History of the Old St. Martin Bells We Know That There Were Three Bells In
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The Bells, Clock and Carillon of Worcester Cathedral
The bells, clock and carillon of Worcester Cathedral. Statement of Significance General overview The whole ensemble of clock, carillon and bells (these since recast) was very much a great Victorian showpiece - a wonder of the age. It cost £5000 (£566,000 today) and was paid for by the Earl of Dudley. It was a hugely ambitious project - a co-ordinated inter-disciplinary scheme (new bells, clock and carillon all at the same time) and on an impressively large scale. Everything was done to the very highest technical standards of the time - taking advantage of the latest innovations and at the same time breaking new ground in applying skills and knowledge to create an installation on a scale not previously contemplated or realised. Installed as part of the great Victorian restoration of the Cathedral which took place chiefly between 1864 and 1874, the clock and bells scheme (with the carillon as an afterthought) was the brainchild of Canon Richard Cattley. Cattley who undertook the fund-raising also steered the whole project through from inception to completion, drawing on the expertise of the leading authorities of the day and working with experienced and innovative bellfounders and clockmakers best qualified to undertake such a challenging commission. The professionals and advisers involved were A E Perkins, the Cathedral Surveyor responsible for the tower restoration between 1863-9 and Sir Edmund Beckett Denison (later known as Lord Grimthorpe) who was regarded as the great expert on clocks and bells The principal contractors and suppliers -
Church Bells
CHURCH BELLS A ring of bells will typically involve 1 to 5 tons of moving metal and so should be considered as heavy machinery. Full-circle ringing puts the greatest demands on the bellframe and tower. To carry the large forces created, the bellframe should be as stiff as possible and should be rigidly attached to the tower, otherwise the bells will be difficult to control. Problem Areas In general, neglect does far more damage than regular use. Attention to the following will do much to keep the bell installation in good order: easy safe access ample lighting (2 x 5' fluorescents as a minimum, more in a large belfry) attention to cleanliness exclusion of rain - immediate repair of roof leaks or broken louvres exclusion of birds - all openings fitted with galvanised heavy wire mesh. Accumulations of dirt and bird droppings, especially when damp, encourage decay of timber and corrosion of ironwork. The main supporting beams are particularly susceptible to this; the ends of timber beams built into damp masonry are prone to rot. Bolts may be fractured by rust build-up and lamination of steel beams; such build-up underneath cast iron frame members can break off their flanges. With bells hung outside, corrosion of ironwork is worsened and timber headstocks deteriorate more rapidly. Access for maintenance is often awkward. Heavily galvanised or stainless steel headstocks and fittings should be considered where regular painting would be impractical. Bells may be cracked by: Cast-in crown staples. The iron corrodes and expands, putting the crown of the bell in tension, and a crack then starts. -
Bell Restoration Committee a Glossary of Bellringing Terms
Central Council of Church Bell Ringers “Registered Charity number 270036” Bell Restoration Committee Guidance Note No. 3 A Glossary of Bellringing Terms The following table explains many of the more commonly used terms in bell restoration work in alphabetical order. Those words that are underlined are described elsewhere within the table. There are also diagrams of a bell at the end of this document. Archdeacon's Authorisation, issued by the Archdeacon, for minor works to bell Certificate fittings not requiring a faculty. Ringing organisation, generally based on county or diocesan Association / regions, whose main objective is the furtherance of church Guild / Society bellringing. To add bells to an existing ring of bells, usually by adding lighter Augment bells of higher tone. Band Collective noun for group of bellringers. These are fitted to the gudgeons and rest in housings on the bellframe either side of the bell, allowing it to swing. They may be Bearings plain brass, or ball or roller automotive-style bearings. The latter two are often self-aligning which will accommodate some frame movement or misalignment. The room in the tower where the bells are hung and sometimes Belfry known as the Bell Chamber. Can also be used to mean the whole tower. An expert appointed by a Diocesan Bishop to provide advice to the Bell Adviser to DAC about bell related matters. The Adviser may or may not be a DAC full member of the DAC. Bell Chamber See Belfry. Bell metal A bronze consisting of approximately 77% copper and 23% tin. There is at least one company that specialises in weld-repairs to Bell Welding bells. -
