Book Reviews - Matthew Amster, Jérôme Rousseau, Kayan Religion; Ritual Life and Religious Reform in Central Borneo
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Plataran Borobudur Encounter
PLATARAN BOROBUDUR ENCOUNTER ABOUT THE DESTINATION Plataran Borobudur Resort & Spa is located within the vicinity of ‘Kedu Plain’, also known as Progo River Valley or ‘The Garden of Java’. This fertile volcanic plain that lies between Mount Sumbing and Mount Sundoro to the west, and Mount Merbabu and Mount Merapi to the east has played a significant role in Central Javanese history due to the great number of religious and cultural archaeological sites, including the Borobudur. With an abundance of natural beauty, ranging from volcanoes to rivers, and cultural sites, Plataran Borobudur stands as a perfect base camp for nature, adventure, cultural, and spiritual journey. BOROBUDUR Steps away from the resort, one can witness one the of the world’s largest Buddhist temples - Borobudur. Based on the archeological evidence, Borobudur was constructed in the 9th century and abandoned following the 14th-century decline of Hindu kingdoms in Java and the Javanese conversion to Islam. Worldwide knowledge of its existence was sparked in 1814 by Sir Thomas Stamford Raffles, then the British ruler of Java, who was advised of its location by native Indonesians. Borobudur has since been preserved through several restorations. The largest restoration project was undertaken between 1975 and 1982 by the Indonesian government and UNESCO, following which the monument was listed as a UNESCO World Heritage Site. Borobudur is one of Indonesia’s most iconic tourism destinations, reflecting the country’s rich cultural heritage and majestic history. BOROBUDUR FOLLOWS A remarkable experience that you can only encounter at Plataran Borobudur. Walk along the long corridor of our Patio Restaurants, from Patio Main Joglo to Patio Colonial Restaurant, to experience BOROBUDUR FOLLOWS - where the majestic Borobudur temple follows you at your center wherever you stand along this corridor. -
INDO 7 0 1107139648 67 76.Pdf (387.5Kb)
THE THORNY ROSE: THE AVOIDANCE OF PASSION IN MODERN INDONESIAN LITERATURE1 Harry Aveling One of the important shortcomings of modern Indonesian literature is the failure of its authors, on the whole young, well-educated men of the upper and more modernized strata of society, to deal in a convincing manner with the topic of adult heterosexual passion. This problem includes, and partly arises from, an inadequacy in portraying realistic female char acters which verges, at times, on something which might be considered sadism. What is involved here is not merely an inability to come to terms with Western concepts of romantic love, as explicated, for example, by the late C. S. Lewis in his book The Allegory of Love. The failure to depict adult heterosexual passion on the part of modern Indonesian authors also stands in strange contrast to the frankness and gusto with which the writers of the various branches of traditional Indonesian and Malay litera ture dealt with this topic. Indeed it stands in almost as great a contrast with the practice of Peninsular Malay literature today. In Javanese literature, as Pigeaud notes in his history, The Literature of Java, "Poems and tales describing erotic situations are very much in evidence . descriptions of this kind are to be found in almost every important mythic, epic, historical and romantic Javanese text."^ In Sundanese literature, there is not only the open violence of Sang Kuriang's incestuous desires towards his mother (who conceived him through inter course with a dog), and a further wide range of openly sexual, indeed often heavily Oedipal stories, but also the crude direct ness of the trickster Si-Kabajan tales, which so embarrassed one commentator, Dr. -
Dona Sutta (A 4.36) Deals, in Poetic Terms, with the Nature of the Awakened Saint in a Brief but Dramatic Dialogue
