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J-9715 !J-9715-PAPER-II! 1 P.T.O. RABINDRA SANGEET PAPER - II
Note : This paper contains fifty (50) objective type questions of two (2) marks each. All questions are compulsory.
1. Which book is Tagore collection of songs ? (1) Rabbichhaya (2) Prabahini (3) Kshanika (4) Sonar Tari
2. Rabindranath dedicated his book Tasher Desh to : (1) Atulprasad Sen (2) Subhash Chandra Bose (3) Dwijendralal Roy (4) Satyendranath Tagore
3. The tal of the song Aji Mamo Mono Chahe : (1) Surphank tal (2) Chow tal (3) Ektal (4) Teora
4. To whom Rabindranath called Amar Sakal ganer Bhandari ? (1) Suchitra Mitra (2) Indira Devi Chowdharani (3) Dinendranath Tagore (4) Sarala Devi
5. Tagores anthology of songs : (1) Gitabitan (2) Sanai (3) Gora (4) Sonar Tari
6. Ada - Chowtal consists of : (1) Sixteen Matras (2) Fourteen Matras (3) Twelve Matras (4) Fifteen Matras
7. The first song of Prakriti Paryaya : (1) Nil Nabaghane Asara (2) Aji Jharo Jharo Mukharo (3) Viswa Bina Rabe (4) Megher Pare Meghe
8. Whichwww.careerindia.com song is based on Ekadashi Tal ? (1) Kanpiche Dehalata (2) Duare Dao More Rakhiya (3) O Dekha Diye Je (4) Aamar Bhuban To Aaj Holo
J-9715 !J-9715-PAPER-II! 2 Paper-II ÚUÕèÎý â´»èÌ ÂýàÙÂæ - II
ÙæðÅU Ñ §â ÂýàÙ-Âæ ×ð´ ¿æâ (50) Õãé-çß·¤ËÂUèØ ÂýàÙ ãñ´Ð ÂýØð·¤ ÂýàÙ ·ð¤ Îô (2) ¥¢·¤ ãñ´Ð âÖè ÂýàÙ ¥çÙßæØü ãñ´Ð
1. ·¤æñÙ âè ç·¤ÌæÕ ÅñU»æðÚU ·ð¤ »èÌæð´ ·¤æ â´»ýã ãñ? (1) ÚUçÕÀUæØæ (2) ÂýÕæçãÙè (3) ÿæçæ·¤æ (4) âæðÙæÚU ÌæÚUè
2. ÚUÕèÎýÙæÍ Ùð ¥ÂÙè ÂéSÌ·¤ ÒÌæâðÚU ÎðàæÓ â×çÂüÌ ·¤è Ñ (1) ¥ÌéÜ ÂýâæÎ âðÙ ·¤æð (2) âéÖæá ¿Îý Õæðâ ·¤æð (3) çmÁðÎýÜæÜ ÚUæòØ ·¤æð (4) âØðÎýÙæÍ ÅñU»æðÚU ·¤æð
3. Ò¥Áè ×æð×æð ×æðÙæð ÀðUãðÓ »èÌ ·¤æ ÌæÜ ãñ Ñ (1) âéÚUȤ洷¤ ÌæÜ (2) ÀUæ𪤠ÌæÜ (3) °·¤ÌæÜ (4) Ìðð¥æðÚUæ
4. ÚUÕèÎýÙæÍ ç·¤âð Ò¥×æÚU â·¤Ü »æÙðÚU ִǸæÚUèÓ ·¤ãÌð Íð? (1) âéç¿æ ç×ææ (2) §´çÎÚUæÎðßè ¿æñÏÚUæÙè (3) çÎÙðÎýÙæÍ ÅñU»æðÚU (4) âÚUÜæ Îðßè
5. ÅñU»æðÚU ·¤è »èÌæð´ ·¤æ Âl ãñ Ñ (1) »èÌçÕÌæÙ (2) âÙæ§ü (3) »æðÚUæ (4) âæðÙæÚUÌæÚUè
6. Ò¥Îæ - ¿æñÌæÜÓ ×ð´ ç·¤ÌÙè ×æææ àææç×Ü ãñ´? (1) âæðÜã ×æææ (2) ¿æñÎã ×æææ (3) ÕæÚUã ×æææ (4) ÂÎýã ×æææ
7. Âý·ë¤çÌ ÂØæüØ ·¤æ ÂãÜæ »èÌ ãñ Ñ (1) ÙèÜ ÙÖæÙð ¥âæÚUæ (2) ¥Áè ÛææÚUæð-ÛææÚUæð ×é¹æÚUæð (3) çßàß çÕÙæ ÚUæÕð (4) ×ðæðÚU ÂÚðU ×ðæð 8. ·¤æñÙâæwww.careerindia.com »èÌ °·¤æÎàæè ÌæÜ ÂÚU ¥æÏæçÚUÌ ãñ? (1) ·¤æ¡ÂèÀðU ÎðãÜÌæ (2) Îé¥æÚðU Îæ¥æð ×æðÚðU ÚUæç¹Øð (3) ¥æð Îð¹ çÎØð Áð (4) ¥æ×æÚU ÖéÕÙ Ìæð ¥æÁ ãæðÜæð
J-9715 !J-9715-PAPER-II! 3 Paper-II 9. In which Tal the song He mono tare Dekho is based on ? (1) Rupakra (2) Rupak (3) Teora (4) Dhamar
10. In which Raga the song Jani Tumi Phire Asibe is based on ? (1) Kanara (2) Pilu (3) Kedar (4) Bagesree
11. Pick the odd one out : (a) Gaan Jurechhen Grismakaale (b) Bande Mataram (c) Bharaa Badara Maaha Bhaadara (d) Ke Basile Aji (1) (a) is odd (2) (b) is odd (3) (c) is odd (4) (d) is odd
12. Pick the odd one out : (a) Prabhat Sangeet (b) Kori O Komal (c) Chhobi O Gaan (d) Geeta Bitan (1) (a) is odd (2) (b) is odd (3) (c) is odd (4) (d) is odd
13. Pick the odd one out : (a) Chhobi O Gaan (b) Puja O Prarthana (c) Kori O Komal (d) Sur O Sangati (1) (a) is odd (2) (b) is odd (3) (c) is odd (4) (d) is odd
14. Jana Gana Mana Adhinayaka Jaya He : (a) Patriotic song (b) National Anthem of India (c) National Song of India (d)www.careerindia.com Brahma Sangeet (1) (a), (b) and (d) are correct (2) (a) and (b) are correct (3) (b) and (c) are correct (4) (b) and (d) are correct
J-9715 !J-9715-PAPER-II! 4 Paper-II 9. ÒÒãð ×æðÙæð ÌæÚðU Îð¹æðÓÓ »èÌ ç·¤â ÌæÜ ÂÚU ¥æÏæçÚUÌ ãñ? (1) M¤Â·¤ÚUæ (2) M¤Â·¤ (3) Ìð¥æðÚUæ (4) Ï×æÚU
10. ÒÒÁæÙè Ìé×è çȤÚðU ¥çâÕðÓÓ »èÌ ç·¤â ÚUæ» ÂÚU ¥æÏæçÚUÌ ãñ? (1) ·¤ÙæǸæ (2) çÂÜê (3) ·ð¤ÎæÚU (4) Õæ»ðâÚUè
11. çßá× ·¤æð ¿éÙð´ Ñ (a) »æÙ ÁéÚðUÀðUÙ »ýèc×·¤æÜð (b) ÕÎð ×æÌÚU× (c) ÖÚUæ ÕæÎÚU ×ãæ ÖæÎÚUæ (d) ·ð¤ ÕâèÜð ¥Áè (1) (a) çßá× ãñ (2) (b) çßá× ãñ (3) (c) çßá× ãñ (4) (d) çßá× ãñ
