thiarai, Lisa Maguire and Michelle Carwardine-Palmer National Youth Theatre - Paul Roseby Neal Street Productions - Caro Newling New Adventures - Robert Noble New Stages Ltd - David Beidas New Wolsey Theatre – Sarah Homes. Peter Rowe Newcastle Theatre Royal and City Hall – Philip Bernays Nimax Theatres - Nica Burns and Max Weitzenhoffer Norfolk & Norwich Festival – Alex Darbyshire Northern Ballet - Mark Skipper and David Nixon Northern Stage - Lorne Campbell and Kate Denby Norwich Theatre Royal & Norwich Playhouse - Stephen Crocker Nottingham Playhouse - Stephanie Sirr, Adam Penford, Giles Croft Nuffield Southampton Theatres - Sam Hodges and Caroline Routh Octagon Theatre Bolton - Roddy Gauld and Elizabeth Newman Old Vic – Matthew Warchus, Kate Varah Oldham Coliseum Theatre - Kevin Shaw, Mary Caws Opera North - Richard Mantle Orange Tree Theatre – Paul Miller, Sarah Nicholson Out of Joint - Kate Wasserberg, Martin Derbyshire Oxford Playhouse - Louise Chantal Paines Plough - James Grieve, George Perrin Park Theatre - Jez Bond, Rachael Williams Pavilion Theatre, Rhyl - Gareth Owen and Val Simmons Phizzical Productions - Samir Bhamra Pilot Theatre - Mandy Smith, Esther Richardson Pitlochry Festival Theatre - John Durnin, Kris Bryce Playful Productions – Matthew Byam Shaw, Nia Janis, Nick Salmon Pola Jones – André Ptaszynski Polka Theatre - Peter Glanville, Stephen Midlane, Amanda Cropper PW Productions - Peter Wilson and Iain Gillie Rambert - Helen Shute and Mark Baldwin Really Useful Theatres Regent's Park Theatre - Timothy Sheader, William Village Riverside Trust - William Burdett-Coutts and Guy Hornsby Rose Theatre Kingston - Jerry Gunn, Robert O'Dowd Royal & Derngate - Martin Sutherland, James Dacre, Andrew Miller Royal Ballet – Kevin O’Hare Royal Court Theatre – Vicky Featherstone, Lucy Davies Royal Exchange Theatre – Mark Dobson, Sarah Frankcom Royal Lyceum Theatre Edinburgh - David Greig, Alex McGowan, Harriet Mackie, Ruth Butterworth Royal Opera House – Alex Beard, Oliver Mears Royal Shakespeare Company - Gregory Doran, Catherine Mallyon Runaway Entertainment - Tristan Baker, Charlie Parsons Runner Bean - Dee Kirkwood S4K International - Julian Chenery Sadler’s Wells - Alistair Spalding Salisbury Playhouse – Gareth Machin, Sebastian Warrack Scottish Ballet – Christopher Hampson and Steven Roth Selladoor Worldwide - David Hutchinson Shaftesbury Theatre - James Williams Shakespeare’s Globe – Emma Rice, Neil Constable, Michelle Terry Sheffield Theatres - Dan Bates and Robert Hastie Sherman Theatre - Rachel O'Riordan, Julia Barry SiT Productions - Olivier Pierre-Noël Soho Theatre - Steve Marmion, Mark Godfrey SOLT / UK Theatre – Julian Bird, Cassandra Chadderton Sonia Friedman Productions – Sonia Friedman Squaredeal Productions Ltd - Jenny Topper St. David's Hall - Roger Hopwood St. George Entertainment - J. Alan Davis Stanhope Productions - Kim Poster Stephen Joseph Theatre - Stephen Freeman Storyhouse - Alex Clifton and Andrew Bentley Tamasha Theatre Company - Valerie Synmoie, Fin Kennedy The Actors Centre - Joel Fisher The Capitol Horsham - Nick Mowat The Company Presents - John Harris and Mary Hamilton The Mill at Sonning - Sally Hughes The New Theatre Royal, Portsmouth - Laura Doye, Dr Bernie C Bymes The Other Room - Dan Jones, Bizzy Day The Really Useful Group The Round Company - Tobias Round The Victoria Theatre, Halifax - Tim Fagan The Yard Theatre - Jay Miller, Lucy Oliver-Harrison Theatr Clwyd – Tamara Harvey, Liam Evans-Ford Theatr Genedlaethol Cymru – Arwel Gruffydd Theatre Bath - Zoe Bailey, Luke John Emmett, Sarah