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Fredrika Bremer: Famillen H***
Fredrika Bremer FAMILLEN H*** SVENSKA FÖRFATTARE NY SERIE Fredrika Bremer FAMILLEN H*** Utgiven med inledning och kommentarer av Åsa Arping SVS SVENSKA VITTERHETSSAMFUNDET STOCKHOLM 2000 Utgiven med bidrag av Stiftelsen Riksbankens Jubileumsfond Abstract Fredrika Bremer, Famillen H***. Utgiven med inledning och kommentarer av Åsa Arping. (Fredrika Bremer, The H-Family. Edited with introduction and commentary by Åsa Arping, Department of Comparative Literature, Göteborg University, Box 200, SE-405 30 Göteborg, Sweden.) Skrifter utgivna av Svenska Vitterhetssamfundet. Svenska författare. Ny serie, XXVI+242 pp., Stockholm. ISBN 91-7230-094-9 Famillen H*** (The H-Family) appeared in the second and third part of Teck- ningar utur hvardagslifvet (Sketches from Every-day Life), published anon- ymously in 1830–31. This début was an immediate success and the writer’s identity was soon revealed. Here Fredrika Bremer (1801–1865) presented the reader to a literary landscape previously unknown in Sweden. Ordinary con- temporary milieus and characters are unerringly described through a quick prose easily varying from elevated to quiet and humouristic. Alongside of and often in opposition to romanesque conventions this book offered a new kind of realistic account. For the first time Famillen H*** now appeares in a critical edition. The text, based on the first edition, is preceded by an introduction presenting the creation and reception of the novel, and is followed by a commentary. © Svenska Vitterhetssamfundet ISBN 91-7230-094-9 Svenska Vitterhetssamfundet c/o Svenska Akademiens Nobelbibliotek Box 2118, SE-103 13 Stockholm http://svenska.gu.se/vittsam.html Printed in Sweden by Bloms i Lund Tryckeri AB Lund 2000 Inledning Det är besatt, besatt, besatt! Jag tror att någon välmenande hexa har sagt hokus pokus öfver mig och min lilla bok. -
Home Editorial Authors' Responses Guidelines For
Home Search Every Field Editorial Search Authors' ROMANTIC FEUDS: TRANSCENDING THE 'AGE OF PERSONALITY' Responses By Kim Wheatley (Ashgate, 2013) xii + p. 374 Guidelines Reviewed by Rebecca Nesvet on 2013-10-16. For Click here for a PDF version. Reviewers Click here to buy the book on Amazon. About Us Masthead The myth of the lonely, autonomous Romantic Genius has lately taken its lumps. Questioning its historicity, contemporary scholars of nineteenth-century literature often stress the creativity of groups. William St. Clair, Sharon Lynne Feedback Joffe, Scott Krawczyk and Julie A. Carlson have examined the productivity of Romantic literary families or kinship coteries. Tim Fulford, Peter J. Kitson, and Debbie Lee have revealed the scientific network as an engine of Romantic cultural production. David Higgins has shown how the concept of Romantic genius was shaped and popularized by the periodicals of the era, which influenced such figures as Wordsworth and the painter Benjamin R. Haydon. And creative groups could be as small as two. Magisterial studies of pairs of Romantic friends, mentors, protégés, rivals, and frenemies include Stuart Curran's Shelley and Byron: The Snake and Eagle Wreathed in Fight (1976), Paul Magnuson's Coleridge and Wordsworth: A Lyrical Dialogue (1988), Susan Oliver's Scott, Byron, and the Poetics of Cultural Encounter (2005), and Peter Cochran's Byron and Bob (2010). Kim Wheatley has also helped to bury the solitary Romantic Genius. In Shelley and His Readers (1999), Wheatley examined Percy Bysshe Shelley's highly interactive relationship with periodical reviewers, especially those of the Tory Quarterly and Whig Edinburgh Review. -
Reading Our Way to Democracy? Literature and Public Ethics
