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Xerox University Microfilms 3C0 North Z Eeb Road Ann Arbor, Michigan 48106
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Nepean Point
ON DESIGN COMPETITION NEPEAN POINT STAGE 01 - REQUEST FOR QUALIFICATIONS - AL1682 // 19.01.2017 Request for Qualifications - Stage 01 1 Cover: View of Nepean Point ON POINT ON POINT Design Competition for Nepean Point Stage 01 - Request for Qualifications - AL1682 19.01.2017 Nepean Point - Detail of existing fence TABLE OF CONTENTS A. Summary........................................................................................... p.06 01. Canada’s Capital ........................................................................... p.09 02. The Project .................................................................................... p.13 03. The Design Competition ................................................................ p.29 04. Stakeholders and Partners ........................................................... p.39 05. Additional Information ................................................................... p.46 Appendix 1 - Jury Biographies ............................................................ p.49 A SUMMARY The National Capital Commission (NCC) is pleased to launch the first COMPETITION PROCESS phase of a two-stage international design competition for Nepean Point, a promontory at the symbolic heart of Canada’s Capital, Ottawa. In the midst All interested design teams are invited to participate, but teams must be of numerous important public and private cultural institutions, the Nepean led by a landscape architect eligible to be licensed in Ontario, Canada. Point competition site, including two entranceways, is -
Monuments and Memories in Ontario, 1850-2001
FORGING ICONOGRAPHIES AND CASTING COLONIALISM: MONUMENTS AND MEMORIES IN ONTARIO, 1850-2001 By Brittney Anne Bos A thesis submitted to the Department of History In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada (September 2016) Copyright ©Brittney Anne Bos, 2016 ii Abstract Commemorations are a critical window for exploring the social, political, and cultural trends of a specific time period. Over the past two centuries, the commemorative landscape of Ontario reaffirmed the inclusion/exclusion of particular racial groups. Intended as static markers to the past, monuments in particular visually demonstrated the boundaries of a community and acted as ongoing memorials to existing social structures. Using a specific type of iconography and visual language, the creators of monuments imbued the physical markers of stone and bronze with racialized meanings. As builders were connected with their own time periods and social contexts, the ideas behind these commemorations shifted. Nonetheless, creators were intent on producing a memorial that educated present and future generations on the boundaries of their “imagined communities.” This dissertation considers the carefully chosen iconographies of Ontario’s monuments and how visual symbolism was attached to historical memory. Through the examination of five case studies, this dissertation examines the shifting commemorative landscape of Ontario and how memorials were used to mark the boundaries of communities. By integrating the visual analysis of monuments and related images, it bridges a methodological and theoretical gap between history and art history. This dissertation opens an important dialogue between these fields of study and demonstrates how monuments themselves are critical “documents” of the past. -
Painting and Sculpture in Canada
PAINTING AND SCULPTURE IN CANADA M. 0. HAMMOND HEN Louis Jobin, the wood carver of Ste. Anne de Beaupre, W passed away in 1928, at the age of 86, he severed a link which united primitive and modern art in Canada. Through his long life he had created figures in wood, the last of a noted line of artists in their own field. Ancient calvaires beside Quebec highways, fading wooden Indians in front of cigar stores, surviving figure heads on sailing ships, religious figures on the fa~ades of French Canadian churches, as at Ste Famille on Isle d 'Orleans, dating from 1749---these are relics of the wood-carving age in Canadian art, that may be found by diligent search. Jobin's own life spanned the developing years of the newer art in Canada, the art of painting. We may pass over the efforts of the Indians, visible in the decorative totem poles, carvings in bone, shell and ivory, and the painted ceremonial faces of the red men, and ignore the efforts of educated Frenchmen in the days of New France. If art in Canada lacked adequate support almost down to the relatively fat times of to-day, how much less could it thrive in the era of the explorer and the coureur-de-bois? There has been virtually a century of painting in Canada, from the days of Paul Kane, Cornelius Krieghoff and George T. Berthon, to the present, and half way down that century occurred in 1880 the organization of the Royal Canadian Academy, the jubilee of whose launching is being observed in this year 1930. -
