The Stock Market, You As an Investor Can Make Decisions That Are Based on Experience, Data, School/Math/ Trends, and Mathematics

Total Page:16

File Type:pdf, Size:1020Kb

The Stock Market, You As an Investor Can Make Decisions That Are Based on Experience, Data, School/Math/ Trends, and Mathematics CHAPTER 1 TThehe SStocktock MMarketarket 1-1 Business Organization The safe way 1-2 Stock Market Data to double your money is to fold 1-3 Stock Market Data Charts it over once and 1-4 Simple Moving Averages put it in your 1-5 Stock Market Ticker pocket. 1-6 Stock Transactions Frank Hubbard, Journalist 1-7 Stock Transaction Fees 1-8 Stock Splits 1-9 Dividend Income What do you think Frank Hubbard meant in this quote? In the future, you will incur many expenses, such as a home, automobile, insurance, food, clothing, and What do you think? health care. Some are major expenses and some are minor, but each Answers might include that gambling and the costs money. To have money for major expenses, it helps to have your stock market can increase savings grow in value. Investing can help money grow in value. or decrease wealth signifi - You need to fi nd a personal balance between risk and reward when cantly. Bank accounts do you make choices about investments. Investments are never without increase wealth, and are safe, but interest earned questions. Did you miss the chance to make more money because you will not make you rich. were being overly cautious? Was the investment too risky? Did you risk losing too much money by investing in something that may not have TEACHING had a sound foundation? RESOURCES Investors struggle with these questions every day. The stock mar- Instructor’s Resource CD ket is a forum in which the investment risk/reward balance is put to ExamView® CD, Ch. 1 the test. Will the market advance? Will the market decline? No one eHomework, Ch. 1 can be certain. With a strong knowledge of the stock market, you as www.cengage.com/ an investor can make decisions that are based on experience, data, school/math/ trends, and mathematics. fi nancialalgebra 449657_01_ch01_p002-061.indd9657_01_ch01_p002-061.indd 2 33/15/11/15/11 22:27:27 PPMM Really? CHAPTER OVERVIEW Corporations sometimes choose names that are personal, The course begins with an humorous, historical, or psychological. Below are some well- indepth study of the stock known corporations and how their names were established. market. Most students are familiar with the existence AMAZON.com was originally known as Cadabra.com. of the market, but are The name was changed by its founder Jeff Bezos. He selected unfamiliar with how it works. The concept of risk Amazon as a corporate name because the Amazon River and reward is a constant is known as the biggest volume river in the world. He also presence. In this chapter, wanted a name that began with A so that alphabetically it students use mathematics to understand market events would appear at the top of a list of similar corporations. and make wise decisions COCA-COLA is a name that has its origins in the about personal investments. fl avoring used to make the product—coca leaves and kola REALLY? REALLY! nuts. The founder, John Pemberton, changed the “K” in kola Students are introduced to a “C” for appearance purposes. to some of the types of corporations they will ADIDAS is taken from the name of the company’s be reading about in the founder Adolph (Adi) Dassler. chapter. Interesting facts are given about the etymology eBay was created by Pierre Omidyar, who originally of a corporate name. As a wanted to use the name Echo Bay. The name was already fi rst night’s assignment, have students pick three taken by a gold mining company, so he shortened it to eBay. different companies and XEROX comes from a Greek expression for “dry research how the company names were developed. writing.” The Xerox process was invented in 1937 by law student Chester Carlson. Really! ©GUENTERMANAUS, 2009 ©GUENTERMANAUS, © GUENTERMANAUS, 2009/USED UNDER LICENSE FROM SHUTTERSTOCK.COM © GUENTERMANAUS, 3 449657_01_ch01_p002-061.indd9657_01_ch01_p002-061.indd 3 33/15/11/15/11 22:27:27 PPMM Genius is 1% inspiration and 99% perspiration. Accordingly a genius is often merely a talented person who has done all of his or her homework. Thomas Edison, Inventor 1-1 Business Organization Objectives Key Terms • Learn the basic • capital • corporation vocabulary • sole proprietorship • shares of stock of business • profi t • shareholders organizations. • personally liable • limited liability • partnership • public corporation • Compute fi nancial responsibility of business ownership based on ratios and How do businesses start? percents. Think of everything you use on a daily basis, from complex electronic devices to simple items like straws, paper clips, and toothbrushes. Have EXAMINE THE you ever wondered who invented them, or how each has