Dublin Founders of Ringing Bells
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History of the Old St. Martin Bells We Know That There Were Three Bells In
History of the Old St. Martin Bells We know that there were three bells in 1552. The so-called Edwardian Inventory of that year lists “iij litle belles a saunce bell”. One of the mediaeval bells survives as the third bell in the present ring, inscribed with a dedication to St.Martin. This bell has distinctive gothic lettering with a cross and fleur- de-lis mark found on several bells found mainly in churches in or near Staffordshire. On the basis of their geographical distribution H.B. Walters conjectured that they were cast at Lichfield, suggesting a date “not later than 1350” and linking them with a founder named Henry Mitchell mentioned in 1313 This is all very tenuous, however, and the shape of this bell and its mouldings suggest a much later date towards the end of the fourteenth century or later. Walters also suggests that this ancient bell may have been the tenor of the pre-Reformation ring. He cites no evidence, and whether or not this is so is unclear. We do know, however, that the bells were augmented to five and probably increased in weight in 1638-40 through the generosity of Robert Durant and Sir Robert Berkeley. Durant paid for the casting (or recasting) of two bells, now the fourth and fifth dated 1638. Sir Robert is said to have laid out over £100 in mending and increasing the ring of bells in 1640, at which time he caused a new treble and a new tenor to be made. This evidently refers to the predecessor of the present second (recast in 1833) and the tenor, which was known as Berkeley’s bell. -
A Replica of the Stretch Clock Recently Reinstated at the West End of Independence Hall
A replica of the Stretch clock recently reinstated at the west end of Independence Hall. (Photograph taken by the author in summer of 197J.) THE Pennsylvania Magazine OF HISTORY AND BIOGRAPHY The Stretch Qlock and its "Bell at the State House URING the spring of 1973, workmen completed the construc- tion of a replica of a large clock dial and masonry clock D case at the west end of Independence Hall in Philadelphia, the original of which had been installed there in 1753 by a local clockmaker, Thomas Stretch. That equipment, which resembled a giant grandfather's clock, had been removed in about 1830, with no other subsequent effort having been made to reconstruct it. It therefore seems an opportune time to assemble the scattered in- formation regarding the history of that clock and its bell and to present their stories. The acquisition of the original clock and bell by the Pennsylvania colonial Assembly is closely related to the acquisition of the Liberty Bell. Because of this, most historians have tended to focus their writings on that more famous bell, and to pay but little attention to the hard-working, more durable, and equally large clock bell. They have also had a tendency either to claim or imply that the Liberty Bell and the clock bell had been procured in connection with a plan to celebrate the fiftieth anniversary, or "Jubilee Year," of the granting of the Charter of Privileges to the colony by William Penn. But, with one exception, nothing has been found among the surviving records which would support such a contention. -
Cupola Practice in Modern Gray Iron Foundry
Scholars' Mine Professional Degree Theses Student Theses and Dissertations 1924 Cupola practice in modern gray iron foundry George E. Mellow Follow this and additional works at: https://scholarsmine.mst.edu/professional_theses Part of the Mechanical Engineering Commons Department: Recommended Citation Mellow, George E., "Cupola practice in modern gray iron foundry" (1924). Professional Degree Theses. 