Church Bells
Church bells By Trevor Barnes Religion Media Centre Collaboration House, 77-79 Charlotte Street, London W1T 4LP | [email protected] Charity registration number: 1169562 The “Big Ben Brexit bongs” proposed for 31 January, 2020, to signal Britain's withdrawal from the European Union, erupted in controversy. The debate became more animated still when it was suggested that bells be rung in parallel in churches throughout the land to mark what has been a highly divisive moment in history. The Central Council of Church Bell Ringers, approached for comment, remained aloof from the debate, maintaining that while there were historical precedents for such a proposal (the centenary of the Great War armistice, say, or other great occasions of church and state) it could not endorse bell-ringing for political reasons. Individual churches, it added, had discretion to ring bells on such occasions but these would be on a “case by case” basis. A neutral by-product of the debates, however, was to focus attention on the enormous symbolic significance of church bells in the nation’s collective consciousness and on the often unspoken affection in which they are held by churchgoers and non-churchgoers alike. HISTORY Bells are among the oldest musical instruments in the world and were probably first cast in China more than 5,000 years ago. The Hebrew Bible or Old Testament records that they were used by the ancient Israelites in the construction of the Ark of the Covenant and records show that they were incorporated into the worship of Osiris by the ancient Egyptians. They are widely used to this day in Buddhist, Hindu and Shinto devotions. -
Conservation and Repair of Bells and Bellframes
bell.cover 1/11/07 16:58 Page 2 CONSERVATION AND MISSION Bells have been rung in English churches for over 1,000 years and examples dating from the 13th century can still be seen in some parishes. Historic bells, and the frames they hang in, are an important part of the Church’s heritage and should be cared for appropriately. As well as being historically significant, church bells are musical instruments and many are hung in peals for change ringing, an almost uniquely English musical tradition. This booklet gives guidance on the proper care and conservation of bells and bellframes and encourages the continuing use of church bells to announce public worship. The Council for the Care of Churches is a permanent commission of the Archbishops’ Council of the Church of England. It has a range of statutory responsibilities, and also assists parishes in their task of maintaining church buildings. It advises on the conservation of church furnishings, administers grants from the Conservation charitable trusts for their conservation, and also advises parishes on new works of art. Its range of booklets gives and repair of bells advice to all those concerned with the care of churches, their contents and churchyards. and bellframes Code of Practice www.chpublishing.co.uk £6.95 conservation.text 1/11/07 16:44 Page i the Conservation and repair of bells and bellframes Code of Practice conservation.text 1/11/07 16:44 Page ii Other titles published for the Council for the Care of Churches by Church House Publishing: Church Extensions and Adaptations, 2nd -
Change Ringing Handbells Come to America AGEHR History & Organization
Certification Course A Text Change Ringing Handbells Come to America AGEHR History & Organization by Martha Lynn Thompson CHANGE RINGING Music, Math, Sport “The art of change ringing is peculiar to the English, and, like most English peculiarities, unintelligible to the rest of the world. To the musical Belgian, for example, it appears that the proper thing to do with a carefully tuned ring of bells is to play a tune upon it. By the English campanologist, the playing of tunes is considered to be a childish game, only fit for foreigners; the proper use of bells is to work out mathematical permutations and combinations.” — Dorothy L. Sayers, The Nine Tailors Although change ringing is done primarily in England, it is practiced and enjoyed in other countries, too. Change ringing doesn’t produce melody or harmony, so it doesn’t have a lot of musical significance. In Belgium and The Netherlands, carillons, the “singing towers,” could play tunes, but this didn’t catch on in the British Isles. Instead, the English invented their own mathematical order or sequences of ringing their tower bells. This became known as change ringing. Practicing in bell towers did have its disadvantages: The early morning or evening rehearsals disturbed the neighbors. The towers were cold, damp, and drafty. These disadvantages led to the development of handbells so the ringers could practice their changes in a more comfortable setting without disturbing the village. These rehearsals were held in homes, churches, or even the local pub! Eventually it was discovered that handbells could be used to ring beautiful music, not just mathematical changes. -