Luscombe, Laura Morris Theatre by the Lake – Conrad Lynch Theatre Royal Bath - Danny Moar Theatre Royal Bury St Edmunds - Karen Simpson Theatre Royal Plymouth - Adrian Vinken Theatre Royal Stratford East – Nadia Fall, Deborah Sawyerr tiata fahodzi - Natalie Ibu Tinderbox Theatre Company - Patrick J O'Reilly and Jen Shepherd Told by an Idiot – Paul Hunter, Jenni Grainger Tricycle Theatre – Indhu Rubasingham, Bridget Kalloushi Unicorn Theatre – Purni Morell, Anneliese Davidsen Venue Cymru / Theatr Colwyn – Sarah Ecob and Emma Joyce Visible - Sonja Linden Wales Millennium Centre - Graeme Farrow, Pádraig Cusack Warwick Arts Centre – Alan Rivett Watford Palace Theatre - Jamie Arden and Brigid Larmour Welsh National Opera - Leonora Thomson and David Pountney West Yorkshire Playhouse – James Brining and Robin Hawkes Wizard Presents - Danyah Miller, John Miller Working Title Theatre Production - Angela Morrison York Theatre Royal - Simon Glinn Young Vic – David Lan, Lucy Woollatt Yvonne Arnaud Theatre – James Barber Zeilinger Productions - Brian Zeilinger Zippos Cirque Berserk - Martin Burton Individuals Barry Weissler Dave McAteer Gary Stevens Graham Callister Helen Andrews Jamie Clark Karin Gartzke Lizzie Scott Louise Coles Melanie Sharpe Pam Skinner William Archer Partners AKA – the Board of AKA Artifax Software Limited - Sarah Verge Arts Council England - Tarek Iskander Audienceware - Chris Jenkins British Arts Festivals Association - Kim Hart Federation of Scottish Theatres - Jude Henderson Joe Public - Luke Shires ProActive Resolutions - Mahmood Reza Spektrix - Michael Nabarro and Jenniffer Barrett The Audience Agency – Anne Torreggiani White Light - Bryan Raven Updated 13/11/17.
Load more

Recommended publications
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
    [Show full text]
  • The Interdependence of Public and Private Finance in British Theatre
    The Interdependence of Public and Private Finance in British Theatre Stephen Hetherington 2nd Edition, July 2020 (1st edition, August 2015) THEATRE DEVELOPMENT TRUST 2 • The interdependence of public and private finance in British theatre THE AUTHOR Dr Stephen Hetherington, MBE [email protected] RESEARCH ASSISTANT Caroline Davis Copyrights © November 2015 (1st edition), 2020 (2nd edition) Stephen Hetherington and Arts Council England Published by Arts Council England The Hive 49 Lever Street Manchester M1 1FN ISBN: 978-0-7287-1583-7 Cover image Harold Oakley’s drawing of the Theatre Royal Drury Lane, published in the Illustrated London News, December 31st 1910. Its caption begins: Few of those who visit Drury Lane Theatre, whether it be for drama or, as at the present season, for pantomime, realise what a hive of industry and ingenuity such a place is, the enormous number of details that have to be considered, the great organising powers that are called into play. Few imagine, further, that behind the curtain there is at least as much space as there is before it, and that though that space is obviously large, every corner of it is a scene of much work ... The image is part of the George Hoare Theatre Collection at Theatre Royal Drury Lane, and was kindly made available by The Really Useful Theatres group. Contents • 3 Contents FOREWORD 4 Introduction - THE RESEARCH QUESTION 5 Layout of the Report 6 Literature 6 Research Methods 9 Keywords 12 Section 2 - HISTORICAL CONTEXT Theatre and the British Government 20 Section 3 - QUANTITATIVE
    [Show full text]
  • THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
    PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay.
