Influence of Baul, Sufi Saints and Kabir on Tagore's Philosophical Anthropology
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Khulna Division 11 Nov 2019
Tour | Adventure | Nature | Food BEAUTIFUL Khulna About Bangladesh Bangladesh, country of south-cen- tral Asia, located in the delta of the Padma (Ganges [Ganga]) and Ja- muna (Brahmaputra) rivers in the northeastern part of the Indian sub- continent. The riverine country of Bangladesh (“Land of the Bengals”) is one of the most densely populated countries in the world, and its people are predominantly Muslim. With the partition of India in 1947, it became the Pakistani province of East Bengal (later renamed East Pakistan), one of five provinces of Pakistan, sepa- rated from the other four by 1,100 miles (1,800 km) of Indian territory. In 1971 it became the independent country of Bangladesh, with its capi- tal at Dhaka. 2 Table of contents About Bangladesh 2 Sundarban 4 Sixty Dome Mosque 10 The Shrine of Lalon Fakir 14 Shilaidaha Kuthibari 17 3 Sundarban KOIRA, KHULNA. The Sundarbans, which means ‘Beautiful Forest’, is the largest littoral mangrove belt in the world and an UNESCO World Heritage Site. It is a bewitching empire of greenery stretching 80km (50mi) into the Bangladeshi hinterland from the coast. You will be amazed to know about the mesmerizing diversified biodiversity of this mighty forest. 4 SUNDARBAN 5 SUNDARBAN 6 SUNDARBAN 7 SUNDARBAN 8 SUNDARBAN 9 Sixty Dome Mosque BAGERHAT, KHULNA. Sixty Dome Mosque is one of the largest Sultanate mosque in Bangladesh and impressive Muslim Monument in Indian subcontinent. It is a UNESCO World Her- itage Site and the most archaeological and historical mosque in Bangladesh. 10 SIXTY DOME MOSQUE 11 SIXTY DOME MOSQUE 12 SIXTY DOME MOSQUE 13 The Shrine of Lalon Fakir KUSHTIA, KHULNA. -
2348-7666; Vol.3, Issue-7(4), July, 2016 Impact Factor: 3.656; Email: [email protected]
International Journal of Academic Research ISSN: 2348-7666; Vol.3, Issue-7(4), July, 2016 Impact Factor: 3.656; Email: [email protected] In-charge of English Department, Ideal College of Arts & Sciences (A), Kakinada It may not be hyperbolic to As an educationist, reformer say that there may not be such a great politician, and follower of Brahmo Samaj, man as Tagore. Just two points are worth he assimilated the best in the oriental enough to mention here. He was the tradition. fought against the bigotry and author of our National Anthem . At least inertia of conventional Hinduism. He 40 crore Indians stand up to respect the relinquished his knight hood. National Anthem, when it is sung or As a painter, Tagore struck the played on music. He was the author of golden mean between traditionalism and the National Anthem of Bangladesh also. impressionism. “Genuinely original, There also a good number of people genuinely native”. Again, as a musician respect their National Anthem by he established a pleasing synthesis standing in attention. What else would between classical and light music, the dead soul requires to be joyous, if at Rabidra Sangeet will enjoy eternal youth. all we have belief on soul. As a dramatist, he started with verse- Above all he was the first Asian plays and ended with dance drama. He to receive the Noble Prize for English was also an actor. literature in 1913. The writing of Tagore began his poetic career at Gitanjali, written in a foreign language the age of eight and continued it until the was preferred to the writings of even the last day of his eventful life. -
PAPER VI UNIT I Non-Fictional Prose—General
