Rabindranath Tagore —
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1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48P
1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48p. Rs.30 It Is the famous rhymes collection of Bengali Literature. 2. Aabol Taabol Roy, Sukumar Kolkata: National Book Agency 2003; 60p. Rs.30 It in the most popular Bengala Rhymes ener written. 3. Aabol Taabol Roy, Sukumar Kolkata: Dey's 1990; 48p. Rs.10 It is the most famous rhyme collection of Bengali Literature. 4. Aachin Paakhi Dutta, Asit : Nikhil Bharat Shishu Sahitya 2002; 48p. Rs.30 Eight-stories, all bordering on humour by a popular writer. 5. Aadhikar ke kake dei Mukhophaya, Sutapa Kolkata: A 'N' E Publishers 1999; 28p. Rs.16 8185136637 This book intend to inform readers on their Rights and how to get it. 6. Aagun - Pakhir Rahasya Gangopadhyay, Sunil Kolkata: Ananda Publishers 1996; 119p. Rs.30 8172153198 It is one of the most famous detective story and compilation of other fun stories. 7. Aajgubi Galpo Bardhan, Adrish (ed.) : Orient Longman 1989; 117p. Rs.12 861319699 A volume on interesting and detective stories of Adrish Bardhan. 8. Aamar banabas Chakraborty, Amrendra : Swarnakhar Prakashani 1993; 24p. Rs.12 It is nice poetry for childrens written by Amarendra Chakraborty. 9. Aamar boi Mitra, Premendra : Orient Longman 1988; 40p. Rs.6 861318080 Amar Boi is a famous Primer-cum-beginners book written by Premendra Mitra. 10. Aat Rahasya Phukan, Bandita New Delhi: Fantastic ; 168p. Rs.27 This is a collection of eight humour A Mystery Stories. 12. Aatbhuture Mitra, Khagendranath Kolkata: Ashok Prakashan 1996; 140p. Rs.25 A collection of defective stories pull of wonder & surprise. 13. Abak Jalpan lakshmaner shaktishel jhalapala Ray, Kumar Kolkata: National Book Agency 2003; 58p. -
Rabindranath Tagore: a Social Thinker and an Activist a Review of Literature and a Bibliography Kumkum Chattopadhyay, Retd
2018 Heritage Vol.-V Rabindranath Tagore: a Social Thinker and an Activist A Review of Literature and a Bibliography Kumkum Chattopadhyay, Retd. Associate Professor, Dept. of Political Science, Bethune College, Kolkata-6 Abstract: Rabindranath Tagore, although basically a poet, had a multifaceted personality. Among his various activities his sincerity as a social thinker and activist attract our attention. But this area is till now comparatively unexplored. Many scholars in this area have tried to study Tagore as a social thinker. But so far the findings are scattered and on the whole there is no comprehensive analysis in the strict sense of the term. Hence it is necessary to collect the different findings and to integrate and arrange them within a theoretical framework. This article is an attempt to make a review of literature of the existing books and to prepare a short but sharp bibliography to introduce the area. Key words: Rabindranath Tagore, society, social, political, history, education, Santiniketan, Visva-Bharati Rabindranath Tagore (1861 – 1941) was a prolific writer, a successful music composer, a painter, an actor, a drama director and what not. Besides these talents, he was also a social activist and contributed a lot to Indian social and political thought, although this area has not been very much explored till now. Tagore was emphatic upon society building. So he tried to develop all the component elements which were essential for developing the Indian society. He studied the history of India to follow the trend of its evolution. Next he prepared his programme of action – rural reconstruction and spread of education. -
Locating and Collating Translated Locating and Collating Translated
Locating and Collating Translated Short Stories of Rabindranath Tagore SWATI DATTA Abstract Rabindranath Tagore (1861-1941) has been a seminal figure of the Indian literary and cultural scene. His vast and versatile literary contribution includes a large number of short stories that are highly reflective of the sociocultural climate of his times and yet convey ideas and feelings that are perennially relevant to a humanitarian society. Interestingly, the translation world testifies to a history of over one hundred years of English translation of Tagore's Bengali short stories. The paper concentrates on this significant body of translated literature and bases itself primarily on the source text of Galpaguchchha , which is a collection of ninety short stories composed by Tagore. The short