India's Historical Impact on Southeast Asia
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Concise Ancient History of Indonesia.Pdf
CONCISE ANCIENT HISTORY OF INDONESIA CONCISE ANCIENT HISTORY O F INDONESIA BY SATYAWATI SULEIMAN THE ARCHAEOLOGICAL FOUNDATION JAKARTA Copyright by The Archaeological Foundation ]or The National Archaeological Institute 1974 Sponsored by The Ford Foundation Printed by Djambatan — Jakarta Percetakan Endang CONTENTS Preface • • VI I. The Prehistory of Indonesia 1 Early man ; The Foodgathering Stage or Palaeolithic ; The Developed Stage of Foodgathering or Epi-Palaeo- lithic ; The Foodproducing Stage or Neolithic ; The Stage of Craftsmanship or The Early Metal Stage. II. The first contacts with Hinduism and Buddhism 10 III. The first inscriptions 14 IV. Sumatra — The rise of Srivijaya 16 V. Sanjayas and Shailendras 19 VI. Shailendras in Sumatra • •.. 23 VII. Java from 860 A.D. to the 12th century • • 27 VIII. Singhasari • • 30 IX. Majapahit 33 X. The Nusantara : The other islands 38 West Java ; Bali ; Sumatra ; Kalimantan. Bibliography 52 V PREFACE This book is intended to serve as a framework for the ancient history of Indonesia in a concise form. Published for the first time more than a decade ago as a booklet in a modest cyclostyled shape by the Cultural Department of the Indonesian Embassy in India, it has been revised several times in Jakarta in the same form to keep up to date with new discoveries and current theories. Since it seemed to have filled a need felt by foreigners as well as Indonesians to obtain an elementary knowledge of Indonesia's past, it has been thought wise to publish it now in a printed form with the aim to reach a larger public than before. -
The Influence of Hindu, Buddhist, and Chinese Culture on the Shapes of Gebyog of the Javenese Traditional Houses
Arts and Design Studies www.iiste.org ISSN 2224-6061 (Paper) ISSN 2225-059X (Online) Vol.79, 2019 The Influence of Hindu, Buddhist, and Chinese Culture on the Shapes of Gebyog of the Javenese Traditional Houses Joko Budiwiyanto 1 Dharsono 2 Sri Hastanto 2 Titis S. Pitana 3 Abstract Gebyog is a traditional Javanese house wall made of wood with a particular pattern. The shape of Javanese houses and gebyog develop over periods of culture and government until today. The shapes of gebyog are greatly influenced by various culture, such as Hindu, Buddhist, Islamic, and Chinese. The Hindu and Buddhist influences of are evident in the shapes of the ornaments and their meanings. The Chinese influence through Islamic culture developing in the archipelago is strong, mainly in terms of the gebyog patterns, wood construction techniques, ornaments, and coloring techniques. The nuance has been felt in the era of Majapahit, Demak, Mataram and at present. The use of ganja mayangkara in Javanese houses of the Majapahit era, the use of Chinese-style gunungan ornaments at the entrance to the Sunan Giri tomb, the saka guru construction technique of Demak mosque, the Kudusnese and Jeparanese gebyog motifs, and the shape of the gebyog patangaring of the house. Keywords: Hindu-Buddhist influence, Chinese influence, the shape of gebyog , Javanese house. DOI : 10.7176/ADS/79-09 Publication date: December 31st 2019 I. INTRODUCTION Gebyog , according to the Javanese-Indonesian Dictionary, is generally construed as a wooden wall. In the context of this study, gebyog is a wooden wall in a Javanese house with a particular pattern. -
The Influence of Hinduism Toward Islam Bani: Study of Religious Thought of Muslim Champa, Viet Nam
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ILMU USHULUDDIN THE INFLUENCE OF HINDUISM TOWARD ISLAM BANI: STUDY OF RELIGIOUS THOUGHT OF MUSLIM CHAMPA, VIET NAM Ismardi, Zulkifli, Kamiruddin, Afrizal Ahmad State Islamic University of Sultan Syarif Kasim Riau, Indonesia [email protected] Abstract: This article would like to traceabout: when is the emergence of Bani Islam, what is the teachings of Islam Bani,what is the influence of Hinduism toward Muslim worship of Bani Vietnamese, andwhat are the Vietnamese Muslim businesses in purifying/renewing their teachings. This article was conducted in NinhThuan Province, Vietnam in 2017. The subject of the study were the figures of the Champa Muslim community (Bani and Cham Islam), then