been improved QUESTION upon? Some inventions provide an opportunity to build a business, but One major decision that not all. It takes imagination, money, and effort to create a successful business owners have to business. The money used to start or expand a business is capital. make is about the form of A business owned by one person is a sole proprietorship. The the business. The decision to be a sole proprietorship, owner, or proprietor, can hire people to help run the business, but these partnership, or corporation employees are not owners. The owner is responsible for all expenses, includ- is based on many aspects, ing labor and raw materials used in manufacturing a product or providing such as profi t, liability, and a service. The money left after all expenses are paid is profi t. The owner of shares of stock. a sole proprietorship is entitled to all of the profi ts. However, the owner is responsible, or personally liable, for any losses. Even if the business does CLASS DISCUSSION not make a profi t, the owner must still pay all of the bills of the business. What are common everyday A business that is owned by a group of people, called partners, is a products that you think sell millions each year? partnership. Partners share the profi ts and the responsibility for any losses. The partners are personally liable for any losses. Personal liability In which type of business do you think an owner’s may require risking personal property. Sole proprietors and partners must personal possessions may consider this possibility when creating a business. potentially be taken in A corporation is a business organization that can be owned by one the event of a lawsuit or a person or a group of people. Each owner who invests money in the corpo- fi nancial crisis? ration receives shares of stock in the corporation. The owners are called If you owned shares of stock shareholders. Stock certifi cates are used as proof of ownership. Unlike in a public corporation, sole proprietorships and partnerships, the shareholders in a corporation what would that mean to have limited liability—each owner cannot lose more than the value of you in terms of profi t and personal liability? his or her share of the business. The number of shareholders in a corpo- ration depends on the structure of the business. When anyone can pur- chase stock in a corporation, the corporation is a public corporation. You might already be familiar with public corporations, such as NIKE, McDonald’s, Xerox, and Apple. The prices of shares of stock in public corporations can be found in newspapers, on television business channels, and on the Internet. 4 Chapter 1 The Stock Market 449657_01_ch01_p002-061.indd9657_01_ch01_p002-061.indd 4 33/15/11/15/11 22:27:27 PPMM Skills and Strategies When a business is owned by more than one person, the owners do not TEACH necessarily own equivalent portions of the business. Ratios and percents In the study of types of can be used to represent the fi nancial responsibility of owners and part- businesses, personal ners. Recall the relationship between decimals and percents. liability, and profi t, students use ratios, To convert a decimal to a percent, multiply the decimal by 100. proportions, and percents to calculate appropriations To convert a percent to a decimal, divide the percent by 100. of ownership, costs, and profi ts. EXAMPLE 1 EXAMPLE 1 Michelle invests $15,000 in a partnership that has four other partners. Review percent to decimal conversions using a few The total investment of all partners is $240,000. What percent of the examples on the board. business does Michelle own? Reteach students how to convert fractions with a SOLUTION Represent Michelle’s investment as a fraction of the total denominator of 100 to investment. Convert the fraction to a decimal and write as a percent. percents and decimals. Michelle’s_____________________ investment ________15,000 Write as a fraction. = CHECK YOUR Total investment 240,000 UNDERSTANDING ÷ = Divide. 15,000 240,000 0.0625 Answer 87.5% Multiply by 100. Write a percent sign. 0.0625 × 100 = 6.25% Subtract Kyle’s $20,000 from the total investment Michelle owns 6.25% of the partnership. of $160,000. Divide 140,000 by 160,000 and convert to an equivalent decimal. Then ■ CHECK YOUR UNDERSTANDING multiply the decimal by 100 Kyle invests $20,000 in a partnership that has fi ve other partners. and insert a percent sign. The total investment of the partners is $160,000. What percent of the EXAMPLE 2 business is owned by the fi ve other partners? Students can use a proportion or an equation to solve this percent problem. The equation to EXAMPLE 2 use is 0.12(650,000) = x. The total number of shares of stock in the Bulls Corporation is 650,000. Mike owns 12% of the shares. How many shares of Bulls Corporation stock does he own? SOLUTION Let x represent the number of shares Mike owns.
