Ticker Tape (Edited from Wikipedia)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
AUDIO GUIDE TOUR 1 48 Wall Street/Murals
Museum of American Finance AUDIO GUIDE TOUR 1 48 Wall Street/Murals The largest object on display at the Museum of American Finance isn’t the bull and bear statue or the statue of Alexander Hamilton. You’re actually standing INSIDE the largest object! In 1797 Alexander Hamilton’s Bank of New York laid the cornerstone for its first building right here at 48 Wall Street. You can see the cornerstone outside where William Street meets Wall Street. Hamilton founded the Bank in 1784 not long after the last of the British troops left American soil for good. The current building is the third Bank of New York headquarters on this site. It opened in 1929 and was active until the Bank acquired the Irving Trust Company and moved into its towering art deco skyscraper at 1 Wall Street in 1988. Like many bank buildings from this era, the architect Benjamin Wistar Morris designed the Grand Mezzanine to convey a sense of strength and power, both in its size and its extensive use of marble and limestone. These materials invoke a sense of security, making the building look like a solid fortress, protecting clients’ money at all costs. Remember, FDIC insurance didn’t come along until 1933. If you look up at the north and east walls of the Grand Mezzanine, you’ll see eight murals painted by J. Monroe Hewlett, an accomplished turn-of-the-century muralist. Alexander Hamilton is front and center in the murals on the north side. These depict scenes from the Bank of New York’s history. -
Visions of Electric Media Electric of Visions
TELEVISUAL CULTURE Roberts Visions of Electric Media Ivy Roberts Visions of Electric Media Television in the Victorian and Machine Ages Visions of Electric Media Televisual Culture Televisual culture encompasses and crosses all aspects of television – past, current and future – from its experiential dimensions to its aesthetic strategies, from its technological developments to its crossmedial extensions. The ‘televisual’ names a condition of transformation that is altering the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. Shifts in production practices, consumption circuits, technologies of distribution and access, and the aesthetic qualities of televisual texts foreground the dynamic place of television in the contemporary media landscape. They demand that we revisit concepts such as liveness, media event, audiences and broadcasting, but also that we theorize new concepts to meet the rapidly changing conditions of the televisual. The series aims at seriously analyzing both the contemporary specificity of the televisual and the challenges uncovered by new developments in technology and theory in an age in which digitization and convergence are redrawing the boundaries of media. Series editors Sudeep Dasgupta, Joke Hermes, Misha Kavka, Jaap Kooijman, Markus Stauff Visions of Electric Media Television in the Victorian and Machine Ages Ivy Roberts Amsterdam University Press Cover illustration: ‘Professor Goaheadison’s Latest,’ Fun, 3 July 1889, 6. Cover design: Coördesign, Leiden -
Inventing Television: Transnational Networks of Co-Operation and Rivalry, 1870-1936
Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the faculty of Life Sciences 2011 Paul Marshall Table of contents List of figures .............................................................................................................. 7 Chapter 2 .............................................................................................................. 7 Chapter 3 .............................................................................................................. 7 Chapter 4 .............................................................................................................. 8 Chapter 5 .............................................................................................................. 8 Chapter 6 .............................................................................................................. 9 List of tables ................................................................................................................ 9 Chapter 1 .............................................................................................................. 9 Chapter 2 .............................................................................................................. 9 Chapter 6 .............................................................................................................. 9 Abstract .................................................................................................................... -
ROARS of POPULACE, SW L-Rv/F TICKER TAPE, GREET MARIE OF