12. çßá× ·¤æð ¿éÙð´ Ñ (a) ÂýÖæÌ÷ â´»èÌ (b) ·¤æðÚUè ¥æð ·¤æð×Ü (c) ÀUæðÕè ¥æð »æÙ (d) »èÌçßÌæÙ (1) (a) çßá× ãñ (2) (b) çßá× ãñ (3) (c) çßá× ãñ (4) (d) çßá× ãñ
13. çßá× ·¤æð ¿éÙð´ Ñ (a) ÀUçÕ ¥æð »æÙ (b) ÂêÁæ ¥æð ÂýæÍüÙæ (c) ·¤æðÚUè ¥æð ·¤æð×Ü (d) âéÚU ¥æð â´»çÌ (1) (a) çßá× ãñ (2) (b) çßá× ãñ (3) (c) çßá× ãñ (4) (d) çßá× ãñ
14. ÒÒÁÙ »æ ×Ù ¥çÏÙæØ·¤ ÁØ ãðÓÓ Ñ (a) ÎðàæÖçÌ »èÌ (b) ÖæÚUÌ ·¤æ ÚUæcÅþU»æÙ (c) ÖæÚUÌ ·¤æ ÚUæcÅþU»èÌ (d) Õýræ â´»èÌ (1)www.careerindia.com (a), (b) ¥æñÚU (d) âãè ãñ´Ð (2) (a) ¥æñÚU (b) âãè ãñ´Ð (3) (b) ¥æñÚU (c) âãè ãñ´Ð (4) (b) ¥æñÚU (d) âãè ãñ´Ð
J-9715 !J-9715-PAPER-II! 5 Paper-II 15. Chokh Je Oder Chhute Chole Go - the song is included in : (a) Vichitra Paryaya (b) Natya Geeti (c) Anusthanik Paryaya (d) Theme song of ArupRatan (1) (a), (b) and (c) are correct (2) (a), (b) and (d) are correct (3) (b) and (d) are correct (4) (a) and (d) are correct
16. Seasonal works : (a) Saradotsab (b) Achalayatan (c) Muktodhara (d) Nataraj Riturangashala (1) (a) and (b) (2) (b) and (c) (3) (c) and (d) (4) (a) and (d)
17. Tomay gan shonabo occurs in : (a) Gitamalika (b) Gitimala (c) Raktokarabi (d) Prem Paryay (1) (a) and (b) (2) (a), (c) and (d) (3) (b) and (d) (4) (a) and (d)
18.Assertion (A): Rabindranath was a follower of the ideals of Brahmaism. Reasoning (R)Musical : and dramatic performances were regularly held at Jorasanko Tagore Palace. (1) (A) is true(R) butis false. (2) (A) is false(R) butis true. (3) Both (A) and(R) are false. (4) Both (A) and(R) are true(R) butis not the correct explanation(A). of
19.Assertion (A) During: his stay at silaidah, Rabindranath composedumber quite a good n of songs. Reasoningwww.careerindia.com (R)The : rural Bengal is the ideal place for musical composition. (1) (A) is true(R) butis false. (2)(A) is false(R) butis true. (3) Both (A) and(R) are true. (4)(A) Both and(R) are false.
J-9715 !J-9715-PAPER-II! 6 Paper-II 15. ¿æð¹ Áð ¥æðÇðUÚU ÀéUÅðU ¿æðÜð »æð - Øã »èÌ ç·¤â×ð´ àææç×Ü ãñ? (a) çÕç¿æ ÂØæüØ (b) ÙæÅK »èçÌ (c) ¥ÙécÆUæçÙ·¤ ÂØæüØ (d) ¥M¤ÂÚUÌÙ ·¤æ ·¤ÍæÙ·¤ »èÌ (1) (a), (b) ¥æñÚU (c) âãè ãñ´Ð (2) (a), (b) ¥æñÚU (d) âãè ãñ´Ð (3) (b) ¥æñÚU (d) âãè ãñ´Ð (4) (a) ¥æñÚU (d) âãè ãñ´Ð
16. ×æñâ×è («¤ÌéçÙcÆU) ÚU¿Ùæ°¡ ãññ´ Ñ (a) àæÚUÎæðâß (b) ¥¿ÜæØÌÙ (c) ×éÌÏæÚUæ (d) ÙÅUÚUæÁ çÚUÌéÚ´U»àææÜæ (1) (a) ¥æñÚU (b) (2) (b) ¥æñÚU (c) (3) (c) ¥æñÚU (d) (4) (a) ¥æñÚU (d)
17. ÒÒÌæð×æØ »Ù àææðÙæÕæðÓÓ ______×ð´ ç×ÜÌè ãñÐ (a) »èÌ×çÜ·¤æ (b) »èçÌ×æÜæ (c) ÚUÌ·¤ÚUÕè (d) Âýð× ÂØæüØ (1) (a) ¥æñÚU (b) (2) (a), (c) ¥æñÚU (d) (3) (b) ¥æñÚU (d) (4) (a) ¥æñÚU (d)
18. ¥çÖ·¤ÍÙ (A) : ÚUÕèÎýÙæÍ ÕýærææßæÎ ·ð¤ ¥æÎàææðZ ·ð¤ â×Íü·¤ ÍðÐ ·¤æÚUæ (R) : ÒÁæðÚUæâð´·¤æð ÅñU»æðÚU ÂñÜðâÓ ×ð´ â´»èÌ °ß´ ÙæÅU·¤ ·¤è ÂýçÌçÎÙ ÂýSÌéçÌ ãæðÌè ÍèÐ (1) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (2) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ (3) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð (4) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´ Üðç·¤Ù (R), (A) ·¤è âãè ÃØæØæ Ùãè´ ãñÐ
19. ¥çÖ·¤ÍÙ (A) : çâÜæ§Îæã Âýßæâ ·ð¤ ÎæñÚUæÙ ÚUÕèÎýÙæÍ ÅñU»æðÚU Ùð ÕãéÌ ¥çÏ·¤ â´Øæ ×ð´ »èÌæð´ ·¤è ÚU¿Ùæ ·¤èÐ ·¤æÚUæ (R) : »ýæ×èæ Õ´»æÜ â´»èÌ ·¤è ÚU¿Ùæ¥æð´ ·ð¤ çÜ° ¥æÎàæü Á»ã ãñÐ (1)www.careerindia.com(A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (2) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ (3) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð (4) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð
J-9715 !J-9715-PAPER-II! 7 Paper-II 20.Assertion (A) The: Tagorean dance - dramas are idealcombined examples arts ofof Music, Dance and Acting. Reasoning (R)A : drama can be called dance - drama when both Music and Dance are incorporated in it. (1) (A) is false(R) butis true. (2)(A) Both and(R) are true. (3) Both (A) and(R) are false. (4)(A) is true(R) butis false.
