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Women´S Writing and Writings on Women In
WOMEN´S WRITING AND WRITINGS ON WOMEN IN THE GOAN MAGAZINE O ACADÉMICO (1940– 1943)1 A ESCRITA DE MULHERES E A ESCRITA SOBRE MULHERES NA REVISTA GOESA O ACADÉMICO (1940 – 1943) VIVIANE SOUZA MADEIRA2 ABSTRACT: This article discusses some texts, written by women, as well as texts on women, written by men, in the Goan magazineO Académico (1940-1943). Even though O Académico is not particularly aimed at women’s readership, but at a broader audience – the “Goan youth” – it contains articles that deal with the question of women in the spheres of science, politics and literature. As one of the magazine’s objectives was to “emancipate Goan youth intellectually”, we understand that young women’s education was also within their scope, focusing on the question of women’s roles. The Goan intelligentsia that made up the editorial board of the publication revealed their desire for modernization by showing their preoccupation with forward-looking ideas and by providing a space for women to publish their texts. KEYWORDS: Women’s writing, Men writing on women, Periodical Press,O Académico, Goa. RESUMO: Este artigo discute textos escritos sobre mulheres, por homens e por mulheres, na revista goesa O Académico (1940-1943). Embora não tenha sido particularmente voltada as leitoras, mas a um público mais amplo – a “juventude goesa” – a revista contém artigos que abordam a questão da mulher nas esferas da ciência, da política e da literatura. Como um dos seus objetivos era “emancipar intelectualmente a juventude goesa”, entendemos que a educação das jovens de Goa estava no escopo da publicação, focando também na questão dos papéis que essas mulheres cumpriam em sua sociedade. -
A Commercial Study of TIATR As a Form of Entertainment in Goa (India
A Commercial Study of TIATR as a form of Entertainment in Goa (India): An Empirical Analysis Dr.Juao Costa Associate Professor, Rosary College of Commerce and Arts, Navelim, Salcete, Goa. 403707. Abstract: Introduction: The state of Goa is rich in culture; heritage and art The state of Goa is rich in culture; heritage and art especially performing art in Goa is a unique feature of especially performing art in Goa is a unique feature of the state. Though all these forms fall under the wide the state. Though all these forms fall under the wide classification of dance, dramas and music yet the classification of dance, dramas and music yet the dance in Goa has a distinct Goan flavour and can be dance in Goa has a distinct Goan flavour and can be easily be distinguished from those of the other states. easily be distinguished from those of the other states. The most significant part about the performing arts in The most significant part about the performing arts in Goa is the fact that each of them colorfully illustrates Goa is the fact that each of them colourfully illustrates the unity in diversity of Goan heritage. Goan rich the unity in diversity of Goan heritage. Goan rich cultural heritage comprises of dance, folksongs, music cultural heritage comprises of dance, folksongs, music and folk tales rich in the content and variety. Goans are and folk tales rich in the content and variety. Goans are born music lovers. Goans are very fond of theatre and born music lovers. Goans are very fond of theatre and acting. -
If Goa Is Your Land, Which Are Your Stories? Narrating the Village, Narrating Home*
If Goa is your land, which are your stories? Narrating the Village, Narrating Home* Cielo Griselda Festinoa Abstract Goa, India, is a multicultural community with a broad archive of literary narratives in Konkani, Marathi, English and Portuguese. While Konkani in its Devanagari version, and not in the Roman script, has been Goa’s official language since 1987, there are many other narratives in Marathi, the neighbor state of Maharashtra, in Portuguese, legacy of the Portuguese presence in Goa since 1510 to 1961, and English, result of the British colonization of India until 1947. This situation already reveals that there is a relationship among these languages