Recommended publications
  • AUDIO GUIDE TOUR 1 48 Wall Street/Murals
    Museum of American Finance AUDIO GUIDE TOUR 1 48 Wall Street/Murals The largest object on display at the Museum of American Finance isn’t the bull and bear statue or the statue of Alexander Hamilton. You’re actually standing INSIDE the largest object! In 1797 Alexander Hamilton’s Bank of New York laid the cornerstone for its first building right here at 48 Wall Street. You can see the cornerstone outside where William Street meets Wall Street. Hamilton founded the Bank in 1784 not long after the last of the British troops left American soil for good. The current building is the third Bank of New York headquarters on this site. It opened in 1929 and was active until the Bank acquired the Irving Trust Company and moved into its towering art deco skyscraper at 1 Wall Street in 1988. Like many bank buildings from this era, the architect Benjamin Wistar Morris designed the Grand Mezzanine to convey a sense of strength and power, both in its size and its extensive use of marble and limestone. These materials invoke a sense of security, making the building look like a solid fortress, protecting clients’ money at all costs. Remember, FDIC insurance didn’t come along until 1933. If you look up at the north and east walls of the Grand Mezzanine, you’ll see eight murals painted by J. Monroe Hewlett, an accomplished turn-of-the-century muralist. Alexander Hamilton is front and center in the murals on the north side. These depict scenes from the Bank of New York’s history.
    [Show full text]
  • Visions of Electric Media Electric of Visions
    TELEVISUAL CULTURE Roberts Visions of Electric Media Ivy Roberts Visions of Electric Media Television in the Victorian and Machine Ages Visions of Electric Media Televisual Culture Televisual culture encompasses and crosses all aspects of television – past, current and future – from its experiential dimensions to its aesthetic strategies, from its technological developments to its crossmedial extensions. The ‘televisual’ names a condition of transformation that is altering the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. Shifts in production practices, consumption circuits, technologies of distribution and access, and the aesthetic qualities of televisual texts foreground the dynamic place of television in the contemporary media landscape. They demand that we revisit concepts such as liveness, media event, audiences and broadcasting, but also that we theorize new concepts to meet the rapidly changing conditions of the televisual. The series aims at seriously analyzing both the contemporary specificity of the televisual and the challenges uncovered by new developments in technology and theory in an age in which digitization and convergence are redrawing the boundaries of media. Series editors Sudeep Dasgupta, Joke Hermes, Misha Kavka, Jaap Kooijman, Markus Stauff Visions of Electric Media Television in the Victorian and Machine Ages Ivy Roberts Amsterdam University Press Cover illustration: ‘Professor Goaheadison’s Latest,’ Fun, 3 July 1889, 6. Cover design: Coördesign, Leiden
    [Show full text]
  • Inventing Television: Transnational Networks of Co-Operation and Rivalry, 1870-1936
    Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the faculty of Life Sciences 2011 Paul Marshall Table of contents List of figures .............................................................................................................. 7 Chapter 2 .............................................................................................................. 7 Chapter 3 .............................................................................................................. 7 Chapter 4 .............................................................................................................. 8 Chapter 5 .............................................................................................................. 8 Chapter 6 .............................................................................................................. 9 List of tables ................................................................................................................ 9 Chapter 1 .............................................................................................................. 9 Chapter 2 .............................................................................................................. 9 Chapter 6 .............................................................................................................. 9 Abstract ....................................................................................................................
    [Show full text]
  • ROARS of POPULACE, SW L-Rv/F TICKER TAPE, GREET MARIE OF
    NET PRESS RUE AVERAGE DAILY CIRCULATION OF THE EVENING HKRAT.n THE WEATHER, for the month of September, 19S8. Showen tg n l^ t and Taeeday. 4 , 8 4 9 Wanner tonight. i VOL. XLV., NO. 15. Claasllled AdfertMng on Page • MANCHESTER, CONN., MONDAY, OCTOBER 18, 1926. ^ ^ G E S ) PRICE THREE CENTS TRUDY EDERLE DEAF KIDNAP WIFE OF FROM WAVES’ ACTION HOPE TO PROVE Boston, Oct. 18. — ‘‘Trudy’" ROARS OF POPULACE, S W l-rV /F TICKER TAPE, Ederle, who is here filling a vaudeville Engagement, is very E -S E N . CAIDER, deaf. Constant pounding of the HISS X" STORY waves against her ear drums during her long distance swims STEI^JEWEIS affected her hearing. Other­ A F A m A T IO N GREET MARIE OF RUMANIA IN NEW YORK wise the channel star is in per­ 1---------------------------- fectly normal health. America Greets Marie New York Bandits Seize McPherson Defense Sub­ HRS. HALL IS Royal Guest Lands Auto and 5 Persons, Stage BOOZE “U C IH r’ poenas Sister of Mrs. Sie- CAUSE OF LAW _____ i 4 s 21 Guns Thunder $15,000 Robbery, Tben TAKEN IN CBKAeO laff as Person Who Made Dump Out Occnpants. Affidavit FORCE SIRIFE COMES TO THANK in Rain to New Gang Mnrder, However, New York, Oct. 18.— Apparently Defense Lawyers Orer Acclaim Visitor, Party Lob Angeles, Oct. 18.— Mrs. Vlrla 0S,SAYSQ01 without any clue save a description Is Prompt Sequel to Ar Kimball, of Oakland, twin sister of of three bandits, 1,200 detectives, Mrs. Lorraine Wlseman-SIelaff, New Jersey Widow’s Lands at Battery, Passes under the personal direction of rest of Notorious Four.
