Signature and Name of Invigilator OMR Sheet No. : ...... 1. (Signature) (To be filled by the Candidate) (Name) Roll No. 2. (Signature) (In figures as per admission card) (Name) Roll No. (In words) J 9715 PAPER - II Time : 1¼ hours] RABINDRA SANGEET [Maximum Marks : 100 Number of Pages in this Booklet : 24 Number of Questions in this Booklet : 50 Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çÜ° çÙÎðüàæ 1. Write your roll number in the space provided on the top of 1. §â ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ¥ÂÙæ ÚUôÜU ِÕÚU çÜç¹°Ð this page. 2. This paper consists of fifty multiple-choice type of questions. 2. §â ÂýàÙ-˜æ ×𢠿æâ Õãéçß·¤ËÂèØ ÂýàÙ ãñ´Ð 3. At the commencement of examination, the question booklet 3. ÂÚUèÿææ ÂýæڐUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU will be given to you. 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You have to return the original OMR Sheet to the invigilators at the end of the examination compulsorily and must not Ù Üð·¤ÚU ÁæØð¢Ð ãæÜæ´ç·¤ ¥æ ÂÚUèÿææ â×æç# ÂÚU ×êÜ ÂýàÙ-ÂéçSÌ·¤æ ÌÍæ OMR carry it with you outside the Examination Hall. You are ˜淤 ·¤è ÇéUŒÜè·ð¤ÅU ÂýçÌ ¥ÂÙð âæÍ Üð Áæ â·¤Ìð ãñ´Ð however, allowed to carry original question booklet and 10. ·ð¤ßÜ ÙèÜð/·¤æÜð ÕæÜU Œßæ§ZÅU ÂðÙ ·¤æ ãè §SÌð×æÜ ·¤Úð¢UÐ duplicatewww.careerindia.com copy of OMR Sheet on conclusion of examination. 11. ç·¤âè Öè Âý·¤æÚU ·¤æ ⢻‡æ·¤ (·ñ¤Ü·é¤ÜðÅUÚU) UØæ Üæ» ÅðUÕÜ ¥æçÎ ·¤æ 10. Use only Blue/Black Ball point pen. ÂýØô» ßçÁüÌ ãñÐ 11. Use of any calculator or log table etc., is prohibited. 12. There are no negative marks for incorrect answers. 12. »ÜÌ ©žæÚUæð´ ·ð¤ çÜ° ·¤æð§ü Ù·¤æÚUæˆ×·¤ ¥´·¤ Ùãè´ ãñ´Ð 13. In case of any discrepancy in the English and Hindi versions, 13. ØçÎ ¥´»ýðÁè Øæ çã´Îè çßßÚU‡æ ×ð´ ·¤æð§ü çßâ´»çÌ ãæð, Ìæð ¥´»ýðÁè çßßÚU‡æ ¥´çÌ× English version will be taken as final. ×æÙæ Áæ°»æÐ

J-9715 !J-9715-PAPER-II! 1 P.T.O. RABINDRA SANGEET PAPER - II

Note : This paper contains fifty (50) objective type questions of two (2) marks each. All questions are compulsory.

1. Which book is Tagore collection of songs ? (1) Rabbichhaya (2) Prabahini (3) Kshanika (4) Sonar Tari

2. Rabindranath dedicated his book ‘Tasher Desh’ to : (1) Atulprasad Sen (2) Subhash Chandra Bose (3) Dwijendralal Roy (4) Satyendranath Tagore

3. The tal of the song ‘Aji Mamo Mono Chahe’ : (1) Surphank tal (2) Chow tal (3) Ektal (4) Teora

4. To whom Rabindranath called ‘Amar Sakal ganer Bhandari’ ? (1) Suchitra Mitra (2) Indira Devi Chowdharani (3) Dinendranath Tagore (4) Sarala Devi

5. Tagore’s anthology of songs : (1) Gitabitan (2) Sanai (3) Gora (4) Sonar Tari

6. ‘Ada - Chowtal’ consists of : (1) Sixteen Matras (2) Fourteen Matras (3) Twelve Matras (4) Fifteen Matras

7. The first song of Prakriti Paryaya : (1) Nil Nabaghane Asara (2) Aji Jharo Jharo Mukharo (3) Viswa Bina Rabe (4) Megher Pare Meghe

8. Whichwww.careerindia.com song is based on Ekadashi Tal ? (1) Kanpiche Dehalata (2) Duare Dao More Rakhiya (3) O Dekha Diye Je (4) Aamar Bhuban To Aaj Holo

J-9715 !J-9715-PAPER-II! 2 Paper-II ÚUÕè‹Îý â´»èÌ ÂýàÙ˜æ - II

ÙæðÅU Ñ §â ÂýàÙ-˜æ ×ð´ ¿æâ (50) Õãé-çß·¤ËÂUèØ ÂýàÙ ãñ´Ð ÂýˆØð·¤ ÂýàÙ ·ð¤ Îô (2) ¥¢·¤ ãñ´Ð âÖè ÂýàÙ ¥çÙßæØü ãñ´Ð

1. ·¤æñÙ âè ç·¤ÌæÕ ÅñU»æðÚU ·ð¤ »èÌæð´ ·¤æ â´»ýã ãñ? (1) ÚUçՑÀUæØæ (2) ÂýÕæçãÙè (3) ÿæç‡æ·¤æ (4) âæðÙæÚU ÌæÚUè

2. ÚUÕè‹ÎýÙæÍ Ùð ¥ÂÙè ÂéSÌ·¤ ÒÌæâðÚU ÎðàæÓ â×çÂüÌ ·¤è Ñ (1) ¥ÌéÜ ÂýâæÎ âðÙ ·¤æð (2) âéÖæá ¿‹Îý Õæðâ ·¤æð (3) çmÁð‹ÎýÜæÜ ÚUæòØ ·¤æð (4) âˆØð‹ÎýÙæÍ ÅñU»æðÚU ·¤æð

3. Ò¥Áè ×æð×æð ×æðÙæð ÀðUãðÓ »èÌ ·¤æ ÌæÜ ãñ Ñ (1) âéÚUȤ洷¤ ÌæÜ (2) ÀUæ𪤠ÌæÜ (3) °·¤ÌæÜ (4) Ìðð¥æðÚUæ

4. ÚUÕè‹ÎýÙæÍ ç·¤âð Ò¥×æÚU â·¤Ü »æÙðÚU ִǸæÚUèÓ ·¤ãÌð Íð? (1) âé翘æ çטææ (2) §´çÎÚUæÎðßè ¿æñÏÚUæÙè (3) çÎÙð‹ÎýÙæÍ ÅñU»æðÚU (4) âÚUÜæ Îðßè

5. ÅñU»æðÚU ·¤è »èÌæð´ ·¤æ Âl ãñ Ñ (1) »èÌçÕÌæÙ (2) âÙæ§ü (3) »æðÚUæ (4) âæðÙæÚUÌæÚUè

6. Ò¥Îæ - ¿æñÌæÜÓ ×ð´ ç·¤ÌÙè ×æ˜ææ àææç×Ü ãñ´? (1) âæðÜã ×æ˜ææ (2) ¿æñÎã ×æ˜ææ (3) ÕæÚUã ×æ˜ææ (4) ‹Îýã ×æ˜ææ

