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The Church Bells Leicestershire
The Church Bells of Leicestershire BY Thomas North, F.S.A. File 02 : Pages 33 to 74 This document is provided for you by The Whiting Society of Ringers visit www.whitingsociety.org.uk for the full range of publications and articles about bells and change ringing Purchased from ebay store retromedia CHURCH BELLS OF LEICESTERSHIRE. /HpHERE are in Leicestershire 998 Church Bells. Of JL these only 147 can be said, with any certainty, to have been cast before the year 1600. Exclusive of churches with only one bell, Caldwell (3 bells), Sproxton (3 bells), Wanlip (3 bells), Brentingby and (2 bells), Cranoe (2 bells), Walton Isley (2 bells), are the in the where Wyfordby (2 bells) , only places county complete rings of ancient bells still exist. The Dedications and Legends of these 146 ancient bells may be thus summarised : Two are dedicated to the Ever Blessed Trinity (Cottes- bach 2nd and Long Clawson 4th). One bears simply the Holy Name (Wistow 3 rd). " Ten have the superscription of His accusation:" Purchased from ebay store retromedia 34 Church Bells of Leicestershire. forms 6th Birstall in various (Ashby-de-la-Zouch ; 3rd ; ist and the bell at Caldwell ; Kegworth 3rd 4th ; single Harcourt 2nd Newton ; Ratby 4th ; Sproxton ; Thorpe Arnold and . 2nd ; Witherley 5th) Six carry the short invocation or prayer : 6th Croxton Kerrial 2nd ist (Church Langton ; ; Knipton ; Stoke Swinford ist and Golding 3rd ; ; (slightly altered) Thurcaston 3rd). Thirty-two are dedicated to, or bear inscriptions relating to, the B. V. Mary in these forms : 1. + 2. j@>arata i- Jstbjte jgaiute 6. -
The Making of the Victorian Organ Nicholas Thistlethwaite Index More Information
Cambridge University Press 978-0-521-34345-9 - The Making of the Victorian Organ Nicholas Thistlethwaite Index More information Index ABBREVIATIONS archt architect(s) ob organ builder(s) orgt organist r register PC Parish Church For locations of particular organs, the reader should also consult section 3 of the List of References (pp. 548-64). Italics denote the page reference of a stop list. Abbott & Smith (ob) 291, 299, 300, 391 Ashton-under-Lyne, St Michael and All Angels: Aberdeen, Music Hall 335 Hill 1845: 189, 197, 198, 199, 205, 244, 367, 522 action 31-2, 94, 230, 233-5 case: 247, 248, PI. 32 Adams, Thomas (orgt) 60-1, 89, 90, 97, 104, 165 Attercliffe (S. Yorks), Christ Church 351 aeoline (r) 378 Attwood, Thomas (orgt) 49, 104, 164, 185 AlfretonPC (Derbys) 51 Avery, John (ob) 4, 56, 97 Alkmaar, Holland 211 diagonal bellows 26 Allen, Charles (ob) 52, 99-101, 305 duplication of open diapason 11,12 see also: Everingham, Catholic Chapel keyboards 35 Allen, William (ob) 49, 52 pedal pipes 15, 16, 19, 20 Allom, Thomas (archt) 339 retention of cornet 13 Alton, Revd Henry 426 Amersham, St Mary 101 Bach, Johann Sebastian (orgt) 14, 141, 281, 341, Amsterdam, Holland 128, 210 342, 343 Andrews, Joseph (ob) 300 organ works: influence on Gauntlett 188; see also'. Forster & Andrews influence on Hodges 153; influence on Antigua Cathedral 57 design of Pedal Organ 103, 105, 190; antiquarianism 324, 327 performance 89, 103, 153, 172-5, Table Antwerp, Belgium 175 16, 183, 272, 273, 520—1; publication 168— Armitage (Staffs), Mission Church 238 72, Table 15; recovery 105, 164-72, 181, Arnold, Dr Samuel (orgt) 17 182 Arundel (Sussex): Banfield, John (ob) 260, 299 RC Cathedral, 237, 244, 524 Barker, Charles Spackman (ob) 125, 416 St Nicholas 13, 17 career 356, 530 Ashridge (Herts) 9, 11, 238, 444 compensating bellows 355, Fig. -
Inventories and Bell Archaeology: Ireland, Scotland, and Wales