and cultures that at times is highly conflictive at a political, cultural and historical level. In turn, they are not separate units but are profoundly interrelated in the sense that histories told in one language are complemented or contested when narrated in the other languages of Goa. One way to relate them in a meaningful dialogue is through a common metaphor that, at one level, will help us expand our knowledge of the points in common and cultural and * This paper was carried out as part of literary differences among them all. In this article, the common the FAPESP thematic metaphor to better visualize the complex literary tradition from project "Pensando Goa" (proc. 2014/15657-8). The Goa will be that of the village since it is central to the social opinions, hypotheses structure not only of Goa but of India. Therefore, it is always and conclusions or recommendations present in the many Goan literary narratives in the different expressed herein are languages though from perspectives that both complement my sole responsibility and do not necessarily and contradict each other. -
Folk Theatre in Goa: a Critical Study of Select Forms Thesis
FOLK THEATRE IN GOA: A CRITICAL STUDY OF SELECT FORMS THESIS Submitted to GOA UNIVERSITY For the Award of the degree of Doctor of Philosophy in English by Ms. Tanvi Shridhar Kamat Bambolkar Under the Guidance of Dr. (Mrs.) K. J. Budkuley Professor of English (Retd.), Goa University. January 2018 CERTIFICATE As required under the University Ordinance, OA-19.8 (viii), I hereby certify that the thesis entitled, Folk Theatre in Goa: A Critical Study of Select Forms, submitted by Ms. Tanvi Shridhar Kamat Bambolkar for the Award of the Degree of Doctor of Philosophy in English has been completed under my guidance. The thesis is the record of the research work conducted by the candidate during the period of her study and has not previously formed the basis for the award of any Degree, Diploma, Associateship, Fellowship or other similar titles to her by this or any other University. Dr. (Mrs.) K.J.Budkuley Professor of English (Retd.), Goa University. Date: i DECLARATION As required under the University Ordinance OA-19.8 (v), I hereby declare that the thesis entitled, Folk Theatre in Goa: A Critical Study of Select Forms, is the outcome of my own research undertaken under the guidance of Dr. (Mrs.) K.J.Budkuley, Professor of English (Retd.),Goa University. All the sources used in the course of this work have been duly acknowledged in the thesis. This work has not previously formed the basis of any award of Degree, Diploma, Associateship, Fellowship or other similar titles to me, by this or any other University. Ms. -
Explorations in Ethnic Studies
Vol. 8, No.1 January,1985 EXPLORATIONS IN ETHNIC STUDIES The Journal of the National Association for Interdisciplinary Ethnic Studies Published by NAIES General Editorial Board Paula Gunn Allen, Wr iter an d In de pe ndent Sc holar EI Ce rrito ,Ca li fornia Wolfgang Binder, Am erican Literat ure Er langen ,We st Ge rmany Lucia Birnbaum, It alian Am erican Hi storica l Society Be rke ley ,Ca li fornia Lorenz Graham, Wr iter Claremont ,Ca li forni a Jack Forbes, Na tive Am .erican St udies Da vis ,Ca li fornia Lee Hadley, Wr iter Ma dr i d,Io wa Annabelle Irwin, Wr iter Lakev iew,Io wa Clifton H. Johnson, Am ista d Researc h Ce nter Ne w Or leans Joyce Joyce, En glis h Co ll ege Pa rk ,Ma ry lan d Paul Lauter, Am erican St udies OldWe stb ury ,Ne w Yo rk Ron Takaki, Ethn ic St udies Be rke ley ,Ca li fornia Darwin Turner, En glis h Io wa Ci ty ,Io wa Vol. 8, No.1 January,1985 Table of Contents Goan Literature from Peter Nazareth: An Interview by Charles C. Ir by ....................................... 1 Racism and the Canadian State by Da iva K. Stasi ulis . .. 13 Cr itiq ues A. Wi lliam Ho gl und. .. 32 Luis L. Pi nto .......................... .. 34 Va gn K. Ha nsen . .. 36 De lo E. Wa shington ..................................... 37 Between Shadow and Rock: The Wo man in Armenian American Literature by Ma rgaret Be dr osian ........................ 39 Cr itiq ues Jo e Ro drig uez .............................. -
