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Home , Adriaen van de Velde, Anthony Gross, Bartolomeo Veneto, Bernadine Healy, Chiswell (horse), Corrado Giaquinto

2002 ANNUAL REPORT

NATIONAL GALLERY OF

WASHINGTON, D C. BOARD OF TRUSTEES Robert F. Erburu AUDIT COMMITTEE TRUSTEES' COUNCIL Sally Engelhard Pingree (as of 30 September 2002) Chairman (as of 30 September 2002) C. Prince Robert F. Erburu Mitchell P. Rales Chairman Victoria P. Sant, Chair Catherine B. Reynolds Paul H. O'Neill La Salle D. Leffall Jr., Vice Chair Robert H. Smith The Secretary of the Treasury Leon D. Black President Robert M. Rosenthal Robert H. Smith W. Russell G. Byers Jr. Roger W. Sant Julian Ganz, Jr. Calvin Cafritz B. Francis Saul II David 0. Maxwell William T. Coleman Jr. Thomas A. Saunders III Victoria P. Sant Edwin L. Cox Julian Ganz, Jr. Albert H. Small — James T. Dyke James S. Smith FINANCE COMMITTEE Mark D. Ein Ruth Carter Stevenson Edward E. Elson Roselyne C. Swig Robert H. Smith Doris Fisher Chairman Frederick A. Terry Jr. David 0. Maxwell Aaron I. Fleischman Paul H. O'Neill Joseph G. Tompkins Juliet C. Folger The Secretary of the Treasury John C. Whitehead John C. Fontaine Robert F. Erburu John Wilmerding Marina K. French Julian Ganz, Jr. Dian Woodner Morton Funger David 0. Maxwell Nina Zolt 1 Victoria P. Sant Lenore Greenberg Victoria P. Sant Rose Ellen Meyerhoff Greene EXECUTIVE OFFICERS ART AND EDUCATION Frederic C. Hamilton (as of 30 September 2002) COMMITTEE Richard C. Hedreen Teresa F. Heinz Robert H. Smith William H. Rehnquist i: Raymond J. Horowitz President The Justice Robert H. Smith of the Chairman Robert J. Hurst Earl A. Powell III Director Earl A. Powell III Alberto Ibarguen Alan Shestack Robert F. Erburu Stephen M. Kellen Deputy Director Julian Ganz, Jr. James V. Kimsey Colin L. Powell Elizabeth Cropper The Secretary of State David 0. Maxwell Mark J. Kington Dean, Center for Advanced Victoria P. Sant Leonard A. Lauder Study in the Visual Alexander M. Laughlin Darrell R. Willson Administrator TRUSTEES EMERITI Edward J. Mathias James E. Duff Paul H. O'Neill Joyce Menschel The Secretary Treasurer Ruth Carter Stevenson Harvey S. Shipley Miller of the Treasury Elizabeth A. Croog Alexander M. Laughlin Diane A. Nixon Secretary and General Counsel Lucio A. Noto Joseph J. Krakora John G. Pappajohn External Affairs Officer Lawrence M. Small • The Secretary of the e|| AUDIT COMMITTEE TRUSTEES' COUNCIL Sally Engelhard Pingree (as of 30 September 2002) Diana C. Prince Robert F. Erburu Mitchell P. Rales Victoria P. Sant, Chair Chairman Catherine B. Reynolds Paul H. O'Neill LaSalle D. Leffall Jr., Vice Chair Sharon Percy Rockefeller The Secretary of the Treasury Leon D. Black Robert M. Rosenthal Robert H. Smith W. Russell G. Byers Jr. Roger W. Sant Julian Ganz, Jr. Calvin Cafritz B. Francis Saul II David 0. Maxwell William T. Coleman Jr. Thomas A. Saunders III Victoria P. Sant Edwin L. Cox Albert H. Small James T. Dyke James S. Smith FINANCE COMMITTEE Mark D. Ein Ruth Carter Stevenson Edward E. Elson Roselyne C. Swig Robert H. Smith Doris Fisher Frederick A. Terry Jr. Chairman Aaron I. Fleischman Joseph G. Tompkins Paul H. O'Neill Juliet C. Folger The Secretary of the Treasury John C. Whitehead John C. Fontaine Robert F. Erburu John Wilmerding Marina K. French Julian Ganz, Jr. Dian Woodner Morton Funger David 0. Maxwell Nina Zolt Lenore Green berg Victoria P. Sant Rose Ellen Meyerhoff Greene EXECUTIVE OFFICERS ART AND EDUCATION Frederic C. Hamilton (as of 30 September 2002) COMMITTEE Richard C. Hedreen Teresa F. Heinz Robert H. Smith President Robert H. Smith Raymond J. Horowitz Chairman Robert J. Hurst Earl A. Powell III Director Earl A. Powell III Alberto Ibarguen Alan Shestack Robert F. Erburu Stephen M. Kellen Deputy Director Julian Ganz, Jr. James V. Kimsey Elizabeth Cropper David 0. Maxwell Mark J. Kington Dean, Center for Advanced Victoria P. Sant Leonard A. Lauder Study in the Alexander M. Laughlin Darrell R. Willson Administrator TRUSTEES EMERITI Edward J. Mathias James E. Duff Joyce Menschel Treasurer Ruth Carter Stevenson Harvey S. Shipley Miller Elizabeth A. Croog Alexander M. Laugh I in Diane A. Nixon Secretary and General Counsel Lucio A. Noto Joseph J. Krakora John G. Pappajohn External Affairs Officer OF ART, WASHINGTON, D C. WE ARE COMMITTED TO ENHANCING, STRENGTH- tENING, PROTECTING AND CARING FOR THE GALLERY'S M. ASSETS-THE COLLECTIONS vS AND LANDMARK BUILDINGS AND GROUNDS. rn The year 2002 culminated in a spectacular close, dramatically Gallery to build its collections, An American Vision: Henry Francis landmark celebration for the fulfilling the Gallery's goal of present special exhibitions, en- du Pont's Winterthur Museum. We 7* with the providing expanded exhibition hance its educational programs, are also indebted to Mitchell P. o opening of the new ground floor space for its growing and carry out special projects, Rales for his gift to acquire 7* hrt Sculpture Galleries on 29 Sep- collection. f%> The Sculpture including the new sculpture Pablo 's of a Woman m tember. These lovely galleries (Fernande). The Gallery received occupy twenty-four thousand "The National Gallery of Art serves to major planned gifts, including square feet in the northwest significant bequests from the remind us that art possesses a remarkable quadrant of the West Building. estates of Dorothy C. Catherman More than eight hundred works power to inspire the human spirit." and Susan Morse Hilles, as well o of art, from the renowned Chalice as a generous bequest intention z of Abbot Suger of Saint-Denis to Galleries attest to the strength of galleries. x§> My fellow trustees from Albert H. Small. Thanks the Degas and waxes the ongoing partnership between join me in extending our warm to their strong support and that o bequeathed by Paul Mellon—a the federal government and the appreciation to the Richard of many other dedicated donors collection unparalleled in any private sector in supporting and King Mellon Foundation for its across the nation, the Gallery other museum—are on view in enhancing America's National generous grant for the sculpture continues to reflect the highest the newly transformed space. The Gallery. My fellow trustees and galleries renovation project in standards in presenting great abundant natural light afforded I are enormously grateful to the honor of Paul Mellon. We are works of art to the public. x§> The by 's original President and the Congress for grateful as well to several Gallery Gallery's annual giving programs, plan, the new axial views, and the their enduring commitment in donors for their leadership gifts the Collectors Committee and carefully researched architectural providing for the day-to-day this year for special exhibitions The Circle of the National Gallery, detailing in the reconfigured maintenance and operations of the and art acquisitions. Our special continued to a key role in spaces allow the Gallery to display Gallery, a commitment dating to thanks go to the Catherine B. sustaining vital Gallery activi- the works in its national collection the founding of the Gallery more Reynolds Foundation for its ties. The Collectors Committee to the best possible advantage. than sixty years ago. At the same sponsorship of and is a national group of collectors The opening of this suite of time, in keeping with Andrew Goya: Images of Women, and to and patrons whose annual gifts twenty-two galleries and a study W. Mellon's original gift, private Louisa and Robert W. Duemling are pooled to acquire works of room brought the year to a giving continues to allow the and DuPont for their support of modern and for the Gallery. The Committee cally pursued ways to make the of Trustees remained unchanged Juliet C. Folger of Washington, We are tremendously grateful to voted this year to acquire Yayoi fine arts accessible to the widest this year. Robert F. Erburu con- DC.; John C. Fontaine of New the federal government for its Kusama's Yellow Net, 1960, the possible audience. Perhaps Carter's tinues as chairman of the board, York City; Lenore Greenberg continual support of the Gallery first work by the artist to enter the greatest accomplishment was with Julian Ganz Jr., David O. of Beverly Hills; Richard C. as the nation's art museum, and Gallery's collection. My fellow the creation of the Center for Maxwell, and Victoria P. Sant Hedreen of ; Alberto to the many generous donors trustees and I are very grate- Advanced Study in the Visual as private trustees. The Chief Ibargiien of Miami; Stephen M. nationwide who support our pro- ful to the Committee's cochairs, Arts, an international academic Justice of the Supreme Court, the Kellen of City; Lucio grams and initiatives in so many Barney Ebsworth and Doris devoted to promoting Secretary of State, the Secretary A. Noto, also of ; ways. Our thanks go above all to Fisher, for their dedication to the of the Treasury, and the Secretary Sally Engelhard Pingree of the millions of visitors who con- Committee's ongoing success. The of the Smithsonian Institution Washington, DC.; Catherine B. tinue to come to the Gallery, in Circle of the National Gallery serve as ex officio trustees. Vicki Reynolds of McLean, ; person or online, to discover the continued to thrive, providing Sant, chair of the Trustees' Thomas A. Saunders III of New wonder and beauty of great unrestricted support for critical Council, announced at the Sep- York City; Roselyne C. Swig works of art. With the help of activities such as art acquisition, tember Council meeting that she of ; and John the Gallery's talented and dedi- conservation, and educational will be succeeded by Lucio A. Wilmerding of Princeton. We cated staff, my fellow trustees outreach. We would like to thank f Noto effective in 2003; LaSalle would like to thank those on the and I will work to uphold the Julie Folger, chair, and Marina D. Leffall Jr. continues as vice Council whose terms ended in standard of excellence that is the French, cochair, for their exem- chair. Our congratulations go to 2002: Leon D. Black of New York hallmark of America s National J! plary service to this vital group, Lou and LaSalle, along with our City; Raymond J. Horowitz, also Gallery of Art. Adriaen de Vries, Empire Triumphant over Avarice, which numbered more than one Widener Collection warmest thanks to Vicki for her of New York City; Leonard A. thousand members nationwide arts scholarship at the highest leadership of the Council and Lauder, also of New York City; at the close of the fiscal year. level. I know that I speak for the continuing service to the Gallery Diana C. Prince ofWashington, J. Carter Brown, who died trustees and staff of the Gallery as a trustee. The Trustees' DC.; James S. Smith of New Robert H. Smith on 17 June 2002, left a remarkable in saying how grateful we are for Council, the advisory group to York City; and Dian Woodner of legacy to the Gallery and to Carter's gifted leadership and the Board of Trustees, welcomed New York City. x§> The National the arts worldwide. Throughout invaluable contributions to the the following new and returning Gallery of Art serves to remind us his twenty-three years as the nation's art museum. x(:v The com- members in 2002: W. Russell that art possesses a remarkable Gallery's director he enthusiasti- position of the Gallery's Board G. Byers Jr. of New York City; power to inspire the human spirit. THE NATIONAL GALLERY OF ART IS A LIVING INSTITUTION,

• — GROWING IN USEFULNESS AND IMPORTANCE TO ARTISTS, SCHOLARS, AND PEOPLE.

Three hundred sixty-three days a handsome addition to our The Quest for Immortality: Treasures reality. Fifty extraordinary Italian o each year the National Gallery of eighteenth-century hold- of Ancient Egypt brought the largest , on Art reaffirms its mission to serve ings; andWinslow Homers small number of ever loaned loan from Robert H. Smith,

the nation by collecting, exhibit- yet monumental Dad's by Egypt to North America. It President of the National Gallery

ing, preserving, and encouraging Coming!. New and returning premiered in Washington and of Art, helped to celebrate the rn the understanding of great works visitors to the National Gallery is circulating to museums across opening of the new galleries. of art. Strengthening the Gallery's Mr. Smith's dedication to quality n collections, which are at the heart "Our mission is to serve the country by is evident in the collection he of all that we do, is our highest has assembled, and we are grate- H collecting, exhibiting, preserving, and encouraging priority. This year we acquired, ful for his generosity in sharing the understanding by the American public through purchase or gift, over his superb bronzes with our visit-

two thousand works of art and of great works of art." ing public. The opening of the

rare books, enriching almost every Sculpture Galleries also provided

area in which the Gallery collects. also saw in special exhibitions the nation. *§> Superb works of the opportunity to announce the un *§> Among the year's highlights hundreds of masterpieces loaned sculpture and appointment of Nicholas Penny are: (Fernande), by private collections and pub- from the Gallery's collection are as the Gallery's senior curator of

the first important Picasso sculp- lic institutions throughout the now showcased in the new sculpture. His outstanding expe-

ture to enter the collection and world. Goya's portraits of women ground floor Sculpture Galleries. rience and knowledge make one of the icons of ; came principally from the great On behalf of the millions of a welcome addition to our cura-

The Holy Kinship, a stunning national collections of ; Americans and international vis- torial staff. 4:?) Preschoolers as well

fifteenth-century German altar- botanical art produced for the itors we welcome to the Gallery as postgraduates on the local,

piece; The Ecstasy of the Magdalen Medici from ; Dutch land- each year, I would like to express national, and international levels by Giulio Cesare Procaccini, an scapes by Aelbert Cuyp from the our appreciation to the Richard benefit from the Gallery's initiatives

outstanding Lombard artist work- ; and American fur- King Mellon Foundation for to promote and encourage the

ing in the seventeenth century; niture and decorative arts from its pivotal role in making this understanding of art. We offer an Autumn by Corrado Giaquinto, Delaware's Winterthur Museum. "museum within a museum" a array of school programs, teacher workshops, tours, films, and lec- tigate, and publish, to participate funding, for which we are all himself to the Gallery, , and of beauty and his pride in his coun- tures on site, and through our in fellowship programs and to extremely grateful, we will pre- the nation. *§> Although 2002 was try, his intellect, and his generosity acclaimed Web site we deliver present their research in public serve and maintain the complex a challenging year, attendance has led him to give his collection and programs to classrooms and com- symposia. New information about and grounds for future genera- begun to build again, and we wel- the building that houses it to the munities worldwide. At our annual Brancusi's casting methods, new tions. We note with sadness comed over 4.2 million visitors to American people. Mr. Mellon's teacher institute, we work with technical analyses of the wax the passing of J. Carter Brown the Gallery. The National Gallery initial gift, and the thousands of educators to develop innovative sculptures of Degas, and new this year. Carter led the National Sculpture Garden continues to be other gifts from the private sector programs based on our collec- treatment methods emerged. k§> Gallery with vision, energy, and a popular destination for residents that have come to the Gallery, tions for the benefit of millions of The West Building, designed by and tourists alike in all seasons. x§> together with the continuing students. *§> All of the Gallery's John Russell Pope, and the We are grateful for the continuing support of the federal government, programs are built on scholarship East Building, designed by I.M. support of the Administration ensure the National Gallery of and research by its own excep- Pei, are widely acknowledged and the Congress that enables Art's success. tional staff and guest curators. Our architectural treasures, meriting the Gallery to fulfill its mission programs are further strengthened vigilant, sympathetic care. During by providing for operations and by visiting scholars from through- the year, the Gallery continued its maintenance and for repair, out the nation and the world. comprehensive repair, , Aelbert Cuyp, River with Cows, Gift of restoration, and renovation proj- Earl A. Powell III Family Petschek (Aussig) Our Center for Advanced Study and renovation of the buildings ects. On behalf of the executive in the Visual Arts, eminent among and infrastructure so necessary to wisdom. His achievements here officers of the Gallery, I would international research institutes, keeping the complex functioning were many—the development and like to thank the staff and the hosted a record sixty members efficiently and securely for the opening of the East Building, the many volunteers for their dedi- this year owing in part to a major works of art and for the viewing addition of extraordinary works cation. Our gratitude also goes to gift from the Gallery's generous public. We are committed to of art to the collection, and the the many donors and lenders who

President, Robert H. Smith. ensuring that the buildings and creation of imaginative special ensure the Gallery's continuing

x@> This year, conservators from grounds continue to be examples exhibitions, while nurturing the vitality. x@> The National Gallery throughout the world came to of the Gallery's high aesthetic Gallery as it grew into an inter- of Art began as the idea of one

Washington to study, work, inves- standards. With continued federal national force. He dedicated man, Andrew W. Mellon. His love gplf COLLECTING #THE GALLERY'S lEai CORE COLLECTIONS, GIVEN BY THE FOUNDING BENEFACTORS, FORM THE TOUCHSTONE FOR THE QUALITY AND SIGNIFICANCE ||g| OF EACH ACQUISITION. Efl

AINTINGS In spite of the increasing rarity of Italian baroque Schurman in 1657, as a design on the art market, the Gallery made a spectacular for a print. The sitter was the Pacquisition in this area: Giulio Cesare Procaccini's Ecstasy of the first woman allowed to attend Magdalen, 1616/1620, purchased with the Patrons' Permanent Fund. classes at a Dutch university, Painted in Genoa for the ruling Doria family, avid collectors of and one of the most learned Procaccini's work, it shows the strong influence of Peter Paul Rubens' women of her day. The paint- luscious baroque art. Mary Magdalen is borne to heaven by winged ing is the first Dutch grisaille , while others, playing stringed instruments, accompany her to enter the collection. X§> The Corrado Giaquinto, Autumn, Gift of the Rizik Family ecstatic elevation. It is a masterpiece, and arguably the finest work by American nineteenth-century painter , best Procaccini in North America.The relatively austere Saint Francis in Prayer, known for his radiant , painted very few still lifes. Of these, c. 1620/1630, by Bernardo Strozzi, another leading painter in the Ligurian Two Pears on a Tabletop is the most accomplished and beautiful, with the city at this time, is one of several gifts from Joseph F. McCrindle.The fruits' textures and colors lovingly detailed. A significant addition to the Rizik Family's gift of a superb allegory of Autumn, painted c. National Gallery's growing collection of American paintings in this 1730—1740 by the Neapolitan artist Corrado Giaquinto, is a welcome genre, it is the partial and promised gift of William and Abigail Gerdts, addition to the eighteenth-century baroque holdings. The wine god scholars who have formed an unrivaled collection of American still lifes Bacchus and other mythological figures lounge in a fecund landscape, over the course of many decades. From the collection of Mr. and richly colored with the hues of the season. The collection of northern Mrs. Paul Mellon, whose past generosity has contributed enormously to baroque paintings grew with of the Gallery's holdings of works by the great American artist Winslow two portraits, both thanks to the contin- Homer, the Gallery received Dad's Coming!. Painted in 1873 when uing generosity of Joseph F. McCrindle. Homer was concerned with the boatyards and fisheries of Gloucester, Portrait of a Lady, 1676, by Nicolaes this profoundly solemn, emotional image possesses a monumental!ty Maes, is an important addition to our despite its small size. K§> The numerous additions of modern and con- small collection of Dutch portraits from temporary paintings and constructions include a work from Diego the later seventeenth century. The Rivera's cubist period, the masterly No. 9 Espagnol, 1914, artist's loose brushstrokes, especially in the which was a bequest of Katharine Graham, while an earlier work by wealthy burgher's vibrant, shimmering Rivera, Montserrat, 1911, is a bequest of Elizabeth Meyer Lorentz. garments, soften and enliven this elegant 's dynamic Street of Barns, 1914, is a partial and promised image. Cornells Jonson van Ceulen gift from the Arnold Saltzman Family Collection. The Gallery received Giulio Cesare Procaccini, The Ecstasy of the made the small Portrait of Anna Maria van Magdalen, Patrons' Permanent Fund its first painting by , his classic Pictograph, 1942, as a gift ofAaron I. Fleishman.The Collectors Lilies, 1928, by Herbert Adams, given by the HRH Committee acquiredYayoi Kusama's Yellow Foundation in honor of its founder, Helen Ruth Net, 1960,from the artists group oP'Infinity Henderson.The Iris and B. Gerald Cantor Collection Net" paintings. A private collector gave gave a special display of the different stages in the lost- Christo's illuminated construction/, wax casting process-a vital didactic component of the . Dad's Coming!, Collection of Mr. and Mrs. Paul Mellon Double Store Front Project, Orange and Yellow, new galleries.The Hon. Andrew M. Brown presented

1965, in honor of Dorothy and Herbert Vogel, while Jo Baer's two- the Gallery with a pax and a medal, both bronzes from pabio Picasso, Head of a Woman (Fernande), panel painting, , 1968, the first work by this key figure of the the sixteenth century. Lisa Unger Baskin, continuing Patrons' Permanent Fund and Gift of minimalist generation to enter the collection, was a gift of Dorothy several years of donations from her and her late bus- Mitchell P. Rales and Herbert Vogel. New Light, a space division construction conceived band , gave splendid medals of bronze and from in 1989 by , was a generous gift of the artist, joining the the sixteenth, seventeenth, and eighteenth centuries. Picasso's iconic group ofTurrell's early light installations acquired in 2000. Head of a Woman (Fernande), 1909, which represents a significant moment CULPTURE An important late fifteenth-century altarpiece in the development of , was acquired with Patrons' Permanent depicting The Holy Kinship became the first example of German Funds and a generous gift of Mitchell P. Rales. Spolychrome woodcarving to enter the collection. It represents RAWINGS The collection continued to grow the extended family of Mary and , as described not in the Bible apace, with the greatest strides made in the Swiss school. One of the most popular but in the Speculum Historiale by Vincent of Beauvais and in the late DThe Gallery acquired three impressive watercolors and outdoor spaces in medievel Golden Legend by Jacobus de Voragine. This theological doc- by Swiss artists working in the period around 1800: Arcadian Washington, the National trine became a point of departure Landscape with an , 1785, by the author, , and amateur artist Gallery Sculpture Garden for numerous images celebrating Salomon Gessner; an enormous view of The Waterfalls at Tivoli, c. 1790, provides a distinctive the family in late fifteenth-century by Louis Ducros, who specialized in Roman landscapes; and Franz setting for eighteen major , the Netherlands, and Kaisermann's serene sunset view across the Tiber valley froml813.The 20th-century sculptures, northern . The transfer of acquisition of all three was made possible, appropriately, by the fund installed amidst American the Florentine sixteenth-century named for Rudolf and Lore Heinemann, who lived for a part of every varieties of perennials, and to the in year in Switzerland and shared a passion for Italy. Mr. and Mrs. Kurt shrubs and flowering trees the new ground floor Sculpture Meissner continued to add to the Gallery's collection of Swiss drawings and surrounding a reflect- Galleries left an empty space in with a splendid double-sided sheet by Friedrich Salathe, the seventh ing pool that lures ice the Garden Cafe fountain. It was Salathe given by them. Alexander M. and Judith W. Laughlin gave a skating enthusiasts in South German 15th century. The Holy Kinship, replaced by a bronze Girl with Patrons' Permanent Fund handsome of a quintessentially Swiss subject, Mont Blanc, by the winter months. Salathe's older contemporary Jean-Antoine Linck. In the French school, a rare and Another mountain landscape, by the nineteenth- exceptionally fine portrait by century artist Rodolphe Leon Berthoud, was Hyacinthe Rigaud, a gift of Diane given by David and Elizabeth Tumck in honor of Allen Nixon, became the first work Earl A. Powell Ill's tenth anniversary as director. by this artist to enter the Gallery's Arturo and Corinne Cuellar donated a portrait collection. Pamela B. Ohrstrom Louis Ducros, The Waterfalls at Tivoli, Rudolf and of a Swiss guard, Giovanni Grosso, standing kindly donated a delightful Study Lore Heinemann Fund before in fancy dress designed by of imaginary flowers and insects byJean-Baptiste Pillement. Katherine Jean-Etienne Liotard,A« Elegant Young woman in Maltese , Michelangelo. The crowning glory among the Baer and Juan Esteban Pereira gave, in memory of J. Carter Brown, a Patrons' Permanent Fund and New century Fund recent acquisitions of works by Swiss artists was fascinating composition on tracing by Jean-Auguste-Dominique the purchase, through the Patrons' Permanent Fund and New Century Ingres. Helen Porter and James T. Dyke continued to add depth to the Fund, of a riveting work by Jean-Etienne Liotard, one of the most Gallery's holdings of nineteenth-century French drawings with the gift admired pastellists of all time. AM Elegant Young Woman in Maltese Costume of a remarkable watercolor by Theodore Chasseriau. Virginia and Ira is a superb example from the mid-1740s, when Liotard was at the Jackson transformed the Gallery's collection of Nabi works with their height of his powers. Among the works by British artists purchased partial and promised gift of more than thirty drawings, including this year are three major watercolors: Paul Sandby's large, luminous sun- examples by and Georges Lacombe and a remarkable rise scene on the grounds of the 3d Earl of Bute's country estate, group of twenty-eight sheets by . Among the Bonnards Luton Park; an appealing panorama of the countryside around Ariccio are the artist's double-sided drawing for his celebrated

The National Gallery of Art in Italy, 1777, by the Welsh artist Thomas Jones; and 's France-Champagne, as well as nine drawings and watercolors related to complex encompasses handsome view of Conway Castle, about 1800. The first two were his enchanting primer, Petit solfege illustre. *§) The German drawings

1.4 million square feet in acquired through the Paul Mellon Fund; the third was purchased acquired this year include a pen and watercolor composition by Hans addition to the 6.1-acre through the New Century Gift Committee. Former director J. Carter Freyberger, the first gift of Charles and Ilona Mack in memory of Mary

National Gallery Sculpture Brown gave a humorous watercolor by Thomas Rowlandson of Dirnberger Sundbeck. Four eighteenth-century sheets were pur-

Garden. The West and East British travelers changing chased through the Fund: two fine gouaches by

Buildings are united by the horses at a French inn. and members of the Dietszch family and her brother, Johann spirit of and the Donald Stone contributed a Christoph; a charming moonlit landscape by Franz Innocenz Josef color and texture of the handsome pen and wash Kobell; and a wonderfully inventive piece by Vitus Felix Rigl. exteriors, both of rose-white river landscape drawn by Two highly refined drawings by German Nazarene artists include

Tennessee marble. FranCIS Towne in 1783. *0* Paul Sandby, Dawn in Luton Park, Paul Mellon Fund Joseph Thiirmer's view of the environs of drawn in 1818, the gift of Thomas Le Claire of Hamburg, and Philipp von Foltz's highly O'Keeffe Foundation.The Collec- finished scene from the story of The Count of Habsburg, 1837.Wilhelm tors Committee provided funding von Kobell's charming, delicately colored scene of cows and bathers for a sketchbook comprising by a mountain lake, also 1837, was bequeathed by Lore Heinemann in twenty-three early drawings by memory of her husband, Rudolf. x@> Purchases of Italian drawings Isabel Bishop. 4^ Artists' families include a red chalk study of The by the sixteenth-century have always been generous to the Vicenza artist Andrea Vicentino; a lively sketch of two men wearing National Gallery. Neelon Crawford, O'Keeffe, Blue Hill No. 1, Gift of Joan and masquerade by Stefano Delia Bella; a delightful sheet of studies son of the American modernist Lucio Noto and The Georgia O'KeeHe Foundation by Giovanni Domenico Tiepolo; and a large watercolor by Giacomo Ralston Crawford, donated twenty of his father's drawings from the Quarenghi showing part of 's Square in Rome. Another to the . Sally Avery donated five sketchbooks by her hus- notable gift from Diane Allen Nixon is the fluid pen sketch of an band, , made between 1930 and 1952, which include the insouciant young gentleman by Francesco Brizio, a younger contempo- artist's distinctive figure studies as well as New landscapes and rary of Annibale Carracci. Anne coastal views. Back View, 1969, is a stark and poignant work by Philip Baruch continued to enrich the Guston that confirms the artist's status as a master draftsman, given by A-- Gallery's holdings of Czech graphics his daughter Musa Mayer and her husband Tom Mayer. "v'P The many with a gift of fifty-four twentieth-cen- notable additions to the Gallery's post-1950 holdings include a tran- tury drawings, including eleven by the scendent charcoal drawing by Myron Stout, purchased with the Nancy turn-of-the-century symbolist Karel Lee and Perry Bass Fund. The first collage to enter the collection by Francesco Brizio, An Elegant Young Man Personifying Minity, Gift of Diane Allen Nixon MtlSck. The nearly 150 WOrks that Anne Ryan, a work from 1952, is a gift from Gloria Spivak in honor now form the Anne and Jacques Baruch Collection help establish the of Jeffrey Weiss. David and Renee McK.ee continued their support by Gallery as a center for the study of Eastern European graphic art. An donating a commanding work by , which combines extraordinary addition to the German collection was a luminous work simplicity of form with bravura handling. 's by , Mists over the Lake, 1934, a purchase made possible Untitled No. 19, 1981, is a breathtaking addition to the already rich with funding from Helen Porter and James T. Dyke. A large and vibrant representation of drawings by this artist. A gift from Ann and Robert watercolor by , Die Schale des Herzens, 1937, was a gift of Mrs. L. Freedman, it combines exquisite color sense with an inventive use of John . Elizabeth Meyer Lorentz bequeathed an playing card symbols. x§> The Herbert and Dorothy Vogel Collection important early by the American Max Weber, Girl with Flowers, expanded with gifts of On Kawara's conceptually based postcards and 1910. An exceptional watercolor by Georgia O'Keeffe, Blue Hills No. 1, a 1987 drawing by Fred Sandback. A generous gift of sixteen drawings 1916, is a joint gift of Mr. and Mrs. Lucio A. Noto and The Georgia from Werner H. and Sarah-Ann Kramarsky strengthened and diversified the Gallery's contemporary holdings: Carole Seborovski's Ink Dot and gift of three fine eighteenth-century French color prints by Gilles Enameled Line Drawing, 1988; Sol LeWitt's Black Gouache, 1991; and Demarteau, Charles Descourtis, and Jean-Francois Janinet in anticipation Elena del Rivera's three-part drawing Letter to the Mother, 1993. of an exhibition to be presented at the Gallery next year. As part of a

RINTS & ILLUSTRATED BOOKS The continuing donation, Frank Anderson Trapp gave more than two dozen most extraordinary addition to the nineteenth-century French prints, mainly of and political subjects. Pcollection of prints is an *§> An important step toward building new areas of strength is the extremely rare, exemplary impression of a acquisition of an extraordinary group of more than one hundred fifteenth-century German of Saint British from the seventeenth to the twentieth century, Bernhardus of Siena. The print captures the many in their finest known impressions. The artists represented include facial features of the saint, who was celebrated many of the foremost mezzotinters: Alexander Browne, Samuel throughout for his charismatic preach- Cousins, John Dixon, Richard Earlom, David Lucas, ,

ing. This can be counted as the first printed German, 1450-1475, Sanctus William Pether, John Simon, John and John Smith, William Bernhardus, Pepita Milmore image presuming to be an actual portrait, and Memorial Fund Ward, and James and Thomas Watson. Through the enduring generosity is much finer than the only other impression known to have survived. of the Epstein Family an entire collection of 132 of Max 's Among other Renaissance works are two early printed books with haunting symbolist came to the Gallery along with twenty- by Albrecht Diirer. One includes a text by Plutarch with a four lithographs by . *§> The Washington artist Jacob dazzling border at the opening, given anonymously; the Kainen, for many years a friend and donor to the Gallery, made a other is a beautifully preserved edition of writings by the medieval bequest of more than four hundred old master and modern prints and mystic Hroswitha, purchased as a gift of Lois and Robert Erburu. drawings. His connoisseur's choices include the work of many impor- From the same period the Gallery acquired a commentary on the tant old masters, including , Laurent de la Hyre, Canaletto, Apocalypse, 1526, illustrated throughout with woodcuts by Anton John Baptist Jackson, Delacroix, Gericault, , Felix Woensam. A sumptuously bound album made for the eighteenth-century Buhot, , and Max artist and collector Anton Maria Zanetti contains his own chiaroscuro Slevogt. Highlights of Kainen's modern woodcuts and the first printing of the Capricci etchings by Giovanni prints and illustrated books include Battista Tiepolo. Among notable individual works is an impression of works by the German expressionists Jacques Callot's Massacre of the Innocents, printed on vellum; ChristofTel Christian Rohlfs, , Emil Jegher's Silenus woodcut after Rubens; G. D.Tiepolo's delicate Nolde, Otto Miiller, Ernst Ludwig of the Head of a Moor, and Johann Gottfried Schadow's Self-Portrait with Kirchner, Heinrich Campendonk,

His Family. Ivan E. Phillips continued his generous support with the , , Karl John Dixon, A Tigress, Paul Mellon Fund Schmidt-Rottluff, and , as well and 's Ruminations, an extraordinary set of nine as by British artists Graham Sutherland, color photogravures from 1999-2000. The most important gift of Anthony Gross, and S. W. Hayter. The contemporary prints this year is from Kathan Brown, founder of Crown bequest also includes the Gallery's first Point Press: 124 works by thirty-four artists, including individual print lithographs by the Americans Walt portfolios by , Sol LeWitt, Pat Steir, and RichardTuttle, as well Kuhn and , an outstanding as three multi-artist portfolios — Gravure Group, Live Model Group, and Why

group of prints by Louis Lozowick, and Draw a Landscape?. The addition of fifty-three contemporary prints by During the year, some

Stefano Delia Bella, Two Men w Masquerade A VlgOrOUS AND 1111 Kj LIE WO FIX BY DAVLD eighteen artists to the Gallery's Graphicstudio Archive includes Jiirgen 80,000 visitors participated Costumes: A Cannon Firing and a Cat inside a Mousetrap, Ailsa Mellon Bruce Fund Smith— a 1952 lithograph with extensive Partenheimer's eight prints for the 1998 portfolio Canto, Georg in the Gallery's lectures,

hand additions in ink. Millenium Funds made possible the purchase Baselitz's Signs, 1999; a portfolio of eight drypoints with text by Robert talks and tours; nearly

of a remarkably crisp impression of a rare giant woodcut by Ernst Creeley; and the Gallery's first work by the surrealist . 12,000 attended various

Ludwig Kirchner, Dodo Arranging Her Hair, 1909. The holdings of HOTOGRAPHS The collection of pho- lectures series, and more

German prints also benefited with Joan Lees' gift of a gorgeous impression tographs benefited from the largesse than 63,000 students, of Lyonel Feininger's etching The Gate, 1912. )%> Among the many firsts P of several donors, among them the their teachers and families to celebrate this year are The Myth of Oedipus by , a American photographer Irving Penn, who joined our school tours,

surrealist portfolio of six etchings, given by Stephen Miller; three lith- gave 101 platinum/palladium prints of some workshops, and seminars. ographs by Agnes Denes from the 1990s, donated by Joyce Pomeroy of his most important works. This gift includes Schwartz; the Gallery's first works by Charles Quest—six prints from portraits of , , Saul Jerald Melberg; and New Orleans, by , a color Steinberg, and ; studies of Irving Penn, Platinum Test Materials, screenprint given joindy by the artist and the Francine Seders Gallery indigenous peoples in New Guinea and Peru; Gift of Irving Penn The representation in the collection of works by and innovative still lifes, such as those of discarded cigarettes; and a selection continued to grow. James Halpin gave Bearden's The Fiddler, of his celebrated fashion studies. is based on a series of 1965, a subtle and unusual screenprint on , and Jane and Raphael seventeen composite photographs, titled the Platinum Test Materials, Bernstein donated an important illustrated volume, The Caribbean consisting of six to ten randomly arranged test strips that Penn made of Derek Walcott and the Art of Romare Bearden, 1983. Jasper Johns' prior to creating the finished platinum prints. With their odd juxta- Hand, a fine early lithograph from 1963, is a gift from Tom Levine. )%> positions and rough quality, so seldom seen in his pristine finished The Collectors Committee made possible the purchase of photographs, the Platinum Test Materials provide a new way to approach and Lois Long's Mushroom Book, 1972; a catalogue raisonne of Robert Penn's work, 'h1 The Ilse Bing Wolff Estate donated seventy-seven Mangold's prints, which includes seven of the artist's original woodcuts; works by this German-born, American photographer. Ranging from her earliest self-portraits made in 1913 to her with the acquisition last year of eleven bold studies of and New York in the works from this series, the Gallery now 1930s, and concluding with works from the has a complete set of these provocative late 1940s and 1950s, the selection spans photographs. An anonymous donation Bing's entire career and significantly expands made possible the acquisition of nine our representation of her work. In addition, major works by nineteenth- and twen- Eugene Atget, Saint-Cloud, Patrons' The Andre and Elizabeth Kertesz Founda- tieth-century European and American Permanent Fund tion continued its generous support of the photographers, such as David Octavius Hill and Robert Adamson,

Use Bing, study for "Saiut ie National Gallery with the donation of seven Louis DeClercq, and Bill Brandt. Schiaparelli" (Lily ), Paris, (lift of Use Bing Wolff photographs by Kertesz. It includes a rare, IBRARY Generous private donations resulted in the addition vintage self-portrait made in Paris in 1927 and a study of the artists of a number of extraordinary rare books, otherwise unobtainable, wife, Elizabeth, made in 1932. Other notable gifts include fourteen pho- Lto the library's research collections. The Victoria and Roger tographs by Louis Faurer and one by Lewis Hine, donated by Joshua Sant Fund made possible the acquisition of Voyages pittoresques et P. Smith, and three bound volumes of Lee Friedlander's photographs, romantiques dans I'ancienne France (Paris, 1820—1878), a twenty-one-