ST MARTIN'S GUILD OF CHURCH BELL RINGERS: LIBRARY AND ARCHIVE CATALOGUE 11: INVENTORIES AND BELL ARCHAEOLOGY - ARRANGED BY GEOGRAPHICAL AREA (B: IRELAND, SCOTLAND AND WALES) Accession Category Author Title Date Publisher and other details Number NA476 INB - Ireland Dukes, F. E. Campanology in Ireland 1994 Dublin Presented by the author. Published on the occasion of the NA392 INB - Ireland Hudson, Andrew et al The Bells and Ringers of St Patrick's Church, Ballymena 1988 dedication of the recast ring of 12 bells, 19 March 1988 A069 INB - Ireland Salter, G. A. Bells of Shandon (Cork) nd Booklet Inverary Bells: twelve traditional melodies on the chimes and the bells being AC4 INB - Scotland Anonymous rung in full peal [c 1973] Audio-tape cassette A068 INB - Scotland Eeles, F. C. The Church and other Bells of Kincardinshire 1897 Eeles, F. C. and Clouston, R. The Church and other Bells of Aberdeenshire: A (not including Aberdeen) to Edinburgh. In 'Proceedings of the Society of Antiquaries of NA450 INB - Scotland W. M. Kennethmont 1959 Scotland 1956-1957', Volume 90. Eeles, F. C. and Clouston, R. NA279 INB - Scotland W. M. The Church and other Bells of Wigtownshire 1976 The Gorbals Brass and Bell Foundry Bellfounding in Victorian and Edwardian The Whiting Society of Ringers, Inverness. 1st edition. 116pp, NA698 INB - Scotland Foulds, Michael Glasgow 2011 illustrated The Whiting Society of Ringers, Inverness. 1st edition. 100pp, NA699 INB - Scotland Foulds, Michael The Part-Time Bellfounders of Glasgow and Renfrewshire 2013 illustrated Mackechnie, D., Chaddock, N., NA297 INB - Scotland Glenkinglas, The Lady Inverary Bell Tower [c 1973] Inverary NA448 INB - Wales Clouston, R. -
WRAP THESIS Shilliam 1986.Pdf
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/34806 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. FOREIGN INFLUENCES ON AND INNOVATION IN ENGLISH TOMB SCULPTURE IN THE FIRST HALF OF THE SIXTEENTH CENTURY by Nicola Jane Shilliam B.A. (Warwick) Ph.D. dissertation Warwick University History of Art September 1986 SUMMARY This study is an investigation of stylistic and iconographic innovation in English tomb sculpture from the accession of King Henry VIII through the first half of the sixteenth century, a period during which Tudor society and Tudor art were in transition as a result of greater interaction with continental Europe. The form of the tomb was moulded by contemporary cultural, temporal and spiritual innovations, as well as by the force of artistic personalities and the directives of patrons. Conversely, tomb sculpture is an inherently conservative art, and old traditions and practices were resistant to innovation. The early chapters examine different means of change as illustrated by a particular group of tombs. The most direct innovations were introduced by the royal tombs by Pietro Torrigiano in Westminster Abbey. The function of Italian merchants in England as intermediaries between Italian artists and English patrons is considered. Italian artists also introduced terracotta to England. -
9780521633482 INDEX.Pdf
Cambridge University Press 0521633486 - A History of the English Parish: The Culture of Religion from Augustine to Victoria N. J. G. Pounds Index More information INDEX abandonment, of settlement 90–1 rail 442 Abbots Ripton, briefs 270, 271 (map) tomb 497 abortion 316–17; herbs for 316 altarage 54 Abraham and Isaac 343 Altarnon church 347, 416 absenteeism 564 Alvingham priory 63 abuse, verbal 258 Ancaster stone 402 accounts, clerical 230 Andover parish 22, 23 (map) parochial 230 Anglican liturgy 481 wardens’ 230 Anglo-Saxon churches 113 acolyte 162 Annates 229 Act of Unification 264 anticlericalism 220, 276 Adderbury, building of chancel 398–9 in London 147 adultery 315 apparition 293 Advent 331 appropriation 50–4, 62–6, 202 (map) Advowson 42, 50, 202 apse 376, 378 Ælfric’s letter 183 Aquae bajulus 188 Æthelberht, King 14 Aquinas, Thomas 161, 459 Æthelflaeda of Mercia 135 archdeaconries 42 Æthelstan, law code of 29 archdeacons 162, 181, 249 affray, in church courts 291–2; over seats 477 courts of 174–6, 186, 294–6, 299, 303 aged, support of 196 and wills 307 agonistic principle 340 archery 261–2 aisles 385–7, 386 (diag.) Arles, Council of 7, 9 ales 273, see church-ales, Scot-ales Ascension 331 Alexander