PAPER VI UNIT I Non-fictional Prose—General Introduction, Joseph Addison’s The Spectator Papers: The Uses of the Spectator, The Spectator’s Account of Himself, Of the Spectator 1.1. Introduction: Eighteenth Century English Prose The eighteenth century was a great period for English prose, though not for English poetry. Matthew Arnold called it an "age of prose and reason," implying thereby that no good poetry was written in this century, and that, prose dominated the literary realm. Much of the poetry of the age is prosaic, if not altogether prose-rhymed prose. Verse was used by many poets of the age for purposes which could be realized, or realized better, through prose. Our view is that the eighteenth century was not altogether barren of real poetry. Even then, it is better known for the galaxy of brilliant prose writers that it threw up. In this century there was a remarkable proliferation of practical interests which could best be expressed in a new kind of prose-pliant and of a work a day kind capable of rising to every occasion. This prose was simple and modern, having nothing of the baroque or Ciceronian colour of the prose of the seventeenth-century writers like Milton and Sir Thomas Browne. Practicality and reason ruled supreme in prose and determined its style. It is really strange that in this period the language of prose was becoming simpler and more easily comprehensible, but, on the other hand, the language of poetry was being conventionalized into that artificial "poetic diction" which at the end of the century was so severely condemned by Wordsworth as "gaudy and inane phraseology." 1.2. -
Copy of OMR Sheet on Conclusion of Examination
Signature and Name of Invigilator OMR Sheet No. : .......................................................... 1. (Signature) (To be filled by the Candidate) (Name) Roll No. 2. (Signature) (In figures as per admission card) (Name) Roll No. (In words) J 9715 PAPER - II Time : 1¼ hours] RABINDRA SANGEET [Maximum Marks : 100 Number of Pages in this Booklet : 24 Number of Questions in this Booklet : 50 Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çܰ çÙÎðüàæ 1. Write your roll number in the space provided on the top of 1. §â ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ¥ÂÙæ ÚUôÜU ÙÕÚU çÜç¹°Ð this page. 2. This paper consists of fifty multiple-choice type of questions. 2. §â ÂýàÙ-Âæ ×𢠿æâ Õãéçß·¤ËÂèØ ÂýàÙ ãñ´Ð 3. At the commencement of examination, the question booklet 3. ÂÚUèÿææ ÂýæÚUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æÂ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU will be given to you. In the first 5 minutes, you are requested ¥æÂ·¤ô ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ÌÍæ ©â·¤è çÙÙçÜç¹Ì Áæ¡¿ ·ð¤ çܰ çÎØð to open the booklet and compulsorily examine it as below : ÁæØð¢»ð, çÁâ·¤è Áæ¡¿ ¥æÂ·¤ô ¥ßàØ ·¤ÚUÙè ãñ Ñ (i) To have access to the Question Booklet, tear off the (i) ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ·ð¤ çܰ ÂéçSÌ·¤æ ÂÚU Ü»è ·¤æ»Á ·¤è âèÜ ·¤æð paper seal on the edge of this cover page. Do not accept ȤæÇ¸ Üð¢UÐ ¹éÜè ãé§ü Øæ çÕÙæ SÅUè·¤ÚU-âèÜU ·¤è ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢UÐ a booklet without sticker-seal and do not accept an open booklet. -
SANDESH India Association of Nebraska December 2014 2531 Shamrock Road Volume 1 Issue 12 Omaha NE 68154
SANDESH India Association of Nebraska December 2014 2531 Shamrock Road Volume 1 Issue 12 Omaha NE 68154 This is our twelfth and final edition of Sandesh (the e-newsletter for IAN) for the year 2014. The publication committee is proud to have published a new edition of Sandesh every month this year. All the published editions can be found at http://www.indiaassociationofnebraska.org/Sandesh.aspx Every edition of Sandesh was comprised of three parts – an editorial, a highlight and a spotlight. The editorial featured messages from various committee chairpersons and it provided some information about the committees’ that comprise IAN and their function. In the highlight section, one event organized by IAN that month was featured and we aimed to provide a glimpse into the event. In the spotlight section we also worked on presenting the State series, which was aimed at being informational and provided some little known facts about many of the Indian states. This final edition contains a quick recap of the events in the year gone by and the operating budget for 2014. On behalf of all of us at the editorial desk, we would like to extend our deepest thanks to all the committee chairpersons, who took time out of their busy schedules to put together editorials for each month. We would also like to thank the president Mr. Joseph Selvaraj for his constant support and availability to help. President’s Message: Dear Friends, Namaste! It is hard to believe that our team has completed the yearly term and contributed their best to the community. -