A 4.1.4.6 Aṅguttara Nikya 4, Catukka Nipāta 1, Paṭhama Paṇṇāsaka 4, Cakka Vagga 6 (Pāda) Doṇa Sutta 13 The Doṇa Discourse (on the Footprint) | A 4.36/2:37 f Theme: The Buddha is the only one of a kind Translated by Piya Tan ©2008, 2011 1 Versions of the Sutta Scholars have identified five versions of the (Pāda) Doṇa Sutta, that is, (1) Pali (Pāda) Doṇa Sutta A 4.36/2:37 f; (2) Chinese 輪相經 lúnxiàng jīng1 SĀ 101 = T2.99.28a20-28b18;2 (3) Chinese 輪相經 lúnxiàng jīng3 SĀ2 267 = T2.100.467a26-b24; (4) Chinese (sutra untitled)4 EĀ 38.3 = T2.125.717c18-718a12;5 (5) Gāndhārī *Dhoṇa Sutra6 [Allon 2001:130-223 (ch 8)]. There is no known Sanskrit or Tibetan version. Although the text is well known today as the “Doṇa Sut- ta,”7 the sutta’s colophon (uddāna) lists it as the mnemonic loke (“in the world”), which comes from the phrase jāto loke saṁvaddho at its close (A 3:39,1 f); hence, it should technically be called the Loka Sutta (A 2:44,15). The colophons of the Burmese and Siamese editions, however, give doṇo as a variant read- ing.8 The untitled Chinese version, EĀ 38.3 is unique in mentioning that Doṇa (simply referred to as 彼梵 志 póluómén, “the brahmin”), after listening to the Buddha’s instructions on the five aggregates and the six internal faculties and six external sense-objects, and practising the teaching, in due course, “attained the pure Dharma-eye” (得法眼淨 dé fǎ yǎnjìng) that is, streamwinning (T2.125.718a12). -
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J. van Lohuizen-de Leeuw Which European first recorded the unique Dvarapala of Barabudur? In: Bijdragen tot de Taal-, Land- en Volkenkunde 138 (1982), no: 2/3, Leiden, 285-294 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/24/2021 08:35:46PM via free access J. E. VAN LOHUIZEN-DE LEEUW WHICH EUROPEAN FIRST RECORDED THE UNIQUE DVARAPALA OF BARABUDUR? In 1910 van Erp made an inventory of the Indo-Javanese sculptures which King Chulalongkorn of Thailand was allowed to take back to Bangkok as a memento of his extensive state visit to Indonesia in 1896. Owing to the First World War the article was not published until 1917. In 1923 and 1927 he wrote two more articles about this group of sculptures giving additional information. The piece the loss of which he most regretted was the unique dvarapala 1 of Barabudur (see PI. 1). According to van Erp this image was first noticed by an unknown visitor to Barabudur who stayed as a guest with the Resident, C. L. Hartmann, in May 1840.2 This anonymous person made the following note in his diary, which was later published in 1858 3: "A hill almost as high as that on which Boro Boedoer is situated and which rises almost immediately at its foot had for some time attracted my attention. The demang of Probolingo district, who acted as my guide, took me up this hill and told me that he wanted to show me the 'toekan' (architect) of that beautiful temple. For on the top of this hill stood a solid image of the same appearance and in the same attitude as the guardians at Prambanan but considerably smaller (i.e. -
A Study of Buddhist Sites in Karnataka
International Journal of Academic Research and Development International Journal of Academic Research and Development ISSN: 2455-4197 Impact Factor: RJIF 5.22 www.academicjournal.in Volume 3; Issue 6; November 2018; Page No. 215-218 A study of Buddhist sites in Karnataka Dr. B Suresha Associate Professor, Department of History, Govt. Arts College (Autonomous), Chitradurga, Karnataka, India Abstract Buddhism is one of the great religion of ancient India. In the history of Indian religions, it occupies a unique place. It was founded in Northern India and based on the teachings of Siddhartha, who is known as Buddha after he got enlightenment in 518 B.C. For the next 45 years, Buddha wandered the country side teaching what he had learned. He organized a community of monks known as the ‘Sangha’ to continue his teachings ofter his death. They preached the world, known as the Dharma. Keywords: Buddhism, meditation, Aihole, Badami, Banavasi, Brahmagiri, Chandravalli, dermal, Haigunda, Hampi, kanaginahally, Rajaghatta, Sannati, Karnataka Introduction of Ashoka, mauryanemperor (273 to 232 B.C.) it gained royal Buddhism is one of the great religion of ancient India. In the support and began to spread more widely reaching Karnataka history of Indian religions, it occupies a unique place. It was and most of the Indian subcontinent also. Ashokan edicts founded in Northern India and based on the teachings of which are discovered in Karnataka delineating the basic tents Siddhartha, who is known as Buddha after he got of Buddhism constitute the first written evidence about the enlightenment in 518 B.C. For the next 45 years, Buddha presence of the Buddhism in Karnataka. -