III, Pope 55, 188, 292 Ashburton 146 Alkerton chapel 94 accounts of 231 All Hallows, Barking 114 church-ale at 241 All Saints, Bristol, library at 286–8 pews in 292 patrons of 410 Ashwell, graffiti at 350–1 All Saints’ Day 331, 333 audit, of wardens’ accounts 182–3 altar 309 auditory church 480 candles on 434 augmentations, court of 64 consecration of 442–3 Augustinian order 33, 56 covering of 437 Austen, Jane 501 desecration of 454 Avicenna 317 frontals 430, 437 Aymer de Valence 57 material of 442 number of 442 Bag Enderby 416 placement of 442 Bakhtin, Mikhail 336 position of 486 balance sheet of parish 236–9 © Cambridge University Press www.cambridge.org Cambridge University Press 0521633486 - A History of the English Parish: The Culture of Religion from Augustine to Victoria N. -
Dove, Ronald H.] World 2018 CCCBR
ST MARTIN'S GUILD OF CHURCH BELL RINGERS: LIBRARY AND ARCHIVE CATALOGUE 9: BELLS, BELL-FOUNDERS AND BELL ARCHAEOLOGY - GENERAL Accession Category Author Title Date Publisher and other details Number Dove's Guide for Church Bell Ringers to the Ringing Bells of Britain and of the NA724 BBG [Dove, Ronald H.] World 2018 CCCBR. 11th edition [Dove, Ronald H.], Baldwin, Dove's Guide for Church Bell Ringers to the Ringing Bells of Britain and of the NA641 BBG John, Johnston, Ronald World 2012 CCCBR. 10th edition Acland-Troyte, J. E. and R. H. A025 BBG D. The Change Ringers' Guide to the Steeples of England 1882 London A4 presentation edition. Presented by the St Paul's Bells' NA623 BBG Anonymous St Paul's Church Birmingham: a peal of ten bells. Donors' Book 2010 Committee With CD recording of previous steel bells. Presented by the NA656 BBG Anonymous A New Voice for St Mary's Church Moseley. Donors' Book 2014 Moseley ringers NA427 BBG Baldwin, John Four Bell Towrs: a supplement to Dove's Guide 1989 Cardiff. Bound NA364 BBG Camp, J. Discovering Bells and Bellringing 1968 Tring NA683 BBG Camp, J. Discovering Bells and Bellringing 1975 Wingrave. 2nd edition Aldershot. 1st edition. Rebound in plain hard covers. NA445 BBG Dove, Ronald H. A Bellringers' Guide to the Church Bells of Britain 1950 Presented by George Chaplin NA5180 BBG Dove, Ronald H. A Bellringers' Guide to the Church Bells of Britain 1950 Aldershot. 1st edition. Original covers NA5190 BBG Dove, Ronald H. A Bellringers' Guide to the Church Bells of Britain 1956 Aldershot. -
St Luke's Farnworth BELL CASTING
St Luke’s Farnworth BELL CASTING by Geoffrey Poole In the earliest days they were cast in different sizes to produce different notes but no attempt was made to tune bells until the 16th Century with the advent of change ringing. In those times bells were roughly tuned – where the inside of the bell or the edge of the lip was chipped away with a hammer and chisel – eight bells could be tuned to an octave of eight notes. Some deprived communities used a hagiosideron, a shaped piece of metal which was struck in a similar way to a bell. Also again due to lack of money bellcotes were used instead of costly towers. A bell-cot, bell-cote or bellcote is a small framework and shelter for one or more bells. Bellcotes are most common in church architecture but are also seen on institutions such as schools. The bellcote may be carried on brackets projecting from a wall or built on the roof of chapels or churches that have no towers. The bellcote often holds the Sanctus bell that is rung at the consecration of the Eucharist. Bellcote is a compound noun of the words bell and cot or cote. Bell is self-explanatory. The word cot or cote is Old English, from the Germanic. It means a shelter of some kind, especially for birds or animals (see dovecote), a shed, or stall. Examples of bellcotes In order St Luke’s Farnworth Bell-cot at St Edmund's Church, Church Road, Wootton, Isle of Wight, England Church of England parish church of St Alban the Martyr, CharlesStreet, Oxford. -
A New History of the Carillon