KRAKAUER-DISSERTATION-2014.Pdf (10.23Mb)
Copyright by Benjamin Samuel Krakauer 2014 The Dissertation Committee for Benjamin Samuel Krakauer Certifies that this is the approved version of the following dissertation: Negotiations of Modernity, Spirituality, and Bengali Identity in Contemporary Bāul-Fakir Music Committee: Stephen Slawek, Supervisor Charles Capwell Kaushik Ghosh Kathryn Hansen Robin Moore Sonia Seeman Negotiations of Modernity, Spirituality, and Bengali Identity in Contemporary Bāul-Fakir Music by Benjamin Samuel Krakauer, B.A.Music; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2014 Dedication This work is dedicated to all of the Bāul-Fakir musicians who were so kind, hospitable, and encouraging to me during my time in West Bengal. Without their friendship and generosity this work would not have been possible. জয় 巁쇁! Acknowledgements I am grateful to many friends, family members, and colleagues for their support, encouragement, and valuable input. Thanks to my parents, Henry and Sarah Krakauer for proofreading my chapter drafts, and for encouraging me to pursue my academic and artistic interests; to Laura Ogburn for her help and suggestions on innumerable proposals, abstracts, and drafts, and for cheering me up during difficult times; to Mark and Ilana Krakauer for being such supportive siblings; to Stephen Slawek for his valuable input and advice throughout my time at UT; to Kathryn Hansen -
Khiyo Are a London-Based Six-Piece Band Playing Radical, Modern Interpretations of Bengali Heritage Music
ENGLISH P. 2 DEUTSCH S. 10 Khiyo are a London-based six-piece band playing radical, modern interpretations of Bengali heritage music. The band was formed in 2007 as a collaboration between British-Bangladeshi vocalist Sohini Alam and composer / multi-instrumentalist Oliver Weeks to explore new ways of presenting traditional Bengali music whilst preserving its essence. The songs on this album represent an eclectic mix of Bengali classics from both Bangladesh and India, drawing on folk, film, protest songs and other traditional genres such as Rabindra Sangeet (the songs of Rabindranath Tagore) and Nazrul Sangeet (the songs of Bangladesh’s national poet Kazi Nazrul Islam). Alam’s powerful and expressive vocals are matched with dynamic and original arrangements that draw on South Asian and Western folk and classical traditions, rock and jazz. The band is named after a letter of the Bengali alphabet, the ‘Khiyo’ ( ). It is a unique letter that, whilst being a combination of two letters, has an identity of its own. Similarly, though the band’s members draw on many different musical backgrounds, the amalgamation of the whole has a singularly identifiable sound. Sohini Alam is a third-generation vocalist from a well-known Bangladeshi singing dynasty. Sohini trained in music with her mother, Hiron Alam and her aunts, Jannat Ara and Ferdous Ara. Her repertoire includes folk, patriotic, modern and traditional Bengali songs with a specialisation in Nazrul Sangeet. She has branched out into multi-lingual music in bands (Khiyo & Kishon Khan’s Afro-Cuban-Bengali jazz band, Lokkhi Terra), for dance (she has been acclaimed for her vocals on Akram Khan’s Olivier Award-winning dance piece DESH), and for the theatre (she is Musical Artist in Residence at pioneering London Asian theatre Tara Arts). -
Cultural Filigree
