TAPE READING and MARKET TACTICS the Three Steps to Successful Stock Trading
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Meet Jesse Livermore
ccc_smitten_ch01_1-8.qxd 9/3/04 3:45 PM Page 1 CHAPTER 1 Meet Jesse Livermore esse Livermore was perhaps the best stock trader who ever lived. During his lifetime, he was a legend of Wall Street. He was “The Boy JPlunger,” “The Wolf of Wall Street,” “The Great Bear of Wall Street.” When he was alive, he was as famous as Warren Buffett is today, although they had entirely different trading techniques. He was a quiet and secretive man, given to keeping his own counsel. After losing several fortunes by listening to tips and the advice of men he thought were smarter than he was, he closed his offices near Wall Street at 111 Broadway, moved up to the Heckscher Building at 780 Fifth Avenue, and set up a palatial suite of offices. On one of his many trips to Europe, he had found a manor house in England with a huge paneled library. He bought the library, including books, paneling, and furniture. He had it dis- assembled in England and reconstructed in New York. The library was highly secure, with a private keyed elevator. It occu- pied the entire penthouse floor. When visitors exited the elevator, they found themselves in front of a big metal door that opened onto a small an- teroom whereCOPYRIGHTED Harry Dache would be waiting. MATERIAL Dache was a six-foot-six, former merchant mariner. He was Livermore’s bodyguard, chauffeur, con- fidante, and tutor of languages and life to his two sons. Once past Harry, visitors entered a suite of palatial offices, including one large room in which six men worked in silence on a walkway in front of a chalkboard, posting stock prices. -
AUDIO GUIDE TOUR 1 48 Wall Street/Murals
Museum of American Finance AUDIO GUIDE TOUR 1 48 Wall Street/Murals The largest object on display at the Museum of American Finance isn’t the bull and bear statue or the statue of Alexander Hamilton. You’re actually standing INSIDE the largest object! In 1797 Alexander Hamilton’s Bank of New York laid the cornerstone for its first building right here at 48 Wall Street. You can see the cornerstone outside where William Street meets Wall Street. Hamilton founded the Bank in 1784 not long after the last of the British troops left American soil for good. The current building is the third Bank of New York headquarters on this site. It opened in 1929 and was active until the Bank acquired the Irving Trust Company and moved into its towering art deco skyscraper at 1 Wall Street in 1988. Like many bank buildings from this era, the architect Benjamin Wistar Morris designed the Grand Mezzanine to convey a sense of strength and power, both in its size and its extensive use of marble and limestone. These materials invoke a sense of security, making the building look like a solid fortress, protecting clients’ money at all costs. Remember, FDIC insurance didn’t come along until 1933. If you look up at the north and east walls of the Grand Mezzanine, you’ll see eight murals painted by J. Monroe Hewlett, an accomplished turn-of-the-century muralist. Alexander Hamilton is front and center in the murals on the north side. These depict scenes from the Bank of New York’s history. -
Visions of Electric Media Electric of Visions
TELEVISUAL CULTURE Roberts Visions of Electric Media Ivy Roberts Visions of Electric Media Television in the Victorian and Machine Ages Visions of Electric Media Televisual Culture Televisual culture encompasses and crosses all aspects of television – past, current and future – from its experiential dimensions to its aesthetic strategies, from its technological developments to its crossmedial extensions. The ‘televisual’ names a condition of transformation that is altering the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. Shifts in production practices, consumption circuits, technologies of distribution and access, and the aesthetic qualities of televisual texts foreground the dynamic place of television in the contemporary media landscape. They demand that we revisit concepts such as liveness, media event, audiences and broadcasting, but also that we theorize new concepts to meet the rapidly changing conditions of the televisual. The series aims at seriously analyzing both the contemporary specificity of the televisual and the challenges uncovered by new developments in technology and theory in an age in which digitization and convergence are redrawing the boundaries of media. Series editors Sudeep Dasgupta, Joke Hermes, Misha Kavka, Jaap Kooijman, Markus Stauff Visions of Electric Media Television in the Victorian and Machine Ages Ivy Roberts Amsterdam University Press Cover illustration: ‘Professor Goaheadison’s Latest,’ Fun, 3 July 1889, 6. Cover design: Coördesign, Leiden -
Inventing Television: Transnational Networks of Co-Operation and Rivalry, 1870-1936
Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the faculty of Life Sciences 2011 Paul Marshall Table of contents List of figures .............................................................................................................. 7 Chapter 2 .............................................................................................................. 7 Chapter 3 .............................................................................................................. 7 Chapter 4 .............................................................................................................. 8 Chapter 5 .............................................................................................................. 8 Chapter 6 .............................................................................................................. 9 List of tables ................................................................................................................ 9 Chapter 1 .............................................................................................................. 9 Chapter 2 .............................................................................................................. 9 Chapter 6 .............................................................................................................. 9 Abstract .................................................................................................................... -
ROARS of POPULACE, SW L-Rv/F TICKER TAPE, GREET MARIE OF
NET PRESS RUE AVERAGE DAILY CIRCULATION OF THE EVENING HKRAT.n THE WEATHER, for the month of September, 19S8. Showen tg n l^ t and Taeeday. 4 , 8 4 9 Wanner tonight. i VOL. XLV., NO. 15. Claasllled AdfertMng on Page • MANCHESTER, CONN., MONDAY, OCTOBER 18, 1926. ^ ^ G E S ) PRICE THREE CENTS TRUDY EDERLE DEAF KIDNAP WIFE OF FROM WAVES’ ACTION HOPE TO PROVE Boston, Oct. 18. — ‘‘Trudy’" ROARS OF POPULACE, S W l-rV /F TICKER TAPE, Ederle, who is here filling a vaudeville Engagement, is very E -S E N . CAIDER, deaf. Constant pounding of the HISS X" STORY waves against her ear drums during her long distance swims STEI^JEWEIS affected her hearing. Other A F A m A T IO N GREET MARIE OF RUMANIA IN NEW YORK wise the channel star is in per 1---------------------------- fectly normal health. America Greets Marie New York Bandits Seize McPherson Defense Sub HRS. HALL IS Royal Guest Lands Auto and 5 Persons, Stage BOOZE “U C IH r’ poenas Sister of Mrs. Sie- CAUSE OF LAW _____ i 4 s 21 Guns Thunder $15,000 Robbery, Tben TAKEN IN CBKAeO laff as Person Who Made Dump Out Occnpants. Affidavit FORCE SIRIFE COMES TO THANK in Rain to New Gang Mnrder, However, New York, Oct. 18.— Apparently Defense Lawyers Orer Acclaim Visitor, Party Lob Angeles, Oct. 18.— Mrs. Vlrla 0S,SAYSQ01 without any clue save a description Is Prompt Sequel to Ar Kimball, of Oakland, twin sister of of three bandits, 1,200 detectives, Mrs. Lorraine Wlseman-SIelaff, New Jersey Widow’s Lands at Battery, Passes under the personal direction of rest of Notorious Four. -
Erican Historical Association, Washington D.C
DOCUMENT RESUME ED 310 025 SO 020 106 AUTHOR O'Connor, John E. TITLE Teaching History with Film and Television. Discussions on Teaching, Number 2. INSTITUTION American Historical Association, Washington D.C. SPANS AGENCY National Endowment for the Humanities (NFAH), Washington, D.C. REPORT NO ISBN-0-87229-040-9 PUB DATE 87 NOTE 94p.; Contains photographs that may not reproduce clearly. AVAILABLE FROMAmerican Historical Association, 400 4 Street, 3E, Washington, DC 20003 ($3.50 plus $1.00 for shipping and handling). PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Critical Thinking; Curriculum Enrichment; *Films; *History Instruction; Secondary Education; Social Studies; *Television; Television Viewing; Videotape Recordings; *Visual Literacy IDENTIFIERS Film Aesthetics; *Film History; *Film Theory ABSTRACT History teachers should be less concerned with having students try to re-experience the past and more concerned with teaching them how to learn from the study of it. Keeping this in mind, teachers should integrate more critical film and television analysis into their history classes, but not in place of reading or at the expense of traditional approaches. Teachers must show students how to engage, rather than suspend, their critical faculties when the projector or television monitor is turned on. The first major section of this book, "Analyzing a Moving Image as a Historical Document," discusses the two stages in the analysis of a moving image document: (1) a general analysis of content, production, and reception; and (2) the study of the moving image document as a representation of history, as evidence for social and cultural history, as evidence for historical fact, or as evidence for the history of film and television. -
The Saga of the Legendary Trader, Jesse Livermore: Much of the Time and Then Making Quick Forays in the Market Based on Short-Term Calculations