Goa University Glimpses of the 22Nd Annual Convocation 24-11-2009
XXVTH ANNUAL REPORT 2009-2010 asaicT ioo%-io%o GOA UNIVERSITY GLIMPSES OF THE 22ND ANNUAL CONVOCATION 24-11-2009 Smt. Pratibha Devisingh Patil, Hon ble President of India, arrives at Hon'ble President of India, with Dr. S. S. Sidhu, Governor of Goa the Convocation venue. & Chancellor, Goa University, Shri D. V. Kamat, Chief Minister of Goa, and members of the Executive Council of Goa University. Smt. Pratibha Devisingh Patil, Hon'ble President of India, A section of the audience. addresses the Convocation. GOA UNIVERSITY ANNUAL REPORT 2009-10 XXV ANNUAL REPORT June 2009- May 2010 GOA UNIVERSITY TALEIGAO PLATEAU GOA 403 206 GOA UNIVERSITY ANNUAL REPORT 2009-10 GOA UNIVERSITY CHANCELLOR H. E. Dr. S. S. Sidhu VICE-CHANCELLOR Prof. Dileep N. Deobagkar REGISTRAR Dr. M. M. Sangodkar GOA UNIVERSITY ANNUAL REPORT 2009-10 CONTENTS Pg, No. Pg. No. PREFACE 4 PART 3; ACHIEVEMENTS OF UNIVERSITY FACULTY INTRODUCTION 5 A: Seminars Organised 58 PART 1: UNIVERSITY AUTHORITIES AND BODIES B: Papers Presented 61 1.1 Members of Executive Council 6 C; ' Research Publications 72 D: Articles in Books 78 1.2 Members of University Court 6 E: Book Reviews 80 1.3 Members of Academic Council 8 F: Books/Monographs Published 80 1.4 Members of Planning Board 9 G. Sponsored Consultancy 81 1.5 Members of Finance Committee 9 Ph.D. Awardees 82 1.6 Deans of Faculties 10 List of the Rankers (PG) 84 1.7 Officers of the University 10 PART 4: GENERAL ADMINISTRATION 1.8 Other Bodies/Associations and their 11 Composition General Information 85 Computerisation of University Functions 85 Part 2: UNIVERSITY DEPARTMENTS/ Conduct of Examinations 85 CENTRES / PROGRAMMES Library 85 2.1 Faculty of Languages & Literature 13 Sports 87 2.2 Faculty of Social Sciences 24 Directorate of Students’ Welfare & 88 2.3 Faculty of Natural Sciences 31 Cultural Affairs 2.4 Faculty of Life Sciences & Environment 39 U.G.C. -
Goa University)
Powered by TCPDF (www.tcpdf.org) 1 21 January 2019 (Goa University) Inaugural: 9:30 am to 10:45 am 11:00–1:00 Session I: Press and Nationalism Session II: Press and Diaspora Chair: N Shyam Bhat Chair: Rochelle Pinto Venue– Conference Hall Venue– Council Hall Adelaide Vieira Machado Pratima P. Kamat (Goa University): (USP/FAPESP/CHAM/UNL/CRIA/IS ‘Of roots and routes: a review of select CTE-IUL): ‘The intellectual profile of Indo-Portuguese periodicals from the Pracasha as a contribute for the cultural Goan diasporic world’ study of Goan democratic thought’ Caio Simões de Araújo (Centre for Rochelle Almeida (New York Indian Studies in Africa (CISA), Wits University): ‘Identity matters: Goans University): ‘Reading “o mundo in Canada and the geographical Lusíada”: imagined communities and the complexities of diasporic politics of decolonization’ consciousness’ Seema S. Risbud (Goa University): Irene Silveira (Goa University): ‘Goa’s Struggle for Freedom: Indian Accounts of Goan immigrant National Congress and the Idea of Poorna gatherings in the 1920s Swaraj’ Sushila S. Mendes (Govt. College of Evereth D. Fernandes (Govt. College Arts, Science & Commerce, Quepem – of Arts, Science & Commerce, Goa): ‘Julião Menezes’ oeuvre: kindling Quepem – Goa): ‘Understanding an anti-colonial struggle in Goa’ 'Saudades' of the Goan Diaspora as 2 seen in the 'The Goan World' (1924- 1939)’ Filipa Alexandra Carvalho Sousa Mark Sebastian Pinto (Researcher, Lopes (Researcher & Educationist, Goa): ‘The forgotten community, ‘the Portugal): ‘The Free Goa and the -
The Case of Goa, India