Tonya Katherine Davidson
University of Alberta Stone Bodies in the City: Unmapping Monuments, Memory and Belonging in Ottawa by Tonya Katherine Davidson A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Sociology ©Tonya Katherine Davidson Fall 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. This dissertation is dedicated to my parents Tom and Katherine Davidson. Abstract In this ethnographic study of the dynamic lives of a population of monuments in Ottawa, I argue that long after they have been unveiled, monuments are imbued with many capacities to act. Monuments inspire loathing or affection, and settle or disturb dominant understandings of place, nation, race, and gender. I suggest that monuments have these affective capabilities because they operate like ‘stone bodies’ in their urban environments. Additionally, spirited with a certain life-force, monuments have the ability to haunt, unsettling relationships between place, memory, and belonging. These affective charges of monuments are felt and expressed through articulations of imperial and colonial nostalgia, feminist and other activist mobilities and various articulations of patriotism. -
This Document Was Retrieved from the Ontario Heritage Act E-Register, Which Is Accessible Through the Website of the Ontario Heritage Trust At
This document was retrieved from the Ontario Heritage Act e-Register, which is accessible through the website of the Ontario Heritage Trust at www.heritagetrust.on.ca. Ce document est tiré du registre électronique. tenu aux fins de la Loi sur le patrimoine de l’Ontario, accessible à partir du site Web de la Fiducie du patrimoine ontarien sur www.heritagetrust.on.ca. .r.{.lr,rr*' t.&tl, UlliS. Watkiss hilTonorm City Clerk City Clert's Office Secretadai Tel: 416-392-7033 Rosalind Dyers Fax:416-397-0111 Toronto and East York Community Council e.mail: [email protected] Cily Hall, 2d Floor, West Web: www.toronto.ca 100 Oueen Slre€l West Toronto. Onlario M5H 2N2 IN THE MATTER OF THE ONTARIO HERITAGE ACT R.S.O. 1990 CHAPTER 0.18 CITY OF TORONTO, PROVINCE OF ONTARIO 3I7 DUNDAS STREET WEST AMENDMENT OF DESIGNATING BY-LAW Art Gallery of Ontario Ontario Heritage Trust 3 l7 Dundas Street West l0 Adelaide Street East -l'oronto, Ontario Toronto, Ontario M5T IG4 M5C IJ3 '[-ake notice that City Council intends to amend lormer City of Toronto By-law l99l -0130, dcsignating the property at 317 Dundas Street West (specifically the south portion ofthe property containing the house fbrm building known historically as The Grange and Grange Park) to revise the Rcasons tbr Designation to describe the site's cultural heritage values and attributes as set out in the 2005 amcndmcnts to the Ontario fleritase Act. llcasons for Designation The propcrty at 317 Dundas Street West is designated under Part IV, Section 29 ofthe Ontario Hcritage Act lbr its cultural hcritage value, and meets Ontario Regulation 9/06. -
2018 Journal of Visual and Critical Studies
Journal of Visual & Critical Studies 20181 Journal of Visual & Critical Studies Student Writing at OCAD University Editorial Committee Lex Burgoyne Victoria Girard Kiana Romeo Francis Tomkins Caoilinn Brown Won Jeon Karina Roman Daniela Nowotarska Nikole Turrer Will Carpenter Maya Wilson-Sanchez Faculty Advisors Julian Haladyn Michelle Miller Gabrielle Moser Amish Morrell Designed by Matthew Lee Typeset in Publico Text Printed at The Printing House, Toronto Supported by the Faculty of Liberal Arts and Sciences and School of Interdisciplinary Studies and the OCAD U Student Union Cover image by Anthony Masucci (graduating student) Currents, 2017, inkjet print, 19 x 13 inches Journal of Visual & Critical Studies Student Writing at OCAD University 2018 5 Introduction The Journal of Visual & Critical Studies collects and celebrates some of the best undergraduate academic writing at OCAD University. Comprising critical essays, exhibition reviews, and thesis abstracts, this anthology reflects the unique approaches to art history and visual culture that are being explored at the school. The publication is managed and assembled by an editorial committee of students in collaboration with faculty advisors, the OCAD U Student Press, and the OCAD U Student Union. The editorial committee is composed of third and fourth year students who lead the editing process with the support of our faculty advisors, as well as first and second year students who lead fundraising and outreach initiatives. This provides opportunities for students to learn valuable community engagement, editing, and publishing skills from each other, and maintains the journal as a sustainable long-term publication. The Journal of Visual & Critical Studies was created by and features writers, researchers, curators, artists, and designers. -