A Lesson from Borobudur
5 Changing perspectives on the relationship between heritage, landscape and local communities: A lesson from Borobudur Daud A. Tanudirjo, Jurusan Arkeologi, Fakultas Ilmu Budaya, Universitas Gadjah Mada, Yogyakarta Figure 1. The grandeur of the Borobudur World Heritage site has attracted visitors for its massive stone structure adorned with fabulous reliefs and stupas laid out in the configuration of a Buddhist Mandala. Source: Daud Tanudirjo. The grandeur of Borobudur has fascinated almost every visitor who views it. Situated in the heart of the island of Java in Indonesia, this remarkable stone structure is considered to be the most significant Buddhist monument in the Southern Hemisphere (Figure 1). In 1991, Borobudur 66 Transcending the Culture–Nature Divide in Cultural Heritage was inscribed on the World Heritage List, together with two other smaller stone temples, Pawon and Mendut. These three stone temples are located over a straight line of about three kilometres on an east-west orientation, and are regarded as belonging to a single temple complex (Figure 2). Known as the Borobudur Temple Compound, this World Heritage Site meets at least three criteria of the Operational Guidelines for the Implementation of the World Heritage Convention: (i) to represent a masterpiece of human creative genius, (ii) to exhibit an important interchange of human values over a span of time or within cultural area of the world, on developments in architecture or technology, monumental arts, town planning or landscape design, and (iii) to be directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literacy works of outstanding universal value (see also Matsuura 2005). -
Cave Architecture in Karnataka 5.1 Do You Know? 5.2 Glossary
Cave Architecture in Karnataka 5.1 Do you know? Description Image Source For some reason, the Hindu (Brahmanical) sects did not take to th rock-cut cave temples as late as 4 century CE In the series of Brahmanical cave temples of Ellora, Elephanta, Badami and Aihole, it is only Cave III at Badami which is assigned the earliest definite date (578 CE) and dynastic affiliation (Chalukyas of Badami) by inscription. 5.2 Glossary Staring Related Term Definition Character Term A Adhishthana Pedestal of a building D Dvarapala Door-guardian K Kamathopasarga Obstacles placed in vein by evil Kamatha or Samvara so as not to allow Parsvanatha to attain supreme knowledge K Kinnara A semi-divine being imagined to have half human half animal body M Mukhamandapa Porch M Mithuna A human couple normally in amorous mood, considered auspicious N Naga-Mithuna A Naga couple S Sabhamandapa A hall V Vidyadhara- A semi-divine couple, capable of moving in air; normally mithuna male carries a sword in hand. 5.3 Web links Web links http://en.www.wikipedia.org/wiki/Badami_cave_temples Asi.nic.in>Monuments>Ticketed Monuments>Karnataka http://www.youtube.com/watch?v=OcNWBd2vtztL1 http://www.youtube.com/watch?v=oRf7uebmSnw http://www.youtube.com/watch?v=2ZMGoL http://www.jainglory.com/research/meena-basti 5.4 Bibliography Bibliography George Michel, 2014, Architecture and Art of Early Chalukyas (Badami, Mahakuta, Aihole, Pattadakal), Niyogi publishers, Delhi Harle J.C., 1986, Art and Architecture of the Indian Subcontinent, Penguin publishers, Middlesex Huntington S., 1985, The Art of Ancient India, Weatherhill, New York and Tokyo Rajasekhara S., Karnataka Architecture, Sujata publishers, Dharwad Padigar S.V., 2012, Badami (Heritage Series), Department of Archaeology, Museums and Heritage, Bangalore. -
WND-CD Pop-Up Glossary
THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY acharya (Skt) An honorific title meaning teacher, conferred upon a priest who guides the conduct of disciples and serves as an example to them. Abbreviations: Skt = Sanskrit; Chin = Chinese; Kor = Korean; Jpn = Japanese; b. = born; d. = died; r. = reign; n.d. = no dates; c. = circa; fl. = flourished THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY acting administrator Hojo Yoshitoki (1163–1224), the second regent of the Kamakura government. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY administrator of priests An official rank within the Buddhist priesthood.The administrator of priests as the highest-ranking official was general supervisor over the other priests and nuns. Later the system of ranking for priests became a matter of formalism, with such titles bestowing honor but indicating no specific function or position. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY Agama sutras A generic term for the Hinayana sutras. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY Ajatashatru A king of the state of Magadha in India. Incited by Devadatta, he killed his father, King Bimbisara, a follower of Shakyamuni, and ascended the throne to become the most influential ruler of his time. Later he contracted a terrible disease and, in remorse for his evil acts, converted to Buddhism and supported the First Buddhist Council for the compilation of Shakyamuni’s teachings. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY Ajitavati See Hiranyavati. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY alaya-consciousness Also called “storehouse consciousness.” The level of consciousness where the results of one’s actions (karma), good or evil, accumulate as karmic potentials or “seeds” that later produce the results of happiness or suffering. -
The Significance of North East India in the Development of the Sculpture of Bagan
1 The significance of North East India in the development of the sculpture of Bagan Heather Elgood, MBE Course Director, Postgraduate Diploma in Asian Arts 26/10/2017 2 ABSTRACT The paper briefly introduces Pala sculpture and the changes which took place from its pre-Pala style. It considers the growing complexity of design from the 8th - 12th century in East India and examines the religious context and the Buddhist monasteries’ esoteric aims of visualisation in their focus on the Buddha image in meditative discipline. It will consider what if any of these religious aims and stylistic characteristics might have been carried from the Pala region to Bagan, focussing on the development of Bagan stone and bronze sculpture in the 11th – 13th centuries. The paper will first look at evidence of the similarities and findings of Pala and Bagan pilgrim votive images. It will then explore similarities and differences between Pala and Bagan stone and bronze sculpture. The comparison will reveal the distinctive character and the development of a distinctively Bagan and Myanmar style in later sculpture, one reflecting the vibrant Buddhist practice which continues to this day. Finally, it will briefly touch on the clear link in the paintings of Pala text illustration and that of a few rare examples of twelfth century painting at the ancient Buddhist site of Bagan in Upper Myanmar. Map Time estimate to travel between Bagan and Bodhgaya Introduction This paper explores the significance of North-East India on the development of the Buddhist art of Bagan in the eleventh to the thirteenth century. -
Perbandingan Gaya Bahasa Dalam Novel Atheis Karya Achdiat Karta Mihardja Dan Novel Telegram Karya Putu Wijaya: Tinjauan Stilistika
1 PERBANDINGAN GAYA BAHASA DALAM NOVEL ATHEIS KARYA ACHDIAT KARTA MIHARDJA DAN NOVEL TELEGRAM KARYA PUTU WIJAYA: TINJAUAN STILISTIKA TESIS Disusun oleh A. ARYANA P1200215002 PROGRAM STUDI BAHASA INDONESIA PROGRAM PASCASARJANA FAKULTAS ILMU BUDAYA UNIVERSITAS HASANUDDIN MAKASSAR 2018 2 PERBANDINGAN GAYA BAHASA DALAM NOVEL ATHEIS KARYA ACHDIAT KARTA MIHARDJA DAN NOVEL TELEGRAM KARYA PUTU WIJAYA: TINJAUAN STILISTIKA TESIS Sebagai Salah Satu Syarat Untuk Mencapai Gelar Magister Pada Program Pascasarjana Universitas Hasanuddin Program Studi Bahasa Indonesia Disusun dan diajukan oleh A. ARYANA P1200215002 PROGRAM PASCASARJANA UNIVERSITAS HASANUDDIN MAKASSAR 2018 3 PERBANDINGAN GAYA BAHASA DALAM NOVEL ATHEIS KARYA ACHDIAT KARTA MIHARDJA DAN NOVEL TELEGRAM KARYA PUTU WIJAYA: TINJAUAN STILISTIKA THE COMPARISON OF LANGUAGE STYLE IN NOVEL ATHEIS BY ACHDIAT KARTA MIHARDJA AND NOVEL TELEGRAM BY PUTU WIJAYA: A STYLISTIC APPROACH TESIS A. ARYANA P1200215002 PROGRAM PASCASARJANA UNIVERSITAS HASANUDDIN MAKASSAR 2018 4 5 PERNYATAAN