Cultural Filigree By Riffat Farjana ID: 10308018 Seminar II Submitted in partial fulfillment of the requirements For the degree of Bachelor of Architecture Department of Architecture BRAC University " — । , , — । ? - । । " ----------- Abstract Abstract " , । । , " ---- The project has been developed by connecting different urban cultural corridors by bringing the life and energy into the center of the city Bogra by making the 100 years old park more greener and more accommodating by active and passive participation of the users. The project can be described as a "PAST in the FUTURE" , a proper balance between nature and culture. The project is a raw interface between building and landscape where people and plan co-exist and can share the same surface at the same time creates a clear system of interaction between nature and the city. The project provides an opportunity to level the city at the same time be more closer to it. where the nature provides an unexpected contrast to the city keeping balance with the culture. Acknowledgement Acknowledgement I would like to begin by thanking almighty Allah for his mercy and for fulfilling all my wishes in life. All the grace to Allah for everything I have achieved till now. Again, I am thankful to Almighty for blessing me with a beautiful life with some people, who always guide me when I needed most ,in the form of my Abbu and Ammu to whom I am always thankful for their support , sacrifices and blessings , in the form of my Nanu (late Dr. Nurul Islam Chowdhury) to whom I am thankful for his blessings and for always being proud of me, even in times, when I didn‘t deserve such faith. -
Festival Tour Package – Folk Holi
Music Magic : South Bengal POT Maya Baul Fakiri Utsav [email protected] Pingla, Paschim Medinipur Purba Bardhaman Nov 20 - 22, 2020 Nov 27 - 29, 2020 11N/ 12D tour package to Kolkata and neighbouring ICH/ Cultural spaces - 2 Melas Nov 19 Arrival at Kolkata Nov 20 Visit Kolkata Nov 21 Visit Pingla to see 11th edition of Patachitra Mela POT MAYA (Scroll painters' village, who use natural colour) and return to Kolkata Nov 22 Travel to Sunderbans (world's largest delta), overnight stay there Nov 23 Visit different islands, enjoy Mangrove forest, interact with communities, and see their culture Nov 24 Return to Kolkata Nov 25 Visit Purulia, stay at Gandhi Ashram in Nimdih Nov 26 See Chau dance in Purulia and Chau mask makers village, overnight stay at Nimdih Gandhi Ashram Nov 27 Visit Baul Fakiri Mela Nov 28 Enjoy 11th edition of Baul Fakir festival, daytime visit to Santiniketan (Tagore's place) Nov 29 Back to Kolkata in the evening Nov 30 Departure from Kolkata Mode of transport Kolkata to Pingla: Car 3 hours Tepantar to Santiniketan: Car 45 minutes Kolkata to Nimdih: Train/ Car 7 hours Kolkata to Sunderbans: Car/ Boat 4 hours Nimdih to Tepantar: Car 4.5 hours Tepantar to Kolkata: Car 3.5 hours Overnight Stay arrangement Kolkata, Sundarban - Hotel Tepantar Theatre Village - 4 acre campus, Eco Tourism Cottage Nimdih Gandhi Ashram - 60 acre campus, Eco Tourism Cottage One can take full / part of the offered tour, as per guest's convenience. These tours are with xed dates, because of local festival dates. We provide airport to airport service; provide decent clean stay (with attached bath, western toilet), Hot Indian Cooked food, English speaking guide, AC SUV/ Traveller (depending on group size), Interaction with artists along with village visit, Demonstration/ Workshop in our all tours. -
Ornamental Fish Diversity of Sundarbans
World Journal of Fish and Marine Sciences 4 (6): 566-576, 2012 ISSN 2078-4589 © IDOSI Publications, 2012 DOI: 10.5829/idosi.wjfms.2012.04.06.63176 Study on the Ornamental Fin Fish of Indian Sundarbans with Special Reference to Few Floral Sources for Carotenoid Pigmentation 1,3Banani Mandal, 2,3Arunava Mukherjee, 4Subrata Sarkar and 3Samir Banerjee 1Depatment of Zoology, Jogesh Chandra Chaudhuri College, Kolkata-700033, India 2Kamarhati Sagore Dutt Free High School (H.S), Kamarhati, Kolkata- 700058, India 3Aquaculture Research Unit, Department of Zoology, University of Calcutta. Kolkata- 700019, India 4Department of Physics, Jadavpur University, 188 Raja S.C. Mullick Road, Kolkata-700032, India Abstract: Marine aquarium trade is rapidly expanding and there is a growing demand for tropical marine aquarium fishes in the international market. This paper provides an initial assessment of a new venture, the mangrove ornamental fish resources in Indian Sundarbans. A total of 67 species of finfish were identified of which the representatives