S S READING OUR WAY TO DEMOCRACY? LITERATURE AND PUBLIC ETHICS ,” F K, “that we should only read those “I books that bite and sting us. If a book we are reading does not rouse us with a blow to the head, then why read it?” 1 Almost all of us who read books for a living and/or pleasure have undoubtedly expe- rienced that most delightfully troubling of phenomena: a novel that forces us to think differently about the world and the way that we live. In recent years, literature’s capacity to generate in its readers “a rigorous scrutiny of everything they believe in and live by” 2—what Stanley Fish calls its “dialectical” potential—has drawn the attention of a number of liberal-democratic theorists, most notably Martha Nussbaum and Rich- ard Rorty. By “liberal-democratic” is meant here, of course, that system of government with popular rule, regular elections, a commitment to individual rights and the rule of law; one that draws on a tradition of political thought that includes the work of John Locke, John Stuart Mill and John Rawls. Although their exact formulations of the claim differ in important ways, Nussbaum and Rorty are united in the belief that reading can enhance the practice of liberal-democracy by expanding the moral imaginations of a citizenry. Such an expansion will, they believe, promote the values of tolerance, respect for other viewpoints, and a recognition of the contingency of one’s own perspective, in short, the values of civil society. Whilst there is undoubtedly something intuitively appealing about their claim, there is much that is philosophically and politically problematic about their respective formulations of it. -
Annual Atwood Bibliography 2016
Annual Atwood Bibliography 2016 Ashley Thomson and Shoshannah Ganz This year’s bibliography, like its predecessors, is comprehensive but not complete. References that we have uncovered —almost always theses and dissertations —that were not available even through interlibrary loan, have not been included. On the other hand, citations from past years that were missed in earlier bibliographies appear in this one so long as they are accessible. Those who would like to examine earlier bibliographies may now access them full-text, starting in 2007, in Laurentian University’s Institutional Repository in the Library and Archives section . The current bibliography has been embargoed until the next edition is available. Of course, members of the Society may access all available versions of the Bibliography on the Society’s website since all issues of the Margaret Atwood Studies Journal appear there. Users will also note a significant number of links to the full-text of items referenced here and all are active and have been tested on 1 August 2017. That said—and particularly in the case of Atwood’s commentary and opinion pieces —the bibliography also reproduces much (if not all) of what is available on-line, since what is accessible now may not be obtainable in the future. And as in the 2015 Bibliography, there has been a change in editing practice —instead of copying and pasting authors’ abstracts, we have modified some to ensure greater clarity. There are a number of people to thank, starting with Dunja M. Mohr, who sent a citation and an abstract, and with Desmond Maley, librarian at Laurentian University, who assisted in compiling and editing. -
The Baroque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery Into a Center
University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2012-05-06 The aB roque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery into a Center Carmen M. Chiappetta University of Miami, [email protected] Follow this and additional works at: https://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Chiappetta, Carmen M., "The aB roque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery into a Center" (2012). Open Access Dissertations. 771. https://scholarlyrepository.miami.edu/oa_dissertations/771 This Embargoed is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. UNIVERSITY OF MIAMI THE BAROQUE IMAGINATION OF ALEJO CARPENTIER, DEREK WALCOTT, AND SEAMUS HEANEY: FOLDING THE PERIPHERY INTO A CENTER By Carmen Chiappetta A DISSERTATION Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Philosophy Coral Gables, Florida May 2012 ©2012 Carmen Chiappetta All Rights Reserved UNIVERSITY OF MIAMI A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy THE BAROQUE IMAGINATION OF ALEJO CARPENTIER, DEREK WALCOTT, AND SEAMUS HEANEY: FOLDING THE PERIPHERY INTO A CENTER Carmen Chiappetta Approved: ________________ _________________ Sandra Pouchet Paquet, Ph.D. Terri A. Scandura, Ph.D. Professor of English Dean of the Graduate School ________________ _________________ Patrick McCarthy, Ph.D. Joel Nickels, Ph.D. -
