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Monuments and Memories in Ontario, 1850-2001
FORGING ICONOGRAPHIES AND CASTING COLONIALISM: MONUMENTS AND MEMORIES IN ONTARIO, 1850-2001 By Brittney Anne Bos A thesis submitted to the Department of History In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada (September 2016) Copyright ©Brittney Anne Bos, 2016 ii Abstract Commemorations are a critical window for exploring the social, political, and cultural trends of a specific time period. Over the past two centuries, the commemorative landscape of Ontario reaffirmed the inclusion/exclusion of particular racial groups. Intended as static markers to the past, monuments in particular visually demonstrated the boundaries of a community and acted as ongoing memorials to existing social structures. Using a specific type of iconography and visual language, the creators of monuments imbued the physical markers of stone and bronze with racialized meanings. As builders were connected with their own time periods and social contexts, the ideas behind these commemorations shifted. Nonetheless, creators were intent on producing a memorial that educated present and future generations on the boundaries of their “imagined communities.” This dissertation considers the carefully chosen iconographies of Ontario’s monuments and how visual symbolism was attached to historical memory. Through the examination of five case studies, this dissertation examines the shifting commemorative landscape of Ontario and how memorials were used to mark the boundaries of communities. By integrating the visual analysis of monuments and related images, it bridges a methodological and theoretical gap between history and art history. This dissertation opens an important dialogue between these fields of study and demonstrates how monuments themselves are critical “documents” of the past. -
Alexandra Bridge Replacement Project
Alexandra Bridge Replacement Project PUBLIC CONSULTATION REPORT OCTOBER TO DECEMBE R , 2 0 2 0 Table of Contents I. Project description .................................................................................................................................... 3 A. Background ........................................................................................................................................ 3 B. Project requirements ..................................................................................................................... 3 C. Project timeline ................................................................................................................................ 4 D. Project impacts ............................................................................................................................. 4 II. Public consultation process............................................................................................................ 5 A. Overview .............................................................................................................................................. 5 a. Consultation objectives ............................................................................................................ 5 b. Dates and times ............................................................................................................................ 5 B. Consultation procedure and tools .......................................................................................... -
Preliminary Heritage Value Assessment: Prince of Wales Bridge
– DRAFT DRAFT - PRELIMINARY HERITAGE VALUE ASSESSMENT PRINCE OF WALES BRIDGE, OTTAWA, ON - GATINEAU, QC 2.1. HERITAGE PLANNING ................................................................................................................................... 5 2.2. LAND USE PLANNING ................................................................................................................................... 9 4.1. HERITAGE RESOURCE PROPERTY DESCRIPTION ......................................................................................... 11 4.2. DESCRIPTION OF THE PROPOSED DEVELOPMENT ..................................................................................... 12 4.3. IMPACT OF PROPOSED DEVELOPMENT ON IDENTIFIED HERITAGE VALUE: SUMMARY ............................ 13 4.4. OPPORTUNITIES FOR MITIGATION ............................................................................................................. 15 4.5. PRECENDENCE & LIMITATIONS .................................................................................................................. 16 4.6. CONCLUSION .............................................................................................................................................. 16 APPENDIX “A” - 125TH ANNIVERSARY OF THE OPENING OF THE POW BRIDGE ...................................................... 18 APPENDIX “B” - PRINCE OF WALES BRIDGE ............................................................................................................ 29 APPENDIX “C” - SLEEPING PRINCE - A -
Painting and Sculpture in Canada
