RIVISTA DI STUDI ITALIANI

RASSEGNA BIBLIOGRAFICA

JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

FRANK CAPOZZI Milwaukee, Wisconsin

NTRODUCTION IThrough many transformations and interpretations of the dramatic elements of the apocryphal story of Judith and Holofernes, the biblical tale has become part of our cultural heritage and has exerted a profound influence on the creative spirit of writers and artists throughout the centuries. The Book of Judith is divided into four major sections: Nebuchadnezzar’s wars of aggression, with the description of the splendor and the cruelty of the Orient; the siege of Bethulia by the proud Holofernes and the sufferings of the people; Judith’s deceitful beguiling of Holofernes and the decapitation of the general; the triumphal return of Judith to Bethulia and the defeat of the Assyrian army. The story of Judith contains all the elements of a mythical event: the heroine is called to perform a dangerous deed; she is swallowed by the dangerous unknown, Holofernes’ tent; she is granted the supernatural assistance of God; she accomplishes her mission and safely returns to Bethulia. Writers have capitalized on one or more of these dramatic moments in order to express religious, patriotic, or social ideas, while artists have usually limited their works to the most dramatic event, the beheading of Holofernes, or to the return of Judith to Bethulia. Before the middle of the sixteenth century, Judith is usually portrayed as a moral and religious heroine, a prefiguration of Mary and of the Church, and as a political heroine (Sacra rappresentazione di Judith). During the years of the Council of Trent and soon afterwards the heroine becomes a vehicle for religious propaganda – the defender of the Catholic Church against Protestantism (Stefano Tuccio’s Juditha), or for social comments – an attack against some of the problems of sixteenth-century society (Cesare Sacchetti’s Rappresentazione di Giudith). In the tragedies written between 1580 and 1625 (Giovanni Andrea Ploti’s Giuditta, Giovanni Battista Alberti’s Oloferne, and Giovanni Angelo Lottini’s Giudetta) the heroine is portrayed as a mannered character coping with contradictions between impulsive passion and political commitment. In Federico Della Valle’s tragedy Judith is 248 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS the heroine who rises above court intrigues and false passions; and the biblical story becomes for the author a means to condemn the corruption of the courts. Today she has become the female heroine who fights for women’s rights. As in literature, in art there is also an evolution in the interpretation of the figure of Judith. In medieval paintings and manuscript illustrations Judith is usually portrayed as an allegorical prefiguration of the Church or Mary, while during the Renaissance the heroine becomes a symbol, especially in Florence, of republicanism (the woman who single-handedly fought for freedom against tyranny – Donatello’s Judith and Holofernes). During the Early Baroque period (c. 1580-1625) the biblical story becomes a vehicle for highly dramatic action (Caravaggio, Artemisia Gentileschi) or for dazzling opulence (Fede Galizia, Antiveduto Gramatica). In the 18th and 19th centuries she becomes a sex symbol, the temptress, the femme fatale, who destroys man (Klimt). From the seventeenth century to the present the story of Judith has appeared in countless oratorios, among which the most famous are Vivaldi’s Juditha Triumphans (1716), and Metastasio’s Betulia Liberata (1734); it has been a subject for an opera by Cimarosa; for a play (18th century,) written in Sicilian dialect; for an epic poem Ivditha Vindex et Vindicata (1628) by Batolomeo Tortoletti; for a play by Luigi Douclou, Betulia Liberata (1832), written in Judeo-Italian dialect; for a sacra rappresentazine Bettulia liberata dal valore di Giuditta (ca. 1775) by Gregorio Mancinelli, with servants speaking in Roman dialect; and for a ballet and various intermedii. According to Croce and D’Ancona the Rappresentazione di Giuditta was still performed in during the last century. One of the latest adaptations of the story has been the Giuditta (1948), by Carlo Terron, in which Judith is an Italian girl whose house is used by a German general (Holofernes) as the headquarters of his operations. The two main characters recognize their situation and are aware of their biblical mythical roles. At the end of the tragedy, the general is poisoned with a glass of wine and Judith is shot with a pistol by her friend and lover, because she has dared to love the enemy. There have been various films and television adaptations of the biblical story. The most unusual depiction is by the American artist, Judith G. Klausner, who has done a three- dimensional depiction of the decapitation of Holofernes with mantises, fabric, paint, clay, and sand. The story of Judith and Holofernes is a mythical representation of mankind being lost in a world without God, of the destruction of evil through the self abnegation of a woman and the intercession of God, and of mankind’s search for peace, both political and religious. When in the early 1970s I was writing my dissertation it was a time consuming research looking for literary and visual representation of the biblical story; today, with the use of the Internet, one can easily research libraries and museums and galleries all over the world. The following list 249 FRANK CAPOZZI does not pretend to be inclusive of all the works extant. Especially with manuscript illuminations, and woodcuts and prints, when the artists made many copies and later restrikes were done so the same work can be found in various museums and art galleries or art dealers. Furthermore, I don’t list any of the references about Judith in the religious and literary works, from the Father of the Church, to Dante and Shakespeare, Camille and Paglia. Not all the works which I list have great literary or artistic importance. Therefore, except for the masterpieces by major artists, e.g. Caravaggio, Gentileschi, the oil paintings and the prints are not usually on display in the museums which own them. The same could be said about the oratorios and the musical compositions, which are rarely if ever staged or performed as they were composed by minor musicians. Nevertheless, they are significant for the knowledge and understanding of the period during which they were created. They are mirrors of the conditions intrinsic to a particular moment in history; therefore they show how the biblical tale of Judith and Holofernes has been adopted and interpreted to suit the needs of the times. I am planning to publish a more complete list in the future. Meanwhile, I would recommend the following bibliographical references. For an excellent list of medieval manuscripts the Medieval Illuminated Manuscripts of the National Library of the Netherlands:

www.kb.nl/manuscripts/search/simple/judith

40000 Meisterwerke: DVD 1, Grafik und Zeichnung; DVD 2, Malerei. Berlin, 2007. The Yorck Project. ISBN: 9783936122350

The Illustrated Bartsch, with over 50,000 images of Old Master European prints. This work is based on Adam von Bartsch’s (1757-1821) unillustrated catalog of Old Master prints.

www.artbible.info

New York, Metropolitan Museum: www.metmuseum.org/works-of- art/collection_database/drawings_and_prints/judith

www.metmuseum.org/works_of_art/collection_database/all/Judith

For a research on French location: www.culture.gouv.fr

The Art Institute of Chicago www.artic.edu/aic/collections/artwork

The New Grove Dictionary of Music and Musicians 250 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

The New Grove Dictionary of Opera

commons.wikimedia.org is a good source for reproductions; however, the data (artist, author, date, locations, size, etc.) has to be checked against more trustworthy sources.

