Bellfounders.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Bellfounders.Pdf | ============================================================== | ============================================================== | | | | | | TERMS OF USE | | | | | CARILLONS OF THE WORLD | The PDF files which constitute the online edition of this | | --------- -- --- ----- | publication are subject to the following terms of use: | | | (1) Only the copy of each file which is resident on the | | | GCNA Website is sharable. That copy is subject to revision | | Privately published on behalf of the | at any time without prior notice to anyone. | | World Carillon Federation and its member societies | (2) A visitor to the GCNA Website may download any of the | | | available PDF files to that individual's personal computer | | by | via a Web browser solely for viewing and optionally for | | | printing at most one copy of each page. | | Carl Scott Zimmerman | (3) A file copy so downloaded may not be further repro- | | Chairman of the former | duced or distributed in any manner, except as incidental to | | Special Committee on Tower and Carillon Statistics, | the course of regularly scheduled backups of the disk on | | The Guild of Carillonneurs in North America | which it temporarily resides. In particular, it may not be | | | subject to file sharing over a network. | | ------------------------------------------------------- | (4) A print copy so made may not be further reproduced. | | | | | Online Edition (a set of Portable Document Format files) | | | | CONTENTS | | Copyright November 2007 by Carl Scott Zimmerman | | | | The main purpose of this publication is to identify and | | All rights reserved. No part of this publication may | describe all of the traditional carillons in the world. But | | be reproduced, stored in a retrieval system, or trans- | it also covers electrified carillons, chimes, rings, zvons | | mitted, in any form other than its original, or by any | and other instruments or collections of 8 or more tower bells | | means (electronic, photographic, xerographic, recording | (even if not in a tower), and other significant tower bells. | | or otherwise) which could have the effect of enabling | | | two or more people to have access to that part simulta- | The complete publication (online version) consists of, and | | neously and independently, without the prior permission | the Terms of Use apply to, the following PDF files: | | of the copyright holder (address at end of next column), | | | except as stated below and in the Terms of Use opposite. | Title & Contents (this page, reproduced in each file) | | In other words, regardless of its actual form, this | Introduction - a complete guide to the display and | | publication must be treated like a printed paper book, | interpretation of site, summary and other information. | | which can be used by only one person at a time. | North America (carillons) | | | North America (chimes, chimolas, rings and zvons) | | Notwithstanding the above, the following special | (North America = The U.S.A., Canada and Mexico) | | permissions are granted: | Central and South America | | (1) to reviewers, permission to quote individual | Africa and the Middle East | | items of information for use in reviews provided that | Asia and the Pacific Rim | | in each case mention is made of the World Carillon | Belgium | | Federation, and reference is made to this publication; | British Isles (including Eire) | | (2) to private individuals, permission to copy by | Denmark and its dependencies | | hand any number of individual items of information | France | | for personal use; | Germany (East and West united) | | (3) to any individual who visits the GCNA Website, | Italy | | permission to utilize any component PDF file resident | The Netherlands | | there as specified in the Terms of Use opposite; | Europe and the North Atlantic (remaining countries) | | (4) general permission to make an unlimited number | Order form for obtaining standard hardcopy | | of print copies of the order form and survey forms | Survey forms for carillons, chimes and towers | | for the purpose of communicating with the author or | -------------------------------------------------------------- | | encouraging others to do so. | Copyright holder: Carl Scott Zimmerman | | | 1424 Wilton Lane | | | Saint Louis, MO 63122-6943 | | | U. S. A. | | | Tel. +1-(314)821-8437 Email: [email protected] | | ============================================================== | ============================================================== | Copyright ©2007 by Carl Scott Zimmerman. This document may not be downloaded, copied, stored in an information retrieval system or printed except under the conditions specified in the Terms of Use on the title page. Bellfounders whose work is found in carillons and chimes 23-Dec-07 Page 1 ***************************************** | H: +31 (0)493/670282 | * All bellfounders known to have * | P.O. Box 2 | Code O: Olsen * contributed to carillons, chimes, * | NL 5720 AA Asten | Olsen Nauen Klokkestøperi AS * rings and other collections of 8 or * | THE NETHERLANDS | Postboks 2035 * more tower bells are listed here in * | - or - | N-3103 Tønsberg * two major groups, according to * | Driehoekstraat 1-3 | T: 33 35 90 40 F: 33 35 90 49 * whether they are still casting bells. * | NL 5721 AA Asten | E: [email protected] * In each group, they are listed in * | THE NETHERLANDS | * order according to the code used to * | Tel. +31 (0)493/691445 | Code P: Paccard * identify them in the CIL pages of * | Fax: +31 (0)493/693300 | Paccard Fonderie de Cloches (Su) * this book. * | E: [email protected] | Parc d'Activités Economiques * * | | Route des Saintiers, BP 214 * Under code * (Other), bellfounders * | American agent: | 74320 Sévrier, Lac d'Annecy, * are listed alphabetically. The * | Chime Master Systems | Haute-Savoie * number in parentheses after each * | Lancaster, Ohio 43130 | FRANCE * name is the number of listed sites * | U.S.A. | T: +33 (0)450.52.44.98 * known to contain (or to have once * | T: 1-800-344-7464 (USA) | F: +33 (0)450.52.45.06 * contained) bells by this founder. * | T: 1-800-432-3977 (Canada) | ATTN: Philippe Paccard, Président * (Numbers for foundries with codes can * | | E: [email protected] * be found in the summary pages.) * | Belgian agent: | [email protected] * * | Horacantus | History: * * | Lokeren, Belgium | Quintal,France [1796-1857] * {19nn-nn} lifespan of a bellfounder * | | Antoine Paccard {1770-1830} * [19nn-nn] workspan of a bellfounder * | Code e: MW&Co | Jean-Pierree Paccard {?-1847} * or bellfoundry * | Meeks, Watson & Co. | Annecy[-le-Vieux], France [1857-1989] ***************************************** | 10402 West Fork Road | Claude Paccard {?-1858} | Georgetown, Ohio 45121 | Victor Paccard [?-1881] The bellfounders in this group are known | U.S.A. | Francisque Paccard {?-1912} [?-1911] or believed to be currently active. | T: 937/378-BELL | "Georges Paccard et ses fils"[1911-] Complete addresses and telephone numbers | (378-2355) | Georges Paccard {?-1914} are given so far as known; national | F: 937/378-2267 | "Le fils de Georges Paccard" [1914-] agents of such founders are also listed. | Attn: William C. Meeks (A) | Joseph Paccard {?-19??} | PO Box 700 | Louis Paccard {?-19??} | H: 513/732-3430 | Alfred Paccard {?-1978} [?-1978] Code B: Bollée | Attn: Richard M. Watson (C) | Pierre Paccard {1937-} Fonderie de Cloches d'Orléans | PO Box 567 | Philippe Paccard {1966-} 156, Faubourg Bourgogne | | F-48500 Saint-Jean-de-Braye | Code F: P&F | American agent (from 2006/7): FRANCE | Royal Bellfoundry | Christoph Paccard Bellfoundries T: +33 (0)2 38 86 29 47 | Petit & Fritsen BV (Su) | PO Box 1042 F: +33 (0)2 38 86 18 95 | Klokkengietersstraat 1 | Charleston, SC 29457-1042 E: [email protected] | P.O. Box 2 | U.S.A. (formerly: | NL-5735 ZG Aarle-Rixtel | ATTN: Stan Christoph, President Bollée, E. & A. | THE NETHERLANDS | T: 1-800-849-6670 F: 1-888-818-1151 also: Bollée et Fils) | Tel. +31 (0)492/381287 | (from USA and Canada only) Le Mans, France [1856-67] | Fax: +31 (0)492/383195 | E: [email protected] | E: [email protected] | Web: www.christophpaccard.com Code E: Eijsbouts | [email protected] | Koninklijke Eijsbouts B.V., (Su) | | Code R: Rincker Klokkengieterij en fabriek van | American agent: | Rincker Glocken- und Kunstgießerei Torenuurwerken | The Verdin Company (Su) | Wetzlarer Straße 23 (Royal Eijsbouts, Bellfoundry and | ATTN: James R. Verdin | D-35764 Sinn maker of Tower Clockworks) | 444 Reading Road | - or - ATTN: L.J.M. (Bert) Augustus, | Cincinnati, OH 45202-1432 | Postfach 62 Campanologist | U.S.A. | D-35760 Sinn H: +31 (0)4907/65617 | Tel. 1-800-543-0488 (domestic only) | GERMANY (or) Joost Eijsbouts, (A) | T: (513)241-4010 F: (513)241-1855 | T: +49 2772-9406-0 Managing Director | E: [email protected] | F: +49 2772-9406-40 Copyright ©2007 by Carl Scott Zimmerman. This document may not be downloaded, copied, stored in an information retrieval system or printed except under the conditions specified in the Terms of Use on the title page. Bellfounders whose work is found in carillons and chimes 23-Dec-07 Page 2 E: [email protected] | Mears & Chapman [1782-3] | Web: www.rincker.de | Pack & Chapman [1770-78] | Grassmayr History: | Lester, Pack & Chapman | J.Grassmayr GmbH & Co KG (1) Asslar, Hesse, Germany [1590-1759] | Lester & Pack [1752-69] | Glocken- und Kunstgiesserei Leun, Hesse, Germany [1759-1817] | Thos. Lester [1748] | Leopoldstrasse 53 Sinn, Hesse, Germany [1817-] | Robert Mot [1574-1606] | A-6010 Innsbruck | and other names
Recommended publications
  • Resonant Structures Is the Unicorn Listening?
    resonant structures Is the Unicorn Listening? and other modalities of auditory phenomena are the conceptual, a 695 page book detailing the first represented through ‘silent’ media, this association 10 milliseconds of the computational processes of mediumship becomes more acute. Dwelling in behind a microchip composition, to the rigorously every written text there are voices; within images scientifically accurate rendering of a singing there is some suggestion of acoustic space. Sound dinosaur skull; from the nostalgia of a Gameboy surrounds, yet our relation to its enveloping, to the futurist complexities of virtual reality; from intrusive, fleeting nature is fragile rather than faux concrete castings of sound treatments to decisive.” The pieces in this show have resonance hand-painted imagined audio filters; from a 30Hz beyond their sonic materiality. Melissa F. Clarke string to humming crystals; from a videotaped field comes to sound from an interdisciplinary practice; recording mediated and interrupted by pink noise, Which of the unicorns above do you think is fullness of auditory thinking. This survey her work often relies on data from acoustic to a technological soundscape intimately heard listening? As composer Pauline Oliveros points includes some artists who label their work imaging, the drawing of unseen spaces underwater through a 3D printed seashell; from hypersonic out, “Listening is not the same as hearing as sound art, but goes further and engages with sound. In her work, data and amplitude speakers to mathematically modeled chimes; from and hearing is not the same as listening.” One works that deal with sonic culture and the narrate paleogeography, a deep time of glacial self-perpetuating mechanical sound to interactive unicorn is potentially hearing, her auditory materiality/physics of sound.
    [Show full text]
  • The Church Bells Leicestershire
    The Church Bells of Leicestershire BY Thomas North, F.S.A. File 02 : Pages 33 to 74 This document is provided for you by The Whiting Society of Ringers visit www.whitingsociety.org.uk for the full range of publications and articles about bells and change ringing Purchased from ebay store retromedia CHURCH BELLS OF LEICESTERSHIRE. /HpHERE are in Leicestershire 998 Church Bells. Of JL these only 147 can be said, with any certainty, to have been cast before the year 1600. Exclusive of churches with only one bell, Caldwell (3 bells), Sproxton (3 bells), Wanlip (3 bells), Brentingby and (2 bells), Cranoe (2 bells), Walton Isley (2 bells), are the in the where Wyfordby (2 bells) , only places county complete rings of ancient bells still exist. The Dedications and Legends of these 146 ancient bells may be thus summarised : Two are dedicated to the Ever Blessed Trinity (Cottes- bach 2nd and Long Clawson 4th). One bears simply the Holy Name (Wistow 3 rd). " Ten have the superscription of His accusation:" Purchased from ebay store retromedia 34 Church Bells of Leicestershire. forms 6th Birstall in various (Ashby-de-la-Zouch ; 3rd ; ist and the bell at Caldwell ; Kegworth 3rd 4th ; single Harcourt 2nd Newton ; Ratby 4th ; Sproxton ; Thorpe Arnold and . 2nd ; Witherley 5th) Six carry the short invocation or prayer : 6th Croxton Kerrial 2nd ist (Church Langton ; ; Knipton ; Stoke Swinford ist and Golding 3rd ; ; (slightly altered) Thurcaston 3rd). Thirty-two are dedicated to, or bear inscriptions relating to, the B. V. Mary in these forms : 1. + 2. j@>arata i- Jstbjte jgaiute 6.