109 ■ Article ■ The Formation of Local Public Spheres in a Multilingual Society: The Case of Goa, India ● Kyoko Matsukawa 1. Introduction It was Jurgen Habermas, in his Structural Transformation of the Public Sphere [1991(1989)], who drew our attention to the relationship between the media and the public sphere. Habermas argued that the public sphere originated from the rational- critical discourse among the reading public of newspapers in the eighteenth century. He further claimed that the expansion of powerful mass media in the nineteenth cen- tury transformed citizens into passive consumers of manipulated public opinions and this situation continues today [Calhoun 1993; Hanada 1996]. Habermas's description of historical changes in the public sphere summarized above is based on his analysis of Europe and seems to come from an assumption that the mass media developed linearly into the present form. However, when this propo- sition is applied to a multicultural and multilingual society like India, diverse forms of media and their distribution among people should be taken into consideration. In other words, the media assumed their own course of historical evolution not only at the national level, but also at the local level. This perspective of focusing on the "lo- cal" should be introduced to the analysis of the public sphere (or rather "public spheres") in India. In doing so, the question of the power of language and its relation to culture comes to the fore. 松 川 恭 子Kyoko Matsukawa, Faculty of Sociology, Nara University. Subject: Cultural Anthropology. Articles: "Konkani and 'Goan Identity' in Post-colonial Goa, India", in Journal of the Japa- nese Association for South Asian Studies 14 (2002), pp.121-144. -
Identitarian Spaces of the Goan Diasporic Communities
Identitarian Spaces of the Goan Diasporic Communities Thesis Submitted to Goa University For the award of the degree of Doctor of Philosophy In English by Ms. Leanora Madeira née Pereira Under the Guidance of Prof. Nina Caldeira Department of English Goa University, Taleigao Plateau, Goa. India-403206 August, 2020 CERTIFICATE I hereby certify that the thesis entitled “Identitarian Spaces of Goan Diasporic Communities” submitted by Ms. Leanora Pereira for the award of the Degree of Doctor of Philosophy in English, has been completed under my supervision. The thesis is a record of the research work conducted by the candidate during the period of her study and has not previously formed the basis for the award of any degree, diploma or certificate of this or any other University. Prof. Nina Caldeira, Department of English, Goa University. ii Declaration As required under the Ordinance OB 9A.9(v), I hereby declare that this thesis titled Identitarian Spaces of the Goan Diasporic Communities is the outcome of my own research undertaken under the guidance of Professor Dr. Nina Caldeira, Department of English, Goa University. All the sources used in the course of this work have been duly acknowledged in this thesis. This work has not previously formed the basis of any award of Degree, Diploma, Associateship, Fellowship or any other titles awarded to me by this or any other university. Ms. Leanora Pereira Madeira Research Student Department of English Goa University, Taleigao Plateau, Goa. India-403206 Date: August 2020 iii Acknowledgement The path God creates for each one of us is unique. I bow my head to the Almighty acknowledging him as the Alpha and the Omega and Lord of the Universe. -
Tiatr: a New Form of Entrepreneurship in Goa
Communication 33 ISSN 2321 – 371X Tiatr: A New Form of Entrepreneurship Commerce Spectrum 5(2) 33-37 © The Authors 2018 in Goa – Problems and Prospects Reprints and Permissions [email protected] www.commercespectrum.com Dr. Juao C. Costa1 Associate Professor, Department of Commerce,Rosary College of Commerce and Arts, NavelimSalcete Goa. Abstract Tiatr as a form of entrepreneurship has created direct as well as indirect employment to many artists as well as non-performers. Some families are fully dependent on this form of entrepreneurship for their livelihood. The economy of the state to a large extent is supported by this form of entertainment. Realizing its importance in the goan economy, the government of Goa has devised various schemes financial as well as non-financial for the development of tiatr.However, it still needs the attention of the policy makers as it has bright prospects, Goa being a tourist destination.The main objective of the paper would be to highlight how “Tiatr” as a form of entertainment evolved as a form of entrepreneurship providing jobs – directly as well as indirectly to the masses. Key words Tiatr, Tiatrist, culture, entertainment, problem, prospect. Introduction Tiatr1 is a type of musical theatre popular in the GOA, once a Portuguese colony for 450 years, is a state of Goa on the west coast of India as well as in small region on India‟s west coast sandwiched Mumbai and with expatriate communities in the between the Western Ghats and the Arabian Sea Middle East, London and other parts of the world with rich cultural traditions. -