    [Show full text]
  • Download Cast Sheet
    Did you know? A co-production from In 2018 we had 19,940 screenings around the world. by Stefano Massini adapted by Ben Power directed by Sam Mendes Enjoy the show Cast Creative Team We hope you enjoy your National Theatre Please do let us know what you think Henry Lehman Simon Russell Beale Director Sam Mendes Live screening. We make every attempt to through our channels listed below or Mayer Lehman Adam Godley Set Designer Es Devlin replicate the theatre experience as closely approach the cinema manager to share Emanuel Lehman Ben Miles Costume Designer Katrina Lindsay as possible for your enjoyment. your thoughts. Janitor Ravi Aujla Video Designer Luke Halls Pianist Candida Caldicot Lighting Designer Jon Clark Alternate Pianist Gillian Berkowitz Composer and Sound Designer Nick Powell Connect with us Understudies Co-Sound Designer Dominic Bilkey Music Director Candida Caldicot Emanuel Lehman Ravi Aujla Movement Polly Bennett Mayer Lehman Will Harrison-Wallace Explore Never miss out Associate Director Zoé Ford Burnett Go behind the scenes of The Lehman Trilogy Get the latest news from Henry Lehman Leighton Pugh and learn more about how our broadcasts National Theatre Live straight Broadcast Team happen on our website. to your inbox. Screen Director Matthew Amos ntlive.com ntlive.com/signup Technical Producer Christopher C Bretnall Script Supervisor Emma Ramsay Sound Supervisor Conrad Fletcher Lighting Consultant Gemma O’Sullivan Join in Feedback Use #The Lehman Trilogy and be a part of Share your thoughts by taking our the conversation online. short online survey and enter into a prize draw to win £100.
    [Show full text]
  • C. Doran Complete CV
    Cailin Doran 303.956.6542 [email protected] cailindoran.com Productions Directed: Twelfth Night Watertown Children’s Theatre 2020 Who is Eartha Mae? Bridge Repertory Theater 2019 Oklahoma! Voices Boston 2018 Shakespeare in Love (AD) Speakeasy Stage 2018 ​ ​ Pirates of Penzance Voices Boston 2017 Yeomen of the Guard MIT Gilbert and Sullivan Players 2017 Hamlet (AD) Boston Theatre Company 2017 ​ ​ Midsummer Night’s Dream (AD) Boston Theatre Company 2017 ​ ​ Major Roles Performed: Complete Performance Resume available upon request. Music Theatre: Laurey Williams, Oklahoma! | Cinderella, Into the Woods | Kate, The Wild Party ​ ​ ​ ​ ​ ​ (LaChiusa) | The Old Woman, Candide ​ Shakespeare: Beatrice, Much Ado About Nothing | Desdemona Othello ​ ​ ​ ​ Teaching Experience: Voices Boston - Guest Artist - resident Theatre Teacher and Director ​ - Developed workshops and lectures for Laban based movement classes and Acting Fundamentals rooted in Stanislavski and Meisner traditions - Collaborated with Artistic Director, Executive Director, Music Director, Technical Director and Board to produce yearly main stage productions - Generated pre-production dramaturgical lecture series to elucidate the historical context and influences on and of "Oklahoma!" - Participated in best practices convocations for the growth of students and the organizations outreach The Boston Conservatory - Teacher’s Assistant ​ - As Doug Lockwood’s TA, attended and observed undergraduate Acting 1, leading Declan Donnellan based exercises and scene study of contemporary texts
    [Show full text]
  • Richard Cant