From Onegin to Ada: Nabokov's Canon and the Texture of Time Marijeta Bozovic Submitted in Partial Fulfillment of the Requireme
From Onegin to Ada: Nabokov’s Canon and the Texture of Time Marijeta Bozovic Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 2011 Marijeta Bozovic all rights reserved ABSTRACT From Onegin to Ada: Nabokov’s Canon and the Texture of Time Marijeta Bozovic The library of existing scholarship on Vladimir Nabokov circles uncomfortably around his annotated translation Eugene Onegin (1964) and late English-language novel Ada, or Ardor (1969). This dissertation juxtaposes Pushkin’s Evgenii Onegin (1825-32) with Nabokov’s two most controversial monuments and investigates Nabokov’s ambitions to enter a canon of Western masterpieces, re-imagined with Russian literature as a central strain. I interrogate the implied trajectory for Russian belles lettres, culminating unexpectedly in a novel written in English and after fifty years of emigration. My subject is Nabokov, but I use this hermetic author to raise broader questions of cultural borrowing, transnational literatures, and struggles with rival canons and media. Chapter One examines Pushkin’s Evgenii Onegin, the foundation stone of the Russian canon and a meta-literary fable. Untimely characters pursue one another and the latest Paris and London fashions in a text that performs and portrays anxieties of cultural borrowing and Russia’s position vis-à-vis the West. Fears of marginalization are often expressed in terms of time: I use Pascale Casanova’s World Republic of Letters to suggest a global context for the “belated” provinces and fashion-setting centers of cultural capital. Chapter Two argues that Nabokov’s Eugene Onegin, three-quarters provocation to one-quarter translation, focuses on the Russian poet and his European sources. -
Illuminating Poe
Illuminating Poe The Reflection of Edgar Allan Poe’s Pictorialism in the Illustrations for the Tales of the Grotesque and Arabesque Dissertation zur Erlangung des Grades des Doktors der Philosophie beim Fachbereich Sprach-, Literatur- und Medienwissenschaft der Universität Hamburg vorgelegt von Christian Drost aus Brake Hamburg, 2006 Als Dissertation angenommen vom Fachbereich Sprach-, Literatur- und Medienwissenschaft der Universität Hamburg aufgrund der Gutachten von Prof. Dr. Hans Peter Rodenberg und Prof. Dr. Knut Hickethier Hamburg, den 15. Februar 2006 For my parents T a b l e O f C O n T e n T s 1 Introduction ................................................................................................. 1 2 Theoretical and methodical guidelines ................................................................ 5 2.1 Issues of the analysis of text-picture relations ................................................. 5 2.2 Texts and pictures discussed in this study ..................................................... 25 3 The pictorial Poe .......................................................................................... 43 3.1 Poe and the visual arts ............................................................................ 43 3.1.1 Poe’s artistic talent ......................................................................... 46 3.1.2 Poe’s comments on the fine arts ............................................................. 48 3.1.3 Poe’s comments on illustrations ........................................................... -
The Enigmas of Borges, and the Enigma of Borges