    [Show full text]
  • Inventories and Bell Archaeology: Ireland, Scotland, and Wales
    ST MARTIN'S GUILD OF CHURCH BELL RINGERS: LIBRARY AND ARCHIVE CATALOGUE 11: INVENTORIES AND BELL ARCHAEOLOGY - ARRANGED BY GEOGRAPHICAL AREA (B: IRELAND, SCOTLAND AND WALES) Accession Category Author Title Date Publisher and other details Number NA476 INB - Ireland Dukes, F. E. Campanology in Ireland 1994 Dublin Presented by the author. Published on the occasion of the NA392 INB - Ireland Hudson, Andrew et al The Bells and Ringers of St Patrick's Church, Ballymena 1988 dedication of the recast ring of 12 bells, 19 March 1988 A069 INB - Ireland Salter, G. A. Bells of Shandon (Cork) nd Booklet Inverary Bells: twelve traditional melodies on the chimes and the bells being AC4 INB - Scotland Anonymous rung in full peal [c 1973] Audio-tape cassette A068 INB - Scotland Eeles, F. C. The Church and other Bells of Kincardinshire 1897 Eeles, F. C. and Clouston, R. The Church and other Bells of Aberdeenshire: A (not including Aberdeen) to Edinburgh. In 'Proceedings of the Society of Antiquaries of NA450 INB - Scotland W. M. Kennethmont 1959 Scotland 1956-1957', Volume 90. Eeles, F. C. and Clouston, R. NA279 INB - Scotland W. M. The Church and other Bells of Wigtownshire 1976 The Gorbals Brass and Bell Foundry Bellfounding in Victorian and Edwardian The Whiting Society of Ringers, Inverness. 1st edition. 116pp, NA698 INB - Scotland Foulds, Michael Glasgow 2011 illustrated The Whiting Society of Ringers, Inverness. 1st edition. 100pp, NA699 INB - Scotland Foulds, Michael The Part-Time Bellfounders of Glasgow and Renfrewshire 2013 illustrated Mackechnie, D., Chaddock, N., NA297 INB - Scotland Glenkinglas, The Lady Inverary Bell Tower [c 1973] Inverary NA448 INB - Wales Clouston, R.
    [Show full text]
  • Ludwig-Musser 2010 Concert Percussion Catalog AV8084 2010
    Welcome to the world of Ludwig/Musser Concert Percussion. The instruments in this catalog represent the finest quality and sound in percussion instruments today from a company that has been making instruments and accessories in the USA for decades. Ludwig is “The Most famous Name in Drums” since 1909 and Musser is “First in Class” for mallet percussion since 1948. Ludwig & Musser aren’t just brand names, they are men’s names. William F. Ludwig Sr. & William F. Ludwig II were gifted percussionists and astute businessmen who were innovators in the world of percussion. Clair Omar Musser was also a visionary mallet percussionist, composer, designer, engineer and leader who founded the Musser Company to be the American leader in mallet instruments. Both companies originated in the Chicago area. They joined forces in the 1960’s and originated the concept of “Total Percussion.” With our experience as a manufacturer, we have a dedicated staff of craftsmen and marketing professionals that are sensitive to the needs of the percussionist. Several on our staff are active percussionists today and have that same passion for excellence in design, quality and performance as did our founders. We are proud to be an American company competing in a global economy. Musser Marimbas, Xylophones, Chimes, Bells, & Vibraphones are available in a wide range of sizes and models to completely satisfy the needs of beginners, schools, universities and professionals. With a choice of hammered copper, smooth copper or fiberglass bowls, Ludwig Timpani always deliver the full rich sound that generations of timpanists have come to expect from Ludwig.