    Richard Cant Photo: Wolf Marloh Stage 2019, Stage, Quentin Crisp, AFTER EDWARD, Globe Theatre, London, Brendan O'Hea 2019, Stage, Earl of Lancaster, EDWARD THE SECOND, Globe Theatre, London, Nick Bagnall 2018, Stage, Jeremy Crowther, MAYDAYS, Royal Shakespeare Company, Owen Horsley 2017, Stage, DeStogumber/ Poulengey, SAINT JOAN, Donmar, Josie Rourke 2016, Stage, One, STELLA, LIFT/Brighton Festival, Neil Bartlett 2015, Stage, Aegeus, MEDEA, Almeida, Rupert Goold 2015, Stage, Bernie, MY NIGHT WITH REG, Donmar Warehouse/ Apollo Theatre, Rob Hastie 2015, Stage, Tudor/Male Guard/Assistant, THE TRIAL, The Young Vic, Richard Jones 2013, Stage, Friedrich Muller, WAR HORSE, NT at New London Theatre, Alex Sims, Kathryn Ind 2010, Stage, Page of Herodias, SALOME, Headlong, Jamie Lloyd 2008, Stage, Thersites, TROILUS AND CRESSIDA, Cheek by Jowl, Declan Donnellan 2007, Stage, Pisanio, CYMBELINE, Cheek by Jowl, Declan Donnellan 2002, Stage, Lord Henry, ORIGINAL SIN, Sheffield Crucible Theatre, Peter Gill 2000, Stage, Darren, OTHER PEOPLE, Royal Court Theatre, Dominic Cooke 2000, Stage, Brian/Javid, PERA PALAS, Gate, Sacha Wares 2000, Stage, SHE STOOPS TO CONQUER, New Kent Opera, Hettie McDonald 2000, Stage, Sparkish, THE COUNTRY WIFE, Sheffield Crucible Theatre, Michael Grandage 1999, Stage, Prior, ANGELS IN AMERICA, Library, Manchester, Roger Haines 1997, Stage, Arviragus, CYMBELINE, Royal Shakespeare Company, Adrian Noble 1997, Stage, Rosencrantz, HAMLET, RSC, Matthew Warchus 1997, Stage, Balthasar, MUCH ADO ABOUT NOTHING, RSC, Michael Boyd 1996, Stage,
    [Show full text]
  • Press Release
    PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter/ Facebook / Website #FairytaleCast CASTING ANNOUNCED FOR THE NEW NATIONWIDE TOUR OF SHREK THE MUSICAL CAST INCLUDES STEFFAN HARRI AS ‘SHREK’, CALL THE MIDWIFE STAR LAURA MAIN AS ‘PRINCESS FIONA’, MARCUS AYTON AS ‘DONKEY’ AND SAMUEL HOLMES AS ‘LORD FARQUAAD’ NIGEL HARMAN RETURNS AS DIRECTOR FOR THE HIT PRODUCTION, OPENING AT THE EDINBURGH PLAYHOUSE FOR CHRISTMAS 2017 Believe all ‘ogre’ again! SHREK THE MUSICAL® today announces casting for the major nationwide tour. Following the unprecedented success of the first UK and Ireland tour, the original production team reunites to bring the hit musical to a swamp near you. Opening at Edinburgh Playhouse for the festive season this year from 12 December, the production will then tour throughout the country in 2018. Leading the cast as beloved swamp-dwelling ogre ‘Shrek’ will be Steffan Harri, having previously starred in the original UK tour of SHREK THE MUSICAL®, and Call the Midwife star Laura Main as ‘Princess Fiona’. Due to filming commitments Laura will be performing at selected venues throughout the tour, with full list of dates below*. Also joining the cast will be Marcus Ayton as Shrek’s wisecracking sidekick ‘Donkey’ and Samuel Holmes as pint-sized villain ‘Lord Farquaad’. Further casting to be announced. The company of fairy-tale characters will include Adam Baker, Ethan Bradshaw, Michael Carolan, Joseph Dockree, Will Hawksworth, Sarah-Louise Jones, Reece Kerridge, Thomas Lee Kidd, Amy Oxley, Jemma Revell, Lucinda Shaw, Sam Stones, Adam Taylor, Jennifer Tierney, Sophie Wallis, Francesca Williams, Laura Wilson and Kevin Yates. Laura Main (Princess Fiona) says: ‘I’ve been waiting a long time for an adventure like this to come along and now that it has I am ready to swap the surgery for the swamp in one of my favourite musicals.