56. https://scholarsmine.mst.edu/professional_theses/56 This Thesis - Open Access is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in Professional Degree Theses by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. CUPOLA PHAC11ICE IN MODERN GRAY IRON FlOUNDRY BY GEORGE E. MELLOW A "THESIS submitted to the faculty of the SCHOOL OF MINES AND ~~TALLURGY OF THE UNIVERSITY OF MISSOURI in partial fulfillment of the work required for the Degree Of' Mechanica.l Engineer St. Louis, Mo. 1924 Approved by.?f'..Q... .. Cupola Practice in Modern Gray-Iron Ii'oundry Cupola practice, as described in this paper, 'will include only the practical operation or a cupola and the details of the work necessary in daily routine, and very little of the theory of combustion,or history of cupola development, is presented. A brief ~escription of the cupola will give an idea of its construction, and the names of the parts may be found on the sketch herewith. The cupola consists of a steel shell, cylindrical in shape, which stands veDtically on four cast-iron legs, about four feet off the floor; it is open at the top, and has SWinging cast-iron doors at the bottom. -
S Foundry Solutions By: Ricardo Volkmann Index
Issue #2 Adolf′s Foundry Solutions by: Ricardo Volkmann www.foundrysupply.com Index: Mission Statement & History 3 Style ~A~ Alignment Inserts 4 Alignment Core Prints 4 Wood Cutting Tools 4 Style ~B~ Alignment Inserts 5 Alignment Core Boxes 5 Single Cavity Filtering Basins 6-7 Double Cavity Filtering Basins 6 Pouring Basins 6 Riser Rings 7 Filtering Runner Basins 7 14 Inch Sprues 8 Filtering Sprue Plugs 8 Pop-up Sprue Basins 9 Single Faced Basins 10-11 Pyramid Style Basins 10-11 Three Faced Basins 10 Sprue Pins 10-11 Filtering Basin 10 Four Faced Basins 11 Test Bar Basins 12-13 Inter-Changeable Test Bars 12-13 Test Wedges Basins 12-13 Inter-Changeable Test Wedges 12-13 Test Coupon Basins 12 PIG Boxes 13 Photo Gallery 14-15 Silent Adjustable Vibrator 16 DuraTech Tooling Material 16 Buy direct and save... No sales tax in Oregon 2 www.foundrysupply.com Mission Statement “Doing it Right the First Time” Our mission is to provide new lean manufacturing practices to the foundry industry. Adolf’s Foundry Solutions are products made with the highest integrity, they are dependable, exteremly durable and very cost effective. History 1949 Adolf started his pattern maker apprenticeship in Berlin, Germany during 1949. Trained by German master craftsmen, Adolf excelled as an apprentice and completed a four year apprenticeship program in three years, allowing him to graduate at the top of his class with honors. In Germany, at that time, it was mandatory practice for all apprentices to spend six weeks working in a foundry doing piece work on the molding line. -
1798) the Pockets of Our Great-Coats Full of Barley (No Kitchens on the Run, No Striking Camp) We Moved Quick and Sudden in Our Own Country
R..6~t6M FOR.. nt6 tR..tSH- R..6lS6LS (Wexford, 1798) The pockets of our great-coats full of barley (No kitchens on the run, no striking camp) We moved quick and sudden in our own country. The priest lay behind ditches with the tramp. A people, hardly marching - on the hike - We found new tactics happening each day: Horsemen and horse fell to the twelve foot pike, 1 We'd stampede cattle into infantry, Retreat through hedges where cavalry must be thrown Until, on Vinegar Hill, the fatal conclave: Twenty thousand died; shaking scythes at cannon. The hillside blushed, soaked in our broken wave. They buried us without shroud or coffin And in August barley grew up out of the grave. ---- - Seamus Heaney our prouvt repubLLctt"" trttvtLtLo"" Bodenstown is a very special place for Irish republicans. We gather here every year to honour Wolfe Tone and the United Irishmen and to rededicate ourselves to the principles they espoused. We remember that it was the actions of the 1916 leaders and their comrades, inspired by such patriot revolutionaries as Tone and Emmett, that lit the flame that eventually destroyed the British Empire and reawakened the republicanism of the Irish people. The first article of the constitution of the Society of United Irishmen stated as its purpose, the 'forwarding a brotherhood of affection, a communion of rights, and an union of power among Irishmen of every religious persuasion'. James Connolly said of Wolfe Tone that he united "the hopes of the new revolutionary faith and the ancient aspirations of an oppressed people". -