Summary Bradley, Foster & Sargent, Inc. Investing in stocks is very different than speculating in stocks. Investing in stocks involves the Quarterly Market Commentary commitment of money in order to create appreciation of capital and growth of income over the longer term. Speculation in stocks primarily involves the goal of quick and large profits through methods which involve the significant risk of losing much or all of one’s capital. Rather than focusing on speculating in the short term, investors know that the U.S. stock market over the long term has produced remarkable results. The S&P 500 since 1926 has produced an average October 2015 annual return of approximately 10%. The Dow Jones in the 20th century showed an increase of 17,320%. Thus, investors tend to invest in stocks for the long haul rather than holding cash for The Saga of the Legendary Trader, Jesse Livermore: much of the time and then making quick forays in the market based on short-term calculations. A Cautionary Tale There are many approaches to investing in stocks, but they all have much in common. For example, unlike Jesse Livermore who made almost all of his money (before he lost it) shorting the After spending many years in Wall Street and after making and losing millions of dollars, I want to tell you this: It never was my thinking that made the big money for me. market, investors rarely, if ever, short stocks. It is an extremely risky practice with the potential of It always was my sitting. Got that? My sitting tight! It is no trick at all to be right on the unlimited loss. -
What Is Short Selling – How to Profit When a Security
What is Short Selling – How to Profit when a Security Falls Let me first congratulate you on taking your trading game to the next level by researching how to short sell. In this article, I am going to give you a brief overview of short selling, strategies for short-selling and most importantly the personality type or mindset best suited for shorting. Before we go into these topics at length let’s first dive into how to short a stock. How to Short a Stock The topic of short selling was confusing for me when I first started out in trading. I understood I would make money when the stock went lower. But I still had questions like “where did the money go?” and “can the brokerage firm lose money on the trade?” were beyond me. So, let me break the process of shorting down into a few steps: 1. First identify a stock you believe is headed lower. 2. Enter the stock symbol in your order entry form of your trading platform and select sell. 3. Enter the amount of shares you would like to short and at what price. 4. Your broker will allow you to borrow the shares to sell; key word is borrowing. 5. You then receive cash for the proceeds of the sell. Now this is not like cash in hand that you can use to buy other goods and services. It is more of an accounting ledger item showing you have sold x amount of stock at a set price. This net value of number of shares multiplied by the price is your break-even point 6. -
History of Short Selling
History of short selling In a classic “Short Selling”, the author, Tom Taulli, writes about the insightful history of short-selling. “Short selling is not a new phenomenon. Its history stretches back centuries to the establishment of stock markets in the Dutch Republic in the late1500s, when investors realized that they could not only buy a stock long but could also short a stock. Like many great economic powers, the Dutch Republic had the advantage of access to the seas-making trading easier. To finance the growth of trade, the Dutch Republic had created a stock exchange. One of the hottest companies was the East Indies Company, which was founded in 1602. Besides short selling, Dutch investors created other newfangled financial instruments, such as options, unit trusts, and debt! equity swaps. One of the most flamboyant short sellers was Isaac Ie Maire, who basically invented the “bear raid.” That is, he would target a company that was faltering and short as many shares as possible, driving the stock price down. After this, he would buy the depressed stock and create rumors to boost the stock value. The Dutch Republic underwent a tremendous boom. But, like any capitalist wave, it ended-not with a thud, but a thunder. The markets crashed in 1610. Investors wanted someone to blame. Why not short sellers? Don’t they profit when stocks fall? Didn’t they put selling pressure on the markets? As has occurred throughout history, the Dutch stock market consequently prohibited short selling. But, as has also been the case through history, the ban did not last long. -
Financial History the Magazine of the Museum of American Finance