Fertile Ground for New Thinking Improving Toronto’S Parks
Fertile Ground for New Thinking Improving Toronto’s Parks David Harvey September 2010 Metcalf Foundation The Metcalf Foundation helps Canadians imagine and build a just, healthy, and creative society by supporting dynamic leaders who are strengthening their communities, nurturing innovative approaches to persistent problems, and encouraging dialogue and learning to inform action. Metcalf Innovation Fellowship The Metcalf Innovation Fellowship gives people of vision the opportunity to investigate ideas, models, and practices with the potential to lead to transformational change. David Harvey David Harvey has many decades of experience managing environmental and municipal issues in government and in politics. Most recently he served as Senior Advisor to the Premier of Ontario, working to develop, implement and communicate the Ontario Government’s agenda in the areas of environment, natural resources, and municipal affairs. He played a key leadership role in many aspects of the Ontario Government's progressive agenda, including the 1.8 million acre Greenbelt, the GTA Growth Plan, the City of Toronto Act and the Go Green Climate Action Plan. He was awarded a Metcalf Innovation Fellowship in 2010. Contents Executive Summary ................................................................................................. 4 Introduction – Parks and the City........................................................................... 8 “Parks” and “the City”.........................................................................................10 -
Request for a Standing Offer Agreement (Rfso) Maintenance & Conservation of Ncc Cultural Assets National Capital Commission (Ncc) Tender File # Nr209
REQUEST FOR A STANDING OFFER AGREEMENT (RFSO) MAINTENANCE & CONSERVATION OF NCC CULTURAL ASSETS NATIONAL CAPITAL COMMISSION (NCC) TENDER FILE # NR209 REQUEST FOR A STANDING OFFER (RFSO) ADDRESS ENQUIRIES TO: BID DEADLINE: Nathalie Rheault, Sr. Contract Officer [email protected] June 9, 2021 at 3:00pm EDT [email protected] RETURN TO: Submit your proposal, price, including this Subject line of e-mails must make cover page and return to: reference to the NCC tender number: Paper copy and faxes are no longer accepted. All bids NR209 Maintenance & Conservation of must be forwarded to this email address only. Non- compliance with this requirement will result in NCC Cultural Assets disqualification of your tender. Note: the email attachment size is set at a maximum of 150 MB. This page is to be dated, signed and returned with your proposal, thereby acknowledging having read, understood and accepted the Terms of Reference of this RFSO which includes all other attachments referred to herein. We hereby OFFER to sell and/or supply to the National Capital Commission upon the terms and conditions set out herein, the supplies and/or services listed above and on any attached sheets at the submitted price(s). Consultant’s Name & Address Print Name Signature Tel: Email(s): Date ADDENDUM ACKNOWLEDGEMENT: I/We __________________________________ acknowledge receipt of the following addendums and Bidder to enter the number of addendums have included for the requirement of it/them in my/our issued (i.e. #1, #2, etc.) if any. tendered price: 202-40 Elgin Street, Ottawa, Canada K1P 1C7 40, rue Elgin, pièce 202, Ottawa, Canada K1P 1C7 Page 1 of 7 REQUEST FOR A STANDING OFFER AGREEMENT (RFSO) MAINTENANCE & CONSERVATION OF NCC CULTURAL ASSETS NATIONAL CAPITAL COMMISSION (NCC) TENDER FILE # NR209 1.0 INSTRUCTIONS TO BIDDERS 1.1 Submit your technical proposal and financial proposal to provide services for the National Capital Commission (referred to as the "Commission" or the "NCC"), as described in the attached Terms of Reference document. -
100 Mccaul Street (OCAD University) – Zoning Amendment Application – Preliminary Report