THE ENIGMAS OF BORGES, AND THE ENIGMA OF BORGES Peter Gyngell, B.A. Thesis submitted to Cardiff University in partial fulfilment of the requirements for the degree of Doctor of Philosophy March 2012 ii ACKNOWLEDGEMENTS My thanks go to my grandson, Brad, currently a student of engineering, who made me write this thesis; to my wife, Jean, whose patience during the last four years has been inexhaustible; and to my supervisor, Dr Richard Gwyn, whose gentle guidance and encouragement have been of incalculable value. Peter Gyngell March 26, 2012 iii CONTENTS PREFACE 1 INTRODUCTION 2 PART 1: THE ENIGMAS OF BORGES CHAPTER 1: BORGES AND HUMOUR 23 CHAPTER 2: BORGES AND HIS OBSESSION WITH DEATH 85 CHAPTER 3: BORGES AND HIS PRECIOUS GIFT OF DOUBT 130 CHAPTER 4: BORGES AND HUMILITY 179 PART 2: THE ENIGMA OF BORGES CHAPTER 5: SOME LECTURES AND FICTIONS 209 CHAPTER 6: SOME ESSAYS AND REVIEWS 246 SUMMARY 282 POSTSCRIPT 291 BIBLIOGRAPHY 292 1 PREFACE A number of the quoted texts were published originally in English; I have no Spanish, and the remaining texts are quoted in translation. Where possible, translations of Borges’ fictions will be taken from The Aleph and Other Stories 1933-1969 [Borges, 1971]; they are limited in number but, because of the involvement of Borges and Norman Thomas di Giovanni, they are taken to have the greater authority; in the opinion of Emir Rodriguez Monegal, a close friend of Borges, these translations are ‘the best one can ask for’ [461]; furthermore, this book contains Borges’ ‘Autobiographical Essay’, together with his Commentaries on each story. -
Writing the Self Through the Transformational States of the Public
University of Lund Peter Henning Språk- och litteraturcentrum Master's thesis Literature – Culture – Media: LIVR07 Supervisor: Eva Hættner Aurelius 2009-06-03 Writing the self through the transformational states of the public Dialogical concerns of self-writing in a study of the autobiographical work of Agneta Horn and Erik Gustaf Geijer Table of contents Introduction .............................................................................................................. 3 At the crossroads of past and present 3 Research aims and posed questions 4 Material 4 Disposition 5 A note on translations 6 Dialogue, performativity and the appropriation of identity .............................. 7 Defining the terminology of the public 7 Approaching the performative 9 Claiming identity 14 Questioning, and gaining, identity 17 The phenomena of dialogue 20 Relationality and dialogue 21 ‘Utterance’ in the Bakhtinian sense 23 From speech act, to performativity, towards dialogue 25 Dialogue as illuminated through transformational, external structures 28 Summary 31 Modes of dialogue in the seventeenth century: a study of the political publics of literature and the autobiography of Agneta Horn............................................. 33 A book-historical background 33 The poltical public and its ideological expressions 36 Self-writing and the public 38 The case of Agneta Horn 41 Selfhood in between the diverging perspectives of modernity and postmodernity 46 Searching for one’s self in the publics of literature: the circumstances surrounding Erik Gustav Geijer’s Minnen ........................................................ 49 Introductory remarks 49 Previous research, the relevancy of a new perspective 50 Rethinking Minnen 52 The formal issue of the compilational form 52 Melancholic retrospection 54 A second farewell 59 To find a self 61 An aesthetic in transition, Minnen towards the public 65 1 Summary and conclusions ................................................................................... -
Kvinnligt Och Manligt I Malla Silfverstolpes Salong
34 INGRID HOLMQUIST Kvinnligt och manligt i Malla Silfverstolpes salong I Malin Silfverstolpes salong dominerar den romantiska könsideologins särartstänkande, men samtidigt ges kvinnor möjlighet till en vidgad social och kulturell identitet. Både kvinnor och män får också en chans att skapa alternativa relationer och könskonstruktioner: Salongskulturen blir ett frirum mellan familjen och offentligheten. "Musik, sång, rika samtal - ljulligt roligt, så sa "preciösa" salonger härstammar den kvinn- som jag önskade alltid kunna ha det".1 Detta liga värdinnans betydelsef ulla roll, men kvin- uttalande av Malla Silfuerstolpe om den egna nor fick också andra viktiga roller i salongen, salongen säger något väsentligt om salongs- de kunde sjunga, deklamera, spela teater, skri- kulturen. Salongen representerar både konst va vers