Conservation and Repair of Bells and Bellframes
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The Church Bells Leicestershire
The Church Bells of Leicestershire BY Thomas North, F.S.A. File 02 : Pages 33 to 74 This document is provided for you by The Whiting Society of Ringers visit www.whitingsociety.org.uk for the full range of publications and articles about bells and change ringing Purchased from ebay store retromedia CHURCH BELLS OF LEICESTERSHIRE. /HpHERE are in Leicestershire 998 Church Bells. Of JL these only 147 can be said, with any certainty, to have been cast before the year 1600. Exclusive of churches with only one bell, Caldwell (3 bells), Sproxton (3 bells), Wanlip (3 bells), Brentingby and (2 bells), Cranoe (2 bells), Walton Isley (2 bells), are the in the where Wyfordby (2 bells) , only places county complete rings of ancient bells still exist. The Dedications and Legends of these 146 ancient bells may be thus summarised : Two are dedicated to the Ever Blessed Trinity (Cottes- bach 2nd and Long Clawson 4th). One bears simply the Holy Name (Wistow 3 rd). " Ten have the superscription of His accusation:" Purchased from ebay store retromedia 34 Church Bells of Leicestershire. forms 6th Birstall in various (Ashby-de-la-Zouch ; 3rd ; ist and the bell at Caldwell ; Kegworth 3rd 4th ; single Harcourt 2nd Newton ; Ratby 4th ; Sproxton ; Thorpe Arnold and . 2nd ; Witherley 5th) Six carry the short invocation or prayer : 6th Croxton Kerrial 2nd ist (Church Langton ; ; Knipton ; Stoke Swinford ist and Golding 3rd ; ; (slightly altered) Thurcaston 3rd). Thirty-two are dedicated to, or bear inscriptions relating to, the B. V. Mary in these forms : 1. + 2. j@>arata i- Jstbjte jgaiute 6. -
The Percussion Family 1 Table of Contents
THE CLEVELAND ORCHESTRA WHAT IS AN ORCHESTRA? Student Learning Lab for The Percussion Family 1 Table of Contents PART 1: Let’s Meet the Percussion Family ...................... 3 PART 2: Let’s Listen to Nagoya Marimbas ...................... 6 PART 3: Music Learning Lab ................................................ 8 2 PART 1: Let’s Meet the Percussion Family An orchestra consists of musicians organized by instrument “family” groups. The four instrument families are: strings, woodwinds, brass and percussion. Today we are going to explore the percussion family. Get your tapping fingers and toes ready! The percussion family includes all of the instruments that are “struck” in some way. We have no official records of when humans first used percussion instruments, but from ancient times, drums have been used for tribal dances and for communications of all kinds. Today, there are more instruments in the percussion family than in any other. They can be grouped into two types: 1. Percussion instruments that make just one pitch. These include: Snare drum, bass drum, cymbals, tambourine, triangle, wood block, gong, maracas and castanets Triangle Castanets Tambourine Snare Drum Wood Block Gong Maracas Bass Drum Cymbals 3 2. Percussion instruments that play different pitches, even a melody. These include: Kettle drums (also called timpani), the xylophone (and marimba), orchestra bells, the celesta and the piano Piano Celesta Orchestra Bells Xylophone Kettle Drum How percussion instruments work There are several ways to get a percussion instrument to make a sound. You can strike some percussion instruments with a stick or mallet (snare drum, bass drum, kettle drum, triangle, xylophone); or with your hand (tambourine). -
History of the Old St. Martin Bells We Know That There Were Three Bells In
History of the Old St. Martin Bells We know that there were three bells in 1552. The so-called Edwardian Inventory of that year lists “iij litle belles a saunce bell”. One of the mediaeval bells survives as the third bell in the present ring, inscribed with a dedication to St.Martin. This bell has distinctive gothic lettering with a cross and fleur- de-lis mark found on several bells found mainly in churches in or near Staffordshire. On the basis of their geographical distribution H.B. Walters conjectured that they were cast at Lichfield, suggesting a date “not later than 1350” and linking them with a founder named Henry Mitchell mentioned in 1313 This is all very tenuous, however, and the shape of this bell and its mouldings suggest a much later date towards the end of the fourteenth century or later. Walters also suggests that this ancient bell may have been the tenor of the pre-Reformation ring. He cites no evidence, and whether or not this is so is unclear. We do know, however, that the bells were augmented to five and probably increased in weight in 1638-40 through the generosity of Robert Durant and Sir Robert Berkeley. Durant paid for the casting (or recasting) of two bells, now the fourth and fifth dated 1638. Sir Robert is said to have laid out over £100 in mending and increasing the ring of bells in 1640, at which time he caused a new treble and a new tenor to be made. This evidently refers to the predecessor of the present second (recast in 1833) and the tenor, which was known as Berkeley’s bell. -