    [Show full text]
  • Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
    English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath.
    [Show full text]
  • Vol53no3 with Accts
    Vol 53 No 3 ISSN 1479-0882 May / June 2019 The Wareham (Dorset) which is celebrating ten years of being run by a Trust – see Newsreel p28; photo taken May 2006 The Hucknall (Notts). A new owner is planning to convert it into a four-screen cinema – see Newsreel p24; photo taken May 2008 I owe all members and also Michael Armstrong and his colleagues at the Wymondham a big apology. For the first two issues this year Company limited by guarantee. Reg. No. 04428776. I erroneously printed last year’s programme in the ‘Other Registered address: 59 Harrowdene Gardens, Teddington, TW11 0DJ. Events’ section of the Bulletin. I must have misfiled the current Registered Charity No. 1100702. Directors are marked in list below. programme card and used the old one instead. I have done a suitable penance. The listing on p3 is correct! Thank you all for continuing to send in items for publication. I have been able to use much of the backlog this time. On p32 I have printed Full Membership (UK)..................................................................................£29 some holiday snaps from Ned Williams. I have had these in stock Full Membership (UK under 25s)...............................................................£15 since July 2017, just waiting for a suitable space. I say this simply to Overseas (Europe Standard & World Economy)........................................£37 prove I throw nothing away deliberately – although, as noted above, I Overseas (World Standard).........................................................................£49 Associate Membership (UK & Worldwide).................................................£10 can sometimes do so by accident. Life Membership (UK only).................................£450; aged 65 & over £350 I still have held over a major article from Gavin McGrath on Cinemas Life Membership for Overseas members will be more than this; please contact the membership secretary for details.
    [Show full text]
  • Colin Grenfell Lighting Designer
    Colin Grenfell Lighting Designer Colin has been lighting shows and performances for over 20 years, beginning his career with the Improbable Theatre Company. His first productions were 70 HILL LANE and ANIMO and these marked the start of a long collaboration; designing the lighting for shows touring the UK and around the world, including THEATRE OF BLOOD (National theatre), THE HANGING MAN (West Yorkshire Playhouse) LIFEGAME (National Theatre, UK Tour, La Jolla Playhouse, Off Broadway, Brisbane, US Tours) SPIRIT (Royal Court, UK, US Tours, Sydney Opera House,New York Theatre Workshop. Agents Rose Cobbe Assistant Florence Hyde [email protected] +44 (0) 20 3214 0957 Credits Theatre Production Company Notes RODELINDA Royal College of Music Dir. Jo Davies 2021 STILL Traverse Theatre Dir. Gareth Nicholls 2021 THE KING OF HELL'S Hampstead Theatre Dir. Michael Boyd PALACE 2019 MACBETH Royal Exchange Theatre, Manchester Dir. Christopher Haydon 2019 TAO OF GLASS Royal Exchange Theatre, Manchester Co-Directors: Phelim 2019 McDermott and Kirsty Housley United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ON THE EXHALE China Plate & Audible in association Dir. Christopher Haydon 2018 with New Theatre Royal Portsmouth THE CHERRY ORCHARD Bristol Old Vic & Manchester Royal Dir. Michael Boyd 2018 Exchange CHRISTMAS EVE Theatre Royal Bath Dir. Laurence Boswell 2018 TROUBLE IN MIND Print Room at the Coronet/Theatre Dir Laurence Boswell 2017 Royal