etc. Tack vare salongens "halvoffentlig- och liv, både kulturella aktiviteter och en social het" fick aristokratins och borgerskapets kvin- gemenskap som för de mest engagerade ut- nor en möjlighet till bildning och konstnärlig vecklas till en sorts livsform. verksamhet under perioder då offentligheten Salongskulturen får sin speciella karaktär av var så gott som stängd för dem.'5 att salongen är ett socialt och kulturellt rum Samtidigt som salongen inneburit en social som befinner sig mellan privatsfären och den och kulturell fristad för kvinnor, kan den knap- offentliga sfären. Den är privat genom att past kallas ett kvinnornas eget rum. Männen salongerna hålls i hem och ofta utgår från ett intog mycket framträdande positioner i sa- umgänge mellan vänner, men samtidigt öpp- longerna, precis som i samhället i övrigt. nar den sig mot offentligheten genom att fun- I den här artikeln vill jag närmare undersö- gera som ett intellektuellt och estetiskt forum. -
English Literature As Reflected in German Literature of the Eighteenth Century Peter Michelsen
Document generated on 10/01/2021 12:28 a.m. Man and Nature L'homme et la nature English Literature as Reflected in German Literature of the Eighteenth Century Peter Michelsen Volume 9, 1990 URI: https://id.erudit.org/iderudit/1012612ar DOI: https://doi.org/10.7202/1012612ar See table of contents Publisher(s) Canadian Society for Eighteenth-Century Studies / Société canadienne d'étude du dix-huitième siècle ISSN 0824-3298 (print) 1927-8810 (digital) Explore this journal Cite this article Michelsen, P. (1990). English Literature as Reflected in German Literature of the Eighteenth Century. Man and Nature / L'homme et la nature, 9, 91–108. https://doi.org/10.7202/1012612ar Copyright © Canadian Society for Eighteenth-Century Studies / Société This document is protected by copyright law. Use of the services of Érudit canadienne d'étude du dix-huitième siècle, 1990 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 7. English Literature as Reflected in German Literature of the Eighteenth Century1 It may seem self-evident that the term 'German literature' implies literature written in the German language. But it was not until the seventeenth century that the dominance of Latin began to wane and the first major steps were taken by scholars and literati to validate German as a literary language. -
Youth and Egolatry , on My Way to the Post Office
YYoouutthh aanndd EEggoollaattrryy By PÍO BAROJA Translated from the Spanish By Jacob S. Fassett, Jr. and Frances L. Phillips Produced by Eric Eldred, Tonya Allen, Charles Franks and the Online Distributed Proofreading Team. 2 TABLE OF CONTENTS INTRODUCTION BY H. L. MENCKEN PROLOGUE ON INTELLECTUAL LOVE EGOTISM I. FUNDAMENTAL IDEAS The bad man of Itzea Humble and a wanderer Dogmatophagy Ignoramus, Ignorabimus Nevertheless, we call ourselves materialists In defense of religion Arch-European Dionysus or Apollonian Epicuri de grege porcum Evil and Rousseau's Chinaman The root of disinterested evil Music as a sedative Concerning Wagner Universal musicians The folk song On the optimism of eunuchs II. MYSELF, THE WRITER To my readers thirty years hence Youthful writings The beginning and end of the journey Mellowness and the critical sense Sensibility On devouring one's own God Anarchism New paths Longing for change Baroja, you will never amount to anything (A Refrain) The patriotism of desire 3 My home lands Cruelty and stupidity The anterior image The tragi-comedy of sex The veils of the sexual life A little talk The sovereign crowd The remedy III. THE EXTRARADIUS Rhetoric and anti-rhetoric The rhythm of style Rhetoric of the minor key The value of my ideas Genius and admiration My literary and artistic inclinations My library On being a gentleman Giving offence Thirst for glory Elective antipathies To a member of several academies IV. ADMIRATIONS AND INCOMPATIBILITIES Cervantes, Shakespeare, Molière The encyclopedists The romanticists The naturalists The Spanish realists The Russians The critics V. THE PHILOSOPHERS VI. THE HISTORIANS The Roman historians Modern and contemporary historians VII.