Music of Ghana and Tanzania
MUSIC OF GHANA AND TANZANIA: A BRIEF COMPARISON AND DESCRIPTION OF VARIOUS AFRICAN MUSIC SCHOOLS Heather Bergseth A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTERDecember OF 2011MUSIC Committee: David Harnish, Advisor Kara Attrep © 2011 Heather Bergseth All Rights Reserved iii ABSTRACT David Harnish, Advisor This thesis is based on my engagement and observations of various music schools in Ghana, West Africa, and Tanzania, East Africa. I spent the last three summers learning traditional dance- drumming in Ghana, West Africa. I focus primarily on two schools that I have significant recent experience with: the Dagbe Arts Centre in Kopeyia and the Dagara Music and Arts Center in Medie. While at Dagbe, I studied the music and dance of the Anlo-Ewe ethnic group, a people who live primarily in the Volta region of South-eastern Ghana, but who also inhabit neighboring countries as far as Togo and Benin. I took classes and lessons with the staff as well as with the director of Dagbe, Emmanuel Agbeli, a teacher and performer of Ewe dance-drumming. His father, Godwin Agbeli, founded the Dagbe Arts Centre in order to teach others, including foreigners, the musical styles, dances, and diverse artistic cultures of the Ewe people. The Dagara Music and Arts Center was founded by Bernard Woma, a master drummer and gyil (xylophone) player. The DMC or Dagara Music Center is situated in the town of Medie just outside of Accra. Mr. Woma hosts primarily international students at his compound, focusing on various musical styles, including his own culture, the Dagara, in addition music and dance of the Dagbamba, Ewe, and Ga ethnic groups. -
Inventories and Bell Archaeology: Ireland, Scotland, and Wales
ST MARTIN'S GUILD OF CHURCH BELL RINGERS: LIBRARY AND ARCHIVE CATALOGUE 11: INVENTORIES AND BELL ARCHAEOLOGY - ARRANGED BY GEOGRAPHICAL AREA (B: IRELAND, SCOTLAND AND WALES) Accession Category Author Title Date Publisher and other details Number NA476 INB - Ireland Dukes, F. E. Campanology in Ireland 1994 Dublin Presented by the author. Published on the occasion of the NA392 INB - Ireland Hudson, Andrew et al The Bells and Ringers of St Patrick's Church, Ballymena 1988 dedication of the recast ring of 12 bells, 19 March 1988 A069 INB - Ireland Salter, G. A. Bells of Shandon (Cork) nd Booklet Inverary Bells: twelve traditional melodies on the chimes and the bells being AC4 INB - Scotland Anonymous rung in full peal [c 1973] Audio-tape cassette A068 INB - Scotland Eeles, F. C. The Church and other Bells of Kincardinshire 1897 Eeles, F. C. and Clouston, R. The Church and other Bells of Aberdeenshire: A (not including Aberdeen) to Edinburgh. In 'Proceedings of the Society of Antiquaries of NA450 INB - Scotland W. M. Kennethmont 1959 Scotland 1956-1957', Volume 90. Eeles, F. C. and Clouston, R. NA279 INB - Scotland W. M. The Church and other Bells of Wigtownshire 1976 The Gorbals Brass and Bell Foundry Bellfounding in Victorian and Edwardian The Whiting Society of Ringers, Inverness. 1st edition. 116pp, NA698 INB - Scotland Foulds, Michael Glasgow 2011 illustrated The Whiting Society of Ringers, Inverness. 1st edition. 100pp, NA699 INB - Scotland Foulds, Michael The Part-Time Bellfounders of Glasgow and Renfrewshire 2013 illustrated Mackechnie, D., Chaddock, N., NA297 INB - Scotland Glenkinglas, The Lady Inverary Bell Tower [c 1973] Inverary NA448 INB - Wales Clouston, R. -
Ludwig-Musser 2010 Concert Percussion Catalog AV8084 2010
Welcome to the world of Ludwig/Musser Concert Percussion. The instruments in this catalog represent the finest quality and sound in percussion instruments today from a company that has been making instruments and accessories in the USA for decades. Ludwig is “The Most famous Name in Drums” since 1909 and Musser is “First in Class” for mallet percussion since 1948. Ludwig & Musser aren’t just brand names, they are men’s names. William F. Ludwig Sr. & William F. Ludwig II were gifted percussionists and astute businessmen who were innovators in the world of percussion. Clair Omar Musser was also a visionary mallet percussionist, composer, designer, engineer and leader who founded the Musser Company to be the American leader in mallet instruments. Both companies originated in the Chicago area. They joined forces in the 1960’s and originated the concept of “Total Percussion.” With our experience as a manufacturer, we have a dedicated staff of craftsmen and marketing professionals that are sensitive to the needs of the percussionist. Several on our staff are active percussionists today and have that same passion for excellence in design, quality and performance as did our founders. We are proud to be an American company competing in a global economy. Musser Marimbas, Xylophones, Chimes, Bells, & Vibraphones are available in a wide range of sizes and models to completely satisfy the needs of beginners, schools, universities and professionals. With a choice of hammered copper, smooth copper or fiberglass bowls, Ludwig Timpani always deliver the full rich sound that generations of timpanists have come to expect from Ludwig. -