Molding & Machining: Metalwork in Geneva
MOLDING & MACHINING: METALWORK IN GENEVA This is a story of change. In the mid-1800s, Geneva claimed the most foundries in western New York State. The metal industry accounted for almost 70% of the city’s jobs in the 1950s and remained strong until the 1970s. Today, Geneva has only one major metal fabrication company. Geneva was not near iron ore or coal but 19th-century canals and railroads allowed access to raw materials. Demand for new products, from farm equipment to heating systems, allowed foundries to flourish. New factories changed Geneva’s landscape and affected its environment. Ultimately, 20th-century changes in technology and economics – and failure to adapt to change – caused most of the city’s metal industry to disappear. A foundry melts refined iron and pours it into molds to create cast iron. It is brittle but, unlike wrought iron pounded out by a blacksmith, objects can be mass produced in intricate shapes. Molding room at Phillips & Clark Stove Company Machining is the shaping of metal, and other materials, through turning, drilling, and milling. Machining tools were powered by steam engines in the 19th century and later by electricity. Machinists bent sheet metal to make cans, stamped metal for tableware, and milled stock to create machine components. Tool Room at Herendeen Manufacturing Company, 1907 This is a companion exhibit to Geneva’s Changing Landscapes in the next gallery, which has more information and artifacts about local industry. Support for this exhibit is provided by Rosalind Nester Heid in memory of her grandfather Samuel K. Nester, Sr. The First Geneva Foundries Refineries require iron, sand, water, fuel, and people. -
SAVED by the BELL ! the RESURRECTION of the WHITECHAPEL BELL FOUNDRY a Proposal by Factum Foundation & the United Kingdom Historic Building Preservation Trust
SAVED BY THE BELL ! THE RESURRECTION OF THE WHITECHAPEL BELL FOUNDRY a proposal by Factum Foundation & The United Kingdom Historic Building Preservation Trust Prepared by Skene Catling de la Peña June 2018 Robeson House, 10a Newton Road, London W2 5LS Plaques on the wall above the old blacksmith’s shop, honouring the lives of foundry workers over the centuries. Their bells still ring out through London. A final board now reads, “Whitechapel Bell Foundry, 1570-2017”. Memorial plaques in the Bell Foundry workshop honouring former workers. Cover: Whitechapel Bell Foundry Courtyard, 2016. Photograph by John Claridge. Back Cover: Chains in the Whitechapel Bell Foundry, 2016. Photograph by John Claridge. CONTENTS Overview – Executive Summary 5 Introduction 7 1 A Brief History of the Bell Foundry in Whitechapel 9 2 The Whitechapel Bell Foundry – Summary of the Situation 11 3 The Partners: UKHBPT and Factum Foundation 12 3 . 1 The United Kingdom Historic Building Preservation Trust (UKHBPT) 12 3 . 2 Factum Foundation 13 4 A 21st Century Bell Foundry 15 4 .1 Scanning and Input Methods 19 4 . 2 Output Methods 19 4 . 3 Statements by Participating Foundrymen 21 4 . 3 . 1 Nigel Taylor of WBF – The Future of the Whitechapel Bell Foundry 21 4 . 3 . 2 . Andrew Lacey – Centre for the Study of Historical Casting Techniques 23 4 . 4 Digital Restoration 25 4 . 5 Archive for Campanology 25 4 . 6 Projects for the Whitechapel Bell Foundry 27 5 Architectural Approach 28 5 .1 Architectural Approach to the Resurrection of the Bell Foundry in Whitechapel – Introduction 28 5 . 2 Architects – Practice Profiles: 29 Skene Catling de la Peña 29 Purcell Architects 30 5 . -
Fabrication of Ceramic Moulds Using Recycled Shell Powder and Sand with Geopolymer Technology in Investment Casting