7. Âý·ë¤çÌ ÂØæüØ ·¤æ ÂãÜæ »èÌ ãñ Ñ (1) ÙèÜ ÙփæÙð ¥âæÚUæ (2) ¥Áè ÛææÚUæð-ÛææÚUæð ×é¹æÚUæð (3) çßàß çÕÙæ ÚUæÕð (4) ×ðƒæðÚU ÂÚðU ×ðƒæð 8. ·¤æñÙâæwww.careerindia.com »èÌ °·¤æÎàæè ÌæÜ ÂÚU ¥æÏæçÚUÌ ãñ? (1) ·¤æ¡ÂèÀðU ÎðãÜÌæ (2) Îé¥æÚðU Îæ¥æð ×æðÚðU ÚUæç¹Øð (3) ¥æð Îð¹ çÎØð Áð (4) ¥æ×æÚU ÖéÕÙ Ìæð ¥æÁ ãæðÜæð

J-9715 !J-9715-PAPER-II! 3 Paper-II 9. In which Tal the song “He mono tare Dekho” is based on ? (1) Rupakra (2) Rupak (3) Teora (4) Dhamar

10. In which Raga the song ‘Jani Tumi Phire Asibe” is based on ? (1) Kanara (2) Pilu (3) Kedar (4) Bagesree

11. Pick the odd one out : (a) Gaan Jurechhen Grismakaale (b) Bande Mataram (c) Bharaa Badara Maaha Bhaadara (d) Ke Basile Aji (1) (a) is odd (2) (b) is odd (3) (c) is odd (4) (d) is odd

12. Pick the odd one out : (a) Prabhat Sangeet (b) Kori O Komal (c) Chhobi O Gaan (d) Geeta Bitan (1) (a) is odd (2) (b) is odd (3) (c) is odd (4) (d) is odd

13. Pick the odd one out : (a) Chhobi O Gaan (b) Puja O Prarthana (c) Kori O Komal (d) Sur O Sangati (1) (a) is odd (2) (b) is odd (3) (c) is odd (4) (d) is odd

14. “Jana Gana Mana Adhinayaka Jaya He” : (a) Patriotic song (b) National Anthem of India (c) National Song of India (d)www.careerindia.com Brahma Sangeet (1) (a), (b) and (d) are correct (2) (a) and (b) are correct (3) (b) and (c) are correct (4) (b) and (d) are correct

J-9715 !J-9715-PAPER-II! 4 Paper-II 9. ÒÒãð ×æðÙæð ÌæÚðU Îð¹æðÓÓ »èÌ ç·¤â ÌæÜ ÂÚU ¥æÏæçÚUÌ ãñ? (1) M¤Â·¤ÚUæ (2) M¤Â·¤ (3) Ìð¥æðÚUæ (4) Ï×æÚU

10. ÒÒÁæÙè Ìé×è çȤÚðU ¥çâÕðÓÓ »èÌ ç·¤â ÚUæ» ÂÚU ¥æÏæçÚUÌ ãñ? (1) ·¤ÙæǸæ (2) çÂÜê (3) ·ð¤ÎæÚU (4) Õæ»ðâÚUè

11. çßá× ·¤æð ¿éÙð´ Ñ (a) »æÙ ÁéÚðUÀðUÙ »ýèc×·¤æÜð (b) ՋÎð ×æÌÚU× (c) ÖÚUæ ÕæÎÚU ×ãæ ÖæÎÚUæ (d) ·ð¤ ÕâèÜð ¥Áè (1) (a) çßá× ãñ (2) (b) çßá× ãñ (3) (c) çßá× ãñ (4) (d) çßá× ãñ

12. çßá× ·¤æð ¿éÙð´ Ñ (a) ÂýÖæÌ÷ â´»èÌ (b) ·¤æðÚUè ¥æð ·¤æð×Ü (c) ÀUæðÕè ¥æð »æÙ (d) »èÌçßÌæÙ (1) (a) çßá× ãñ (2) (b) çßá× ãñ (3) (c) çßá× ãñ (4) (d) çßá× ãñ

13. çßá× ·¤æð ¿éÙð´ Ñ (a) ÀUçÕ ¥æð »æÙ (b) ÂêÁæ ¥æð ÂýæÍüÙæ (c) ·¤æðÚUè ¥æð ·¤æð×Ü (d) âéÚU ¥æð â´»çÌ (1) (a) çßá× ãñ (2) (b) çßá× ãñ (3) (c) çßá× ãñ (4) (d) çßá× ãñ

14. ÒÒÁÙ »‡æ ×Ù ¥çÏÙæØ·¤ ÁØ ãðÓÓ Ñ (a) ÎðàæÖç€Ì »èÌ (b) ÖæÚUÌ ·¤æ ÚUæcÅþU»æÙ (c) ÖæÚUÌ ·¤æ ÚUæcÅþU»èÌ (d) Õýræ â´»èÌ (1)www.careerindia.com (a), (b) ¥æñÚU (d) âãè ãñ´Ð (2) (a) ¥æñÚU (b) âãè ãñ´Ð (3) (b) ¥æñÚU (c) âãè ãñ´Ð (4) (b) ¥æñÚU (d) âãè ãñ´Ð

J-9715 !J-9715-PAPER-II! 5 Paper-II 15. Chokh Je Oder Chhute Chole Go - the song is included in : (a) Vichitra Paryaya (b) Natya Geeti (c) Anusthanik Paryaya (d) Theme song of ‘ArupRatan’ (1) (a), (b) and (c) are correct (2) (a), (b) and (d) are correct (3) (b) and (d) are correct (4) (a) and (d) are correct

16. Seasonal works : (a) Saradotsab (b) Achalayatan (c) Muktodhara (d) Nataraj Riturangashala (1) (a) and (b) (2) (b) and (c) (3) (c) and (d) (4) (a) and (d)

17. “Tomay gan shonabo” occurs in : (a) Gitamalika (b) Gitimala (c) Raktokarabi (d) Prem Paryay (1) (a) and (b) (2) (a), (c) and (d) (3) (b) and (d) (4) (a) and (d)

18.Assertion (A): Rabindranath was a follower of the ideals of Brahmaism. Reasoning (R)Musical : and dramatic performances were regularly held at Jorasanko Tagore Palace. (1) (A) is true(R) butis false. (2) (A) is false(R) butis true. (3) Both (A) and(R) are false. (4) Both (A) and(R) are true(R) butis not the correct explanation(A). of

19.Assertion (A) During: his stay at silaidah, Rabindranath composedumber quite a good n of songs. Reasoningwww.careerindia.com (R)The : rural Bengal is the ideal place for musical composition. (1) (A) is true(R) butis false. (2)(A) is false(R) butis true. (3) Both (A) and(R) are true. (4)(A) Both and(R) are false.