***

1. 8th cent. Judith. Fresco, Rome, S. Maria Antiqua. Joseph Wilpert, Die roemischen Mosaiken und Malereien, IV, Pl. 161.

2. C. 870. Judith Departing Bethulia, Judith before Holofernes, Judith Slaying Holofernes. Bible of Charles the Bald, fol. 24v, Rome, S. Paolo fuori le Mura.

3. 9th cent. “Judith”. Bible of Leo. Rome, Vatican Library, Reg. gr. 1, fol. 383r. Frances G. Godwin, “The Judith Illustrations of the Hortus Deliciarum,” Fig. 2.

4. 10th cent. Judith. An old English epic fragment. Edited by Albert S. Cook. Boston: D. C. Heath & Co., Publishers, 1904. Also, translated in modern English by James M. Garnett. Boston: Ginn & Company, Publishers, 1902.

5. Late 11th cent. “Judith”. Bible from Parma. Rome, Vatican Library, ms. Lat. 4. Godwin, Fig. 2.

6. Late 11th cent. “Judith”. Bible. Munich, Staatsbibliotheck, Clm 13001, fol. 121. Godwin, Fig. 7.

7. 1097. “Judith”. Bible, Codex Barberini, Rome, Vatican Library, ms. Lat. 587. Godwin, Fig. 3.

8. C. 12th cent. The Story of Judith and Lucifer’s Fall. Manuscript. Harburg: coll. L.E.K.F.

9. 12th cent. Tric-trac game piece: Judith and Holofernes. Found in Bayeux in 1838. Ivory, diam. 5.50 cm. cartelen.louvre.fr

10. Early 12th cent. “Judith”. Bible. Rome, Vatican Library, ms. Lat. 129578. Godwin, Fig. 9.

251 FRANK CAPOZZI

11. C. 1220. Judith Praying for Divine Guidance. Chartres: Cathedral, north porch, archivolt.

12. 1300-1320. Judith and Holofernes. Miniature. Pécs: Episcopal Library.

13. Early 14th cent. “Judith”. Bible. New York, Pierpont Morgan Library, ms. 436, fol. 173v. Godwin, Fig. 10.

14. Mid 14th cent.“Judith”. The Divine Comedy. Paris, Arsenal, ms. 8530, 170r. P. Brieger, M. Meiss, and C. Singleton, Illuminated Manuscripts of the Divine Comedy, II, 514, fig. b.

15. C. 1350-1375. “Judith”. The Divine Comedy. Holkham Hall, Library of the Earl of Leicester, ms. 514. Pp. 79, 145. Brieger, II, 365, Fig. a; 515, Fig. a.

16. Late 14th cent. “Judith”. The Divine Comedy. New York, The Pierpont Morgan Library, ms. 676, 62v. Brieger, II, 365, Fig. a.

17. Early 15th cent. “Judith with the Head of Holofernes”. The Divine Comedy. Copenhagen, Kongelike Biblioteck, ms. Thott 411.2, 196v. Brieger, II. 367.

18. 15th cent. Judith. Northern Italian 15th Century. Gilt Bronze. The National Gallery of Art mentions two works.

19. 15th cent. The Story of Judith and Holofernes. Master of Marradi (Italian). Tempera on wood panel, 15 ¾ x 58 ½ in. Dayton, OH, The Dayton Art Institute.

20. 15th cent. The Story of Judith. Tapestry. Brussels: Musées Royaume d’Art et d’Histoire. Great Tapestries: The Web of History from the 12th to the 20th Century. Edited by Joseph Jobé. Lausanne: Edita S. A., p. 267.

21. 15th-16th cent. Judith with the Head of Holofernes. Andrea Briosco (called Riccio, Italian, 1470-1532). Bronze. Washington, D.C., National Gallery of Art.

22. C. 1430. The Book of Judith illustrated by the Azor master(s) (Flemish, Utrecht). The Hague, Koninklijke Bibliotheek. The Master illustrated the Book of Judith with 11 illuminations: 1. The Envoys Return to Nabuchodonosor (58 x 87 mm), 2. Holofernes Burns a City (62 x 90 mm),

252 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

3. Israelites Cover the Altar (62 x 86 mm), 4. Achior before Holofernes (64 x 88 mm), 5. Achior liberated by the Israelites (63 x 90 mm), 6. The Citizens of Bethulia Complain about the Lack of Water (52 x 88 mm), 7. Judith is Angry with the Elders and goes to the Assyrians (60 x 90 mm), 8. Holofernes Head into the Bag (60 x 90 mm), 9. Judith shows Holofernes’ Head to the Bethulians (64 x 88 mm), 10. Judith is Praised by Ozias (60 x 88 mm), 11. Holofernes Head on the Walls of Bethulia (63 x 87 mm).

23. 1434. The Story of Judith. Manuscript. Hamburg, Germany: Staats-und Universitaets Bibliothek.

24. C. 1435-1455. “Judith”. Lorenzo Ghiberti (Florentine, 1378-1455). Bronze statuette in one of the niches of the Gates of Paradise. Florence, Baptistery. R. Krautheimer, Ghiberti’s Bronze Doors, Pl. 144.

25. C. 1456-1457. Judith and Holofernes. Donatello (Donato di Niccolò ‘Bardi, Florentine, 1386-1466). Bronze, with traces of partial gilding, H. incl. base 7' 8 7/8". Florence; in 1919 the statue was placed on the left side of the Palazzo Vecchio, and in 1988 it was replaced by a bronze copy, while the original was placed in the Sala dei Gigli inside Palazzo Vecchio. F. Hartt, D. Finn, Donatello: Prophet of Modern Vision, pp. 487, 409-422.