PAINTING AND SCULPTURE IN CANADA M. 0. HAMMOND HEN Louis Jobin, the wood carver of Ste. Anne de Beaupre, W passed away in 1928, at the age of 86, he severed a link which united primitive and modern art in Canada. Through his long life he had created figures in wood, the last of a noted line of artists in their own field. Ancient calvaires beside Quebec highways, fading wooden Indians in front of cigar stores, surviving figure heads on sailing ships, religious figures on the fa~ades of French Canadian churches, as at Ste Famille on Isle d 'Orleans, dating from 1749---these are relics of the wood-carving age in Canadian art, that may be found by diligent search. Jobin's own life spanned the developing years of the newer art in Canada, the art of painting. We may pass over the efforts of the Indians, visible in the decorative totem poles, carvings in bone, shell and ivory, and the painted ceremonial faces of the red men, and ignore the efforts of educated Frenchmen in the days of New France. If art in Canada lacked adequate support almost down to the relatively fat times of to-day, how much less could it thrive in the era of the explorer and the coureur-de-bois? There has been virtually a century of painting in Canada, from the days of Paul Kane, Cornelius Krieghoff and George T. Berthon, to the present, and half way down that century occurred in 1880 the organization of the Royal Canadian Academy, the jubilee of whose launching is being observed in this year 1930. -
Annual Report 2017–2018 Table of Contents
Annual Report 2017–2018 Table of Contents 2 Message From the Chair 4 Message From the CEO 7 Beyond Canada 150: Building Legacies in the Capital 12 The Year in Review 37 Leading by Example 41 Looking Forward 44 Corporate Governance 54 Management Discussion and Analysis 78 Financial Statements 110 Appendices 2017–2018 Performance Highlights Over 822,000 visitors participated in the National Capital Commission’s (NCC) Canada 150 activities 822,000 and programs. A total of 300,000 Canada 150 tulips were planted in the Capital. Over 4.5 million anniversary tulips were 300,000 planted across Canada. The Rideau Canal Skateway welcomed 986,983 visitors 986,983 in the 2017–2018 season—374,072 more than last year. More than 117,500 visitors passed through the 117,566 Gatineau Park Visitor Centre at 33 Scott Road. The NCC recorded over 1 million social media interactions across all platforms, an increase of 1,091,916 190% compared with the past fiscal year. The NCC’s rental portfolio generated $20.4 million $20.4M in revenues. Cover: Unveiled in September 2017, the National Holocaust Monument, entitled Landscape of Loss, Memory and Survival, ensures that the lessons of the Holocaust, as well as the contribution that Holocaust survivors have made to Canada, remain within the national consciousness for generations to come. 1 Annual Report 2017–2018 NATIONAL CAPITAL COMMISSION MESSAGE FROM THE CHAIR When I look back over the past year, my first as chair of the National Capital Commission (NCC), I am happy to report that I see an impressive organization, staffed by innovative and inspired Canadians, pursuing an ambitious agenda to build a world-class capital. -
The Plan for Canada's Capital
Judicial i This page is intentionally left blank for printing purposes. ii The Plan for Canada’s Capital 2017 to 2067 NATIONAL CAPITAL COMMISSION June 2016 iii The Capital of an extensive country, rapidly growing in population and wealth, possessed of almost unlimited water power for manufacturing purposes, and with a location admirably adapted not only for the building of a great city, but a city of unusual beauty and attractiveness. (…) Not only is Ottawa sure to become the centre of a large and populous district, but the fact that it is the Capital of an immense country whose future greatness is only beginning to unfold, (…) and that it be a city which will reflect the character of the nation, and the dignity, stability, and good taste of its citizens. Frederick Todd, 1903 “Preliminary Report to the Ottawa Improvement Commission” pp.1-2 iv EXECUTIVE SUMMARY For more than a century, the National Capital Commission (NCC) and its predecessors have embraced urban planning to promote the development, conservation and improvement of the National Capital Region, with the aim of ensuring that the nature and character of the seat of the Government of Canada is in accordance with its national significance. The consequences of these planning efforts have been the creation of parks and open spaces, public shorelines, campuses and clusters of government institutions, monuments and symbolic boulevards. This plan charts the future of federal lands in the National Capital Region between Canada’s sesquicentennial in 2017 and its bicentennial in 2067. It will shape the use of federal lands, buildings, parks, infrastructure and symbolic spaces to fulfill the vision of Canada’s Capital as a symbol of our country’s history, diversity and democratic values, in a dynamic and sustainable manner. -
Tonya Katherine Davidson