Information technology donated by William and Sandra Christenberry. x§> The Patrons' volume work containing more than three thousand lithographs of

plays a key role in many Permanent Fund made possible the acquisition of thirty-one works medieval monuments in nine provinces. The J. Paul Getty Fund in

aspects of the Gallery, by the highly influential French photographer Eugene Atget, who is honor of Franklin D. Murphy supported the purchase of Libri mirabilium

including numerous celebrated for his ability to extract the essence of French culture septem by Friedrich Nausea (, 1532), which includes twenty-six

educational initiatives through the most minimal means and elegant compositions. The woodcuts by Anton Woensam illustrating a variety of natural phenomena

designed to bring the group includes some of his earliest studies of and human oddities. Imperatorum Romanorum omnium orientalium et

Gallery's collection, special workers, made in the streets of Paris in the occidentalium verissimae imagines by Jacobus Strada (Tiguri, 1559) is an

exhibitions, and educational late 1890s; photographs of shop fronts from important source for the study of Renaissance majolica, ,

programs to a worldwide the 1920s, which had so intrigued surrealist , and china decoration. A Survey of the Cities of and

audience. The award- artists; and several of his strongest and most Westminster, and the Borough of Southwark by John Stow (London,

winning Web site, evocative studies of Sceaux and Saint-Cloud. 1754—1755) is well known for its series of depicting the

www.nga.gov, received The Collectors Committee and the Fund for squares of London. x§> The Gallery acquired one of the most important

on average over 28,000 Living Photographers funded the purchase of and beautifully illustrated books of the Renaissance in France: Abbrege

visits each day in the Sixteen of Nicholas Nixon's studies of his Andre Kertesz, New York, Gift of de I'histoire fra[n]coise avec les effigies des roys, despuis Pharamond iusques au The Andre and Elizabeth Kertesz fiscal year 2002. wife and her sisters, The Brown Sisters. Coupled Foundation Roy Henry III (Paris, 1597), the fourth and rarest edition of this title

18 by an author known only by the initials "H. C." The text is enhanced remarkable collection. k$> The with sixty-four woodcut portrait medallions, exquisitely hand-colored, library's resources on the of the kings of France. Two seventeenth-century titles provide unique movement were substantially documentation of spectacles held in Italy and Germany. Cette frise a enriched with the acquisition of este faictc de stuc soul's la conduitte et snr Ics dcsseins dc Julc Remain an several seminal works, including Palais dc Tc dans Mantoue... (Paris, 1675) was purchased through the the rare journals Dada (Zurich, generosity of the Ahmanson Foundation. A first edition, it includes 1917-1921) and Cannibale (Paris, twenty-five nearly full-size engravings by Antoinette and Claudine 1920). Thomas G. Khmer "Portrait of King Chilpcric and King Clovis"; Abbrege Bouzonnet Stella for Giulio Romano's design for a de I'histoire jrancoise avec les effigies des roys, depuis donated funds for the purchase Pharamond iusques au Roy Henry III (Paris, 1597). David depicting the triumphal entry of Emperor Sigismund into Mantua in K. E. Bruce Fund of five important titles; most 1432. Gabriel Tzschimmer's Die durchlauchtigstc Zusammenkunfft... noteworthy of this group is Cinema calcudrier du cceur abstrait, Maisons (Nuremberg, 1680) commemorates the 1 678 meeting of the Saxon by with nineteen full-page woodcuts by Hans Arp (Paris, princes, family, and retinue in .The Gallery also acquired Garl 1920). From a first edition of only 150, it was printed on nineteenth- Dettlof von Krassow's 1714 transcription of notes and drawings made century paper and signed by both artists; all of the original woodblocks by his teacher, architect Leonhard Christoph Sturm, during three were later destroyed. Complementing this important volume are Die journeys in Holland and France between 1697 and 1712: Kurtze Wolkenpumpc by Hans Arp (Hannover, 1920), Dada Almanack (, Beschreibung cincr Tour dutch Holland nacli Fratickrcich von Braunschweig. 1920), Lcs malhciirs des inunortcls by (Paris, 1922), and Museum and catalogues are a significant part of Ursonate (Merz 24) by (Hannover, 1932). the Library's holdings, and several fine examples were added this year. Musacum Francisci Calceolarii iunioris veronensis... (Verona, 1622) is an illustrated catalogue of the Calzolari family's vast collection of art and natural history specimens. The rocks, minerals, fossils, and sculptures collected under the direction of Pope Sixtus V are

"Ruins of the Great Church at described in Mctallotheca by Michele Auvergne"; Voyages pittoresques et roman- tiques dams Vancienne France (Paris, Mercati (Rome, 1717-1719). A first edition, 1820-1878), 21 vols. Victoria and Roger Sant Fund this is the only surviving record of a EXHIBITING *g> THE NATIONS ART COLLECTIONS AND SPECIAL EXHIBITIONS ARE PRESENTED AT THE GALLERY FOR THE ENJOYMENT OF MILLIONS OF VISITORS EACH YEAR. J HE FIRST EXHIBITION of the fiscal year was devoted to the folkloric work. x§> Christo and Jeanne-Claude in prolific career of Aelbert Cuyp, one of the foremost painters the 1 bgel Collection comprised more than sixty Tand draftsmen during the golden age of in the works-objects such as Inventory and his first seventeenth century. Organized by the Gallery in association with the wrapped pieces made in Paris in 1958. National Gallery, London, and the , Amsterdam, the Preparatory drawings, studies, , and exhibition brought together forty-five paintings and forty-five draw- models related to proposals for large-scale ings. The exhibition Henry Moore was the first major retrospective of public works in both rural and urban sites. this major twentieth-century sculptor's oeuvre in twenty years and Many of the exhibited studies represent years offered a rare opportunity to reevaluate Moore's seminal role in the ot advance planning for these projects and Installation view of The Flowering of development of . The works of art were installed in Florence: Botanical Art for the Medici. provide documentation for the artists' final galleries last configured for Art Nouvean 1890—1914. Through sheer installations. The Vogels have enjoyed a close relationship with the dexterity with paint and the use of natural light with the construction Christos since the early 1970s, and some of the exhibited works are of a circular skylight, the rooms became equally exciting spaces for new gifts to the Gallery from these extraordinary collectors. x@> viewing Moore's drawings, studies, working models, and bronzes. A Visitors to the Gallery last spring saw nearly seventy examples of Century of Drawing celebrated the range and distinction of the Gallery's exquisite botanical art in The Flowering own magnificent collection of drawings from the twentieth century, of Florence: Botanical Art for the Medici. from a small but exquisite by Degas to a ten-foot-high graphite The exhibition began with a selection drawing of a beanstalk by . *§> German Expressionist of early Renaissance nature studies, which Paintings from the Saltzman Family included Leonardo's Studies of Flowers. Collection afforded the public an Further examples of ties between the

opportunity to see works by major arts and the natural sciences could be Anne Vallayer-Coster: Painter to the Court of Marie-Antoinette presented a selection of German painters of the early to mid- SCeil in paintings by three remarkable approximately 40 of her paintings, includ- ing with Lobster, lent by the Toledo twentieth century: Ernst Ludwig later artists—Jacopo Ligozzi, Giovanna Museum of Art. Kirchner, Erich Meckel, Alexej von Garzoni, and Bartolomeo Bimbi—as well as in rare pietre dure Jalwensky, , Max and embroidered textiles made in Tuscany between the sixteenth and the Pechstein, , and Max early eighteenth centuries. Furniture, vestments, watercolors, and books Beckmann.A highlight of the collec- were also included. The objects' disparities in size and medium— tion is Friihe Stunde, 1906, by Wassily from enormous, lush paintings in their original gilt frames to tiny King and Queen, lent by the Gallery, London, was among the 130 works of art in Henry Moore. Kandinsky, a Tare, large-SCale early works on parchment-made this exhibition a challenge for Gallery designers to create a unified plan and a delightful experience for z > visitors. x@> Goya: Images of Women was an international c z with the Fundacion Amigos del , on the occasion of > their twentieth anniversary; the Museo National del Prado, ; c. and the Gallery. Many of the most powerful women of Madrid are depicted in these portraits by Francisco Jose de Goya y Lucientes c (1746-1828), one of Spain's greatest painters and an internationally influential printmaker during the late eighteenth and early nineteenth Installation view of An American Vision: Henry Francis du Pont's Winterthur Museum. centuries. Most of the works exhibited came from the collections of the ancient Egyptian concept of the afterlife described in the Amduat, the Museo Nacional del Prado, the Patrimonio Nacional, Madrid, and one of the Books of the Dead. Recorded some 3,500 years ago, the story the Gallery. Major loans were drawn from other American and recounts the various stages of a pharaoh's journey through the nether- European collections as well. The exhibition offered a rare opportunity world, and his ultimate resurrection to eternal life as the Sun God. to reunite original cartoon with the related oil paintings. Many This historic exhibition, lent primarily from the Egyptian Museum, of these masterpieces of , arranged by seven themes that Cairo, included 115 works of art—monumental and small-scale sculptures, developed across the artist's career, had never before left Spain. f> In painted reliefs, jewelry, mummy coffins, and other works made for the the summer the Gallery opened two new exhibitions, one lent from a tomb. As the national flagship venue for the exhibition, the Gallery preeminent collection in our "back yard" and the other from halfway designed the casework and shared its technical expertise with museum around the world. An American Vision: Henry Francis dn Pout's Winterthur staff at subsequent venues in the U. S. The exhibition required a Museum brought to Washington a stunning array of furniture, textiles, remarkable coordination effort among Egyptian and American conser- paintings, ceramics, glass, and metalwork, all made or used in America vators and Gallery designers and structural engineers, in order to protect The Gallery's Library, one between 1640 and 1840. The exhibition's five distinct sections created the integrity of the building and of the art during the installation of the finest and most

a cohesive mini-survey of several colossal objects. Reproducing and installing the full-size respected art libraries in

of Winterthur s vast col- facsimile of the tomb ofThutmose III was yet another feat of engineer- the world, includes more

v lection, and provided a ing and lighting. \ \> The Gallery offered visitors other opportunities than 250,000 volumes

comprehensible timeline to see incomparable paintings, drawings, photographs, prints, and on the history, theory,

of American decorative sculptures, from collections throughout the world and from the and criticism of art and

arts. ^r> The Quest for Gallery's own superb collection as well, in 2002. Anne Vallayer-Coster: as well as a

Immortality: Treasures of Painter to the Court of Marie-Antoinette, organized by the Dallas rare book collection of

Installation view of Goya: Images of Women. Andeilt Egypt illustrated Museum of Art in collaboration with the Gallery and the Musee more than 8,000 volumes.

23 des Beaux-Arts in Nancy, and hands while leaving other elements of the subject relatively unde- France, was the first retro- fined; works from 1947 through 1949 in which planar structures and spective ever devoted to organic forms take on an expressionistic ferocity; and the violently this undeservedly neglected distorted images of women from 1951 and later-some of the most iLLLt eighteenth-century French inventive drawings of de Kooning's oeuvre. For a comprehensive artist, who was an academic list of exhibitions in fiscal year 2002, please see page 70. *§> At the colleague ofElisabethVigee- close of the fiscal year, more than 800 sculptures went on view in the Lebrun. The exhibition new Sculpture Galleries, former administrative offices that have included more than forty been transformed into the largest museum space in North America Facsimile of the tomb of KingThutmose III from The Quest for Immortality-.Treasures of Ancient Egypt. brilliant still lifes by Vallayer dedicated to sculpture. This national collection includes masterpieces who in her time was acclaimed as the successor to Chardin. *§) Alfred from the twelfth through the twentieth centuries. More than fifty Stieglitz: Known and Unknown was drawn from the 1,642 works by major works on loan from The Robert H. Smith Collection of the great American master photographer that came to the Gallery Renaissance Bronzes complemented the Gallery's collection. >$> The in 1942. The accompanying book, : The Key Set, an project marked the biggest renovation to the West Building structure award-winning, two-volume systematic catalogue of the collection, undertaken since 1938 when John Russell Pope's design was com- establishes a chronology for the incomparable vintage platinum, palla- pleted. The visitor's impression is that the visually expanded space has dium, and silver gelatin prints, many of which had never before been always been a permanent part of the architecture. The renovated exhibited or reproduced. The exhibition highlighted some of Stieglitz s space is seamlessly integrated into the superb but little-known works, and placed them alongside some of original design of the building through the artist's most celebrated works. Many of the photographs were made the use of natural side light from

More than 800 special in the 1920s and 1930s: the portraits of Georgia O'Keeffe, studies enhanced original windows; the restoration

exhibitions have been made at his summer home in Lake George, New York, and views of of the travertine, marble, and period presented at the National New York City, as well as the photographs of clouds, called Equivalents. rooms; and special glazing techniques on

Gallery since its opening : Tracing the Figure demonstrated how this major the walls. Axial views connect new spaces

in 1941, giving to the twentieth-century artist oscillated between the abstract and the figu- to existing galleries. State-of-the-art

American people unparal- rative, and eventually dissolved anatomy in non-recognizable forms. museum technology for fire protection,

leled opportunities to see Organized around distinct periods in de Koonings career, the exhibition security, environmental controls, and

works of art of great artistic showed figure drawings from 1940—1944 when the artists academic lighting has been subtly incorporated.

and scholarly merit. training was evident in his practice of fully rendering the sitter's face Entrance to the new Sculpture Galleries. X§> In addition tO Organizing, designing,

24 and presenting fourteen temporary and The A nnunciation by were lent to Jan van Eyck, Early exhibitions and numerous permanent Netherlandish Painting and Southern Europe at the Groeningemuseum in installations in our two buildings, Bruges, Belgium; five major paintings to the Prado venue of Goya: the Gallery also provided essential Images of Women; and important American paintings by Cole, Cropsey, oversight as several exhibitions trav- Kensett, and Lane to The American Sublime exhibition at Tate Britain, eled to other venues: Aelbert Cuyp which also traveled to the Pennsylvania Academy of the Fine Arts, w w moved on to the National Gallery, , and the Minneapolis Institute of Arts. The Gallery also —.. ~ — London, and the Rijksmuseum, lent significant groups of works: fifty drawings and sculptures *M- II * Amsterdam; Christo andJeanne-Claude to Christo and Jeanne-Claude in the Vogel Collection at the Museum of V I in the Vogel Collection went to the Contemporary Art, , and fifty-five graphic works to Jasper Museum of Contemporary Art, San Johns: Prints from Four Decades at the Terra Museum of American Art, Installation view of An American Vision: Henry Francis du Pont's Winterthur Museum. Diego; Alfred Stieglitz: Known and , and the Musee d'Art Americain, Giverny, France. Unknown was prepared to travel to the Museum of Fine Arts, Houston; and Jasper Johns: Prints from Four Decades returned from its tour to Chicago and Giverny, France. x§> Among the nearly six hundred works lent from the Gallery's collection are the fourteen Stations of the Cross, for an exhibition at the Philadelphia Museum of Art and the , and Titian's Venus with a Mirror, for display at The State in , Russia. 4* The National Lending Service administered 535 loans from the Gallery's collection to 198 sites. Of this number, 391 were lent to 120 temporary exhibitions at 159 institutions, and 143 were extended loans, which went to thirty-eight sites. Aelbert Cuyp's Horsemen and Herdsmen with Cattle was on loan to the collection of the Mauritshuis in The Hague. Visitors overlooking gallery of mobiles and stabiles by Two Petrus Christus portraits . EDUCATING # OUR EDUCATIONAL AND SCHOLARLY INITIATIVES SUPPORT THE GALLERY'S j§9 MISSION TO ENCOURAGE"i* UNDERSTANDING AND APPRECIATION OF GREAT WORKS OF ART.

URTHERING EDUCATION AND SCHOLARSHIP The Gallery continuing the Gallery's commitment to the served fourteen million constituents through education pro- hearing-impaired. *§> Academic programs Fgrams and drew millions of additional visitors to its Web-based that attracted nearly twelve thousand par- learning initiatives during the year. Today, the Gallery is a vibrant ticipants included fifty Sunday lectures; a center of exchange—through free educational materials that it sends to January lecture series, Baroque Notes; and every state in the nation; through its daily schedule of tours, lectures, lectures delivered by artist James Turrell, and films for visitors of all ages; and through its continuing program in the Diamonstein-Spielvogel Lecture of lectures, symposia, panels, and work-in-progress talks that bring Series, and Christo and Jeanne-Claude, cutting-edge scholarship to the public and to students and in the Conversations with Artists series. scholars. It is also a virtual destination for learning online. Adult In addition, seminars brought academics programs, including lectures, gallery talks, and tours of the collection and curatorial staff together to examine and special exhibitions, served about eighty thousand visitors. A and discuss works in special exhibitions, and symposia, panel discussions, six-part summer lecture series entitled Treasured Houses in Europe and and talks by resident Fellows at the Center for Advanced Study in the America included Renaissance palaces, American Georgian mansions, Visual Arts presented recent scholarship. Six internship programs drew and William Randolph Hearst's San Simeon. An overview ofWestern students from the United States and abroad to study and work in art in twenty-nine parts, presented by staff lecturers, and Points of Gallery departments. *§> More than sixty-three thousand students, teach- View, an interactive docent-led tour of the collection, were especially ers, and families participated in the Gallery's school programs. All of popular as were gallery talks on seventy-four subjects related to the the year's two thousand seven hundred school tours, attended by forty collection and all fourteen special exhibitions. More than 130 master- thousand children, were led by volunteer docents trained in art history works in the collection are discussed by the director, curators, and and education theory. Workshops for high school students, a ten-week conservators in a newly expanded random access audio tour of the seminar on American art and artists, and a summer institute on museum West Building. *§> Distance-learning slide packets, teacher and view- careers were also presented. The Gallery again offered its annual er guides, videotapes, and other materials were distributed to offsite teacher institute, attended by thirty-six educators, in two separate, audiences totaling thirteen million. The expansive inventory of this one-week seminars. Approximately fifteen thousand visitors benefited remarkable service increased during from interactive and family programs and resources, including films, the fiscal year by four new videos workshops, and stories-in-art sessions that now include Art Tales, a new and a new color slide program, program for preschool children. Family programs were promoted at Introducing the Collection, also available the National Black Family New Reunion and Arts on Foot festivals. with a French or Spanish text. Closed The Gallery introduced a new quarterly brochure, NGA/Kids, listing captioning was added to twenty- programs for youth and families. A guide to The Quest for Immortality: eight pre-existing video programs, Treasures of Ancient Egypt was distributed to area schools and made available on the Web site. *§> Interpretive materials for all special exhi- aired on WETA and MPT. *§) Closed-captioned versions of both bitions were produced. These included five brochures, three recorded films were produced on videocassettes for distribution to schools, tours, and two documentary films. Recorded tours for the exhibitions libraries, and public television networks across the nation. These are Henry Moore, Goya: Images of Women, and The Quest for Immortality: available on a free-loan basis through the Gallery's department of exten- Treasures of Ancient Egypt incorporate musical selections in a non-linear, sion programs. Videocassette copies of the films were donated to each random-access format. Narrated by the director and with excerpts branch of the District of Columbia's public library system. x§> The A key component of the from interviews with noted scholars, these tours offered visitors a film : 1891-1914, produced in fiscal year 2001, won a Gallery's commitment to variety of viewpoints on the works national Telly Award in the category scholarship is its Center of art featured in the exhibitions. of programming on the arts, a for Advanced Study in

The tour of the Goya exhibition Chicago Film Festival award in the the Visual Arts, founded was available in a Spanish transla- Arts and Cultural category, and was on the ideal of the famous tion. x$> The Gallery's twenty-five selected for screening at the library of ancient Alexandria, minute film Henry Moore: Sculpting a International Festival of Films on where scholars shared a Life includes rare archival footage of Art in Montreal. In addition, the common space with great the artist at work and new footage Gallery screened 215 films in the fis- works of art. In fiscal shot at his studio at Much Hadham, cal year, all devoted to exhibition- year 2002, the Center as well as interviews with scholars related subjects and to the history of supported a record number assessing Moore's historical significance and influence on twentieth- film as an art form: a series on Henry Moore that included a 1944 of sixty professors, senior century sculpture. Subtitled for the hearing impaired, the film was British production on the artist's shelter drawings and rare interviews fellows, research associates, shown continuously in the exhibition both at the Gallery and at the from the 1960s; a series of more than forty classic Belgian short subjects, and predoctoral and exhibition's previous venue, the Fine Arts Museum of San Francisco, through the cooperation of the Belgian Embassy and the Ministry of postdoctoral fellows from and was aired onWETA. It won a 2001 Telly award and a Certificate Culture in ; restored films by the German master filmmaker some fifteen countries. of Merit from the 2002 Chicago Film Festival. *§> The Gallery created including the rarely seen 1929 science fiction epic, The an original film to accompany The Quest for Immortality. An edited Woman in the Moon; and a new German restoration of the futuristic brief version was screened in the exhibition, while the half-hour 1926 Metropolis. Documentary films were shown daily in conjunction version was nationally distributed. The film contained new footage of with the exhibition Christo and Jeanne-Claude in the Vogel Collection. The the of Karnak in Luxor, tombs in the Valley of the Kings, and Gallery participated with the Freer Gallery of Art, the National other sites on the West Bank of the Nile, as well as interviews with Museum ofWomcn in the Arts, and the Library of Congress in showing eminent Egyptologists who help unravel the intricacies of the ancient a retrospective series by the esteemed Indian director Satyajit Ray. The Egyptians' view of the afterlife. Subtitled for the hearing impaired, the Academy of Motion Picture Arts and Sciences lent restored prints of film will also be shown at the exhibition's other venues. The program 's films. Several documentaries by the great Dutch filmmaker Joris Ivens were screened, ESOURCES FOR SCHOLARLY RESEARCH In fiscal year including The Bridge (1928), 20(12 the Library acquired 8,198 volumes, admitted 3,787 New Earth (1933), Misere au Rvisitors, conducted 776 orientations, answered 21,223 Borinage (1934), and La a reference inquiries, and shared 3,566 volumes with other institutions rencontre Paris (1957) all lent by via interlibrary loan. Many individuals, including director emeritus the Netherlands Filmmuseum. J. Carter Brown, Patricia G. England, Harvey S. Shipley Miller, and In association with The Quest J. Randall Plummer, donated books and periodicals that enriched the

The National Gallery of Art Orchestra. for Immortality, the Gallery Library collection, especially in the area of the history of photography. screened popular films on such themes as the building of the *§> The photographic archives acquired more than 4,300 photo- and the mummy's curse. Recent preservation efforts from the Library graphs, the majority in the fields of Italian gothic sculpture, Russian of Congress motion picture collections were also shown. x§> The architecture, and European drawings. A Samuel H. Kress fellowship in Gallery presented thirty-seven concerts highlighted with photograph conservation supported the restoration and repair of glass by the George Shearing Trio, the Ramsey Lewis Trio, soprano negatives in the photographic archives and the treatment of vintage, Alessandra Marc, the New England Spiritual Ensemble, and pianists rare, and damaged photographs. Thanks to another generous grant Alicia de Larrocha and Earl Wild. The 60th season was supported by from the Samuel H. Kress Foundation, a guidebook was published and funds bequeathed by William Cromwell and F. Lammot Belin, distributed to museums, graduate schools of art history, and colleagues with additional support from the Ann and Gordon Getty Foundation. throughout the world. *§> The slide library's database now provides The National Gallery Orchestra performed its traditional New Year records for more than forty-six percent of the total holdings of under the direction of George Manos, and the American 198,000 slides, of which 24,000 circulated. The electronic cataloging Music Festival included the world premiere of The and classification manual was expanded to include Native American Auricular Object by Christopher Deane and the Washington premieres art. Dr. Mary Gould Wilson, Dr. Christiane L. Joost-Gaugier, and of works by Deane and Samuel Gordon. *§> Several musical events many Gallery staff graciously remembered the slide library with dona- The Gallery shares its works complemented the Gallery's special exhibitions. A spring recital of tions. Notable gifts of slides were also made by the Museum of Fine of art with institutions around Spanish piano works by Alicia de Larrocha and a duo-piano recital by Arts, Houston, the Philadelphia Museum of Art, the Dallas Museum of the world. During the year, Jose Meliton and Elena Martin were presented in honor of Goya: Art, the Sterling and Francine , and the Smithsonian nearly 600 works of art Images of Women. Both programs included selections from Goyescas by American Art Museum and National Portrait Gallery. The White were lent for exhibitions as Enrique Granados. The recital of the National Gallery Vocal Arts House Historical Association, in collaboration with the curator of the nearby as Philadelphia and Ensemble included American music of the late eighteenth and early , has generously agreed to deposit selected slides of fine halfway around the world in nineteenth centuries in honor of An American Vision: Henry Francis du and decorative arts with the slide library.

Saint Petersburg, Russia. Pout's Winterthur Museum. ENTER FOR ADVANCED STUDY IN THE VISUAL ARTS The Samuel H. Kress Foundation in honor of Center, now in its twenty-second year, continued to sponsor Franklin D. Murphy. Other meetings Cactivities in each of its four major program areas: fellowships, held at the Center in the 2002 fiscal year research, publications, and scholarly meetings. K@) The resident commu- include two seminars: "Reexamining nity of scholars at the Center in fiscal year 2002 included individuals Dada," and "Teaching the History of working on topics that ranged from Chinese portraiture to the Architecture," in collaboration with Antwerp art market to . The Center drew scholars October and the Journal of the Society from Australia, Bulgaria, France, Germany, Italy, , the People's of Architectural Historians respectively. Republic of China, Russia, the , and the United Michael Fried delivered the fifty-first States (see page 85). *§> Research directed by the Centers deans includes A. W. Mellon Lectures in the Fine Arts, NealTurtell, executive librarian, examines three continuing projects: the development of the Gallery's photo- "The Moment of Caravaggio." Other a rare book with Yukio Lippitt, Andrew W. Mellon Fellow, and Dr. Wolf Dieter- graphic archive of pre-1800 Italian architectural drawings; "Keywords topics addressed by guest lecturers were Dube, Samuel H. Kress Professor. in American Landscape Design," an illustrated glossary of landscape "Titian's Vendramin Family: Soap, Relics, Uncles, and Art"; "Doing vocabulary in use in the United States from the colonial period to the the Wrong Thing: The in Contemporary Art"; and "Front mid-nineteenth century; and a guide to documentary sources for the and Back: A Case Study of the Historical Materiality of the Object." art history and of the Andes. New research undertaken in Two incontri were held on the subjects of " and the Civic fiscal year 2002 includes a project to establish the documentary histo- Imagination in Late Twentieth-Century America," and "The Uguccioni ry of the Accademia di San Luca in Rome from about 1590 to 1630 Palace Architecture and Urban Renewal in the Civic Center of and the translation of a series of important early modern texts on the Florence." ll:v The Center published three volumes in the symposium . !fc» The Center convened four symposia during the series Studies in the History of Art in fiscal year 2002, and began the 2001—2002 academic year: "American Art History in the New Century," preparation of eight further volumes. In honor of the fiftieth A. W sponsored by the Wyeth Endowment for American Art; " Mellon Lectures in the Fine Arts, the Center published a commemo- and French Visual Culture, 1870—1914," rative volume of fifty illustrated profiles and a history of the series. x§> made possible with the support of the For a complete list of Center publications see page 80. A detailed Paul Mellon Fund; the thirty-second account of the Center's activities is published in Center 22: Record of annual session of the "Middle Atlantic Activities and Research Reports, June 2001—May 2002. Symposium in the History of Art," cosponsored with the University of Maryland; and "The Art and History of Botanical Painting and Natural Elizabeth Cropper, Dean of the Center for Advanced Study in the Visual Arts, confers History Treatises," made possible by the with research associate Carla Keyvanian. PRESERVING#THE EXPERT CARE PROVIDED FOR THE WORKS IN THE COLLECTION IS A MODEL FOR ART MUSEUM CONSERVATION PRACTICES.

ONSERVATION Thirty-one paintings benefited from major tions, and 364 minor examinations conservation treatments, including three works by J. M. W were also completed. Conservation CTurner— Approach to , Keelmen Heaving in Coals by notes on works of art in the collection Moonlight, and Venice: the Dogana and San Giorgio—and two by Rembrandt are included in three volumes in the van Rijn, A Young Man Seated at a Table and The Mill. Other old master systematic catalogue in production paintings treated were Sir Anthony van Dyck's Henri II de Lorraine, Due this year: Italian Paintings of the dc Guise; Benozzo Gozzoli's The of Salome; Jean-Baptiste Greuze's Fifteenth Century, French Paintings of the

Ange-Laurent de Lalive de Juilly and A Girl with Birds; Francisco de Goya's Fifteenth through Eighteenth Centuries,

Maria Teresa De Borbon y Vallabriga, Later Condesa de Chinchon; Jean- For installation in the Sculpture Galleries, objects and French Impressionist Paintings. conservator Katy May prepares the unique poly- Francois Millet's The Bather;The Healing of the Paralytic by an unknown chrome terracotta bust A Man in Armor. Paintings conservation also plays a Netherlandish seventeenth-century painter; Sebastiano del Piombo's key role in all Gallery special exhibitions, and technical information is Cardinal Bandinelli Sauli, His Secretary, and Two Geographers; The Descent from included in entries on works on the Gallery Web site, CASVA scholars'

the Cross, after Rembrandt; Sebastiano Ricci's A Miracle of Saint Francis research projects, and the archival preservation of technical docu- of Paola and The Finding of the True Cross; and 's Ceres mentation. Two especially large collections that were temporarily

(Summer).The European and American twentieth-century paintings that displaced by renovations in the West Building, nearly one thousand were treated are 's Port at La Ciotat; Andre Derain's medals and more than 640 plaquettes, were moved to their storage

Harlequin; Jean DubufFet's Marbleized Body of a Lady; Lyonel Feininger's area, and the Italian paintings were returned to the galleries on the StormBrewing; de La Fresnaye's The Bathers; 's Catherine; main floor. The Gallery's collection of photographs was also moved to 's Zim Zum; 's Grey Sea and Winter Landscape; a new low-temperature storage facility in the West Building, and a por-

Henri Matisse's Pot of Geraniums; tion of the collection of modern prints and drawings was moved to 's Gypsy the East Building. The opening of the new Sculpture Galleries

Woman with Baby and Nude on called for numerous treatments of works not previously on view. Layers a Divan; and 's of overpaint were removed from Vincenzo Onofri's polychrome ter-

Untitled, 1957, and Woman racotta portrait bust, A Man in Armor; Jacopo Sansovino's life-size Reading, c. 1933. Forty mi- cartapesta Madonna and Child was restored; the popular Venus and

nor treatments on paintings, Cupid fountain by a follower of Giovanni Bologna was thoroughly Culpeper Fellow Pamela Betts examines paintings under a microscope. twenty-nine in-depth examina- cleaned; and unsightly fills replaced in Pietro Lombardo's marble Allegorical Figure. Forty-nine wax- Rembrandt to David Smith included

sculptures by , the John Baptiste Jackson's chiaroscuro largest number of such works in woodcut Dancing Nymph with

a single setting, are now on view Bows and Arrow, which had been

in the new galleries. Analyses of extensively damaged by water,

wax, pigment, fiber, and armature and Heinrich Campendonck's components in these works have woodcut Seated Harlequin, also

resulted in a greater understand- treated for Stain removal. For the Objects conservation technician Caitlin Jenkins Shelley Sturman, head of objects conservation, examines uses a stereo microscope to examine one of the an x-radiograph of Degas' The Bow. ing of the sculptures' present forthcoming exhibition The Art of plaquettes from a German Coffer. condition and of the artist's working methods. Outdoor sculptures Romare Bearden, a collage titled Railroad Shack Sporting House was treated that received major treatments include the large-scale Great Rock of to consolidate flaking medium. Photograph conservators focused their

Inner Seeking by and Obus by Alexander Calder, and efforts on work related to Alfred Stieglitz:The Key Set, the catalogue of 's art nouveau Entrance to the Metropolitain was prepared the Gallery's 1,642 photographs by this master, and on preparing pho- for installation in the National Gallery Sculpture Garden. The Mellon tographs for the exhibition Alfred Stieglitz: Known and Unknown. Fellow concluded the technical study of Scientists continued to use Fourier-transform infrared spectrometry

Brancusi's metal casting methods. Staff (FT-IR)Zattenuated total reflectance (ATR) microscopy to identify The Gallery's conservation presented research on paint systems for coatings on photographs. Other works on paper that were treated division, one of the largest outdoor sculpture, funded in part by a include a drawing by George Neher, Madonna and Child, to remove a and most comprehensive federal Save America's Treasures grant, at two blue marker stain covered with correction fluid. Technical analysis among the world's art international conferences.Twenty-one major of two red chalk drawings by Pierre Thomas LeClerc enabled a sympa- museums, with laboratories treatments of sculpture, 144 minor treat- thetic treatment of overall discoloration and led to the discovery that for paintings, sculpture, ments, and 914 examinations, many of the smalt, a blue glass colorant, had been added to the paper, probably to works on paper, textiles, latter in connection with Gallery exhibitions, make it appear brighter white. Through bathing and bleaching treat- and scientific research, were completed. Exhibitions required ments the drawings were brought to a similar tonality and nearer to their fulfills the Gallery's mission the preparation and treatment of numerous original appearance. A drawing by a follower of Frans Floris I, The of protecting the more The Venus and Cupid sculpture being works on paper from the collection. An steam cleaned by Angela Chang, Andrew Annunciation, was removed from a modern acidic mount to repair than 107,000 works of W. Mellon Fellow, before installation in Artist's Artist: Jacob Kainen's Collection from the new Sculpture Galleries. extensive skinning, tears, and holes, and blackened lead white highlights art in its care. were also chemically treated to restore their white color. K§> eighteenth-century Audran Four Seasons, and Boucher's Dream of

Treatment of watercolors in the Index of American Design, made Rinaldo. x§> Gallery scientists gathered technical information for

possible by a federal Save America's Treasures award, was completed. publication in the exhibition catalogue Colorful Times: Eighteenth-cen- Thirty-four major treatments of works on paper, as well as 194 minor tury Prints form the National Gallery of Art and Private Collections. In treatments, were performed as well as 1,275 condition examinations, addition, they collaborated with conservators on a study of the light-

and the matting and framing of 736 works on paper. The Samuel H. fading characteristics of the organic pigment cochineal carmine, Kress photograph conservator treated 504 rare photographs, sixty-seven found in watercolor paints from the sixteenth through the nineteenth glass plates, and four photograph albums in the Gallery's photographic centuries, and on a survey of pigments used in the Gallery's fifteenth-

archives. x§> Seven tapestries from century woodblock prints. The

the Patrimonio Nacional, Madrid, latter work was supported by a were prepared for the exhibition CASVA Paired Fellowship. x§> The

Goya: Images of Women, and three Gallery in concert with the Munsell Tuscan seventeenth-century tex- Color Science Laboratory of the tiles, a chasuble, a chalice veil, and Rochester Institute ofTechnology

a baptismal cover, were examined, is engaged in a multi-spectral imag-

The display of trees, treated, prepared, and mounted for ing project with support from the

shrubs, and flowers the exhibition The Flowering of Andrew W. Mellon Foundation.

throughout the public Florence: Botanical Art for the Medici. The aim is to develop a camera Sarah In addition Jacquard coverlets Fisher' head of Paintin8 conservation, performs a cleaning test on Gilbert Stuart's Mrs. Richard Yates. spaces has always been system for colorimetrically accurate

an integral part of the Indian Palampore, appliqued quilts, needlework, and block-and plate imaging, digital archiving, and reproduction. The initial phase of this

Gallery, and is specially printed textiles were examined and prepared for installation in the three-year project was concluded during the year. In addition, a new

designed to enhance our exhibition An American Vision: Henry Francis du Pont's Winterthur fellowship for research into modern and contemporary painting

visitors' enjoyment by Museum. New methods for installing textiles were developed for these materials was funded by Golden Artist Colors. x§> Testing continued

featuring plants Inspired exhibitions. K§> Numerous fifteenth- to eighteenth-century tapestries on volatile and semi-volatile components in all new materials proposed

by the works of art on and textiles in the Gallery's collection were treated and prepared for for use in displays and exhibitions, including the suitability of thermal

view in the collection and installation in the new Sculpture Galleries, including three by Bernard analysis instrumentation as part of a staff exchange agreement with

special exhibitions. van Orley from the passion series, The Triumph of Christ, c. 1500; the the Getty Conservation Institute. The Culpeper Fellow began research

36 to characterize nineteenth-century were completed, and the layer structure and pigments in the Madonna

artificial bronze and copper patinas, of Humility attributed to Masaccio was studied. Pigments used by

and, using recipes from nineteenth- were investigated and the results presented at the century sources, a reference and study Gauguin to Van Gogh conference in Amsterdam. In conjunction with

collection of artificially patinated the forthcoming Frederic Remington exhibition, pigment samples

bronzes and coppers was created. This and cross sections from several paintings were analyzed. The medium

project is a collaboration with the in ground and paint layers of Mark Rothko's Multiform paintings Laboratoire de Metallurgie Structurale were studied in collaboration with the Leisher Fellow to help under-

of the Ecole Nationale Superieure de stand the materials used in these little-studied paintings. k§> Staff

Chimie de Paris. Also during the year, extensively used air-path X-ray fluorescence spectrometry (XRF), an

Cathy Metzger, senior painting conservator, a Curatorial/COUSCtVatlOn Collo qUy analytical technique that does not require sampling, in connection inpainting Sir Anthony van Dyck's 77ie Prefect Raphael Ragius. brought together recent technical and with exhibitions; to characterize the alloy composition of Brancusi art historical research on paintings by Rubens. Work continued on sculptures in collaboration with the Andrew W. Mellon Fellow in the materials and techniques used by Rogier van der Weyden in the objects conservation; for research on Righetti that a Samuel H. Kress execution of his small portraits, such as in the Paired Fellowship for Research in Conservation and Art History/