Bells in Your Care Some Notes for Incumbents and Churchwardens Who Find Themselves Responsible for a Ring of Church Bells
Bells in Your Care Some notes for incumbents and churchwardens who find themselves responsible for a ring of church bells Bell Ringing The sound of church bells ringing out can provide very loud evidence of the existence of an active church with an active congregation and you are fortunate to have bells in your care. Ringers and the Central Council of Church Bell Ringers can help with anything you need to know. This is a brief summary. The very English art of full circle ringing has been practised in this country for over 400 years, and more recently in other countries around the world. The skill, which takes several months to acquire, lies in controlling the bell as it swings full circle so that it can be made to sound at a precise point - like, indeed, any other musical instrument. Younger people generally learn more quickly, but most people between the ages of 11 and 70, or more, can learn to ring. Because ringing is by definition a group activity (one ringer for each bell being rung), each tower with a ring of bells usually has a local band, led by its chosen tower captain, and usually belonging to the local bellringers' guild or association. These in turn are affiliated to the Central Council of Church Bell Ringers (CCCBR), which through its committees seeks to provide help and information about all bell matters, including maintenance of towers and belfries, fundraising, redundant bells, publications, public relations and much more. The Central Council website (www.cccbr.org.uk) has some very useful advice about tower management, health and safety and fire risk assessment for bell towers, among much more information. -
Combe Raleigh Bells Project
Bell Project History Back in 2017 I see that I wrote: “Sunday 29th October 2017 saw the culmination of the St Nicholas’ Church, Combe Raleigh bell project with the rededication and blessing of the bells by the Right Reverend Robert Atwell, Bishop of Exeter.” That wasn’t the whole story, there was still a lot to come and of course there was a lot that had gone before. St Nicholas’ Church in Springtime. The tower is the oldest part of the present church building dating from the late fourteenth century. Our oldest bell was cast by Robert Norton of Exeter c1430 and bears a latin inscription ‘Plebs omnis plaudit ut me minore sepius audit’ which has been translated as: ‘All people rejoice as they hear little me more often’. This bell has been calling the faithful for nigh on 600 years. Until 2017 the church only had three bells. We don’t know, but assume this had always been the case. The 1553 inventory of church property lists Combe Raleigh as having three bells, two of them were subsequently recast. In 1900 these three bells were rehung in a new oak frame by Harry Stokes of Woodbury. This frame had pits for five bells but the two additional bells never materialised. The Original Three Bells The photos show the three bells hung in 1900. The photos of the second and tenor clearly show the Ellacombe chiming hammers and the clock hammer can be seen in the photo of the tenor bell on the right. The Ellacombe chiming apparatus was removed when the bells were augmented to six in 2017. -
Dublin Founders of Ringing Bells
The Weekly Journal for No. 4754 June 7, 2002 Price £1.45 Church Bell Ringers since 1911 Editor: Robert lewis Dublin Founders of Ringing Bells The refurbishment and rehanging in a new frame in 1989 of the eight bells of St Patrick's Cathedral in Melbourne, Australia, was an indirect compliment to the quality of Irish workmanship. The bells, with a tenor of 13'/z cwt, were cast in Dublin by Murphy's Bell Foundry to the order of Bishop Goold. They arrived in Melbourne in 1853. The bells were intended for St Francis' Church in Elizabeth Street, Melbourne, which had no tower! Eventually, in 1868, they were hung in the south tower of the cathedral. During the nineteenth and twentieth centuries there were at least four founders in Dublin who cast ringing bells: John Murphy, James Sheridan, Thomas Hodges and Matthew O'Byrne. John Murphy John Murphy was a Coppersmith who established his business at 109 James's Street, Dublin, in 1837. In 1843 he branched-out into bell founding, casting a bell for the Roman Catholic church in Tuam in Co Galway. In the years that followed Murphy cast many single bells and at least eight rings of bells. In 1877 Murphy cast the Tenor for Christ Church Cathedral in Dublin and it is a matter of some regret that this bell was sent to Taylor's Bell Foundry in 1979 and recast. The writer called a quarter peal of Grandsire Triples on the back eight in 1967 and, apart from the go of the bells, enjoyed their music. -
WP Guild Newsletter 2015 June