    [Show full text]
  • TAPE READING and MARKET TACTICS the Three Steps to Successful Stock Trading
    TAPE READING AND MARKET TACTICS The Three Steps to Successful Stock Trading By HUMPHREY B. NEILL B. C. FORBES PUBLISHING COMPANY New York, 1931 I dedicate this book to my losses, with a deep appreciation for the experi- ence and knowledge which each loss has brought me. PREFACE (February, 1931) IN the making of this book, the tail literally has wagged the dog. The original plan was to col- lect in bound form a number of editorials written and published in a little magazine called if, As and When. As I set about coordinating and edit- ing these various manuscripts, the thought pre- sented itself that every speculator has three steps to climb before he can expect consistent market success. These are: first, familiarizing himself with the power and the methods of the professional specu- lative groups which operate "behind the tick- ers "; second, learning the principles whereby he may interpret the maneuvers of those groups and the actions of the public; and third — and most important—attaining a mastery of himself: of his temperament, emotions, and the other vari- ables that go to make up human nature. In conference with the publishers, it was then —V— PREFACE PREFACE decided to make the main portion of this book can learn in a comparatively short time to tell from a treatise on the interpretation of the ticker tape, the tape what is likely to happen. inasmuch as there have been any number of in- Right here, however, I should like to inject my quiries about, and requests for, instruction in tape personal opinion, that anyone who attempts to reading and market tactics.
    [Show full text]
  • Erican Historical Association, Washington D.C
    DOCUMENT RESUME ED 310 025 SO 020 106 AUTHOR O'Connor, John E. TITLE Teaching History with Film and Television. Discussions on Teaching, Number 2. INSTITUTION American Historical Association, Washington D.C. SPANS AGENCY National Endowment for the Humanities (NFAH), Washington, D.C. REPORT NO ISBN-0-87229-040-9 PUB DATE 87 NOTE 94p.; Contains photographs that may not reproduce clearly. AVAILABLE FROMAmerican Historical Association, 400 4 Street, 3E, Washington, DC 20003 ($3.50 plus $1.00 for shipping and handling). PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Critical Thinking; Curriculum Enrichment; *Films; *History Instruction; Secondary Education; Social Studies; *Television; Television Viewing; Videotape Recordings; *Visual Literacy IDENTIFIERS Film Aesthetics; *Film History; *Film Theory ABSTRACT History teachers should be less concerned with having students try to re-experience the past and more concerned with teaching them how to learn from the study of it. Keeping this in mind, teachers should integrate more critical film and television analysis into their history classes, but not in place of reading or at the expense of traditional approaches. Teachers must show students how to engage, rather than suspend, their critical faculties when the projector or television monitor is turned on. The first major section of this book, "Analyzing a Moving Image as a Historical Document," discusses the two stages in the analysis of a moving image document: (1) a general analysis of content, production, and reception; and (2) the study of the moving image document as a representation of history, as evidence for social and cultural history, as evidence for historical fact, or as evidence for the history of film and television.