from the order Perciformes are dominant. Mangrove plants association is one of the great sources of pigmentation for the estuarine fishes. Different types of carotenoid pigments were recorded from 22 estuarine fin fish species, among which many are common with the pigments isolated from the ripen leaves of 8 mangrove plant species. Key words: Perciformes % Mangrove% Estuarine, Ripen Leaves. INTRODUCTION currently farmed, the majority of marine aquaria are stocked from wild caught species [7]. According to data Ornamental fishes are characterized by a wide held in Global Marine Aquarium Database a total of 1,471 diversity of colors and color patterns and success in the species of marine ornamental fishes are traded globally. -
A Comparative Study of Gitanjali with Death Be Not Proud Abstract Death Is the Inevitable Part of Human Life
P: ISSN NO.: 2394-0344 RNI No.UPBIL/2016/67980 VOL-3* ISSUE-12* (Part-2) March- 2019 E: ISSN NO.: 2455-0817 Remarking An Analisation Treatment of Death: A Comparative Study of Gitanjali with Death Be Not Proud Abstract Death is the inevitable part of human life. It is not predetermined. It has great power and force. It is unconquerable or invincible. Nobody can show his or her possession on Death. From the beginning of the world, it always remained a roun for all ordinary human beings and the great philosophers. It is still an intangible mystery and will remain same in the future also. Nobody will be able to solve about this mystery. This truth will remain forever behind the curtain. A number of the writers of English literature portrayed the concept of death in their literary works. They all used their own perspective in regard of death. Some writers presented Death in positive sense as; Rabindra Nath Tagore and Emily Dickinson while others presented it with negativity as we find in the works of John Donne and Dylon Thomas. Some writers took it as a medium to unite with God while others portrayed it with its cruelty and callousness. They thought that Death is merciless; it does not show any kind of pity and drives them away from their beloved ones. Rabindra Nath Tagore compares Death with God in his famous work Gitanjali and he considers that Death is the only gateway through which he can unite with Almighty or Supreme Soul. In his holy sonnet Death BeNot Proud john Donne does not treat Death in a pious manner. -
Tagore Studies
TAGORE STUDIES PREAMBLE Tagore Studies will be a mainly Activity, Presentation and Seminar-based Learner-Centric Course that will offer the option of taking it up as a Minor Discipline (all six courses for 18 Credits) or One-at-a-time Course (3 Credits) under Open Elective Choice where the participants would be able to engage themselves in Making a Choice, as to which Course/Courses to opt for (for instance, someone from Fine Arts and Aesthetics background may like to opt for ‗Tagore as a Culture Icon with special reference to his Painting‘ or ‗Tagore and Mass Media,‘ whereas a Literature candidate may like to go for ‗Tagore as a Poet‘ and ‗Tagore as a Fiction Writer.‘ Students enrolled in Mass Media and Communication may love to get connected to ‗Tagore and Mass Media‘ as well as ‗Tagore as a Fiction Writer.‘ Those from the History orientation may like to opt for the ‗Cultural History‘ area under ‗Tagore as a Cultural Icon‘ module). Collaboration within or across disciplines to create a joint appraisal/critique/text which could then be presented before the class for internal evaluation – by the faculty and remaining students together – in a peer review mode together.) Communication would be tested on the oral or ppt presentations that a participant may like to make on any aspect of Tagore in a Colloquium model where one person communicates and the others on the panel comment, agree, differ or substantiate etc where their performance is evaluated. Critical thinking with respect to the issues raised by Tagore in the areas on Religion, Societal Practices, Nation Building, or Politics (especially in ENG2652) on which a participant may like to write an end-semester Term Paper.