The Winchester & Portsmouth Diocesan Guild of Church Bell Ringers GUILD NEWS June 2015 Change Ringing for the Future “The regional conversations have begun!” 'm aware that many of you will have seen much about this - Guild meetings following old style formats and badly at- Ibut I've condensed some of the recently distributed docu- tended ments here. There's an article on Page 634 of the Ringing - gaps in key leadership positions World dated 19th June 2015 and further information can be seen at http://cccbr.org.uk/future-of-ringing/ - I.T.T.S not being as successful locally as hoped One of the key aspects of this Central Council initiative, - communications needed improvement. having taken into account the plentiful feedback for the The biggest problem areas were seen to be recruitment and numerous Have Your Say regional meetings, was for Guilds/ retention, particularly youngsters. There's a need for more Associations to consider working more closely together in leadership training. regions, to help each other and to link with the C.C more On the other hand, things were reported as working well effectively. in some areas, so there are ideas to help improve things by The proposed regions for England were based on those used working together, if a way can be found to harness people's by the Heritage Lottery Fund, a possible funding source. energy: At the AGM of The Central Council of Church Bellringers - teaching people the new way - with sessions specifically for in May, members were involved in group discussions and them were asked to offer their thoughts, concerning their own - local towers working together, within and across boundaries Association, about what's working well, what's not working - modernising the format of Guild events so well, what cross-boundary initiatives are happening nearby and what are the cross-boundary opportunities. -
Church Bells
December 5, 1874.] Church Bells. 7 much anxiety attached to it, and no one can have the care, for good or for evil, of from 50 to 100 souls, without feeling the heavy responsibility attending BELLS AND BELL-RINGING. it. Still it is work which any lady with common sense, command of temper, and some tact in the management of very bad tempers, can do well. There The Guild of the Christ Church, Southwark, Bell-ringers. is no lack of work for ladies to do ; it is the workers, not the work, which is lacking. T. L. Old Hymn-books. B o u n d e d , 1874. S i r ,— Will you allow me to ask clergymen who are changing from the old S.P.C.IC. Hymn-book, or to Bickersteth’s Prayer-book Companion, &c., if they President : would kindly present their old hymn-books to the mission clergy of the E,ev. Henry J. Desborough, M.A., Rector. ‘Missions to Seamen/who wish to supply prayer and hymn-books to mer Vice-Presidents: chant ships, the captains of which will undertake to assemble their crews for Rev. G. H. Butler, M.A. public worship at sea. Donors of books should send their gifts to ‘ The Rev. H. II. Montgomery, M.A. Secretary, Missions to Seamen, 11 Buckingham Street, Strand, London, W.C./ The Churchwardens. or ask him to put them in communication with one of the Chaplains. W m . D a w s o n , Commander U.K. Treasurer: Q ueries. Rev. H. H. Montgomery, M.A. -
Bells & Bellfounding
Bells & Bellfounding by John Llewellin File 01 – The Entire Book This document is provided for you by The Whiting Society of Ringers visit www.whitingsociety.org.uk for the full range of publications and articles about bells and change ringing BELLS AND BELLFOUNDING. THE FORM OF BELL ADVOCATED (~edium ~i~e) BELLS & BELLFOUNDING BY X -y-" -z J5tistol J. W. ARROWSMITH, 1 I QyAY STREET 1879 GEORGE W. EDWARDS ESQ. Pray permit my firm to inscribe to you in this your third year of office as Mayor of Bristol a small volume in testimony of high appreciation of your gene rous and sustained efforts in promoting musical taste and scientific culture amongst your fellow-citizens. Various experiments extending over a considerable period have been undertaken by or at the instance of the firm in order to make it a practical treatise and in now issuing the volume it desires to add a local contribution to technic al literature which although Im perfect may not be altogether unworthy of perusal. JOHN LLEWELLIN JUN. :J5rtstol, 1819. CONTENTS. l!tbapttr n. On $ollnb tn ftll nlatfonllbfp to UeIlll . PAGE An outline of the theory of sound-Musical instruments -Musical pitch and scale- How a ring of bells should be governed thereby-Clang-tint or timbre-Fundamental tones -Harmonics or overtones-Vibrations of a metallic ring Vibration s and harmonics of a bell-Some causes of a bell being in ferior-s-New plan for analyzing the tone of a bell. l!tbapttr Ill. On lbe lIleIl.founlJel"ll art PA GE 16 The older bellfoundcrs-«The decline of the art-Its revival-The quality of church bells-Their proportional thickn ess and shape- Continental bells-Composition of bell metal-Soundness of the casting-Casting and tuning bells to note-Arranging rings of bells-The bells of Exeter cathedral and Bow church-Number of bells in a ring-Splicing peals- Re- casting old bells.