applied sciences Article Fabrication of Ceramic Moulds Using Recycled Shell Powder and Sand with Geopolymer Technology in Investment Casting Wei-Hao Lee, Yi-Fong Wu, Yung-Chin Ding and Ta-Wui Cheng * Institute of Mineral Resources Engineering, National Taipei University of Technology, Taipei 10608, Taiwan; [email protected] (W.-H.L.); [email protected] (Y.-F.W.); [email protected] (Y.-C.D.) * Correspondence: [email protected] Received: 1 June 2020; Accepted: 29 June 2020; Published: 1 July 2020 Abstract: Lost-wax casting, also called precision casting, is the process of casting a duplicate metal sculpture cast an original sculpture. The ceramic shell mould used in lost-wax casting usually consists of several layers formed with fine zircon and granular mullite particles using silica gel as a binder. However, it is a complicated and time-consuming process. Large amounts of waste moulds that need to be disposed and recycled become an environmental concern. In this study, waste shell sand from the recycled mould and calcium carbonate/metakaolin were used as raw materials to prepare geopolymer slurry and coating. The influence of mixing ratio and the SiO2/K2O modulus of the alkali solution on the setting time and green/fired strength were evaluated. Ceramic shells with one to four layers of geopolymer slurry and waste sand sprinkling were fabricated and tested for their permeability and green/fired strength. It was found that geopolymer shells had higher green/fired strength and better permeability than the original zircon/mullite shell. For foundry practice, metal casts were fabricated using recycled ceramic shell moulds with one to four layers of geopolymer coating. -
“Afin D'être En Pleine Possession De Ses Moyens
Le“AFIN D’ÊTRE FORUM EN PLEINE POSSESSION DE SES MOYENS” VOLUME 38, #2 PRINTEMPS/SPRING 2016 Websites: Le Forum: http://umaine.edu/francoamerican/le-forum/ Oral History: Francoamericanarchives.org Library: francolib.francoamerican.org Occasional Papers: http://umaine.edu/francoamerican/occasional-papers/ Maine’s French Communities: http://www.francomaine.org/English/Pres/Pres_intro.html francoamericanarchives.org other pertinent websites to check out - Les Français d’Amérique / French In America Calendar Photos and Texts from 1985 to 2002 http://www.johnfishersr.net/french_in_america_calendar.html Franco-American Women’s Institute: $6.00 US http://www.fawi.net Le Forum Sommaire/Contents Lettres/Letters..............................3 Joshua Barrière....................45-47 Le Centre Franco-Américain Université du Maine L’État du NH Orono, Maine 04469-5719 .....................3, 38-41 Coin des jeunes.....................42-44 [email protected] Téléphone: 207-581-FROG (3764) L’État du ME..........................4-13 Télécopieur: 207-581-1455 REMINDER!!! Volume 38 Numéro 2 L’État du CT.........................14-23 Printemps/Spring 2016 Publishing Board Please check your mail- Don Levesque Books/Livres..........................24-26 ing labels for expiration date Paul Laflamme Virginia Sand Roy to your subscription. The Lin LaRochelle James Myall...........................27-28 Louella Rolfe year/month, for example, Diane Tinkham 11/09 means your subscrip- David Vermette......29, 30 & 37-38 Rédactrice/Gérante/Managing Editor -
Campaign Fact Book Former Whitechapel Bell Foundry Site Whitechapel, London
Campaign Fact Book Former Whitechapel Bell Foundry Site Whitechapel, London Compiled January 2020 Whitechapel Bell Foundry: a matter of national importance This fact book has been compiled to capture the breadth of the campaign to save the site of the Whitechapel Bell Foundry, which is currently threatened by a proposal for conversion into a boutique hotel. Re-Form Heritage; Factum Foundation; numerous community, heritage and bellringing organisations; and thousands of individuals have contributed to and driven this campaign, which is working to: reinstate modern and sustainable foundry activity on the site preserve and record heritage skills integrate new technologies with traditional foundry techniques maintain and build pride in Whitechapel’s bell founding heritage The site of the Whitechapel Bell Foundry is Britain’s oldest single-purpose industrial building where for generations bells such as Big Ben, the Liberty Bell, Bow Bells and many of