21.Assertion (A) Rabindranath: highly eulogised the Buddhistic ideals. Reasoning (R)Tagore : composed Chandalika from the source-story of JATAKA. (1) Both (A) and(R) are true. (2)(A) Both and(R) are false. (3) (A) is true(R) butis false. (4)(A) is false(R) butis true.
22.Assertion (A) From: the sense of deep patriotism Rabindranath composedotic his Patri songs. Reasoning (R)Most : of the songs of the Geetabitan are Patriotic. (1) (A) is false(R) butis true. (2)(A) Both and(R) are true. (3) (A) is true(R) butis false. (4)(A) Both and(R) are false.
23.Assertion (A) The: green, fertile and watery land of East Bengalerrains and the barren t around Bolpur - both affected Tagores imagination. Reasoning (R)Tagores : nature songs are full of keen impact ironment.of both types of env (1) Both (A) and(R) are true,(R) butis not the right explanation(A). of (2) (A) is false(R) butis true. (3) (A) is true(R) butis false. (4) Both (A) and(R) are true.
24.Assertion (A) Some: of the Tagore songs should not be sung in rhythm. Reasoning (R)Most : of them are tonally sensuous. (1) (A) is false(R) butis true. (2)(A) Both and(R) are true. (3) (A) is true(R) butis false. (4)(A) Both and(R) are false.
25.Assertion (A) The: Vedic Philosophy attracted Tagore. Reasoning (R)Geetanjali : is the direct reflection of that Philosophy. (1)www.careerindia.com Both (A) and(R) are true. (2)(A) Both and(R) are false. (3) (A) is true(R) butis false. (4)(A) is false(R) butis true.
J-9715 !J-9715-PAPER-II! 8 Paper-II 20. ¥çÖ·¤ÍÙ (A) : ÅñU»æðÚU ·ð¤ ÙëØÙæÅK, â´»èÌ, ÙëØ ¥æñÚU ¥çÖÙØ ·¤è ç×çæÌ ·¤Üæ ·ð¤ ¥æÎàæü ©ÎæãÚUæ ãñ´Ð ·¤æÚUæ (R) : °ðâð ÙæÅU·¤ ·¤æð, ÙëØ ÙæÅU·¤ ·¤ãæ Áæ â·¤Ìæ ãñ çÁâ×ð´ â´»èÌ ¥æñÚU ÙëØ ÎæðÙæð´ àææç×Ü ãæðÐ (1) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ (2) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð (3) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð (4) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ
21. ¥çÖ·¤ÍÙ (A) : ÚUÕèÎýÙæÍ Ùð Õæñh×Ì ·ð¤ ¥æÎàææðZ ·¤è ÕãéÌ ¥çÏ·¤ Âýàæ´âæ (SÌéçÌ) ç·¤ØæÐ ·¤æÚUæ (R) : ÅñU»æðÚU Ùð ҿǸUæçÜ·¤æÓ ·¤è ÚU¿Ùæ ÒÁæÌ·¤Ó ·¤è dæðÌ ·¤ãæÙè âð ç·¤Øæ ãñÐ (1) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð (2) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð (3) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (4) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ
22. ¥çÖ·¤ÍÙ (A) : ÚUÕèÎýÙæÍ Ùð ÎðàæÖçÌ ·ð¤ »´ÖèÚU (»ãÚðU) Öæß âð ÎðàæÖçÌÂêæü »æÙæð´ ·¤è ÚU¿Ùæ ·¤èÐ ·¤æÚUæ (R) : »èÌçßÌæÙ ·ð¤ ¥çÏ·¤æ´àæ »èÌ ÎðàæÖçÌÂêæü ãñ´Ð (1) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ (2) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð (3) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (4) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð
23. ¥çÖ·¤ÍÙ (A) : Âêßèü-Õ´»æÜ ·¤è ãÚUè-ÖÚUè, ©ÂÁ檤 ¥æñÚU ÁÜèØ Öêç× ¥æñÚU ÕæðÜÂéÚU ·ð¤ ¿æÚUæð´ ÌÚUȤ Õ´ÁÚU ÿæðæ, ÎæðÙæð´ Ùð ÅñU»æðÚU ·¤è ·¤ËÂÙæ ·¤æð ÂýÖæçßÌ ç·¤ØæÐ ·¤æÚUæ (R) : ÅñU»æðÚU ·ð¤ Âý·ë¤çÌ »èÌ ÎæðÙæð´ Âý·¤æÚU ·ð¤ ßæÌæßÚUæ ·ð¤ Ìèÿæ ÂýÖæß âð ÂçÚUÂêæü ãñ´Ð (1) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´, Üðç·¤Ù (R), (A) ·¤è âãè ÃØæØæ Ùãè´ ãñÐ (2) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ (3) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (4) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð
24. ¥çÖ·¤ÍÙ (A) : ÅñU»æðÚU ·ð¤ ·é¤ÀU »èÌæð´ ·¤æð ÜØ (ÌæÜ) ×ð´ Ùãè´ »æÙæ ¿æçã°Ð ·¤æÚUæ (R) : ©Ù×ð´ âð ¥çÏ·¤ÌÚU ÜØ âð °ðçÎý·¤ ãñ´Ð (1) (A) »ÜÌ ãñ ÕçË·¤ (R) âãè ãñÐ (2) ÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð (3) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (4) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð
25. ¥çÖ·¤ÍÙ (A) : Õñçη¤ ÎàæüÙ Ùð ÅñU»æðÚU ·¤æð ¥æ·¤çáüÌ ç·¤ØæÐ ·¤æÚUæ (R) : Ò»èÌæ´ÁçÜÓ ©â ÎàæüÙ ·¤æ ÂýØÿæ ÂýçÌçÕÕÙ ãñÐ (1)www.careerindia.comÎæðÙæð´ (A) ¥æñÚU (R) âãè ãñ´Ð (2) ÎæðÙæð´ (A) ¥æñÚU (R) »ÜÌ ãñ´Ð (3) (A) âãè ãñ Üðç·¤Ù (R) »ÜÌ ãñÐ (4) (A) »ÜÌ ãñ Üðç·¤Ù (R) âãè ãñÐ
J-9715 !J-9715-PAPER-II! 9 Paper-II 26. Arrange sequentially : (a) Mayabanabiharini harini (b) Jibane Parama Lagana (c) Nyaya anyay janine (d) Buk je phete jay (1) (b), (d), (c), (a) (2) (a), (b), (c), (d) (3) (c), (b), (a), (d) (4) (b), (c), (d), (a)
27. Arrange in chronological sequence : (a) Taser Desh (b) Nrityanatya Chitrangada (c) Nrityanatya Chandalika (d) Nrityanatya Shyama (1) (b), (c), (d), (a) (2) (c), (b), (d), (a) (3) (a), (b), (c), (d) (4) (b), (d), (c), (a)
28. Arrange in chronological sequence : (a) Bhanusinha Thakurer Padabali (b) Valmiki Pratibha (c) Kalmrigaya (d) Mayar Khela (1) (a), (b), (c), (d) (2) (b), (c), (d), (a) (3) (c), (a), (d), (b) (4) (d), (a), (b), (c)
29. Arrange the songs chronologically : (a) Jwal Jwal chita dwigun dwigun (b) Saona gagane ghora ghanaghata (c) Dhakore mukha chandrama (d) Eka sutre bandhiyachhi (1) (a), (b), (c), (d) (2) (b), (a), (c), (d) (3) (d), (a), (b), (c) (4) (c), (b), (a), (d)
30. Arrange the following songs in accordance with their chronological order : (a) Amader Shantiniketan (b) Jana Gana Mana Adhinayak (c)www.careerindia.com Chalo Jai Chalo Jai (d) Viswa Vidya Tirtha-Prangan (1) (b), (c), (d), (a) (2) (b), (c), (a), (d) (3) (a), (b), (c), (d) (4) (d), (b), (a), (c)
J-9715 !J-9715-PAPER-II! 10 Paper-II 26. ¥Ùé·ý¤× ×ð´ ÃØßçSÍÌ ·¤Úð´U Ñ (a) ×æØæÕÙçßãæçÚUÙè ãçÚUÙè (b) ÁèÕÙð ÂÚU× Ü»Ù (c) ØæØ ¥ØæØ ÁÙèÙð (d) Õ·¤ Áð Èð¤ÅðU ÁØ (1) (b), (d), (c), (a) (2) (a), (b), (c), (d) (3) (c), (b), (a), (d) (4) (b), (c), (d), (a)
27. ·¤æÜ·ý¤×æÙéâæÚU ·ý¤× ×ð´ ÃØßçSÍÌ ·¤èçÁ° Ñ (a) ÌæâðÚU Îðàæ (b) ÙëØÙæÅ÷UØ ç¿ææ´»Îæ (c) ÙëØÙæÅ÷UØ ¿´Ç¸UæçÜ·¤æ (d) ÙëØÙæÅ÷UØ àØæ×æ (1) (b), (c), (d), (a) (2) (c), (b), (d), (a) (3) (a), (b), (c), (d) (4) (b), (d), (c), (a)
28. ·¤æÜ·ý¤×æÙéâæÚU ·ý¤× ×ð´ ÃØßçSÍÌ ·¤èçÁ° Ñ (a) ÖæÙéçâãæ ÆUæ·é¤ÚðUÚU ÂÎæÕÜè (b) ßæçË×·¤è ÂýçÌÖæ (c) ·¤æÜ×ë»Øæ (d) ×æØæÚU¹ðÜæ (1) (a), (b), (c), (d) (2) (b), (c), (d), (a) (3) (c), (a), (d), (b) (4) (d), (a), (b), (c)
29. »èÌæð´ ·¤æð ·¤æÜ·ý¤× ·ð¤ ¥ÙéâæÚU ÃØßçSÍÌ ·¤Úð´U Ñ (a) ßÜ ßÜ ç¿Ìæ çm»éÙ çm»éÙ (b) âêÙæ »»Ùð ææðÚU æÙæÅUæ (c) ÉUæ·¤æðÚðU ×é¹æ ¿Îý×æ (d) °·¤ âêæð Õæ´Øæÿæè (1) (a), (b), (c), (d) (2) (b), (a), (c), (d) (3) (d), (a), (b), (c) (4) (c), (b), (a), (d)
30. çÙÙçÜç¹Ì »èÌæð´ ·¤æð ©Ù·ð¤ ·¤æÜ·ý¤×æÙéâæÚU ·ý¤× ×ð´ ÃØßçSÍÌ ·¤èçÁ° Ñ (a) ¥×æÎðÚU àææçÌçÙ·ð¤ÌÙ (b) ÁÙ »æ ×Ù ¥çÏÙæØ·¤ (c)www.careerindia.com¿æÜæð ÁæØ ¿æÜæð ÁæØ (d) çßàßçßlæ ÌèÍæü-Âýæ´»æ (1) (b), (c), (d), (a) (2) (b), (c), (a), (d) (3) (a), (b), (c), (d) (4) (d), (b), (a), (c)
J-9715 !J-9715-PAPER-II! 11 Paper-II 31. Arrange the following plays according to their chronological order : (a) Chirokumar Sabha (b) Raja (c) Valmiki Pratibha (d) Chitrangada (1) (c), (a), (b), (d) (2) (c), (b), (a), (d) (3) (c), (d), (a), (b) (4) (c), (d), (b), (a)
32. Arrange the following songs chronologically : (a) Dinantabelay Shesher Fasal Nilem (b) Dhusar Jibaner Godhulite Klanto Aloy Mlan Smriti (c) Dhusar Jibaner Godhulite Klanto Molin Jei Smriti (d) Jara Bihan Belay Gaan Enechhilo (1) (a), (d), (b), (c) (2) (a), (b), (c), (d) (3) (c), (b), (a), (d) (4) (c), (b), (d), (a)
33. Arrange the following plays according to their chronological sequence : (a) Phalguni (b) Bhagna-Hridoy (c) Sharodotsav (d) Shesh-Varshan (1) (a), (b), (c), (d) (2) (b), (c), (a), (d) (3) (b), (c), (d), (a) (4) (a), (c), (d), (b)