J-9715 !J-9715-PAPER-II! 6 Paper-II 15. ¿æð¹ Áð ¥æðÇðUÚU ÀéUÅðU ¿æðÜð »æð - Øã »èÌ ç·¤â×ð´ àææç×Ü ãñ? (a) çÕ翘æ ÂØæüØ (b) ÙæÅK »èçÌ (c) ¥ÙécÆUæçÙ·¤ ÂØæüØ (d) ¥M¤ÂÚUÌÙ ·¤æ ·¤ÍæÙ·¤ »èÌ (1) (a), (b) ¥æñÚU (c) âãè ãñ´Ð (2) (a), (b) ¥æñÚU (d) âãè ãñ´Ð (3) (b) ¥æñÚU (d) âãè ãñ´Ð (4) (a) ¥æñÚU (d) âãè ãñ´Ð

16. ×æñâ×è («¤ÌéçÙcÆU) ÚU¿Ùæ°¡ ãññ´ Ñ (a) àæÚUÎæðˆâß (b) ¥¿ÜæØÌÙ (c) ×é€ÌÏæÚUæ (d) ÙÅUÚUæÁ çÚUÌéÚ´U»àææÜæ (1) (a) ¥æñÚU (b) (2) (b) ¥æñÚU (c) (3) (c) ¥æñÚU (d) (4) (a) ¥æñÚU (d)

17. ÒÒÌæð×æØ »Ù àææðÙæÕæðÓÓ ______×ð´ ç×ÜÌè ãñÐ (a) »èÌ×çÜ·¤æ (b) »èçÌ×æÜæ (c) ÚU€Ì·¤ÚUÕè (d) Âýð× ÂØæüØ (1) (a) ¥æñÚU (b) (2) (a), (c) ¥æñÚU (d) (3) (b) ¥æñÚU (d) (4) (a) ¥æñÚU (d)

18. ¥çÖ·¤ÍÙ (A) : ÚUÕè‹ÎýÙæÍ Õýæræ‡æßæÎ ·ð¤ ¥æÎàææðZ ·ð¤ â×Íü·¤ ÍðÐ ·¤æÚU‡æ (R) : ÒÁæðÚUæâð´·¤æð ÅñU»æðÚU ÂñÜðâÓ ×ð´ â´»èÌ °ß´ ÙæÅU·¤ ·¤è ÂýçÌçÎÙ ÂýSÌéçÌ ãæðÌè ÍèÐ (1) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (2) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ (3) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð (4) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´ Üðç·¤Ù (R), (A) ·¤è âãè ÃØæØæ Ùãè´ ãñÐ

19. ¥çÖ·¤ÍÙ (A) : çâÜæ§Îæã Âýßæâ ·ð¤ ÎæñÚUæÙ ÚUÕè‹ÎýÙæÍ ÅñU»æðÚU Ùð ÕãéÌ ¥çÏ·¤ ⴁØæ ×ð´ »èÌæð´ ·¤è ÚU¿Ùæ ·¤èÐ ·¤æÚU‡æ (R) : »ýæ×è‡æ Õ´»æÜ â´»èÌ ·¤è ÚU¿Ùæ¥æð´ ·ð¤ çÜ° ¥æÎàæü Á»ã ãñÐ (1)www.careerindia.com(A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (2) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ (3) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð (4) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð

J-9715 !J-9715-PAPER-II! 7 Paper-II 20.Assertion (A) The: Tagorean dance - dramas are idealcombined examples arts ofof Music, Dance and Acting. Reasoning (R)A : drama can be called dance - drama when both Music and Dance are incorporated in it. (1) (A) is false(R) butis true. (2)(A) Both and(R) are true. (3) Both (A) and(R) are false. (4)(A) is true(R) butis false.

21.Assertion (A) Rabindranath: highly eulogised the Buddhistic ideals. Reasoning (R)Tagore : composed ‘Chandalika’ from the source-story of ‘JATAKA’. (1) Both (A) and(R) are true. (2)(A) Both and(R) are false. (3) (A) is true(R) butis false. (4)(A) is false(R) butis true.

22.Assertion (A) From: the sense of deep patriotism Rabindranath composedotic his Patri songs. Reasoning (R)Most : of the songs of the Geetabitan are Patriotic. (1) (A) is false(R) butis true. (2)(A) Both and(R) are true. (3) (A) is true(R) butis false. (4)(A) Both and(R) are false.

23.Assertion (A) The: green, fertile and watery land of East Bengalerrains and the barren t around Bolpur - both affected Tagore’s imagination. Reasoning (R)Tagore’s : nature songs are full of keen impact ironment.of both types of env (1) Both (A) and(R) are true,(R) butis not the right explanation(A). of (2) (A) is false(R) butis true. (3) (A) is true(R) butis false. (4) Both (A) and(R) are true.

24.Assertion (A) Some: of the Tagore songs should not be sung in rhythm. Reasoning (R)Most : of them are tonally sensuous. (1) (A) is false(R) butis true. (2)(A) Both and(R) are true. (3) (A) is true(R) butis false. (4)(A) Both and(R) are false.

25.Assertion (A) The: Vedic Philosophy attracted Tagore. Reasoning (R)‘Geetanjali’ : is the direct reflection of that Philosophy. (1)www.careerindia.com Both (A) and(R) are true. (2)(A) Both and(R) are false. (3) (A) is true(R) butis false. (4)(A) is false(R) butis true.

J-9715 !J-9715-PAPER-II! 8 Paper-II 20. ¥çÖ·¤ÍÙ (A) : ÅñU»æðÚU ·ð¤ ÙëˆØÙæÅK, â´»èÌ, ÙëˆØ ¥æñÚU ¥çÖÙØ ·¤è ç×çŸæÌ ·¤Üæ ·ð¤ ¥æÎàæü ©ÎæãÚU‡æ ãñ´Ð ·¤æÚU‡æ (R) : °ðâð ÙæÅU·¤ ·¤æð, ÙëˆØ ÙæÅU·¤ ·¤ãæ Áæ â·¤Ìæ ãñ çÁâ×ð´ â´»èÌ ¥æñÚU ÙëˆØ ÎæðÙæð´ àææç×Ü ãæðÐ (1) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ (2) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð (3) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð (4) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ

21. ¥çÖ·¤ÍÙ (A) : ÚUÕè‹ÎýÙæÍ Ùð Õæñh×Ì ·ð¤ ¥æÎàææðZ ·¤è ÕãéÌ ¥çÏ·¤ Âýàæ´âæ (SÌéçÌ) ç·¤ØæÐ ·¤æÚU‡æ (R) : ÅñU»æðÚU Ùð Ò¿‡Ç¸UæçÜ·¤æÓ ·¤è ÚU¿Ùæ ÒÁæÌ·¤Ó ·¤è dæðÌ ·¤ãæÙè âð ç·¤Øæ ãñÐ (1) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð (2) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð (3) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (4) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ

22. ¥çÖ·¤ÍÙ (A) : ÚUÕè‹ÎýÙæÍ Ùð ÎðàæÖç€Ì ·ð¤ »´ÖèÚU (»ãÚðU) Öæß âð ÎðàæÖç€ÌÂê‡æü »æÙæð´ ·¤è ÚU¿Ùæ ·¤èÐ ·¤æÚU‡æ (R) : »èÌçßÌæÙ ·ð¤ ¥çÏ·¤æ´àæ »èÌ ÎðàæÖç€ÌÂê‡æü ãñ´Ð (1) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ (2) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð (3) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (4) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð

23. ¥çÖ·¤ÍÙ (A) : Âêßèü-Õ´»æÜ ·¤è ãÚUè-ÖÚUè, ©ÂÁ檤 ¥æñÚU ÁÜèØ Öêç× ¥æñÚU ÕæðÜÂéÚU ·ð¤ ¿æÚUæð´ ÌÚUȤ Õ´ÁÚU ÿæð˜æ, ÎæðÙæð´ Ùð ÅñU»æðÚU ·¤è ·¤ËÂÙæ ·¤æð ÂýÖæçßÌ ç·¤ØæÐ ·¤æÚU‡æ (R) : ÅñU»æðÚU ·ð¤ Âý·ë¤çÌ »èÌ ÎæðÙæð´ Âý·¤æÚU ·ð¤ ßæÌæßÚU‡æ ·ð¤ Ìèÿ‡æ ÂýÖæß âð ÂçÚUÂê‡æü ãñ´Ð (1) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´, Üðç·¤Ù (R), (A) ·¤è âãè ÃØæØæ Ùãè´ ãñÐ (2) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ (3) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (4) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð

24. ¥çÖ·¤ÍÙ (A) : ÅñU»æðÚU ·ð¤ ·é¤ÀU »èÌæð´ ·¤æð ÜØ (ÌæÜ) ×ð´ Ùãè´ »æÙæ ¿æçã°Ð ·¤æÚU‡æ (R) : ©Ù×ð´ âð ¥çÏ·¤ÌÚU ÜØ âð °ðç‹Îý·¤ ãñ´Ð (1) (A) »ÜÌ ãñ ÕçË·¤ (R) âãè ãñÐ (2) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð (3) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (4) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð

25. ¥çÖ·¤ÍÙ (A) : Õñçη¤ ÎàæüÙ Ùð ÅñU»æðÚU ·¤æð ¥æ·¤çáüÌ ç·¤ØæÐ ·¤æÚU‡æ (R) : Ò»èÌæ´ÁçÜÓ ©â ÎàæüÙ ·¤æ ÂýˆØÿæ ÂýçÌçՐÕÙ ãñÐ (1)www.careerindia.comÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð (2) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð (3) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (4) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ

J-9715 !J-9715-PAPER-II! 9 Paper-II 26. Arrange sequentially : (a) Mayabanabiharini harini (b) Jibane Parama Lagana (c) Nyaya anyay janine (d) Buk je phete jay (1) (b), (d), (c), (a) (2) (a), (b), (c), (d) (3) (c), (b), (a), (d) (4) (b), (c), (d), (a)

27. Arrange in chronological sequence : (a) Taser Desh (b) Nrityanatya Chitrangada (c) Nrityanatya Chandalika (d) Nrityanatya Shyama (1) (b), (c), (d), (a) (2) (c), (b), (d), (a) (3) (a), (b), (c), (d) (4) (b), (d), (c), (a)

28. Arrange in chronological sequence : (a) Bhanusinha Thakurer Padabali (b) Valmiki Pratibha (c) Kalmrigaya (d) Mayar Khela (1) (a), (b), (c), (d) (2) (b), (c), (d), (a) (3) (c), (a), (d), (b) (4) (d), (a), (b), (c)

29. Arrange the songs chronologically : (a) Jwal Jwal chita dwigun dwigun (b) Saona gagane ghora ghanaghata (c) Dhakore mukha chandrama (d) Eka sutre bandhiyachhi (1) (a), (b), (c), (d) (2) (b), (a), (c), (d) (3) (d), (a), (b), (c) (4) (c), (b), (a), (d)

30. Arrange the following songs in accordance with their chronological order : (a) Amader Shantiniketan (b) Jana Gana Mana Adhinayak (c)www.careerindia.com Chalo Jai Chalo Jai (d) Viswa Vidya Tirtha-Prangan (1) (b), (c), (d), (a) (2) (b), (c), (a), (d) (3) (a), (b), (c), (d) (4) (d), (b), (a), (c)

J-9715 !J-9715-PAPER-II! 10 Paper-II 26. ¥Ùé·ý¤× ×ð´ ÃØßçSÍÌ ·¤Úð´U Ñ (a) ×æØæÕÙçßãæçÚUÙè ãçÚUÙè (b) ÁèÕÙð ÂÚU× Ü»Ù (c) ‹ØæØ ¥‹ØæØ ÁÙèÙð (d) Õ·¤ Áð Èð¤ÅðU ÁØ (1) (b), (d), (c), (a) (2) (a), (b), (c), (d) (3) (c), (b), (a), (d) (4) (b), (c), (d), (a)

27. ·¤æÜ·ý¤×æÙéâæÚU ·ý¤× ×ð´ ÃØßçSÍÌ ·¤èçÁ° Ñ (a) ÌæâðÚU Îðàæ (b) ÙëˆØÙæÅ÷UØ ç¿˜ææ´»Îæ (c) ÙëˆØÙæÅ÷UØ ¿´Ç¸UæçÜ·¤æ (d) ÙëˆØÙæÅ÷UØ àØæ×æ (1) (b), (c), (d), (a) (2) (c), (b), (d), (a) (3) (a), (b), (c), (d) (4) (b), (d), (c), (a)

28. ·¤æÜ·ý¤×æÙéâæÚU ·ý¤× ×ð´ ÃØßçSÍÌ ·¤èçÁ° Ñ (a) ÖæÙéçâ‹ãæ ÆUæ·é¤ÚðUÚU ÂÎæÕÜè (b) ßæçË×·¤è ÂýçÌÖæ (c) ·¤æÜ×ë»Øæ (d) ×æØæÚU¹ðÜæ (1) (a), (b), (c), (d) (2) (b), (c), (d), (a) (3) (c), (a), (d), (b) (4) (d), (a), (b), (c)

29. »èÌæð´ ·¤æð ·¤æÜ·ý¤× ·ð¤ ¥ÙéâæÚU ÃØßçSÍÌ ·¤Úð´U Ñ (a) ’ßÜ ’ßÜ ç¿Ìæ çm»éÙ çm»éÙ (b) âêÙæ »»Ùð ƒææðÚU ƒæكæÅUæ (c) ÉUæ·¤æðÚðU ×é¹æ ¿‹Îý×æ (d) °·¤ âê˜æð Õ洊Øæÿæè (1) (a), (b), (c), (d) (2) (b), (a), (c), (d) (3) (d), (a), (b), (c) (4) (c), (b), (a), (d)

30. çِÙçÜç¹Ì »èÌæð´ ·¤æð ©Ù·ð¤ ·¤æÜ·ý¤×æÙéâæÚU ·ý¤× ×ð´ ÃØßçSÍÌ ·¤èçÁ° Ñ (a) ¥×æÎðÚU àææç‹ÌçÙ·ð¤ÌÙ (b) ÁÙ »‡æ ×Ù ¥çÏÙæØ·¤ (c)www.careerindia.com¿æÜæð ÁæØ ¿æÜæð ÁæØ (d) çßàßçßlæ ÌèÍæü-Âýæ´»‡æ (1) (b), (c), (d), (a) (2) (b), (c), (a), (d) (3) (a), (b), (c), (d) (4) (d), (b), (a), (c)