Gallery's collection; two other small portraits attributed to Van der Archaeology made possible; for research on proposed acquisitions; and Weyden in the and the Thyssen-Bornemisza to determine the processes by which photographs were made. collection were exam- ined for comparison purposes. Technical studies of The Small

Crucifixion by Matthias

Griinewald, Portrait of Raphael Ragius by

Anthony van Dyck, and Young Man Seated at The X-ray diffractometer plays a key role for the Gallery's scientists and d Table by Rembrandt conservators in the analysis and characterization of crystalline materials. J. CARTER BROWN

1934-2002 Director of the National Gallery of Art

1969-1992

he economic conditions that have prevailed during the last Information technology is an important initiative at the Gallery, 53 H several years made fiscal year 2002 a particularly complex one ensuring increased access to the collection, special exhibitions, and edu- m 53 Tfor the Gallery. The weak economy continued to present cational materials through the Gallery's Web site, as well as enhancing l_! us with a challenging fiscal environment, which in varying degrees has the efficiency of the administrative, security, and financial management d m affected many of the activities at the Gallery; yet throughout the year, systems. *§> Fiscal year 2002 appropriated federal funds supported crucial o > Gallery staff continued to maintain the core programs for the public. expenditures including the increases in salary costs and fringe benefits *§> The Gallery had been responding to the economic slowdown prior of Gallery employees, as well as the utilities, supplies, and repair and to September 11, 2001, and these defining events continued to over- maintenance expenses for the operations and maintenance of the shadow its operations throughout the fiscal year. For fiscal year 2002, Gallery. The Gallery continued its work on the comprehensive Master the Gallery reported an operating deficit of $3.6 million compared Facilities Plan that has been designed to address needed improvements to an operating deficit of only $1.3 million in the prior year. While to our galleries and public spaces and to provide for the restoration of S the Gallery's overall revenues increased over 7 percent in 2002, this the East and West Buildings over a twelve- to fourteen-year period. increase was largely offset by similar increases in operating costs and Federal repair, restoration, and renovation funds supported several n expenses. The investment return on our portfolio, while significantly major projects including exterior stone repair of the east and on higher than the benchmarks against which it is measured, remained west facades and portico of the West Building; mechanical, electrical, negative for the second year in a row. These factors resulted in a and plumbing systems renovations in the West Building; fire risk decrease in the Gallery's net assets for fiscal year 2002. *§> We are grateful analysis for the East Building; and continuation of the renovation of to the President and to the Congress for their support and the ongoing both the East and West Buildings. *§> The federal government, through appropriations of federal funds that have allowed the Gallery to flourish its arts and artifacts indemnity program of the Federal Council on over the years. These funds provide critical support for efficient oper- the Arts and the , is a major factor in the international ations and maintenance and for the protection and care of the nation's component of the Gallery's special exhibitions program. In fiscal year art collection so that the Gallery is open to the public free of charge, 2002, six exhibitions were on view that had received this federal 363 days a year, as provided for in the 1937 Joint Resolution of indemnity, enabling the Gallery to present exhibitions of a size and Congress that established the Gallery. The fulfillment of our national caliber that simply would not have been possible without this crucial mission in making works of art available to the public, properly caring for program. As part of the Gallery's mission of serving the nation, great the collection, and providing education programs, would not be possible works of art are borrowed from public and private collections around otherwise. >%> The fiscal year was a pivotal one for setting the foundation the world for special exhibitions, seen by millions of visitors each for major advances in information technology at the Gallery, as we year. The Gallery received federal indemnity for Virtue and Beauty: plan to replace these mission-critical systems in the years to come. Leonardo's Ginevra de' Bend and Renaissance Portraits of Women, which

40 continued from the previous year, as well as for major exhibitions TATEMENT OF FINANCIAL POSITION The Gallery's financial opening in fiscal year 2002: Aelbert Cuyp, Henry Moore, The Flowering position declined in fiscal year 2002 with net assets decreasing of Florence: Botanical Art for the Medici, Goya: Images of Women, and S$33.1 million or 5.0 percent. This was largely due to the Anne Vallayer-Coster: Painter to the Court of Marie-Antoinette. Highlights continued weak performance of the investment portfolio in fiscal year of the Gallery's exhibition program also included An American Vision: 2002 when compared to performance in fiscal year 2001.The investment Henry Francis du Pont's Winterthur Museum and The Quest for Immortality: portfolio, which includes funds for operations, special purpose funds, Treasures of Ancient Egypt. and endowment funds, decreased $44.9 million in fiscal year 2002 to PERATING RESULTS Fiscal year 2002 operating revenue $441.1 million by September 30,2002. *§> The auditor's report and the totaled $105 million, an increase of $7.4 million, or 7.6 statements of financial position, activities, and cash flows for the Opercent, over the previous year. Most of this increase Gallery for the years ended September 30, 2002 and 2001 are occurred as a result of increased federal support for salaries and benefits presented on the following pages. and several large bequests that were received in fiscal year 2002 in comparison to fiscal year 2001. The Gallery's investment portfolio suffered from the downturn in the financial markets and lost 4.8 percent overall in fiscal year 2002. A portion of the total investment return is designated annually to support operations while the remaining loss, James E. Duff $35.7 million in fiscal year 2002, was used to offset realized and unre- alized gains that were recorded in prior years. Non-operating support, including gifts and grants designated for special purposes, art acquisitions, and endowment funds, also decreased in 2002 by $9.7 million when compared to the prior year, owing to several large gifts received in fiscal year 2001. *§> Operating expenses of $105.7 million for fiscal year 2002 were 8.6 percent higher than the previous year, mainly as a result of increases in salary and benefits costs. Federal appropriated funds totaling $83.5 million were obligated and utilized for the operations, maintenance, and renovation of the Gallery. Report of Independent Accountants f>RICm!ERHOUS^(pOPERS 0

Z TO THE BOARD OF TRUSTEES OF THE NATIONAL GALLERY OF ART >H o z In our opinion, the accompanying statements of financial position and the related a statements of activities and cash flows, present fairly, in all material respects, the financial position of the National Gallery of Art (the Gallery) at September 30,2002, 7o -< o and the changes in its net assets and its cash flows for the year then ended in con- > formity with accounting principles generally accepted in the United States of 73 America. These financial statements are the responsibility of the Gallery's management; our responsibility is to express an opinion on these financial statements based on our audit. The prior year summarized comparative information has been derived from the Gallery's 2001 financial statements, and in our report dated December 7,2001, we expressed an unqualified opinion on those financial statements. We conducted our audit of these statements in accordance with auditing standards generally accepted in the United States of America and Government Auditing Standards issued by the Comptroller General of the United States, which require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements, assessing the accounting principles used and significant estimates made by management, and evaluating the overall financial statement presentation. We believe that our audit provides a reasonable basis for our opinion expressed above. In accordance with Government Auditing Standards, we have also issued a report dated December 6, 2002, on our consideration of the Gallery's internal control structure and its compliance with laws and regulations.

Washington, D C. December 6, 2002

42 Statement of Financial Position

September 30, 2002 and 2001 z >

ASSETS 2002 2001 Cash and cash equivalents $ 26,297,060 $ 21,049,854 Accounts receivable, net 1,736,697 3,411,179 Pledges receivable, net 13,182,036 16,847,978 > z Investments 441,051,419 485,994,185 Trusts held by others 6,043,422 6,961,927 Publications inventory, net 2,235,321 2,189,337 Deferred charges 1,063,031 1,256,347 Fixed assets, net 135,129,234 122,175,425 Art collections z Total assets $ 626,738,220 $659,886,232

LIABILITIES AND NET ASSETS n Liabilities: Accounts payable and accrued expenses $ 17,966,308 $ 16,445,261

Capital lease obligation 2,625,538 - z > Total liabilities 20,591,846 16,445,261 Net assets: Unrestricted Designated for collections and art purchases 11,162,320 16,994,348 Designated for special exhibitions 5,161,495 4,689,272 Designated for capital projects 26,264,814 32,851,786 Designated for education and public programs 15,844,252 17,995,561 Designated for other operating purposes 13,061,849 10,724,304 Designated for publications, including systematic catalogues 19,933,708 22,018,516 Designated for fixed assets 132,503,696 122,175,425

Total unrestricted 223,932,134 227,449,212

Temporarily restricted 113,048,026 134,057,357 Permanently restricted 269,166,214 281,934,402 Total net assets 606,146,374 643,440,971 Total liabilities and net assets $ 626,738,220 $659,886,232

The accompanying notes are an integral part of these financial statements. Statement of Activities

For the year ended September 30, 2002 with summarized financial information for the year ended September 30, 2001

Temporarily Permanently 2002 2001 OPERATING Unrestricted Restricted Restricted Total Total Support and revenue: U.S. Government $ 65,107,811 $ 4,602,000 $ $ 69,709,811 $ 62,403,240 Gifts and grants 5,382,218 6,846,617 . 12,228,835 8,622,553 Gallery shop sales, net 9,549,241 - - 9,549,241 10,889,738 Investment return designated for operations 1,913,933 9,945,000 - 11,858,933 12,508,303

Royalties and other income 1,642,963 - - 1,642,963 3,153,119 83,596,166 21,393,617 - 104,989,783 97,576,953 Net assets released from restrictions

to fund operating expenses 18,401,531 (18,401,531) - - -

Total support and revenue 101,997,697 2,992,086 - 104,989,783 97,576,953

Operating expenses: Program services:

Collections 29,014,840 - - 29,014,840 25,879,513 Special exhibitions 15,183,008 - - 15,183,008 14,325,819

Education, gallery shops and public programs 33,399,307 - - 33,399,307 32,814,526

Editorial and photography 3,620,648 - - 3,620,648 2,988,908

Total program services 81,217,803 - - 81,217,803 76,008,766 Supporting services:

General and administrative 21,044,367 - - 21,044,367 18,349,553 Development 3,400,361 - - 3,400,361 2,915,857

Total supporting services 24,444,728 - - 24,444,728 21,265,410

Total expenses 105,662,531 - - 105,662,531 97,274,176 (Decrease) increase in net assets from operating activities (3,664,834) 2,992,086 - (672,748) 302,777

NON-OPERATING

U.S. Government appropriation - 14,792,000 - 14,792,000 10,847,000 Non-operating gifts and grants - 3,919,257 450,237 4,369,494 14,048,314

Bad debt losses - (7,697) - (7,697) (5,781) Changes in value of trusts held by others (83,265) (122,953) (786,904) (993,122) (1,724,320) Deficiency of investment earnings over spending rate (10,187,565) (13,064,762) (12,431,521) (35,683,848) (60,347,538) Other (366,151) - - (366,151) 4,184,738 Net assets released from restrictions to fund non-operating expenses 29,517,262 (29,517,262) - - Change in net assets from non-operating activities before acquisitions of works of art 18,880,281 (24,001,417) (12,768,188) (17,889,324) (32,997,587)

Acquisitions of works of art (18,732,525) - - (18,732,525) (25,123,324) Decrease in net assets (3,517,078) (21,009,331) (12,768,188) (37,294,597) (57,818,134) Net assets at beginning of year 227,449,212 134,057,357 281,934,402 643,440,971 701,259,105 Net assets at end of year $ 223,932,134 $113,048,026 $ 269,166,214 $606,146,374 $ 643,440,971

The accompanying notes are an integral part of these financial statements. Statements of Cash Flows

For the years ended September 30, 2002 and 2001

Cash flows from operating activities: 2002 2001 Decrease in net assets (37,294,597) $ (57,818,134) Adjustments to reconcile decrease in net assets to net cash provided by (used in) operating activities: Depreciation and amortization 6,318,085 5,569,725 expense accrued on capital lease obligation 240,237 Amortization of discount on pledges receivable (428,644) (472,614) Contributions and investment appreciation for permanently restricted investments (404,928) (968,520) Realized losses (gains) on sale of investments 35,813,242 (6,095,637) Unrealized (gains) losses on investments (2,283,790) 68,024,481 Changes in value of trusts held by others 918,505 1,676,748 Decrease (increase) in accounts receivable, net 1,674,482 (611,866) Decrease (increase) in pledges receivable, net 4,094,586 (5,534,101) (Increase) decrease in publications inventory, net (45,984) 1,860,948 Decrease in deferred charges 193,316 266,332 Decrease in accounts payable and accrued expenses (81,868) (6,672,542)

Net cash provided by (used in) operating activities 8,712,642 (775,180)

Cash flows from investing activities:

Purchase of investments (247,749,649) (265,755,197) Proceeds from sale of investments 259,162,963 279,670,619 Purchase of fixed assets (14,946,835) (9,639,725)

Net cash (used in) provided by investing activities (3,533,521) 4,275,697

Cash flows from financing activities: Principal payment on capital lease obligation (336,843) Contributions and investment appreciation for permanently restricted investments 404,928 968,520

Net cash provided by financing activities 68,085 968,520

Net increase in cash and cash equivalents 5,247,206 4,469,037

Cash and cash equivalents, at beginning of year 21,049,854 16,580,817

Cash and cash equivalents, at end of year $ 26,297,060 $ 21,049,854

Supplemental disclosure of non-cash information: Donated investment securities $ 758,089 $ 1,288,117 Purchase of equipment under capital lease obligation $ 2,962,380 $ Fixed asset additions included in accounts payable $ 1,362,678 $ 524,895

The accompanying notes are an integral part of these financial statements. Z T _ 1. SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES SUMMARIZED FINANCIAL INFORMATION > The financial statements include certain summarized prior-year infor- O Z > GENERAL mation in total only, but not by net asset class. Such information does The National Gallery of Art (the Gallery) receives an annual appro- not include sufficient detail to constitute a presentation in conformity priation to cover its core programs as part of the budget approved with accounting principles generally accepted in the United States of 3 America. Accordingly, such information should be read in conjunction annually by Congress and signed by the President. This is supplemented rn with income from endowments designated for current operating with the Gallery's financial statements for the year ended September un expenditures as well as gifts and grants designated by the donors 30, 2001 from which the summarized information was derived. for specific programmatic activity. (All monies, related activities and

balances from federal sources are referred to herein as "federal", while NET ASSETS all other monies, related activities and balances are referred to herein The Gallery's net assets, support and revenue, expenses, gains and losses are as "private") All identified inter-fund transactions have been eliminated classified based on the existence or absence of donor-imposed restrictions. from the financial statements. Accordingly, net assets of the Gallery are classified and reported as follows: # Unrestricted net assets include "one-year" federal appropriations and all

MEASURE OF OPERATIONS other resources, which are not subject to donor-imposed restrictions. The Gallery includes in its measure of operations all federal and private One-year federal appropriations which are not obligated or expended support and revenue and expenses that are integral to its core program are retained by the Gallery in accordance with federal guidelines. At the services: collections; special exhibitions; education, gallery shops and discretion of the Gallery's Board ofTrustees, private funds which are not public programs; and editorial and photography. The measure of oper- expended for operating activities may be set aside in designated reserves ations excludes certain non-operating activities such as non-operating and earmarked to cover future program costs or other contingencies. gifts and grants, investment return in excess of amounts designated for # Temporarily restricted net assets carry specific donor-imposed restrictions operations and acquisitions of works of art. *§> The Gallery's Board on the expenditure or other use of the contributed funds. In addition, the of Trustees designates only a portion of the Gallery's cumulative Gallery's "no-year" federal appropriations for special exhibitions, emergency investment return for support of current operations; the remainder is response, and for the repair, renovation and restoration of its buildings are retained to support operations of future years and offset potential classified as temporarily restricted net assets. # Temporary restrictions may market declines. The amount designated (which is computed under expire as a result of fulfillment of the donor's wishes or the passage of time. the spending policy) and all interest income earned by investing cash Net assets released from temporarily restricted net assets to unrestricted in excess of daily requirements are used to support current operations net assets occur when contributions are expended and are reported as (see Note 5). net assets released from restrictions in the statement of activities.

46 # Permanently restricted net assets have donor-imposed restrictions which TRUSTS HELD BY OTHERS stipulate that the corpus of the gifts be retained permanently. In some cases, The Gallery has been named as beneficiary in several irrevocable char- the donor has also permanently restricted the use of excess income itable trusts held by third parties. The Gallery's share of these trusts is and any realized or unrealized gains attributable to the corpus. recorded at current fair value. Income distributions from these trusts are recorded as investment income and changes in the value of these trusts

CASH AND CASH EQUIVALENTS are recorded as "changes in the value of trusts held by others" in the Cash and cash equivalents include interest-bearing demand deposits and statement of activities. appropriated amounts remaining on deposit with the U.S. Treasury. The Gallery considers all highly liquid investments with an original PUBLICATIONS INVENTORY maturity of three months or less to be cash equivalents, except where Publications inventory is carried at the lower of cost or market. Cost such cash equivalents are held as part of a long-term investment strategy is determined using the retail cost method. (see Notes 2 and 5).

DEFERRED CHARGES

PLEDGES RECEIVABLE Deferred charges represent private expenses incurred in connection Unconditional promises to contribute to the Gallery in the future (pledges with future special exhibitions and other activities and are recognized receivable) are recorded at the present value of future cash flows, using a in the period in which the exhibition or activity occurs. risk free rate of return, after providing an allowance for uncollectibility.

FIXED ASSETS

INVESTMENTS The land occupied by the Gallery's buildings was appropriated and Investments are carried at fair value based upon quoted market price reserved by the Congress of the United States for that purpose. when available at the end of the fiscal year. Purchases and sales of securi- No value has been assigned in the accompanying financial statements. ties are reflected on a trade-date basis. Gain or loss on sales of securities Buildings are recorded at cost and depreciated on a straight-line basis is based on average historical value (cost of securities if purchased or the over the estimated useful life of fifty years. Building improvements, fair market value at the date of gift if received by donation). Dividend equipment, furniture and computer software are also recorded at cost and interest income is recorded on the accrual basis. In accordance and depreciated on a straight-line basis over estimated useful lives with the policy of stating investments at fair value, the net change in ranging from five to twenty-five years. Upon retirement of fixed unrealized appreciation or depreciation for the year is reflected in the assets, the related cost and accumulated depreciation are removed from statement of activities (see Note 5). the accounts (see Note 7). ART COLLECTIONS of the pension service cost requires the use of an actuarial cost The Gallery's art collections focus upon European and American method and assumptions with factors applied by the Gallery. These paintings, sculpture and works on paper. In conformity with accounting factors are supplied by the Office of Personnel Management (OPM), procedures generally followed by art museums, the value of art has the agency that administers the plan. The excess of the recognized been excluded from the statement of financial position. The Gallery's pension expense over the amount contributed by the Gallery repre- collections are maintained for public exhibition, education and research sents the amount being financed directly through the Civil Service in furtherance of public service, rather than for financial gain. *§> The Retirement and Disability Fund administered by OPM. This amount Gallery acquires its art collections through purchase or by donation-in- is considered imputed financing by the Gallery. >§> All permanent kind. Only current year purchases made from specifically designated employees of the Gallery, both federal and non-federal, hired subsequent funds, not donations-in-kind, are reflected in the statement of activities. to January 1,1984 participate in both the Social Security Retirement The Gallery does not deaccession any of its permanent collections. System and the Federal Employees' Retirement System (FERS). Employees hired prior to January 1,1984 had the option of remaining ACCRUED LEAVE under the Civil Service Retirement System (CSRS) or electing Annual leave is accrued as it is earned by employees and is included in FERS. All employees have the option to make tax-deferred contribu- personnel compensation and benefit costs. An unfunded liability as of tions to a Thrift Savings Plan and, in some instances, receive a matching the date of the financial statements is recognized for earned but unused portion from the Gallery.The Gallery funds all retirement contributions annual leave by federal employees since this annual leave will be paid on a current basis, and accordingly there are no unfunded retirement from future federal appropriations when the leave is used by employees. costs (see Note 11). *§> SFFAS No. 5 also requires that the Gallery The amount accrued is based upon current pay of the employees. recognize a current-period expense for the future cost of post-retirement health benefits and life insurance for its employees while they are still EMPLOYEE BENEFITS working. The Gallery accounts for and reports this expense in its The Federal Accounting Standards Advisory Board issued Statement financial statements in a manner similar to that used for pension of Federal Financial Accounting Standards No. 5 (SSFAS No. 5), expense, with the exception that employees and the Gallery do not "Accounting for Liabilities of the Federal Government", which requires make current contributions to fund these future benefits. employing agencies to recognize the cost of pensions and other retirement benefits during their employees' active years of service. The pension IMPUTED FINANCING SOURCES expense recognized in the Gallery's financial statements is equal to the In certain cases, the operating costs of the Gallery are paid out of current service cost for the Gallery's employees for the accounting funds appropriated to other Federal agencies. As an example, the law period less the amount contributed by the employees. The measurement requires certain costs of retirement programs be paid by OPM and certain legal judgments against the Gallery be paid from the Judgment information systems, human resources and legal services. Development Fund maintained by Treasury. Costs that are identifiable to the Gallery includes the expenses associated with individual and corporate gifts and directly attributable to the Gallery's operations are paid by these and grants, annual appeals and other fund-raising efforts. Federal agencies.

ESTIMATES CONTRIBUTED SERVICES The preparation of the financial statements, in conformity with gen- The Gallery has volunteers who provide assistance in various departments. erally accepted accounting principles, requires management to make Such contributed services do not meet the criteria for recognition of estimates and assumptions that affect the reported amount of assets contributed services contained in Statement of Financial Accounting and liabilities, disclosure of contingent assets and liabilities, and the Standards No. 116, "Accounting for Contributions Received and reported amounts of support and revenue and expenses at the date of Contributions Made", and, accordingly are not reflected in the the financial statements and during the reporting period. Actual results accompanying financial statements. could differ from these estimates.

FUNCTIONAL ALLOCATION OF EXPENSES RECLASSIFICATIONS The cost of providing various programs and other activities has been Certain prior year balances have been reclassified to conform to cur- summarized on a functional basis in the statement of activities. rent year presentation. Certain costs including depreciation, utilities, building maintenance, security and other operating costs have been allocated among program 2. CASH AND CASH EQUIVALENTS and supporting services. x§> Included under the Collections category are the costs of the care and display of the Gallery's collections. Special As of September 30,2002 and 2001, cash and cash equivalents include exhibitions includes travel, transportation of items and other services federal cash of $22,340,425 and $18,682,730, respectively, on deposit necessary for the display of special exhibitions. Education, gallery with the U.S. Treasury representing appropriated amounts yet to be shops and public programs includes the cost of providing a wide array disbursed. There are no reconciling items between the amounts of lectures, tours, films, music, symposia and academic programs to the recorded by the Gallery and on deposit with the U.S. Treasury. general public, in addition to gallery shop cost of goods sold and expenses. Editorial and photography includes the costs to produce the many publications produced by the Gallery. General and administrative includes expenses for executive management, financial administration, 3. ACCOUNTS RECEIVABLE In 1942, the Gallery, under authority of an Act of Congress, made a $5,000,000 permanent loan to the U.S. Treasury. This loan bears interest at 1/4% below the average monthly rate for long-term funds paid by the As of September 30, 2002 and 2001, accounts receivable consisted of the following: U.S.Treasury (ranging from 4.375% to 5.375% during fiscal year 2002). Interest income on this loan was

2002 2001 $253,472 and $267,743 for the years ended September 30, 2002 and 2001, respectively. Included in Other $ 710,643 $ 1,417,085 Accrued investment income investments are loans to an executive officer which are secured by residential real estate. The first note, total- Special exhibition and other program receivables 495,467 1,773,695 Other 582,643 238,805 ing $1,130,000, is due eight months after the officers retirement from the Gallery and carries an interest rate Subtotal 1,788,753 3,429,585 Less allowances (52,056) (18,406) of 5% on $130,000 of the note balance; the second note, totaling $600,000, carries an interest rate of 5.3% Total $1,736,697 $3,411,179 and is due either the earlier of 2021 or eight months after the officer's retirement from the Gallery.

4. PLEDGES RECEIVABLE According to the Gallery's spending policy set by the Board of Trustees, only a portion of the total invest- ment return derived from investments is available to support current operations, while the remainder is As of September 30, 2002 and 2001, pledges receivable consisted of the following: reinvested. Under this spending policy, five percent of the average fair value of endowment investments at 2002 2001 the end of the previous three-and-one quarter years is available to support operations. The following schedule Due in one year or less $ 6,820,082 $ 8,317,595 Due between one year and five years 6,929,806 9,533,749 summarizes the investment return and its classification in the statement of activities: Due in more than five years 145,000 30,000 Subtotal 13,894,888 17,881,344

Less discounts of $562,852 and $883,366 Temporarily Permanently 2002 2001 and allowances of $150,000 and $150,000, Investment return designated for operations Unrestricted Restricted Restricted Total Total respectively (712,852) (1,033,366) Interest on short-term investments $ 299,933 $ $ $ 299,933 $ 1,249,303 Total $13,182,036 $16,847,978 Investment return designated by spending policy for operations 1,614,000 9,945,000 11,559,000 11,259,000 Total investment return designated for operations $ 1,913,933 $ 9,945,000 $ $ 11,858,933 $ 12,508,303 5. INVESTMENTS

Deficiency of investment earnings over spending rate

As of September 30, 2002 and 2001, investments consisted of the following: Dividends and interest (net of expenses of $1,012,895 and $1,153,384, respectively) $ 2,421,162 $ 6,983,442 $ $ 9,404,604 $ 12,840,306 2002 2001 Net investment depreciation (10,994,727) (10,103,204) (12,431,521) (33,529,452) (61,928,844) Cost Fair Value Cost Fair Value Total return on long-term investments (8,573,565) (3,119,762) (12,431,521) (24,124,848) (49,088,538) Loan to the U.S. Treasury $ 5,000,000 $ 5,000,000 $ 5,000,000 $ 5,000,000 Investment return designated by spending Government obligations policy for operations (1,614,000) (9,945,000) (11,559,000) (11,259,000) and cash equivalents 15,480,904 15,480,904 17,613,232 17,685,697 Common and preferred Deficiency of investment earnings over spending rate $(10,187,565) $(13,064,762) $ (12,431,521) $(35,683,848) $(60,347,538) stocks 118,841,480 105,695,193 113,173,798 121,524,750 Mutual funds (equity and fixed income) 324,166,978 308,666,977 376,292,566 337,396,759 Other 6,474,172 6,208,345 5,042,181 4,386,979 Total $469,963,534 $441,051,419 $517,121,777 $485,994,185 6. PUBLICATIONS INVENTORY, NET 8. UNEXPENDED APPROPRIATIONS

As of September 30, 2002 and 2001, net publications inventory consisted of the following: The Gallery's unexpended federal appropriations as of September 30, 2002 and 2001 are as follows:

2002 2001 No-Year No-year Total 2002 Total 2001 Emergency Federal Federal Retail $ 1,173,516 $ 1,284,856 No-year Special Response Appropriated Appropriated Work-in-process 921,886 774,128 One-year Renovation Exhibition Funds Consignment 807,570 785,899 Balance beginning of period: Funds Funds Funds Funds Funds

2,902,972 2,844,883 Available $ $ 3,632,081 $ 416,653 $ - $ 4,048,734 $ 2,848,957

Less allowance for obsolescence (667,651) (655,546) Unavailable 616,006 - - - 616,006 693,182 Total $ 2,235,321 $ 2,189,337 Total beginning unexpended

appropriations 616,006 3,632,081 416,653 - 4,664,740 3,542,139 Unavailable authority returned 7. FIXED ASSETS, NET to U.S. Treasury (160,567) - - - (160,567) (282,592) U.S. Government funds

provided for prior years 244,928 - - - 244,928 150,703 As of September 30, 2002 and 2001, net fixed assets consisted of the following: Current appropriation received 65,888,445 14,220,000 3,026,000 2,148,000 85,282,445 75,485,000

2002 2001 Obligations incurred:

Buildings and improvements $ 202,320,007 $ 193,307,300 Art care (22,765,543) - - - (22,765,543) (21,472,056)

Equipment 29,220,416 26,783,126 Operations and maintenance (14,627,124) - - - (14,627,124) (13,658,944)

Construction-in-progress 13,181,035 8,321,518 Security (13,825,313) - - (963,651) (14,788,964) (13,169,462)

Equipment under capital lease 2,962,380 - General and administrative (13,849,337) - - (13,849,337) (13,085,512)

247,683,838 228,411,944 Special exhibitions - - (3,208,347) - x (3,208,347) (2,839,845)

Less accumulated depreciation and amortization (112,554,604) (106,236,519) Renovation and equipment (818,926) (13,397,601) - - (14,216,527) (10,004,691) Total $ 135,129,234 $ 122,175,425 Total obligations incurred (65,886,243) (13,397,601) (3,208,347) (963,651) (83,455,842) (74,230,510) Net change 86,563 822,399 (182,347) 1,184,349 1,910,964 1,122,601 Depreciation and amortization expense was $6,318,085 and $5,569,725 Balance end of period: for fiscal years 2002 and 2001, respectively. Available - 4,454,480 234,306 1,184,349 5,873,135 4,048,734 Unavailable 702,569 - - - 702,569 616,006 Total ending unexpended appropriations $ 702,569 $ 4,454,480 $ 234,306 $1,184,349 $ 6,575,704 $ 4,664,740 9. NET ASSETS RELEASED FROM RESTRICTIONS

Net assets are released from donor restrictions when the expenses are incurred to satisfy the restricted purposes as specified by donors. The donor-specified restrictions that were met in the reporting period are as follows:

2002 2001 Operating Non-operating Operating Non-operating Acquisition of art $ $ 18,513,667 $ $25,154,106 Collections 2,266,032 - 1,156,182 Special exhibitions 8,229,905 - 7,450,879 - Education and public programs 3,894,034 - 4,235,158 -

Editorial and photography 567,325 - 116,978 - Capital projects 11,003,595 - 4,895,569 Operations 3,444,235 - 3,858,052 - Total $18,401,531 $ 29,517,262 $16,817,249 $30,049,675

10. ANALYSIS OF RESTRICTED NET ASSETS

As of September 30, 2002 and 2001, temporarily restricted net assets and the investment income from permanently restricted net assets are restricted to support the following purposes:

2002 2001 Temporarily Permanently Temporarily Permanently Restricted Restricted Restricted Restricted Acquisition of art $ 49,758,304 $ 88,112,181 $ 70,543,837 $ 87,185,743 Collections 1,105,177 23,835,661 1,170,453 25,795,516 Special exhibitions 5,111,921 13,172,550 6,385,762 12,902,177 Education and public programs 23,456,938 43,660,220 24,758,390 47,510,300 Editorial and photography 138,910 - , 682,802 -

Capital projects 15,528,383 - 11,456,329 - Operations 17,948,393 100,385,602 19,059,784 108,540,666 Total $113,048,026 $ 269,166,214 $134,057,357 $ 281,934,402 11. EMPLOYEE BENEFITS 12. INCOME TAXES

Total pension expense recognized in the Gallery's financial statements The Gallery is a nonprofit organization exempt from federal income taxes was $4,605,073 and $4,253,885 for the years ended September 30,2002 under the provisions of 501(c)(3) of the Internal Revenue Code. and 2001, respectively. These amounts do not include pension expense financed by OPM and imputed to the Gallery of $1,788,453 and 13. LEASE COMMITMENTS $1,667,496, respectively.To the extent that Gallery employees are covered by the thrift savings component of FERS, the Gallery's payments to During fiscal year 2002, the Gallery entered into a capital lease obligation the plan are recorded as operating expenses. The Gallery's cost associated in connection with the installation of equipment. The Gallery has also with the thrift savings component of FERS for the years ended entered into several operating leases for warehouse and office space, September 30, 2002 and 2001, were $1,245,795 and $1,133,785, which continue through January 31, 2013. The terms of these operat- respectively. # In addition, the Gallery makes matching contributions ing leases include additional rent for operating expenses, real estate for all employees who are eligible for current health and life insurance taxes, utilities and maintenance. Future minimum lease payments under benefits.The Gallery's contributions for active employees are recognized these leases for the fiscal years ending September 30 are as follows: as operating expenses. During fiscal years 2002 and 2001, the Gallery Capital Lease Operating Leases contributed $2,926,160 and $2,649,732, respectively. Using the cost 2003 $ 337,311 $ 2,563,378 factors supplied by OPM, the Gallery has not recognized as an expense in 2004 337,793 2,920,451 2005 338,289 3,149,488 its financial statements the future cost of post-retirement health benefits 2006 338,801 3,212,825 and life insurance for its employees. These costs amounted to approx- 2007 339,327 3,277,628 Thereafter 3,080,421 14,990,851 imately $4,578,262 and $4,011,475 during fiscal years 2002 and 2001 Total minimum lease payments 4,771,942 $30,114,621 Less amount representing interest (2,146,404) respectively, are financed by OPM and imputed to the Gallery. Present value of minimum capital lease payments $2,625,538

Rental expense was approximately $1,488,300 and $1,044,100 for the years ended September 30, 2002 and 2001, respectively. PAINTINGS No. 9, Nature Morte Espagnole, 1915, oil on Encouraging the State (reverse), 1747, silver, DRAWINGS Baer, Jo, American, born 1929, Untitled, canvas, 2002.19.1, Gift of Katharine Graham 2001.131.3.a,b, Gift of Lisa Unger Baskin Altomonte, Martino, Italian, 1657-1745, The o 1968, oil on canvas (diptych), 2001.99.1.a,b, Strozzi, Bernardo, Italian, 1582-1644, Saint Milanese 16th Century, Louis XII, Virgin Immaculate, c. 1727, black chalk z The Dorothy and Herbert Vogel Collection, Francis in Prayer, c. 1620/1630, oil on can- 1462-1515, as Duke of Milan (obverse); heightened with white on blue paper, Gift of Dorothy and Herbert Vogel, Trustees vas, 2002.78.1, Gift of Joseph F. McCrindle Saint Ambrose (reverse), 1500/1512, silver 2002.5.1, Ailsa Mellon Bruce Fund 5 Benton, Thomas Hart, American, 1889-1975, testoon, 2001.131.4.a,b, Gift of Avery, Milton, American, 1885-1965, Avery Lisa Unger Baskin Com and Winter Wheat, 1948, oil on can- SCULPTURES Sketchbook (Mother Ann Cottage, Eastern vas, 2001.122.1, Gift (Partial and Promised) Muller, Philipp Heinrich, German, 1650-1718, Point, Gloucester, ), c. 1943, Adams, Herbert, American, 1858-1945, Girl of Helen Lee Henderson in memory of Helen Emperor foseph I and Princess Wilhelmina bound volume with 64 drawings in various with Water Lilies, 1928, bronze, 2002.96.1, Ruth Henderson, Founder, HRH Foundation Amalia (obverse); Venus and Cupid media; Avery Sketchbook (Jamaica, VT), g Gift of the HRH Foundation in honor of its Bestowing Two Crowns (reverse), 1699, 1943, bound volume with 77 drawings in Feininger, Lyonel, American, 1871-1956, founder, Helen Ruth Henderson Street of Barns, 1914, oil on canvas, gilded silver, 2001.131.5.a,b, Gift of Lisa various media; Avery Sketchbook 2001.129.1, Gift (Partial and Promised) Central or North Italian 16th Century, Pax Linger Baskin (MacDowell Colony, Peterborough, NH), of the Arnold Saltzman Family with the Madonna of the Rosary, fourth Saint Peter, Prince of Apostles, c. 1700, 1952, bound volume with 19 drawings in quarter 16th century, bronze, 2002.102.2, bronze, 2001.131.6, Gift of Lisa Linger Baskin various media; Avery Sketchbook (Milton Giaquinto, Corrado, Italian, 1703-1766, un Gift of the Honorable Andrew M. Brown Avery), late 1930s, bound volume with 63 Autumn, c. 1740/1750, oil on canvas, North Italian 16th Century, The Triumph Christo, American, born Bulgaria,1935, drawings in various media; Avery 2001.123.1, Gift of the Rizik Family of Fame, early 16th century, bronze, Double Store Front Project, Orange and 2002.102.1, Gift of the Honorable Sketchbook (Pemaquid Point, Maine), 1948, Gifford, Sanford Robinson, American, Yellow, 1964-1965, graphite, enamel paint, Andrew M. Brown bound volume with 31 drawings in various 1823-1880, Two Pears on a Tabletop, , fabric, brown wrapping paper, Plexiglas, media, 2002.104.1.1-64, Picasso, Pablo, Spanish, 1881-1973, Head c. 1866, oil on canvas, 2001.130.1, cardboard, electric light, nails, and galvanized 2002.104.2.1-77, 2002.104.3.1-19, Gift (Partial and Promised) of William and of a Woman (Fernande), model 1909, cast metal, on plywood, 2001.98.1, Gift of a 2002.104.4.1-63, 2002.104.5.1-31, Abigail Gerdts before 1940, bronze, 2002.1.1, Patrons' Private Collector in honor of Dorothy and Gift of Permanent Fund and Gift of Mitchell P. Rales Gottlieb, Adolph, American, 1903-1974, Herbert Vogel Balcar, Jiri, Czech, 1929-1968, Untitled, Pictograph, 1942, oil on canvas, 2002.101.1, Selvi, Antonio Francesco, Italian, 1679-1753, Coubertin Factory after , 1967, ink and watercolor; Untitled, c. 1965- Giuliano II de' Medici, 1479—1516, Due Gift of Aaron I. Fleischman French, Lost- Wax Casting Display (ten 1967, ink with offset lettering; Untitled, c. de Nemours (obverse); Leafless Branches Homer, Winslow, American, 1836-1910, parts), 1990, various media, 2002.58.1-10, 1965, ink and watercolor; Untitled, c. 1964- (reverse), 1739/1744, bronze, 2001.131.7.a,b, Dad's Coming!, 1873, oil on panel, Gift of the Iris and B. Gerald Cantor Collection 1968, ink and magazine transfers; Study Gift of Lisa Unger Baskin 2001.97.1, Collection of Mr. and French 16th or 17th Century, Henri IV, for "Bashful Girl," c. 1967, pen and ink; Mrs. Paul Mellon Soldani, Massimiliano, Italian, 1656-1740, 1553-1610, King of France 1589, Study for "My Big Week," c. 1968, ink and Giovanni Battista Mantini, d. 1694, Agent Jonson van Ceulen, Cornells, English, c. 1590/1610, gilded bronze, 2001.131.1, wash; Untitled, 1967, ink, watercolor, and General of Tuscany in Rome (obverse); 1593-1661, Anna Maria van Schurman, Gift of Lisa Linger Baskin magazine transfers; Untitled, 1967, pen Allegory of Vigilance and Loyalty (reverse), 1657, oil on wood panel, 2002.35.1, Gift of and ink; Untitled, 1965, ink and watercolor, German 17th Century, Ernst Bogislaus, Duke 1680, bronze, 2001.131.8.a,b, Gift of Lisa Joseph F. McCrindle 2002.50.27-28, 30-34, 36-37, Gift of the of Croy and Arschott, Prince of the Holy Unger Baskin Anne and Jacques Baruch Collection; Kusama, Yayoi, Japanese, born 1929, Yellow Roman Empire (obverse); Shield of the Arms South German 15th Century (Swabian Untitled, c. 1967, ink, watercolor, and mag- Net, 1960, oil on canvas, 2002.37.1, Gift of of Croy and Arschott (reverse), 1667, silver, or Franconian), The Holy Kinship, azine offset, 2002.50.29, Gift of the Anne the Collectors Committee 2001.131.2.a,b Gift of Lisa Linger Baskin c. 1480/1490, polychrome wood relief, and Jacques Baruch Collection in honor of Maes, Nicolaes, Dutch, 1634-1693, Portrait Hamerani, Giovanni, Italian, 1646-1705, 2002.13.1, Patrons' Permanent Fund Barbara and Raymond Poplett; Untitled, c. of a Lady, 1676, oil on canvas, 2001.138.1, Luis Manuel Fernandez de Portocarrero, 1965, ink and watercolor, 2002.50.35, Gift of Gift of Joseph F. McCrindle 1629—1709, Cardinal 1669, Archbishop of the Anne and Jacques Baruch Collection in INSTALLATION Procaccini, Giulio Cesare, Italian, 1574-1625, Toledo 1677, Viceroy of 1677—1678 honor of Frances and David Rosen (obverse); Allegorical Monument to the The Ecstasy of the Magdalen, 1616/1620, Turrell, James, American, born 1943, New Berthoud, Rodolphe Leon, Swiss, 1822-1892, Liberation of Messina (reverse), 1678, oil on canvas, 2002.12.1, Patrons' Light, conceived 1989, space division con- An Alpine Valley, 1878, watercolor, bronze, 2002.9.1.a,b, Gift of Ted Dalziel Jr., Permanent Fund struction, 2002.34.1, Gift of James Turrell 2002.48.1, Gift of David and Elizabeth Tunick in honor of his parents, Mary Morris Dalziel Rivera, Diego, Mexican, 1886-1957, in honor of Earl A. Powell Ill's Tenth and George T. Dalziel, Col., USAF, Ret. Montserrat, 1911, oil on canvas, 2001.112.1, Anniversary as Director of the National Collection of Eugene and Agnes Meyer, Gift Marm, Johann Christian, Dutch, active Gallery of Art of their daughter Elizabeth Meyer Lorentz 1741-1757, William IV Prince of Orange, Elected Stadtholder (obverse); Minerva