34. Arrange the following songs by using their chronological order. Use the codes given below : (a) Oi Mahaamanaba Ase (b) He Nutan (c) Jara Bihan Belay Gaan Enechhilo (d) Samukhe Shanti Parabar (1) (d), (c), (a), (b) (2) (c), (d), (a), (b) (3) (a), (b), (d), (c) (4) (d), (c), (b), (a)
35. Arrange the songs in their chronological order : (a) Sakhi Bhabona Kahare Bole (b) Tomarei Koriyachhi Jibaner Drubotara (c)www.careerindia.com Amar Praner Pare Chole Gelo Ke (d) Ek Sutre Bandhiyachi Sahastrati Mon (1) (a), (b), (c), (d) (2) (d), (c), (b), (a) (3) (d), (b), (a), (c) (4) (b), (a), (d), (c)
J-9715 !J-9715-PAPER-II! 12 Paper-II 31. çÙÙçÜç¹Ì ÙæÅU·¤æð´ ·¤æð ©Ù·ð¤ ·¤æÜ·ý¤×æÙéâæÚU ·ý¤× ×ð´ ÃØßçSÍÌ ·¤èçÁ° Ñ (a) ç¿ÚU·é¤×æÚU âÖæ (b) ÚUæÁæ (c) ßæçË×·¤è ÂýçÌÖæ (d) ç¿ææ´»Îæ (1) (c), (a), (b), (d) (2) (c), (b), (a), (d) (3) (c), (d), (a), (b) (4) (c), (d), (b), (a)
32. çÙÙçÜç¹Ì »èÌæð´ ·¤æð ·¤æÜ·ý¤×æÙéâæÚU ÃØßçSÍÌ ·¤èçÁ° Ñ (a) çÎÙ´æÌæÕðÜæØ çàæçàæÚU ȤâÜ çÙÜð× (b) ÏêâÚU çÁÕæÙÚU »æðÏêçÜÌð Üæ´Ìæð ¥ÜæØ ÜæÙ çS×ëçÌ (c) ÏêâÚU çÁÕæÙÚU »æðÏêçÜÌð Üæ´Ìæð ×æðçÜÙ Áð§ü çS×ëçÌ (d) ÁÚUæ çÕãæÙ ÕðÜæØ »æÙ °ÙðÀUèÜæð (1) (a), (d), (b), (c) (2) (a), (b), (c), (d) (3) (c), (b), (a), (d) (4) (c), (b), (d), (a)
33. çÙÙçÜç¹Ì ÙæÅU·¤æð´ ·¤æð ©Ù·ð¤ ·¤æÜ·ý¤×æÙéâæÚU ·ý¤× ×ð´ ÃØßçSÍÌ ·¤èçÁ° Ñ (a) ȤæË»éÙè (b) Ö»÷Ùæ-NÎæðØ (c) àææÚUÎæðâß (d) àæðá-ßáæüÙ (1) (a), (b), (c), (d) (2) (b), (c), (a), (d) (3) (b), (c), (d), (a) (4) (a), (c), (d), (b)
34. çÙÙçÜç¹Ì »èÌæð´ ·¤æð ©Ù·ð¤ ·¤æÜ·ý¤×æÙéâæÚU ÃØßçSÍÌ ·¤èçÁ°Ð Ùè¿ð çΰ »° ·ê¤ÅUæð´ ·¤æ ÂýØæð» ·¤èçÁ° Ñ (a) ¥æð§ü ×ãæ×æÙß ¥æâð (b) ãð ÙêÌÙ (c) ÁÚUæ çÕãæÙÕðÜæØ »æÙ °ÙçÀUÜæð (d) â×é¹ àææçÌ ÂæÚUæÕæÚU (1) (d), (c), (a), (b) (2) (c), (d), (a), (b) (3) (a), (b), (d), (c) (4) (d), (c), (b), (a)
35. §Ù »èÌæð´ ·¤æð ©Ù·ð¤ ·¤æÜ·ý¤×æÙéâæÚU ·ý¤× ×ð´ ÃØßçSÍÌ ·¤èçÁ° Ñ (a) â¹è ÖæÕÙæ ·¤ãæÚðU ÕæðÜð (b) ÌæðãæÚUè ·¤æðçÚUØæÀUè çÁÕæÙðÚU ÎýéÕæðææ (c)www.careerindia.com¥æ×æÚU ÂýæÙðÚU ÂÚðU ¿æðÜð »ðÜæð ·ð¤ (d) °·¤ âêæð Õæ´çÏØæ¿è âãSææçÎ ×Ù (1) (a), (b), (c), (d) (2) (d), (c), (b), (a) (3) (d), (b), (a), (c) (4) (b), (a), (d), (c)
J-9715 !J-9715-PAPER-II! 13 Paper-II 36. Arrange in accordance with temporal sequence : (a) Bhimrao Sastri (b) Hemendralal Ray (c) V.V. Wazalwar (d) Rabindralal Ray (1) (d), (b), (c), (a) (2) (a), (b), (c), (d) (3) (a), (c), (b), (d) (4) (b), (d), (a), (c)
37. Match the items of List - I with those of List - II : List - I List - II (a) Chitto Jetha Bhoyshunyo (i) Naba Jatak (b) He Mor Chitto Punyotirthe (ii) Sanai (c) Pratham Yuger Uday - Digangane (iii) Geetanjali (d) Prem Esechhilo Nihshabda Charane (iv) Naivedya Codes : (a) (b) (c) (d) (1) (ii) (iii) (iv) (i) (2) (iv) (iii) (i) (ii) (3) (iii) (iv) (ii) (i) (4) (ii) (i) (iv) (iii)
38. Match List - I with List - II : List - I List - II (a) Aji Mamo Mon Chahe (i) Viswa - Upa - Paryaya (b) Kul Theke Mor Ganer Tori (ii) Biraha - Upa - Paryaya (c) Amar Ei Path Chaoatei Ananda (iii) Gaan - Upa - Paryaya (d) Je Dhrubapada Diyechho Bandhi (iv) Path - Upa - Paryaya Codes : (a) (b) (c) (d) (1) (iii) (iv) (i) (ii) (2) (ii) (iii) (iv) (i) (3)www.careerindia.com (iv) (i) (ii) (iii) (4) (ii) (iii) (i) (iv)
J-9715 !J-9715-PAPER-II! 14 Paper-II 36. ·¤æçÜ·¤ ·ý¤× ·ð¤ ¥ÙéâæÚU ÃØßçSÍÌ ·¤èçÁ° Ñ (a) Öè×ÚUæß àææSæè (b) ãð×´Îý ÜæÜ ÚUæØ (c) ßè.ßè. ß$ÁæÜßæÚU (d) ÚUæçÕÎýÜæÜ ÚUæØ (1) (d), (b), (c), (a) (2) (a), (b), (c), (d) (3) (a), (c), (b), (d) (4) (b), (d), (a), (c)