Church Bells. Part 1. Rev. Robert Eaton Batty
CHURCH BELLS BY THE REV. ROBERT EATON BATTY, M.A. The Church Bell — what a variety of associations does it kindle up — how closely is it connected with the most cherished interests of mankind! And not only have we ourselves an interest in it, but it must have been equally interesting to those who were before us, and will pro- bably be so to those who are yet to come. It is the Churchman's constant companion — at its call he first enters the Church, then goes to the Daily Liturgy, to his Con- firmation, and his first Communion. Is he married? — the Church bells have greeted him with a merry peal — has he passed to his rest? — the Church bells have tolled out their final note. From a very early period there must have been some contrivance, whereby the people might know when to assemble themselves together, but some centuries must have passed before bells were invented for a religious purpose. Trumpets preceded bells. The great Day of Atonement amongst the Jews was ushered in with the sound of the trumpet; and Holy Writ has stamped a solemn and lasting character upon this instrument, when it informs us that "The Trumpet shall sound and the dead shall be raised." The Prophet Hosea was com- manded to "blow the cornet in Gibeah and the trumpet in Ramah;" and Joel was ordered to "blow the trumpet in Zion, and sound an alarm." The cornet and trumpet seem to be identical, as in the Septuagint both places are expressed by σαλπισατε σαλπιγγι. -
History of Ringing
11. HISTORY OF RINGING Acc. Author Title Date Publisher and other details No. 544d Ancient Society of College Rules and Regulations. Including History of the Society and Inventory of 1887 28pp Revised 1887 Youths Property 969 Ancient Society of College Rules and Regulations. Including History of the Society and Inventory of 1912 29pp Revised 1911 Youths Property 663 Ancient Society of College History of the Society: List of Notable Performances: Rules and Regulations: 1928 34pp, illustrated Revised 1928 Youths Inventory 966 Ancient Society of College History of the Society: List of Notable Performances: Rules and Regulations: 1928 34pp, illustrated Revised 1928 Youths Inventory 1798 Ancient Society of College History of the Society: List of notable performances: rules and regulations 1956 30pp, illustrated Youths 3721 Ancient Society of College History of the Society: List of notable performances: rules and regulations 1956 30pp, illustrated Youths 967 Ancient Society of College History of the Society; List of Notable Peals; Masters of the Society; Rules 1964 25pp, illustrated Youths 3492 Ancient Society of College History of the Society; List of Notable Peals; Masters of the Society; Rules 1964 25pp, illustrated Youths 852 Ancient Society of College History of the Society; List of Notable Peals; Masters of the Society; Rules (1974) 20pp, illustrated Youths 1862 Ancient Society of College Rules, and rules of the Bell Restoration Fund. As adopted March 10 th , 1987. 1988 8pp Youths 3407 Andrews, Ivan L Heard but not seen in West Dorset. Activities of the Salisbury Diocesan Guild 2010 40pp, illustrated Author signed of Ringers West Dorset Branch 1910 - 2010 3408 Andrews, Ivan L Heard but not seen in West Dorset. -
Proquest Dissertations
Daoxuan's vision of Jetavana: Imagining a utopian monastery in early Tang Item Type text; Dissertation-Reproduction (electronic) Authors Tan, Ai-Choo Zhi-Hui Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 09:09:41 Link to Item http://hdl.handle.net/10150/280212 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are In typewriter face, while others may be from any type of connputer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 DAOXUAN'S VISION OF JETAVANA: IMAGINING A UTOPIAN MONASTERY IN EARLY TANG by Zhihui Tan Copyright © Zhihui Tan 2002 A Dissertation Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2002 UMI Number: 3073263 Copyright 2002 by Tan, Zhihui Ai-Choo All rights reserved. -
Mending Bells and Closing Belfries with Faust