54 Bishop, Isabel, American, 1902-1988, Early Hat," 1897, charcoal and black ink; Untitled, 1940s, pen and black ink; Untitled, mount; Untitled, 1930, charcoal; 2002.50.1, Gross, Chaim, American, 1904-1991, Sketchbook, c. 1928-1936, 23 drawings in Landscape (verso), 1897, charcoal; Young 1940s, pen and black ink; Four Composition 42-49, 51, 53-55, 57, 59, Gift of the Anne Woman Seated, c. 1950, cont6 crayon, various media, 2002.41.l.a-w, Gift of the Girl (Berthe Schaedlin), c. 1890, charcoal, Studies, 1940s, pen and black ink; Sheet and Jacques Baruch Collection; Untitled, 2002.98.119, Gift of Jacob Kainen Collectors Committee 2001.136.2, 4-7, 9, 22-24, 26, 28-45, with Five Composition Studies, 1940s, pen 1919, charcoal on tan paper, 2002.50.52, Guston, Philip, American, 1913-1980, Bonnard, Pierre, French, 1867-1947, Birth Virginia and Ira Jackson Collection, Partial and black ink; Sheet with Five Composition Gift of the Anne and Jacques Baruch Back View, 1969, pencil, 2001.139.1, Announcement for Pierre Franfois Marie and Promised Gift Studies, 1940s, pen and black ink; Two Collection in honor of Dr. Eugene Rogolsky; Gift of Musa and Tom Mayer Composition Studies, 1940s, pen and black Untitled, 1932, pastel, 2002.50.60, Gift of Floury, 1931, graphite; Study for "Bulletin Bose, Konrad, German, 1852-1938, Kneeling Gutfreund, Oto, Czech, 1889-1927, Lovers ink; Sheet with Three Composition Studies, the Anne and Jacques Baruch Collection in de artistique," 1919, graphite on verso Woman from Behind, c. 1909, watercolor and Embracing, c. 1911, brown ink and brown 1954, pen and black ink; Sheet with Seven honor of Ronit and Albert Flesch of old poster; Study for "Bulletin de la vie gouache over black chalk on brown paper, wash, 2001.108.1, Ailsa Mellon Bruce Fund artistique," 1919, charcoal and crayon; Fille 2001.107.1, Ailsa Mellon Bruce Fund Composition Studies, 1945, pen and black Ducros, Louis, Swiss, 1748-1810, Hayter, Stanley William, British, 1901-1988, avec miroir, c. 1902, black chalk; L'Enfant ink; Untitled, 1950s, pen and black ink; The Waterfalls at Tivoli, c. 1790, watercolor British , , Ibiza, 1985, colored ; Untitled, ...la porte, 1946, graphite on transfer paper; Untitled, 1950s, pen and black ink; Untitled, with gouache over graphite, heightened with , watercolor, 2002.98.373, 1977, acrylic on paper; Untitled, 1964, oil La Petite qui tousse, 1890/1891, brush and 1950s, pen and black ink; Untitled, 1950s, gum arabic, 2002.68.1, Rudolf and Lore Gift of Jacob Kainen and crayon; Birthday Greeting, 1985, black ink with watercolor; Marie and Her pen and black ink; Lights and Plane Parts, Heinemann Fund Brizio, Francesco, Italian, c. 1575-1623, 1940s, pen and black ink, 2001.133.1-20, felt-tip pen; 2002.98.28, 31-32, 123, Protector (recto and verso), 1897, brush and Foltz, Philipp von, German, 1805-1877, The An Elegant Young Man Personifying Vanity, Gift of Neelon Crawford Gift of Jacob Kainen black ink, 2001.136.22.a-b; Menuet, 1892, Count of Habsburg, 1837, brown-gray ink pen and brown ink over black chalk, Hervier, Adolphe, French, 1818-1879, , 2001.136.23; Pas redouble, Delia Bella, Stefano, Italian, 1610-1664, and gray wash over graphite, 2001.107.2, 2002.64.1, Gift of Diane Allen Nixon Farmyard, 1870, pen and ink with watercol- 1891, brush and pen and black ink with Two Men in Masquerade Costumes: A Ailsa Mellon Bruce Fund watercolor over graphite; Salon d'Automne, Cage, John, American, 1912-1992, Score for Cannon Firing and a Cat inside a or, 2002.98.386, Gift of Jacob Kainen French 19th Century (possibly Alexandre- 1912, graphite with colored pencil; "Changes and Disappearances No. 33," Mousetrap, c. 1645, pen and brown ink, Hillier, Tristram, British, 1905-1983, Gabriel Decamps), Rider in the Countryside Self-Portrait, pen and brown ink on beige 1979-1982, graphite, 2001.142.16, Gift of 2002.31.1, Ailsa Mellon Bruce Fund Shipbuilding at Peniche, 1947, graphite, (recto); Horses (after Paulus PotterXverso), paper; Study for "La Valse" (recto and Kathan Brown; Drawings for Changes and 2001.115.1, Gift of J. Carter Brown Diebenkorn, Richard, American, 1922-1993, charcoal heightened with white on brown verso), 1891/1893, pen and black ink over Disappearances No. 33, 1979-1982, 8 Untitled No. 19, 1981, gouache and crayon, paper, 2002.98.383.a-b, Gift of Jacob Kainen Hillsmith, Fannie, American, born 1911, graphite; Study for "France-Champagne" graphite drawings on tracing paper, 2001.141.1, Gift of Ann and Robert L. Interior 1, 2, 3, 1961, charcoal and collage, (recto and verso), c. 1889, pen and black 2001.142.17-24, Gift of Kathan Brown Freyberger, Hans, German, 1571-1631, Freed man 2002.98.389, Gift of Jacob Kainen ink; Study for "Dans la rue," c. 1900, pas- Chass6riau, Theodore, French, 1819-1856, The Stoning of Saint Stephen, c. 1610, pen Dietzsch, Barbara, German, 1706-1783, Ingres, Jean-Auguste-Dominique, French, tel and brush and black ink with scratching Drover with Oxen Pulling a Cart, and ink and watercolor, 2002.46.1, Gift of A Rose-Breasted Finch Hanging from a Nail, 1780-1867, foan of Arc Standing at the Altar out; Study for "La blanchisseuse" (recto), c. 1840/1841, watercolor, 2002.29.1, Gift of Charles and Nona Mack in memory of c. 1760, watercolor and gouache on vellum, in Reims Cathedral, c. 1844, pen and brown 1896, charcoal; Study for "The Concert" Helen Porter and James T. Dyke Mary Dirnberger Sundbeck 2002.16.1, Ailsa Mellon Bruce Fund ink and graphite on tracing paper, 2002.103.1, (verso), c. 1896, charcoal; Study for Galloway, John, American, Warthog, 1950, Cole, Thomas, American, 1801-1848, Gift of Katherine Baer and Juan Esteban "Gamme mineure" and "Gamme majeure," Dietzsch, Johann Christoph, German, ink wash and chalk, 2002.98.105, Gift of Narcissus (recto), 1828, pen and black ink; Pereira in memory of J. Carter Brown 1891/1893, pen and black ink with red chalk 1710-1769, Storm -Tossed Ships Wrecked Mountain Landscape (verso), c. 1828, Jacob Kainen and graphite; Study for "Modulation," c. on a Rocky Coast, gouache on vellum, Jeffrey, David, American, born 1956, Untitled, graphite, 2002.23.1.a-b, Paul Mellon Fund Gessner, Salomon, Swiss, 1730-1788, 1893, graphite and watercolor; Study for 2001.119.1, Ailsa Mellon Bruce Fund 1995, wax, charcoal and rust on vellum, Costello, Bernard, Attributed to, Italian, 17th Arcadian Landscape with an Obelisk, 1785, "Qu'est-ce qu'un solfege," 1891/1893, Donovan, Bobby, American, born 1954, 2001.143.6, Gift of Werner H. and century, Mucius Scaevola, brown ink with gray gouache, 2002.67.1, Rudolf and Lore brush and black ink with red chalk over Carrie Sleeping, ink wash, 2002.98.93, Sarah-Ann Kramarsky wash, 2002.98.377, Gift of Jacob Kainen Heinemann Fund graphite; Study for "Qu'est-ce que la Gift of Jacob Kainen Jones, Thomas, British, 1742-1803, mesure?," 1891/1893, brush and black ink Cottrell, Marsha, American, born 1964, Giani, Felice, Italian, 1758-1823, The School Drtikol, Frantisek, Czech, 1883-1961, Larici from the Convent of the Galoro, 1777, over graphite; Study for "Scene de famille," Untitled, 1998, iron oxide on of Rome, c. 1795, pen and brown ink with At Benetova, 1906, watercolor; At Pislau, watercolor over graphite touched with gum 1892, graphite; Study for cover of "Petit solfege Japanese paper, 2001.143.1, Gift of Werner brown wash over black chalk, 2002.129.1, 1905, graphite; Untitled, 1919, charcoal on arabic, 2002.80.1, New Century Gift illustre," 1891/1893, brush and black ink H. and Sarah-Ann Kramarsky Pepita Milmore Memorial Fund brown paper; Untitled, 1917, graphite on Committee and watercolor; Study for "Do Re Mi," Gilpin, William, British, 1724-1804, Crawford, Ralston, American, 1906-1978, brown paper; Untitled, 1917, graphite on Kaisermann, Franz, Swiss, 1765-1833, View 1891/1893, brush and black ink with water- Landscape, ink and wash, 2002.98.384, Anchor, 1938, pen and black ink; Beach brown paper; Untitled, 1931, charcoal; from Tivoli across the Tiber Valley at Sunset, color and graphite; Study for "Du pays Gift of Jacob Kainen with Trash Cans, 1939, pen and black ink Untitled, 1919, charcoal on tan paper; 1813, watercolor over graphite, 2002.71.1, tourangeau," 1898, black chalk; Study for with graphite; Dog Track, Sanford, 1938, pen Untitled, 1927, black and white pastel; Girtin, Thomas, British, 1775-1802, Conway Rudolf and Lore Heinemann Fund "Le Cygne," c. 1904, brush and black ink; and black ink and white gouache; Miami Untitled, 1918, graphite on brown paper; Castle, North , c. 1800, watercolor Study for "Lefon sur les mesures composees," Kawara, On, Japanese, born 1933,1 am still Beach, 1939, gouache and pen and black Untitled, 1918, graphite on brown paper; over graphite on cartridge paper, 2002.22.1, 1891/1893, pen and black ink over graphite; alive, 1970, 3 telegrams; I got up at, 1968/ ink over graphite; Untitled, 1939, collage Untitled, 1919, charcoal on tan paper; Paul Mellon Fund Study for "Les Cles," 1891/1893, brush and 1973, 78 postcards with printed rubber- with gouache and gelatin silver photograph; Black Pillars, 1919, charcoal on tan paper; Graham, John D., American, 1881-1961, pen and black ink with watercolor and stamp; This morning I got up, 1969, water- Untitled, 1950s, pen and black ink; Four Untitled, 1918, charcoal on tan paper; Self-Portrait, c. 1933, graphite, 2002.98.385, graphite; Study for "Marie Putting on Her color; Untitled, 1970, 14 telegrams, Aerial Studies, 1940s, pen and black ink; Untitled, 1904, watercolor on paper on gray Gift of Jacob Kainen 2001.101.1-96, The Dorothy and Herbert LeWitt, Sol, American, born 1928, Black Male, c. 1930, watercolor, crayon, and pencil, and Child and Saints Defeating Evil, Heresy, Schwalb, Susan, American, born 1944, Vogel Collection, Gift of Dorothy and Gouache, 1991, gouache, 2001.143.9, Gift 2002.98.397-398, Gift of Jacob Kainen and Profane Love, c. 1750, pen and black Strata #43, 1997, silverpoint and copper- point; Strata #51, 1997, copperpoint, Herbert Vogel, Trustees of Werner H. and Sarah-Ann Kramarsky Michael, Creighton, American, born 1949, ink with wash and white heightening on blue 2001.143.13-14, Gift of Werner H. and Kirchner, Ernst Ludwig, German, 1880-1938, Linck, Jean Antoine, Swiss, 1766-1843, QUAD (897), 1997, 4-part drawing in prepared paper, incised for transfer, Sarah-Ann Kramarsky Dancers and Performers, c. 1911, 8 pages Vue du Mont Blanc, black and white chalk on graphite, gesso, and shellac, 2001.143.2.a-d, 2002.45.1, Ailsa Mellon Bruce Fund from a sketchbook with graphite drawings, gray paper, 2002.21.1, Gift of Alexander M. Gift of Werner H. and Sarah-Ann Kramarsky Rivera, Elena del, Spanish, born 1925, Letter Seborovski, Carole, American, born 1960, Ink 2002.99.1-8, Ailsa Mellon Bruce Fund Dot and Enameled Line Drawing, 1988, and Judith W. Laughlin Motherwell, Robert, American, 1915-1991, to the Mother, 1995, gray and black thread, enamel, ink, and paper collage, 2001.143.15, Klee, Paul, Swiss, 1879-1940, Die Schale Liotard, Jean-£tienne, An Elegant Young Untitled (related to Basque Suite), early graphite and typewritten text; Letter to the Gift of Werner H. and Sarah-Ann Kramarsky des Herzens, 1937, gouache, 2002.88.1, Woman in Maltese Costume, c. 1742, pas- 1970s, gouache and ink over lithograph, Mother, 1993, 3-part drawing in pen and Gift of Mrs. John Alexander Pope tel on parchment, 2002.121.1, Patrons' 2001.140.1, Gift of David and Renee McKee black ink, graphite, and typewritten ink, Sheinkman, Mark, American, born 1963, 2001.143.3, 4.a-c, Gift of Werner H. and Untitled, 1994, graphite, 2001.143.16, Gift Kobell, Franz Innocenz Josef, German, Permanent Fund and New Century Fund O'Hara, Morgan, American, born 1941, Form Sarah-Ann Kramarsky of Werner H. and Sarah-Ann Kramarsky 1749-1822, A Waterfall by Moonlight, pen Malich, Karel, Czech, born 1924, Light in and Content: The Shape of Discourse #2, and brown ink with brown wash, Me III, 1987, pastel; Two Figures, 1962, 1995, brush and black sum! ink, 2001.143.10, Rohlfs, Christian, German, 1849-1938, Stout, Myron Stedman, American, 1908-1987, 2002.81.1, Ailsa Mellon Bruce Fund watercolor, gouache, and pen and ink; Gift of Werner H. and Sarah-Ann Kramarsky Mists over the Lake, 1934, tempera and Untitled, 1950-1951, charcoal, 2002.24.1, gouache, 2002.61.1, Gift of Helen Porter The Nancy Lee and Perry Bass Fund Kobell, Wilhelm von, German, 1766-1853, Untitled, 1960, collage of newspaper, maga- O'Keeffe, Georgia, American, 1887-1986, and James T. Dyke Konigsee with the Cliffs of Saint Bartholomee, , and black and gray ; Untitled, Blue Hill No. I, 1916, watercolor, 2002.11.1, Swiss 17th Century, Giovanni Grosso of the 1837, watercolor over graphite, 2001.100.1, 1971, felt tip or architecture pens and colored Gift of Joan and Lucio Noto and The Georgia Rowlandson, Thomas, British, 1756-1827, Swiss Guards Standing before a View of Bequest of Lore Heinemann in memory of inks; Untitled, 1979, graphite, colored pen- O'Keeffe Foundation Changing Horses at a Post House in France, Rome (after Francesco Villamena), water- her husband, Rudolf J. Heinemann cil and crayon with cuts, punctures, and c. 1790, watercolor over black ink and color over black ink, 2001.114.1, Gift of Olds, Elizabeth, American, 1896-1991, incising, 2002.50.83 - 87, Gift of the Anne graphite, 2001.115.2, Gift of J. Carter Brown Arturo and Corinne Cu6llar Kolibal, Stanislav, Czech, born 1925, Untitled, Depression-NY, 1930s, ink wash, and Jacques Baruch Collection; Landscape 1968, pen and ink; Untitled, 1978, graphite; 2002.98.169, Gift of Jacob Kainen Ryan, Anne, American, 1889-1954, No. 537, Thornton, Valerie, British, born 1931, 4, 1961, gouache, 2002.50.81, Gift of the Untitled, 1978, graphite, 2002.50.61-63, Gift 1952, paper and cloth collage, 2002.49.1, Gift Blytheborough, pencil, crayon and watercolor, Anne and Jacques Baruch Collection in Pillement, Jean, French, 1728-1808, Fanciful of the Anne and Jacques Baruch Collection of Gloria Spivak in honor of Jeffrey Weiss 2002.98.405, Gift of Jacob Kainen honor of Elizabeth Campbell; Light in Me Flowers and Bugs, black and red chalk, Salath6, Friedrich, Swiss, 1793-1858, Ruins Kubicek, Jan, Czech, born 1927, Elementary II, 1987, pastel, 2002.50.82, Gift of the 2001.148.2, Gift of Pamela B. Ohrstrom Thurmer, Joseph, German, 1798-1833, of a Rhineland Castle (recto), brown wash Panorama toward Athens from the Garden Principles #2, 1970/1975; Elementary Anne and Jacques Baruch Collection in Quarenghi, Giacomo, Italian, 1744-1817, Principles #3,1970/1975; Elementary and watercolor over graphite; Grove of Trees of Aphrodite, 1818, graphite, 2002.59.1, honor of Cornelia Honchar The Piazza of Saint Peter's Seen through Principles #4, 1970/1975; Elementary (verso), c. 1835, pen and black ink over Gift of Thomas Le Claire Masek, Karel Vitezslav, Czech, 1865-1927, an Arch of the , watercolor, graphite, Principles #5, 1970/1975; Untitled, 1985, graphite, 2002.47.l.a-b, Gift of Mr. and The Apostles, 1895/1900, watercolor and pen and black ink, 2002.36.1, Tiepolo, Giovanni Domenico, Italian, 1727- pen and ink, 2002.50.66-69, 73, Gift of Mrs. Kurt Meissner ink; Design for a Breakfront, 1900, water- William B. O'Neal Fund 1804, Figures and Faces, brush and brown the Anne and Jacques Baruch Collection Sand back, Fred, American, born 1943, wash, 2002.76.1, Ailsa Mellon Bruce Fund color, gouache, and ink; Draft for Diploma Ranson, Paul, French, 1862-1909, Study Untitled (study for 3-part diagonal con- Kubin, Alfred, Austrian, 1877-1959, Das of Jindricka Mastalko, c. 1904, graphite; for "La Liseuse couchee," 1894, graphite, Towne, Francis, British, 1739/1740-1816, struction for the Kestner Gesellschaft, Friedenslied; Figure on a Bed in a Room; Salonek, 1898, gouache; Skittle Players, 2001.136.70, Virginia and Ira Jackson A Rocky Shore at Coombmartin, Devon, Untitled, graphite, 2002.98.301-303, Hannover, not executed), 1987, wax pencil, watercolor, gouache, and ink; Stary Hrosenov, Collection, Partial and Promised Gift 1783, pen and gray-brown ink and wash, 2001.102.1, Gift of Fred Sand back in honor Gift of Jacob Kainen 1889, watercolor; Landscape with a Ruin, 2001.135.1, Gift of Donald Stone Refregier, Anton, American, 1905-1979, of Dorothy and Herbert Vogel watercolor; Sketchbook, bound volume with Lacombe, Georges, French, 1868-1916, Woman Sitting, 1970, pencil, 2002.98.237, Vasiliev, Nicolei, American, 1892-1970, 17 drawings in graphite and watercolor; Sand by, Paul, British, 1731-1809, Dawn Study for "Les Pecheurs" with Men Gift of Jacob Kainen Seated Woman, 1925, graphite, 2002.98.200, Vapenice, 1921, graphite; The Wing, 1898, in Luton Park, 1763/1765, watercolor and Emptying the Nets, 1894/1895; Paul Gift of Jacob Kainen Ricciolini, Nicold, Italian, 1687-1772, Studies Serusier, 1895, charcoal, 2001.136.59-60, 2002.50.89-91,93-96,97,99.a-q, 100, Gift gouache with pen and ink over graphite on for Saint Michael Defeating the Rebel Angels, Vicentino, Andrea, Italian, c. 1539-1614, The Virginia and Ira Jackson Collection, Partial of the Anne and Jacques Baruch Collection; 2 joined sheets of paper, 2001.117.1, pen and brown ink over black chalk with Crucifixion (recto); The Battle of Spoleto (after and Promised Gift Luneta: Savings, 1896, gouache, charcoal Paul Mellon Fund colored wash, 2002.70.1, Ailsa Mellon Titian) (verso), red chalk, 2002.127.1.a, b, or chalk, 2002.50.92, Gift of the Anne and Saxon, Erik, American, born 1942, Untitled, Lancret, Nicolas, French, 1690-1743, Ailsa Mellon Bruce Fund Jacques Baruch Collection in honor of Audrey Bruce Fund A Young Woman Looking in a Mirror, red, 1995, white gouache; Untitled, 1986, Rigaud, Hyacinthe, French, 1659-1743, Walkowitz, Abraham, American, 1880-1965, black, and white chalk on oatmeal paper, and William P. Tuggle; Studies of a Male graphite, 2001.143.11-12, Gift of Werner Nude, 1896, black chalk, 2002.50.98, Gift Monseigneur Louis-Charles d'Orleans de , c. 1925, 3 watercolors; 2001.126.1, Ailsa Mellon Bruce Fund H. and Sarah-Ann Kramarsky of the Anne and Jacques Baruch Collection Saint-Albin, Archbishop of Cambrai, 1740, New York of the Future, c. 1925, charcoal, Ledy, Ann, American, born 1952, Untitled, Schanker, Louis, American, 1903-1981, in honor of Dr. Jerome T. Scally black and white chalk and gouache on brown 2002.98.203-205, 207, Gift of Jacob Kainen 1996, aluminum, silk paper, vellum, and steel, Figures in Space #1; Figures in Space #2, Matulka, Jan, American, 1890-1972, paper, 2002.27.1, Gift of Diane Allen Nixon Wang, Ming, American, born 1921, Untitled, 2001.143.8, Gift of Werner H. and 1949, pen and ink, 2002.98.182-183, Rigl, Vitus Felix, German, c. 1717-1779, 1968, colored felt-tip pen; Untitled, 1967, Sarah-Ann Kramarsky Landscape with Footbridge, c. 1925, water- Gift of Jacob Kainen color and crayon; The South of France/Nude An Elaborate Rococo Setting with the Virgin acrylic; Untitled, 1974, acrylic, 2002.98.211-213, Gift of Jacob Kainen Weber, Max, American, 1881-1961, Girl aquatint; Winter, 1999, color aquatint with Gift of the Anne and Jacques Baruch Walcott and the Art of Romare Bearden, Bewick, Thomas, British, 1753-1828, with Flowers, c. 1910, gouache on cardboard, burnishing, from Why Draw a Landscape?, Collection in honor of Carolyn and Ray 1983, bound volume with an extra lithograph The Boasting Traveler, 1818; Guinea Hen, 2001.112.2, Gift of Elizabeth Meyer Lorentz 2001.142.1-4, 2001.142.114.11, Poplett; My Little Jealousy, 1966, color lith- by Bearden, 2002.115.1-2, Gift of Jane and c. 1800; A Bird, c. 1800; Man Pissing, ograph, 2002.50.14, Gift of the Anne and Raphael Bernstein c. 1815, wood engravings, 2002.98.78-81, Wittel, Caspar van, Dutch, 1652/1653-1736, Gift of Kathan Brown Jacques Baruch Collection in honor of Gift of Jacob Kainen Lago Maggiore (recto); Studies of Lago Bailey, William, American, born 1930, Beaumont, Edouard de, French, 1821-1888, Kevin McGirr; Small Self-Portrait, 1958, Maggiore and the Entrance to a Palazzo Borghetto I, 1996, color aquatint with Dis-Donc, grande soeur; II ale cauchemar...; Birch, Willie, American, born 1942, Prom color lithograph, 2002.50.22, Gift of the (verso), c. 1700, brown ink over graphite, hardground etching; Borghetto II, 1996, Madame demande son cafe; On demande une Piece, 1995, letterpress print from Sculpture Anne and Jacques Baruch Collection in 2001.100.2.a-b, Bequest of Lore Heinemann hardground etching in brown; La Notte, reponse par le courrier, lithographs, Center Catalog, 2001.143.19, Gift of Werner honor of Rebecca Rossof in memory of her husband, Rudolf J. 1996, hardground etching with aquatint; 2002.57.2-5, Gift of Frank Anderson Trapp H. and Sarah-Ann Kramarsky Heinemann Montefalco, 1998, hardground etching; Ball, Lillian, American, born 1955, Untitled, Bechtle, Robert, American, born 1932, Potrero BI6ry, Eug6ne, French, 1805-1887, Etudes 1995, letterpress print from Sculpture Center Xceron, Jean, American, 1890-1967, Montepulciano, 1996, aquatint with hard- Houses-Pennsylvania Avenue, 1989, color dessinees et gravees d'apres nature, 1840, Catalog, 2001.143.17, Gift of Werner H. Untitled, 1937, pen and ink and ink wash, ground etching; San Marco, SFty 1998, woodcut on silk mounted on buff paper; complete set of 10 etchings with original and Sarah-Ann Kramarsky 2002.98.215, Gift of Jacob Kainen hardground etchings; Umbria Verde, 1997, House near Stinson Beach, 1999, color soft- cover, 2002.72.7-16, Mark J. Millard color aquatint with hardground etching, Baron, Henri Charles Antoine, French, 1816- ground etching with spitbite aquatint, from Architectural Collection 2001.142.5-12, Gift of Kathan Brown 1885, Italian Dancers, lithograph, 2002.57.1, Why Draw a Landscape?, 2001.142.13, Bloch, Julius Thiengen, American, 1888- PRINTS & ILLUSTRATED BOOKS Balcar, Jiri, Czech, 1929-1968, Absurd Gift of Frank Anderson Trapp 2001.142.114.5, Gift of Kathan Brown 1966, October Afternoon, c. 1940, lithograph, Ackermann, Max, German, 1887-1975, Profile, 1946, drypoint [proof]; Bashful Girl, Barr, Burt, American, born 1944, Double Beckett, Isaak, British, 1653-1715 or 1719, 2002.98.82, Gift of Jacob Kainen , 1953; Music of the Spheres, 1944; 1967, etching and drypoint; Call Girl, 1965, Feature, 2000, photolithograph, 2002.111.1, Adrian Beverland (after Simon du Bois), Blondel, Georges Francois, French, 1730- A New Year, 1960; Nocturne, 1958; Spanish etching and softground etching; Crossword Gift of Graphicstudio/University of c.1686; The Right Honorable Elizabeth, c. 1791, A View of the Inside of the New Afternoon, 1961, color screen prints, Puzzle Hard to Solve, 1962, etching; Girl South Countess of Northumberland (after Sir Peter Prison at Rome, c. 1765, , 2002.98.344-348, Gift of Jacob Kainen with Magazine, 1965, etching and soft- Baselitz, Georg, German, born 1938, and Lely), c.1695, mezzotints, 2001.118.75-76, 2001.118.1, Paul Mellon Fund Aken, Jan van, Dutch, 1614-1661, View of ground etching; Graphic Sheet I, 1958, Paul Mellon Fund; Sir Peter Lely (after Sir Robert Creeley, American, born 1926, Signs, Blondel, Jacques-Francois, French, the River Rhine (after Herman Saftleven), aquatint and etching; Graphic Sheet II, 1958, Peter Lely), 1680s, mezzotint, 2002.8.4, 1999, portfolio with 10 intaglios, 1705-1774, View of a Prison, c. 1765, mez- etching, 2002.98.1, Gift of Jacob Kainen etching and drypoint; He Sprang Up and Ailsa Mellon Bruce Fund 2002.111.35.1-10, Gift of Graphicstudio/ zotint, 2001.118.2, Paul Mellon Fund Fell Down, 1965, drypoint; Letter, 1966, Alechinsky, Pierre, Belgian, born 1927, Astres University of South Florida Beeh, Ren6, German, 1886-1922, Beggar, etching and softground etching [proof]; Bochner, Mel, American, born 1940, If the et Desastres, 1969, color aquatint, 2002.98.2, c. 1920, lithograph, 2002.98.257, Gift of Labyrinty, 1959/1960-1962, bound vol- Baskin, Leonard, American, 1922-2000, The Color Changes, 2001, 3 color monoprints Gift of Jacob Kainen Jacob Kainen ume with 19 etchings; My Big Week, 1968, Great Tree, c. 1962, etching and aquatint; with embossing, 2002.18.1-3, Gift of Werner Alix, Pierre-Michel, French, 1762-1817, etching and softground etching; My Nine Old Man Seen from the Back, 1952, wood- Beham, Sebald, German, 1500-1550, Christ H. and Sarah-Ann Kramarsky Michel Lepelletier (after Jean-Francois cut, 2002.98.77, 218, Gift of Jacob Kainen on the Cross, 1521, woodcut, 2002.98.3, Days in a Week, 1966, drypoint; Plate II Bonasone, Giulio, Italian, c. 1498-c. 1580, Garnerey), 1794, color etching and engraving, Gift of Jacob Kainen (Deska), 1962, aquatint and drypoint; Plate Batista, Abraao, Brazilian, born 1941, Saint Mark Writing His Gospels (after Peri no 2002.98.370, Gift of Jacob Kainen V (Deska), 1962, aquatint and drypoint; A Brazilian in Florida, portfolio with 8 BellangS, Hippolyte, French, 1800-1860, del Vaga), engraving, 2002.98.372, Gift of Amen, Irving, American, born 1918, Mother Preludia II, 1959, aquatint, etching, and woodblock prints, 2002.111.2, Gift of Social Vignettes, 1830, lithograph, 2002.57.6, Jacob Kainen; Clelia Crossing the Tiber (after and Child, 1950s, woodcut, 2002.98.250, softground etching; Preludia IV, 1959, G ra ph icstud io/U n iversity of South Florida Gift of Frank Anderson Trapp Polidoro da Caravaggio), c. 1545, engraving, Gift of Jacob Kainen aquatint and etching; President, 1965, Baumann, Fritz, Swiss, 1886-1943?, , Bellmer, Hans, German, 1902-1975, Woman 2002.2.1, Ailsa Mellon Bruce Fund aquatint with drypoint and etching; American or British 20th 1913, hand-colored woodcut, 2002.3.1, with Striped Limbs, c. 1970, etching and Bonington, Richard Parkes, British, Self-Portrait V, 1955, etching and drypoint Century or Walter Richard Sickert, Group Ailsa Mellon Bruce Fund aquatint, 2002.98.258, Gift of Jacob Kainen 1802-1828, Vue d'une rue des Faubourgs [proof]; Saint Bartholomew's Church, 1956, of Seated Figures, etching, 2002.98.76, Baumeister, Willi, German, 1889-1955, Benglis, Lynda, American, born 1941, de Besanfon, 1827, lithograph, 2002.98.83, drypoint; Saint Ludmila, 1956, etching and Gift of Jacob Kainen Sumeric Legends, 1947, lithograph; Untitled Untitled, 1995, letterpress print from Gift of Jacob Kainen drypoint; Saint Ludmila, 1958, lithograph; Antes, Horst, German, born 1936, Striding (Portland T82-868), c. 1950, color litho- Sculpture Center Catalog, 2001.143.18, Town III, 1958, lithograph; Waiting Bonnard, Pierre, French, 1867-1947, Les Man;Three Figures, c. 1970, color litho- graph; Phantom /, 1951, color lithograph, Gift of Werner H. and Sarah-Ann Kramarsky AWMZ, 1966, color lithograph; Wenceslas Boulevards, 1900, color lithograph on china graphs [proofs], 2002.98.253-254, 2002.98.255-256, 349, Gift of Jacob Kainen Square, 1956, etching in brown; World Bernard, Emile, French, 1868-1941, paper [proof]; La Friction au gant de crin, c. Gift of Jacob Kainen Record, 1965, drypoint, 2002.50.1-3, Bearden, Romare, American, 1911-1988, Susurrements, poesies par Hebert—Milnard, 1930, drypoint; Les Boulevards, 1900, color Appian, Adolphe, French, 1818-1898, 6-13, 15-21, 23-26, 38-40, Gift of the The Fiddler, 1965, color screenprint on c. 1889, woodcut, 2001.136.1, Virginia and lithograph with original Japanese tissue Fisherman in a Boat, 1887, etching with Anne and Jacques Baruch Collection; canvas mounted on masonite with wood Ira Jackson Collection, Partial and cover sheet; Poster for "Le Figaro," 1903, monotype, 2002.98.371, Gift of Jacob Kainen Cameras, 1968, softground etching and stretcher, 2001.134.1, Gift of James Halpin Promised Gift color lithograph reworked with charcoal and ink [proof]; Poster for "Salon d'Automne," Appleby, Anne, American, born 1954, drypoint, 2002.50.4, Gift of the Anne and in memory of Dorothy Rees Halpin Besnard, Albert, French, 1849-1934, Petites 1912, color lithograph; Sainte Monique, Kinnikinnick, 1997, color aquatint; Jacques Baruch Collection in honor of Merle Bearden, Romare, American, 1911-1988, pecheuses de Berck, 1897, etching, 2002.98.4, (Paris, 1930), bound volume with 321 litho- Red/Green, 1997, etching; Sage, 1997, and Barry Gross; Couple (Duo), 1968, and Derek Walcott (author), West Indian, Gift of Jacob Kainen graphs, etchings, and wood engravings, color aquatint; Sweet Pine, 1997, color etching and softground etching, 2002.50.5, born 1930, The Caribbean Poetry of Derek 2001.136.3, 8, 25, 27, 80, Virginia and Ira Boys, Thomas Shotter, British, 1803-1874, Buchholz, Wolff, German, born 1935, Canaletto, Italian, 1697-1768, Landscape Chillida, Eduardo, Spanish, born 1924, Jackson Collection, Partial and Promised Gift Byloke, Ghent; L'Abbaye Saint Amand, Untitled (R7209), c. 1975, color etching and with a Woman at a Well; View of a Town Zehartu II, 1973, etching and aquatint, Bonnard, Pierre, French, 1867-1947 and Rouen; La Chapelle de I'Institut, Paris; aquatint, 2002.98.7, Gift of Jacob Kainen with a Bishop's Tomb, c. 1740, etchings, 2002.98.221, Gift of Jacob Kainen Pavilion de Flore, Tuileries; Saint Sberin, Andr6 Mellerio (author) French, 1862-1943, Buhot, F6lix—Hilaire, French, 1847-1898, 2002.98.8-9, Gift of Jacob Kainen Chodowiecki, Daniel Nikolaus, German, Paris, 1839, color lithographs, 2002.72.2-6, La Lithographie originale en couleurs (Paris, Funeral Procession on the Boulevard de Carracci, Agostino, Italian, 1557-1602, 1726-1801, Two Standing Ladies Mark J. Millard Architectural Collection 1898), bound volume with color lithographic CZfc/iy, 1887, color etching, drypoint, aquatint, The Madonna Protecting Two Members of a (Demoiselles Quantin), 1758, 2 etchings cover and frontispiece; La Lithographie Bracquemond, F6lix, French, 1833-1914, roulette, and softground, over heliogravure, Confraternity (after Veronese), 1582, engrav- with drypoint, one printed in black and one originale en couleurs (Paris, 1898), bound The Swallows, c. 1884, etching on hand-touched in watercolor and on ing, 2002.14.1, Ailsa Mellon Bruce Fund printed in red, 2001.92.1-2, Ailsa Mellon volume with color lithographic cover and paper, 2002.98.5, Gift of Jacob Kainen turpentine-treated paper; La Traversee, Carracci, Lodovico, Italian, 1555-1619, The Bruce Fund frontispiece (deluxe edition), 2001.136.63-64, 1879-1885, color etching, drypoint, roulette, Brangwyn, Frank, Sir, British, 1867-1956, Madonna and Child with Angels, 1595/ Chu, Anne, American, born 1959, Untitled, Virginia and Ira Jackson Collection, Partial and soft-ground etching; L'Entree de Untitled, 1900, lithograph with original 1610, etching, engraving, and drypoint, 1995, letterpress print from Sculpture Center and Promised Gift Landemer, c. 1873, etching and drypoint Japanese tissue cover sheet, 2001.136.13, 2002.44.1, Ailsa Mellon Bruce Fund Catalog, 2001.143.20, Gift of Werner H. Bonnard, Pierre, French, 1867-1947, and Virginia and Ira Jackson Collection, on Japan paper; L'Hiver de 1879 a Paris, Carrifere, Eugene, French, 1849-1906, and Sarah-Ann Kramarksy Octave Mirbeau (author), French, 1850-1917, Partial and Promised Gift etching; La Petite Marine—Souvenir de Medway, 1879, etching, drypoint, aquatint, Mme. Eugene Carriere, 1893, lithograph, Clemente, Francesco, Italian, born 1952, La 628-E8 (Paris, 1908), bound volume Braquemond, Pierre, French, 1870-1926, and roulette (counterproof); The Place des 2001.136.48, Virginia and Ira Jackson Landscape #1; Landscape #2; Landscape with cover and 29 marginal illustrations (deluxe Vive leTzarl, 1893, etching, 2001.136.47, Martyrs and the Taverne du Bagne, 1885, Collection, Partial and Promised Gift #3; Music; Seascape; Still Life, 1981, dry- edition), 2001.136.11, Virginia and Ira Virginia and Ira Jackson Collection, Partial etching, drypoint, aquatint, and roulette on Carrington, Leonora, British, born 1917, points, 2001.142.26-31, Gift of Kathan Brown Jackson Collection, Partial and Promised Gift and Promised Gift turpentine- treated paper; La Place Pigalle, The Memory Tower, 1995, color intaglio, Colescott, Warrington, American, born 1921, Bonnard, Pierre, French, 1867-1947, and Brauner, Victor, Romanian, 1903-1966, 1878,1878, etching, aquatint, drypoint, and 2002.111.3, Gift of Graphicstudio/University Diirer at 23, in Venice, in Low, His Bags Claude Terrasse (author), French, 1867- The , c. 1960, color etching and roulette with burnishing; Return of the Artists, of South Florida Stolen, 1977, color etching and aquatint, 1923, Petit solfege illustre (Paris, 1893), aquatint, 2002.98.263, Gift of Jacob Kainen etching; Winter Morning on the Quays, etch- 2002.98.86, Gift of Jacob Kainen bound volume with 32 color-lithographic Casanova, Francesco, Italian, c. 1732/1733- Bresdin, Rodolphe, French, 1822-1885, The ing; Un Debarquement en Angleterre, 1879, relief prints (before the regular edition), 1803, Cavalry Battle, c. 1774, etching, Conover, Robert, American, born 1920, Haunted House, 1871, lithograph, 2002.98.6, etching, drypoint, aquatint, roulette, and spirit 2001.136.46, Virginia and Ira Jackson 2002.98.85, Gift of Jacob Kainen Landscape, 1954, color woodcut, Gift of Jacob Kainen ground on antique paper; Squall atTrouville, Collection, Partial and Promised Gift Castiglione, Giovanni Benedetto, Italian, 2002.98.376, Gift of Jacob Kainen Brown, Brad, American, born 1964, 1874/1875, etching, drypoint, and aquatint; Bonnard, Pierre, French, 1867-1947, and 1609 or before 1664, Shaded Head of a Cooper II, Richard, British, 1740-after Untitled 1; Untitled 2, 1999, color spitbite Winter Morning on the Quai de Various Artists, Album-Pan, no. 2, 1900, Man Wearing a Soft Hat and Scarf, 1814, Roman Ruins, c. 1779, etching and and sugarlift aquatints with hard and soft- I'Hotel-Dieu, 1876, etching and drypoint; portfolio of 10 lithographs by Bonnard, Sir c. 1648, etching, 2001.109.2, Gift of aquatint, 2002.98.87, Gift of Jacob Kainen ground etching and drypoint, 2001.142.14-15, Westminster Bridge, 1884, etching, drypoint, Frank Brangwyn, Eug6ne Delatre, Eug6ne Mr. and Mrs. Paul S. Morgan Corinth, Lovis, German, 1858-1925, Girl in Gift of Kathan Brown aquatint, softground etching, and roulette in Delacroix, and others, each with original brownish-black, 2002.98.219, 