NET PRESS RUE AVERAGE DAILY CIRCULATION OF THE EVENING HKRAT.n THE WEATHER, for the month of September, 19S8. Showen tg n l^ t and Taeeday. 4 , 8 4 9 Wanner tonight. i VOL. XLV., NO. 15. Claasllled AdfertMng on Page • MANCHESTER, CONN., MONDAY, OCTOBER 18, 1926. ^ ^ G E S ) PRICE THREE CENTS TRUDY EDERLE DEAF KIDNAP WIFE OF FROM WAVES’ ACTION HOPE TO PROVE Boston, Oct. 18. — ‘‘Trudy’" ROARS OF POPULACE, S W l-rV /F TICKER TAPE, Ederle, who is here filling a vaudeville Engagement, is very E -S E N . CAIDER, deaf. Constant pounding of the HISS X" STORY waves against her ear drums during her long distance swims STEI^JEWEIS affected her hearing. Other A F A m A T IO N GREET MARIE OF RUMANIA IN NEW YORK wise the channel star is in per 1---------------------------- fectly normal health. America Greets Marie New York Bandits Seize McPherson Defense Sub HRS. HALL IS Royal Guest Lands Auto and 5 Persons, Stage BOOZE “U C IH r’ poenas Sister of Mrs. Sie- CAUSE OF LAW _____ i 4 s 21 Guns Thunder $15,000 Robbery, Tben TAKEN IN CBKAeO laff as Person Who Made Dump Out Occnpants. Affidavit FORCE SIRIFE COMES TO THANK in Rain to New Gang Mnrder, However, New York, Oct. 18.— Apparently Defense Lawyers Orer Acclaim Visitor, Party Lob Angeles, Oct. 18.— Mrs. Vlrla 0S,SAYSQ01 without any clue save a description Is Prompt Sequel to Ar Kimball, of Oakland, twin sister of of three bandits, 1,200 detectives, Mrs. Lorraine Wlseman-SIelaff, New Jersey Widow’s Lands at Battery, Passes under the personal direction of rest of Notorious Four. -
TAPE READING and MARKET TACTICS the Three Steps to Successful Stock Trading
TAPE READING AND MARKET TACTICS The Three Steps to Successful Stock Trading By HUMPHREY B. NEILL B. C. FORBES PUBLISHING COMPANY New York, 1931 I dedicate this book to my losses, with a deep appreciation for the experi- ence and knowledge which each loss has brought me. PREFACE (February, 1931) IN the making of this book, the tail literally has wagged the dog. The original plan was to col- lect in bound form a number of editorials written and published in a little magazine called if, As and When. As I set about coordinating and edit- ing these various manuscripts, the thought pre- sented itself that every speculator has three steps to climb before he can expect consistent market success. These are: first, familiarizing himself with the power and the methods of the professional specu- lative groups which operate "behind the tick- ers "; second, learning the principles whereby he may interpret the maneuvers of those groups and the actions of the public; and third — and most important—attaining a mastery of himself: of his temperament, emotions, and the other vari- ables that go to make up human nature. In conference with the publishers, it was then —V— PREFACE PREFACE decided to make the main portion of this book can learn in a comparatively short time to tell from a treatise on the interpretation of the ticker tape, the tape what is likely to happen. inasmuch as there have been any number of in- Right here, however, I should like to inject my quiries about, and requests for, instruction in tape personal opinion, that anyone who attempts to reading and market tactics. -
Erican Historical Association, Washington D.C
DOCUMENT RESUME ED 310 025 SO 020 106 AUTHOR O'Connor, John E. TITLE Teaching History with Film and Television. Discussions on Teaching, Number 2. INSTITUTION American Historical Association, Washington D.C. SPANS AGENCY National Endowment for the Humanities (NFAH), Washington, D.C. REPORT NO ISBN-0-87229-040-9 PUB DATE 87 NOTE 94p.; Contains photographs that may not reproduce clearly. AVAILABLE FROMAmerican Historical Association, 400 4 Street, 3E, Washington, DC 20003 ($3.50 plus $1.00 for shipping and handling). PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Critical Thinking; Curriculum Enrichment; *Films; *History Instruction; Secondary Education; Social Studies; *Television; Television Viewing; Videotape Recordings; *Visual Literacy IDENTIFIERS Film Aesthetics; *Film History; *Film Theory ABSTRACT History teachers should be less concerned with having students try to re-experience the past and more concerned with teaching them how to learn from the study of it. Keeping this in mind, teachers should integrate more critical film and television analysis into their history classes, but not in place of reading or at the expense of traditional approaches. Teachers must show students how to engage, rather than suspend, their critical faculties when the projector or television monitor is turned on. The first major section of this book, "Analyzing a Moving Image as a Historical Document," discusses the two stages in the analysis of a moving image document: (1) a general analysis of content, production, and reception; and (2) the study of the moving image document as a representation of history, as evidence for social and cultural history, as evidence for historical fact, or as evidence for the history of film and television. -
Financial History the Magazine of the Museum of American Finance