KEASLIAN TESIS Yang bertanda tangan di bawah ini : Nama : A. Aryana Nomor Pokok : P1200215002 Program Studi : Bahasa Indonesia Menyatakan dengan sebenar-benarnya bahwa tesis yang saya tulis ini merupakan hasil karya sendiri, bukan pengambil alihan tulisan atau pemikiran orang lain. Apabila dikemudian hari terbukti atau dapat dibuktikan bahwa sebagian atau keseluruhan tesis ini hasil karya orang lain, saya bersedia menerima sanksi atas perbuatan tersebut. Makassar, 4 Januari 2018 Yang menyatakan, A. Aryana 6 PRAKATA Puji dan syukur penulis panjatkan kepada Allah Swt. yang senantiasa melimpahkan karunia dan rahmat-Nya, sehingga penulis dapat menyelesaikan tesis ini. Akhirnya tesis ini dapat dirampungkan dalam rangka memenuhi salah satu persyaratan akademis guna memeroleh gelar Magister Humaniora (M.Hum.) pada Program Studi Bahasa Indonesia, Pascasarjana, Fakultas Ilmu Budaya, Universitas Hasanuddin. -
Modul Sejarah Kelas XI KD 3.7 Dan 3.7
Modul Sejarah Kelas XI KD 3.7 Dan 3.7 RESPON BANGSA INDONESIA TERHADAP IMPERIALISME DAN KOLONIALISME DALAM BIDANG POLITIK, EKONOMI, SOSIAL-BUDAYA, DAN PENDIDIKAN SEJARAH KELAS XI PENYUSUN Zia Ulhaq SMAN 42 JAKARTA @2020, Direktorat SMA, Direktorat Jenderal PAUD, DIKDAS dan DIKMEN i Modul Sejarah Kelas XI KD 3.7 Dan 3.7 DAFTAR ISI PENYUSUN .......................................................................................................................................... i DAFTAR ISI ........................................................................................................................................ ii GLOSARIUM .................................................................................................................................... iii PETA KONSEP ................................................................................................................................. iv PENDAHULUAN ............................................................................................................................... 1 A. Identitas Modul ...................................................................................................... 1 B. Kompetensi Dasar .................................................................................................. 1 C. Deskripsi Singkat Materi ....................................................................................... 1 D. Petunjuk Penggunaan Modul ................................................................................. 2 E. Materi Pembelajaran -
Forms and Types of Borobudur's Stupas
Cultural Dynamics in a Globalized World – Budianta et al. (Eds) © 2018 Taylor & Francis Group, London, ISBN 978-1-138-62664-5 Forms and types of Borobudur’s stupas A. Revianur Department of Archaeology, Faculty of Humanities, Universitas Indonesia, Depok, Indonesia ABSTRACT: Candi Borobudur (Borobudur Temple) is the world’s largest Mahayana- Vajrayana Buddhist temple, which is located in Magelang, Central Java, Indonesia. It was built by the Sailendra dynasty between the 8th and 9th centuries A.D. The temple was built with 10-step pyramid terraces, which are decorated with 2,672 relief panels, 504 Buddha stat- ues, and 1,537 stupas. In this study, we aim to examine the forms and types of the stupas of Borobudur, which are composed of 1,536 secondary stupas and 1 primary stupa compared to those of other stupas found in Java and Bali islands. The stupas at Borobudur located from the second to ninth terraces are called the secondary stupas, whereas the one located on the tenth terrace is called the primary stupa. They are symbolic stupas, which consist of a base (Prasadha), a bell-shaped body (anda), a top support (harmika), and a top (yashti). The stupas are divided into four types, namely plain stupas, hollow space-square stupas, hollow space-diamond stupas containing the Dhyani Buddha Vairocana that represents the turn- ing wheel of the dharma and the single main stupa that becomes the centre of Borobudur Temple reflecting Sailedra art-style. Here, we use a qualitative method, which is based on field observation and historical sources. The objective of this study is to provide a comprehensive description of the stupas in Borobudur from the perspective of historical archaeology.