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Visions of Electric Media Electric of Visions
TELEVISUAL CULTURE Roberts Visions of Electric Media Ivy Roberts Visions of Electric Media Television in the Victorian and Machine Ages Visions of Electric Media Televisual Culture Televisual culture encompasses and crosses all aspects of television – past, current and future – from its experiential dimensions to its aesthetic strategies, from its technological developments to its crossmedial extensions. The ‘televisual’ names a condition of transformation that is altering the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. Shifts in production practices, consumption circuits, technologies of distribution and access, and the aesthetic qualities of televisual texts foreground the dynamic place of television in the contemporary media landscape. They demand that we revisit concepts such as liveness, media event, audiences and broadcasting, but also that we theorize new concepts to meet the rapidly changing conditions of the televisual. The series aims at seriously analyzing both the contemporary specificity of the televisual and the challenges uncovered by new developments in technology and theory in an age in which digitization and convergence are redrawing the boundaries of media. Series editors Sudeep Dasgupta, Joke Hermes, Misha Kavka, Jaap Kooijman, Markus Stauff Visions of Electric Media Television in the Victorian and Machine Ages Ivy Roberts Amsterdam University Press Cover illustration: ‘Professor Goaheadison’s Latest,’ Fun, 3 July 1889, 6. Cover design: Coördesign, Leiden -
Inventing Television: Transnational Networks of Co-Operation and Rivalry, 1870-1936
Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the faculty of Life Sciences 2011 Paul Marshall Table of contents List of figures .............................................................................................................. 7 Chapter 2 .............................................................................................................. 7 Chapter 3 .............................................................................................................. 7 Chapter 4 .............................................................................................................. 8 Chapter 5 .............................................................................................................. 8 Chapter 6 .............................................................................................................. 9 List of tables ................................................................................................................ 9 Chapter 1 .............................................................................................................. 9 Chapter 2 .............................................................................................................. 9 Chapter 6 .............................................................................................................. 9 Abstract .................................................................................................................... -
ROARS of POPULACE, SW L-Rv/F TICKER TAPE, GREET MARIE OF
NET PRESS RUE AVERAGE DAILY CIRCULATION OF THE EVENING HKRAT.n THE WEATHER, for the month of September, 19S8. Showen tg n l^ t and Taeeday. 4 , 8 4 9 Wanner tonight. i VOL. XLV., NO. 15. Claasllled AdfertMng on Page • MANCHESTER, CONN., MONDAY, OCTOBER 18, 1926. ^ ^ G E S ) PRICE THREE CENTS TRUDY EDERLE DEAF KIDNAP WIFE OF FROM WAVES’ ACTION HOPE TO PROVE Boston, Oct. 18. — ‘‘Trudy’" ROARS OF POPULACE, S W l-rV /F TICKER TAPE, Ederle, who is here filling a vaudeville Engagement, is very E -S E N . CAIDER, deaf. Constant pounding of the HISS X" STORY waves against her ear drums during her long distance swims STEI^JEWEIS affected her hearing. Other A F A m A T IO N GREET MARIE OF RUMANIA IN NEW YORK wise the channel star is in per 1---------------------------- fectly normal health. America Greets Marie New York Bandits Seize McPherson Defense Sub HRS. HALL IS Royal Guest Lands Auto and 5 Persons, Stage BOOZE “U C IH r’ poenas Sister of Mrs. Sie- CAUSE OF LAW _____ i 4 s 21 Guns Thunder $15,000 Robbery, Tben TAKEN IN CBKAeO laff as Person Who Made Dump Out Occnpants. Affidavit FORCE SIRIFE COMES TO THANK in Rain to New Gang Mnrder, However, New York, Oct. 18.— Apparently Defense Lawyers Orer Acclaim Visitor, Party Lob Angeles, Oct. 18.— Mrs. Vlrla 0S,SAYSQ01 without any clue save a description Is Prompt Sequel to Ar Kimball, of Oakland, twin sister of of three bandits, 1,200 detectives, Mrs. Lorraine Wlseman-SIelaff, New Jersey Widow’s Lands at Battery, Passes under the personal direction of rest of Notorious Four. -
TAPE READING and MARKET TACTICS the Three Steps to Successful Stock Trading