J-9715 !J-9715-PAPER-II! 11 Paper-II 31. Arrange the following plays according to their chronological order : (a) Chirokumar Sabha (b) Raja (c) Valmiki Pratibha (d) Chitrangada (1) (c), (a), (b), (d) (2) (c), (b), (a), (d) (3) (c), (d), (a), (b) (4) (c), (d), (b), (a)

32. Arrange the following songs chronologically : (a) Dinantabelay Shesher Fasal Nilem (b) Dhusar Jibaner Godhulite Klanto Aloy Mlan Smriti (c) Dhusar Jibaner Godhulite Klanto Molin Jei Smriti (d) Jara Bihan Belay Gaan Enechhilo (1) (a), (d), (b), (c) (2) (a), (b), (c), (d) (3) (c), (b), (a), (d) (4) (c), (b), (d), (a)

33. Arrange the following plays according to their chronological sequence : (a) Phalguni (b) Bhagna-Hridoy (c) Sharodotsav (d) Shesh-Varshan (1) (a), (b), (c), (d) (2) (b), (c), (a), (d) (3) (b), (c), (d), (a) (4) (a), (c), (d), (b)

34. Arrange the following songs by using their chronological order. Use the codes given below : (a) Oi Mahaamanaba Ase (b) He Nutan (c) Jara Bihan Belay Gaan Enechhilo (d) Samukhe Shanti Parabar (1) (d), (c), (a), (b) (2) (c), (d), (a), (b) (3) (a), (b), (d), (c) (4) (d), (c), (b), (a)

35. Arrange the songs in their chronological order : (a) Sakhi Bhabona Kahare Bole (b) Tomarei Koriyachhi Jibaner Drubotara (c)www.careerindia.com Amar Praner Pare Chole Gelo Ke (d) Ek Sutre Bandhiyachi Sahastrati Mon (1) (a), (b), (c), (d) (2) (d), (c), (b), (a) (3) (d), (b), (a), (c) (4) (b), (a), (d), (c)

J-9715 !J-9715-PAPER-II! 12 Paper-II 31. çِÙçÜç¹Ì ÙæÅU·¤æð´ ·¤æð ©Ù·ð¤ ·¤æÜ·ý¤×æÙéâæÚU ·ý¤× ×ð´ ÃØßçSÍÌ ·¤èçÁ° Ñ (a) ç¿ÚU·é¤×æÚU âÖæ (b) ÚUæÁæ (c) ßæçË×·¤è ÂýçÌÖæ (d) 翘ææ´»Îæ (1) (c), (a), (b), (d) (2) (c), (b), (a), (d) (3) (c), (d), (a), (b) (4) (c), (d), (b), (a)

32. çِÙçÜç¹Ì »èÌæð´ ·¤æð ·¤æÜ·ý¤×æÙéâæÚU ÃØßçSÍÌ ·¤èçÁ° Ñ (a) çÎÙ´æ‹ÌæÕðÜæØ çàæçàæÚU ȤâÜ çÙÜð× (b) ÏêâÚU çÁÕæÙÚU »æðÏêçÜÌð €Üæ´Ìæð ¥ÜæØ ÜæÙ çS×ëçÌ (c) ÏêâÚU çÁÕæÙÚU »æðÏêçÜÌð €Üæ´Ìæð ×æðçÜÙ Áð§ü çS×ëçÌ (d) ÁÚUæ çÕãæÙ ÕðÜæØ »æÙ °ÙðÀUèÜæð (1) (a), (d), (b), (c) (2) (a), (b), (c), (d) (3) (c), (b), (a), (d) (4) (c), (b), (d), (a)

33. çِÙçÜç¹Ì ÙæÅU·¤æð´ ·¤æð ©Ù·ð¤ ·¤æÜ·ý¤×æÙéâæÚU ·ý¤× ×ð´ ÃØßçSÍÌ ·¤èçÁ° Ñ (a) ȤæË»éÙè (b) Ö»÷Ùæ-NÎæðØ (c) àææÚUÎæðˆâß (d) àæðá-ßáæüÙ (1) (a), (b), (c), (d) (2) (b), (c), (a), (d) (3) (b), (c), (d), (a) (4) (a), (c), (d), (b)

34. çِÙçÜç¹Ì »èÌæð´ ·¤æð ©Ù·ð¤ ·¤æÜ·ý¤×æÙéâæÚU ÃØßçSÍÌ ·¤èçÁ°Ð Ùè¿ð çΰ »° ·ê¤ÅUæð´ ·¤æ ÂýØæð» ·¤èçÁ° Ñ (a) ¥æð§ü ×ãæ×æÙß ¥æâð (b) ãð ÙêÌÙ (c) ÁÚUæ çÕãæÙÕðÜæØ »æÙ °ÙçÀUÜæð (d) â×é¹ àææç‹Ì ÂæÚUæÕæÚU (1) (d), (c), (a), (b) (2) (c), (d), (a), (b) (3) (a), (b), (d), (c) (4) (d), (c), (b), (a)

35. §Ù »èÌæð´ ·¤æð ©Ù·ð¤ ·¤æÜ·ý¤×æÙéâæÚU ·ý¤× ×ð´ ÃØßçSÍÌ ·¤èçÁ° Ñ (a) â¹è ÖæÕÙæ ·¤ãæÚðU ÕæðÜð (b) ÌæðãæÚUè ·¤æðçÚUØæ‘ÀUè çÁÕæÙðÚU ÎýéÕæð˜ææ (c)www.careerindia.com¥æ×æÚU ÂýæÙðÚU ÂÚðU ¿æðÜð »ðÜæð ·ð¤ (d) °·¤ âê˜æð Õæ´çÏØæ¿è âãS˜ææçÎ ×Ù (1) (a), (b), (c), (d) (2) (d), (c), (b), (a) (3) (d), (b), (a), (c) (4) (b), (a), (d), (c)

J-9715 !J-9715-PAPER-II! 13 Paper-II 36. Arrange in accordance with temporal sequence : (a) Bhimrao Sastri (b) Hemendralal Ray (c) V.V. Wazalwar (d) Rabindralal Ray (1) (d), (b), (c), (a) (2) (a), (b), (c), (d) (3) (a), (c), (b), (d) (4) (b), (d), (a), (c)

37. Match the items of List - I with those of List - II : List - I List - II (a) Chitto Jetha Bhoyshunyo (i) Naba Jatak (b) He Mor Chitto Punyotirthe (ii) Sanai (c) Pratham Yuger Uday - Digangane (iii) Geetanjali (d) Prem Esechhilo Nihshabda Charane (iv) Naivedya Codes : (a) (b) (c) (d) (1) (ii) (iii) (iv) (i) (2) (iv) (iii) (i) (ii) (3) (iii) (iv) (ii) (i) (4) (ii) (i) (iv) (iii)