Financial history The magazine of the Museum of American Finance Ladies of the Ticker The Poverty of Slavery The Origins of Taxation in America ISSUE 122 | SUMMER 2017 Financial IN THIS ISSUE FEATURES history The magazine of the Museum of American Finance in association with 10 the Smithsonian Institution The Poverty of Slavery Economic growth and slavery, then and now. Issue 122 • Summer 2017 (ISSN 1520-4723) By Robert E. Wright Kristin Aguilera Editor 15 Taxing to Build a Commonwealth EDITORIAL ADVISORY BOARD Howard A. Baker, Esq. Public finance in America, 1607–1861. Howard Baker Associates By W. Elliot Brownlee Lawrence A. Cunningham The George Washington University Brian Grinder Eastern Washington University Gregory DL Morris Freelance Journalist Arthur W. Samansky The Samansky Group Bob Shabazian American Stock Exchange (ret.) Myles Thompson Columbia Business School Publishing Robert E. Wright Augustana University 20 Ladies of the Ticker Jason Zweig Pioneering women stockbrokers from the 1880s to the 1920s. The Wall Street Journal By George Robb ART DIRECTION Alan Barnett Design 24 John J. Kiernan MUSEUM STAFF David J. Cowen, President/CEO Business journalism pioneer, 1845–1893. Kristin Aguilera, Deputy Director By Rob Wells Tony Critelli, Accountant Maura Ferguson, Director of Exhibits Chris Meyers, Director of Education 28 Creditworthy Sarah Poole, Collections Manager Linda Rapacki, Managing Director A history of consumer surveillance of Visitor Services and Operations and financial identity in America. Mindy Ross, Director, External Relations By Josh Lauer Copyright © 2017 by the Museum of American Finance, publisher, 48 Wall Street, New York, NY 10005. Telephone: 32 The New Iron Age 212-908-4110; fax: 212-742-0573. -
Manipulation of Commodity Futures Prices-The Unprosecutable Crime
Manipulation of Commodity Futures Prices-The Unprosecutable Crime Jerry W. Markhamt The commodity futures market has been beset by large-scale market manipulations since its beginning. This article chronicles these manipulations to show that they threaten the economy and to demonstrate that all attempts to stop these manipulations have failed. Many commentators suggest that a redefinition of "manipulation" is the solution. Markham argues that enforcement of a redefined notion of manipulation would be inefficient and costly, and would ultimately be no more successful than earlierefforts. Instead, Markham arguesfor a more active Commodity Futures Trading Commission empowered not only to prohibit certain activities which, broadly construed, constitute manipulation, but also to adopt affirmative regulations which will help maintain a 'fair and orderly market." This more powerful Commission would require more resources than the current CFTC, but Markham argues that the additionalcost would be more than offset by the increasedefficiencies of reduced market manipulation. Introduction ......................................... 282 I. Historical Manipulation in the Commodity Futures Markets ..... 285 A. The Growth of Commodity Futures Trading and Its Role ..... 285 B. Early Manipulations .............................. 288 C. The FTC Study Reviews the Issue of Manipulation ......... 292 D. Early Legislation Fails to Prevent Manipulations .......... 298 II. The Commodity Exchange Act Proves to Be Ineffective in Dealing with M anipulation .................................. 313 A. The Commodity Exchange Authority Unsuccessfully Struggles with M anipulation ................................ 313 B. The 1968 Amendments Seek to Address the Manipulation Issue. 323 C. The 1968 Amendments Prove to be Ineffective ............ 328 tPartner, Rogers & Wells, Washington, D.C.; Adjunct Professor, Georgetown University Law Center; B.S. 1969, Western Kentucky University; J.D. -
Sound Evidence: an Archaeology of Audio Recording and Surveillance in Popular Film and Media
Sound Evidence: An Archaeology of Audio Recording and Surveillance in Popular Film and Media by Dimitrios Pavlounis A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Screen Arts and Cultures) in the University of Michigan 2016 Doctoral Committee: Associate Professor Sheila C. Murphy, Chair Emeritus Professor Richard Abel Professor Lisa Ann Nakamura Associate Professor Aswin Punathambekar Professor Gerald Patrick Scannell © Dimitrios Pavlounis 2016 For My Parents ii ACKNOWLEDGMENTS My introduction to media studies took place over ten years ago at McGill University where Ned Schantz, Derek Nystrom, and Alanna Thain taught me to see the world differently. Their passionate teaching drew me to the discipline, and their continued generosity and support made me want to pursue graduate studies. I am also grateful to Kavi Abraham, Asif Yusuf, Chris Martin, Mike Shortt, Karishma Lall, Amanda Tripp, Islay Campbell, and Lees Nickerson for all of the good times we had then and have had since. Thanks also to my cousins Tasi and Joe for keeping me fed and laughing in Montreal. At the University of Toronto, my entire M.A. cohort created a sense of community that I have tried to bring with me to Michigan. Learning to be a graduate student shouldn’t have been so much fun. I am especially thankful to Rob King, Nic Sammond, and Corinn Columpar for being exemplary scholars and teachers. Never have I learned so much in a year. To give everyone at the University of Michigan who contributed in a meaningful way to the production of this dissertation proper acknowledgment would mean to write another dissertation-length document.