TAPE READING AND MARKET TACTICS The Three Steps to Successful Stock Trading By HUMPHREY B. NEILL B. C. FORBES PUBLISHING COMPANY New York, 1931 I dedicate this book to my losses, with a deep appreciation for the experi- ence and knowledge which each loss has brought me. PREFACE (February, 1931) IN the making of this book, the tail literally has wagged the dog. The original plan was to col- lect in bound form a number of editorials written and published in a little magazine called if, As and When. As I set about coordinating and edit- ing these various manuscripts, the thought pre- sented itself that every speculator has three steps to climb before he can expect consistent market success. These are: first, familiarizing himself with the power and the methods of the professional specu- lative groups which operate "behind the tick- ers "; second, learning the principles whereby he may interpret the maneuvers of those groups and the actions of the public; and third — and most important—attaining a mastery of himself: of his temperament, emotions, and the other vari- ables that go to make up human nature. In conference with the publishers, it was then —V— PREFACE PREFACE decided to make the main portion of this book can learn in a comparatively short time to tell from a treatise on the interpretation of the ticker tape, the tape what is likely to happen. inasmuch as there have been any number of in- Right here, however, I should like to inject my quiries about, and requests for, instruction in tape personal opinion, that anyone who attempts to reading and market tactics. -
Erican Historical Association, Washington D.C
DOCUMENT RESUME ED 310 025 SO 020 106 AUTHOR O'Connor, John E. TITLE Teaching History with Film and Television. Discussions on Teaching, Number 2. INSTITUTION American Historical Association, Washington D.C. SPANS AGENCY National Endowment for the Humanities (NFAH), Washington, D.C. REPORT NO ISBN-0-87229-040-9 PUB DATE 87 NOTE 94p.; Contains photographs that may not reproduce clearly. AVAILABLE FROMAmerican Historical Association, 400 4 Street, 3E, Washington, DC 20003 ($3.50 plus $1.00 for shipping and handling). PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Critical Thinking; Curriculum Enrichment; *Films; *History Instruction; Secondary Education; Social Studies; *Television; Television Viewing; Videotape Recordings; *Visual Literacy IDENTIFIERS Film Aesthetics; *Film History; *Film Theory ABSTRACT History teachers should be less concerned with having students try to re-experience the past and more concerned with teaching them how to learn from the study of it. Keeping this in mind, teachers should integrate more critical film and television analysis into their history classes, but not in place of reading or at the expense of traditional approaches. Teachers must show students how to engage, rather than suspend, their critical faculties when the projector or television monitor is turned on. The first major section of this book, "Analyzing a Moving Image as a Historical Document," discusses the two stages in the analysis of a moving image document: (1) a general analysis of content, production, and reception; and (2) the study of the moving image document as a representation of history, as evidence for social and cultural history, as evidence for historical fact, or as evidence for the history of film and television. -
Bits & Pieces of the Big Apple
Bits & Pieces of The Big Apple Fascinating facts, frivolities Awful events & witty ditties Cliff Strome 1 Cover Photo The Statue of Liberty’s arms were raised and the tablet was put under lock and key during the soaring rate of crime from the 1970’s through the ‘90’s. It served as a warning that the city should take the crime surge seriously. The tablet is embossed: July IV MDCCLXXVI (July 4th 1776) the date of the signing of The Declaration of Independence. She is the enduring symbol our nation. “Life, liberty and the pursuit of happiness.” Photo by Cliff Strome Photoshop by Evan Kimia Custom & Private New York Tours, Inc. www.customandprivate.com [email protected] 212-222-1441 “Providing fun, memorable and informative New York City experiences, targeting your interests, preferences and whims!” That’s my mission. 2 Welcome to Bits & Pieces of The Big Apple Bits & Pieces is an assortment of humorous snippets, amusing info, offbeat tales, tragedies, folklore, obscure historic facts and hilarities happenings in New York. Bits and Pieces This tour through “the city” will entertain, educate and amuse you. A table of contents is not provided to encourage you to read every Bit and Piece. What’s the difference between a bit and apiece? I don’t have a clue I just like the name! I’m not a writer however I like to tell stories. Throughout the book I provide my opinions and others may include my participation. Please don’t take everything too seriously, it’s intended to amuse, entertain and in form. -
CAN a YANKEE CHANGE STRIPES? with Attendance and Sales Revenue Tanking, Staten Island Yankees President Will Smith Is Looking to Create a New Brand PAGE 16