38. Match List - I with List - II : List - I List - II (a) Aji Mamo Mon Chahe (i) Viswa - Upa - Paryaya (b) Kul Theke Mor Ganer Tori (ii) Biraha - Upa - Paryaya (c) Amar Ei Path Chaoatei Ananda (iii) Gaan - Upa - Paryaya (d) Je Dhrubapada Diyechho Bandhi (iv) Path - Upa - Paryaya Codes : (a) (b) (c) (d) (1) (iii) (iv) (i) (ii) (2) (ii) (iii) (iv) (i) (3)www.careerindia.com (iv) (i) (ii) (iii) (4) (ii) (iii) (i) (iv)

J-9715 !J-9715-PAPER-II! 14 Paper-II 36. ·¤æçÜ·¤ ·ý¤× ·ð¤ ¥ÙéâæÚU ÃØßçSÍÌ ·¤èçÁ° Ñ (a) Öè×ÚUæß àææS˜æè (b) ãð×´Îý ÜæÜ ÚUæØ (c) ßè.ßè. ß$ÁæÜßæÚU (d) ÚUæçՋÎýÜæÜ ÚUæØ (1) (d), (b), (c), (a) (2) (a), (b), (c), (d) (3) (a), (c), (b), (d) (4) (b), (d), (a), (c)

37. âê¿è - I ·¤æð âê¿è - II ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) 翞æ ÁðÆUæ ÖØàæê‹Øæð (i) Ùß ÁæÌ·¤ (b) ãð ×æðÚU 翞æ Âé‡ØÌèÍðü (ii) âÙ§ü (c) ÂýÍ× Øé»èÚU ©ÎØ ç΂ٻæÙð (iii) »èÌæ´ÁçÜ (d) Âýð× °âçÀUÜæð çÙàæŽÎ ¿ÚU‡æð (iv) Ùñßðl ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (ii) (iii) (iv) (i) (2) (iv) (iii) (i) (ii) (3) (iii) (iv) (ii) (i) (4) (ii) (i) (iv) (iii)

38. âê¿è - I ·¤æð âê¿è - II ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) ¥Áè ×æ×æð ×Ù ¿æãð (i) çßàßæ - ©Â - ÂØæüØ (b) ·é¤Ü ÆðU·ð¤ ×æðÚU »æÙðÚU ÌæðÚUè (ii) çÕÚUã - ©Â - ÂØæüØ (c) ¥æ×æÚU °§ü ÂÍ ¿æßæÌð§ü ¥æÙ´Î (iii) »æÙ - ©Â - ÂØæüØ (d) Áð ÏýéßÂÎæ çÎØæðÀUæð Õæ´Ïè (iv) ÂÍ - ©Â - ÂØæüØ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iii) (iv) (i) (ii) (2)www.careerindia.com (ii) (iii) (iv) (i) (3) (iv) (i) (ii) (iii) (4) (ii) (iii) (i) (iv)

J-9715 !J-9715-PAPER-II! 15 Paper-II 39. Match List - I with List - II : List - I List - II (a) Kanna-Hasir Dol Dolano (i) Prem (b) Chitta Pipasita Re (ii) Vichitra (c) Viswa - Veena Rabe (iii) Puja (d) Amay Kshamo He Kshamo (iv) Prakriti Codes : (a) (b) (c) (d) (1) (iii) (ii) (i) (iv) (2) (iii) (i) (iv) (ii) (3) (ii) (iv) (iii) (i) (4) (iv) (iii) (i) (ii)

40. Match the items of List - I with the items of List - II : List - I List - II (a) Sharodotsav (i) Arup ratan (b) Raja (ii) Chirokumar Sabha (c) Achalayatan (iii) Rinshodh (d) Prajapatir Nirbandha (iv) Guru Codes : (a) (b) (c) (d) (1) (iii) (iv) (ii) (i) (2) (iv) (ii) (i) (iii) (3) (ii) (iii) (iv) (i) (4) (iii) (i) (iv) (ii)

41. Match the items of List - I with the items of List - II : List - I List - II (a) Naho Mata Naho Kanya (i) Rogshayaa (b) Ei Udasi Haoar Pathe Pathe (ii) Geetanjali (c) Amar Matha Nato Kore Dao (iii) Sanai (d) Jara Bihanbelay Gaan Enechhilo (iv) Chitra Codes : (a) (b) (c) (d) (1) (iv) (iii) (ii) (i) (2)www.careerindia.com (ii) (iv) (iii) (i) (3) (iii) (i) (iv) (ii) (4) (i) (iv) (iii) (ii)

J-9715 !J-9715-PAPER-II! 16 Paper-II 39. âê¿è - I ·¤æð âê¿è - II ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) ·¤óæ-ãæçâÚU ÎæðÜ ÎæðÜæÙæð (i) Âýð× (b) 翞æ çÂÂæçâÌæ ÚðU (ii) çß翘æ (c) çßàß-ßè‡ææ ÚUæÕð (iii) ÂêÁæ (d) ¥×Ø ÿæ×æð ãð ÿæ×æð (iv) Âýæ·ë¤çÌ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iii) (ii) (i) (iv) (2) (iii) (i) (iv) (ii) (3) (ii) (iv) (iii) (i) (4) (iv) (iii) (i) (ii)

40. âê¿è - I ·¤æð âê¿è - II ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) àææÚUÎæðˆâß (i) ¥L¤Â ÚUÌÙ (b) ÚUæÁæ (ii) ç¿ÚU·é¤×æÚU âÖæ (c) ¥¿ÜæØÌÙ (iii) çÚUÙàææðÏ (d) ÂýÁæÂÌèÚU çÙÕü‹Ïæ (iv) »éL¤ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iii) (iv) (ii) (i) (2) (iv) (ii) (i) (iii) (3) (ii) (iii) (iv) (i) (4) (iii) (i) (iv) (ii)

41. âê¿è - I ·¤è ×Îæð´ ·¤æð âê¿è - II ·¤è ×Îæð´ ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) Ùãæð ×æÌæ Ùãæð ·¤‹Øæ (i) ÚUæð»àæÄØæ (b) °§ü ©Îæâè ãßæÚU ÂæÍð ÂæÍð (ii) »èÌæ´ÁçÜ (c) ¥×æÚU ×æÍæ ÙæÌæð ·¤æðÚðU Îæ¥æð (iii) âÙ§ü (d) ÁÚUæ çÕãæÙÕðÜæØ »æÙ °çÀUÜæð (iv) 翘ææ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iv) (iii) (ii) (i) (2)www.careerindia.com (ii) (iv) (iii) (i) (3) (iii) (i) (iv) (ii) (4) (i) (iv) (iii) (ii)

J-9715 !J-9715-PAPER-II! 17 Paper-II 42. Match List - I with List - II : List - I List - II (a) Ohe Dayamoy (i) Mayar Khela (b) Mori O Kahar Bachha (ii) Brahma Sangeet (c) Mana Na Manili (iii) Valmiki - Pratibha (d) Aha, Aji E Basante (iv) Kaal - Mrigaya Codes : (a) (b) (c) (d) (1) (ii) (iii) (iv) (i) (2) (iv) (i) (ii) (iii) (3) (iii) (iv) (i) (ii) (4) (i) (ii) (iii) (iv)