Financial history The magazine of the Museum of American Finance Ladies of the Ticker The Poverty of Slavery The Origins of Taxation in America ISSUE 122 | SUMMER 2017 Financial IN THIS ISSUE FEATURES history The magazine of the Museum of American Finance in association with 10 the Smithsonian Institution The Poverty of Slavery Economic growth and slavery, then and now. Issue 122 • Summer 2017 (ISSN 1520-4723) By Robert E. Wright Kristin Aguilera Editor 15 Taxing to Build a Commonwealth EDITORIAL ADVISORY BOARD Howard A. Baker, Esq. Public finance in America, 1607–1861. Howard Baker Associates By W. Elliot Brownlee Lawrence A. Cunningham The George Washington University Brian Grinder Eastern Washington University Gregory DL Morris Freelance Journalist Arthur W. Samansky The Samansky Group Bob Shabazian American Stock Exchange (ret.) Myles Thompson Columbia Business School Publishing Robert E. Wright Augustana University 20 Ladies of the Ticker Jason Zweig Pioneering women stockbrokers from the 1880s to the 1920s. The Wall Street Journal By George Robb ART DIRECTION Alan Barnett Design 24 John J. Kiernan MUSEUM STAFF David J. Cowen, President/CEO Business journalism pioneer, 1845–1893. Kristin Aguilera, Deputy Director By Rob Wells Tony Critelli, Accountant Maura Ferguson, Director of Exhibits Chris Meyers, Director of Education 28 Creditworthy Sarah Poole, Collections Manager Linda Rapacki, Managing Director A history of consumer surveillance of Visitor Services and Operations and financial identity in America. Mindy Ross, Director, External Relations By Josh Lauer Copyright © 2017 by the Museum of American Finance, publisher, 48 Wall Street, New York, NY 10005. Telephone: 32 The New Iron Age 212-908-4110; fax: 212-742-0573. -
Sound Evidence: an Archaeology of Audio Recording and Surveillance in Popular Film and Media
Sound Evidence: An Archaeology of Audio Recording and Surveillance in Popular Film and Media by Dimitrios Pavlounis A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Screen Arts and Cultures) in the University of Michigan 2016 Doctoral Committee: Associate Professor Sheila C. Murphy, Chair Emeritus Professor Richard Abel Professor Lisa Ann Nakamura Associate Professor Aswin Punathambekar Professor Gerald Patrick Scannell © Dimitrios Pavlounis 2016 For My Parents ii ACKNOWLEDGMENTS My introduction to media studies took place over ten years ago at McGill University where Ned Schantz, Derek Nystrom, and Alanna Thain taught me to see the world differently. Their passionate teaching drew me to the discipline, and their continued generosity and support made me want to pursue graduate studies. I am also grateful to Kavi Abraham, Asif Yusuf, Chris Martin, Mike Shortt, Karishma Lall, Amanda Tripp, Islay Campbell, and Lees Nickerson for all of the good times we had then and have had since. Thanks also to my cousins Tasi and Joe for keeping me fed and laughing in Montreal. At the University of Toronto, my entire M.A. cohort created a sense of community that I have tried to bring with me to Michigan. Learning to be a graduate student shouldn’t have been so much fun. I am especially thankful to Rob King, Nic Sammond, and Corinn Columpar for being exemplary scholars and teachers. Never have I learned so much in a year. To give everyone at the University of Michigan who contributed in a meaningful way to the production of this dissertation proper acknowledgment would mean to write another dissertation-length document. -
THE MACHINE ANXIETIES of STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, and FUTURISM Kathe Hicks Albrecht IDSVA
Maine State Library Maine State Documents Academic Research and Dissertations Special Collections 2016 THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, AND FUTURISM Kathe Hicks Albrecht IDSVA Follow this and additional works at: http://digitalmaine.com/academic Recommended Citation Albrecht, Kathe Hicks, "THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO- VICTORIAN AESTHETICS, AND FUTURISM" (2016). Academic Research and Dissertations. 16. http://digitalmaine.com/academic/16 This Text is brought to you for free and open access by the Special Collections at Maine State Documents. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, AND FUTURISM Kathe Hicks Albrecht Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy July, 2016 i Accepted by the faculty of the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. ______________________________ Donald R. Wehrs, Ph.D. Doctoral Committee ______________________________ Other member’s name, #1 Ph.D. ______________________________ Other member’s name, #2, Ph.D. July 23, 2016 ii © 2016 Kathe Hicks Albrecht ALL RIGHTS RESERVED iii This work is dedicated to my parents: Dr. Richard Brian Hicks, whose life-long exploration of the human mind and spirit helped to prepare me for my own intellectual journey, and Mafalda Brasile Hicks, artist-philosopher, who originally inspired my deep interest in aesthetics. -
Thomas Alva Edison (1847 – 1931)