the worshipers of the two groups above. The object of this research was Hindu effect on Bani Islam.The population in this research were the Bani religious figures and Cham Islam/Sunni whose numbers could not be identified completely because they were spread in various regions. The analysis that the author used in this study was a Qualitative Descriptive analysis. This article concludes thatin Vietnam there are two Islamic groups namely Cham Islam and Early Cham (Cham Bani). The way to worship the Cham Bani group was influenced by Hinduism, which has become a tradition of Vietnamese society before the arrival of Islam. This happened due to the unfinished Islamization process.Cham Bani's way of worship is still going on nowadays, even though there have been purification efforts from various parties to improve the way they worship. -
Plataran Borobudur Encounter
PLATARAN BOROBUDUR ENCOUNTER ABOUT THE DESTINATION Plataran Borobudur Resort & Spa is located within the vicinity of ‘Kedu Plain’, also known as Progo River Valley or ‘The Garden of Java’. This fertile volcanic plain that lies between Mount Sumbing and Mount Sundoro to the west, and Mount Merbabu and Mount Merapi to the east has played a significant role in Central Javanese history due to the great number of religious and cultural archaeological sites, including the Borobudur. With an abundance of natural beauty, ranging from volcanoes to rivers, and cultural sites, Plataran Borobudur stands as a perfect base camp for nature, adventure, cultural, and spiritual journey. BOROBUDUR Steps away from the resort, one can witness one the of the world’s largest Buddhist temples - Borobudur. Based on the archeological evidence, Borobudur was constructed in the 9th century and abandoned following the 14th-century decline of Hindu kingdoms in Java and the Javanese conversion to Islam. Worldwide knowledge of its existence was sparked in 1814 by Sir Thomas Stamford Raffles, then the British ruler of Java, who was advised of its location by native Indonesians. Borobudur has since been preserved through several restorations. The largest restoration project was undertaken between 1975 and 1982 by the Indonesian government and UNESCO, following which the monument was listed as a UNESCO World Heritage Site. Borobudur is one of Indonesia’s most iconic tourism destinations, reflecting the country’s rich cultural heritage and majestic history. BOROBUDUR FOLLOWS A remarkable experience that you can only encounter at Plataran Borobudur. Walk along the long corridor of our Patio Restaurants, from Patio Main Joglo to Patio Colonial Restaurant, to experience BOROBUDUR FOLLOWS - where the majestic Borobudur temple follows you at your center wherever you stand along this corridor. -
Challenges in Conserving Bahal Temples of Sri-Wijaya Kingdom, In
International Journal of Engineering and Advanced Technology (IJEAT) ISSN: 2249 – 8958, Volume-9, Issue-1, October 2019 Challenges in Conserving Bahal Temples of Sriwijaya Kingdom, in North Sumatra Ari Siswanto, Farida, Ardiansyah, Kristantina Indriastuti Although it has been restored, not all of the temples re- Abstract: The archaeological sites of the Sriwijaya temple in turned to a complete building form because when temples Sumatra is an important part of a long histories of Indonesian were found many were in a state of severe damage. civilization.This article examines the conservation of the Bahal The three brick temple complexes have been enjoyed by temples as cultural heritage buildings that still maintains the authenticity of the form as a sacred building and can be used as a tourists who visit and even tourists can reach the room in the tourism object. The temples are made of bricks which are very body of the temple. The condition of brick temples that are vulnerable to the weather, open environment and visitors so that open in nature raises a number of problems including bricks they can be a threat to the architecture and structure of the tem- becoming worn out quickly, damaged and overgrown with ples. Intervention is still possible if it is related to the structure mold (A. Siswanto, Farida, Ardiansyah, 2017; Mulyati, and material conditions of the temples which have been alarming 2012). The construction of the temple's head or roof appears and predicted to cause damage and durability of the temple. This study used a case study method covering Bahal I, II and III tem- to have cracked the structure because the brick structure ples, all of which are located in North Padang Lawas Regency, does not function as a supporting structure as much as pos- North Sumatra Province through observation, measurement, sible. -