    [Show full text]
  • Virtual Musical Field Trip with Maestro Andrew Crust
    YOUR PASSPORT TO A VIRTUAL MUSICAL FIELD TRIP WITH MAESTRO ANDREW CRUST Premier Education Partner Za The Conductor Today, you met Andrew Crust, the Vancouver Symphony Orchestra’s Assistant Conductor. He joined the VSO this season in September of 2019. He grew up in Kansas City, and his main instrument is the trumpet. He studied music education and conducting, and has worked with orchestras in Canada, the United States, Italy, Germany, the Czech Republic, Chile, and many other exotic places. The conductor keeps the orchestra in time and together. The conductor serves as a messenger for the composer. It is their responsibility to understand the music and convey it through movements so clearly that the musicians in the orchestra understand it perfectly. Those musicians can then send a unified vision of the music out to the audience. Conductors usually beat time with their right hand. This leaves their left hand free to show the various instruments when they have entries (when they start playing) or to show them to play louder or softer. Most conductors have a stick called a “baton”. It makes it easier for people at the back of large orchestras or choirs to see the beat. Other conductors prefer not to use a baton. A conductor stands on a small platform called a “rostrum”. To be a good conductor is not easy. It is not just a question of giving a steady beat. A good conductor has to know the music extremely well so that they can hear any wrong notes. They need to be able to imagine exactly the sound they want the orchestra to make.
    [Show full text]
  • Brass Bands of the World a Historical Directory
    Brass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................
    [Show full text]
  • A Replica of the Stretch Clock Recently Reinstated at the West End of Independence Hall
    A replica of the Stretch clock recently reinstated at the west end of Independence Hall. (Photograph taken by the author in summer of 197J.) THE Pennsylvania Magazine OF HISTORY AND BIOGRAPHY The Stretch Qlock and its "Bell at the State House URING the spring of 1973, workmen completed the construc- tion of a replica of a large clock dial and masonry clock D case at the west end of Independence Hall in Philadelphia, the original of which had been installed there in 1753 by a local clockmaker, Thomas Stretch. That equipment, which resembled a giant grandfather's clock, had been removed in about 1830, with no other subsequent effort having been made to reconstruct it. It therefore seems an opportune time to assemble the scattered in- formation regarding the history of that clock and its bell and to present their stories. The acquisition of the original clock and bell by the Pennsylvania colonial Assembly is closely related to the acquisition of the Liberty Bell. Because of this, most historians have tended to focus their writings on that more famous bell, and to pay but little attention to the hard-working, more durable, and equally large clock bell. They have also had a tendency either to claim or imply that the Liberty Bell and the clock bell had been procured in connection with a plan to celebrate the fiftieth anniversary, or "Jubilee Year," of the granting of the Charter of Privileges to the colony by William Penn. But, with one exception, nothing has been found among the surviving records which would support such a contention.
    [Show full text]
  • Cupola Practice in Modern Gray Iron Foundry
    Scholars' Mine Professional Degree Theses Student Theses and Dissertations 1924 Cupola practice in modern gray iron foundry George E. Mellow Follow this and additional works at: https://scholarsmine.mst.edu/professional_theses Part of the Mechanical Engineering Commons Department: Recommended Citation Mellow, George E., "Cupola practice in modern gray iron foundry" (1924). Professional Degree Theses. 56. https://scholarsmine.mst.edu/professional_theses/56 This Thesis - Open Access is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in Professional Degree Theses by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. CUPOLA PHAC11ICE IN MODERN GRAY IRON FlOUNDRY BY GEORGE E. MELLOW A "THESIS submitted to the faculty of the SCHOOL OF MINES AND ~~TALLURGY OF THE UNIVERSITY OF MISSOURI in partial fulfillment of the work required for the Degree Of' Mechanica.l Engineer St. Louis, Mo. 1924 Approved by.?f'..Q... .. Cupola Practice in Modern Gray-Iron Ii'oundry Cupola practice, as described in this paper, 'will include only the practical operation or a cupola and the details of the work necessary in daily routine, and very little of the theory of combustion,or history of cupola development, is presented. A brief ~escription of the cupola will give an idea of its construction, and the names of the parts may be found on the sketch herewith. The cupola consists of a steel shell, cylindrical in shape, which stands veDtically on four cast-iron legs, about four feet off the floor; it is open at the top, and has SWinging cast-iron doors at the bottom.