43. Match the items of List - I with the items of List - II : List - I List - II (a) Sakhi Andhare Ekela (i) Kaphi (b) Prabhu Amar Priya Amar (ii) Kedar (c) Pratidina Ami He (iii) Khambaj (d) Sudhasagaratire He (iv) Nayaki Kanara Codes : (a) (b) (c) (d) (1) (iii) (ii) (i) (iv) (2) (ii) (iv) (i) (iii) (3) (iii) (iv) (i) (ii) (4) (iv) (iii) (ii) (i)

44. Match the items of List - I with the items of List - II : List - I List - II (a) Garabo Mamo Horechho (i) Bhupali (b) Jwal Jwal Chita (ii) Desh (c) Tumi Bandhu Tumi (iii) Bahar (d) Aji Basanta Jagrata (iv) Pilu Codes : (a) (b) (c) (d) (1) (ii) (i) (iv) (iii) (2)www.careerindia.com (iii) (i) (ii) (iv) (3) (ii) (iii) (iv) (i) (4) (iii) (ii) (i) (iv)

J-9715 !J-9715-PAPER-II! 18 Paper-II 42. âê¿è - I ·¤æð âê¿è - II ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) ¥æð§ü ÎØæ×Ø (i) ×æØÚU ¹ðÜæ (b) ×æðÚUè ¥æð ·¤ãæÚU Փææ (ii) Õýræ â´»èÌ (c) ×Ù Ùæ ×æçÙÜè (iii) ßæçË×·¤è ÂýçÌÖæ (d) ¥ãæ, ¥Áè ° Õâ´Ìð (iv) ·¤æÜ ×ë‚Øæ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (ii) (iii) (iv) (i) (2) (iv) (i) (ii) (iii) (3) (iii) (iv) (i) (ii) (4) (i) (ii) (iii) (iv)

43. âê¿è - I ·¤è ×Îæð´ ·¤æð âê¿è - II ·¤è ×Îæð´ ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) âæ¹è ¥´ÏðÚðU °·¤Üæ (i) ·¤æ$Ȥè (b) ÂýÖé ¥×æÚU çÂýØ ¥×æÚU (ii) ·ð¤ÎæÚU (c) ÂýçÌçÎÙ ¥æ×è ãð (iii) $¹×æÁ (d) âéÏæâæ»ÚUÌèÚðU ãð (iv) ÙæØ·¤è ·¤ÙæÚUæ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iii) (ii) (i) (iv) (2) (ii) (iv) (i) (iii) (3) (iii) (iv) (i) (ii) (4) (iv) (iii) (ii) (i)

44. âê¿è - I ·¤è ×Îæð´ ·¤æð âê¿è - II ·¤è ×Îæð´ ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) »æÚUæÕæð ×æð×æð ãæðÚðUÀUæð (i) ÖêÂæÜè (b) ’ßÜ ’ßÜ ç¿Ìæ (ii) Îðàæ (c) Ìéãè´ Õ´Ïé Ìéãè´ (iii) ÕãæÚU (d) ¥Áè Õâ´Ìæ Áæ»ýÌ (iv) ÂèÜê ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (ii) (i) (iv) (iii) (2)www.careerindia.com (iii) (i) (ii) (iv) (3) (ii) (iii) (iv) (i) (4) (iii) (ii) (i) (iv)

J-9715 !J-9715-PAPER-II! 19 Paper-II 45. Match the items of List - I with the items of List - II :

List - I List - II

(a) Esho Esho Esho He Baishak (i) Brahma Sangeet

(b) Ye Tomai Chare Charuk (ii) Ritusangeet

(c) Tomari Gehe Palicha (iii) Desha prem

(d) Hede Go Nandarani (iv) Sishusangeet

Codes :

(a) (b) (c) (d)

(1) (ii) (iii) (iv) (i)

(2) (iv) (ii) (i) (iii)

(3) (ii) (iii) (i) (iv)

(4) (iv) (iii) (ii) (i)

46. Match the items of List - I with the items of List - II :

List - I List - II

(a) Ardha Jhamptal (i) Rupakra

(b) Kaharba (ii) Jhampak

(c) Jhamptal (iii) Surphanktal

(d) Trital (iv) Madhyaman

Codes :

(a) (b) (c) (d)

(1) (ii) (i) (iii) (iv)

(2) (iii) (i) (iv) (ii) (3)www.careerindia.com (ii) (i) (iv) (iii) (4) (i) (iv) (ii) (iii)

J-9715 !J-9715-PAPER-II! 20 Paper-II 45. âê¿è - I ·¤è ×Îæð´ ·¤æð âê¿è - II ·¤è ×Îæð´ ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ

âê¿è - I âê¿è - II

(a) °àææð °àææð °àææð ãè Õñàææ¹ (i) Õýræ â´»èÌ

(b) Øð Ìæð×æ§ü ÀUæǸð ÀUæÇéU·¤ (ii) «¤Ìé â´»èÌ

(c) Ìæð×æÚUè »ðãð ÂæÜèÀUæ (iii) Îðàæ Âýð×

(d) ãðÎð »æð ًÎÚUæÙè (iv) çàæàæé â´»èÌ ·ê¤ÅU Ñ

(a) (b) (c) (d)

(1) (ii) (iii) (iv) (i)

(2) (iv) (ii) (i) (iii)

(3) (ii) (iii) (i) (iv)

(4) (iv) (iii) (ii) (i)

46. âê¿è - I ·¤è ×Îæð´ ·¤æð âê¿è - II ·¤è ×Îæð´ ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ

âê¿è - I âê¿è - II

(a) ¥Ïü ÛæÂÌæÜ (i) M¤Âæ·¤ÚUæ

(b) ·¤ãæÚUÕæ (ii) ÛæÂ·¤

(c) ÛæÂÌæÜ (iii) âéÚUÈ´¤·¤ÌæÜ

(d) ç˜æÌæÜ (iv) ׊Ø×æ ·ê¤ÅU Ñ

(a) (b) (c) (d)

(1) (ii) (i) (iii) (iv)

(2) (iii) (i) (iv) (ii)

(3)www.careerindia.com (ii) (i) (iv) (iii)

(4) (i) (iv) (ii) (iii)

J-9715 !J-9715-PAPER-II! 21 Paper-II Read the passage : “Tagore : There is in human affairs an element of elasticity also - some freedom within a small range, which is for the expression of our personality. It is like the musical system in India which is not so rigidly fixed as is the western music. Our composers give a certain definite outline, a system of melody and rhythmic arrangement, and within a certain limit the player can improvise upon it. He must be one with the law of that particular melody, and then he can give spontaneous expression to his musical feeling within the prescribed regulation. We praise the composer for his genius in creating a foundation along with a superstructure of melodies, but we expect from the player his own skill in the creation of variations of melodic flourish and ornamentation. In creation we follow the central law of existence, but, if we do not cut ourselves adrift from it. We can have sufficient freedom within the limits of our personality for the fullest self - expression.” (Sangitchinta, Visva-Bharati, P. 343) Now, answer the following four questions : (No. 47, 48, 49, 50) 47. With whom Tagore’s ‘conversation’ is going on ? (1) Albert Einstein (2) Romain Rolland (3) Herbert George Wells (4) Marguerite Wilkinson