Proceedings of the 1st International Faust Conference (IFC-18), Mainz, Germany, July 17–18, 2018 MENDING BELLS AND CLOSING BELFRIES WITH FAUST John Granzow Tiffany Ng School of Music Theatre and Dance School of Music Theatre and Dance University of Michigan, USA University of Michigan, USA [email protected] [email protected] Chris Chafe Romain Michon Center for Computer Research in Music and Acoustics Center for Computer Research in Music and Acoustics Stanford University, USA Stanford University, USA [email protected] [email protected] ABSTRACT to just above the bead line. Figure 2 shows the profile we used with the relative thickness variations between the inner and outer Finite Element Analyses (FEA) was used to predict the reso- surface. nant modes of the Tsar Kolokol, a 200 ton fractured bell that sits outside the Kremlin in Moscow. Frequency and displacement data informed a physical model implemented in the Faust programming language (Functional Audio Stream). The authors hosted a con- cert for Tsar bell and Carillon with the generous support of Meyer Sound and a University of Michigan bicentennial grant. In the concert, the simulated Tsar bell was triggered by the keyboard and perceptually fused with the bourdon of the Baird Carillon on the University of Michigan campus in Ann Arbor. 1. INTRODUCTION In 1735 Empress Anna Ivanovna commissioned the giant Tsar Kolokol bell. The bell was cast in an excavated pit then raised into scaffolding for the cooling and engraving process. When the supporting wooden structure caught fire, the bell was doused with water causing the metal to crack. -
History, Development and Tuning of the Hang
ISMA 2007 Hang HISTORY, DEVELOPMENT AND TUNING OF THE HANG Felix Rohner and Sabina Schärer PANArt Hangbau AG, Engehaldenstr.131, 3012 Bern, Switzerland Abstract The HANG is a new musical instrument, suitable for playing with the hands, consisting of two hemispherical shells of nitrided steel. It is the product of a collaboration among scientists, engineers and hangmakers, thanks to which we have been able to better understand the tuning process in all its complexity. Seven notes are harmonically tuned around a central deep tone (ding), which excites the Helmholtz (cavity) resonance of the body of the instrument. There are many ways to play the HANG. We show the different stages of its development over the seven years since its birth in 2000. We describe the tuning process and the musical conception of the HANG. INTRODUCTION The HANG was created in January 2000 by the tuners of PANArt Hangbau AG, formerly Steelpan Manufacture AG, Bern, Switzerland. It came out of twenty-five years of manufacturing the steelpan and research on its technology and acoustics. The youngest member of the family of acoustic musical instruments, the HANG is the result of a marriage between art and science. Five thousand HANG players worldwide and an ever-increasing demand show the deep resonance this instrument has with individuals. As we are only two hangmakers, our interest here is to invite scientists to continue working together to better understand this phenomenon. FROM STEELPAN TO HANG PANArt Hangbau AG was founded in 1993 to give cultural and commercial support to the growing steelband movement in Switzerland. -
SAVED by the BELL ! the RESURRECTION of the WHITECHAPEL BELL FOUNDRY a Proposal by Factum Foundation & the United Kingdom Historic Building Preservation Trust
SAVED BY THE BELL ! THE RESURRECTION OF THE WHITECHAPEL BELL FOUNDRY a proposal by Factum Foundation & The United Kingdom Historic Building Preservation Trust Prepared by Skene Catling de la Peña June 2018 Robeson House, 10a Newton Road, London W2 5LS Plaques on the wall above the old blacksmith’s shop, honouring the lives of foundry workers over the centuries. Their bells still ring out through London. A final board now reads, “Whitechapel Bell Foundry, 1570-2017”. Memorial plaques in the Bell Foundry workshop honouring former workers. Cover: Whitechapel Bell Foundry Courtyard, 2016. Photograph by John Claridge. Back Cover: Chains in the Whitechapel Bell Foundry, 2016. Photograph by John Claridge. CONTENTS Overview – Executive Summary 5 Introduction 7 1 A Brief History of the Bell Foundry in Whitechapel 9 2 The Whitechapel Bell Foundry – Summary of the Situation 11 3 The Partners: UKHBPT and Factum Foundation 12 3 . 1 The United Kingdom Historic Building Preservation Trust (UKHBPT) 12 3 . 2 Factum Foundation 13 4 A 21st Century Bell Foundry 15 4 .1 Scanning and Input Methods 19 4 . 2 Output Methods 19 4 . 3 Statements by Participating Foundrymen 21 4 . 3 . 1 Nigel Taylor of WBF – The Future of the Whitechapel Bell Foundry 21 4 . 3 . 2 . Andrew Lacey – Centre for the Study of Historical Casting Techniques 23 4 . 4 Digital Restoration 25 4 . 5 Archive for Campanology 25 4 . 6 Projects for the Whitechapel Bell Foundry 27 5 Architectural Approach 28 5 .1 Architectural Approach to the Resurrection of the Bell Foundry in Whitechapel – Introduction 28 5 . 2 Architects – Practice Profiles: 29 Skene Catling de la Peña 29 Purcell Architects 30 5 .