A New History of the Carillon TIFFANY K. NG Rombouts, Luc. Singing Bronze: A History of Carillon Music. Translated by Com- municationwise. Leuven: Leuven University Press, 2014, 368 pp. HE CARILLON IS HIDDEN IN plain sight: the instrument and its players cannot be found performing in concert halls, yet while carillonneurs and Tkeyboards are invisible, their towers provide a musical soundscape and focal point for over six hundred cities, neighborhoods, campuses, and parks in Europe, North America, and beyond. The carillon, a keyboard instrument of at least two octaves of precisely tuned bronze bells, played from a mechanical- action keyboard and pedalboard, and usually concealed in a tower, has not received a comprehensive historical treatment since André Lehr’s The Art of the Carillon in the Low Countries (1991). A Dutch bellfounder and campanologist, Lehr contributed a positivist history that was far-ranging and thorough. In 1998, Alain Corbin’s important study Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside (translated from the 1994 French original) approached the broader field of campanology as a history of the senses.1 Belgian carillonneur and musicologist Luc Rombouts has now compiled his extensive knowledge of carillon history in the Netherlands, Belgium, and the United States, as well as of less visible carillon cultures from Curaçao to Japan, into Singing Bronze: A History of Carillon Music, the most valuable scholarly account of the instrument to date. Rombouts’s original Dutch book, Zingend Brons (Leuven: Davidsfonds, 2010), is the more comprehensive version of the two, directed at a general readership in the Low Countries familiar with carillon music, and at carillonneurs and music scholars. -
Norfolk Archaeological Services Advisory Committee a G E N
NORFOLK ARCHAEOLOGICAL SERVICES ADVISORY COMMITTEE Please note: Members taking part in the electric boat tour from Ranworth Broad Visitor Centre (at the end of the board walk) to St Benet’s Abbey and back are reminded that they will need meet up at Malthouse Staithe by no later than 9.10am on the day of the meeting. Departure from Ranworth Broad Visitor Centre will be at 9.30am and arrival at St Benet’s Abbey is expected at 10.15am. It is anticipated the boat will depart from St Benet’s Abbey at 11.15am to arrive back at Ranworth Broad Visitor Centre at approximately 12.00 noon. Depending on time constraints, there will then be a brief opportunity for Members to visit the Centre. For those taking part in the morning’s activities, lunch will be provided at Broadland District Council’s offices at 1.00pm, prior to the start of the meeting at 2.00pm. A plan showing the location of Malthouse Staithe and Ranworth Broad Visitor Centre, together with a list of those taking part in the morning’s activities, can be found with the agenda papers. Please note that there are no spare seats on the boat. Date Time Place Friday 2 October 2009 2.00 pm The Council Chamber Broadland District Council Thorpe Lodge, 1 Yarmouth Road, Thorpe St Andrew, Norwich A G E N D A 1. Election of Chairman (Note of membership enclosed) (PAGE ) 2. Election of Vice-Chairman 3. To Receive the Minutes of the Previous Meeting held on 14 May 2009 (PAGE ) 4. -
English Monks Suppression of the Monasteries
ENGLISH MONKS and the SUPPRESSION OF THE MONASTERIES ENGLISH MONKS and the SUPPRESSION OF THE MONASTERIES by GEOFFREY BAS KER VILLE M.A. (I) JONA THAN CAPE THIRTY BEDFORD SQUARE LONDON FIRST PUBLISHED I937 JONATHAN CAPE LTD. JO BEDFORD SQUARE, LONDON AND 91 WELLINGTON STREET WEST, TORONTO PRINTED IN GREAT BRITAIN IN THE CITY OF OXFORD AT THE ALDEN PRESS PAPER MADE BY JOHN DICKINSON & CO. LTD. BOUND BY A. W. BAIN & CO. LTD. CONTENTS PREFACE 7 INTRODUCTION 9 I MONASTIC DUTIES AND ACTIVITIES I 9 II LAY INTERFERENCE IN MONASTIC AFFAIRS 45 III ECCLESIASTICAL INTERFERENCE IN MONASTIC AFFAIRS 72 IV PRECEDENTS FOR SUPPRESSION I 308- I 534 96 V THE ROYAL VISITATION OF THE MONASTERIES 1535 120 VI SUPPRESSION OF THE SMALLER MONASTERIES AND THE PILGRIMAGE OF GRACE 