    [Show full text]
  • Financial History the Magazine of the Museum of American Finance
    Financial history The magazine of the Museum of American Finance Ladies of the Ticker The Poverty of Slavery The Origins of Taxation in America ISSUE 122 | SUMMER 2017 Financial IN THIS ISSUE FEATURES history The magazine of the Museum of American Finance in association with 10 the Smithsonian Institution The Poverty of Slavery Economic growth and slavery, then and now. Issue 122 • Summer 2017 (ISSN 1520-4723) By Robert E. Wright Kristin Aguilera Editor 15 Taxing to Build a Commonwealth EDITORIAL ADVISORY BOARD Howard A. Baker, Esq. Public finance in America, 1607–1861. Howard Baker Associates By W. Elliot Brownlee Lawrence A. Cunningham The George Washington University Brian Grinder Eastern Washington University Gregory DL Morris Freelance Journalist Arthur W. Samansky The Samansky Group Bob Shabazian American Stock Exchange (ret.) Myles Thompson Columbia Business School Publishing Robert E. Wright Augustana University 20 Ladies of the Ticker Jason Zweig Pioneering women stockbrokers from the 1880s to the 1920s. The Wall Street Journal By George Robb ART DIRECTION Alan Barnett Design 24 John J. Kiernan MUSEUM STAFF David J. Cowen, President/CEO Business journalism pioneer, 1845–1893. Kristin Aguilera, Deputy Director By Rob Wells Tony Critelli, Accountant Maura Ferguson, Director of Exhibits Chris Meyers, Director of Education 28 Creditworthy Sarah Poole, Collections Manager Linda Rapacki, Managing Director A history of consumer surveillance of Visitor Services and Operations and financial identity in America. Mindy Ross, Director, External Relations By Josh Lauer Copyright © 2017 by the Museum of American Finance, publisher, 48 Wall Street, New York, NY 10005. Telephone: 32 The New Iron Age 212-908-4110; fax: 212-742-0573.
    [Show full text]
  • Sound Evidence: an Archaeology of Audio Recording and Surveillance in Popular Film and Media
    Sound Evidence: An Archaeology of Audio Recording and Surveillance in Popular Film and Media by Dimitrios Pavlounis A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Screen Arts and Cultures) in the University of Michigan 2016 Doctoral Committee: Associate Professor Sheila C. Murphy, Chair Emeritus Professor Richard Abel Professor Lisa Ann Nakamura Associate Professor Aswin Punathambekar Professor Gerald Patrick Scannell © Dimitrios Pavlounis 2016 For My Parents ii ACKNOWLEDGMENTS My introduction to media studies took place over ten years ago at McGill University where Ned Schantz, Derek Nystrom, and Alanna Thain taught me to see the world differently. Their passionate teaching drew me to the discipline, and their continued generosity and support made me want to pursue graduate studies. I am also grateful to Kavi Abraham, Asif Yusuf, Chris Martin, Mike Shortt, Karishma Lall, Amanda Tripp, Islay Campbell, and Lees Nickerson for all of the good times we had then and have had since. Thanks also to my cousins Tasi and Joe for keeping me fed and laughing in Montreal. At the University of Toronto, my entire M.A. cohort created a sense of community that I have tried to bring with me to Michigan. Learning to be a graduate student shouldn’t have been so much fun. I am especially thankful to Rob King, Nic Sammond, and Corinn Columpar for being exemplary scholars and teachers. Never have I learned so much in a year. To give everyone at the University of Michigan who contributed in a meaningful way to the production of this dissertation proper acknowledgment would mean to write another dissertation-length document.
    [Show full text]
  • THE MACHINE ANXIETIES of STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, and FUTURISM Kathe Hicks Albrecht IDSVA
    Maine State Library Maine State Documents Academic Research and Dissertations Special Collections 2016 THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, AND FUTURISM Kathe Hicks Albrecht IDSVA Follow this and additional works at: http://digitalmaine.com/academic Recommended Citation Albrecht, Kathe Hicks, "THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO- VICTORIAN AESTHETICS, AND FUTURISM" (2016). Academic Research and Dissertations. 16. http://digitalmaine.com/academic/16 This Text is brought to you for free and open access by the Special Collections at Maine State Documents. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, AND FUTURISM Kathe Hicks Albrecht Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy July, 2016 i Accepted by the faculty of the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. ______________________________ Donald R. Wehrs, Ph.D. Doctoral Committee ______________________________ Other member’s name, #1 Ph.D. ______________________________ Other member’s name, #2, Ph.D. July 23, 2016 ii © 2016 Kathe Hicks Albrecht ALL RIGHTS RESERVED iii This work is dedicated to my parents: Dr. Richard Brian Hicks, whose life-long exploration of the human mind and spirit helped to prepare me for my own intellectual journey, and Mafalda Brasile Hicks, artist-philosopher, who originally inspired my deep interest in aesthetics.