Murals in Buddhist Buildings: Content and Role in the Daily Lives of Isan People
Asian Culture and History; Vol. 6, No. 2; 2014 ISSN 1916-9655 E-ISSN 1916-9663 Published by Canadian Center of Science and Education Murals in Buddhist Buildings: Content and Role in the Daily Lives of Isan People Thawat Trachoo1, Sastra Laoakka1 & Sisikka Wannajun1 1 The Faculty of Cultural Science, Mahasarakham University, Khamriang Sub-District, Kantarawichai District, Maha Sarakham Province, Thailand Correspondence: Thawat Trachoo, The Faculty of Cultural Science, Mahasarakham University, Khamriang Sub-District, Kantarawichai District, Maha Sarakham Province 44150, Thailand. E-mail: [email protected] Received: May 14, 2014 Accepted: June 6, 2014 Online Published: June 12, 2014 doi:10.5539/ach.v6n2p184 URL: http://dx.doi.org/10.5539/ach.v6n2p184 Abstract This is a qualitative research aimed at assessing the current state of Buddhist murals in Northeastern Thailand, the elements of society they reflect and their role in everyday life. The research area for this investigation is Northeastern Thailand, colloquially known as Isan. Three ethnic communities were purposively selected to comprise the research populations. These were the Tai Korat of Nakhon Ratchasima Province, Tai Khmer of Buriram Province and Tai Lao of Ubon Ratchatani Province. Data collection tools were basic survey, participant and non-participant observation, structured and non-structured interview, focus group discussion and workshop. Results show that there are two major groups of Buddhist temple murals in Isan: those depicting ancient culture and customs painted prior to 1957 and contemporary murals painted after 1957. For the most part, murals are found on the walls of the ubosot and the instruction halls of the temples. The objectives of mural paintings were to worship the lord Buddha, decorate the temples, provide education to community members and maintain historical records. -
Book Reviews - Matthew Amster, Jérôme Rousseau, Kayan Religion; Ritual Life and Religious Reform in Central Borneo
Book Reviews - Matthew Amster, Jérôme Rousseau, Kayan religion; Ritual life and religious reform in Central Borneo. Leiden: KITLV Press, 1998, 352 pp. [VKI 180.] - Atsushi Ota, Johan Talens, Een feodale samenleving in koloniaal vaarwater; Staatsvorming, koloniale expansie en economische onderontwikkeling in Banten, West-Java, 1600-1750. Hilversum: Verloren, 1999, 253 pp. - Wanda Avé, Johannes Salilah, Traditional medicine among the Ngaju Dayak in Central Kalimantan; The 1935 writings of a former Ngaju Dayak Priest, edited and translated by A.H. Klokke. Phillips, Maine: Borneo Research Council, 1998, xxi + 314 pp. [Borneo Research Council Monograph 3.] - Peter Boomgaard, Sandra Pannell, Old world places, new world problems; Exploring issues of resource management in eastern Indonesia. Canberra: Centre for Resource and Environmental Studies, Australian National University, 1998, xiv + 387 pp., Franz von Benda-Beckmann (eds.) - H.J.M. Claessen, Geoffrey M. White, Chiefs today; Traditional Pacific leadership and the postcolonial state. Stanford, California: Stanford University Press, 1997, xiv + 343 pp., Lamont Lindstrom (eds.) - H.J.M. Claessen, Judith Huntsman, Tokelau; A historical ethnography. Auckland: Auckland University Press, 1996, xii + 355 pp., Antony Hooper (eds.) - Hans Gooszen, Gavin W. Jones, Indonesia assessment; Population and human resources. Canberra: Research School of Pacific and Asian Studies, Australian National University, 1997, 73 pp., Terence Hull (eds.) - Rens Heringa, John Guy, Woven cargoes; Indian textiles in the East. London: Thames and Hudson, 1998, 192 pp., with 241 illustrations (145 in colour). - Rens Heringa, Ruth Barnes, Indian block-printed textiles in Egypt; The Newberry collection in the Ashmolean Museum, Oxford. Oxford: Clarendon Press, 1997. Volume 1 (text): xiv + 138 pp., with 32 b/w illustrations and 43 colour plates; Volume 2 (catalogue): 379 pp., with 1226 b/w illustrations. -