26. C. 1460. Judith Killing Holofernes. Austrian. Pen and ink with watercolor on laid paper. Washington: National Gallery of Art.

27. C. 1470 Judith. Antonio del Pollaiuolo (Florentine, c. 1452-98). Bronze statue. Detroit, Destroit Institute of Arts.

28. C. 1470. “Judith Holding Holofernes’ Head”. Northern Italian Hebrew manuscript. Jerusalem, Israel Museum, ms. 180/51, fol. 217a. Encyclopaedia Judaica (New York, 1971), X, Col. 456, Fig. 5.

29. Mid 15th cent. Francesco Andrea Squarcione (Paduan, 1397-C. 1468). Judith with the Head of Holofernes and a Serving Girl. Lost work. A painting on a chasetta mentioned in an inventory of the Medici Collection (1492). The Italian text of the inventory was published by E. Mintz, Les collections des Médicis au XV siècle (Paris, 1888), and translated and abridged by D. S. Chambers, Patrons and Artists in the Italian Renaissance, p. 109.

253 FRANK CAPOZZI

30. C. 1470-1472. Judith Returning to Bethulia. Sandro Botticelli (Alessandro di Mariano dei Filipepi, Florentine, 1445-1510). Tempera on wood, 31 x 24 cm. Florence, Galleria degli Uffizi. A variant version (Panel, 11 ½ x 8 ½), attributed to Botticelli is found in the Cincinnati Art Museum. Fifty Treasures of the Dayton Art Institute, p. 133, Fig. 3. This work has been attributed to Filippino Lippi? (Italian, 1457-1504). Andreas Schumacher, editor: Botticelli. Frankfurt am Main, Städel Museum, p. 245. Ronald Lightbown, Sandro Botticelli. Life and Works, 2 vols, London, 1978, considers it an earlier version of the Uffizi panel.

31. C. 1470-1472. The Discovery of the Body of Holofernes. Botticelli Tempera on wood, 31 x 25 cm. Florence, Galleria degli Uffizi.

32. Mid 15th cent. Jacopo del Sellaio (Florentine, 1441/2-1493). The Story of Judith and Holofernes. Cassone panel, 15 ¾ x 58 ½ in. Dayton, Art Institute. Fifty Treasures, p. 67.

33. Sec. half 15th cent. Judith. Attributed to Andrea del Verrocchio (Andrea di Cione, Florentine, 1435-1488). Bronze statue. Detroit, Detroit Institute of Arts. C. Seymour, The Sculpture of Verrocchio, Pls. 169-170.

34. C. 1465-1480. Judith with the Head of Holofernes (Judith with the sword raised above her head). Anonymous Florentine engraving, also called “Otto Print” after Ernst Peter Otto, collector of Leipzig. Tondo, diameter 132 mm. A smaller version (diameter 115 mm.) has Judith with lowered sword. A. M. Hind, Early Italian Engraving, I, Part I, p. 88.

35. C. 1475. Judith with the Head of Holofernes. Baccio Baldini (Italian, d. 1487). Round engraving in bluish gray on ivory laid paper, laid down on cream laid paper; diameter of sheet: 132 mm. Chicago: The Art Institute of Chicago.

36. C. 1480. Judith with the Head of Holofernes. Follower of . Drawing, pen and ink with chalk and white heightening on olive- brown prepared paper, 348 x 202 mm. Washington, National Gallery of Art, Samuel H. Kress Collection. Eva/Ave, p. 61.

37. 1489. Judith. Davide Ghirlandaio (Florentine, 1452-1525). Panel. Berlin, Staatliche Museum. A. O. Della Chiesa, Botticelli and His Contemporaries, p. 92.

38. 1489. First recorded play about Judith and Holofernes staged at Pesaro by the local Jewish community. Encyclopaedia Judaica, Col. 450.

254 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

39. C. 1490. Judith. Matteo di Giovanni (Sienese, 1435-1495). Bloomington, Indiana University. Paragone, 15, No. 175 (July, 1964), Pl. 3.

40. C. 1490. Judith with the head of Holofernes. Attributed to Andrea Mantegna (Paduan, 1431-1500). Panel, 30.5 x 18 cm. Washington, National Gallery of Art, Widener Collection. Tietze-Conrat, Mantegna, Fig. 36. This work of art possibly could be by (Italian1482-after 1514).

41. C. 1490-1500. Judith. Mantegna. Canvas, 18 1/8 x 18 7/8 in. Dublin, National Gallery of Ireland. Tietze-Conrat, Pl. 123.

42. C. 1490-1500. Judith. From the workshop of Mantegna. Canvas, 25 ¼ x 11 7/8 in. Tietze-Conrat, Fig. 34.

43. C. 1490. Judith. Girolamo Mocetto (Venetian, C. 1458-after 1531). Engraving, 345 x 220 mm, after Mantegna. Hind, V, Part II, p. 164. Jean Seznec, The Survival of the Pagan Gods, p. 130, mentions a ceiling panel, Judith, by Mocetto.

44. C. 1490-1500. Judith with the Head of Holofernes. Attributed to Mantegna. Drawing, pen, brown, and charcoal, on tan paper mounted on canvas, 35 x 20 cm. Washington, National Gallery, Samuel H. Kress Collection. Tietze-Conrat, Fig. 37. According to Tietze-Conrat, this drawing is a “variant by a contemporary artist of a lost original by Mantegna”. For other works about Judith attributed to Mantegna or to his workshop see Tietze-Conrat, passim, or A. Martindale, The Complete Paintings of Mantegna, pp. 109-123.

45. 1491. Judith. Mantegna. Brush, very delicate, 36 x 24 cm. Florence, Uffizi. Tietze-Conrat, Pl. 124.

46. Before 1492. Judith. Mantegna. Panel, lost work. Formerly in Lorenzo de’ Medici’s estate (1492); the engraving Judith with the Head of Holofernes (317 x 226 mm.) by Zoan Andrea (Vienna, Albertina) may reproduce Mantegna’s lost composition. Tietze-Conrat, Fig. 38. Another version (319 x 261 mm.) also by Zoan Andrea reported by Hind, V, Part II, p. 63.