    [Show full text]
  • Thomas Alva Edison (1847 – 1931)
    1 THOMAS ALVA EDISON (1847 – 1931) About the man, his live, work, businesses, products and achievements Introduction A lot of books were published about Thomas Edison and the internet is full with articles about him (a simple Google search 'Thomas Edison' provides 65,000,000 responses…). What can I add to this? Well, it is noteworthy that in the literature about Edison there is very little talk about telegraphy (this is also the case with Lars Ericsson). The scope of this article is by definition focused on the domain of telegraphy, so I can shine here some light on this aspect. My main source is the fantastic book: THE PAPERS OF THOMAS A. EDISON, Volume 1, from 1989 (see my reference [1]). And my second source is the Wikipedia article that you can find via [2]. The book, the first part of a series of seven, deals with the period from his birth to 1873. I bought that part at the time because it goes very deeply (about 700 pages) into the period in which Edison focused almost exclusively on telegraphy. Of Edison’s telegraphs only one model is well known to collectors: the Universal Stock Printer (from 1873). The much later Self Winding Stock Ticker (from 1902) although very often attributed to Thomas Edison, is not at all one of his design. I am explaining this in detail in chapter 2.4.1. In PART 2 I will show, via a number of illustrations and comments, some of those that once were in my collection. But below I will also briefly mention the various other telegraph receivers and related apparatus that he has designed and commercialized, but of which, to my knowledge, only a few are in the possession of collectors.
    [Show full text]
  • Teacher Background
    Teacher Background Inquiry Description Although electricity generated excitement, and although electrical companies worked hard to gain a domestic market for the power, its use spread slowly, suggesting consumer resistance linked to cost, availability, and alternatives. Electricity first entered homes as batteries for fire and burglar alarms; and potential customers learned that electric lights would neither asphyxiated people nor set the house afire with an exposed flame. By the early twentieth century, electricity played an ever-increasing and complex role in everyday life in western society as consumers gradually became more dependent on it as a source of energy for light, heat, and power. On the eve of the Second World War nearly 80 percent of the residential dwellings in the United States had electricity as their primary form of illumination. However, more than 20 percent continued to rely on either kerosene or gasoline lighting and almost one percent still used gas lighting. The gap between those using electric lighting in urban and rural America was much wider. According to the 1940 U.S. Census, almost all residents of urban communities and metropolitan districts had electric lighting in their homes and rural-nonfarm dwellings hovered around the national average. However, nearly two-thirds of rural farm dwellings continued to rely on kerosene or gasoline illumination. Indeed, the adoption of new technology is seldom a linear and complete process, but more and more people were accustomed to seeing and using electricity by mid- century. However, In the first decade of the twentieth century, depending on locale, construction, availability, and personal finances, a wide-variety of lighting sources might be found in use, including: candles; kerosene; gasoline; coal or water gas; incandescent coal or water gas with mantles; electric arc light; incandescent electric light; and acetylene gas lighting.
    [Show full text]
  • Ticker Tape (Edited from Wikipedia)
    Ticker Tape (Edited from Wikipedia) SUMMARY Ticker tape was the earliest digital electronic communications medium, transmitting stock price information over telegraph lines, in use between around 1870 through 1970. It consisted of a paper strip that ran through a machine called a stock ticker, which printed abbreviated company names as alphabetic symbols followed by numeric stock transaction price and volume information. The term "ticker" came from the sound made by the machine as it printed. Paper ticker tape became obsolete in the 1960s, as television and computers were increasingly used to transmit financial information. The concept of the stock ticker lives on, however, in the scrolling electronic tickers seen on brokerage walls and on news and financial television channels. Ticker tape stock price telegraphs were invented in 1867 by Edward A. Calahan, an employee of the American Telegraph Company. HISTORY Although telegraphic printing systems were first invented by Royal Earl House in 1846, early models were fragile, required hand-cranked power, frequently went out of synchronization between sender and receiver, and did not become popular in widespread commercial use. David E. Hughes improved the printing telegraph design with clockwork weight power in 1856, and his design was further improved and became viable for commercial use when George M. Phelps devised a resynchronization system in 1858. The first stock price ticker system using a telegraphic printer was invented by Edward A. Calahan in 1863; he unveiled his device in New York City on November 15, 1867. Edward Calahan (1838–1912) was an American inventor, credited with invention of a ticker tape, gold and stock tickers, multiplex telegraph system.
    [Show full text]