stories of Rabindranath are a rich source of cross- cultural transmission. That the stories have been translated into English for more than a century now and the translation activity in this sphere still continues, is a phenomenon which merits serious reflection. Keeping in view the complexities of linguistic and cultural transference, the paper discusses the location of this translated literature and attempts a collation of various target language texts. This has been done by analyzing the nature of the stories selected for Translation Today Vol. 2 No. 1 Mar. 2005 © CIIL 2005 Swati Datta 197 trnnslation together with the probable reasons for the same and by presenting a comparative study of portions of some of the translations to highlight the translational complexities and nuances. The task to locate and collate the translated short stories, which belong to both the pre- and post-independent years of Indian history, naturally takes into account the complications that develop out of colonial and post-colonial situations. -
2348-7666; Vol.3, Issue-7(4), July, 2016 Impact Factor: 3.656; Email: [email protected]
International Journal of Academic Research ISSN: 2348-7666; Vol.3, Issue-7(4), July, 2016 Impact Factor: 3.656; Email: [email protected] In-charge of English Department, Ideal College of Arts & Sciences (A), Kakinada It may not be hyperbolic to As an educationist, reformer say that there may not be such a great politician, and follower of Brahmo Samaj, man as Tagore. Just two points are worth he assimilated the best in the oriental enough to mention here. He was the tradition. fought against the bigotry and author of our National Anthem . At least inertia of conventional Hinduism. He 40 crore Indians stand up to respect the relinquished his knight hood. National Anthem, when it is sung or As a painter, Tagore struck the played on music. He was the author of golden mean between traditionalism and the National Anthem of Bangladesh also. impressionism. “Genuinely original, There also a good number of people genuinely native”. Again, as a musician respect their National Anthem by he established a pleasing synthesis standing in attention. What else would between classical and light music, the dead soul requires to be joyous, if at Rabidra Sangeet will enjoy eternal youth. all we have belief on soul. As a dramatist, he started with verse- Above all he was the first Asian plays and ended with dance drama. He to receive the Noble Prize for English was also an actor. literature in 1913. The writing of Tagore began his poetic career at Gitanjali, written in a foreign language the age of eight and continued it until the was preferred to the writings of even the last day of his eventful life. -
2021 Banerjee Ankita 145189
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The Santiniketan ashram as Rabindranath Tagore’s politics Banerjee, Ankita Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 THE SANTINIKETAN ashram As Rabindranath Tagore’s PoliTics Ankita Banerjee King’s College London 2020 This thesis is submitted to King’s College London for the Degree of Doctor of Philosophy List of Illustrations Table 1: No of Essays written per year between 1892 and 1936. -
Tagore's Song Offerings: a Study on Beauty and Eternity
Everant.in/index.php/sshj Survey Report Social Science and Humanities Journal Tagore’s Song Offerings: A Study on Beauty and Eternity Dr. Tinni Dutta Lecturer, Department of Psychology , Asutosh College Kolkata , India. ABSTRACT Gitanjali written by Rabindranath Tagore (and the English translation of the Corresponding Author: Bengali poems in it, written in 1921) was awarded the Novel Prize in 1913. He Dr. Tinni Dutta called it Song Offerings. Some of the songs were taken from „Naivedya‟, „Kheya‟, „Gitimalya‟ and other selections of his poem. That is, the Supreme Being is complete only together with the soul of the devetee. He makes the mere mortal infinite and chooses to do so for His own sake, this could be just could be a faint echo of the AdvaitaPhilosophy.Tagore‟s songs in Gitanjali express the distinctive method of philosophy…The poet is nothing more than a flute (merely a reed) which plays His timeless melodies . His heart overflows with happiness at His touch that is intangible Tagore‟s song in Gitanjali are analyzed in this ways - content analysis and dynamic analysis. Methodology of his present study were corroborated with earlier findings: Halder (1918), Basu (1988), Sanyal (1992) Dutta (2002).In conclusion it could be stated that Tagore‟s songs in Gitanjali are intermingled with beauty and eternity.A frequently used theme in Tagore‟s poetry, is repeated in the song,„Tumiaamaydekechhilechhutir‟„When the day of fulfillment came I knew nothing for I was absent –minded‟, He mourns the loss. This strain of thinking is found also in an exquisite poem written in old age. -