47. 1493. Judith and Holofernes. Michael Wolgemut (German, 1434-1519). Woodcut, 18.26 x 35.88 cm. Minneapolis, MN, Minneapolis Institute of Art.

48. 1493. Judith and Holofernes. Woodcut from the Malermi Bible. Ed. E. F. Jacob, Italian Renaissance Studies, Fig. 29. 255 FRANK CAPOZZI

49. C. 1495. The Calumny of Apelles. Inside one of the niches, at the extreme right of the painting, there is a statue of Judith with the head of Holofernes. Botticelli. Tempera on wood, 62 x 91 cm. Florence, Uffizi.

50. C. 1495. Judith. Israel van Meckenem (German, c. 1445-1503). Engraving on ivory laid paper, 214 x 318 mm (sheet). Chicago, The Art Institute of Chicago.

51. C. 1495. Judith and Holofernes. Andrea Mantegna (Italian, C. 1431- 1506). Washington, D.C.: National Gallery of Art.

52. C. 1495-1500. The Return of Judith. Attributed to Giorgione (Giorgio Barbarelli, Venetian, C. 1477-1510). Canvas, 50 x 60 mm. Milan, Rasini Collection. C. Gould, The Complete Paintings of Giorgione, Fig. 51.

53. C. 1497. Judith with the Head of Holofernes. Giovanni Antonio da Brescia (Italian, 1430/31-1506). After Andrea Mantegna. Engraving on paper, 315 x 226 mm (sheet). Chicago, The Art Institute of Chicago.

54. C. 1500. Judith with the Head of Holofernes. Botticelli. Panel, 36.5 x 20 cm. Amsterdam, Rijksmuseum.

55. C. 1500. Mercury and Judith. Northern Italian (16th Century). Bronze. Washington, D.C., National Gallery of Art.

56. 1500-1505. Judith with the Head of Holofernes. Girolamo Mocetto (Italian, c. 1470-after 1531). Engraving on paper, after Mantegna. 324 x 218 mm, sheet. Chicago, The Art Institute of Chicago. Another copy is available at the National Gallery of Art, Washington, D.C.

57. C. 1501-1503. Judith. Jacopo de’ Barbari (Venetian, 1440-1516). Engraving, 185 x 122 mm. Washington, National Gallery of Art. Hind, V, Part II, p. 151. The Art Institute of Chicago has a copy (181 x 120 mm). The San Francisco Museums of Arts has a copy which must be a restrike as it is dated late 16th century.

58. 16th cent. Judith. Barthel Beham (German, 1502?-1540) and Hans Sebald Beham (German, 1500?-1550). Engraving, 8.7 x 6.8 cm (image). San Francisco Museums of Art.

59. 16th cent. Judith and Holofernes. Bronze, Italian Hanukkah lamp, width 8 in. Jerusalem, Cecil Roth Collection, Encyclopaedia Judaica, X, Cols, 455- 456, Fig. 6.

256 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

60. 16th cent. Judith with the Head of Holofernes. Engraving (13.4 x 9.3 cm.) after Dürer. Niccolò Francesco Maffei (Italian, active 16th century). San Francisco, Fine Arts Museums. Deyoung.famsf.org/search-collections.

61. 16th cent. Judith and St. Catherine. Jerome Hopfer (German, b. 1520). Etching, after Jacopo de’ Barbari. San Francisco Museums of Art. deyoung.famsf.org/search-collections.

62. 16th cent. Judith Slaying Holofernes. Maarten van Heemskerck (Dutch, 1496-1574). Engraving.

63. 16th cent. Judith and Her Servant Standing. Hans Sebald Beham (German, 1500-1550). Engraving. Washington, D.C., National Gallery of Art.

64. 16th cent. Holofernes before Nebuchadnezzar. Maarten de Vos (Dutch, 1532-1603). Drawing, pen and brown ink, brown wash, white gouache, 19.8 x 26.9 cm, sheet. New York, Metropolitan Museum of Art.

65. 16th-early 17th cent. Judith. Anonymous, Italian. After Andrea Schiavone. Intaglio. New York, Metropolitan Museum of Art. www.metmuseum.org/works_of_art/collection_database

66. Early 16th cent. Judith. Marco Palmezzano (Marches, 1456-1517). Oil on canvas, 59 x 90 cm. Padua, Pinacoteca.

67. Early 16th cent. Judith. Nicoletto Rosex da Modena (active 1500-1512). Engraving, 92 x 59 cm. Hind, V, Part II, p. 131.

68. C. 1504. Judith. Giorgione (Zorzi da Castelfranco, Italian, 1477-1510). Oil on canvas, transferred from panel. 144 x 68.5 cm. St. Petersburg: The State Hermitage Museum.

69. C. 1504. Judith. Sodoma (Giovanni Antonio Bazzi, Lombard, 1477- 1549). Canvas, Siena, Galleria. A. Venturi, La pittura del Cinquecento, II, Fig. 630.

70. C. 1508-09 attributed to Titian (Tiziano Vercellio, Venetian, C. 1488- 1576). Judith. Fresco, 345 x 212 cm. , Gallerie dell’Accademia. C. Cagli, L’opera completa di Tiziano, Fig. 98.

257 FRANK CAPOZZI

71. C. 1509-1511. Judith and Holofernes. Michelangelo Buonarroti (Florentine, 1475-1564). Fresco, Rome, Vatican, Sistine Chapel.

72. C. 1510. Judith with the Head of Holofernes. Domenico Beccafumi (Domenico di Pace, Sienese) 1484-1551). Oil on poplar panel. Image size: 86.2 x 47.5 cm. London, Wallace Collection.

73. C. 1514. Judith (?). Correggio (Antonio Allegri, Northern Italian, 1489- 1534). Strasbourg, Museum. A. Venturi, La pittura del Cinquecento, II, Fig. 391.

74. C. 1515. Judith before the Tent of Holofernes. After Mantegna. Fresco. , S. Andrea.

75. C. 1515. Judith Presenting the Head of Holofernes to Bethulians. After Mantegna. Fresco. Mantua, S. Andrea.

76. C. 1515. Judith with the Head of Holofernes. Titian (Italian, 1487/90- 1576). Oil on canvas, 89 x 73 cm. Rome, Galleria Doria Pamphili.