37. âê¿è - I ·¤æð âê¿è - II ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) ç¿æ ÁðÆUæ ÖØàæêØæð (i) Ùß ÁæÌ·¤ (b) ãð ×æðÚU ç¿æ ÂéØÌèÍðü (ii) âÙ§ü (c) ÂýÍ× Øé»èÚU ©ÎØ çÎÙ»æÙð (iii) »èÌæ´ÁçÜ (d) Âýð× °âçÀUÜæð çÙàæÎ ¿ÚUæð (iv) Ùñßðl ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (ii) (iii) (iv) (i) (2) (iv) (iii) (i) (ii) (3) (iii) (iv) (ii) (i) (4) (ii) (i) (iv) (iii)
38. âê¿è - I ·¤æð âê¿è - II ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) ¥Áè ×æ×æð ×Ù ¿æãð (i) çßàßæ - ©Â - ÂØæüØ (b) ·é¤Ü ÆðU·ð¤ ×æðÚU »æÙðÚU ÌæðÚUè (ii) çÕÚUã - ©Â - ÂØæüØ (c) ¥æ×æÚU °§ü ÂÍ ¿æßæÌð§ü ¥æÙ´Î (iii) »æÙ - ©Â - ÂØæüØ (d) Áð ÏýéßÂÎæ çÎØæðÀUæð Õæ´Ïè (iv) ÂÍ - ©Â - ÂØæüØ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iii) (iv) (i) (ii) (2)www.careerindia.com (ii) (iii) (iv) (i) (3) (iv) (i) (ii) (iii) (4) (ii) (iii) (i) (iv)
J-9715 !J-9715-PAPER-II! 15 Paper-II 39. Match List - I with List - II : List - I List - II (a) Kanna-Hasir Dol Dolano (i) Prem (b) Chitta Pipasita Re (ii) Vichitra (c) Viswa - Veena Rabe (iii) Puja (d) Amay Kshamo He Kshamo (iv) Prakriti Codes : (a) (b) (c) (d) (1) (iii) (ii) (i) (iv) (2) (iii) (i) (iv) (ii) (3) (ii) (iv) (iii) (i) (4) (iv) (iii) (i) (ii)
40. Match the items of List - I with the items of List - II : List - I List - II (a) Sharodotsav (i) Arup ratan (b) Raja (ii) Chirokumar Sabha (c) Achalayatan (iii) Rinshodh (d) Prajapatir Nirbandha (iv) Guru Codes : (a) (b) (c) (d) (1) (iii) (iv) (ii) (i) (2) (iv) (ii) (i) (iii) (3) (ii) (iii) (iv) (i) (4) (iii) (i) (iv) (ii)
41. Match the items of List - I with the items of List - II : List - I List - II (a) Naho Mata Naho Kanya (i) Rogshayaa (b) Ei Udasi Haoar Pathe Pathe (ii) Geetanjali (c) Amar Matha Nato Kore Dao (iii) Sanai (d) Jara Bihanbelay Gaan Enechhilo (iv) Chitra Codes : (a) (b) (c) (d) (1) (iv) (iii) (ii) (i) (2)www.careerindia.com (ii) (iv) (iii) (i) (3) (iii) (i) (iv) (ii) (4) (i) (iv) (iii) (ii)
J-9715 !J-9715-PAPER-II! 16 Paper-II 39. âê¿è - I ·¤æð âê¿è - II ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) ·¤óæ-ãæçâÚU ÎæðÜ ÎæðÜæÙæð (i) Âýð× (b) ç¿æ çÂÂæçâÌæ ÚðU (ii) çßç¿æ (c) çßàß-ßèææ ÚUæÕð (iii) ÂêÁæ (d) ¥×Ø ÿæ×æð ãð ÿæ×æð (iv) Âýæ·ë¤çÌ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iii) (ii) (i) (iv) (2) (iii) (i) (iv) (ii) (3) (ii) (iv) (iii) (i) (4) (iv) (iii) (i) (ii)
40. âê¿è - I ·¤æð âê¿è - II ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) àææÚUÎæðâß (i) ¥L¤Â ÚUÌÙ (b) ÚUæÁæ (ii) ç¿ÚU·é¤×æÚU âÖæ (c) ¥¿ÜæØÌÙ (iii) çÚUÙàææðÏ (d) ÂýÁæÂÌèÚU çÙÕüÏæ (iv) »éL¤ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iii) (iv) (ii) (i) (2) (iv) (ii) (i) (iii) (3) (ii) (iii) (iv) (i) (4) (iii) (i) (iv) (ii)
41. âê¿è - I ·¤è ×Îæð´ ·¤æð âê¿è - II ·¤è ×Îæð´ ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) Ùãæð ×æÌæ Ùãæð ·¤Øæ (i) ÚUæð»àæÄØæ (b) °§ü ©Îæâè ãßæÚU ÂæÍð ÂæÍð (ii) »èÌæ´ÁçÜ (c) ¥×æÚU ×æÍæ ÙæÌæð ·¤æðÚðU Îæ¥æð (iii) âÙ§ü (d) ÁÚUæ çÕãæÙÕðÜæØ »æÙ °çÀUÜæð (iv) ç¿ææ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iv) (iii) (ii) (i) (2)www.careerindia.com (ii) (iv) (iii) (i) (3) (iii) (i) (iv) (ii) (4) (i) (iv) (iii) (ii)
J-9715 !J-9715-PAPER-II! 17 Paper-II 42. Match List - I with List - II : List - I List - II (a) Ohe Dayamoy (i) Mayar Khela (b) Mori O Kahar Bachha (ii) Brahma Sangeet (c) Mana Na Manili (iii) Valmiki - Pratibha (d) Aha, Aji E Basante (iv) Kaal - Mrigaya Codes : (a) (b) (c) (d) (1) (ii) (iii) (iv) (i) (2) (iv) (i) (ii) (iii) (3) (iii) (iv) (i) (ii) (4) (i) (ii) (iii) (iv)