351, Castillo, Liset, Cuban, born 1974, Rice, a , 1895, lithograph with hand coloring; Brown, Christopher, American, born 1951, Japanese tissue cover sheet, 2001.136.12-21, 409-419, Gift of Jacob Kainen 2000, photogravure, 2002.111.4, Gift of The Embrace (The Kiss), 1921, drypoint; Virginia and Ira Jackson Collection, Partial Between the Eyes, 1995, photogravure with Graphicstudio/University of South Florida Goetz von Berlichingen mit der eisener Hand, Cage, John, American, 1912-1992, Fire 9, and Promised Gift softground etching and aquatint from 1930, etching; Plate of Sketches, including 1985, smoked monotype with branding, Chagoya, Enrique, American, born 1953, Gravure Group, 2001.142.113.1, Gift of one of , c. 1915, etching; Bormann, Emma, Austrian, 1887-1974, 2001.142.25, Gift of Kathan Brown; Untitled, Line Essence 1, 1997, drypoint; Line Kathan Brown Self-Portrait Sketching, 1920, lithograph; Chicago Outer Drive, c. 1940; New York 1972, 10 lithographs from Mushroom Book, Essence 2, 1997, drypoint; Line Essence Brown, George Loring, American, 1814-1889, Walchensee Landscape, 1919, drypoint, Aquarium, c. 1926; New York City, Hall 2001.145.1.a-10.a, Gift of the Collectors Color, 1997, color spitbite aquatint with soft 2002.98.11, 265-269, Gift of Jacob Kainen of Records, Woolworth Building, c. 1928; A View near Rome, 1854, etching, Committee and hardground etching and drypoint, from Race Course, c. 1940, woodcuts, 2002.98.361, Gift of Jacob Kainen Live Model Group-, 2001.142.115.1-3, Cottet, Charles, French, 1863-1924, Calder, Alexander, American, 1898-1976, 2002.98.259-262, Gift of Jacob Kainen Brown, Mather, American, 1761-1831, Girl Gift of Kathan Brown A Burial in Brittany (Un Enterrement en Le Crane de la Nio, c. 1960, color aquatint, with a Pitcher, c. 1805-1810, lithograph, Bretagne), 1897, color lithograph on China Bosse, Abraham, French, 1602-1676, 2002.98.220, Gift of Jacob Kainen Cham, Am6d6e Charles Henri, 1819-1879, A Sculptor in His , 1642, etching, 2001.109.1, Ailsa Mellon Bruce Fund Apollon vendant sa ; Funeste actidente paper, 2001.136.50, Virginia and Ira Jackson Callot, Jacques, French, 1592-1635, Collection, Partial and Promised Gift 2002.20.1, Ailsa Mellon Bruce Fund Browne, Alexander, British, active late 17th arrive ... Absalon Leroux, 1831;Jupiter The Massacre of the Innocents, Second Plate, century, Lady Essex Finch (after Sir Peter sommant Mr. Charles Dupin, 1858, Cousins, Samuel, British, 1801-1887, Bouchot, Fr6d6ric, French, born 1798, 1622, etching on vellum [proof], 2002.4.1, Lely), c. 1680, mezzotint; Lady Essex Finch lithographs, 2002.57.8-10, Gift of Frank Midsummer Night's Dream (after Sir Edwin Le Grand Prix de vertu, 1830s, lithograph, Ailsa Mellon Bruce Fund 2002.57.7, Gift of Frank Anderson Trapp (after Sir Peter Lely), mezzotint (counter- Anderson Trapp Landseer), 1856, mezzotint, 2001.118.8, proof); The Right Honorable Lady Elizabeth Cameron, David Young, Scottish, 1865-1945, Paul Mellon Fund Bouquet, Auguste, French, 1800-c. 1846, Childs, Bernard, American, 1910-1985, La Butler, Countess of Chesterfield (after Sir Peter The Scuir of Eigg, 1931, drypoint, La Pensee immuable; Scene revolutionnaire Pluie, 1957, color engraving; The Rainmaker, Coyne, Petah, American, born 1953, Untitled, Lely), c. 1680, 3 mezzotints in different 2002.98.84, Gift of Jacob Kainen (Parody on the Last Supper), 1834, litho- 1995, color engraving, 2002.98.374-375, 1995, letterpress print from Sculpture Center states, 2001.118.3-7, Paul Mellon Fund Campendonk, Heinrich, German, 1889-1957, graphs, 2002.57.38-39, Gift of Frank Gift of Jacob Kainen Catalog, 2001.143.21, Gift of Werner H. Seated Harlequin, 1922, woodcut, Anderson Trapp and Sarah-Ann Kramarksy 2002.98.264, Gift of Jacob Kainen Cragg, Tony, British, born 1949, Laboratory lithographs, 2002.57.12-14, Gift of Frank Sculpture Center Catalog, 2001.143.22, Dillis, Johann Georg von, German, 1759- Dupont, Gainsborough, British, 1754-1797, Still Life No. 4, 1988, aquatint, spitbite Anderson Trapp; Lion Devorant un Cheval, Gift of Werner H. and Sarah-Ann Kramarksy 1841; Der kleine Isarsteg, 1806, etching Colonel Saint Leger (after Thomas [proof], 2002.32.1, Ailsa Mellon Bruce Fund Gainsborough), 1783, mezzotint, 2001.96.3, and soapground aquatint; Six Bottles (Large), lithograph, 2002.98.16, Gift of Jacob Kainen Derain, Andr6, French, 1880-1954, Head Paul Mellon Fund 1988, color aquatint and spitbite etching, Deiatre, EugSne, French, 1864-1939 of a Young Woman, 1927, lithograph, Dix, Otto, German, 1891-1969, Apotheosa, 2001.142.32-33, Gift of Kathan Brown Untitled, 1900, lithograph with original 2002.98.92, Gift of Jacob Kainen 1919, woodcut; Dance of Anno 18, Durer, Albrecht, German, 1471-1528, Hans von Kulmbach, German, c. 1485-1522, and Crawford, Ralston, American, 1906-1978, Japanese tissue cover sheet, 2001.136.14, Desbois, Martial, French, 1630-1700, The 1924, etching, aquatint, drypoint, and burnishing, 2002.98.272-273, Gift of Hroswitha (author), German, c. 930-1102, L'Etoile de I'Occident, 1955, color lithograph, Virginia and Ira Jackson Collection, Partial Dead Body of Christ, c. 1690, mezzotint, .. .nuper a Conrado Celte inuenta 2002.98.378, Gift of Jacob Kainen and Promised Gift 2002.75.1, Katharine Shepard Fund Jacob Kainen (Nuremberg, 1501), bound volume with Czdbel, Bela, Hungarian, 1883-1976, Nude, Delhez, Victor, Belgian, 1901-1985, Dixon, John, British, c. 1740-1811, A Tigress Descourtis, Charles Melchior, French, 8 woodcuts, 2002.79.1, Millennium Funds, c. 1930, etching, 2002.98.270, Gift of Sed non Satiata, c. 1945, wood engraving, (after George Stubbs), mezzotint, 1772, 1753- 1820, Falls of Schaffhausen (after Gift of Lois and Robert Erburu Jacob Kainen 2002.98.91, Gift of Jacob Kainen Friedrich Rosenberg), etching and engraving, 2001.96.2, Paul Mellon Fund; Incantation (after John Hamilton Mortimer), 1773, Durer, Albrecht, German, 1471-1528, and Dalkey, Fredric, American, born 1943, June Delia Bella, Stefano, Italian, 1610-1664, 2002.14.2, Gift of Ivan E. and Winifred mezzotint, 2002.65.2, Gaillard F. Ravenel Plutarch (author), c. 45-125, De his qui tarde Drawing Karen, 1997, drypoint in red; Child Carrying a Puppy, etching, Phillips, in memory of Neil Phillips and Frances P. Smyth-Ravenel Fund a numine corripiuntur libellus (Nuremberg, Study Session with Reject, 1997, softground 2001.148.1, Gift of Pamela B. Ohrstrom Deshales, Arthur, American, born 1920, 1513), bound volume with woodcut illustra- etching and drypoint; Soft Ground Profile, Demarteau, Gilles, French, 1722-1776, Donovan, Bobby, American, born 1954, A Cycle of a Small Sea Fowl, 1961, engrav- tion, 2002.60.1, Anonymous Gift 1997, softground etching in red; Karen Young Woman with Her Head Covered (after ing, 2002.98.380, Gift of Jacob Kainen Jacob Kainen, 1997; 4th of July, D.C., Standing, 1997, soapground aquatint, all 1986, color woodcuts, 2002.98.17, 381, Dutch 18th Century, Abraham Bloemaert Francois Boucher), crayon-manner, Dexel, Walter, German, 1890-1973, Steile from Live Model Croup-, 2001.142.115.4-7, Gift of Jacob Kainen (after Paulus Moreelse), c. 1740, engraving 2002.90.1, Gift of Ivan E. and Winifred Strasse-Der Strahl, 1918, woodcut, Gift of Kathan Brown Phillips in memory of Neil Phillips Dor6, Gustave, French, 1832-1883, Street with woodcut, 2002.8.2, Ailsa Mellon 2002.98.271, Gift of Jacob Kainen Bruce Fund Daull6, Jean, French, 1703-1763, Claudius Scene, 1854?, lithograph [proof], 2002.57.15, Denes, Agnes, American, born 1938, The Dickinson, William, British, 1746-1823, de Saint-Simon, Prince-Eveque de Gift of Frank Anderson Trapp Dyck, Anthony van, Sir, Flemish, 1599-1641, Egg;The , 1998, color lithographs, The Constable of (after Egbert (after Hyacinthe Rigaud), 1744, engraving, Jan de Wael, c. 1630, etching and engraving, 2002.110.1-2, Gift (Partial and Promised) van Heemskerck), 1783, mezzotint, Dor6, Gustave, French, 1832-1883, and 2002.105.1, Jacob Kainen Memorial Fund Pierre Dupont (author), French, 1821-1870, 2002.98.18, Gift of Jacob Kainen of Joyce Pomeroy Schwartz; When the 2002.8.1, Ailsa Mellon Bruce Fund Daumier, Honor6, French, 1808-1879, Pyramid Awakens, 1994, color lithograph, La Legende du Juif Errant (Paris, 1856), Earlom, Richard, British, 1743-1822, Dickinson, William, British, 1746-1823, Celui—la, on peut le mettre en libertc!, 2002.110.3, Gift of Joyce Pomeroy Schwartz bound volume with 13 wood engravings, Agrippina Landing at Brindisi with the Mrs. Pelham (after Sir ), 1834; Le Rajeunissement du Constitutionnel, 2002.33.1, William B. O'Neal Fund Ashes of Germanicus (after ), Denis, Maurice, French, 1870-1943, 1775, color mezzotint, 2001.96.1, Paul 1844; Magot de la Chine, 1834; Repos de Dougherty, Paul, American, 1877-1947, 1776; The (after Nymphe couronnee de paquerettes, 1901; Mellon Fund la France, 1834, lithographs, 2002.98.12-15, Poster for "La Depeche de Toulouse," 1892, Rocky Shore, c. 1920, monotype and water- Johann Zoffany), 1773; 77te Blacksmith's Dietrich, Christian Wilhelm Ernst, German, Gift of Jacob Kainen color lithographs, 2001.136.51-52, Virginia color, 2002.98.94, Gift of Jacob Kainen Shop (after Joseph Wright), 1771, mezzo- 1712-1774, Painting, 1740, etching, tints, 2001.96.4-6, Paul Mellon Fund Davis, Stuart, American, 1894-1964, Hotel and Ira Jackson Collection, Partial and Dreier, Katherine S., American, 1877-1952, 2002.39.1, Ailsa Mellon Bruce Fund de France, 1929, lithograph, 2002.98.88, Promised Gift Vol. I, No. 14, 1937, color pochoir and lith- Eaton, Charles Warren, American, 1857- Dill, Lesley, American, born 1950, Untitled, Gift of Jacob Kainen Denis, Maurice, French, 1870-1943, and ograph, 2002.98.95, Gift of Jacob Kainen 1937, Landscape, c. 1910, monotype, 1995, letterpress print from Sculpture Center 2002.98.100, Gift of Jacob Kainen Dawe, Philip, British, c. 1750-c. 1785, The Andr6 Gide (author), French, 1867-1951, Drewes, Werner, American, 1899-1985, Farm Catalog, 2001.143.23, Gift of Werner H. and Oyster Woman (after Henry Robert Morland), Le Voyage d'Urien (Paris, 1893), volume Ebell, Paul Heinrich, German, born 1908, Sarah-Ann Kramarksy; Black Flower Hand, in the , 1933, woodcut; Chicago- 1769, mezzotint, 2002.65.1, Gaillard F. with 30 color lithographs and 1 woodcut Winter Moon, c. 1940, linocut, 2002.98.274, 1997, patinated copper plate with screenprint; Grain Elevator, IV Connecting Bridges, 1926, Ravenel and Frances P. Smyth-Ravenel Fund in black on cover (separate announcement drypoint on Japan paper; Inner Tropical Seas, Gift of Jacob Kainen Gold Word Figure, 1998, photogravure with by Librairie de I'art independent inserted Decamps, Alexandre-Gabriel, French, attached thread; No Matter What You Say, 1944, color woodcut; New York, color Edwards, Mel, American, born 1937, in volume), 2001.136.54, Virginia and Untitled, 1995, letterpress print from 1803-1860, Liberte, 1831, lithograph, 1997, patinated copper plate with screenprint; woodcut; Hilltop Sunset, Horizontal Force, Ira Jackson Collection, Partial and Sculpture Center Catalog, 2001.143.24, 2002.57.11, Gift of Frank Anderson Trapp A Phrase Like a Lariat, 1997, patinated 1967, color woodcut, 2002.98.96-99, 222, Promised Gift Gift of Jacob Kainen Gift of Werner H. and Sarah-Ann Kramarksy Dehn, Adolf Arthur, American, 1895-1968, copper, silk cloth, thread, clay coated Gampi Denis, Maurice, French, 1870-1943, and Entrance to Park, 1928; Lower , paper, screenprint, and museum board; Twist Drtikol, Frantisek, Czech, 1883-1961, Nude Erhardt, Hans, German, b. 1935, Weiblicher 1931, lithographs, 2002.98.89-90, Gift of Paul Verlaine (author), French, 1844-1896, of the Funnel, 1998, lithograph, encaustic, Reclining beneath Flowers, c. 1923, aquatint; Torso mitgriiner Kappe, 1968; Lunn's Torso, Sagesse (Paris, 1911), bound volume with Jacob Kainen screenprint with appliqu6, wire, thread, and Reclining Nude, 1923, mezzotint; Symbolic c. 1972, color lithographs, 2002.98.19, 275, 72 wood engravings and extra set of wood Crucifixion, 1922, lithograph, 2002.50.50, Gift of Jacob Kainen Dehner, Dorothy, American, 1901-1994, The gold leaf on shellacked paper; Woman with engravings hand-colored by Denis, 56, 58, Gift of the Anne and Jacques Barn in Balston, 1952, color etching and Word Crown, 1997, patinated copper plate Ernst, Max, German, 1891-1976, Three 2001.136.53, Virginia and Ira Jackson Baruch Collection aquatint, 2002.98.379, Gift of Jacob Kainen with screenprint and thread; Word Crown, Sharks in Search of a Victim, 1967, color Collection, Partial and Promised Gift 1997, patinated copper, silk cloth, thread, and etching and aquatint with hand coloring, Delacroix, Eugene, French, 1798-1863, Dennis, Donna, American, born 1942, rag paper on museum board, 2002.111.5-11, 2002.98.276, Gift of Jacob Kainen Duel polemique, 1821; Le Demenagement, Untitled, 1995, letterpress print from Gift of Graphicstudio/University of South Florida c. 1821; Les Ecrevisses... Longchamps, 1822; Evergood, Philip, American, 1901-1973, City Flavin, Dan, American, 1933-1996, ...In Gafgen, Wolfgang, German, b. 1936, 2001.143.5.a-d, Gift of Werner H. and Green, Valentine, British, 1739-1813, Lights II, 1940-1941, lithograph; Portrait March, In Oakland, 1978, set of 9 dry points Fin, color aquatint, mezzotint and drypoint; Sarah-Ann Kramarsky Benjamin West, Esqr R.A. and His Son of a Miner, 1938, etching; Me and My Dog, with colophon page; A Young Woman in a Fragment, color mezzotint; Matin, c. 1970, Gheyn II, Jacques de, Dutch, 1565-1629, R I West (after Benjamin West), 1773; Feather, 1961, lithograph, 2002.98.101-102, Raincoat, 1978, drypoint, 2001.142.34.1-9, color etching, aquatint, drypoint, and roulette; The Annunciation (after Abraham Miravan Opening the Tomb of His Ancestors 223, Gift of Jacob Kainen 35, Gift of Kathan Brown La Cuillere, c. 1976, color etching, aquatint, Bloemaert), 1599, engraving, 2002.2.2, (after Joseph Wright), 1772; Valentine Green Faber II, John, Dutch, c. 1684-1756, Mrs. Forest, Eug6ne-Hippolyte, French, 1808- and roulette; Untitled (Shallow Box), before Ailsa Mellon Bruce Fund (after Lemuel Francis Abbott), 1788; Clytie 1975, drypoint and mezzotint; Crochetage, (after Maria Cosway), 1785, mezzotints, Margaret Wojfington in the Character of unknown, L'Angleterre, la Russie, I'Autriche Ghisi, Giorgio, Italian, 1520-1582, Sinon c. 1976, mezzotint, 2002.98.21-23, 2001.118.7-8, 10-11, Paul Mellon Fund Mrs. Ford in "The Merry Wives of Windsor" ...leurparfaite alliance, 1834, lithograph, Deceiving the Trojans (after Giovanni Battista 278-279, 350, Gift of Jacob Kainen (after Edward Haytley), 1751; Philip Mercier 2002.57.16, Gift of Frank Anderson Trapp Scultori), c. 1545, engraving, 2002.2.3, Griggs, F.L., British, 1876-1938, Linn Bridge, Esqr. Library Keeper and Principal Painter Forest, Eugene-Hippolyte, French, 1808- Cdg, Wanda, American, 1893-1946, Pipe Ailsa Mellon Bruce Fund 1922; Lone-End, 1930; Palace Court, 1933; to his Royal Highness the Prince of Wales and Flowers, 1926, lithograph; Airtight Syde, 1935; Ragdale Hall, 1931/1935, unknown, and Jean-lgnace-lsidore Gischia, L6on, French, born 1903, (after Philip Mercier), c. 1735, mezzotints, , 1927/1933, wood engraving, etchings, 2002.98.111-114, 284, Grandville, French, 1803-1847, Pauvre Le Halterophile, 1955, color stencil, 2001.118.77-78, Paul Mellon Fund 2002.98.104, 225, Gift of Jacob Kainen Gift of Jacob Kainen France!, lithograph, 2002.57.17, Gift of Frank 2002.98.251, Gift of Jacob Kainen Fabili, Mary, American, born 1914, and Anderson Trapp Gandolfi, Gaetano, Italian, 1734-1802, The Gross, Anthony, British, 1905-1984, Heath Glauber, Johannes, Dutch, 1646-c. 1726, William Everson (author) American, 1912- Infant Bacchus Astride a Wine Barrel, etch- with Jumpers, 1952, etching; Landscape Fossati, Davide, Swiss, 1708-c. 1780, Mountain Landscape with Two Men Resting, 1994, A Privacy of Speech, 1949, bound ing, 2002.8.3, Ailsa Mellon Bruce Fund with Junipers, 1957, etching; Plateau, 1956, Francisco ComitiAlgarotto.. .XXIVTabulas color etching, 2001.109.3, Ailsa Mellon volume with 3 woodcut illustrations, etching; Stubble Fields, 1975, engraving Olim a Marco Ricci.. .Expressas (Venice, Gangolf, Paul, German, 1879-c. 1945, Bruce Fund 2002.98.224, Gift of Jacob Kainen 1743), bound volume with 25 etchings, Koksende Hure, 1925, lithograph, [proof]; Fish Pond, 1931, etching, Gole, Jacob, Dutch, 1660-1737, Adriaen Faithorne, William, British, 1616-1691, 2002.112.1, Gift of Ugo and Chiara Pierucci 2002.98.280, Gift of Jacob Kainen 2002.98.115-118, 227, Gift of Jacob Kainen van Ostade (after Adriaen van Ostade), Thomas Flatman, c. 1690, mezzotint, Grossman, Nancy, American, born 1940, Frank, Mary, American, born 1933, Untitled, Gauguin, Paul, French, 1848-1903, c. 1700, color mezzotint, 2002.39.2, Ailsa 2001.118.9, Paul Mellon Fund Untitled, 1995, letterpress print from 1995, letterpress print from Sculpture Center bretonnes, 1889, zincograph on Mellon Bruce Fund Farrer, Henry, American, 1843-1903, New Catalog, 2001.143.26, Gift of Werner H. yellow paper, Baigneuses bretonnes, 1889, Sculpture Center Catalog, 2001.143, 28, Goncharova, Natalija Sergeevna, Russian, York Harbor, 1884, etching on Japan paper, and Sarah-Ann Kramarksy lithograph on Japan paper, 2001.136.56-57, Gift of Werner H. and Sarah-Ann Kramarsky 1881-1962, A Woman, 1921, color litho- 2002.98.362, Gift of Jacob Kainen Virginia and Ira Jackson Collection, Partial Grossman, Rudolf, German, 1882-1941, Freilicher, Jane, American, born 1924, Late graph, 2002.98.282, Gift of Jacob Kainen Fasnacht, Heide, American, born 1951, Afternoon, Southampton, 1999, color spit- and Promised Gift Man Seated, c. 1925, drypoint; Street Scene, Gornik, April, American, born 1953, Moonlit Untitled, 1995, letterpress print from bite aquatint with hardground etching and Gautier Dagoty, Jean-Jacques-Fabien, c. 1920, lithograph, 2002.98.285-286, Sea;Tropical Drift, 1998, color direct gravures Sculpture Center Catalog, 2001.143.25, Gift drypoint from Why Draw a Landscape?, French, 1740-1786, Anatomie de la tete Gift of Jacob Kainen with spitbite aquatint; Stepped Waterfall, 1998, of Werner H. and Sarah-Ann Kramarksy 2001.142.114.2, Gift of Kathan Brown en tableaux imprimes... (Paris, 1748) Gu6rard, Henri-Charles, French, 1846-1897, color direct gravure with spitbite aquatint, from and Anatomie generale des visceres... Moonlight in the Harbor at Dieppe, c. 1885, Feininger, Lyonel, American, 1871-1956, French 19th Century, Adoration des Mages, Why Draw a Landscape?, 2001.142.40-41, (Paris, 1754), 2 illustrated books bound color etching and aquatint, 2002.106.1, The Gate, 1912, etching and dry point, 1831; ...alors, il s'approcha d'elle (Parody 2001.142.114.9, Gift of Kathan Brown 2002.108.1, Gift of Joan A. Lees of van Dyck's Betrayal of Christ), 1832; together, with 10 color mezzotints, 2002.40.1, Thomas F. Hancock Memorial Fund Gothein, Werner, German, 1890-1968, Constitutionnel, 1830/1835, lithographs, Rosenwald Print Purchase Fund and Haass, Terry, American, born 1923, Untitled, Felixmuller, Conrad, German, 1897-1977, Rosi Fischer, 1919, woodcut on Japan 2002.57.18-20, Gift of Frank Anderson Trapp Ailsa Mellon Bruce Fund c. 1960, color intaglio, 2002.98.363, Auf die Veranda, dry point, 2002.98.277, paper, 2002.98.283, Gift of Jacob Kainen Gift of Jacob Kainen Fried, Nancy, American, born 1945, Untitled, Gavarni, Paul, French, 1804-1866, C'etait Gift of Jacob Kainen Grambs, Blanch, American, b. 1916, Back 1995, letterpress print from Sculpture Center un beau cavalier...; Mascarade, c. 1831; Haden, Francis Seymour, British, 1818-1910, Felter, June, American, active c. 1997, One Streets, 1937, aquatint; Cold, 1936, drypoint; Catalog, 2001.143.27, Gift of Werner H. Quand onpense..., 1839; Voyons! Mme Sunset in , 1863, etching and dry- Triangle, 1997, color aquatint with softground Mill, 1936/1939, aquatint; Milltoum, 1937, and Sarah-Ann Kramarksy Majeste..., 1853, lithographs, 2002.57.21-24, point on vellum, 2001.120.1, Ailsa Mellon etching; Two Triangles, 1997, color aquatint aquatint and etching; Miners, 1937, etch- Gift of Frank Anderson Trapp Bruce Fund; Little Calais Pier, 1865, etching with softground etching and spitbite aquatint; Friedman, Arnold, American, 1874-1946, ing, aquatint and roulette; Slush Banks, Geiger, Willi, German, born 1878, Untitled and drypoint; Thomas Haden of , Model, 1997, softground etching, all from Seated Nude, lithograph, 2002.98.103, aquatint and etching, 2002.98.25, 106-110, (A Duel), 1903, etching, 2002.98.281, 1864, etching and drypoint; The Three Live Model Group; 2001.142.115.8-10, Gift of Jacob Kainen Gift of Jacob Kainen Gift of Kathan Brown Gift of Jacob Kainen Cows, 1877, drypoint, 2002.98.120-121, Funakoshi, Katsura, Japanese, born 1951, Grandville, Jean-lgnace-lsidore, French, Gericault, Theodore, French, 1791-1824, 228, Gift of Jacob Kainen Feure, Georges de, French, 1868-1943, At a Grand Hall in the Forest, 1998, 1803-1847, Gare des Quilles, 1830s, Cheval de charrette sorti des Limons, 1823, Ha id, Johann Gottfried, German, 1710-1776, La source du mal, 1894, color lithograph, aquatint with drypoint; Btfore the Moon lithograph, 2002.57.25, Gift of Frank lithograph, 2002.98.24, Gift of Jacob Kainen Mr. Foote in the Character of Major 2001.136.55, Virginia and Ira Jackson Rises, 1998, color aquatint with spitbite Anderson Trapp Collection, Partial and Promised Gift aquatint, and drypoint with collage; A Hat German, 1450-1475, Sanctus Bernhardus, Sturgeon, in "The Mayor of Garrat" Grandville, Jean-lgnace-lsidore, French, of Words, 1998, color aquatint with spitbite 1450-1475, engraving, 2002.25.1, Pepita (after Johann Zoffany), 1765, mezzotint, Fine, Ruth, American, born 1941, Summer 1803-1847, and EugSne-Hippolyte Forest, aquatint, softground etching and drypoint; Milmore Memorial Fund 2001.118.12, Paul Mellon Fund Day, Winter Night, 1994, book of color French, b. 1808, Artillerie du Diable, 1834, Smell of Snow, 1998, color spitbite aquatint, linocuts; Black Ice, 1999, photo aquatint, Gerritz, Frank, German, born 1964, lithograph, 2002.57.26, Gift of Frank aquatint, and soapground aquatint and dry- 2002.98.20, 382, Gift of Jacob Kainen Standflache I-IV, 1988, 4-part ink print, Anderson Trapp point, 2001.142.36-39, Gift of Kathan Brown Hassam, Childe, American, 1859-1935, Highstein, Jene, American, born 1942, Jaeckel, Willy, German, 1888-1944, Kingsley, Elbridge, American, 1842-1918, Knight, Laura Johnson, Dame, British, Girl in Modem Gcum, 1922, etching, Untitled, 1995, letterpress print from Landscape, roulette and dry point, A Rock in the Sea, c. 1890, wood engraving, 1877-1970, Dressing Room No. 2,1923, 2002.98,122, Gift of Jacob Kainen Sculpture Center Catalog, 2001.143, 29, 2002.98.291, Gift of Jacob Kainen 2002.98.135, Gift of Jacob Kainen etching and aquatint, 2002.98.137, Gift of Jacob Kainen Hayter, Stanley William, British, Gift of Werner H. and Sarah-Ann Kramarsky Jager, Bernhard, German, b. 1935, Vorhang Kirchner, Ernst Ludwig, German, 1880-1938, 1901-1988, Atelier 17, 1964, color Hillsmith, Fannie, American, born 1911, Auf 1973, color lithograph, 2002.98.39, Dodo Arranging Her Hair, 1909, woodcut, Koehler, Sylvester Rosa (author), American, lithograph; Falling Figure, 1947, color Abstraction of Stripes, 1946, etching, aquatint, Gift of Jacob Kainen 2002.69.1, Millennium Funds; Dr. Hans 1837-1900, and Various Artists, Etching: An Outline of Its Technical Processes and Its engraving, softground etching, gouge, and softground; The Table, 1946, etching, Jamnitzer, Christoph, German, 1563-1618, Btitow, 1925, dry point; Girl Dreaming, History, 1885, bound volume with 24 etch- screen print; Le Couple, 1952, color softground, aquatint, and engraving, Three Putti with a Dead Bull, 1610, etch- 1918, woodcut, 2002.98.293, 2002.109.1, ings, 2002.98.40, Gift of Jacob Kainen engraving, softground etching, and 2002.98.388, 390, Gift of Jacob Kainen ing, 2002.28.1, Ailsa Mellon Bruce Fund Gift of Jacob Kainen gouge; Plexus, 1978, color etching and Holland, Tom, American, born 1936, Tali, Janinet, Jean-Francois, French, 1752-1814, Kirili, Alain, French, born 1946, Untitled, Kokoschka, Oskar, Austrian, 1886-1980, softground etching; Feu sous I'eau, 1955, 1984, color aquatint, softground etching, and The Combat of the Horatii and the Curiatii 1995, letterpress print from Sculpture Job and the Rubber Man, 1916/1917, litho- engraving, softground etching, scorper, dry point, 2001.142.46, Gift of Kathan Brown (after Jean-Jacques-Frangois Le Barbier I), Center Catalog, 2001.143, 30, Gift of graph, 2002.98.298, Gift of Jacob Kainen and screenprint; Wake, 1968, softground Homer, Winslow, American, 1836-1910, and 1783, color etching and engraving [retouched Werner H. and Sarah-Ann Kramarsky Kollwitz, Kathe, German, 1867-1945, The etching and scorper; Bouleau, 1976, (author), American, proof], 2002.63.1, Gift of Ivan E. and Winifred Kirkall, Elisha, British, c. 1682-1742, The People, 1922/1923, woodcut, 2002.98.352, color etching and softground etching, 1819-1891, The Courtin', 1874, illustrated Phillips, in memory of Neil Phillips Boasting Traveler, metalcut, 2002.98.136, Gift of Jacob Kainen 2002.98.26-27, 29-30, 124-125, 229, volume with 7 heliotypes, 2002.98.35, Gift of Jacob Kainen; Shipping Scenes, set Gift of Jacob Kainen Jegher, Christoffel, Flemish, 1596-1652/1653, Kooning, Willem de, American, 1904-1997, Gift of Jacob Kainen Silenus Accompanied by a Satyr and a Faun of 17 color mezzotints; The Holy Family Clamdigger, 1964, lithograph, 2002.98.231, Hayter, Stanley William, British, 1901-1988, Houston, Richard, Irish, 1721-1775, (after Sir Peter Paul Rubens), 1635, woodcut, (after Raphael), 1724, color etching and Gift of Jacob Kainen and Brian Coffey (author), Irish, 1905-1993, The Burgomaster (after Rembrandt van 2001.103.1, Gift of C.G. Boerner, Inc. mezzotint with woodcut, 2001.118.17-18, Death of Hektor, bound volume with 9 Kretzschmar, Bernhard, German, 1889-1972, Rijn), c. 1760, mezzotint, 2001.118.13, Paul Mellon Fund engravings, 2002.98.33, Gift of Jacob Kainen John, Augustus, Welsh, 1878-1961, The Mittagzeit, 1921, etching with tonal wiping; Paul Mellon Fund Flowered Toque, etching, 1919, 2002.98.134, Kleinschmidt, Paul, German, 1883-1949, Seminaristen, 1921, etching and aquatint; Meckel, Erich, German, 1883-1970, Brothers Hunt, Bryan, American, born 1947, Small Gift of Jacob Kainen Fortune Teller, 1922; Self—Portrait, 1922; My Landlord, 1924, etching and drypoint, Karamazov, 1919; Frauenbildnis, 1922, Cairn, 1999, color sugarlift and soapground Mountain Rapids, 1924, dry points, 2002.98.299-300, 353, Gift of Jacob Kainen lithographs, 2002.98.287-288, Gift of Johns, Jasper, American, born 1930, Hand, aquatint with softground etching and dry- 2002.98.294-296, Gift of Jacob Kainen Jacob Kainen 1963, lithograph, 2002.54.1, Gift of Kubicek, Jan, Czech, born 1927, Action with point, from Why Draw a Landscape?, Tom Levine Klemm, Walther, German, 1883-1957, Square, 1985-1986, 3 screenprints; Additive Heilmann, Mary, American, born 1940, 2001.142.114.8, Gift of Kathan Brown Untitled (Fantastic Subject), 1930s, litho- System of Horizontals and Verticals in a Graffiti, 1998, soapground aquatint in black Jones, John, British, c. 1747-1797, William Iglicki, Suzy, Austrian, Espacio-Vision, 1976, graph, 2002.98.297, Gift of Jacob Kainen Square, 1970, 4 screenprints; Progressive with color spitbite aquatint; Melody, 1998, Pitt (after George Romney), 1789; Richard screenprint, 2002.98.290, Gift of Jacob Kainen Klinger, Max, German, 1857-1920, Radierte System of Horizontals in a Square, 1970, color aquatint; Ocean, 1998, color spitbite Tattersall (after Thomas Beach), 1787, mezzo- Skizzen, Opus 1,1879, 8 etchings and 8 screenprints; Square with Principle "Z," aquatint; 21st Century Fox, 1998, soap- Isabey, Eug6ne, French, 1803-1886, tints, 2001.118.14-15, Paul Mellon Fund aquatints; Intermezzi, Opus IV, 1881,12 1968-1969, 4 screenprints; System of ground aquatint with color spitbite aquatint, Environs de Dieppe, 1832; Radoub d'une Jossot, Henri-Gustave, French, 1866-1951, etchings and aquatints; Ein Leben, Opus VIII, Horizontab and Verticals in the Square, 2001.142.42-45, Gift of Kathan Brown barque ...la Maree Basse, 1833, lithographs, La Vague, 1894, color lithograph, 1884, 15 etchings, aquatints, and engravings; 1969-1970, 6 screenprints, 2002.98.36-37, Gift of Jacob Kainen 2001.136.58, Virginia and Ira Jackson Helbig, Walter, German, 1878-1968, Eine Liebe, Opus X, 1887, 10 etchings, 2002.50.64-65, 70-72, Gift of the Anne Iturbide, Graciela, Mexican, born 1942, Collection, Partial and Promised Gift Badende, 1914, woodcut, 2002.98.289, aquatints, and engravings; Vom Tode, Erster and Jacques Baruch Collection Gift of Jacob Kainen Centinela, 1999, photogravure, 2002.111.12, Kainen, Jacob, American, 1909-2001, Teil, Opus XI, 1889, 10 etchings and Kuhn, Walt, American, 1877-1949, Ivoire, Gift of Graphicstudio/University of South Florida Comfort Ye My People, 1942, woodcut, Heller, Helen West, American, 1870-1955, aquatints; Brahms-Phantasie, Opus XII, c. 1925, lithograph, 2002.98.138, Gift of 2001.137.1, Gift of Jacob Kainen Cotton Pickers; Reforestation; Corn Husking, Jackson, John Baptist, British, 1701-c. 1780, 1894, 27 etchings, aquatints, engravings, and Jacob Kainen 1935, triptych of 3 wood engravings, Dancing Nymph with Bou> and Arrows, Kandinsky, Wassily, Russian, 1866-1944, lithographs; Vom Tode, ZweiterTeil, Opus Kuniyoshi, Yasuo, American, 1893-1953, 2002.98.126-128, Gift of Jacob Kainen 1752-1754; The Lion, 1754; The Miracle Xylographies, 1909, portfolio with 5 woodcuts XIII, 1898,12 etchings, aquatints, and Cafi No. 2, 1936; South Berwick, Maine, of Saint Mark (after Jacopo Tintoretto), c. in white on black, in publisher's wrappers, engravings; Zelt, Erster Teil, Opus XIV, Herkomer, Hubert von, German, 1849-1914, 1934, lithographs, 2002.98.139, 364, 1740; The Death of Saint Peter Martyr (after 2001.113.1.1-6, William B. O'Neal Fund 1915, 23 etchings and aquatints; Zelt, Study of an Arab Head, 1895, herkomertype, Gift of Jacob Kainen Titian), c. 1738; Presentation of the Virgin in ZweiterTeil, Opus XIV, 1915, 23 etchings 2002.98.129, Gift of Jacob Kainen Kaus, Max, German, 1891-1977, Head the Temple, 1742, chiaroscuro woodcuts, and aquatints, Gift of the Epstein Family La Hyre, Laurent de, French, 1606-1656, Hervier, Adolphe, French, 1818-1879, Village of a Girl, 1920, woodcut, 2002.98.292, 2002.98.130-133, 230, Gift of Jacob Kainen Collection 2001.132.1-140 Holy Family with Putti, 1640; Holy Family sur le bord d'une riviere, 1875, etching with Gift of Jacob Kainen with Angels and the Cross, Crushing a Serpent, Jackson, John Baptist, British, 1701-c. 1780, Knight, Gwendolyn, American, born 1913, roulette, 2002.98.387, Gift of Jacob Kainen Keating, George, British, 1762-1842, Nurse 1639, etchings, 2002. 