University of Alberta Stone Bodies in the City: Unmapping Monuments, Memory and Belonging in Ottawa by Tonya Katherine Davidson A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Sociology ©Tonya Katherine Davidson Fall 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. This dissertation is dedicated to my parents Tom and Katherine Davidson. Abstract In this ethnographic study of the dynamic lives of a population of monuments in Ottawa, I argue that long after they have been unveiled, monuments are imbued with many capacities to act. Monuments inspire loathing or affection, and settle or disturb dominant understandings of place, nation, race, and gender. I suggest that monuments have these affective capabilities because they operate like ‘stone bodies’ in their urban environments. Additionally, spirited with a certain life-force, monuments have the ability to haunt, unsettling relationships between place, memory, and belonging. These affective charges of monuments are felt and expressed through articulations of imperial and colonial nostalgia, feminist and other activist mobilities and various articulations of patriotism. -
Historical Portraits Book
HH Beechwood is proud to be The National Cemetery of Canada and a National Historic Site Life Celebrations ♦ Memorial Services ♦ Funerals ♦ Catered Receptions ♦ Cremations ♦ Urn & Casket Burials ♦ Monuments Beechwood operates on a not-for-profit basis and is not publicly funded. It is unique within the Ottawa community. In choosing Beechwood, many people take comfort in knowing that all funds are used for the maintenance, en- hancement and preservation of this National Historic Site. www.beechwoodottawa.ca 2017- v6 Published by Beechwood, Funeral, Cemetery & Cremation Services Ottawa, ON For all information requests please contact Beechwood, Funeral, Cemetery and Cremation Services 280 Beechwood Avenue, Ottawa ON K1L8A6 24 HOUR ASSISTANCE 613-741-9530 • Toll Free 866-990-9530 • FAX 613-741-8584 [email protected] The contents of this book may be used with the written permission of Beechwood, Funeral, Cemetery & Cremation Services www.beechwoodottawa.ca Owned by The Beechwood Cemetery Foundation and operated by The Beechwood Cemetery Company eechwood, established in 1873, is recognized as one of the most beautiful and historic cemeteries in Canada. It is the final resting place for over 75,000 Canadians from all walks of life, including im- portant politicians such as Governor General Ramon Hnatyshyn and Prime Minister Sir Robert Bor- den, Canadian Forces Veterans, War Dead, RCMP members and everyday Canadian heroes: our families and our loved ones. In late 1980s, Beechwood began producing a small booklet containing brief profiles for several dozen of the more significant and well-known individuals buried here. Since then, the cemetery has grown in national significance and importance, first by becoming the home of the National Military Cemetery of the Canadian Forces in 2001, being recognized as a National Historic Site in 2002 and finally by becoming the home of the RCMP National Memorial Cemetery in 2004. -
The Canadian War Memorial That Never Was
Canadian Military History Volume 7 Issue 4 Article 5 1998 The Canadian War Memorial that Never Was Laura Brandon Canadian War Museum, [email protected] Follow this and additional works at: https://scholars.wlu.ca/cmh Recommended Citation Brandon, Laura "The Canadian War Memorial that Never Was ." Canadian Military History 7, 4 (1998) This Canadian War Museum is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Canadian Military History by an authorized editor of Scholars Commons @ Laurier. For more information, please contact [email protected]. Brandon: The Canadian War Memorial that Never Was Laura Brandon arly in 1996, I discovered that the two main protagonists in the drama: Eplan for the First World War Lord Beaverbrook, and Sir Edmund Canadian war memorial building to Walker, President of the Canadian Bank house Canada's war art had survived as of Commerce, Chairman of the Board of three water-colour designs in the Trustees of the National Gallery of Drawings Collection of the Royal Institute Canada, and a member of the Canadian of British Architects in London, England. War Memorials Fund committee. The two When I made an appointment to see them men worked together on the Fund in April of that year, I discovered that two committee commissioning works of art, were missing, and the third broken into three Beaverbrook in Europe and Walker in Canada. pieces.1 The Assistant Curator of the Drawings They differed, however, over where the art work Collection made it clear to me that the fragments, should eventually be housed. -
Request for a Standing Offer Agreement (Rfso) Maintenance & Conservation of Ncc Cultural Assets National Capital Commission (Ncc) Tender File # Nr209