43. Match the items of List - I with the items of List - II : List - I List - II (a) Sakhi Andhare Ekela (i) Kaphi (b) Prabhu Amar Priya Amar (ii) Kedar (c) Pratidina Ami He (iii) Khambaj (d) Sudhasagaratire He (iv) Nayaki Kanara Codes : (a) (b) (c) (d) (1) (iii) (ii) (i) (iv) (2) (ii) (iv) (i) (iii) (3) (iii) (iv) (i) (ii) (4) (iv) (iii) (ii) (i)
44. Match the items of List - I with the items of List - II : List - I List - II (a) Garabo Mamo Horechho (i) Bhupali (b) Jwal Jwal Chita (ii) Desh (c) Tumi Bandhu Tumi (iii) Bahar (d) Aji Basanta Jagrata (iv) Pilu Codes : (a) (b) (c) (d) (1) (ii) (i) (iv) (iii) (2)www.careerindia.com (iii) (i) (ii) (iv) (3) (ii) (iii) (iv) (i) (4) (iii) (ii) (i) (iv)
J-9715 !J-9715-PAPER-II! 18 Paper-II 42. âê¿è - I ·¤æð âê¿è - II ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) ¥æð§ü ÎØæ×Ø (i) ×æØÚU ¹ðÜæ (b) ×æðÚUè ¥æð ·¤ãæÚU Õææ (ii) Õýræ â´»èÌ (c) ×Ù Ùæ ×æçÙÜè (iii) ßæçË×·¤è ÂýçÌÖæ (d) ¥ãæ, ¥Áè ° Õâ´Ìð (iv) ·¤æÜ ×ëØæ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (ii) (iii) (iv) (i) (2) (iv) (i) (ii) (iii) (3) (iii) (iv) (i) (ii) (4) (i) (ii) (iii) (iv)
43. âê¿è - I ·¤è ×Îæð´ ·¤æð âê¿è - II ·¤è ×Îæð´ ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) âæ¹è ¥´ÏðÚðU °·¤Üæ (i) ·¤æ$Ȥè (b) ÂýÖé ¥×æÚU çÂýØ ¥×æÚU (ii) ·ð¤ÎæÚU (c) ÂýçÌçÎÙ ¥æ×è ãð (iii) $¹×æÁ (d) âéÏæâæ»ÚUÌèÚðU ãð (iv) ÙæØ·¤è ·¤ÙæÚUæ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iii) (ii) (i) (iv) (2) (ii) (iv) (i) (iii) (3) (iii) (iv) (i) (ii) (4) (iv) (iii) (ii) (i)
44. âê¿è - I ·¤è ×Îæð´ ·¤æð âê¿è - II ·¤è ×Îæð´ ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ âê¿è - I âê¿è - II (a) »æÚUæÕæð ×æð×æð ãæðÚðUÀUæð (i) ÖêÂæÜè (b) ßÜ ßÜ ç¿Ìæ (ii) Îðàæ (c) Ìéãè´ Õ´Ïé Ìéãè´ (iii) ÕãæÚU (d) ¥Áè Õâ´Ìæ Áæ»ýÌ (iv) ÂèÜê ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (ii) (i) (iv) (iii) (2)www.careerindia.com (iii) (i) (ii) (iv) (3) (ii) (iii) (iv) (i) (4) (iii) (ii) (i) (iv)
J-9715 !J-9715-PAPER-II! 19 Paper-II 45. Match the items of List - I with the items of List - II :
List - I List - II
(a) Esho Esho Esho He Baishak (i) Brahma Sangeet
(b) Ye Tomai Chare Charuk (ii) Ritusangeet
(c) Tomari Gehe Palicha (iii) Desha prem
(d) Hede Go Nandarani (iv) Sishusangeet
Codes :
(a) (b) (c) (d)
(1) (ii) (iii) (iv) (i)
(2) (iv) (ii) (i) (iii)
(3) (ii) (iii) (i) (iv)
(4) (iv) (iii) (ii) (i)
46. Match the items of List - I with the items of List - II :
List - I List - II
(a) Ardha Jhamptal (i) Rupakra
(b) Kaharba (ii) Jhampak
(c) Jhamptal (iii) Surphanktal
(d) Trital (iv) Madhyaman
Codes :
(a) (b) (c) (d)
(1) (ii) (i) (iii) (iv)
(2) (iii) (i) (iv) (ii) (3)www.careerindia.com (ii) (i) (iv) (iii) (4) (i) (iv) (ii) (iii)
J-9715 !J-9715-PAPER-II! 20 Paper-II 45. âê¿è - I ·¤è ×Îæð´ ·¤æð âê¿è - II ·¤è ×Îæð´ ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ
âê¿è - I âê¿è - II
(a) °àææð °àææð °àææð ãè Õñàææ¹ (i) Õýræ â´»èÌ
(b) Øð Ìæð×æ§ü ÀUæǸð ÀUæÇéU·¤ (ii) «¤Ìé â´»èÌ
(c) Ìæð×æÚUè »ðãð ÂæÜèÀUæ (iii) Îðàæ Âýð×
(d) ãðÎð »æð ÙÎÚUæÙè (iv) çàæàæé â´»èÌ ·ê¤ÅU Ñ
(a) (b) (c) (d)
(1) (ii) (iii) (iv) (i)
(2) (iv) (ii) (i) (iii)
(3) (ii) (iii) (i) (iv)
(4) (iv) (iii) (ii) (i)
46. âê¿è - I ·¤è ×Îæð´ ·¤æð âê¿è - II ·¤è ×Îæð´ ·ð¤ âæÍ âé×ðçÜÌ ·¤èçÁ° Ñ
âê¿è - I âê¿è - II
(a) ¥Ïü ÛæÂÌæÜ (i) M¤Âæ·¤ÚUæ
(b) ·¤ãæÚUÕæ (ii) Ûæ·¤
(c) ÛæÂÌæÜ (iii) âéÚUÈ´¤·¤ÌæÜ
(d) çæÌæÜ (iv) ×Ø×æ ·ê¤ÅU Ñ
(a) (b) (c) (d)
(1) (ii) (i) (iii) (iv)
(2) (iii) (i) (iv) (ii)
(3)www.careerindia.com (ii) (i) (iv) (iii)
(4) (i) (iv) (ii) (iii)