17.1, 2002.93.1, Ailsa and Suetonius (author), Roman, 69-c. 140, New Orleans, 2002, color screenprint, and Children in the Fields (after George Mellon Bruce Fund; The Holy Family, c. 1642; Higgins, Eugene, American, 1874-1958, Le Vite de Dodici Cesari di Cajo Suetonio 2002.55.1, Gift of the Artist and the Morland), 1791, mezzotint, 2001.118.16, A Man Gazing across a Still Pond, 1640; Washing Child, c. 1920, etching, Tranquillo, 1738, bound volume with 12 Francine Seders Gallery Paul Mellon Fund Wooded Landscape with a River, 1640, etchings, 2002.98.34, Gift of Jacob Kainen woodcuts and 2 woodcut printer's devices, 2002.98.41-42, 392, Gift of Jacob Kainen 2002.98.38, Gift of Jacob Kainen Lamourette, French, active mid 19th century, Lehmbruck, Wilhelm, German, 1881-1919, Brushstrokes (Small), 1997, color sugarlift Lupertz, Markus, German, born 1941, Margo, Boris, American, born 1902, From Cleric, lithograph, 2002.57.27, Gift of Frank Biisser, 1912, dry point, 2002.98.304, Gift aquatint, 2001.142.1-7, 47-58, 60.1-8, Abend # J, color aquatint with drypoint and Meteorites, 1952, cellocut, 2002.98.365, Anderson Trapp of Jacob Kainen 61-65, 67.1-7 68.1-7, 69.1-7, 70.1-7, softground etching; Abend #2, sugarlift Gift of Jacob Kainen Landon, Edward, American, 1911-1984, Lep&re, Auguste, French, 1849-1918, 71, Gift of Kathan Brown; Untitled, 1995, aquatint and drypoint; Abend #3, color Marioni, Tom, American, born 1937, etching with sugarlift aquatint and drypoint, Marching On, 1968; Time Silhouette, Les Vagues deferlent, 1901, color woodcut, letterpress print from Sculpture Center Drawing a Line as Far as I Can Reach, 1969; screenprints, 2002.98.393-394, 2002.98.140, Gift of Jacob Kainen Catalog, 2001.143.31, Gift of Werner H. 2002.111.13-15, Gift of GraphicstudioZ 1996, hardground etching and drypoint; and Sarah-Ann Kramarsky University of South Florida Gift of Jacob Kainen Lerman, Leonid, American, born 1953, Flying with Friends, 1999, color drypoint; Lapinski, Tadeusz, American, born 1928, Untitled, 1995, letterpress print from Liebermann, Max, German, 1847-1935, Lupton, Ellen, born 1963, and Abbott Miller, Heaven, 1996, color direct gravure with Birth of the Moon, 1971; Flourish, 1973; Sculpture Center Catalog, 2001.143.32, Burgermeister Dr. Burchard, 1911, dry point, born 1963, on/off, diptych of 2 photogravures, aquatint and spitbite aquatint; Manhattan, Genesis, 1971, color lithographs, Gift of Werner H. and Sarah-Ann Kramarsky 2002.98.306, Gift of Jacob Kainen 2002.111.16, Gift of Graphicstudio/University 1996, color direct gravure with aquatint; of South Florida Pacific Rim, 1996, color direct gravure with 2002.98.232, 395-396, Gift of Jacob Kainen Lesser, Rudi, German, born 1901, Hotel Loll, Lorenzo, Italian, 1612-1690, Sleeping aquatint; Taking Flight, 2000, color woodcut; Lasry, David, American, born 1958, Untitled, Babylon, 1950, color lithograph; Woman, Cupid (after ), c. 1640, etching, Lurie, Nan, American, b. 1910, Investigating The Hand of the Artist, 1995, photogravure 1991, 2-part color intaglio monoprint; Washington, 1949, aquatint and etching, 2002.89.1, Gift of Bert Freidus Committee Broadcast; Early Morning; with color aquatint, and fingerprints hand- 2001.143.7.a-b, Gift of Werner H. and 2002.98.45, 305, Gift of Jacob Kainen Lombard, Pierre, French, 1612-1682, Rachel, Subway Bootblack, c. 1937, lithographs, applied by the artist, from Gravure Group; Sarah-Ann Kramarsky Countess of Middlesex (after Sir Anthony 2002.98.46, 154-155, Gift of Jacob Kainen LeWitt, Sol, American, born 1928, Double 3rd Street, 1995, photogravure with color van Dyck), c. 1660, etching and engraving, MacArdell, James, Irish, 1728/1729-1765, Laurens, Henri, French, 1885-1954, Valencia, Stars, 1983, portfolio of 7 color aquatints aquatint, from Gravure Group; Process 2002.14.3, Ailsa Mellon Bruce Fund Katherine, Countess of Lincoln (after etching, 2002.98.43, Gift of Jacob Kainen with hardground etching; Eight Small Landscape, 1999, color spitbite aquatint, from William Hoare), mezzotint, 2001.96.9, Laurie, Robert, British, 1755-1836, The Full Etchings, 1999, portfolio of 8 hardground Long, Lois, American, born 1918, Untitled, Why Draw a Landscape?, 2001.142.73-78, Paul Mellon Fund of the Honey-Moon; The Wane of the Honey- etchings; Black Loops & Curves No. 1, 1972, 10 color lithographs from Mushroom 113.2-3; 114.6, Gift of Kathan Brown 1999, sugarlift aquatint; Black Loops & Book, 2001.145.1.b-lO.b, Gift of the Maillol, Aristide, French, 1861-1944, Hero Moon (after Francis Wheatley), 1789, mez- Marlet, Jean Henri, French, 1770-1847, Curves No. 2, 1999, sugarlift aquatint; Collectors Committee and Leander, 1895, wood engraving; La zotints, 2001.118.19-20, Paul Mellon Fund Les Frbes Conduisent les Enfants, ...Saint Black Loops & Curves No. 3, 1999, sugar- vague, 1898, woodcut on Japan paper, Lavall6e-Poussin, Etienne de, French, Lozowick, Louis, American, 1892-1973, Nicolas des Champs, lithograph; Queue du lift; Black Loops & Curves No. 4, 1999, 2001.136.61-62, Virginia and Ira Jackson 1735-1802, Louis de Subleyras (author), Allen Street (Under the El), 1920; premier Theitre jranfais, lithograph, sugarlift aquatint; Color & Black, 12 x 12/1, Collection, Partial and Promised Gift French, 1743-1815, and Various Artists, Positano, Italy, 1964; Blast Furnaces, 1929; 2002.57.29, 30, Gift of Frank Anderson Trapp 1991, color spitbite aquatint; Color & Nella venuta in di Madama Le Hudson Bridge, 1929; New York, c. 1925; Malich, Karel, Czech, born 1924, Graphic Black, 12 x 12/2, 1991, color spitbite Martin, David, British, 1710-1776Jean Comte e dei Signori Watelet e Copette Oil Country, 1936; Self-Portrait, 1930; Sheet 2-II, 1965; Graphic Sheet 3 Series aquatint; Color & Black, 12 x 12/3, Jacques Rousseau (after ), 1766, (Rome, 1764), bound volume with 27 etch- Storm Clouds above Manhattan, 1935; IX, 1969-70; Graphic Sheet 4. V, 1967; 1991, color spitbite aquatint; Color & mezzotint, 2001.118.28, Paul Mellon Fund ings by Lavallee- Poussin, Franz Edmund Subway Construction, 1931; Tanks #3, Graphic Sheet 4—II, 1966; Graphic Sheet Black, 12 x 12/4, 1991, color spitbite Martin, John, British, 1789-1854, Joshua Wei rotter, , Marguerite Le 1930; Traffic, 1930, lithographs, 5—II, 1965; Graphic Sheet 6 Series IX, aquatint; Curvy Brushstrokes (Small), Commanding the Sun to Stand Still, 1827, Comte, Radel, and Louis de Subleyras, 2002.98.141-151, Gift of Jacob Kainen 1969-70; Graphic Sheet 8 Series IX, 1997, color sugarlift aquatint; Curvy color mezzotint and etching [proof], 2001.110.1, William B. O'Neal Fund Lucas, David, British, 1802-1881, A Dell 1969-70; Untitled, 1965, dry points, Brushstrokes I, 1997, color sugarlift aquatint; 2002.50.74-80, 88, Gift of the Anne and 2002.65.3, Gaillard F. Ravenel and Le Barbier, Jean Jacques Francois I, French, at Helmingham Park, Suffolk, 1830, mez- Curvy Brushstrokes II, 1997, color sugarlift Jacques Baruch Collection Frances P. Smyth-Ravenel Fund 1738-1836, and Salomon Gessner (author), aquatint; Curvy Brushstrokes/Color, 1997, zotint [proof, touched by ]; Hadleigh Castle, mezzotint [proof, touched Mangold, Robert, American, born 1937, Masurovsky, Gregory, American, born 1929, Swiss, 1730-1788, Oeuvres (Paris, 1786- color spitbite aquatint; Stars-Blue Center, Robert Mangold: Prints 1968—1998; a cat- Enveloppe, 1977, etching, 2002.98.156, 1793), 3 volumes with 78 etchings, 1983, portfolio of 7 color aquatints with by John Constable]; Noon, 1830, mezzotint alogue raisonne, accompanied by 7 original Gift of Jacob Kainen 2002.74.1, Katharine Shepard Fund hardground etching; Irregular, Angular [proof, touched by John Constable]; River Stour, Suffolk, 1830, mezzotint [proof, woodcuts, 2000, portfolio with 7 woodcuts, Matar6, Ewald, German, 1887-1965, Weide Le Lorrain, Louis Joseph, French, 1715 — Brushstrokes, 1997, color spitbite aquatint; touched by John Constable]; Spring, c. 1832, 2001.146.1-7, Gift of the Collectors Committee XVIII, 1921, color woodcut with hand col- 1759, Architectural Fantasy with an Obelisk Loops & Curves Blue/Red, 1999, color mezzotint [proof]; Stoke-by-Neyland, 1830; oring, 2002.98.308, Gift of Jacob Kainen and Arcade 1750, etching, 2001.104.1, Gift sugarlift aquatint; Loops & Curves Mangold, Silvia Plimack, American, born Stoke-by-Neyland, 1830, mezzotints [proofs], of Christopher Mendez Red/Yellow, 1999, color sugarlift aquatint; 1938, Pin Oak Detail, 1999, color soft- Matham, Jacob, Dutch, 1571-1631, Jael Short Brushstrokes /Color, 1997, color sug- all after John Constable, 2001.118.21-27, ground etching with spitbite aquatint, from and Sisera (after Hendrik Goltzius), 1588, LeBas, Jacques Philippe, French, 1707- Paul Mellon Fund arlift aquatint; Short, Vertical Brushstrokes, Why Draw a Landscape?, 2001.142.114.1, engraving, 2002.98.233, Gift of Jacob Kainen 1783, View of the Ancient Port of Phaleron, 1997, color sugarlift aquatint; Stars-Dark Lucien, French, active mid 19th century, Gift of Kathan Brown Athens;The Dromos,Athens (after Julien Mathey, Georg Alexander, German, born Domestic Dispute, lithograph, 2002.57.28, David Le Roy), 1758, etchings [proofs], Center, 1983, portfolio of 7 color aquatints Marcks, Gerhard, German, born 1889, Die 1876, Adam and Eve, 1921, woodcut, with hardground etching; Stars-Light Gift of Frank Anderson Trapp 2002.75.2-3, Katharine Shepard Fund Eule, 1921, woodcut, 2002.98.307, Gift of 2002.98.360, Gift of Jacob Kainen Center, 1983, portfolio of 7 color aquatints Jacob Kainen Lumsden, Ernest Stephen, Scottish, Matulka, Jan, American, 1890-1972, Leheutre, Gustave, French, 1861-1932, with hardground etching; Stars-Red 1883-1948, The Forth Bridge, 1909; The Marden, Brice, American, born 1938, Tile Avignon, c. 1925; Phonograph and Guitar, La Maison rouge en Pontrieux, etching, Center, 1983, portfolio of 7 color aquatints Shrine, 1922, etchings, 2002.98.152-153, #1, 1979, sugarlift aquatint, 2001.142.72, c. 1928, lithographs, 2002.98.47-48, 2002.98.44, Gift of Jacob Kainen with hardground etching; Wavy Gift of Jacob Kainen Gift of Kathan Brown Gift of Jacob Kainen McArdell, James, British, c. 1729-1765, James Moran, Peter, American, 1841-1914, Edge Nash, David, British, born 1945, Square Oliveira, Nathan, American, born 1928, Pechstein, Max, German, 1881-1955, Lockhart (after Sir Joshua Reynolds), c. 1760, of the Swamp, c. 1888; Harvest at San Circle Triangle: Black in Light, 1997, Nude 1; Nude 2; Nude 3; Nude 4; Nude Fischer am Tisch sitzend, c. 1922, woodcut, 2 mezzotints [1 proof and 1 touched proof]; Juan, New Mexico, 1882/1883, etchings, aquatint reversal; Square Circle Triangle: 5, 1997, sugar# and spitbite aquatints, 2002.98.324, Gift of Jacob Kainen The Gerbier Family (after Sir Peter Paul 2002.98.161-162, Gift of Jacob Kainen Light in Dark, 1997, aquatint; Ash Dome, from Live Model Group; Baboon (Black), Pelham, Peter, British, 1684-1751, Oliver Rubens), 1755, mezzotint, 2001.118.29-30, Moran, Thomas, American, 1837-1926, 1999, direct gravure, from Why Draw a 1994, drypoint with aquatint; Baboon Cromwell (after Robert Walker), 1723; 2001.118.31, Paul Mellon Fund Niagara from the Canadian Side, 1885, Landscape?, 2001.142.79-80, (Celadon), 1994, drypoint with aquatint; John, Lord Carteret (after Sir ), McNeil, George, American, born 1908, etching; Bridge in the Pass of Glencoe, 2001.142.114.7, Gift of Kathan Brown Copper Plate Nudes 1-6, 1998, 6 color c. 1720, mezzotints, 2001.118.35-36, Untitled, 1971, lithograph, 2002.98.234, , 1882, etching and roulette on Nauen, Heinrich, German, 1880-1941, spitbite aquatints with texture from the back Paul Mellon Fund Gift of Jacob Kainen Japan paper; The Green River Wyoming of a discarded plate; Dog Man, 1994, color Landscape with a Lake; Landscape with a Penck, A.R., German, born 1939, View drypoint with soapground, spitbite aquatint, Meid, Hans, German, 1883-1957, Territory, 1886, etching; Morning, 1886, Wheelbarrow, etchings with drypoint, of the Rocks, 1983, color lithograph, etching, sand paper ground, and roulette; scraping, and burnishing; Missing Link, Elopement, 1918, etching and dry point, 2002.98.317-318, Gift of Jacob Kainen 2002.98.359, Gift of Jacob Kainen 1998, color drypoint and spitbite aquatint; 2002.98.309, Gift of Jacob Kainen The Much Resounding Sea, 1886, etching, Nelson, Joan, American, born 1958, Profile with Baboons, 1994, color drypoint Pennell, Joseph, American, 1857-1926, drypoint, and roulette, 2002.98.49, 163-166, Untitled (#2), 1999, color direct gravure Meidner, Ludwig, German, 1884-1966, Self- with spitbite aquatint, hardground etching, Rainy Night, Charing Cross Shops, 1903, Gift of Jacob Kainen with drypoint and aquatint from Why Draw Portrait, 1920, lithograph, 2002.97.1, Given in and burnishing, 2001.142.115.11-15, etching, 2002.98.175, Gift of Jacob Kainen memory of Thomas F. Hancock by his family Mottram, Charles, British, 1807-1876, The a Landscape?, 2001.142.114.10, Gift of 2001.142.81-91, Gift of Kathan Brown Pether, William, British, probably 1731-1821, and friends; Der Kunstleratelier, 1914, dry- Plains of Heaven (after John Martin), 1857, Kathan Brown Orbeck, Jay, American, active second half The Friendly Mr. John Greenwood; An point; Portrait of a Man with a Long Beard, mezzotint printed in color and hand colored, Nelson, Leonard, American, 1912-1993, 20th century, Untitled (Desert Rock), 1991, Academy by Lamplight (after Joseph dry point; Portrait of a Man with , Ailsa Mellon Bruce Fund; The Scapegoat Dance to Jehive, 1948, lithograph, color woodcut, 2002.98.236, Gift of Wright), 1772; A Philosopher Giving a dry point; Theodor Daubler, 1921, dry point; (after William Hoi man Hunt), 1861, etching, 2002.98.399, Gift of Jacob Kainen Jacob Kainen Lecture on the Orrery (after Joseph Wright), Self-Portrait in a Hat, 1922, etching, engraving, and mezzotint, 2001.118.33, Nesch, Rolf, Norwegian, 1893-1975, On 1768; Three Persons Viewing the Gladiator 2002.98.310-314, Gift of Jacob Kainen Paul Mellon Fund Orlik, Emil, German, 1870-1932, Bronislav the Shore, c. 1929, etching and drypoint, by Candlelight (after Joseph Wright), Hubermann, 1917, etching, 2002.98.322, Meissonier, Jean-Louis-Ernest, French, Muller, Albert, Swiss, 1897-1926, Woman 2002.98.319, Gift of Jacob Kainen 1769; A Hermit, 1770, mezzotints, Gift of Jacob Kainen 1815-1891, Les Amateurs, drypoint, before a Window, woodcut, 2002.98.354, Netherlandish 17th Century, The Golden 2001.118.37, 2001.96.11-13, 2002.92.1, Ailsa Mellon Bruce Fund Gift of Jacob Kainen Ostade, Adriaen van, Dutch, 1610-1685, Age (after Nicolaes de Bruyn and Abraham 2001.118.38, Paul Mellon Fund MCiller, Otto, German, 1874-1930, Girl on The Concert, etching printed in red, Miller, John Douglas, British, late 19th Bloemaert), 1644, engraving, 2002.77.1, Pigal, Edm6 Jean, French, 1798-1872, 2002.39.3, Ailsa Mellon Bruce Fund century-early 20th century, The Lady of a Sofa, 1921/1922; Two Bathers, 1921-1922, Ailsa Mellon Bruce Fund Ah Ben!.., 1841, lithograph, 2002.57.33, Shalott (after William Hoi man Hunt), 1909, lithographs, 2002.98.315, 355, Gift of Outlaw, Gay, American, born 1959, Tailing; Neyts, Gilles, Flemish, 1623-1687, Gift of Frank Anderson Trapp mezzotint, 2001.118.32, Paul Mellon Fund Jacob Kainen Tatlin, 1995, photogravures from Gravure Landscape with Tobit and the ; Ruins Piranesi, Giovanni Battista, Italian, 1720-1778, Mumprecht, Walter Rudolf, Swiss, born Group, 2001.142.113.4-5, Gift of Miranda, Ibrahim, Cuban, born 1969, of an Amphitheater, etchings, 2002.98.51, Antichita... d'Albano e di Castel Gandolfo Kathan Brown Lagrimas Negras, 2000, color screenprint 1918, Untitled, color etching and aquatint, 235, Gift of Jacob Kainen (Rome, 1764), bound volume with 2 fron- and intaglio, 2002.111.17, Gift of 2002.98.316, Gift of Jacob Kainen Pach, Walter, American, 1883-1958, Miss Nicoll, James Craig, American, 1846-1918, tispieces, engraved initial and vignette, and 26 Graphicstudio/University of South Florida M. G., 1929; Tower, 1924, etchings, Munch, Edvard, Norwegian, 1863-1944, Moonlight at Low Tide, 1885, etching and etchings; Descrizione e disegno dell'Emissario 2002.98.170-171, Gift of Jacob Kainen Mir6, Joan, Spanish, 1893-1983, The Eagle Alpha and Omega, 1908/1909, complete aquatint, 2002.98.168, Gift of Jacob Kainen del LagoAlbano (Rome, 1762), bound volume and the Woman in the Night, 1938, etching, set of 23 lithographs, 2002.10.1-23, The Paeschke, Paul, German, 1875-1943, with frontispiece, engraved initial and vignette, Niss, Thorvald Simeon, Danish, 1842-1905, drypoint, and aquatint, 2002.98.157, Epstein Family Collection; , Square with an Equestrian , c. 1924; and 9 etchings; Di Due Spelonche ornate Storm at Sea, 1901, etching, 2002.98.320, 1896, lithograph, 2002.98.342, Gift of Berlin Liegesalles, soft ground etchings with dagli Antichi alia Riva del Lago Albano Gift of Jacob Kainen Gift of Jacob Kainen Jacob Kainen roulette and drypoint, 2002.98.323, 356, (Rome, 1762), bound volume with vignette Monti, John, American, born 1957, Untitled, Nolde, Emil, German, 1867-1956, Gift of Jacob Kainen and 12 etched plates, earliest issues with 1995, letterpress print from Sculpture Center Murphy, John, British, c. 1748-after 1820, Paulikirche im Soest, 1906, color etching, manuscript corrections on 5 plates, Catalog, 2001.143.33, Gift of Werner H. Eagle and Fox (after James Northcote), 1799, Palmer, Samuel, British, 1805-1881, 2002.98.321, Gift of Jacob Kainen 2001.116.1.a-c, William B. O'Neal Fund; and Sarah-Ann Kramarksy mezzotint, 2001.118.34, Paul Mellon Fund The Early Ploughman, c. 1860, etching; Okey, Samuel, British, active mid-late 18th The Rising Moon, 1857, etching; Antichiti Romane de Tempi delta Repubblica, Moran, Leon, American, 1864-1941, Girl in Myers, Jerome, American, 1867-1940, century, Miss Nelly O'Brien (after Sir The Weary Ploughman, 1858, etching, 1748, complete set of 30 etchings, 2002.66.1, Peasant Costume, 1888, etching, Village, Street Scene; Mott Joshua Reynolds), c. 1771, mezzotint, 2002.98.172-174, Gift of Jacob Kainen Edward E. MacCrone Fund and the Eugene 2002.98.158, Gift of Jacob Kainen Street, NY, c. 1925, softground etchings, 2001.96.10, Paul Mellon Fund L. and Marie-Louise Garbaty Fund 2002.98.50, 167, Gift of Jacob Kainen Partenheimer, Jurgen, German, born 1947, Moran, Mary Nimmo, American, Oldenburg, Claes, American, born 1929, Canto V.2-9, 1998, 8 from the set of 9 Pitteri, Marco Alvise, Italian, 1702-1786, 1842-1899, The Passaic at Newark, 1879, Nanteuil, Celestin, French, 1813-1873, Untitled, 1995, letterpress print from etchings, lithographs, and heliorelief wood- Young Woman in Profile (after Giovanni etching; 'Tween the Gloamin' and the Mirk, Hunter Surprised, lithograph; The Woman Sculpture Center Catalog, 2001.143.34, cuts from Canto V, 2002.111.18-25, Gift Battista Piazzetta), engraving, 2002.93.2, When the Rye Came Home, 1883, etching behind the , 1830s, lithograph, Gift of Werner H. and Sarah-Ann Kramarksy of Graphicstudio/University of South Florida Ailsa Mellon Bruce Fund and roulette, 2002.98.159-160, Gift of 2002.57.31-32, Gift of Frank Anderson Trapp Jacob Kainen Place, Francis, British, 1647-1728, Richard Ranft, Richard, Swiss, 1862-1931, Trottins, Rippl-R6nai, J6zsef, Hungarian, 1861-1927, Rydingsvard, Ursula von, American, born Saints Thomas Aquinas, Mary Magdalene, Thompson (after Gerard Soest), c. 1680, 1894, color etching with aquatint, and Georges Rodenbach (author), Belgian, 1942, Untitled, 1995, letterpress print from Albertus Magnus, and Others, 1655, etch- mezzotint, 2001.118.39, Paul Mellon Fund 2001.136.69, Virginia and Ira Jackson 1855-1898, Les Vierges, (Paris, 1895), Sculpture Center Catalog, 2002.143.36, ing, 2001.94.1, Ailsa Mellon Bruce Fund bound volume with 4 color lithographs Gift of Werner H. and Sarah-Ann Kramarsky Ponce de Leon, Michael, American, born Collection, Partial and Promised Gift Schrimpf, George, German, 1889-1938, by Rippl-R6nai and woodcut wrapper by 1922, India-The Oneness of Life in '69, Ranson, Paul, French, 1862-1909, Tigre Salemme, Attilio, American, 1911-1955, Seated Woman, woodcut, 2002.98.331, Gift James Pitcairn-Knowles, 2001.136.72, 1969, 2 embossings; Mountain Games, dans les jungles, 1893, color lithograph, One against Many, 1946, color screen- of Jacob Kainen Virginia and Ira Jackson Collection, 1958, color collograph, 2002.98.176-178, 2001.136.71, Virginia and Ira Jackson print, 2002.98.402, Gift of Jacob Kainen Schwind, Moritz von, Austrian, 1804-1871, Partial and Promised Gift Gift of Jacob Kainen Collection, Partial and Promised Gift Sanchez, Emilio, American, 1921-1999, Black A Monk Leading Horses to Water, c. 1845, Rivi6re, Henri, French, 1864-1951, LeJuif Pondick, Rona, American, born 1952, Rassineux, Martine, French, b. 1955, Beach, c. 1955, lithograph; Canaverales; etching, 2002.39.4, Ailsa Mellon Bruce Fund, Errant (Paris, 1898), music book with 8 Untitled, 1995, letterpress print from Figure I, 1993, etching, 2002.98.53, Jamaican Women; Negritos Pasendo, A Monk with a Bagpipe Player, 1846/1849, color lithographs, 2002.113.1, Gift of Jeff Sculpture Center Catalog, 2001.143.34, Gift Gift of Jacob Kainen c. 1955; Ninos, 1952, color lithographs, etching, 2002.52.1, Gift of Mr. and and Terry Atlas in honor of Liane Atlas 2002.98.238-242, Gift of Jacob Kainen Mrs. Helmut H. Rumbler of Werner H. and Sarah-Ann Kramarksy Rauschenberg, Robert, American, born Rohlfs, Christian, German, 1849-1938, Probst, Johann Balthasar, German, 1925, Ace, 2000; Big and Little Bullys; Sanstrom, Robert, American, Sunflowers, Seewald, Richard, German, born 1889, Susanna and the Elders, 1916/1917; 1673-1750, Scaramouche Distracts Pantalon; Bubba's Sister; Eagle Eye; Meana;Jap; 1956, color woodcut, 2002.98.243, Goats, 1921, lithograph, 2002.98.332, The Prisoner, 1918, woodcuts, 2002.98.327, Harlequin at Dr. Polovard's House; The John; Tanya; 'topher, 1999, 9 color pho- Gift of Jacob Kainen Gift of Jacob Kainen 343, Gift of Jacob Kainen Captain Regains His Freedom, 1729, etchings togravures from Ruminations, 2002.42.1-9, Schadow, Johann Gottfried, German, S6guin, Armand, French, 1869-1903, with engraving (after Johann Jacob Schubler), Gift of the Collectors Committee Roosen, Mia Westerlund, American, born 1764-1850, Schadow and His Family, Le Soir, 1894, color etching in brown; Nue 1942, Untitled, 1995, letterpress print from 2002.51.3, Gift of Monroe Warshaw Redon, Odilon, French, 1840-1916, 1794/1795, etching, 2002.44.2, Ailsa avec les mains derrieres la tete, 1892, etch- Sculpture Center Catalog, 2002.143.36, Provisor, Janis, American, born 1946, Perversite, 1891, etching and dry point, Mellon Bruce Fund ing with aquatint, 2001.136.74-75, Virginia Gift of Werner H. and Sarah-Ann Kramarsky Romance, 1999, color spitbite and soap- 2002.98.54, Gift of Jacob Kainen Schafer, David, American, born 1955, and Ira Jackson Collection, Partial and Rosenquist, James, American, born 1933, Promised Gift ground aquatint; 2001.142.92, Gift of Redon, Odilon, French, 1840-1916, and Untitled, 1995, letterpress print from After Berlin V, 1999, color lithograph, Kathan Brown Andr6 Mellerio (author), French, 1862-1943, Sculpture Center Catalog, 2002.143.3, Gift S6guin, Armand, French, 1869-1903, 2002.111.26, Gift of Graphicstudio/ Purrmann, Hans, German, 1880-1966, Le Mouvement idealiste en Peinture, (Paris, of Werner H. and Sarah-Ann Kramarsky Georges d'Espagnat, Emile Bernard, University of South Florida Badende; Nude Bathers, 1918, dry points, 1896), bound volume with lithographic fron- Schanker, Louis, American, 1903-1981, Henri-Gustave Jossot, and Maurice Delcourt, 2002.98.325-326, Gift of Jacob Kainen tispiece, 2001.136.65, Virginia and Ira Roubaud, Benjamin, French, 1811-1847, Abstraction with Heart, 1938; Dictator's Bulletin de I'Ymagier (No. 3), April 1895, Resurrection de don Carlo..., 1830s, illustrated magazine, 2001.136.76, Virginia Puvis de Chavannes, Pierre, French, Jackson Collection, Partial and Promised Gift Dream, 1937; Jai-Alai, 1939; Saint George lithograph, 2002.57.35, Gift of and Ira Jackson Collection, Partial and 1824-1898, La Normandie, 1893, color Reich, Steve, American, born 1936, and the Dragon, 1941, color woodcuts; Frank Anderson Trapp Promised Gift lithograph on china paper; Le Pauvre pecheur, Two Scores, 1978, set of 2 photoetchings, Untitled, c. 1940, crayon over monotype, 1897, lithograph; Le Pauvre pecheur, 2001.142.93.a-b, Gift of Kathan Brown Roussel, Ker Xavier, French, 1867-1944, 2002.98.180-181, 184-186, Seligmann, Kurt, American, 1900-1962, Dans la neige, 1893, color lithograph, Gift of Jacob Kainen The Myth of Oedipus, 1944, 6 etchings 1897, color lithograph on china paper, Reisman, Philip, American, 1904-1992, 2001.136.73, Virginia and Ira Jackson with text by Meyer Shapiro, 2002.114.1-6, 2001.136.66-68, Virginia and Ira Jackson Uncle, 1928, etching, 2002.98.366, Gift Schenau, Johann Eleazar, German, Collection, Partial and Promised Gift Gift of Stephen Robeson Miller in memory of Collection, Partial and Promised Gift of Jacob Kainen 1737-1806, Groups of Heads, 1765, com- Ruisdael, Jacob van, Dutch, c. 1628/ plete set of 6 etchings, 2002.105.2-7, the artist's friends, Nicolas and Elena Calas Pytlak, Leonard, American, born 1910, Rembrandt van Rijn, Dutch, 1606-1669, 1629-1682, The Little Bridge, c. 1652, Jacob Kainen Memorial Fund Semmes, Beverly, American, born 1952, Southern Night, c. 1940, color screenprint, Jacob's Ladder, c. 1655, etching and dry- etching, 2002.98.56, Gift of Jacob Kainen Untitled, 1995, letterpress print from 2002.98.400, Gift of Jacob Kainen point, 2002.98.55, Gift of Jacob Kainen Schlicht, Abel, German, 1754-1826, Ruscha, Edward, American, born 1937, Gefangnisfur die Schaubuhne (possibly Sculpture Center Catalog, 2002.143.37, Quest, Charles, American, born 1904, Reynolds, Samuel William I, British, Section 22, 1995, photogravure, from after Giuseppe Galli Bibiena), 1786, color Gift of Werner H. and Sarah-Ann Kramarsky Lovers #1; Lovers #2, 1947, wood engrav- 1773-1835, Leopards (after James Gravure Group; Van Ness, Santa Monica, etching and aquatint, 2002.32.2, Senat, Prosper Louis, American, 1852-1925, ings; Standing Woman with Arm Raised, Northcote), 1798, etching, stipple, and Vine, Melrose, 1999, direct gravure, from Ailsa Mellon Bruce Fund Winter Quarters-Cape Ann, 1886, etching, 1947; Witches Sabbath, 1954, color wood- roulette [first proof]; Leopards, 1798, mez- Why Draw a Landscape?, 2001.142.113.6, 2002.98.187, Gift of Jacob Kainen cuts; Nude Girl, 1967; Girl in Bed, 1973, zotint with etching and stipple touched with Schmidt-Rottluff, Karl, German, 2001.142.114.4, Gift of Kathan Brown woodcuts, 2001.105.1-6, Gift of Jerald L. white chalk [second proof], 2002.65.4-5, 1884-1976, Kuss in Liebe, 1918, woodcut; Serusier, Paul, French, 1863-1927, Melberg; Blue Forms, 1950, color woodcut, Gaillard F. Ravenel and Frances P. Russ, Carl, Austrian, 1779-1843, Young Sonnenuntergang am Kai, 1910, lithograph, Paysage, 1893, color lithograph on yellow 2002.98.401, Gift of Jacob Kainen Smyth-Ravenel Fund Man Inspired by Genius, 1810, etching 2002.98.229-330, Gift of Jacob Kainen paper, 2001.136.77, Virginia and Ira Jackson with dry point and aquatint, 2002.98.328, Collection, Partial and Promised Gift Raffaelli, Jean Francois, French, 1850-1924, Richardson, Jonathan, Sr., British, Schneider, G6rard, French, born 1896, Gift of Jacob Kainen Le Boulevard des Miens, 1908, color etching, 1665-1745, John, Lord Sommers, c. 1713, Fond Rose, color etching and aquatint, Short, Frank, Sir, British, 1857-1945, Sir 2002.98.52, Gift of Jacob Kainen etching, 2001.118.40, Paul Mellon Fund Ryan, Anne, American, 1889-1954, Figures 2002.98.57, Gift of Jacob Kainen Francis Seymour Haden, P.R.E., mezzotint, Raffet, Auguste, French, 1804-1860, Eight in a Yellow Room, 1945/1947, color wood- Schonfeld, Johann Heinrich, German, 2002.98.188, Gift of Jacob Kainen Vignettes of Genre Incidents, lithograph, cut, 2002.98.179, Gift of Jacob Kainen 1609 -c. 1682, A in a Church with 2002.57.34, Gift of Frank Anderson Trapp Simon, John, British, c. 1675-1751, 1713, mezzotint; William Johnston, Marquess Steir, Pat, American, born 1940, Drawing Teige, Karel, Czech, 1900-1951, and Uhden, Maria, German, 1892-1918, Ho Nee Yeath Taw No Row, King of the of Annandale (after Sir Godfrey Kneller), Lesson, Part II, 1978, portfolio of 5 intaglios; Konstantin Biebl (author), 1898-1951, Ruhende Zigeuner, 1918, woodcut, Generethgarick; Etow Oh Koam, King of 1702, mezzotint with engraving; Thomas Little Red Shapes, 1991, color spitbite, Zlom, Nov, vyd nyi (, 1928), 2002.98.336, Gift of Jacob Kainen the River Nation; Sa Ga Yeath Qua Pieth Murray (after Thomas Murray), after 1700, sugarlift, and soapground aquatint; Seascape, bound volume with 4 color typographic Umbach, Jonas, German, c. 1624-1693, Tow, King of the Maquas; Tee Yee Neen Ho mezzotint; Johannes Witt (after Werner 1988, color woodcut with hand painting on illustrations on yellow paper, 2001.93.1, Saint Jerome Penitent, etching, Ga Row, Emperor of the Six Nations, after Hassells), 1707, mezzotint, 2001.118.45-58, silk mounted on paper; Tiny Green, 1999, William B. O'Neal Fund 2002.98.406, Gift of Jacob Kainen 1710, mezzotints (all after John Verelst), Paul Mellon Fund color soapground aquatint and drypoint, from Thiebaud, Wayne, American, born 1920, Unold, Max, German, born 1885, Hunters 2001.118.41-44, Paul Mellon Fund Why Draw a Landscape?-, 2001.142.95.1-5, Smith, John Raphael, British, 1752-1812, Estate #1, 1998, hardground etching; Returning, lithograph; Mother with Children 2001.142.96-97, 2001.142.114.3, Gift of Sintenis, Ren6e, German, 1888-1965, Clara, c. 1797, mezzotint; Les Deux Amis, Freeway Building, 1998, drypoint; Hotel Playing, 1921, lithograph, 2002.98.337-338, Kathan Brown Two Nude Youths, dry point, 2002.98.333, or, The Two Friends, 1778, mezzotint and Comer, 1979/1998, hardground etching with Gift of Jacob Kainen Gift of Jacob Kainen etching; Amanthis, 1797, mezzotint touched Steir, Pat, American, born 1940, and John drypoint; Marina Ridge, 1997, drypoint; Urban, Albert, American, 1909-1959, with black ink and white chalk [proof]; Yau, American, born 1950, Horizon's Mountain Cloud, 1998, hardground etching; Slevogt, Max, German, 1868-1932, Tombstone, 1942, color screenprint, Amanthis with Pearls, 1797, mezzotint Levitation; Rain Pillow; Sky's First Poem; Red Mountain, 1998, color hardground Hexentanz, 1903, etching and dry point, 2002.98.252, Gift of Jacob Kainen etching; River Edge, 1997, drypoint and spit- 2002.98.334, Gift of Jacob Kainen touched with black and white chalk [proof]; Sky's Four Sides, set of 4 color lithographs, African Hospitality (after ), one with encaustic, 2002.111.27-30, Gift bite aquatint, 2001.142.98-104, Gift of Vaillant, Wallerant, Flemish, 1623-1677, Sloan, John, American, 1871-1951, and 1791, mezzotint; Slave Trade (after George of Graphicstudio/University of South Florida Kathan Brown A Man Writing at a Table (after Adriaen William Maugham (author), Brouwer), mezzotint, 2001.109.6, Morland), 1791, mezzotint; Belisane and Thornton, Valerie, British, born 1931, British, 1874-1965, Of Human Bondage, Sterner, Albert Edward, American, Parsifal under the Enchantment of Urma Ailsa Mellon Bruce Fund 1938, 2 bound volumes with 16 etchings, 1863-1946, Nude with Shell, lithograph; Divinity School, Oxford; Old Houses, (after ), 1782, mezzotint; Lear Vallotton, F6lix, Swiss, 1865-1925, 2002.98.58, Gift of Jacob Kainen Samaritan, softground etching, Maidenburgh Street; The Prior's Door, Ely, and Cordelia (after Henry Fuseli), 1784, 2002.98.194-195, Gift of Jacob Kainen color etchings, 2002.98.197-199, Le Bain, 1894, woodcut on yellow paper, Smillie, George Henry, American, mezzotint; Love in Her Eyes Sits Playing Gift of Jacob Kainen 2001.136.78, Virginia and Ira Jackson Storm van Gravesande, Carel Nicolaas, 1840-1921, Orchard, 1883, etching, (after The Reverend Matthew William Peters), Collection, Partial and Promised Gift Dutch, 1841-1924, The Ferry at Dordrecht, Tiepolo, Giovanni Domenico, Italian, 2002.98.189, Gift of Jacob Kainen 1778, mezzotint, 2001.118.59-60, drypoint, 2002.98.226, Gift of Jacob Kainen 1727-1804, Head of a Moor Bending Velde II, Jan van de, Dutch, 1593-1641, Smillie, James David, American, 1833-1909, 2002.65.6-7, 2001.118.61-64, 2002.65.8, Forward, 1770, etching, 2001.109.4, Ailsa The Little Watetfall under the Bridge, Gaillard F. Ravenel and Frances P. Stremel, A., French; Untitled, 1900, litho- At Marblehead Neck; A Fallow Field, 1883, Mellon Bruce Fund etching, 2002.98.68, Gift of Jacob Kainen etchings; Old Dam near Montrose; Old Smyth-Ravenel Fund graph with original Japanese tissue cover sheet, 2001.136.15, Virginia and Ira Jackson Toledo, Francisco, Mexican, born 1940, Verkolje I, Jan, Dutch, 1650-1693, Dam near Montrose, 1892, aquatints [proofs Somm, Henry, French, 1844-1907, Collection, Partial and Promised Gift Hombre Legarto; Serpiente y Pochote, 1998, The Duchess of Grafton; Madam Parson, after burnishing]; Old Cedars, Coast of Program for " I'Athenee", 1881, photogravures, 2002.111.31-32, Gift of 1683, mezzotints (both after Sir Peter Lely), Maine, 1880, etching, 2002.98.190-193, drypoint, 2002.53.1, Gift of C. & J. Goodfriend Suavius, Lambert, Flemish, c. 1510-1567, Graphicstudio/University of South Florida 2001.118.65.66, Paul Mellon Fund 367, Gift of Jacob Kainen Saint James Major; Saint Simon, 1545, Sonnier, Keith, American, born 1941, engravings, 2002.38.1-2, Toulouse-Lautrec, Henri de, French, Vermeulen, Cornel is, Flemish, Smith, David, American, 1906-1965, Don Untitled, 1995, letterpress print from Ailsa Mellon Bruce Fund 1864-1901, La Berceuse, 1895/1896, litho- 1644-1708/1709, Joseph Roettiers (after Quixote, 1952, lithograph with hand color- Sculpture Center Catalog, 2001.143.39, graph with all music sheets, 2002.100.1, Nicolas de Largilli6re), 1700, etching ing, 2002.98.403, Gift of Jacob Kainen Gift of Werner H. and Sarah-Ann Kramarsky Sutherland, Graham, British, 1903-1980, Ailsa Mellon Bruce Fund and engraving, 2002.43.1, Ailsa Mellon The Village, 1925, etching, 2002.98.196, Smith, John, British, probably 1652-1742, Soulas, Louis Joseph, French, 1904-1954, Bruce Fund Gift of Jacob Kainen Tucker, William, British, born 1935, Untitled, Godjried Schalcken (after Godfried Schalcken), Bord du Canal et Ducy, 1952; Bourges, 1995, letterpress print from Sculpture Center Vernier, Charles, French, 1831-1887, c. 1694, mezzotint; Queen Mary (after Jan 1952; Campagne de France, 1950; Le Suyderhoff, Jonas, Dutch, c. 1613-1686, Catalog, 2001.143.40, Gift of Werner H. and La Crinoline—Abri, 1848; Pas d'Infanterie, van der Vaart), after 1700, mezzotint; John Hendrik Goltzius (after Pieter Claesz Clocher de Saint Jean de Brayo, 1953; lithographs, 2002.57.36-37, Gift of Lord Sommers (after Jonathan Richardson, Soutman), 1649, etching and engraving, Sarah-Ann Kramarsky Village de la Beauce, 1950s, engravings, Frank Anderson Trapp Sr.), c. 1713, mezzotint; Godfrey Kneller 2002.98.59-63, Gift of Jacob Kainen 2002.98.404, Gift of Jacob Kainen Tuttle, Richard, American, born 1941, Any (after Sir Godfrey Kneller), 1694, mezzotint; 2 Points, 1999, portfolio with title page and Villon, Jacques, French, 1875-1963, Soyer, Raphael, American, 1899-1987, Swanevelt, Herman van, Dutch, John Hay, Earl ofTweeddale (after Sir Godfrey 8 color prints including intaglio, woodcut, Audrh, 1900, color aquatint; Three Waterfront, 1934, lithograph, 2002.98.64, c. 1600-1655, For della Porta Piea, etch- Kneller), c. 1710, mezzotint [proof]; John and embossing; Mandevilla 1; Mandevilla Figures, etching, 2002.98.69-70, Gift of Jacob Kainen ing, 2002.98.66, Gift of Jacob Kainen Locke (after Sir Godfrey Kneller), 1721, 2; Mandevilla 3; Mandevilla 4; Mandevilla Gift of Jacob Kainen Taylor, Edgar Dorsey, American, mezzotint; (after Sir Godfrey Stanczak, Julian, American, born 1928, 5; Mandevilla 6; Mandevilla 7, 1998, color Vuillard, lidouard, French, 1868-1940, 1904-1978, Baja California Woodcuts, Kneller), 1716, mezzotint; John, Earl of and Harry Rand (author), American, born aquatints, 2001.142.105.1-8, 106-112, Gift Interieur, 1893, color lithograph; 1969, bound volume with 53 woodcuts, Mar, Lord Erskine (after Sir Godfrey 1947, Color/Color: Suite in Four Parts, of Kathan Brown; Surface, 1997, photogravure, La Couturiere, 1894, color lithograph, 2002.98.67, Gift of Jacob Kainen Kneller), 1703, mezzotint with engraving; 1993, bound volume with 20 screenprints, 2002.111.33, Gift of Graphicstudio/University 2001.136.10, 79, Virginia and Ira Jackson Nicola Cosimo (after Sir Godfrey Kneller), 2002.98.65, Gift of Jacob Kainen Taylor, Prentiss, American, 1907-1991, of South Florida Collection, Partial and Promised Gift 1706, mezzotint; Robert Cecil (after Sir Steinhardt, Jakob, Israeli, 1887-1968, Self-Reflection, 1971, lithograph, Uchima, Ansel, American, born 1921, Godfrey Kneller), after 1700, mezzotint; Sir Rahel, 1953, hand-colored woodcut, 2002.98.368, Gift of Jacob Kainen Spring Shower, 1966, color woodcut, Christopher Wren (after Sir Godfrey Kneller), 2002.98.335, Gift of Jacob Kainen 2002.98.369, Gift of Jacob Kainen Wald, Sylvia, American, born 1914, tints, 2 impressions in different states, 1996, color hardground etching with