PAPER VI UNIT I Non-Fictional Prose—General
PAPER VI UNIT I Non-fictional Prose—General Introduction, Joseph Addison’s The Spectator Papers: The Uses of the Spectator, The Spectator’s Account of Himself, Of the Spectator 1.1. Introduction: Eighteenth Century English Prose The eighteenth century was a great period for English prose, though not for English poetry. Matthew Arnold called it an "age of prose and reason," implying thereby that no good poetry was written in this century, and that, prose dominated the literary realm. Much of the poetry of the age is prosaic, if not altogether prose-rhymed prose. Verse was used by many poets of the age for purposes which could be realized, or realized better, through prose. Our view is that the eighteenth century was not altogether barren of real poetry. Even then, it is better known for the galaxy of brilliant prose writers that it threw up. In this century there was a remarkable proliferation of practical interests which could best be expressed in a new kind of prose-pliant and of a work a day kind capable of rising to every occasion. This prose was simple and modern, having nothing of the baroque or Ciceronian colour of the prose of the seventeenth-century writers like Milton and Sir Thomas Browne. Practicality and reason ruled supreme in prose and determined its style. It is really strange that in this period the language of prose was becoming simpler and more easily comprehensible, but, on the other hand, the language of poetry was being conventionalized into that artificial "poetic diction" which at the end of the century was so severely condemned by Wordsworth as "gaudy and inane phraseology." 1.2. -
Copy of OMR Sheet on Conclusion of Examination
Signature and Name of Invigilator OMR Sheet No. : .......................................................... 1. (Signature) (To be filled by the Candidate) (Name) Roll No. 2. (Signature) (In figures as per admission card) (Name) Roll No. (In words) J 9715 PAPER - II Time : 1¼ hours] RABINDRA SANGEET [Maximum Marks : 100 Number of Pages in this Booklet : 24 Number of Questions in this Booklet : 50 Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çܰ çÙÎðüàæ 1. Write your roll number in the space provided on the top of 1. §â ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ¥ÂÙæ ÚUôÜU ÙÕÚU çÜç¹°Ð this page. 2. This paper consists of fifty multiple-choice type of questions. 2. §â ÂýàÙ-Âæ ×𢠿æâ Õãéçß·¤ËÂèØ ÂýàÙ ãñ´Ð 3. At the commencement of examination, the question booklet 3. ÂÚUèÿææ ÂýæÚUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æÂ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU will be given to you. In the first 5 minutes, you are requested ¥æÂ·¤ô ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ÌÍæ ©â·¤è çÙÙçÜç¹Ì Áæ¡¿ ·ð¤ çܰ çÎØð to open the booklet and compulsorily examine it as below : ÁæØð¢»ð, çÁâ·¤è Áæ¡¿ ¥æÂ·¤ô ¥ßàØ ·¤ÚUÙè ãñ Ñ (i) To have access to the Question Booklet, tear off the (i) ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ·ð¤ çܰ ÂéçSÌ·¤æ ÂÚU Ü»è ·¤æ»Á ·¤è âèÜ ·¤æð paper seal on the edge of this cover page. Do not accept ȤæÇ¸ Üð¢UÐ ¹éÜè ãé§ü Øæ çÕÙæ SÅUè·¤ÚU-âèÜU ·¤è ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢UÐ a booklet without sticker-seal and do not accept an open booklet. -
IP Tagore Issue
Vol 24 No. 2/2010 ISSN 0970 5074 IndiaVOL 24 NO. 2/2010 Perspectives Six zoomorphic forms in a line, exhibited in Paris, 1930 Editor Navdeep Suri Guest Editor Udaya Narayana Singh Director, Rabindra Bhavana, Visva-Bharati Assistant Editor Neelu Rohra India Perspectives is published in Arabic, Bahasa Indonesia, Bengali, English, French, German, Hindi, Italian, Pashto, Persian, Portuguese, Russian, Sinhala, Spanish, Tamil and Urdu. Views expressed in the articles are those of the contributors and not necessarily of India Perspectives. All original articles, other than reprints published in India Perspectives, may be freely reproduced with acknowledgement. Editorial contributions and letters should be addressed to the