Batu Tabung Berprasasti Di Candi Gunung Sari (Jawa Tengah) Dan Nama Mata Angin Dalam Bahasa Jawa Kuno Baskoro Daru Tjahjono, Arlo Griffiths, Véronique Degroot
Batu tabung berprasasti di Candi Gunung Sari (Jawa Tengah) dan nama mata angin dalam bahasa Jawa Kuno Baskoro Daru Tjahjono, Arlo Griffiths, Véronique Degroot To cite this version: Baskoro Daru Tjahjono, Arlo Griffiths, Véronique Degroot. Batu tabung berprasasti di Candi Gunung Sari (Jawa Tengah) dan nama mata angin dalam bahasa Jawa Kuno. Berkala Arkeologi (Yogyakarta), Balai Arkeologi D.I. Yogyakarta, 2014, 34 (2), pp.161-182. 10.30883/jba.v34i2.23. halshs-01908636 HAL Id: halshs-01908636 https://halshs.archives-ouvertes.fr/halshs-01908636 Submitted on 30 Oct 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. BATU TABUNG BERPRASASTI DI CANDI GUNUNG SARI (JAWA TENGAH) DAN NAMA MATA ANGIN DALAM BAHASA JAWA KUNO1 THE INSCRIBED STONE CYLINDERS AT CANDI GUNUNG SARI (CENTRAL JAVA) AND THE NAMES OF THE DIRECTIONS OF SPACE IN OLD JAVANESE Baskoro Daru Tjahjono1, Arlo Griffths2 dan Veronique Degroot2 1Balai Arkeologi Medan 2Ecole française d'Extrême-Orient, Jakarta [email protected] [email protected] [email protected] ABSTRACT This article presents an architectural and epigraphical study of several objects recovered from the Central Javanese temple site of Gunung Sari. -
Archipel, 100 | 2020 [En Ligne], Mis En Ligne Le 30 Novembre 2020, Consulté Le 21 Janvier 2021
Archipel Études interdisciplinaires sur le monde insulindien 100 | 2020 Varia Édition électronique URL : http://journals.openedition.org/archipel/2011 DOI : 10.4000/archipel.2011 ISSN : 2104-3655 Éditeur Association Archipel Édition imprimée Date de publication : 15 décembre 2020 ISBN : 978-2-910513-84-9 ISSN : 0044-8613 Référence électronique Archipel, 100 | 2020 [En ligne], mis en ligne le 30 novembre 2020, consulté le 21 janvier 2021. URL : http://journals.openedition.org/archipel/2011 ; DOI : https://doi.org/10.4000/archipel.2011 Ce document a été généré automatiquement le 21 janvier 2021. Association Archipel 1 SOMMAIRE In Memoriam Alexander Ogloblin (1939-2020) Victor Pogadaev Archipel a 50 ans La fabrique d’Archipel (1971-1982) Pierre Labrousse An Appreciation of Archipel 1971-2020, from a Distant Fan Anthony Reid Echos de la Recherche Colloque « Martial Arts, Religion and Spirituality (MARS) », 15 et 16 juillet 2020, Institut de Recherches Asiatiques (IRASIA, Université d’Aix-Marseille) Jean-Marc de Grave Archéologie et épigraphie à Sumatra Recent Archaeological Surveys in the Northern Half of Sumatra Daniel Perret , Heddy Surachman et Repelita Wahyu Oetomo Inscriptions of Sumatra, IV: An Epitaph from Pananggahan (Barus, North Sumatra) and a Poem from Lubuk Layang (Pasaman, West Sumatra) Arlo Griffiths La mer dans la littérature javanaise The Sea and Seacoast in Old Javanese Court Poetry: Fishermen, Ports, Ships, and Shipwrecks in the Literary Imagination Jiří Jákl Autour de Bali et du grand Est indonésien Śaivistic Sāṁkhya-Yoga: -
Downloaded From
J. van Lohuizen-de Leeuw Which European first recorded the unique Dvarapala of Barabudur? In: Bijdragen tot de Taal-, Land- en Volkenkunde 138 (1982), no: 2/3, Leiden, 285-294 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/24/2021 08:35:46PM via free access J. E. VAN LOHUIZEN-DE LEEUW WHICH EUROPEAN FIRST RECORDED THE UNIQUE DVARAPALA OF BARABUDUR? In 1910 van Erp made an inventory of the Indo-Javanese sculptures which King Chulalongkorn of Thailand was allowed to take back to Bangkok as a memento of his extensive state visit to Indonesia in 1896. Owing to the First World War the article was not published until 1917. In 1923 and 1927 he wrote two more articles about this group of sculptures giving additional information. The piece the loss of which he most regretted was the unique dvarapala 1 of Barabudur (see PI. 1). According to van Erp this image was first noticed by an unknown visitor to Barabudur who stayed as a guest with the Resident, C. L. Hartmann, in May 1840.2 This anonymous person made the following note in his diary, which was later published in 1858 3: "A hill almost as high as that on which Boro Boedoer is situated and which rises almost immediately at its foot had for some time attracted my attention. The demang of Probolingo district, who acted as my guide, took me up this hill and told me that he wanted to show me the 'toekan' (architect) of that beautiful temple. For on the top of this hill stood a solid image of the same appearance and in the same attitude as the guardians at Prambanan but considerably smaller (i.e. -