aquatint, Zorn, Anders, Swedish, 1860-1920, Emma Baltz, Lewis, American, born 1945, Park In Flight; Spirit's Constellation, 1952, color 2001.118.70-74, Paul Mellon Fund 2001.142.116-119, Gift of Kathan Brown Rasmussen, 1904; The Two, 1916, etchings, City 2, 1979; Park City 17, 1979; Park screenprints, 2002,98.244-245, Gift of Watson, Thomas, British, 1743 or 1748- Woensam, Anton, German, active 2002.98.216-217, Gift of Jacob Kainen City 54, 1979; Park City 56, 1979; Park Jacob Kainen 1781, Lady Broughton (after Sir Joshua c. 1500-1541, and Rupert von Deutz City 68, 1979; Park City 70, 1979; Park Walkowitz, Abraham, American, 1880-1965, Reynolds), 1770, mezzotint, 2001.96.15, (author), German, died c. 1135, PHOTOGRAPHS City 73, 1979; Park City 81, 1979; Park Boat Docked, 1903, etching; Houses at a Paul Mellon Fund; A Sacrifice to Hymen Commentariorum in Apocalypsim (Cologne, City 84, 1979; Park City 92, 1979; Park Street Comer, c. 1930, lithograph; Market (Three Daughters of Sir William 1526), illustrated book with 22 woodcuts, American 20th Century, Cryogenic Section City 93, 1979; Park City 94, 1979; Park Scene, c. 1902, etching; Rockport House Montgomery) (after Sir Joshua Reynolds), 2002.91.1, Ailsa Mellon Bruce Fund of a Cadaver, c. 1900/1925, cyanotype, City 95, 1979; Park City 98, 1979, 2002.6.1, Anonymous Gift gelatin silver prints, 2001.128.8-21, No. 2, c. 1929, lithograph; Tree, c. 1903, mezzotint, 2002.107.1, Gift of C.G. Boerner Wunderlich, Paul, German, born 1927, etching; Family, 1908, monotype, Joshua P. Smith Collection Weisbrod, Carl Wilhelm, German, 1743-1806, Knife Thrower, 1967; Seated Nude, 1968, Anderson, Paul L, American, 1880-1956, 2002.98.201-202, 206, 208, 209, 357, Architectural Fantasy of a Monumental Port color lithographs, 2002.98.73-74, Gift of Karl Stmss, 1914, carbon print, 2002.120.1, Barocas, Melanie Eve, American, born Gift of Jacob Kainen (after Hubert Robert), 1771, etching Jacob Kainen Transfer from the National Gallery 1960, Santo Domingo, , of Art Library 1993, Institute for Blind Children, Port-au- Wallace, Frank, American, Greensboro, [proof], 2001.109.5, Robison Fund Yoder, Andy, American, born 1954, Untitled, Prince, Haiti, 1995; Institute for Deaf Vermont, c. 1945, color woodcut, Weiss, Emil-Rudolf, French, 1875-1942, 1995, letterpress print from Sculpture Center Anderson, Paul L, Attributed to, American, Children, Port-au-Prince, Haiti, 1995, gela- 2002.98.210, Gift of Jacob Kainen Untitled, 1900, woodcut with original Catalog, 2001.143.43, Gift of Werner H. 1880-1956, Max Weber and Clarence H. tin silver prints, 2001.127.1-3, Gift of Miela Wang, Ming, American, born 1921, Japanese tissue cover sheet, 2001.136.16, and Sarah-Ann Kramarksy White, 1914, platinum print, 2002.120.2, Transfer from the National Gallery of Art Library and Rick Mayer Worldly Spirit, 1976, color block print, Virginia and Ira Jackson Collection, Partial Yoshinaga, Yutaka, Japanese, born 1948, Bing, Use, American, born Germany, 1899- 2002.98.214, Gift of Jacob Kainen and Promised Gift 96-C-l, 1996, color spitbite aquatint with Appelt, Dieter, German, born 1935, Tableau 1998; Self-Portrait with Kodak, 1913, Ward, James, British, 1769-1859, Weissauer, Rudolf, German, born 1924, drypoint and hardground etching; 96-C-2, Oppedette, 1980, portfolio of 7 gelatin 2 gelatin silver printed-out prints; Bicycle Children Bathing (The Hoppner Children) Boats, 1949, woodcut, 2002.98.339; Arctic 1996, color aquatint with drypoint and spit- silver prints, 2001.128.1-7, Races, , Germany, 1931, gelatin (after John Hoppner), 1804, mezzotint, Sea, aquatint, 2002.98.339, 358, Gift of bite aquatint; 96-C-3, 1996, color aquatint Joshua P. Smith Collection silver print; Hellerhof-Siedlung, Frankfurt-My 2001.118.67, Paul Mellon Fund Jacob Kainen and softground etching with drypoint; 96- Atget, Eugfene, French, 1857-1927, Environs, Shadow and the Shadow of the Architect C-4, 1996, color aquatint and softground Amiens, 1898 or before; Au Petit Dunkerque, Ward, Lynd Kendall, American, 1905-1985, Wells, James, American, 1902-1993, African Mart Stam on the Roof, 1930, gelatin silver etching with drypoint; 96-C-5, 1996, color 3 quai Conti, 1900; Hotel des Ambassadeurs God's Man, 1929, bound volume with 138 Nude, 1985; The Vamp, 1983, color linocuts; print, 1988; Poverty in Paris, 1931, 2 gela- hardground etching with spitbite aquatint de Hollande, 47 rue Vieille-du-Temple, 1900; wood engravings; Buchanan's Mill, c. 1970, Young Girl-Senegal, c. 1980, lithograph, tin silver prints; Self-Portrait in Mirrors, 1931, and drypoint; 2001.142.120-124, Gift of HStel Gouthieres, 6 rue Pierre Bulet, 1905, wood engraving, 2002.98.71, 407, Gift of 2002.98.246-248, Gift of Jacob Kainen 2 gelatin silver prints, 1989 and 1994; Self- Kathan Brown albumen prints, 2002.73.1, 3, 5, 9, Jacob Kainen White, Charles, American, 1918-1979, Anonymous Gift; Bitumiers, 1899/1900; Portrait with Leica, 1931, 2 gelatin silver Ward, William, British, 1766-1826, The Mother, 1945, lithograph, 2002.98.72, Yunkers, Adja, American, 1900-1983, City prints, 1985 and c. 1988; Carousel, 1932, Fontaine, rue Garanciere, 1900; La Monnaie, Superb Lily (after ), 1799, Gift of Jacob Kainen Lights, 1956; Fishes, 1947/1951; Nanigos, gelatin silver print; Pariser Mittsommertraume quai Conti, 1900; Saint-Denis, maison de mezzotint with etching [proof!, 2002.62.1, 1927, color woodcuts, 2002.98.75, 249, (Midsummer Dreams, Paris), 1932, portfolio White, George, British, c. 1684-1732, retraite, 1901; Ambassade d'Autriche, 57 rue Gift of A. Thompson Ellwanger III and 408, Gift of Jacob Kainen of 4 gelatin silver prints (incomplete); Fashion, Edmund Halley (after Sir Godfrey Kneller), de Varenne, 1905; Dammarie-les-Lys, ruines, Gregory E. Mescha in honor of Ephne Zanetti, Anton Maria, Italian, 1679/1680-1767, Paris, 1933, gelatin silver print; Shell on mezzotint, 2001.118.79, Paul Mellon Fund 1910; A la Grappe d'Or, 4 place d'Aligre, Reuss Clarke; Daughters of Sir Thomas Varie Pitture a fresco de' principali maestri Hand, Paris, 1933, gelatin silver print; Street Wiegers, Jan, Dutch, 1893-1959, 1911; Hotel du Cardinal Dubois, 10 me de Frankland Bart (The Sisters,) (after John Veneziani ora la primate volta con le stampe Fair, Paris, 1933, 14 gelatin silver prints; Landscape near Davos, drypoint, Valois, 1913; Roseaux, Etang du Plessis- Hoppner), 1797; Lord Cornwallis (after Sir pubblicate (Venice, 1778), unbound volume Cheval de Marly, Paris, 1934, gelatin silver 2002.98.340, Gift of Jacob Kainen Piquet, 1919/1921; Saint-Cloud (Hetre), William Beechey), 1799; The Blind Beggar with 24 engraved plates after Titian, , print; 8 me de Varenne, Paris, 1934, 2 gela- 1919/1921; Poirier, 1921; Cour de Rouen, of Bednall Green (after William Owen), Wiener, Daniel, American, born 1954, and Veronese, leaf of Memoria, and engraved tin silver prints; Fontaine, , 1922; Saint-Cloud, 1922; Branche de pom- 1804, mezzotints, 2001.96.14, Untitled, 1995, letterpress print from title, 2001.144.1, Ailsa Mellon Bruce Fund Paris, 1934, 2 gelatin silver prints; Pont mier, 1922/1923; Poirier, 1922/1923; Coin, 2001.118.68-69, Paul Mellon Fund Sculpture Center Catalog, 2001.143.42, Alexander III, Paris, 1934, gelatin silver Zanetti, Anton Maria, Italian, rue du Cimetiere, Saint-Benott, 1923; Gift of Werner H. and Sarah-Ann Kramarksy print; Rue de la Chaise, Paris, 1934, 2 gel- , John, American, born 1946, Drunk, 1679/1680-1767, Giovanni Battista Tiepolo, Saint-Cloud, 1923; Nympheas (Bagatelle), atin silver prints; Self-Portrait, Paris, 1934, 1998, color photogravure, 2002.111.34, Gift Wiley, William T., American, born 1937, Italian, 1696-1770, and Various Artists, 1925; Nympheas (Bagatelle), 1925; Pare de gelatin silver print; Streetlamp on the Pont of GraphicstudioZ University of South Florida Animal Music for the Spheres, 1996, color Raccolta de varie Stampe a chiaroscuro, 1749, Sceaux, 1925; Pare de Sceaux, 1925; Pare aquatint; Cripples Discussing Cosmic Alexander III, Paris, 1934, gelatin silver Watson, James, British, c. 1740-1790, and Vari capricci, 28 etchings and 68 de Sceaux, 1925; Pont-Marie, 1926; Saint- Downsizing, 1996, hardground etching print; Study for "Salut de Schiaparelli" (Lily Princess Caroline Matilda, Queen of chiaroscuro woodcuts by Tiepolo, Zanetti, Cloud, 1926, albumen prints, 2002.73.2, with drypoint and aquatint; Cripples (After Perfume), Paris, 1934, gelatin silver print; (after Francis Cotes), c. 1771; Andrea Zucchi, Carlo Orsini, and Giovanni 4, 6-8, 10, 11, 13-17, 19, 20, 22-31, Breughel) Discuss Cosmic Downsizing or Pont Alexander III, Paris, 1935, gelatin silver The Deshabille, 1776; The Female Antonio Faldoni, 2002.26.1, Rosenwald Patrons' Permanent Fund; Pont-Marie, Digital Reality and Time, 1996, hardground print; Circus Acrobat, New York, 1936, gela- Correspondent (after Gabriel Metsu), 1771, Print Purchase Fund 1912; Notre-Dame, 1922; Nympheas, etching with drypoint and aquatint; Youth tin silver print; Circus Acrobats, New York, mezzotints; Jemima Countess Cornwallis 1922/1923, arrowroot prints, 2002.73.12, Frightened by Statistics, Time and Speed, 1936, gelatin silver print; Circus Balancing (after Sir Joshua Reynolds), 1771, mezzo- 18, 21, Patrons' Permanent Fund Act, New York, 1936, 2 gelatin silver prints; Circus Acrobat, New York, 1936, gelatin Callahan, Harry, American, 1912-1999, Staten Island Ferry, 1946, gelatin silver print, gelatin silver print, 2001.125.1, Gift of The Brown Sisters, 1986, 1988, 1989, silver print; Chrysler Building, New York, Chicago, 1950, gelatin silver print, 1981; Third Avenue El, Looking toward Howard Green berg 1993-1995, 1997-2000, gelatin silver 1936, gelatin silver print; Dead End II, 2001.128.22, Joshua P. Smith Collection Tudor City, New York City, 1946, gelatin Hill, David Octavius and Robert Adamson, prints, 2002.15.2, 4, 5, 8-10, 12-15, 1936, 3 gelatin silver prints; Elephants with Carjat, Etienne, French, 1828-1906, silver print, 1980; El Station, 53rd Street Scottish, 1802-1870; Scottish, 1821-1848, Gift of the Collectors Committee Trainer, Circus, New York, 1936, 2 gelatin , 1861, Woodburytype, and Third Avenue, New York City, 1947, fames Drummond, c. 1844, salted paper Penn, Irving, American, born 1917, Platinum silver prints; Equestrians, Circus, New York, 1877, 2002.98.10, Gift of Jacob Kainen gelatin silver print, 1981; Freudian Handclasp, print from paper negative, 2002.95.1, Test Materials 1/17-17/17, 1989, 17 collages 1936, 2 gelatin silver prints; High Wire Act, NewYork City, 1947, gelatin silver print, Cartier-Bresson, Henri, French, 1908-1988, Anonymous Gift of platinum/palladium prints, 2002.119.1-17, Circus, New York, 1936, gelatin silver print; c. 1981; NewYork, NewYork, 1947, gela- Pierre Bonnard, Le Cannet, France, 1944, Hine, Lewis, American, 1874-1940, Hartford The Angel, NewYork, 1946, platinum/pal- Horse Act, Circus, New York, 1936, 2 gela- tin silver print; Duffy Square, NewYork gelatin silver print, 2001.136.49, Virginia Newsboys, 1909, gelatin silver print, ladium print, 1979; Theater, NewYork, tin silver prints; Empire State Building, City, c. 1947, gelatin silver print, 1981; 42nd and Ira Jackson Collection, Partial and 2001.128.38, Joshua P. Smith Collection, 1947, platinum/palladium print, 1978; New York, 1936, gelatin silver print; Ferry and Broadway Collage, NewYork City, Promised Gift Gift in honor of Sarah Greenough; Entrance Edmund Wilson, NewYork, 1947, platinum/ Dock, New York, 1936, 2 gelatin silver c. 1947, gelatin silver print, c. 1981; Eddie on palladium print, 1986; H.L. Mencken and Chauvassaignes, Franc, French, active 1850s, to Rear Tenement Where Many Flowers Are prints; Sick Man on Ferry, New York, 1936, Third Avenue at 52nd Street, NewYork City, Georgefean Nathan, NewYork, 1947, Riverbank, c. 1855, salted paper print from Made, c. 1908, gelatin silver print, gelatin silver print; Laundry, New York, 1948, gelatin silver print, 1981; Fifth Avenue, platinum/palladium print, 1985; John Marin, waxed-pa per negative, 2001.111.1, Gift of 2002.98.391, Gift of Jacob Kainen 1936, gelatin silver print; View from Hotel NewYork City, c. 1948, gelatin silver print, NewYork, 1947, platinum/palladium print, Amy Rose Silverman and Eugene L. and Keetman, Peter, German, 1916-1987, Traffic, Algonquin, New York, 1936, gelatin silver 1980; "Champion,"NewYork City, c. 1950, 1979; , NewYork, 1947, plat- Marie-Louise Garbaty Fund 1953; Baustelle (Construction Site), 1954, print; Streetscape, New York, 1936, gelatin gelatin silver print; Park Avenue Garage, inum/palladium print, 1982; Still Life, New gelatin silver prints, 2001.128.39-40, silver print; Wall Street "Abyss,"NewYork, Cuvelier, Eug6ne, French, c. 1830-1900, NewYork City, 1950, gelatin silver print, York, 1947, platinum/palladium print, 1978; Joshua P. Smith Collection 1936, 2 gelatin silver prints; Self-Portrait Moral's de Fampoux, early 1860s, albumen 1981; Robert and Mary Frank, San Gennaro Ballet Society, NewYork, 1948, platinum/ with Shutter Release, 1945, gelatin silver print from waxed-paper negative, Festival, New York City, 1950, gelatin silver Kertesz, Andr6, American, born Hungary, palladium print, 1980; Children, Cuzco, print; Self-Portrait in Window, 1947, gelatin 2001.111.2, Gift of Richard and Judith print; NewYork, NewYork, 1950, gelatin 1894-1985, Self-Portrait, Paris, 1927; 1948, platinum/palladium print, 1978; Family, silver print; Schubi and Me, 1948, gelatin Smooke and Anonymous Gift silver print, 1981, 2001.128.24-37, Joshua Academie Jranfaise, Paris, 1929; Elizabeth, Cuzco, 1948, platinum/palladium print, silver print; My Courtyard, NewYork, 1952, De Clercq, Louis, French, 1836-1901, P. Smith Collection c. 1932; NewYork, 1943; Weathervane, 1989; Father and Son with Eggs, Cuzco, gelatin silver print; Paris, 1952, gelatin silver Kalaat-El Hosn, deuxieme enceinte, exterieur, Fichter, Robert, American, born 1939, NewYork, 1952; Going for a Walk, 1958; 1948, platinum/palladium print, 1982; Jean print; Self-Portrait in Antique Shop Window, midi, 1859/1860; Philae, cour intbieure, Camellia Strike, 1982; Lassie Puzzle, NewYork, 1962, gelatin silver prints, Cocteau, Paris, 1948, platinum/palladium rue de I'Odion, Paris, 1952, gelatin silver de I'ouest, 1859/1860, albumen 1982, cibachrome prints, 2001.126.1-2, 2001.124.1-7, Gift of The Andr6 and print, 1977; Man, Woman and Crying print; Window View, c. 1952, gelatin silver prints from waxed-paper negatives, Gift of Marc Freidus Elizabeth Kertesz Foundation Infant, Cuzco, 1948, platinum/palladium print; Portrait of a Shade, 1953, gelatin 2001.111.3, 2002.84.1, Anonymous Gift French 19th Century, Due d'Alenfon, Kinszki, Imre, Hungarian, 1901-1945, print, 1989; Many-skirted Indian Woman, silver print; Self-Portrait, 1988, collage of DeCarava, Roy, American, born 1919, David, c. 1859, albumen print from collodion neg- Budapest, 1930s, gelatin silver print, Cuzco, 1948, platinum/palladium print, gelatin silver prints, mirrors, and clock, 1952, gelatin silver print, 2001.128.23, ative, 2002.56.1, Gift of Charles Isaacs and 2002.83.2, Anonymous Gift 1989; Marcel Duchamp, New York, 1948, 2001.147.1-77, Gift of Use Bing Wolff Joshua P. Smith Collection Robert Hershkowitz Marey, Etienne Jules, French, 1830-1904, platinum/palladium print, 1979; Mother and Boissonnas, Frederic, Swiss, 1858-1946, Posing Daughter, Cuzco, 1948, platinum/ della Porta, Patrizia, Italian, born 1954, French 19th Century (Auguste Giraudon's Chronophotograph of a Man on a Bicycle, The Parthenon, detail, 1908, gelatin silver palladium print, 1989; Mother and Sleeping National Gallery of Art, Washington: Artist), Peasant, c. 1870, 5 albumen prints c. 1885/1890, lantern slide, 2002.116.1, print, 2002.87.1, Gift of Joyce and Child, Cuzco, 1948, platinum/palladium Variations on the Theme, 1981; National from collodion negatives, 2002.82.2-6, Gift of Mary and David Robinson Robert Menschel print, 1989; Town Photographer with Girl Gallery of Art, Washington: Variations on Anonymous Gift Misrach, Richard, American, born 1949, and Basket, Cuzco, 1948, platinum/palladium Bourne, Samuel, British, 1834-1912, the Theme, 1999, gelatin silver prints, Stonehenge I, 1976; Night Desert, 1977, Fr6net, Jean-Baptiste, French, 1814-1889, print, 1989; Woman with High Shoes, Cuzco, Kashmir Scene, c. 1865, albumen print from 2001.106.1-2, Gift of the Artist selenium-toned gelatin silver prints, A , c. 1856, salted paper print from 1948, platinum/palladium print, 1980; collodion negative, 2002.118.1, Gift of 2001.128.41-42, Joshua P. Smith Collection; Dyer, William B., American, 1860-1931, collodion negative, 2001.111.4, Eugene L. Nude No. 147, NewYork, 1949/1950, Robert Hershkowitz Battleground Point #22, 1999, chromogenic Clytie, c. 1901, photogravure, and Marie-Louise Garbaty Fund platinum/palladium print, 1969; Alberto Brandt, Bill, British, born Germany, 1904- print, 2002.94.1, New Century Gift Committee 2002.120.38, Transfer from the National Friedlander, Lee, American, born 1934, The Giacometti, Paris, 1950, platinum/palladium 1983, Hampstead, London, 1945, gelatin Gallery of Art Library American Monument, illustrated book in 2 National Aeronautics and Space Admin- print, 1976; Cecil Beaton, London, 1950, silver print, 2002.7.1, Anonymous Gift Escher, KSroly, Hungarian, 1890-1966, volumes with 213 duotones and 10 gelatin istration, NASA Surveyor VI Spacecraft platinum/palladium print, 1980; Charbonnier, Braun, Adolphe, French, 1812-1877, Self-Portrait, c. 1932, gelatin silver print, silver prints, 1976; Lee Friedlander: (Landed on Moon November 10, Turned Paris, 1950, platinum/palladium print, 1976; Summit of Mont Titlis, Switzerland, 1866, 2002.83.1, Anonymous Gift Photographs, illustrated book with 137 duo- Off November 17), 1967, collage of gelatin Cocoa-Colored Balenciaga Dress (Lisa carbon print, 2002.82.1, Anonymous Gift silver prints, 2002.86.1, Gift of Joyce and Fonssagrives-Penn), Paris, 1950, platinum/ Eugene, Frank, German, 1865-1936, tones and 2 gelatin silver prints, 1978; 10 Nudes, illustrated book with 10 gelatin silver Robert Menschel palladium print, 1979; , London, Brown, Gertrude L, American, c. 1870- Alfred Stieglitz, c. 1900, photogravure, prints, 1991, 2002.117.1-4, Gift of William 1950, platinum/palladium print, 1982; 1934, A Good Story, 1913, platinum print, 2002.120.39, Transfer from the National Nixon, Nicholas, American, born 1947, Marchand de Concombres, Paris, 1950, plat- 2002.120.3, Transfer from the National Gallery of Art Library and Sandra Christen berry The Brown Sisters, 1985, 1987, 1990, 1992, Gallery of Art Library 1996, 2001, gelatin silver prints, 2002.15.1, inum/palladium print, 1976; Rag and Bone Faurer, Louis, American, 1916-2001, New Heath, David, American, born 1931, 3, 6, 7, 11, 16, Fund for Living Photographers; Man, London, 1950, platinum/palladium York, NewYork, 1946, gelatin silver print; Hastings-on-Hudson, NewYork, 1963, print, 1976; Rochas Mermaid Dress (Lisa Child, New Guinea, 1970, platinum/palladium Seeley, George H., American, 1880-1955, Fonssagrives-Penn), Paris, 1950, platinum/ print, 1971; Sitting Man with Pink Face, Still Life, 1915, Autochrome, 2002.120.4, palladium print, 1980; Sculptor's Model, New Guinea, 1970, platinum/palladium Transfer from the National Gallery Paris, 1950, platinum/palladium print, 1976; print, 1979; Tambul Warrior, New Guinea, of Art Library IAtrier, Paris, 1950, platinum/palladium print, 1970, platinum/palladium print, 1979; Southworth, Albert Sands, and Josiah 1976; Woman with Roses (Lisa Fonssagrives- Three Asaro Mud Men, New Guinea, 1970, Johnson Hawes, American, 1811-1894; Penn), Paris, 1950, platinum/palladium platinum/palladium print, 1976; Two American, 1808-1901, Child, 1850s, print, 1977; Cartier Messenger, New York, Warriors Holding Hands, New Guinea, daguerreotype, 2002.85.1, Gift of Joyce 1951, platinum/palladium print, 1986; 1970, platinum/palladium print, 1979; Five and Robert Menschel Colette, Paris, 1951, platinum/palladium Women, Morocco, 1971, platinum/palladium Steichen, Edward, American, 1879-1973, print, 1976; Couple Fishing from Bank print, 1979; Two Guedras, Morocco, 1971, Cover Design for C.P. Goerz Optical Works of Seine, 1951, platinum/palladium print, platinum/palladium print, 1977; Cigarette Catalogue, 1906, color halftone; 1981; Dr. and Mrs. Gilbert H. Grosvenor, No. 42, NewYork, 1972, platinum/palladium Landscape-Evening, c. 1901, photogravure, Washington, D.C., 1951, platinum/palladium print, 1975; Cigarette No. 52, NewYork, 2002.120.5, 2002.120.40, Transfer from print, 1986; Sewer Cleaner, New York, 1951, 1972, platinum/palladium print, 1974; the National Gallery of Art Library platinum/palladium print, 1967; Cigarette No. 86, NewYork, 1972, platinum/ Williams, New York, 1951, platinum/palla- palladium print, 1975; Woody Allen as Steichen, Edward, and J. B. Kerfoot, dium print, 1983; Picasso, Cannes, 1957, Chaplin, NewYork, 1972, platinum/palladium American, 1879-1973; American, active c. platinum/palladium print, 1974; Frederick print, 1980; Alix Black Dress (1938), New 1900, The Photo-, 1904, handmade Kiesler and Willem de Kooning, New York, York, 1974, platinum/palladium print. booklet with 8 gelatin silver prints, 1960, platinum/palladium print, 1982; 1978; Callot Swallow-Tail Dress (c. 1919), 2002.120.6, Transfer from the National Francis Bacon, London, 1962, platinum/pal- NewYork, 1974, platinum/palladium print, Gallery of Art Library ladium print, 1981; S.J. Perelman, New 1978; Schiaparelli Jacket with Tinsel and Steichen, Edward, and Alfred Stieglitz, edi- York, 1962, platinum/palladium print, Glass (1939), NewYork, 1974, platinum/ tor, American, 1879-1973, and American, 1980; W Somerset Maugham, France, 1962, palladium print, 1979; Vionnet Back Tie 1864-1946, The Steichen Book, 1906, platinum/palladium print, 1968; David Smith, (1932-1935), NewYork, 1974, platinum/ illustrated book with 21 photogravures and Lake Geoige, NewYork, 1964, platinum/palla- palladium print, 1978; Vionnet Dress with 8 halftones, 2002.120.7, Transfer from the dium print, 1979; Gypsy Family, Spain, Fan (1925-1926), NewYork, 1974, plat- National Gallery of Art Library 1965, platinum/palladium print, 1976; Isaac inum/ palladium print, 1978; Vionnet Struss, Karl, American, 1886-1981, 291 from B. Singer, NewYork, 1966, platinum/palla- Lampshade Dress (1925), NewYork, 1974, Clarence White's Studio, 5 West 31st Street, dium print, 1981; Steinberg in Nose Mask, platinum/palladium print, 1980; Archipelago, 1912, platinum print, 2002.120.8, Transfer NewYork, 1966, platinum/palladium print, NewYork, 1975, platinum/palladium print; from the National Gallery of Art Library 1976; 's Angel (Doug), San Francisco, Camel Pack, NewYork, 1975, platinum/ Unknown 20th Century, Gertrude Kasebier 1967, platinum/palladium print, 1980; palladium print; Flip Top Box, NewYork, and Baron de Meyer, 1905, carbon print, Hell's Angels, San Francisco, 1967, platinum/ 1975, platinum/palladium print, 1976; 2002.120.9, Transfer from the National palladium print, 1978; Family Paper with Shadow, NewYork, 1975, Gallery of Art Library (Ferguson), San Francisco, 1967, platinum/ platinum/palladium print; Soot Paper, New palladium print, 1976; Hippie Family York, 1975, platinum/palladium print; Various Artists, American Pictorial (Kelly), San Francisco, 1967, platinum/pal- Triangle, NewYork, 1975, platinum/palladium Photography, Series 1, 1899, portfolio of ladium print, 1969; Rock Groups, San print; Composition of Ten Pieces, NewYork, 18 photogravures; American Pictorial Francisco, 1967, platinum/palladium print, 1979, platinum/palladium print, 1981; Photography, Series II, 1901, portfolio 1979/1980; Seated Warrior-Sitting Girl, Composition with Pitcher and Eau de of 10 photogravures (incomplete), Cameroon, 1969, platinum/palladium print, Cologne, NewYork, 1979, platinum/palladi- 2002.120.10-37, Transfer from the 1979; Enga Woman and Two Young Girls, um print, 1981; Composition with Skull National Gallery of Art Library New Guinea, 1970, platinum/palladium and Pear, NewYork, 1979, platinum/palla- Young, Gene, American, born 1948, print, 1972; Five Okapa Warriors, New dium print, 1981; The Poor Lovers, New 4th Floor Up, 1990, palladium print, Guinea, 1970, platinum/palladium print, York, 1979, platinum/palladium print, 1980; 2002.98.341, Gift of Jacob Kainen 1978; Four Unggai, New Guinea, 1970, Collapse, NewYork, 1980, platinum/palladium platinum/palladium print, 1979; Man with print, 1981, 2002.119.18-101, Pink Face, New Guinea, 1970, platinum/ Gift of Irving Penn palladium print, 1978; Man, Woman and The following changes of attribution are the 1957.14.35 1957.14.795.3, b 1957.14.19 result of scholarly research utilizing the latest Inkwell in the Form of a Child Nero, Roman Emperor 54-68 (obverse) Arion Seated on a Shell art historical investigations and scientific Carrying a Shell Nero, Laureate, Seated under Palm Tree Old: Severe da Ravenna n examinations. It is the policy of the National Old: Workshop of Andrea Briosco, called (reverse) New: Attributed to Severe da Ravenna, %H ^-r Gallery of Art to publish these changes reg- Riccio, first quarter 16th century Old: Medalist of the Roman Emperors first quarter 16th century ularly. The following changes of attribution New: Workshop of Severn da Ravenna (Possibly Filarete) 1957.14.38 ] were made and approved by the Gallery's c. 1510/1520 New: Filarete Winged Boy with Hands Raised Board of Trustees during the 2002 fiscal year. 1957.14.58 1957.14.796.a, b Old: Venetian mid-15th Century Each list is arranged in alphabetical order Lamp in the Form of a Satyr's Head Hadrian (obverse) Emperor Hadrian New: Florentine 15th Century > according to former attribution. Changes of Old: Workshop of Andrea Briosco, Riding and Carrying Standard (reverse) title and date are included if they were a part 1957.14.39 called Riccio Old: Medalist of the Roman Emperors of the attribution change. Wreathed Boy with Hands Raised New: Paduan, early 16th Century (Possibly Filarete) Old: Venetian late 15th Century s New: Filarete z 1957.14.68 New: Florentine mid-15th Century 5 PRINT Lamp in the Form of an Ass' Head 1957.14.797.3, b Old: Workshop of Andrea Briosco, Faustina I (obverse) Antonius Pius 1998.63.11 called Riccio and Faustina Joining Hands (reverse) a A Bear Hunt New: Probably Paduan 16th Century Old: Medalist of the Roman Emperors C Old: Jacques-Philippe Le Bas after m 1525/1550 (Possibly Filarete) Jean-Baptiste Oudry New: Filarete H un New: Jean-Jacques Flipart after Carle 1957.14.78 Vanloo A Dog Scratching 1957.14.798.a, b Old: German 16th Century (Possibly Marcus Croto (obverse) Nuremberg) second quarter 16th century Marcus Croto Riding (reverse) SCULPTURE New: Attributed to Georg Schweigger, Old: Medalist of the Roman Emperors 1630s (Possibly Filarete) 1943.4.85 New: Filarete A Knight of Santiago 1957.14.43 Old: Attributed to Jacopo Albarelli A Child with a Puppy 1957.14.799.a,b z S Old: German 16th Century (Possibly Marcus Croto (obverse) c. 1600/1625 New: Attributed to Francesco Sega la Southern) Man Riding (reverse) c. 1570/1580 New: Italian, first half 16th century Old: Medalist of the Roman Emperors (Possibly Filarete) 1942.9.103 1957.14.85 New: Filarete David A Crow Old: after Bartolomeo Bellano Old: Caspar Gras 1957.14.14 early 16th century New: Probably Florentine, late 16th century The Spinario New: Workshop of Severn da Ravenna Old: North Italian 16th Century 1957.14.46 c. 1530 New: Workshop of Severn da Ravenna A Child Standing first quarter 16th Century 1957.14.87 Old: Italian 16th Century A Crab on a Toad New: Severe da Ravenna, first quarter 1942.9.137 Old: Andrea Briosco, called Riccio 16th century A Warrior New: Probably Paduan, early 16th century Old: North Itslisn 16th Century 1957.14.44 New: Paduan 16th Century 1957.14.89 A Child Standing Inkwell in the Form of a Frog beside Old: Italian 16th Century 1957.14.86 a Tree Stump New: Severn da Ravenna, first quarter Box in the Form of a Crab Old: Attributed to Workshop of Andrea 16th century Old: Paduan late 15th or early 16th Century Briosco, called Riccio New: Paduan early 16th Century New: Probably Paduan 16th Century During the fiscal year, 225 lenders from tion was provided by The Dallas Foundation; An American Vision: Henry Francis LENDERS TO EXHIBITIONS twenty-one countries and twenty-two states Jeffrey Weiss, NGA curator; du Font's Winterthur Museum Private Collections loaned 1,586 works of art to eighteen exhi- Dorothy Kosinski, curator (5 May 2002 to 6 October 2002) bitions. The Gallery also worked on another Air transportation was provided by Organized by Winterthur and the National ~~7 X twenty-seven projects scheduled to open American Airlines. Gallery of Art, Washington; Anonymous lenders 0 in the next five years and administered Supported by the Catherine B. Reynolds Franklin Kelly, curator Collection of Maida and George Abrams, > the tour of six exhibitions. United States Foundation; also supported by an indemnity Supported by Louisa and Robert Duemling; Government Indemnity was secured for from the Federal Council on the Arts and also supported by DuPont Mr. Pldcido Arango six exhibitions on view in fiscal year 2002, the Humanities Alfred Stieglitz: Knoum and Unknown resulting in savings of more than $1,310,000 Mr. and Mrs. Leon Black Best Impressions: 35 Years of Prints and (2 June 2002 to 2 September 2002) in insurance premiums. Sculpture from Gemini G.E.L. Organized by the National Gallery of Art; Ambassador and Mrs. Donald Blinken, (4 November 2001 to 20 January 2002) Sarah Greenough, curator New York The Unfinished Print Organized by the National Gallery of Art; Supported by Eastman Kodak Company Constance R. Caplan, , Maryland Charles Ritchie, curator (continued from the previous fiscal year to Anne Vallayer-Coster: Painter to the Court Hannah L. Carter 7 October 2001) German Expressionist Paintings from the of Marie-Antoinette Christo and Jeanne-Claude Organized by the National Gallery of Art; Saltzman Family Collection (30 June 2002 to 22 September 2002) Colnaghi, London Peter Parshall, curator (18 November 2001 to 3 March 2002) Organized by the o Organized by the National Gallery of Art; Richard C. Cotton, Jr. Jasper Johns: Prints from Four Decades Philip Conisbee, curator (continued from the previous fiscal year to Alan Shestack, curator Supported by an indemnity from the Federal Mr. and Mrs. William Allen Custard > 7 October 2001) A Century of Drawing Council on the Arts and the Humanities Jim Dine Organized by the National Gallery of Art; (18 November 2001 to 7 April 2002) The Quest for Immortality: Treasures Her Majesty Queen Elizabeth II Ruth Fine, curator Organized by the National Gallery of Art; of Ancient Egypt Supported by HSBC Bank USA Andrew Robison and Judith Brodie, curators (30 June 2002 to 14 October 2002) Nancy Ellison and William D. Rollnick z o Virtue and Beauty: Leonardo's Ginevra de' Christo and Jeanne-Claude in Organized by United Exhibits Group, Aaron I. Fleischman Benci and Renaissance Portraits of Women the Vogel Collection Copenhagen, and the National Gallery of Kathy and Richard S. Fuld Jr. Art, Washington, in association with the (continued from the previous fiscal year to (3 February 2002 to 23 June 2002) Galerie Gismondi, Paris 6 January 2002) Organized by the National Gallery of Art; Supreme Council of Antiquities, Cairo; Dr. and Mrs. Phillip T. George Organized by the National Gallery of Art; Molly Donovan, curator Betsy Bryan, guest curator Supported in part by Chevy Chase Bank Beatrice and Philip Gersh Collection David Alan Brown, curator The Flowering of Florence: Botanical Art Supported by Airbus; also supported by an for the Medici An Artist's Artists:Jacob Kainen's Collection Milly and Arne Glimcher indemnity from the Federal Council on the (3 March 2002 to 27 May 2002) from Rembrandt to David Smith Richard and Mary L. Gray Arts and the Humanities Organized by the National Gallery of Art; (22 September 2002 to 9 February 2003) Wilder Green Catalogue supported by the Samuel H. Gretchen Hirschauer, NGA curator; Lucia Organized by the National Gallery of Art; Kress Foundation Tongiorgi Tomasi, guest curator Andrew Robison, curator Samuel and Ronnie Heyman, New York Aelhert Cuyp Supported by an indemnity from the Federal Willem de Kooning: Tracing the Figure Mr. Jeffrey E. Horvitz (7 October 2001 to 13 January 2002) Council on the Arts and the Humanities (29 September 2002 to 5 January 2003) Jasper Johns Organized by the National Gallery of Art Organized by The Museum of Contemporary Goya: Images of Women Ruth and Jacob Kainen Collection in cooperation with the National Gallery, (10 March 2002 to 2 June 2002) Art, ; Mr. and Mrs. George M. Kaufman London, and the Rijksmuseum, Amsterdam; Organized by the Fundacidn Amigos del Charles Ritchie and Ruth Fine, Arthur K. Wheelock, Jr., curator Museo del Prado, the Museo Nacional del NGA curators; Cornelia H. Butler and Robert P. and Arlene R. Kogod Supported by Shell Oil Company Foundation, Prado, Madrid, and the National Gallery of , curators Anne and Pierre L6vy-Freitag on behalf of the employees of Shell Oil Art, Washington National tour supported by Wells Fargo Company; also supported by an indemnity Charlotte and Duncan MacGuigan Philip Conisbee, NGA curator; The Robert H. Smith Collection of from the Federal Council on the Arts and Collection of Steve Martin Janis Tomlinson, guest curator Renaissance Bronzes (29 September 2002 the Humanities Supported by the Catherine B. Reynolds to 17 February 2003) Stephen and Barbara McMurray Henry Moore Foundation and General Dynamics Santa Organized by the National Gallery of Art; Collection of Mrs. Paul Mellon, Oak Spring (21 October 2001 to 27 January 2002) Barbara Sistemas; also supported by an Alison Luchs, curator Garden Library, Upperville, Virginia Organized by the Dallas Museum of Art with indemnity from the Federal Council on the Robert and Jane Meyerhoff, Phoenix, the collaboration of the Henry Moore Founda- Arts and the Humanities Maryland tion; initial support for research and organize-