~TORONTO REPORT FOR ACTION 100 McCaul Street (OCAD University) – Zoning Amendment Application – Preliminary Report Date: June 7, 2019 To: Toronto and East York Community Council From: Director, Community Planning, Toronto and East York District Wards: Ward 10 - Spadina-Fort York Planning Application Number: 19 137896 STE 10 OZ Date of Complete Application Submission: May 7, 2019 SUMMARY This report provides information and identifies a preliminary set of issues regarding the application for a nine-storey addition to an existing four-storey institutional building located on the north end of the 100 McCaul Street property. Staff are currently reviewing the application, which has been circulated to all appropriate agencies and City divisions for comment. Staff will proceed to schedule a community consultation meeting for the application with the Ward Councillor. RECOMMENDATIONS The City Planning Division recommends that: 1. Staff schedule a community consultation meeting for the application located at 100 McCaul Street together with the Ward Councillor. 2. Notice for the community consultation meeting be given to landowners and residents within 120 metres of the application site, and to additional residents, institutions and owners to be determined in consultation with the Ward Councillor, with any additional mailing costs to be borne by the applicant. FINANCIAL IMPACT The recommendations in this report have no financial impact. Staff Report for Action - Preliminary Report - 100 McCaul Street Page 1 of 15 ISSUE BACKGROUND Application Description This application proposes a 9-storey addition for institutional uses to an existing 4- storey building located at the north end of the Ontario College of Art and Design University (OCAD University) campus. -
Jvaanriaitntt Nî (Eanata
Oh* JVaanriaitntt nî (Eanata dottïte Eatahllelfro in (Banana 8>Qmt ijftatorir BiUB ...t«... Œanaoa anb Nerofnnnblanb Annual Strçrurt 19ir Qfat J\a00riattan o, au* E:;iablitïlnù in (Cauaba #0m? étaient &\UB ...ttt. (Eanana ann NpuifmtttMatrâ Annual BiUnurt RE -LAYING OF THE CORNER STONE OF THE NEW PARLIAMENT BUILDINGS BY HIS ROYAL HIGHNESS THE DUKE OF CONNAUGHT. GOVERNOR-GENERAL OF CANADA. 1ST OF SEPT.. 1916 PAGE 30 îfy'iBtuvu IGanômarka Àfiaonation nf Ûlattaba Patron FIELD MARSHAL HIS ROYAL HIGHNESS, THE DURE OF OONNAUGHT AND STRATHEARN, K.G., G.C.M.G., Etc. Visitor HIS EXCELLENCY THE DUKE OF DEVONSHIRE, K.G., G.C.M.G., Etc. Governor General of Canada. Honorary President THE RT. HONORABLE .SIR ROBERT LAIRD BORDEN, P.C., G.C.M.G. Prime (Minister. President PEMBBRTON SMITH, Esq., Montreal. Vice-Presidents P. B. CASGRAIN, Esq., K.C., Quebec. W. D. LIGHTHALL, KJC, F.R.S.C., Montreal. SIR EDMUND WALKER, C.V.O., LLJD., FJLS.C, Toronto. General Secretary MRS. J. B. SIMPSON, 173 Percy St., Ottawa. French Secretary BENJAMIN SULTE, LLJD., F.R.S.C, Ottawa. Treasurer GEORGE DURNFORD, Esq., FJCA., Montreal. COUNCIL—-The.President, Vice-iPresidents, Secretaries, Treasurer, all subscribing Fellows of Sections I and II of the Royal Society of Canada, and one representative from each corresponding Society (with power to add.) ANNUAL MEETING—Held yearly in connection with the meeting of the Royal Society of Canada. 3 GUIDE. TO "HISTORICAL SOCIETIES" ESTABLISHED IN CANADA. (Corresponding Members of the Historic Landmarks Association) ANTIQUARIAN AND NUMISMATIC SOCIETY OP MONTREAL. Chateau de Ramezay. W. D. Lighthall, Esq., K.C., F.R.S.C, President, Quebec Bank Building, Montreal, Que. -
Annual Report, 2006–2007
COMMISSION DE LA CAPITALE NATIONALE CAPITALE LA DE COMMISSION RAPPORT ANNUEL 2006-2007 ANNUEL RAPPORT renew édifier unfold grandir grow changer progresser RAPPORT ANNUEL 2006-2007 COMMISSION DE LA CAPITALE NATIONALE DE LA CAPITALE COMMISSION ANNUEL 2006-2007 RAPPORT develop 2006–2007 ANNUAL REPORT NATIONAL CAPITAL COMMISSION CAPITAL NATIONAL REPORT 2006–2007 ANNUAL change croître mature éclore build devenir 2006–2007 ANNUAL REPORT NATIONAL CAPITAL COMMISSION ISBN: ISBN: 978-0-662-69946-0 Catalogue number: W number: Catalogue 91-2007 2006–2007 Annual Report: A Capital in Evolution in Capital A Report: Annual 2006–2007 Table des matières Commission Capital National 2 Message du président 3 Message de la première dirigeante 76 NCC Contact Information Contact NCC 4 Introduction 75 12 Faits saillants de l’année Terms of Glossary III: Appendix 74 14 À propos de la CCN Sponsors and Partners NCC II: Appendix 16 Gouvernance Committees Advisory and 72 Appendix I: NCC Committees to the Board the to Committees NCC I: Appendix Récapitulation de l’année 72 24 Appendices 24 Activité de programme I : Animation et promotion 60 de la capitale Statements Financial to Notes 55 28 Activité de programme II : Planification, design 2006–2007 Statements, Financial 40 et utilisation des sols Analysis and Discussion Management 38 30 Activité de programme III : Gestion des biens immobiliers Services Corporate IV: Activity Program 35 Le parc de la Gatineau 35 Gatineau Park Gatineau 38 Activité de programme IV : Services généraux 30 Program Activity III: Real Asset