Kebudayaan Megalitik Di Sulawesi Selatan Dan Hubungannya Dengan Asia Tenggara
KEBUDAYAAN MEGALITIK DI SULAWESI SELATAN DAN HUBUNGANNYA DENGAN ASIA TENGGARA HASANUDDIN UNIVERSITI SAINS MALAYSIA 2015 KEBUDAYAAN MEGALITIK DI SULAWESI SELATAN DAN HUBUNGANNYA DENGAN ASIA TENGGARA Oleh HASANUDDIN Tesis yang diserahkan untuk memenuhi keperluan bagi Ijazah Doktor Falsafah SEPTEMBER 2015 PENGHARGAAN Syukur Alhamdulillah penulis ucapkan kepada Allah SWT kerana dengan curahan rahmat dan hidayah-Nya tesis ini dapat diselesaikan. Salam dan selawat disampaikan kepada Nabi Muhammad SAW dan para sahabat sebagai suri tauladan yang baik dalam mengarungi kehidupan ini.Tesis ini diselesaikan dengan baik oleh kerana bimbingan, bantuan, sokongan, dan kerjasama yang baik dari beberapa pihak dan individu. Oleh kerana itu, penulis merakamkan ucapan terima kasih yang tidak terhingga kepada Profesor Dr. Stephen Chia Ming Soon, Timbalan Pengarah Pusat Penyelidikan Arkeologi Global, Universiti Sains Malaysia, Pulau Pinang sebagai penyelia penulis. Tanpa pernah merasa jemu beliau membimbing, dan memberi tunjuk ajar kepada penulis sepanjang penyelidikan sehingga penyelesaian tesis ini. Beliau telah membantu penulis dalam kerja lapangan, pentarikhan dan membantu dalam hal kewangan.Terima kasih tidak terhingga juga disampaikan kepada Profesor Dato’ Dr. Mohd. Mokhtar bin Saidin, Pengarah Pusat Penyelidikan Arkeologi Global, Universiti Sains Malaysia, Pulau Pinang yang telah memberikan kesempatan kepada penulis untuk menjalankan kajian di Pusat Penyelidikan Arkeologi Global di Pulau Pinang Malaysia. Beliau sentiasa memberikan nasihat, dorongan dan semangat dalam melakukan kajian ini. Penulis juga mengucapkan terima kasih kepada kakitangan Institut Pengajian Siswazah, Universiti Sains Malaysia yang sentiasa memberikan bimbingan terutamanya dekan serta kakitangan institut. Penulis merakamkan setinggi-tinggi terima kasih kepada kakitangan akademik Pusat Penyelidikan Arkeologi Global, Universiti Sains Malaysia yang sentiasa bersedia menghulurkan bantuan dan buah fikiran terutamanya kepada Dr. -
Cave Architecture in Karnataka 5.1 Do You Know? 5.2 Glossary
Cave Architecture in Karnataka 5.1 Do you know? Description Image Source For some reason, the Hindu (Brahmanical) sects did not take to th rock-cut cave temples as late as 4 century CE In the series of Brahmanical cave temples of Ellora, Elephanta, Badami and Aihole, it is only Cave III at Badami which is assigned the earliest definite date (578 CE) and dynastic affiliation (Chalukyas of Badami) by inscription. 5.2 Glossary Staring Related Term Definition Character Term A Adhishthana Pedestal of a building D Dvarapala Door-guardian K Kamathopasarga Obstacles placed in vein by evil Kamatha or Samvara so as not to allow Parsvanatha to attain supreme knowledge K Kinnara A semi-divine being imagined to have half human half animal body M Mukhamandapa Porch M Mithuna A human couple normally in amorous mood, considered auspicious N Naga-Mithuna A Naga couple S Sabhamandapa A hall V Vidyadhara- A semi-divine couple, capable of moving in air; normally mithuna male carries a sword in hand. 5.3 Web links Web links http://en.www.wikipedia.org/wiki/Badami_cave_temples Asi.nic.in>Monuments>Ticketed Monuments>Karnataka http://www.youtube.com/watch?v=OcNWBd2vtztL1 http://www.youtube.com/watch?v=oRf7uebmSnw http://www.youtube.com/watch?v=2ZMGoL http://www.jainglory.com/research/meena-basti 5.4 Bibliography Bibliography George Michel, 2014, Architecture and Art of Early Chalukyas (Badami, Mahakuta, Aihole, Pattadakal), Niyogi publishers, Delhi Harle J.C., 1986, Art and Architecture of the Indian Subcontinent, Penguin publishers, Middlesex Huntington S., 1985, The Art of Ancient India, Weatherhill, New York and Tokyo Rajasekhara S., Karnataka Architecture, Sujata publishers, Dharwad Padigar S.V., 2012, Badami (Heritage Series), Department of Archaeology, Museums and Heritage, Bangalore.