CRAINSNEW YORK BUSINESS NEW YORK BUSINESS® JUNE 12 - 18, 2017 | PRICE $3.00 CAN A YANKEE CHANGE STRIPES? With attendance and sales revenue tanking, Staten Island Yankees President Will Smith is looking to create a new brand PAGE 16 KNEADING PROFITS AT AMY’S BREAD P. 8 THE LIST New York’s largest engineering rms P. 10 THE CITY’S AFFORDABLE- HOUSING KING P. 13 VOL. XXXIII, NO. 24 WWW.CRAINSNEWYORK.COM NEWSPAPER P001_CN_20170612.indd 1 6/9/2017 6:18:23 PM JUNE 12 - 18, 2017 CRAINSNEW YORK BUSINESS FROM THE NEWSROOM | JEREMY SMERD | EDITOR IN THIS ISSUE A clear objective 4 IN CASE YOU MISSED IT 5 HEALTH CARE EVEN BEFORE THE TRUMP ADMINISTRATION proposed cut- Health 6 WHO OWNS THE BLOCK insurers ting up to $370 million next year from the budget of the New want to hike York City Housing Authority, the agency overseeing 177,700 7 REAL ESTATE premiums. 8 SPOTLIGHT Will Cuomo low-income apartments was facing an epic funding crisis. To let them? help fill its $17 billion repair backlog, it has turned to devel- 9 VIEWPOINTS opers to build mixed-income apartment towers on its land. 10 THE LIST NYCHA last month selected Fetner Properties to develop FEATURES the first building in its NextGen Neighborhoods program: a 47-story, 344-unit tower on 92nd Street at First Avenue. Half 13 PRICE OF SUCCESS of the units would be considered affordable and inte- 16 MINOR HEADACHES grated into the building so as to be indistinguishable What’s the objective? from the market-rate ones. -
Financial History the Magazine of the Museum of American Finance
Financial history The magazine of the Museum of American Finance Ladies of the Ticker The Poverty of Slavery The Origins of Taxation in America ISSUE 122 | SUMMER 2017 Financial IN THIS ISSUE FEATURES history The magazine of the Museum of American Finance in association with 10 the Smithsonian Institution The Poverty of Slavery Economic growth and slavery, then and now. Issue 122 • Summer 2017 (ISSN 1520-4723) By Robert E. Wright Kristin Aguilera Editor 15 Taxing to Build a Commonwealth EDITORIAL ADVISORY BOARD Howard A. Baker, Esq. Public finance in America, 1607–1861. Howard Baker Associates By W. Elliot Brownlee Lawrence A. Cunningham The George Washington University Brian Grinder Eastern Washington University Gregory DL Morris Freelance Journalist Arthur W. Samansky The Samansky Group Bob Shabazian American Stock Exchange (ret.) Myles Thompson Columbia Business School Publishing Robert E. Wright Augustana University 20 Ladies of the Ticker Jason Zweig Pioneering women stockbrokers from the 1880s to the 1920s. The Wall Street Journal By George Robb ART DIRECTION Alan Barnett Design 24 John J. Kiernan MUSEUM STAFF David J. Cowen, President/CEO Business journalism pioneer, 1845–1893. Kristin Aguilera, Deputy Director By Rob Wells Tony Critelli, Accountant Maura Ferguson, Director of Exhibits Chris Meyers, Director of Education 28 Creditworthy Sarah Poole, Collections Manager Linda Rapacki, Managing Director A history of consumer surveillance of Visitor Services and Operations and financial identity in America. Mindy Ross, Director, External Relations By Josh Lauer Copyright © 2017 by the Museum of American Finance, publisher, 48 Wall Street, New York, NY 10005. Telephone: 32 The New Iron Age 212-908-4110; fax: 212-742-0573. -
UBS Research Focus
March 2009 UBS research focus The financial crisis and its aftermath Public sector debt imbalances to grow more acute Lower trend economic growth, higher risk of inflation Earnings to revert to a more sustainable path Financial markets have priced in a very austere outlook Nominal bonds expensive, stocks and corporates cheap Inflation-linked bonds should top cash as a safe long-term asset Acb Past performance is no indication of future performance. The market prices provided are closing prices on the respective principle exchange. This applies to all perform- ance charts and tables in this publication. This report has been prepared by UBS Financial Services Inc. (‘‘UBSFS’’) and UBS AG Contents Editorial 5 Summary 6 Chapter 1 Reversals of fortune 9 The end of an era 10 The financial crisis: an array of factors 14 Pendulum swings towards the state 18 Chapter 2 The rise of even bigger government 23 The new financial handbook 24 Fiscal policy: money with a mission 25 Monetary policy: beware of excess liquidity 29 Financial industry regulation: a new framework in the making 31 Chapter 3 The long-term economic effects of the crisis 39 Structural debt growth ahead 40 Future economic growth 43 Inflation in the future 49 High and permanent fiscal deficits and inflation 50 Chapter 4 A fundamental reassessment of asset returns 55 A fresh look at the investment horizon 56 Nominal government bonds expensive 59 Equities: value amid structural challenges 63 Real estate: stricter regulation and lower yields 72 Commodities: a partial inflation hedge 72 Conclusion 73 Chapter 5 Investing in trying times 77 Evaluating opportunities and risks 78 Finding the outperformers 79 The portfolio context: putting it all together 80 Conclusion 85 Box: The USD remains an important risk 86 Glossary 87 Bibliography 91 Publication details 94 UBS research focus March 2009 3 Editorial Dear reader, The financial crisis that intensified in 2008 shook the In sum, we expect public sector imbalances to grow global economy to its foundations. -