the world’s great bells were made. Bells made in Whitechapel have become the voices of nations, marking the world’s celebrations and sorrows and representing principles of emancipation, freedom of expression and justice. As such these buildings and the uses that have for centuries gone on within them represent some of the most important intangible cultural heritage and are therefore of international significance. Once the use of the site as a foundry has gone it has gone forever. The potential impact of this loss has led to considerable concern and opposition being expressed on an unprecedented scale within the local area, nationally and, indeed, internationally. People from across the local community, London and the world have voiced their strong opposition to the developer’s plans and to the hotel use and wish for the foundry use to be retained. -
The Bells, Clock and Carillon of Worcester Cathedral
The bells, clock and carillon of Worcester Cathedral. Statement of Significance General overview The whole ensemble of clock, carillon and bells (these since recast) was very much a great Victorian showpiece - a wonder of the age. It cost £5000 (£566,000 today) and was paid for by the Earl of Dudley. It was a hugely ambitious project - a co-ordinated inter-disciplinary scheme (new bells, clock and carillon all at the same time) and on an impressively large scale. Everything was done to the very highest technical standards of the time - taking advantage of the latest innovations and at the same time breaking new ground in applying skills and knowledge to create an installation on a scale not previously contemplated or realised. Installed as part of the great Victorian restoration of the Cathedral which took place chiefly between 1864 and 1874, the clock and bells scheme (with the carillon as an afterthought) was the brainchild of Canon Richard Cattley. Cattley who undertook the fund-raising also steered the whole project through from inception to completion, drawing on the expertise of the leading authorities of the day and working with experienced and innovative bellfounders and clockmakers best qualified to undertake such a challenging commission. The professionals and advisers involved were A E Perkins, the Cathedral Surveyor responsible for the tower restoration between 1863-9 and Sir Edmund Beckett Denison (later known as Lord Grimthorpe) who was regarded as the great expert on clocks and bells The principal contractors and suppliers -
Dogs in Space Tail Credits
Title: For Christine Introducing MICHAEL HUTCHENCE as Sam SASKIA POST as Anna DEANNA BOND as The Girl NIQUE NEEDLES as Tim TONY HELOU as Luchio CHRIS HAYWOOD as Chainsaw Man Also with Anthony Peter Walsh Clare Laura Swanson Grant Adam Briscomb Leanne Sharon Jessop Nick Edward Clayton-Jones Mark Martii Coles Charles Chuck Meo Jenny Caroline Lee Barbara Fiona Latham Erica Stephanie Johnson Barry Gary Foley Lisa Glenys Osborne Anna's Girlfriends Allanah Hill Robyn McLellan Skinhead Troy Davies Leanne's Brothers John Murphy Troy Davies Owen Roberson Stacey Helen Phillips Chainsaw Woman Kelly Hoare Chainsaw Baby Robyn Lowenstein The Dealer Robert Ratti Sam's Mother Barbara Jungwirth Hardcore Hippie Beamish Elliot Policemen Noel Pennington Ted Fahrner Grant's Girls Michelle Bennett Lian Lunson Crazy George George Maleckas Pierre Hugo Race Terry Towelling Man Joe Camilleri Sales People Liz Meyers Tim McLaughlan Mount Waverley Mum Lillian Wilson Champion Girls Emma Di Clario Sybil Gibb TV Interviewer Helen Gianevsky Anna's Mum Jean Osborne Countdown Announcer Gavin Wood 3RRR D. J. Bohdan and Martha Butler, Kate Doherty, Harriet Freeman, Kelly Gallagher, Angela Howard, Tim Millikan, Marie Hoy, John Murphy, Sarah Newsome, Ollie Olsen, Miriam Smith, Miles Standish and Noah Taylor THE BANDS 'Dogs in Space' 'Whirlywirld' Edward Clayton-Jones Arnie Hanna Michael Hutchence David Hoy Chuck Meo John Murphy Nique Needles Ollie Olsen Glenys Osborne 'Too Fat To Fit Through the Door' 'Thrush and the C...S' Marcus Bergner Denise Grant Marie Hoy Marie Hoy John