77. C. 1516-1518. Judith. Cariani (Giovanni Busi, Venetian, C. 1480-1548). Bergamo, Private Collection. B. Berenson, Italian Pictures of the Renaissance: Venetian School, II, Pl. 735.

78. 1518. Comincia la devota rappresentazione di Judith Hebrea, sacra rappresentazioni. Fece stampare Maestro Francesco di Giouanni Benuenuto sta dal Canto de Biscari. M. D. XVIII. Colomb de Batines in Bibliografia delle antiche rappresentazioni italiane sacre e profane stampate nei secoli XV e XVI, Firenze, 1852, mentions other Editions: In Firenze l’Anno M.D. LIII di Gennaio. In Firenze presso alla Badia l’Anno 1568. Illustrated with five woodcuts: Battle scene between the Bethulians and Holofernes’ army; Judith goes to Holofernes camp; a multi-scene woodcut: Under the tent, Judith decapitates Holofernes; out of the tent, Judith carries Holofernes’ head while her maidservant carries a basket (this wood cut is repeated on the front page of the rappresentazione); a smaller woodcut represents the final battle between the Bethulians and the enemy army Stampata in Firenze appresso Giouanni Baleni l’Anno 1589/ Senza nota (Sec. XVI),Stampata in Firenze. Alle Scale di Badia. No date. In Siena. No date. In Siena. No date. In Siena, alla Loggia del Papa 1610.L’Allacci nella Drammaturgia italiana, menziona altre due edizioni, Firenze, 1595, Siena, alla loggia del Papa, no date.

79. 1519. Comincia la Devota Rappresentatione di Ivdith Hebrea, sacra rappresentazioni. Maeftro Francefco di Giouanni Benuenuto, fta dal canto de 258 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

Bifcari, Adi. Xxx. Di M.D.XVIIII. Another edition of the 1518 printing. Illustrated with two woodcuts.

80. C. 1520. Judith. Sebastiano del Piombo (Sebastiano Luciani, Venetian, C. 1485-1547). Canvas. Formerly Berlin, Kaiser Friedrich. Kubiak, Fig. 15.

81. C. 1520. Judith and Her Servant with Holofernes’ Head. Raimondi School (Italian, fl. 1525-50). According to the Spaightwood Galleries, “this rare print reproduces an earlier engraving c. 1500-1505 by Girolamo Mocetti (Italian, 1470-1531), which in turn ultimately descends from Andrea Mantegna’s engraving”. Image size: 194 x 123 mm.

82. C. 1520-1530. Judith with the Head of Holofernes. Pordenone (Giovanni Antonio de’ Sacchi Regillo, Venetian, C. 1483/4-1547). Oil on canvas, 103.5 c 86.5 cm. Amsterdam, Rijksmuseum. Also by Pordenone: Judith with the Servant, oil on canvas, 95 x 78 cm. Rome, Galleria Borghese; Judith, oil on canvas, Venice, Galleria Giovanelli. A. Venturi, La pittura del Cinquecento, III, Fig. 436 and Fig. 437.

83. C. 1520-1530. Judith. attributed to Il Romanino (Girolamo di Romano, Lombard, 1484-C. 1566). Panel. Formerly Brescia, Chiesa di San Giovanni Evangelista. M. L. Ferrari, Il Romanino, p. 313.

84. C. 1520-1530. Judith. Baldassare Tommaso Peruzzi (Sienese, 1481- 1536). Canvas. Rome, S. Maria Della Pace.

85. C. 1520-1530. Judith with the Head of Holofernes. Engraving, 64 x 40 mm. Albrecht Altdorfer (German, c. 1480-1538, German). Washington, D.C., National Gallery of Art.

86. C. 1521-1525. Judith placing the head of Holofernes in a bag held by her maid. Lucas van Leyden (Dutch, 1494-1533). Drawing, 251 x 207 mm. London, The British Museum.

87. C. 1523-1525. Judith Fleeing from the Camp of Holofernes. G. F. di Capodiferro (Lombard, active 1523-30). Marquetry, 27 ½ x 44 ½ in. After design by Lorenzo Lotto. Bergamo, S. Maria Maggiore. A. Chastel, Crisis of the Renaissance, p. 117. 88. C. 1525. Judith with the Head of Holofernes. Flemish Gothic Tapestry. 10 ft 4 in x 8 ft 9 in. Missoula, MT: The University of Montana Museum of Fine Arts.

259 FRANK CAPOZZI

89. 1525. Judith Seated on the Body of Holofernes. Barthel Beham (German, 1502-1540). Engraving. Washington, D.C., National Gallery of Art.

90. 1525-1527. Judith with the Head of Holofernes. Barthel Beham (German, 1507-1540). Engraving. Washington, D.C., National Gallery of Art.

91. C. 1525-1528. Judith with the Head of Holofernes. Palma il Vecchio (Jacopo d’Antonio Negretti, Venetian, 1480-1528). Panel, 90 x 71 cm. Florence, Uffizi.

92. C. 1525-1530. Judith. Titian. Lost work mentioned by Cobos, commander of Castile. Cagli, p. 137.

93. C. 1525-1550. Judith. Jacopo Bertucci (Emilian, C. 1500-1579). Canvas. Modena, Galleria Estense. Art Bulletin, 50 (1968), 362, Fig.15.

94. C. 1526. Judith. Parmigianino. Etching, 154 x 91 mm. Washington, National Art Gallery. Also available at the Spaightwood Galleries, Upton, MA.

95. C. 1526-1530. Judith with the Head of Holofernes. Cranach. Oil on tempera on limewood, 87.4 x 57.5 cm. Kassel, Staatliche Museum. According to Bodo Brinkman, Cranach, p. 320, “Cranach’s workshop reproduced more than a dozen versions”.

96. C. 1526-1530. Judith and Her Servant Standing. Hans Sebald Beham (German, 1500-1550). Engraving, 109 x 70 mm. Washington, D.C. , National Gallery of Art. Available also at the Spaightwood Galleries, Upton, MA.