Sound Evidence: an Archaeology of Audio Recording and Surveillance in Popular Film and Media
Sound Evidence: An Archaeology of Audio Recording and Surveillance in Popular Film and Media by Dimitrios Pavlounis A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Screen Arts and Cultures) in the University of Michigan 2016 Doctoral Committee: Associate Professor Sheila C. Murphy, Chair Emeritus Professor Richard Abel Professor Lisa Ann Nakamura Associate Professor Aswin Punathambekar Professor Gerald Patrick Scannell © Dimitrios Pavlounis 2016 For My Parents ii ACKNOWLEDGMENTS My introduction to media studies took place over ten years ago at McGill University where Ned Schantz, Derek Nystrom, and Alanna Thain taught me to see the world differently. Their passionate teaching drew me to the discipline, and their continued generosity and support made me want to pursue graduate studies. I am also grateful to Kavi Abraham, Asif Yusuf, Chris Martin, Mike Shortt, Karishma Lall, Amanda Tripp, Islay Campbell, and Lees Nickerson for all of the good times we had then and have had since. Thanks also to my cousins Tasi and Joe for keeping me fed and laughing in Montreal. At the University of Toronto, my entire M.A. cohort created a sense of community that I have tried to bring with me to Michigan. Learning to be a graduate student shouldn’t have been so much fun. I am especially thankful to Rob King, Nic Sammond, and Corinn Columpar for being exemplary scholars and teachers. Never have I learned so much in a year. To give everyone at the University of Michigan who contributed in a meaningful way to the production of this dissertation proper acknowledgment would mean to write another dissertation-length document. -
THE MACHINE ANXIETIES of STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, and FUTURISM Kathe Hicks Albrecht IDSVA
Maine State Library Maine State Documents Academic Research and Dissertations Special Collections 2016 THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, AND FUTURISM Kathe Hicks Albrecht IDSVA Follow this and additional works at: http://digitalmaine.com/academic Recommended Citation Albrecht, Kathe Hicks, "THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO- VICTORIAN AESTHETICS, AND FUTURISM" (2016). Academic Research and Dissertations. 16. http://digitalmaine.com/academic/16 This Text is brought to you for free and open access by the Special Collections at Maine State Documents. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, AND FUTURISM Kathe Hicks Albrecht Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy July, 2016 i Accepted by the faculty of the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. ______________________________ Donald R. Wehrs, Ph.D. Doctoral Committee ______________________________ Other member’s name, #1 Ph.D. ______________________________ Other member’s name, #2, Ph.D. July 23, 2016 ii © 2016 Kathe Hicks Albrecht ALL RIGHTS RESERVED iii This work is dedicated to my parents: Dr. Richard Brian Hicks, whose life-long exploration of the human mind and spirit helped to prepare me for my own intellectual journey, and Mafalda Brasile Hicks, artist-philosopher, who originally inspired my deep interest in aesthetics. -
Thomas Alva Edison (1847 – 1931)
1 THOMAS ALVA EDISON (1847 – 1931) About the man, his live, work, businesses, products and achievements Introduction A lot of books were published about Thomas Edison and the internet is full with articles about him (a simple Google search 'Thomas Edison' provides 65,000,000 responses…). What can I add to this? Well, it is noteworthy that in the literature about Edison there is very little talk about telegraphy (this is also the case with Lars Ericsson). The scope of this article is by definition focused on the domain of telegraphy, so I can shine here some light on this aspect. My main source is the fantastic book: THE PAPERS OF THOMAS A. EDISON, Volume 1, from 1989 (see my reference [1]). And my second source is the Wikipedia article that you can find via [2]. The book, the first part of a series of seven, deals with the period from his birth to 1873. I bought that part at the time because it goes very deeply (about 700 pages) into the period in which Edison focused almost exclusively on telegraphy. Of Edison’s telegraphs only one model is well known to collectors: the Universal Stock Printer (from 1873). The much later Self Winding Stock Ticker (from 1902) although very often attributed to Thomas Edison, is not at all one of his design. I am explaining this in detail in chapter 2.4.1. In PART 2 I will show, via a number of illustrations and comments, some of those that once were in my collection. But below I will also briefly mention the various other telegraph receivers and related apparatus that he has designed and commercialized, but of which, to my knowledge, only a few are in the possession of collectors.