REQUEST FOR A STANDING OFFER AGREEMENT (RFSO) MAINTENANCE & CONSERVATION OF NCC CULTURAL ASSETS NATIONAL CAPITAL COMMISSION (NCC) TENDER FILE # NR209 REQUEST FOR A STANDING OFFER (RFSO) ADDRESS ENQUIRIES TO: BID DEADLINE: Nathalie Rheault, Sr. Contract Officer [email protected] June 9, 2021 at 3:00pm EDT [email protected] RETURN TO: Submit your proposal, price, including this Subject line of e-mails must make cover page and return to: reference to the NCC tender number: Paper copy and faxes are no longer accepted. All bids NR209 Maintenance & Conservation of must be forwarded to this email address only. Non- compliance with this requirement will result in NCC Cultural Assets disqualification of your tender. Note: the email attachment size is set at a maximum of 150 MB. This page is to be dated, signed and returned with your proposal, thereby acknowledging having read, understood and accepted the Terms of Reference of this RFSO which includes all other attachments referred to herein. We hereby OFFER to sell and/or supply to the National Capital Commission upon the terms and conditions set out herein, the supplies and/or services listed above and on any attached sheets at the submitted price(s). Consultant’s Name & Address Print Name Signature Tel: Email(s): Date ADDENDUM ACKNOWLEDGEMENT: I/We __________________________________ acknowledge receipt of the following addendums and Bidder to enter the number of addendums have included for the requirement of it/them in my/our issued (i.e. #1, #2, etc.) if any. tendered price: 202-40 Elgin Street, Ottawa, Canada K1P 1C7 40, rue Elgin, pièce 202, Ottawa, Canada K1P 1C7 Page 1 of 7 REQUEST FOR A STANDING OFFER AGREEMENT (RFSO) MAINTENANCE & CONSERVATION OF NCC CULTURAL ASSETS NATIONAL CAPITAL COMMISSION (NCC) TENDER FILE # NR209 1.0 INSTRUCTIONS TO BIDDERS 1.1 Submit your technical proposal and financial proposal to provide services for the National Capital Commission (referred to as the "Commission" or the "NCC"), as described in the attached Terms of Reference document. -
Jvaanriaitntt Nî (Eanata
Oh* JVaanriaitntt nî (Eanata dottïte Eatahllelfro in (Banana 8>Qmt ijftatorir BiUB ...t«... Œanaoa anb Nerofnnnblanb Annual Strçrurt 19ir Qfat J\a00riattan o, au* E:;iablitïlnù in (Cauaba #0m? étaient &\UB ...ttt. (Eanana ann NpuifmtttMatrâ Annual BiUnurt RE -LAYING OF THE CORNER STONE OF THE NEW PARLIAMENT BUILDINGS BY HIS ROYAL HIGHNESS THE DUKE OF CONNAUGHT. GOVERNOR-GENERAL OF CANADA. 1ST OF SEPT.. 1916 PAGE 30 îfy'iBtuvu IGanômarka Àfiaonation nf Ûlattaba Patron FIELD MARSHAL HIS ROYAL HIGHNESS, THE DURE OF OONNAUGHT AND STRATHEARN, K.G., G.C.M.G., Etc. Visitor HIS EXCELLENCY THE DUKE OF DEVONSHIRE, K.G., G.C.M.G., Etc. Governor General of Canada. Honorary President THE RT. HONORABLE .SIR ROBERT LAIRD BORDEN, P.C., G.C.M.G. Prime (Minister. President PEMBBRTON SMITH, Esq., Montreal. Vice-Presidents P. B. CASGRAIN, Esq., K.C., Quebec. W. D. LIGHTHALL, KJC, F.R.S.C., Montreal. SIR EDMUND WALKER, C.V.O., LLJD., FJLS.C, Toronto. General Secretary MRS. J. B. SIMPSON, 173 Percy St., Ottawa. French Secretary BENJAMIN SULTE, LLJD., F.R.S.C, Ottawa. Treasurer GEORGE DURNFORD, Esq., FJCA., Montreal. COUNCIL—-The.President, Vice-iPresidents, Secretaries, Treasurer, all subscribing Fellows of Sections I and II of the Royal Society of Canada, and one representative from each corresponding Society (with power to add.) ANNUAL MEETING—Held yearly in connection with the meeting of the Royal Society of Canada. 3 GUIDE. TO "HISTORICAL SOCIETIES" ESTABLISHED IN CANADA. (Corresponding Members of the Historic Landmarks Association) ANTIQUARIAN AND NUMISMATIC SOCIETY OP MONTREAL. Chateau de Ramezay. W. D. Lighthall, Esq., K.C., F.R.S.C, President, Quebec Bank Building, Montreal, Que. -
Nepean Point Consultation Report
Nepean Point CONSULTATION REPORT JUNE 2014 Workshop: Nepean Point I – Project description Objective: With the renewal of Nepean Point, the National Capital Commission (NCC) presented a project to develop a site of national significance that: • Encourages walking and the discovery of scenic views of the Capital’s national heritage; • Respects universal access standards and ensures safety on the site; • Creates an inviting entrance to encourage visitors to discover the park and the Capital; • Gives the park a unique character, that is of national significance; • Makes use of the interpretation potential of the Capital’s symbols; • Favours sustainable development (refines the vegetation cover; contributes to biodiversity; manages storm water; LED lighting); and • Provides links to a future bridge connecting Nepean Point to Major’s Hill Park and a future bridge connecting Nepean Point to Lady Grey Drive. II – Consultation process Overview: Date and location: June 19, 2014, from 7 pm to 9:30 pm, NCC Headquarters: Capital Urbanism Lab, 40 Elgin Street, 5th Floor Consultation objective: Develop a vision and design elements for Nepean Point with stakeholder groups and members of the public. 1 Consultation process and materials: In a workshop format, five groups of six participants completed a questionnaire, following a short presentation by an NCC project team member. Participants then drew their suggestions directly on the site maps. A plenary then allowed each table to present the results of their discussion. Invitations and promotion: . The workshop was promoted through the following methods1. o Email invitation to the Public Affairs database o Media invitation o Website event o Facebook ads and messages o Twitter messages o Advertisements (Ottawa Citizen, Le Droit) Participants: 30 participants .