97. 1528. Judith with the Head of Holofernes. Heinrich Aldegrever (German, 1502-c. 1560). Engraving on paper, 80 x 55 mm (plate). Chicago, The Art Institute of Chicago.

98. C. 1529. Judith. Vincenzo Catena (di Biagio, Venetian, C. 1480-1531). Oil on canvas. Venice, Pinacoteca Querini-Stampalia. Kubiak, Fig. 26.

99. C. 1530. Judith with the Head of Holofernes. Lucas Cranach the Elder (German, 1472-1563). Oil on wood, 89.5 x 61.9 cm. Metropolitan Museum of Art, New York.

100. C. 1530. Judith with the Head of Holofernes. Lucas Cranach the Elder. Oil on wood, 87 c 56 cm. Vienna, Kunsthistorisches Museum.

260 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

101. 1531. Judith Dining with Holofernes and The Death of Holofernes. Cranach. Oil and tempera on limewood. Dimensions, first work: 98.5 x 72.5 cm; second work: 98 x 76.3 cm. Gotha, Schlossmuseum.

102. C. 1531. Judith and Her Servant Walking to the Left, and Her Servant. Hans Sebald Beham. Engraving, image size: 106 x 72 mm. Washington, D.C. National Gallery of Art. Available also at the Spaightwood Galleries, Upton, MA.

103. 1531-1532. Judith holding the Head of Holofernes. Girolamo Romano (called Il Romanino, Italian, c. 1484-c. 1562). Fresco. Trento, Loggia del Cortile dei Leoni, Castello del Buonconsiglio.

104. C. 1535. Judith in the tent of Holofernes and Judith accompanied by her servant who carries the head of Holofernes. Georges Pencz (German, 1500?-1550). Both engravings are from Stories from the Old Testament. The first engraving is 4.9 x 7.7 cm (image) and the second is 5 x 7.8 cm (image). San Francisco, Fine Arts Museums. Both engravings are also available at the Spaightwood Galleries.

105. C. 1535-1540. Judith. Gadrooned Faenza bowl. D. 27.50. Paris, Louvre. www.cartelen,louvre.fr.

106. 1536. Tragoedia des Buches Judith. Joachim Greff (German, c. 1500- ?). Biblical play in German rhyme. Wittenberg, 1536.

107. C. 1537-1540. Portrait of a Lady of the Saxon Court as Judith with the Head of Holofernes. Hans Cranach (German, 1503-1537). Oil on beach wood panel, 79.9 x 55.6 cm. San Francisco, De Young Museum.

108. 1537. Judith and Holofernes. Hans Breu (German, c. 1480-1559/60). A gaming piece for a board game, diameter 6.5 cm. Vienna, Kunsthistorisches Museum.

109. After 1537. Judith with the Head of Holofernes and Her Maid Servant. Lucas Cranach (German, 1472-1553). Oil on canvas, 75.2 x 51 cm. Vienna, Kunsthistorisches Museum.

110. 1540. Giuditta e Oloferne. Drama produced by Luca Ciarafello de Calerio. Encyclopaedia Judaica, I, Col. 459.

261 FRANK CAPOZZI

111. C. 1540. Judith. Jan Sanders van Hemessen (Netherlandish, active c. 1519-1556). Oil on canvas, 99.1 x 77.2 cm. Chicago, The Art Institute of Chicago.

112. C. 1540-1550. Judith. Orazio Fontana? Round Faenza Platter, D. 29 cm. Paris, Louvre. cartelen.louvre.fr

113. 1542. Comoedia Judith. Biblical play by Wolfgang Schmeltzl (German, c. 1505-d. after 1557).

114. C. 1543. Judith with the Head of Holofernes. Jan Massys (Antwerp, c. 1509 – c. 1575). Oil on canvas, 1.06 x 0.75 m. Paris, Louvre. cartelen.louvre.fr

115. C. 1545-1550. Judith and Holofernes. Attributed to Tintoretto. Frieze. Madrid, Prado.

116. C. 1545-1560. Judith and Holofernes. Tintoretto. Ceiling panel, 58 x 119 cm. Madrid, Prado. Bernari, L’opera completa di Tintoretto, Pl. 16B.

117. 1546. Judith Giving the Head of Holofernes to Her Servant. Enea Vico (Italian, 1523-1567). Engraving (28.2 x 42.6 cm.) after Michelangelo. San Francisco, Fine Arts Museum. Another copy is in New York at the Metropolitan Museum of Art. Deyoung.famsf.org/search-collections

118. 1547. Judith Sitting in a Window. Hans Sebald Beham. Engraving, sheet, 7.5 x 5 cm. Washington, D.C., National Gallery of Art.

119. C. 1550-1560. Judith with the Head of Holofernes. School of Luca Cambiaso (Italian, 1527-1585). Drawing, pen and brown ink over traces of black chalk, on cream laid paper, laid down on ivory laid paper, 294 x 205 mm. Chicago, The Art Institute of Chicago.

120. Mid 16th cent. Judith beheading Holofernes. Attributed to Luca Cambiaso. In the Spaightwood Galleries on-line web page it is described as a drawing in “pen and brown ink and wash and pencil. A quick sketch on cream laid paper mounted on laid paper. Image size: 225 x 180 mm.

121. Mid 16th cent. Judith. Schiavone (Andrea Meldolla, Dalmatian, C. 1510-1563). Canvas. Marseilles. 122. Mid 16th cent. Judith with the Head of Holofernes. Lambert Sustris (Dutch, c. 1510/15-after 1560). Oil on canvas, 123.5 x 102.3 cm. Sold by Christie’s.

262 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

123. Mid 16th cent. Judith and Holofernes. Giulio Bonasone (Italian, active in Rome and Bologna 1531-after 1576). Engraving after Michelangelo Buonarroti. Sheet: 31.5 x 44.8 cm. New York, Metropolitan Museum of Art.

124. Mid. 16th cent. Madonna and Child with St. Jerome. Bonifazio Veronese (Bonifacio de’ Pitati, Veronese, 1487-1553). The Child points to the Virgin leaning on a stone slab on which a Judith is carved. Milan, Catalog Sale Lurati, 1928.

125. Mid. 16th cent. Story of Judith. Tintoretto (Jacopo Robusti, Venetian, 1518-1594). Four panels. Milan, Castello Sforzesco.