    [Show full text]
  • S Foundry Solutions By: Ricardo Volkmann Index
    Issue #2 Adolf′s Foundry Solutions by: Ricardo Volkmann www.foundrysupply.com Index: Mission Statement & History 3 Style ~A~ Alignment Inserts 4 Alignment Core Prints 4 Wood Cutting Tools 4 Style ~B~ Alignment Inserts 5 Alignment Core Boxes 5 Single Cavity Filtering Basins 6-7 Double Cavity Filtering Basins 6 Pouring Basins 6 Riser Rings 7 Filtering Runner Basins 7 14 Inch Sprues 8 Filtering Sprue Plugs 8 Pop-up Sprue Basins 9 Single Faced Basins 10-11 Pyramid Style Basins 10-11 Three Faced Basins 10 Sprue Pins 10-11 Filtering Basin 10 Four Faced Basins 11 Test Bar Basins 12-13 Inter-Changeable Test Bars 12-13 Test Wedges Basins 12-13 Inter-Changeable Test Wedges 12-13 Test Coupon Basins 12 PIG Boxes 13 Photo Gallery 14-15 Silent Adjustable Vibrator 16 DuraTech Tooling Material 16 Buy direct and save... No sales tax in Oregon 2 www.foundrysupply.com Mission Statement “Doing it Right the First Time” Our mission is to provide new lean manufacturing practices to the foundry industry. Adolf’s Foundry Solutions are products made with the highest integrity, they are dependable, exteremly durable and very cost effective. History 1949 Adolf started his pattern maker apprenticeship in Berlin, Germany during 1949. Trained by German master craftsmen, Adolf excelled as an apprentice and completed a four year apprenticeship program in three years, allowing him to graduate at the top of his class with honors. In Germany, at that time, it was mandatory practice for all apprentices to spend six weeks working in a foundry doing piece work on the molding line.
    [Show full text]
  • TD-30 Data List
    Data List Preset Drum Kit List No. Name Pad pattern No. Name Pad pattern 1 Studio 41 RockGig 2 LA Metal 42 Hard BeBop 3 Swingin’ 43 Rock Solid 4 Burnin’ 44 2nd Line 5 Birch 45 ROBO TAP 6 Nashville 46 SATURATED 7 LoudRock 47 piccolo 8 JJ’s DnB 48 FAT 9 Djembe 49 BigHall 10 Stage 50 CoolGig LOOP 11 RockMaster 51 JazzSes LOOP 12 LoudJazz 52 7/4 Beat LOOP 13 Overhead 53 :neotype: 1SHOT, TAP 14 Looooose 54 FLA>n<GER 1SHOT, TAP 15 Fusion 55 CustomWood 16 Room 56 50s King 17 [RadioMIX] 57 BluesRock 18 R&B 58 2HH House 19 Brushes 59 TechFusion 20 Vision LOOP, TAP 60 BeBop 21 AstroNote 1SHOT 61 Crossover 22 acidfunk 62 Skanky 23 PunkRock 63 RoundBdge 24 OpenMaple 64 Metal\Core 25 70s Rock 65 JazzCombo 26 DrySound 66 Spark! 27 Flat&Shallow 67 80sMachine 28 Rvs!Trashy 68 =cosmic= 29 melodious TAP 69 1985 30 HARD n’BASS TAP 70 TR-808 31 BazzKicker 71 TR-909 32 FatPressed 72 LatinDrums 33 DrumnDubStep 73 Latin 34 ReMix-ulator 74 Brazil 35 Acoutronic 75 Cajon 36 HipHop 76 African 37 90sHouse 77 Ka-Rimba 38 D-N-B LOOP 78 Tabla TAP 39 SuperLoop TAP 79 Asian 40 >>process>>> 80 Orchestra TAP Copyright © 2012 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Roland and V-Drums are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.