1536-1537 144 VII FROM THE PILGRIMAGE OF GRACE TO THE FINAL SUPPRESSION 153 7- I 540 169 VIII NUNS 205 IX THE FRIARS 2 2 7 X THE FATE OF THE DISPOSSESSED RELIGIOUS 246 EPILOGUE 273 APPENDIX 293 INDEX 301 5 PREFACE THE four hundredth anniversary of the suppression of the English monasteries would seem a fit occasion on which to attempt a summary of the latest views on a thorny subject. This book cannot be expected to please everybody, and it makes no attempt to conciliate those who prefer sentiment to truth, or who allow their reading of historical events to be distorted by present-day controversies, whether ecclesiastical or political. In that respect it tries to live up to the dictum of Samuel Butler that 'he excels most who hits the golden mean most exactly in the middle'. -
Eternal Light: a Requiem
Eternal Light: A Requiem 2008 Theatre Royal, Bath Sadlers Wells, London Forum Theatre, Malvern Theatre Royal, Plymouth St John’s Smiths Square, London The Lowry, Salford Wycombe Swan, High Wycombe Theatre Royal, Norwich Festival Theatre, Edinburgh 2009 Cymru, Llandudno Hall for Cornwall, Truro Snape Maltings Theatre Royal, Brighton Eden Court, Inverness Clwyd Theatre, Cymru, Mold Theatre Royal, Newcastle Birmingham Hippodrome, Birmingham Tewkesbury Abbey, Tewkesbury Guildhall, Plymouth Wells Cathedral, Wells Newcastle University, Australia Grand Theatre, Leeds Leisure Centre, Thame Hertogenbosch, The Netherlands St Peter’s Church, Plymouth St John the Baptist Church, Barnstaple All Saints Church, Swansea Christ Church Cathedral, Oxford All Saints Church, Douglas, Isle of Man Parish Church, Stockton State Hall, Heathfield, East Sussex Methodist Church, Belfast Methodist Central Hall, Coventry St Lukes United Methodist Church, Houston TX, USA St James the Great Church, Littlehampton St John’s Church, Old Coulsdon St Bede’s Roman Catholic Church, Basingstoke Tewskesbury Abbey St Mary’s Church, Bury St Edmunds St James, Exeter 2010 Leisure Centre, Billingshurst St Michael’s & All Angels Church, Turnham Green, London St Peters Church, Ealing, London Lady Eleanor Hollis School, Hampton All Saints Church, Putney, London Easterbrook Hall, Dumfries Waterfront Hall, Belfast First United Church, Mooretown NJ, USA Symphony Hall, Birmingham St James Piccadilly, London The Sage, Gateshead Cadogan Hall, London St Saviour’s Church, Brockenhurst St Albans -
Pilgrims and Pilgrimage in the Medieval West
Pilgrims and Pilgrimage in the Medieval West The International Library of Historical Studies Series ISBN 1 86064 079 6 Editorial Board: Professor David N.␣ Cannadine, Director, Institute of Historical Research, University of London; Wm. Roger Louis, Dis- tinguished Teaching Professor and Kerr Chair in English History and Culture, University of Texas, Austin; Gene R. Garthwaite, Jane and Raphael Bernstein Professor of Asian Studies, Dartmouth College, Hanover, New Hampshire; Andrew N. Porter, Rhodes Professor of Imperial History, King’s College London; Professor James Piscatori, Oxford Centre for Islamic Studies and Fellow of Wadham College, Oxford; Professor Dr Erik J. Zürcher, Chair, Turkish Studies, University of Leiden Series Editors: Andrew Ayton, University of Hull (medieval history); Christopher J. Wrigley, Professor of Modern British History, University of Nottingham The International Library of Historical Studies (ILHS) brings together the work of leading historians from universities in the English-speaking world and beyond. It constitutes a forum for original scholarship from the United Kingdom, continental Europe, the USA, the Common- wealth and the Developing World. The books are the fruit of original research and thinking and they contribute to the most advanced historiographical debate and are exhaustively assessed by the authors’ academic peers. The Library consists of a numbered series, covers a wide subject range and is truly international in its geographical scope. It provides a unique and authoritative resource for libraries