S Goesas Em Konkani Songs From
GOENCHIM KONKNI GAIONAM 1 CANÇO?S GOESAS EM KONKANI2 SONGS FROM GOA IN KONKANI 1 Konkani 2 Portuguese 1 Goans spoke Portuguese but sang in Konkani, a language brought to Goa by the Indian Arya. + A Goan way of expressing love: “Xiuntim mogrim ghe rê tuka, Sukh ani sontos dhi rê maka.” These Chrysanthemum and Jasmine flowers I give to thee, Joy and happiness give thou to me. 2 Bibliography3 A selection as background information Refer to Pereira, José / Martins, Micael. “Goa and its Music”, in: UUUUBoletim do Instituto Menezes Bragança, Panaji. Nr.155 (1988) pp. 41-72 (Bibliography 43-55) for an extensive selection and to the Mando Festival Programmes published by the Konkani Bhasha Mandal in Panaji for recent compositions. Almeida, Mathew . 1988. Konkani Orthography. Panaji: Dalgado Konknni Akademi. Barreto, Lourdinho. 1984. Goemchem Git. Pustok 1 and 2. Panaji: Pedro Barreto, Printer. Barros de, Joseph. 1989. “The first Book to be printed in India”, in: Boletim do Instituto Menezes Bragança, Panaji. Tip. Rangel, Bastorá. Nr. 159. pp. 5-16. Barros de, Joseph. 1993. “The Clergy and the Revolt in Portuguese Goa”, in: Boletim do Instituto Menezes Bragança, Panaji. Tip. Rangel, Bastorá. Nr. 169. pp. 21-37. Borges, Charles J. (ed.). 2000. Goa and Portugal. History and Development. New Delhi: Concept Publishing Co. Borges, Charles J. (ed.). Goa´s formost Nationalist: José Inácio Candido de Loyola. New Delhi: Concept Publishing Co. (Loyola is mentioned in the mando Setembrachê Ekvissavêru). Bragança, Alfred. 1964. “Song and Music”, in: The Discovery of Goa. Panaji: Casa J.D. Fernandes. pp. 41-53. Coelho, Victor A. -
Atitudes Que O Vento Levou: the Stories of Eduardo De Sousa and the Post-1961 Vision of a Goan Elite in Decline Paul Melo E Castro*
Atitudes que o Vento Levou: The stories of Eduardo de Sousa and the post-1961 vision of a Goan elite in decline Paul Melo e Castro* The now-defunct Lusophone literature of Goa holds interest today for two main reasons. Firstly, it bears testimony to the worldview of the former Indo-Portuguese elite, the variety of subject-positions found within its archive in relation to Portuguese culture and colonialism, native hierarchies and Goa’s belonging to the wider Indian nation. It is notable that, at least insofar as prose fiction goes, this literature was often more autocritical or intracritical than invested in “writing back to the empire”.1 Secondly, the specific conditions of Goa and its cultural production in Portuguese might help complexify or problematise postcolonial thought and challenge universalised presumptions concerning the poetics and evolution of postcolonial literatures. If nothing else, at least, the particularities of Portuguese-language Goan literary works serve as a further reminder that the adjective postcolonial refers both to what arises in the wake of colonialism and to what resists colonialism discursively. Ian Adam and Helen Tiffin describe these referents as the two archives of postcolonial writing (1991, viii). Though their distinction is a helpful one, it raises more questions about the “hinge”, to use John McLeod’s influential metaphor (2007, 9), between historical conditions and contestatory representations than it answers. My argument here shall be that such thorny questions as these can only ever be answered locally and provisionally. In this spirit, in the present article, I shall consider the distinctive characteristics of the Goan social landscape in the immediate pre- and post-1961 period and their refraction in Eduardo de Sousa’s Contos que o Vento Levou, one of the last Portuguese-language Goan short- story collections.