126. Mid 16th cent. Judith Decapitating Holofernes. Giorgio Vasari (Italian, 1511-1574). Drawing, pen and brown ink, brown wash; 15.4 x 12.4 cm. New York, Metropolitan Museum of Art.

127. Mid 16th cent. Judith and Holofernes. Philipp de Soye (Nethelandish, born 1538; active in Rome 1566-72). Engraving after Giulio Clovio. New York, The Metropolitan Museum of Art.

128. 1551. Judith and Holofernes. Workshop of Guido Merlino. Faenza round platter. cartelen.louvre.fr

129. 1554. La rapresentatione di Judith Hebrea. New York, Metropolitan Museum of Art. www.metmuseum.org

130. C. 1554. Judith and Holofernes. Vasari. Oil on panel, 108 x 79.7 cm. St. Louis, Missouri, Saint Louis Art Museum. stlouis.art.museum.

131. C. 1555. Judith. Paolo Veronese (Paolo Caliari, Venetian, 1528-1588). Oil on panel. Venice, S. Sebastian.

132. C. 1555. Judith and Holofernes. Tintoretto. Oil on canvas, 58 x 119 cm. Madrid, Museo Nacional del Prado.

133. Mid. 16th cent. Judith. Paolo Veronese. Six panels, each 27x57 cm. Oxford, Ashmolean Museum. The panels are also attributed to Schiavone. G. Piovene, L’opera completa del Veronese, Fig. 372.

263 FRANK CAPOZZI

134. Mid. 16th cent. Judith and Holofernes. Pierre Reymond (French, Limoges). Plate, painted enamel on copper, diam. 20.50 cm. cartelen.louvre.fr

135. 1560. La Rappresentatione di Iudith Hebrea. Florence? Another edition of no. 74. Illustrated with two woodcuts.

136. 1560. Judith carrying the Head of Holofernes. Maerten van Heemskerck (Dutch, 1498-1574). Engraving, 400 x 313 mm. Los Angeles, J. Paul Getty Museum.

137. C. 1564. Judith Displaying the Head of Holofernes. Battista Naldini (Italian, 1537-1591). Drawing. Lille: Musée des Beaux-Arts.

138. 1564. Juditha. Stefano Tuccio, S.J. (Italian, 1540-1597). Tragedy. Messina.

139. 1564. La gloriosa e trionfante Vitoria donata dal grade Iddio al Popolo Hebreo per mezzo di Giudith sua fidelissima serua. Cesare Sacchetti.. Bologna, Alessandro Benacci.

140. C. 1565. The discovery of the headless body of Holofernes. Philips Galle (Dutch, 1537-1612). Engraving after Maerten van Heemskerck. Image size: 204 x 248 mm. Spaightwood Galleries, Upton, MA.

141. C. 1565. Judith. Titian. Canvas, 112 x 93 cm. Detroit, Institute of Arts. Cagli, Fig. 452.

142. C. 1566. Judith with the Head of Holofernes. Lorenzo Sabbatini (Lorenzino da Bologna, Italian, 1530–1577). Oil on canvas, 110 x 85 cm. Banca del Monte di Bologna e Ravenna, Bologna. Sebastian Schültze: Caravaggio: The Complete Works. Köln: Taschen GmbH, 2009, p. 89.

143. 1567. Beer mug with Judith, Esther and Lucretia. Jan Emens Mennicken? French or German. H. 32 cm. cartelen.louvre.fr

144. C. 1569. Judith Decapitating Holofernes, from The Power of Women. Philips Galle (Dutch, 1537-1612). Engraving, round image: 23.5 cm, diameter. New York, Metropolitan Museum of Art.

145. C. 1570-1580. Judith and Holofernes. Tintoretto. Canvas, 195 x 176 cm, studio work. Madrid, Museo Del Prado.

264 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

146. 1571. Judith under the Tent of Holofernes and Judith holding the Head of Holofernes. Dirck Pietersz Crabeth (Dutch, 1501-1574). Stain glass window. Gouda, Netherlands, church of St. Janskerk (John the Evangelist). This was Dirck’s last window, and also the last Catholic window in the Netherlands.

147. 1576. Beer Mug with Judith, Lucretia and an allegory of Justice. Master L.W.? Siegburg. White grey. H. 25.90 cm. cartelen.louvre.fr.

148. C. 1577. Judith and Holofernes. Tintoretto (Italian, Jacopo Robusti, called Il Tintoretto, 1518-1594). Oil on canvas, 188 x 251 cm. Madrid, Museo Del Prado. www.museodelprado.es/en/the-collection/online- gallery/on-line-gallery/obra/Judith.

149. C. 1580. Judith and the Head of Holofernes. Paolo Veronese (Italian, 1528-1588). Oil on canvas, 111 x 100.5 cm. Vienna: Kunsthistorisches Museum.

150. C. 1581. Judith and Holofernes. Veronese. Oil on canvas, 195x176 cm. Genoa, Palazzo Rosso. Piovene, Pl. 54.

151. C. 1581. Judith. Veronese. Canvas, 145x269 cm, studio work. Caen, Musée des Beaux-arts. Piovene, Fig. 262.

152. C.1582. Studies for a Judith and Holofernes, David and Goliath and other compositions. Veronese. Drawing, pen and ink and wash, 29.8 x 19.4 cm. Formerly Bâle, Robert Von Hirsch. Sold in London by Sotheby on June 20, 1978.

153. C. 1585. Judith. Hendrick Goltzius (Dutch, 1558-1617). Engraving after Bartholomaeus Spranger, 6 11/16 in., diameter. New York: Metropolitan Museum of Art.

154. C. 1585. Judith presented to Holofernes. Engraving, after Maarten de Vos. Image size: 205 x 257 mm. Available at the Spaightwood Galleries, Upton, MA.

155. 1589. La Rappresentatione di Iudith Hebrea. Florence, Appreffo Giouanni Baleni. Another edition of No. 48. Illustrated with two woodcuts.

156. 1589. Giuditta.Giovanni Andrea Ploti. Tragedy. Piacenza, Appresso Giouanni Bazachi.