    [Show full text]
  • 02 the Hollow Crown Bios
    Press Contact: Harry Forbes 212.560.8027, [email protected] Lindsey Bernstein 212.560.6609, [email protected] Great Performances: The Hollow Crown Bios Tom Hiddleston After he was seen in a production of A Streetcar Named Desire by Lorraine Hamilton of the notable actors’ agency Hamilton Hodell, Tom Hiddleston was shortly thereafter given his first television role in Stephen Whittaker’s adaptation of Nicholas Nickleby (2001) for ITV, starring Charles Dance, James D’Arcy and Sophia Myles. Roles followed in two one-off television dramas co-produced by HBO and the BBC. The first was Conspiracy (2001), a film surrounding the story of the Wannsee Conference in 1942 to consolidate the decision to exterminate the Jews of Europe. The film prompted Tom’s first encounter with Kenneth Branagh who took the lead role of Heydrich. The second project came in 2002 in the critically acclaimed and Emmy Award- winning biopic of Winston Churchill The Gathering Storm, starring Albert Finney and Vanessa Redgrave. Tom played the role of Randolph Churchill, Winston’s son, and cites that particular experience – working alongside Finney and Redgrave, as well as Ronnie Barker, Tom Wilkinson, and Jim Broadbent – as extraordinary; one that changed his perspective on the art, craft and life of an actor. Tom graduated from RADA in 2005, and within a few weeks was cast as Oakley in the British independent film Unrelated by first-time director Joanna Hogg. Unrelated tells the story of a woman in her mid-40s who arrives alone at the Italian holiday home of an extended bourgeois family.
    [Show full text]
  • Barber Shop Chronicles
    Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production WHEN: VENUE: THURSDAY, NOV 8, 7∶30 PM ROBLE STUDIO THEATER FRIDAY, NOV 9, 7∶30 PM SATURDAY, NOV 10, 2∶30 & 7∶30 PM Photo by Dean Chalkley Program Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production Writer Inua Ellams Design Associate Director Bijan Sheibani Catherine Morgan Designer Rae Smith Re-lighter and Production Electrician Lighting Designer Jack Knowles Rachel Bowen Movement Director Aline David Lighting Associate Sound Designer Gareth Fry Laura Howells Music Director Michael Henry Sound Associate Fight Director Kev McCurdy Laura Hammond Associate Director Stella Odunlami Wardrobe Supervisor Associate Director Leian John-Baptiste Louise Marchand-Paris Assistant Choreographer Kwami Odoom Barber Consultant Peter Atakpo Company Voice Work Charmian Hoare Pre-Production Manager Dialect Coach Hazel Holder Richard Eustace Tour Casting Director Lotte Hines Production Manager Sarah Cowan Wallace / Timothy / Mohammed / Tinashe Tuwaine Barrett Company Stage Manager Tanaka / Fifi Mohammed Mansaray Julia Reid Musa / Andile / Mensah Maynard Eziashi Deputy Stage Manager Ethan Alhaji Fofana Fiona Bardsley Samuel Elliot Edusah Assistant Stage Manager Winston / Shoni Solomon Israel Sylvia Darkwa-Ohemeng Tokunbo / Paul / Simphiwe Patrice Naiambana Costume Supervisor Emmanuel Anthony Ofoegbu Lydia Crimp Kwame / Fabrice / Brian Kenneth Omole Costume and Buying Supervisor Olawale / Wole / Kwabena / Simon Ekow Quartey Jessica Dixon Elnathan / Benjamin / Dwain Jo Servi Abram / Ohene / Sizwe David Webber Co-commissioned by Fuel and the National Theatre. Development funded by Arts Council England with the support of Fuel, National Theatre, West Yorkshire Playhouse, The Binks Trust, British Council ZA, Òran Mór and A Play, a Pie and a Pint.
    [Show full text]