    [Show full text]
  • Molding & Machining: Metalwork in Geneva
    MOLDING & MACHINING: METALWORK IN GENEVA This is a story of change. In the mid-1800s, Geneva claimed the most foundries in western New York State. The metal industry accounted for almost 70% of the city’s jobs in the 1950s and remained strong until the 1970s. Today, Geneva has only one major metal fabrication company. Geneva was not near iron ore or coal but 19th-century canals and railroads allowed access to raw materials. Demand for new products, from farm equipment to heating systems, allowed foundries to flourish. New factories changed Geneva’s landscape and affected its environment. Ultimately, 20th-century changes in technology and economics – and failure to adapt to change – caused most of the city’s metal industry to disappear. A foundry melts refined iron and pours it into molds to create cast iron. It is brittle but, unlike wrought iron pounded out by a blacksmith, objects can be mass produced in intricate shapes. Molding room at Phillips & Clark Stove Company Machining is the shaping of metal, and other materials, through turning, drilling, and milling. Machining tools were powered by steam engines in the 19th century and later by electricity. Machinists bent sheet metal to make cans, stamped metal for tableware, and milled stock to create machine components. Tool Room at Herendeen Manufacturing Company, 1907 This is a companion exhibit to Geneva’s Changing Landscapes in the next gallery, which has more information and artifacts about local industry. Support for this exhibit is provided by Rosalind Nester Heid in memory of her grandfather Samuel K. Nester, Sr. The First Geneva Foundries Refineries require iron, sand, water, fuel, and people.
    [Show full text]
  • SAVED by the BELL ! the RESURRECTION of the WHITECHAPEL BELL FOUNDRY a Proposal by Factum Foundation & the United Kingdom Historic Building Preservation Trust
    SAVED BY THE BELL ! THE RESURRECTION OF THE WHITECHAPEL BELL FOUNDRY a proposal by Factum Foundation & The United Kingdom Historic Building Preservation Trust Prepared by Skene Catling de la Peña June 2018 Robeson House, 10a Newton Road, London W2 5LS Plaques on the wall above the old blacksmith’s shop, honouring the lives of foundry workers over the centuries. Their bells still ring out through London. A final board now reads, “Whitechapel Bell Foundry, 1570-2017”. Memorial plaques in the Bell Foundry workshop honouring former workers. Cover: Whitechapel Bell Foundry Courtyard, 2016. Photograph by John Claridge. Back Cover: Chains in the Whitechapel Bell Foundry, 2016. Photograph by John Claridge. CONTENTS Overview – Executive Summary 5 Introduction 7 1 A Brief History of the Bell Foundry in Whitechapel 9 2 The Whitechapel Bell Foundry – Summary of the Situation 11 3 The Partners: UKHBPT and Factum Foundation 12 3 . 1 The United Kingdom Historic Building Preservation Trust (UKHBPT) 12 3 . 2 Factum Foundation 13 4 A 21st Century Bell Foundry 15 4 .1 Scanning and Input Methods 19 4 . 2 Output Methods 19 4 . 3 Statements by Participating Foundrymen 21 4 . 3 . 1 Nigel Taylor of WBF – The Future of the Whitechapel Bell Foundry 21 4 . 3 . 2 . Andrew Lacey – Centre for the Study of Historical Casting Techniques 23 4 . 4 Digital Restoration 25 4 . 5 Archive for Campanology 25 4 . 6 Projects for the Whitechapel Bell Foundry 27 5 Architectural Approach 28 5 .1 Architectural Approach to the Resurrection of the Bell Foundry in Whitechapel – Introduction 28 5 . 2 Architects – Practice Profiles: 29 Skene Catling de la Peña 29 Purcell Architects 30 5 .
    [Show full text]