48. Artistic personality needs : (1) strict discipline (2) regular practice (3) some freedom within a small range (4) carefree life

49. The score of western classical music is : (1) very much flexible (2) rigidly fixed (3) changeable in course of time (4) depending on the conductor

50. We expect from the player (of Hindusthani music) : (1) adherence to notation (2) adherence to his master’s training (3) compromise between tradition and modernism (4)www.careerindia.com the creation of variations of melodic flourish and ornamentation – o O o –

J-9715 !J-9715-PAPER-II! 22 Paper-II ¥Ùé‘ÀðUÎ ·¤æð Âçɸ° Ñ ÒÒÅñU»æðÚU Ñ ×æÙß â´Õ´Ïæð´ ×ð´ Øãæ¡ Ü¿èÜðÂÙ ·¤æ ¥ßØß Öè ãñÐ ·é¤ÀU âè×æ ·ð¤ ÌãÌ ·é¤ÀU SßÌ´˜æÌæ Áæð ã×æÚðU ÃØç€Ìˆß ·ð¤ ¥çÖÃØç€Ì ·ð¤ çÜ° ãñÐ Øã ÖæÚUÌèØ â´»èÌ ÂhçÌ ·ð¤ â×æÙ ãñ Áæð §ÌÙè ÎëɸÌæ âð çÙÏæüçÚUÌ Ùãè´ ãñ Áñâæ ç·¤ Âæà¿æˆØ â´»èÌ ×ð´Ð ã×æÚðU »èÌ·¤æÚU ·é¤ÀU çÙçà¿Ì M¤ÂÚðU¹æ ÜØÕh ÂýÕ´ÏÙ ¥æñÚU ×ÏéÚU â´»èÌ ·¤è ÃØßSÍæ ÎðÌð ãñ´ ¥æñÚU ßæη¤ ·é¤ÀU âè×æ Ì·¤ §â×ð´ âéÏæÚU ·¤ÚU â·¤Ìð ãñ´Ð ©âð ¥ßàØ ãè ©â çßçàæcÅU ×ÏéÚU â´»èÌ ·ð¤ çÙØ× ·ð¤ âæÍ °·¤æ·¤æçÚUÌ ãæðÙæ ãæð»æ ¥æñÚU ÌÕ ßã ·¤çÍÌ çÙØ×æð´ ·ð¤ ÌãÌ ¥ÂÙè â´»èÌ ·ð¤ ¥ÙéÖêçÌ ·¤æð SßÌÑ SÈê¤Ìü ¥çÖÃØç€Ì Îð â·¤Ìð ãñ´Ð ã× ×ÏéÚU â´»èÌ ·¤è §×æÚUÌ ÕÙæÙð ·ð¤ âæÍ ¥ÂÙè âëÁÙæˆ×·¤Ìæ ·¤æð çâh ·¤ÚUÙð â´Õ´Ïè ÚU¿Ùæ·¤æÚU ·¤è Âýàæ´âæ ·¤ÚUÌð ãñ´ ÂÚ´UÌé ßæη¤ âð ¥Âðÿææ ·¤ÚUÌð ãñ´ ç·¤ ßã ×ÏéÚU â´»èÌ ×ð´ çßçßÏÌæ ÜæÙð ¥æñÚU ©âð âé‹ÎÚU ÕÙæÙð ×ð´ ¥ÂÙð ·¤æñàæÜ ·¤æ Öè ©ÂØæð» ·¤Úð´UÐ âëÁÙæˆ×·¤Ìæ ×ð´ ã× ¥çSÌˆß ·ð¤ ×êÜ ·¤æÙêÙ ·¤æ ¥ÙéâÚU‡æ ·¤ÚUÌð ãñ´ ØçÎ ã× ¥ÂÙð ¥æ·¤æð §ââð ¥Ü» Ùãè´ ·¤ÚUÌð Ìæð ã×ð ¥ÂÙð ¥æ·¤æð Âê‡æüÌØæ ÃØ€Ì ·¤ÚUÙð ·ð¤ çÜ° ¥ÂÙð ÃØç€Ìˆß ·¤è âè×æ¥æð´ ×ð´ ÚUãÌð ãé° ÂØæüŒÌ ¥æÁæÎè Üð â·¤Ìð ãñ´ÐÓÓ (â´»èÌç¿´Ìæ, çßàß ÖæÚUÌ, P. 343) çِÙçÜç¹Ì ¿æÚU ÂýàÙæ𴠷𤠩žæÚU ÎèçÁ° Ñ (Âýà٠ⴁØæ 47, 48, 49, 50) 47. ç·¤â·ð¤ âæÍ ÅñU»æðÚU ·¤è ßæÌæü ãæð ÚUãè ãñ? (1) ¥ÜÕÅüU ¥æ§üÙSÅUæ§üÙ (2) ÚUæð×Ù ÚUæòÜñ´ÇU (3) ãÕüÅU ÁæÁü ßñËâ (4) ×æÚU»ýðÅU çßÜç·¤ÙâÙ

48. ·¤Üæˆ×·¤ ÃØç€Ìˆß ·ð¤ çÜ° €Øæ ¥æßàØ·¤ ãñ? (1) ·¤ÆUæðÚU ¥ÙéàææâÙ (2) çÙØç×Ì ¥Øæâ (3) ·é¤ÀU âè×æ ×ð´ ÍæðǸè SßÌ´˜æÌæ (4) çÙçà¿´Ì ÁèßÙ

49. Âçà¿×è àææS˜æèØ â´»èÌ ·¤æ â´»èÌÜð¹ ãñ Ñ (1) ÕãéÌ Üæð¿àæèÜ (2) ÎëɸÌæ âð çÙÏæüçÚUÌ (3) â×ØæÙéâæÚU ÂçÚUßÌüÙèØ (4) ÂçÚU¿æÜ·¤ (·´¤ÇU€ÅUÚU) ÂÚU ¥æÏæçÚUÌ

50. ßæη¤ (çã‹ÎéSÌæÙè â´»èÌ ·ð¤) âð ã× ¥Âðÿææ ·¤ÚUÌð ãñ´ Ñ (1) SßÚUçÜç ·¤æ ¥ÙéÂæÜÙ (2) »éL¤ ·ð¤ Âýçàæÿæ‡æ ·¤æ ¥ÙéÂæÜÙ (3) ÂÚ´UÂÚUæ ÌÍæ ¥æÏéçÙ·¤ÌæßæÎ ·ð¤ Õè¿ â×ÛææñÌæ (4)www.careerindia.com×ÏéÚU â´»èÌ çßSÌæÚU (×ðÜæðçÇU·¤ ÜæðçÚUàæ) ÌÍæ ¥Ü´·¤ÚU‡æ ×ð´ çßçÖóæÌæ ©ˆÂóæ ·¤ÚUÙæ – o O o –

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