70 Adriana and Robert Mnuchin LENDERS TO EXHIBITIONS GERMANY THE NETHERLANDS Victoria and Albert Museum The Moore Danowski Trust Public Collections Berlin: Staatliche Museen zu Berlin, Amsterdam: Amsterdams Historisch Much Hadam: The Henry Moore Gemaldegalerie; Museum; Foundation Evelyn Stefansson Net Staatliche Museen zu Berlin, Rijksmuseum Oxford: Mr. and Mrs. Saam Nystad Kupferstichkabinett Dordrecht: Dordrechts Museum Mr. and Mrs. Harry S. Parker Salzburg: Residenzgalerie Salzburg Cologne: Wallraf-Richartz-Museum Groningen: Groninger Museum UNITED KINGDOM-SCOTLAND Mr. and Mrs. David Pincus, Wynnewood, Frankfurt: Stadelsches Kunstinstitut und Haarlem: Teylers Museum : National Gallery of Scotland Pennsylvania BELGIUM Stadtische Galerie Otterlo: KrOller-Muller Museum John and Kimiko Powers, Carbondale, Brussels: MusAes Royaux des Beaux-Arts : Staatliche Kunsthalle Karlsruhe de Belgique Rotterdam: Museum Boijmans UNITED STATES MarquSs de la Romana Collection Van Beuningen California HUNGARY Michael L. Rosenberg, Dallas CANADA Los Angeles: Gemini G.E.L.; Budapest: Sz6pmuv6szeti Muzeum RUSSIA Courtney Ross-Hoist Ottawa: National Gallery of Canada Los Angeles County Museum of Art; St. Petersburg: The State Hermitage The Judith Rothschild Foundation Toronto: The J. Paul Getty Museum; IRELAND Museum Ms. Marina Rust The Museum of Contemporary Art, : National Gallery of Ireland Los Angeles Saltzman Family Collection DENMARK Limerick: The Hunt Museum SPAIN San Francisco: San Francisco Museum Schorr Family Collection Copenhagen: Statens Museum for Kunst Madrid: Biblioteca Nacional; of Modern Art; Carol Selle ISRAEL Museo Nacional del Prado; The Fine Arts Museums of San Francisco Jon and Mary Shirley EGYPT Jerusalem: The Museo Thyssen-Bornemisza; San Marino: The Huntington Library, Robert H. Smith Cairo: Supreme Council of Antiquities; Patrimonio Nacional Art Collections, and Botanical Gardens Sheldon H. Solow The Egyptian Museum ITALY The Solow Art and Architecture Foundation Luxor: Luxor Museum of Ancient Egyptian Art Bologna: Biblioteca Universitaria di Bologna SWEDEN Mrs. Edward Speelman Florence: Biblioteca Nazionale, Florence; Stockholm: Nationalmuseum Hartford: Mr. and Mrs. Sherman H. Starr, Boston FRANCE Museum of Art Galleria degli Uffizi Michael and Judy Steinhardt, New York Bordeaux: Mus6e des Beaux-Arts de Bordeaux New Haven: Yale Center for British Art Galleria degli Uffizi, Gabinetto Disegni UNITED KINGDOM-ENGLAND Stichting Collection P. en N. de Boer, Le Mans: Mus6e de Tess6 e Stampe Amsterdam Bakewell: Trust Lille: Palais des Beaux-Arts de Lille Museo dell'Opera di Santa Maria del Fiore; Delaware Rafael Vails, Ltd., London Bedford: Cecil Higgins Art Gallery & Nancy: Mus6e des Beaux-Arts, Nancy Museo deH'Opificio delle Pietre Dure; Museum Winterthur: The Henry Francis du Pont Dorothy and Herbert Vogel Paris: Collection Frits Lugt, Institut Winterthur Museum Museo di Storia Naturale, Sezione Botanica Durham: The Josephine and John Bowes Courtesy Ivor Braka Limited, London N6erlandais, Paris; "F. Parlatore," University di Firenze; Museum Mrs. Billie Milam Weisman bole Nationale Sup6rieure des Beaux Arts; Museo Nazionale del Bargello; Leeds: Leeds Museums and Galleries District of Columbia Dian and Andrea Woodner Mobilier National et des Manufactures Museo Storico-Topografico "Firenze Com'era;" London: Arts Council Collection; Washington: Dumbarton Oaks; Mr. and Mrs. nationales des Gobelins et de Beauvais; Hirshhorn Museum and Sculpture Garden; Palazzo Pitti; Picture Gallery; Mus6e du ; Villa Medicea, Poggio a Caiano; English Heritage; National Gallery of Art; Mus6e national d'art moderne, Centre Gilbert Collection; The Corcoran Gallery of Art; Georges Pompidou Villa Petraia ; The Library of Congress; Saint-Jean-Cap-Ferrat: Mus6e Ephrussi-de- Parma: Fondazione Magnani-Rocca Rothschild Pisa: Biblioteca Universitaria di Pisa Tate Britain; Versailles: Mus6e national des chateaux de Rome: Galleria dell'Accademia di San Luca The British Council; Versailles et de Trianon Venice: Gallerie dell'Accademia The ; Georgia The National Gallery; Atlanta: The National Trust; Illinois Collection of the Artist U.S. Department of the Interior, National Park Brueghel, the Elder, A Road with a Ford Chicago: The Art Institute of Chicago Cleveland: The Helen Frankenthaler, Mountains and Sea Service, Saint-Gaudens National Historic Site, in a Wood; Jean-Charles Cazin, The Quarry Cornish, New Hampshire of Monsieur Pascal near Nauterre; Chuck Oberlin: Allen Memorial Art Museum, Close, Jasper, Dirck van Delen, Church Oberlin College Augustus Saint-Gaudens, Early Study of the Indiana Peter A. Jay Allegorical Figure for the Shaw Memorial; Interior with Elegant Figures; Arshile Gorky, Toledo: The Bloomington: Indiana University Art Museum Gilbert Stuart, John Jay Preliminary Sketch for Shaw Memorial; Shaw Portrait of Master Bill; Self-Portrait; Still Indianapolis: Indianapolis Museum of Art Memorial; Study Head of a Black Soldier; Life on the Table; Jan van Goyen, Dune Study Head of a Black Soldier; Study Head Landscape with Figures Resting by a Path Pennsylvania Collection of the Artist of a Black Soldier; Study Head of a Black and Shipping on an Estuary in the Maryland Philadelphia: Philadelphia Museum of Art Jasper Johns, Between the Clock and the Soldier; Study Head of a Black Soldier; Study Background; Peasants and a Soldier Bed; Dancers on a Plane; Field Painting; Baltimore: The ; Head of a Black Soldier Conversing; Willem Claesz Heda, Banquet No; Target Piece with an Overturned Tazza and Oysters; The Walters Art Museum Rhode Island Jan Davidsz de Heem, Still Life with a Providence: Museum of Art, Rhode Island Schroder Collection, London Tazza, a Gilt Cup, and a Fruit Pie; Still School of Design Manoogian Collection Massachusetts Hans Mielich, Portrait of a Woman Life with Fruit, Oysters and Two Glasses George Caleb Bingham, The Jolly of Wine on a Stone Ledge; Jan van der Boston: Isabella Stewart Gardner Museum; Flathoatmen Texas Heyden, A View in Amsterdam; Jan van Museum of Fine Arts, Boston Collection of and Rebecca Smith Dallas: Dallas Museum of Art Huysum, Still Life of Flowers and Fruit; Cambridge: Fogg Art Museum, Harvard Richard and Jane Manoogian Foundation David Smith, Aggressive Character; Black- Willem de Kooning, Untitled III; Edouard Houston: The University Art Museums White Forward; Blue Construction; , Portrait of Manet, Spring; Jan Miense Molenaer, A Construction December II; Ninety Father Williamstown: Sterling and Francine Clark ; Richard Caton Lute Player, I sack van Ostade, Halt before Art Institute Woodville, War News from Mexico the Inn with a Rider Approaching; Jacopo Palma il Giovane, Venus and Cupid at the LENDERS OF WORKS DISPLAYED Smithsonian American Art Museum Forge of Vulcan; Sir Peter Paul Rubens, Michigan WITH THE NGA COLLECTION Joseph F. McCrindle Sir Anthony van Dyck, Marchesa Elena Landscape with Willows; Salomon van Grimaldi-Cattaneo; French 13th Century, Ann Arbor: University of Michigan Bernardo Strozzi, Saint Francis Ruysdael, River Landscape; Pieter Jansz Museum of Art Roger Arvid Anderson Angel Holding a Cross and the Crown of Saenredam, The Interior of the Saint Peter's Thorns; Bishop Blessing; Heraldic Panel; Detroit: The Detroit Institute of Arts Possibly Germain Pilon, Veiled Mourner Church in 's-Hertogenbosch; Frans Snyders, The Metropolitan Museum of Art, New York Vita Contemplativa with Torch Still Life of Fruit (A Swag of Autumnal Francesco di Giorgio Martini, The Nativity Fruits); , Figures in a Minnesota United States Naval Academy Museum Deer Park; Willem van de Velde II, Ships on Minneapolis: Calder Foundation, New York a Calm Sea; Philips Wouwerman, Landscape Alexander Calder, I Red, 4 Black plus Robert and Jane Meyerhoff Collection, Jean Joseph , Favorite X White; Aztec Josephine Baker; Cheval Phoenix, Maryland of the Emir New Jersey Rouge; Cheval Rouge (maquette); Object , Field #2; , with Red Ball; Red Panel;Tom's;Tom's Marquis de Portago (first version) Princeton: Art Museum The White House NGA LOANS TO TEMPORARY (maquette); Untitled EXHIBITIONS Paul C6zanne, The Forest; House on a Hill Works in National Lending Service marked* New York Robert and Jane Meyerhoff Modern Catholic University of America, Art Foundation : of Art Anonymous Oliveira Library , Turbin; , AUSTRIA Buffalo: Albright-Knox Art Gallery Willem van Aelst, Grapes in a Basket, Frans Post, Brazilian Landscape, White Brushstroke II; Robert Rauschenberg, Peaches on a Silver Dish, Chestnuts, a Large , Kunsthistorisches Museum Wien New York: The Frick Collection; Said to Be Pernambuco Bypass; Mark Rothko, Untitled (Mauve and White and Two Red Admiral Butterflies, a and His Contemporaries, The Metropolitan Museum of Art; Orange); Andy Warhol, Small Campbell's Fly and a Snail on a Vine Tendril, on a Red 22 September-21 October 2001 Soup Can, 19( The ; Cleveland Museum of Art Velvet Cloth over a Partly Draped Ledge, El Greco (Domenikos Theotokopoulos), The New York Public Library; Attributed to Rembrandt van Rijn, Hendrick Avercamp, Winter Landscape with Laocoon The Pierpont Morgan Library A Bearded Man John and Mary Pappajohn Golfers; Nicolaes Pietersz Berchem, An Italianate Landscape with Figures; Gerrit Poughkeepsie: The Frances Lehman Loeb , U. S.A. Flag Adriaensz Berckheyde, A View of Saint Art Center of Bavo's, Haarlem; Botticelli, Portrait of a Riverdale: Stanley Moss and Co., Inc. Young Man Holding a Medallion; Jan BELGIUM Robert Frank, Peru Paris, Mus6e du Louvre Versailles, Mus6e national des Chateaux de , Versailles et de Trianon Antwerp, Rubenshuis Robert Frank, Tickertape/NewYork City La Peinture comme Crime, Art about Art: Painting and Sculpture in Robert Frank, Untitled 15 October 2001-14 January 2002 Madame de Pompadour et les Arts, Competition, 1 February-5 May 2002 Early Netherlandish Drawings, 13 February-19 May 2002 Francois Boucher, Allegory of Painting 14 June-18 August 2002 , The Ghost of Samuel (Cologne only) Appearing to Saul Ed me Bouchardon, Cupid Attributed to Hugo van der Goes, Saint DENMARK William Blake, The Great Red Dragon Francois-Hubert Drouais, Madame du Barry* Israhel van Meckenem, Saint Luke Drawing George and the Dragon Copenhagen, Statens Museum for Kunst and the Beast from the Sea Circulated to Kunsthalle der Hypo- a Portrait of the Virgin The European Avant-Garde, 1909-1919, William Blake, The Great Red Dragon Kulturstiftung, Munich, Circulated to Wallraf-Richartz-Museum, Bruges, Groeningemuseum 1 September 2002-31 January 2003 and the Woman Clothed with the Sun 14 June-15 September 2002 Cologne, 24 May-25 August 2002 Jan Van Eyck, Early Netherlandish Painting Lyonel Feininger, The Bicycle Race* Odilon Redon, Cactus Man (Plante grasse) and Southern Europe, , Football Players 15 March-30 June 2002 GERMANY Munich, Kunsthalle der Hypo-Kulturstiftung Paris, Mus6e national d'art moderne, Berlin, Martin-Gropius-Bau . Spdtwerk und Moderne, Petrus Christus, Portrait of a Female Donor FRANCE Centre Georges Pompidou Petrus Christus, Portrait of a Male Donor Christo and Jeanne-Claude: Early Works, 22 November 2001-10 March 2002 Lille, Palais des Beaux-Arts de Lille Jean Dubuffet, Jan van Eyck, The Annunciation 1958-69, 8 September-30 December 2001 , 1951-N Berthe Morisot Retrospective, 13 September-31 December 2001 Christo, Air Package, Project for the Garden of 8 March-9 June 2002 Jean Dubuffet, Bathe des combats the Museum of Modem Art, NewYork City Nuremberg, Germanisches Nationalmuseum Berthe Morisot, The Artist's Sister Edma (Combat Beard) Christo, Corridor Store Front, Project Artists' Colonies in Europe, under the Sign Sao Paulo, Museu de Arte de Sao Paulo Seated in a Park Jean Dubuffet, Corps de dame jaspe Christo, Package 1961 of the Plain and the Sky, Renoir o Pintor da vida, Berthe Morisot, The Artist's Sister (Marbleized Body of a Lady) Christo, Packed Coast, Project for Little Bay, 15 November 2001-17 February 2002 22 April—28 July 2002 at a Window Jean Dubuffet, La Fiat aux pare-chocs Sydney, Australia Auguste Renoir, Madame Monet and Berthe Morisot, Girl Picking Cherries (The Fiat with Bumpers) , Haystacks in Brittany* Her Son Berthe Morisot, Hanging the Laundry Jean Dubuffet, Jean Paulhan Circulated to Singer Museum, Laren, Jean Dubuffet, Paysage vert Auguste Renoir, Oarsmen at Chatou out to Dry* Dusseldorf, Stiftung museum kunst palast The Netherlands, 9 March-10 June 2002 Berthe Morisot, The Sisters (Green Landscape) Joan Miro. Snail Woman Flower Star, Jean Dubuffet, Terracota lagrosse bouche The Sisters was circulated to Fondation 13 July-20 October 2002 CANADA (Big Mouth Terra Cotta) , Staatsgalerie Stuttgart Pierre Gianadda, Martigny, Switzerland, Montreal, Montreal Museum of Fine Arts Joan Mir6, The Farm Manet and the Impressionists, 19 June-19 November 2002 21 September 2002-9 February 2003 Richelieu.Art and Power, La Revolution SurrSaliste, 20 September 2002 -5 January 2003 , Essen Edouard Manet, The Railway Lod6ve, Mus6e de Lod6ve 6 March-24 June 2002 Abraham Bosse, Banquet Given by the J. M. William Turner—Licht und Farbe, Auguste Renoir, Madame Monet Detain and Vlaminck 1900-1915, Ren6 Magritte, La condition humaine King to the New Knights 15 September 2001-6 January 2002 and Her Son 22 June-28 October 2001 Abraham Bosse, Gentry Visiting a Prison Joseph Mallord William Turner, The Evening Abraham Bosse, March of the King and Andr6 Derain, Still Life* Retrospective, of the Deluge IRELAND Knights of the Holy Spirit in the Courtyard 10 September 2002-6 January 2003 Circulated to Kunsthaus Zurich, Zurich, Dublin, National Gallery of Ireland at Fontainebleau Max Beckmann, The Argonauts" Lyon, Mus6e des Beaux-Arts de Lyon I February-26 May 2002 Jacques Callot, View of the Louvre Max Beckmann, Falling Man* Ciaran Lennon:Hapax, An Acrylic Painting Albert Gleizes: El Cubismo en Majestad, Louis Le Nain, A French Interior in Four Parts 2001, 28 September-28 December 2001 Jean Varin, Armand-Jean Duplessis, Cardinal Paris, Mus6e d'Orsay Frankfurt, Museum fur Kunsthandwerk 21 January-31 March 2002 Albert Gleizes, Football Players de Richelieu, 1585-1642, Cardinal 1622 Manet/VelAzquez: The French Taste for Blood: Art, Power, Politics and Pathology, Paul Cezanne, Still Life* (obverse) Spanish Painting, II November 2001-27 January 2002 Paris, Galeries nationales du 16 September 2002-6 January 2003 Roman 15th Century, The Redeemer ITALY Ottawa, Canadian Museum of Paris-, from Gaudi to Miro, Edouard Manet, The Dead Toreador Brescia, Santa Giulia Museo della Citti Contemporary Photography 9 October 2001-14 January 2002 Edouard Manet, The Tragic Actor (Rouviere Hamburg, Vincenzo Foppa, Un Protagonista del Hold Still-Keep Going, Edouard Manet, Plum Brandy as Hamlet) Monet's Legacy. Series-Order and Obsession, Rinascimento, 2 March-2 June 2002 22 June-15 September 2002 Joan Mir6, The Farm 28 September 2001-20 January 2002 Vincenzo Foppa, Saint Anthony of Padua Robert Frank, City of London Circulated to , Barcelona, Claude Monet, Waterloo Bridge, London, Vincenzo Foppa, Saint Bernardino Robert Frank, London (3 Works) 28 February-26 May 2002 at Dusk Robert Frank, Men of Air, NewYork Robert Frank, Mute/Blind Crema, Centra Culturale Sant'Agostino Orazio Gentileschi, The Lute Player NETHERLANDS Forma: El ideal cldsico en el arte moderno London, The National Gallery Orazio Gentileschi and Giovanni Lanfranco, Officina Veneziani. Maestri e Botteghe tiella Rotterdam, Museum Boijmans Van 9 October 2001-13 January 2002 Aelbert Cuyp, 13 February-12 May 2002 Venezia del Settecento, Saint Cecilia and an Angel Beuningen Edgar Degas, Racehorses (study for "Scene Aelbert Cuyp, Horsemen and Herdsmen 2 February-9 June 2002 Circulated to The Metropolitan Museum of Hieronymous Bosch, from the Steeplechase: The Fallen Jockey") with Cattle Art, New York, 14 February-12 May 2002 Venetian 18th Century, Procession in the 1 September-11 November 2001 Aelbert Cuyp, Lady and Gentleman on Courtyard of the Ducal Palace, Venice* and The , Saint , Death and the Miser Rubens and Titian: Venus and Cupid Horseback Venetian 18th Century, Procession of Gondolas Louis, 15 June-15 September 2002 with a Mirror, Aelbert Cuyp, The Maas at Dordrecht in the Barino di San Marco, Venice* 23 September 2002-26 January 2003 Aelbert Cuyp, River Landscape with Cows RUSSIA Venice, Palazzo Grassi Annibale Carracci, Venus Adorned Circulated to Rijksmuseum, Amsterdam, Moscow, State Pushkin Museum of Fine Arts , Exhibit Halls, From Puvis de Chavannes to Matisse and by the Graces 7 June-1 September 2002 Collection of Prince Nicolas Youssoupov, . Poet of , Picasso: Toward Modern Art, Titian, Venus with a Mirror 30 July—15 November 2001 17 February-19 May 2002 10 February-16 June 2002 London, Royal Academy of Arts Pablo Picasso, Lady with a Fan* Rembrandt van Rijn, Portrait of a Alfred Sisley, Boulevard Heloise, Valencia, IVAM Centre Julio Gonzalez Rembrandt's Women, Gentleman with a Tall Hat and Gloves 22 September-16 December 2001 Circulated to Museo Thyssen-Bornemisza, Rembrandt van Rijn, Portrait of a Lady , 25 April—7 July 2002 Madrid, 6 June-15 September 2002 JAPAN Rembrandt van Rijn, Lucretia with an Ostrich-Feather Fan Ben Nicholson, 1969 (Holkham Sands No. 1) Gifu City, The Museum of Fine Arts, Gifu London, Tate Britain Florence, Palazzo Strozzi Maurice Utrillo, 9 August-23 September 2002 Saint Petersburg, State Hermitage Museum SWEDEN The American Sublime, The Medici, Michelangelo and the Art Maurice Utrillo, The Pont Saint-Michel, Paris* Nicolas I and the New Hermitage, Stockholm, Nationalmuseum 20 February-19 May 2002 of Late Renaissance Florence, Maurice Utrillo, Rue Cortot, 22 May-24 August 2002 13 June-15 September 2002 Face to Face: Portraits from Five Centuries, Thomas Cole, A View of the Mountain Pass Tokyo, The Bunkamura Museum of Art Titian, Venus with a Mirror 4 October 2001-27 January 2002 Called the Notch of the White Mountains Jacopo Ligozzi, Avarice Rene Magritte, 6 July-25 August 2002 (Crauford Notch) Medici Porcelain Factory, Flask Judith Leyster, Self-Portrait Ren6 Magritte, The Blank Signature* , Autumn-On the Pontormo, Monsignor della Casa SPAIN Circulated to Nagoya City Art Museum, Madrid, Fundacidn Juan March SWITZERLAND 1 September-20 October 2002 , Beach at Beverly* Mantua, Centra Internazionale d'Arte Georgia O'Keeffe: Naturalezas intimas, Basel, Fondation Beyeler (London only) e di Cultura di Palazzo Te 8 February-2 June 2002 Fitz Hugh Lane, Becalmed off Halfway Rock Tokyo, The National Museum of Western Art Mark Rothko Rooms, Paysages d'ltalie: Les peintures du Georgia O'Keeffe, Jack-in-the-Pulpit No. Ill 24 June 2001-31 August 2002 Fitz Hugh Lane, Lumber Schooners at American Heroism, plein air 1780-1830, Georgia O'Keeffe, Jack-in-the-Pulpit No. IV Evening on Penobscot Bay (London only) 7 August-14 October 2001 Mark Rothko, No. 8* 1 September-16 December 2001 Mark Rothko, Untitled (Seagram )* Circulated to Museum of American Art of Benjamin West, The Battle of La Hogue Jean-Baptiste-Camille Corot, Island and Madrid, Museo Nacional del Prado the Pennsylvania Academy of the Fine Arts, Philadelphia, 17 June-25 August 2002 and Bridge of San Bartolommeo Goya: Images of Women, , Fondation de I'Hermitage The Minneapolis Institute of Arts, 22 Simon Denis, View near MEXICO 30 October 2001-9 February 2002 Andr6 Giroux, Forest Interior with a Painter, Les lmpressionistes Americains, de 1880 September-17 November 2002 Mexico City, Museo Nacional de Arte Francisco de Goya, Maria Teresa de Borbon Civita Castellana