1 THOMAS ALVA EDISON (1847 – 1931) About the man, his live, work, businesses, products and achievements Introduction A lot of books were published about Thomas Edison and the internet is full with articles about him (a simple Google search 'Thomas Edison' provides 65,000,000 responses…). What can I add to this? Well, it is noteworthy that in the literature about Edison there is very little talk about telegraphy (this is also the case with Lars Ericsson). The scope of this article is by definition focused on the domain of telegraphy, so I can shine here some light on this aspect. My main source is the fantastic book: THE PAPERS OF THOMAS A. EDISON, Volume 1, from 1989 (see my reference [1]). And my second source is the Wikipedia article that you can find via [2]. The book, the first part of a series of seven, deals with the period from his birth to 1873. I bought that part at the time because it goes very deeply (about 700 pages) into the period in which Edison focused almost exclusively on telegraphy. Of Edison’s telegraphs only one model is well known to collectors: the Universal Stock Printer (from 1873). The much later Self Winding Stock Ticker (from 1902) although very often attributed to Thomas Edison, is not at all one of his design. I am explaining this in detail in chapter 2.4.1. In PART 2 I will show, via a number of illustrations and comments, some of those that once were in my collection. But below I will also briefly mention the various other telegraph receivers and related apparatus that he has designed and commercialized, but of which, to my knowledge, only a few are in the possession of collectors. -
Teacher Background
Teacher Background Inquiry Description Although electricity generated excitement, and although electrical companies worked hard to gain a domestic market for the power, its use spread slowly, suggesting consumer resistance linked to cost, availability, and alternatives. Electricity first entered homes as batteries for fire and burglar alarms; and potential customers learned that electric lights would neither asphyxiated people nor set the house afire with an exposed flame. By the early twentieth century, electricity played an ever-increasing and complex role in everyday life in western society as consumers gradually became more dependent on it as a source of energy for light, heat, and power. On the eve of the Second World War nearly 80 percent of the residential dwellings in the United States had electricity as their primary form of illumination. However, more than 20 percent continued to rely on either kerosene or gasoline lighting and almost one percent still used gas lighting. The gap between those using electric lighting in urban and rural America was much wider. According to the 1940 U.S. Census, almost all residents of urban communities and metropolitan districts had electric lighting in their homes and rural-nonfarm dwellings hovered around the national average. However, nearly two-thirds of rural farm dwellings continued to rely on kerosene or gasoline illumination. Indeed, the adoption of new technology is seldom a linear and complete process, but more and more people were accustomed to seeing and using electricity by mid- century. However, In the first decade of the twentieth century, depending on locale, construction, availability, and personal finances, a wide-variety of lighting sources might be found in use, including: candles; kerosene; gasoline; coal or water gas; incandescent coal or water gas with mantles; electric arc light; incandescent electric light; and acetylene gas lighting. -
THE INFORMATION ECONOMY: Sources and Methods for Measuring the Primary Information Sector (Detailed Industry Reports)
DOCUMENT RESUME ED 142 206 IR 005 062 AUTHOR Porat,M rc Uri TITLE The Info mation Etonomy; Sources andMethods for' Measurin the Primary Information Sector (Detailed Ineustry Reports). INSTITUTION Office o Telecommunications (DOC),.Washington, D.C. ZpONS AGENCY Nationall Science Foundation, Washington, D.C. 'REPORT NO OT-SP-77 12(2) PUB DATE May 77 GRANT APR-7609015 NOTE 204p.; Fpr related documents see IR 005 061-069 ; Tables mRy be marginally legible due to smalltype AVAILABLE FROM Superintendent of Documents,:U.S. Government printing Office; kiashington, D.C. 20402 (Stock No. '003-000-1DC513-5) EDRS"-PRICE MF-$C.83 HC-$11.37 Pius Postage. DESCRIPTORS. *Economi7 Research; *Employment Statistics; Employmebt.Trends; Federal Government; *Industrial Structur; Industry; InformationServices; *IfiforIatIOn Utilization; Input Output Analysis; *National Surveys ABSTRACT This report series defines and measuresthe winformation activity" within he national economy."Information activity" is defined to induct; those specificindustries and occupations whose primary function is toproduce, proces'7, or transmit economically valuablr information.Changes in the-national labor force'are analyzed Over 120-year span. This Volume presents 'reports of the 25 major indusirriesthat compose the primary . information sector. Each reporr discussesthe reasoning behind 'considering the industry as 1,1:t et theprimary information sector, a breakdown of.the subordinate industriesthat Compose the larger industrial-category, allarrattye,of_theinformational aspects of the industry, and'.a report of thefinal demand and value-added components. The service, manufacturing,and construction sectors of' thc .economy are considered.(Author/DAG) ********************************************************************\ Documents acquired by EEIC include manyinformal unpublished * materials not availablefrom other sources.ERiC makes every effort * to obtain the best copyavailable.