Editor, India Perspectives, 140 ‘A’ Wing, Shastri Bhawan, New Delhi-110001. Telephones: +91-11-23389471, 23388873, Fax: +91-11-23385549 E-mail: [email protected], Website: http://www.meaindia.nic.in For obtaining a copy of India Perspectives, please contact the Indian Diplomatic Mission in your country. This edition is published for the Ministry of External Affairs, New Delhi by Navdeep Suri, Joint Secretary, Public Diplomacy Division. Designed and printed by Ajanta Offset & Packagings Ltd., Delhi-110052. (1861-1941) Editorial In this Special Issue we pay tribute to one of India’s greatest sons As a philosopher, Tagore sought to balance his passion for – Rabindranath Tagore. As the world gets ready to celebrate India’s freedom struggle with his belief in universal humanism the 150th year of Tagore, India Perspectives takes the lead in and his apprehensions about the excesses of nationalism. He putting together a collection of essays that will give our readers could relinquish his knighthood to protest against the barbarism a unique insight into the myriad facets of this truly remarkable of the Jallianwala Bagh massacre in Amritsar in 1919. -
Journal of Bengali Studies
ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies. -
Rabindranath Thakur 1861—1941 Family and Bites.Org.Inmilieu Dwarakanath
bites.org.inRabindranath Thakur 1861—1941 Family and bites.org.inmilieu Dwarakanath Original family surname: Kushari Rarhi Brahmins, village: Kush, Burdwan district of Bengal Ancestors were “Pirali” Brahmins – Brahmins who had converted to Islam Dwarakanath Tagore – grandfather Well-versed in Bengali, English, Arabic, Farsi as well as legal matters bites.org.in Ventures in banking, insurance, shipping Very prominent citizen of Kolkata at that time [give years] Passed away in London Debendranath One of the founders of the Brahmo Samaj (1843) Deeply spiritual, but did not renounce his considerable material possessions Spirit of detachment bites.org.in Master of the Upanishads Milieu Family at the forefront of the Bengal Renaissance Literary magazines Dhrupad musicians, Western classical music performances at home – in bites.org.inthe courtyard Jorasanko Thakurbari The ancestral house bites.org.inof the Thakur-s bites.org.in Panoramic view Jorasanko Thakurbari The courtyard for bites.org.inperformances The Ambience Immersed in music, plays Brahmo Samaj meetings, in which prayer songs played a very big part bites.org.in Many prayer songs were written by father Debendranath bites.org.in Travels: India bites.org.inand England Awakening of the poet After Upanayan, left Kolkata with his father Shantiniketan, Amritsar, the hill station Dalhousie Acquaintance with the classical poetry of Kalidasa When he was 16, he completed a collection of poems called “Bhanusingher Podabolee” “Gahanakusumakunjamajhey” bites.org.in The story -
A Hundred Years of Tagore in Finland
Cracow Indological Studies vol. XVII (2015) 10.12797/CIS.17.2015.17.08 Klaus Karttunen [email protected] (University of Helsinki) A Hundred Years of Tagore in Finland Summary: The reception of Rabindranath Tagore in Finland, starting from newspa- per articles in 1913. Finnish translations of his works (19 volumes in 1913–2013, some in several editions) listed and commented upon. Tagore’s plays in theatre, radio and TV, music composed on Tagore’s poems. Tagore’s poem (Apaghat 1929) commenting upon the Finnish Winter War. KEYWORDS: Rabindranath Tagore, Bengali Literature, Indian English Literature, Fin nish Literature. In Finland as well as elsewhere in the West, the knowledge of Indian literature was restricted to a few Sanskrit classics until the second decade of the 20th century. The Nobel Prize in Literature given to Rabindranath Tagore (1861–1941) in 1913 changed this at once. To some extent, the importance of Tagore had been noted even before—the Swedish Nobel Committee did not get his name out of nowhere.1 Tagore belonged to a renowned Bengali family and some echoes of this family had even been heard in Finland. As early as the 1840s, 1 The first version of this paper was read at the International Tagore Conference in Halle (Saale), Germany, August 2–3, 2012. My sincere thanks are due to Hannele Pohjanmies, the translator of Tagore’s poetry, who has also traced many details about the history of the poet in Finland. With her kind permission, I have used this material, supplementing it from newspaper archives and from my own knowledge.