J-9715 !J-9715-PAPER-II! 21 Paper-II Read the passage : Tagore : There is in human affairs an element of elasticity also - some freedom within a small range, which is for the expression of our personality. It is like the musical system in India which is not so rigidly fixed as is the western music. Our composers give a certain definite outline, a system of melody and rhythmic arrangement, and within a certain limit the player can improvise upon it. He must be one with the law of that particular melody, and then he can give spontaneous expression to his musical feeling within the prescribed regulation. We praise the composer for his genius in creating a foundation along with a superstructure of melodies, but we expect from the player his own skill in the creation of variations of melodic flourish and ornamentation. In creation we follow the central law of existence, but, if we do not cut ourselves adrift from it. We can have sufficient freedom within the limits of our personality for the fullest self - expression. (Sangitchinta, Visva-Bharati, P. 343) Now, answer the following four questions : (No. 47, 48, 49, 50) 47. With whom Tagores conversation is going on ? (1) Albert Einstein (2) Romain Rolland (3) Herbert George Wells (4) Marguerite Wilkinson
48. Artistic personality needs : (1) strict discipline (2) regular practice (3) some freedom within a small range (4) carefree life
49. The score of western classical music is : (1) very much flexible (2) rigidly fixed (3) changeable in course of time (4) depending on the conductor
50. We expect from the player (of Hindusthani music) : (1) adherence to notation (2) adherence to his masters training (3) compromise between tradition and modernism (4)www.careerindia.com the creation of variations of melodic flourish and ornamentation o O o
J-9715 !J-9715-PAPER-II! 22 Paper-II ¥ÙéÀðUÎ ·¤æð Âçɸ° Ñ ÒÒÅñU»æðÚU Ñ ×æÙß â´Õ´Ïæð´ ×ð´ Øãæ¡ Ü¿èÜðÂÙ ·¤æ ¥ßØß Öè ãñÐ ·é¤ÀU âè×æ ·ð¤ ÌãÌ ·é¤ÀU SßÌ´æÌæ Áæð ã×æÚðU ÃØçÌß ·ð¤ ¥çÖÃØçÌ ·ð¤ çÜ° ãñÐ Øã ÖæÚUÌèØ â´»èÌ ÂhçÌ ·ð¤ â×æÙ ãñ Áæð §ÌÙè ÎëɸÌæ âð çÙÏæüçÚUÌ Ùãè´ ãñ Áñâæ ç·¤ Âæà¿æØ â´»èÌ ×ð´Ð ã×æÚðU »èÌ·¤æÚU ·é¤ÀU çÙçà¿Ì M¤ÂÚðU¹æ ÜØÕh ÂýÕ´ÏÙ ¥æñÚU ×ÏéÚU â´»èÌ ·¤è ÃØßSÍæ ÎðÌð ãñ´ ¥æñÚU ßæη¤ ·é¤ÀU âè×æ Ì·¤ §â×ð´ âéÏæÚU ·¤ÚU â·¤Ìð ãñ´Ð ©âð ¥ßàØ ãè ©â çßçàæcÅU ×ÏéÚU â´»èÌ ·ð¤ çÙØ× ·ð¤ âæÍ °·¤æ·¤æçÚUÌ ãæðÙæ ãæð»æ ¥æñÚU ÌÕ ßã ·¤çÍÌ çÙØ×æð´ ·ð¤ ÌãÌ ¥ÂÙè â´»èÌ ·ð¤ ¥ÙéÖêçÌ ·¤æð SßÌÑ SÈê¤Ìü ¥çÖÃØçÌ Îð â·¤Ìð ãñ´Ð ã× ×ÏéÚU â´»èÌ ·¤è §×æÚUÌ ÕÙæÙð ·ð¤ âæÍ ¥ÂÙè âëÁÙæ×·¤Ìæ ·¤æð çâh ·¤ÚUÙð â´Õ´Ïè ÚU¿Ùæ·¤æÚU ·¤è Âýàæ´âæ ·¤ÚUÌð ãñ´ ÂÚ´UÌé ßæη¤ âð ¥Âðÿææ ·¤ÚUÌð ãñ´ ç·¤ ßã ×ÏéÚU â´»èÌ ×ð´ çßçßÏÌæ ÜæÙð ¥æñÚU ©âð âéÎÚU ÕÙæÙð ×ð´ ¥ÂÙð ·¤æñàæÜ ·¤æ Öè ©ÂØæð» ·¤Úð´UÐ âëÁÙæ×·¤Ìæ ×ð´ ã× ¥çSÌß ·ð¤ ×êÜ ·¤æÙêÙ ·¤æ ¥ÙéâÚUæ ·¤ÚUÌð ãñ´ ØçÎ ã× ¥ÂÙð ¥æ·¤æð §ââð ¥Ü» Ùãè´ ·¤ÚUÌð Ìæð ã×ð ¥ÂÙð ¥æ·¤æð ÂêæüÌØæ ÃØÌ ·¤ÚUÙð ·ð¤ çÜ° ¥ÂÙð ÃØçÌß ·¤è âè×æ¥æð´ ×ð´ ÚUãÌð ãé° ÂØæüÌ ¥æÁæÎè Üð â·¤Ìð ãñ´ÐÓÓ (â´»èÌç¿´Ìæ, çßàß ÖæÚUÌ, P. 343) çÙÙçÜç¹Ì ¿æÚU ÂýàÙæ𴠷𤠩æÚU ÎèçÁ° Ñ (ÂýàÙ â´Øæ 47, 48, 49, 50) 47. ç·¤â·ð¤ âæÍ ÅñU»æðÚU ·¤è ßæÌæü ãæð ÚUãè ãñ? (1) ¥ÜÕÅüU ¥æ§üÙSÅUæ§üÙ (2) ÚUæð×Ù ÚUæòÜñ´ÇU (3) ãÕüÅU ÁæÁü ßñËâ (4) ×æÚU»ýðÅU çßÜç·¤ÙâÙ
48. ·¤Üæ×·¤ ÃØçÌß ·ð¤ çÜ° Øæ ¥æßàØ·¤ ãñ? (1) ·¤ÆUæðÚU ¥ÙéàææâÙ (2) çÙØç×Ì ¥Øæâ (3) ·é¤ÀU âè×æ ×ð´ ÍæðǸè SßÌ´æÌæ (4) çÙçà¿´Ì ÁèßÙ
49. Âçà¿×è àææSæèØ â´»èÌ ·¤æ â´»èÌÜð¹ ãñ Ñ (1) ÕãéÌ Üæð¿àæèÜ (2) ÎëɸÌæ âð çÙÏæüçÚUÌ (3) â×ØæÙéâæÚU ÂçÚUßÌüÙèØ (4) ÂçÚU¿æÜ·¤ (·´¤ÇUÅUÚU) ÂÚU ¥æÏæçÚUÌ
50. ßæη¤ (çãÎéSÌæÙè â´»èÌ ·ð¤) âð ã× ¥Âðÿææ ·¤ÚUÌð ãñ´ Ñ (1) SßÚUçÜç ·¤æ ¥ÙéÂæÜÙ (2) »éL¤ ·ð¤ Âýçàæÿææ ·¤æ ¥ÙéÂæÜÙ (3) ÂÚ´UÂÚUæ ÌÍæ ¥æÏéçÙ·¤ÌæßæÎ ·ð¤ Õè¿ â×ÛææñÌæ (4)www.careerindia.com×ÏéÚU â´»èÌ çßSÌæÚU (×ðÜæðçÇU·¤ ÜæðçÚUàæ) ÌÍæ ¥Ü´·¤ÚUæ ×ð´ çßçÖóæÌæ ©Âóæ ·¤ÚUÙæ o O o
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