265 FRANK CAPOZZI

157. 1590. Portion from an Altar Frontal Showing Judith and Holofernes. Switzerland. Linen, 51 x 99 cm. Chicago, The Art Institute of Chicago.

158. C. 1590. Judith and Her Servant with Holofernes’ Head. Aegidian Sadeler (Netherlandish, c. 1570-1629). Engraving after Hans van Aachen. Printed on laid paper cut inside platemark. Image size: 292 x 203 mm. Upton, MA, Spaightwood Galleries.

159. C. 1590-1594. Bethulia delivered by Judith’s heroic spirit. Jean Cousin the Younger (French, 1522-1594). According to Spaightwood Galleries, the woodcut was published in Figures de la Sainct Bible (1596, 1614). Image size: 136 x 191 mm.

160. C. 1593. Judith Showing the Head of Holofernes to the People. Abraham Bloemaert (Utrecht, 1564-1651). Oil on canvas, 34.5 x 44.5 cm. Vienna, Kunsthistorisches Museum.

161. 1594. Oloferne. Giovanni Battista Alberti. Tragedy. Ferrara, B. Mammarelli.

162. Late 16th cent. Judith and her servant with the head of Holofernes. Giulio Romano (Giulio Pippi, Italian, c.1499-1546). Drawing, pen and brown ink, heightened with white wash on cream laid paper; image size: 262 x 363 mm. Sold by the Spaightwood Galleries, Upton, MA.

163. C. 1595-1600. Judith and Holofernes. Giovanni Battista Crespi (called Il Cerano, Lombard, C. 1575/6-C. 1632). Canvas, 118x187 cm. Lovere, Accademia Tadini. Il Seicento Lombardo: Catalogo dei dipinti e delle sculture, Pl. 41.

164. 16th-17th cent. Judith. Giovanni Baglione. Italian, 1571-1644. Pen and brown ink, brown wash, red and black chalks on laid paper mounted to heavier sheet. San Francisco, CA, USA. Fine Arts Museums of San Francisco. legionofhonor.famsf.org/search-collections.

165. 16th-17th cent. Judith with the head of Holofernes. Jan Saenredam (Dutch, 1565?-1607). Engraving, 28.3 x 21 cm (image). Fine Arts Museums of San Francisco. Also in The British Museum, and a copy is available at the Spaightwood Galleries.

166. Late 16th cent. Judith with the Head of Holofernes. Jacopo de’ Barberi. Italian. Engraving. 17.7 x 10.3 cm (image). San Francisco, CA, USA. Fine Arts Museums of San Francisco.

266 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

167. 1596. Judith with the Head of Holofernes. Fede Galizia (Northern Italian, C. 1578-after 1630). Canvas, 47 ½ x 37 in. Sarasota, John and Mabel Ringling Museum of Art.

168. C. 1598. Judith Beheading Holofernes. Michelangelo Merisi da Caravaggio (Italian, 1571-1610). Oil on canvas, 145 x 195 cm. Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome.

169. 16th-17th cent. Judith with the Head of Holofernes. Palma il Giovane (Jacopo Negretti) (Italian, 1548-1628). Etching, 172 x 221 mm. San Francisco, Fine Arts Museum.

170. 16th-17th cent. Judith Slaying Holofernes, with Old Woman Servant. Anonymous, Spanish, School of Seville. Drawing, pen and brown ink with brush and brown wash over black chalk underdrawing. On off-white paper. 14.5 x 14.2 cm. New York, Metropolitan Museum of Art.

171. 16th-17th cent. Judith and Holofernes. Hans von Aachen (German, 1552-1615). Drawing, pen and brown ink with brown and gray wash on laid paper; laid down overall: 26.8 x 41.3 cm. Washington, D.C., National Gallery of Art.

172. 17th cent. Judith with the Head of Holofernes. Peter Paul Rubens (Flemish, 1577-1640). Lithograph, sheet: 26.3 x 17.7 cm. New York, Metropolitan Museum of Art.

173. 17th cent. Judith with the Head of Holofernes. Abraham Bosse (French, 1602-1676). Print, 16.2 x 38.4 cm. San Francisco, Fine Arts Museum. legionofhonor.famsf.org/search-collection

174. 17th cent. Portrait of a Young Woman as Judith. Unknown Italian Painter. Oil on canvas, 54 x 40 cm. Rome, Galleria Borghese. Paola della Pergola, Galleria Borghese, volt. I: I Dipinti. Roma: Istituto Poligrafico dello Stato, 1955, p. 143

175. 17th cent. Judith with the Head of Holofernes, Giovanni Andrea Sirani (Italian, 1610?-1670). Etching, after Guido Reni, 25 x 17.4 cm (image). San Francisco, Fine Arts Museum. deyoung.famsf.org/search-collections

176. 17th cent. Judith and Holofernes. Ludwig Büsinck (German, c. 1590- 1669). After Georges Lallemand. Woodcut printed from 3 blocks: black line block and 2 tones blocks in shades of brown on laid paper, 21 x 14.1 cm. Washington, D.C., National Gallery of Art. 267 FRANK CAPOZZI

177. 17th cent. Judith with the Head of Holofernes. Anonymous, Italian. Etching after Guido Reni, after Sirani. This etching is the reverse of the previous one. 25.2 x 17.2 cm. San Francisco, Fine Arts Museum. deyoung.fams.org/search-collections.

178. 17th cent. Judith with the Head of Holofernes. Attributed to Guido Reni. Etching on laid paper, 276 x 181 mm. Upton, MA, Spaightwood Galleries.

179. 17th-18th cent. Judith Holding up the Head of Holofernes. Carlo Maratti (Italian, 1625-1713). Drawing, pen and brown ink, over red chalk, 25.5 x 18.0 cm. New York, Metropolitan Museum of Art. www.metmuseum.org/works_of_art/collection_database/all/Judith

180. Early 17th cent. The Maidservant of Judith. France, Fontainebleau studio. Glazed earthenware statuette, H. 18 cm; W. 9 cm. cartelen.louvre.fr

181. Early 17th cent. Judith with the Head of Holofernes. Jan Liss (German, c. 1597-1631). Oil on canvas, 126 x 102 cm. Vienna, Kunsthistorisches Museum.

182. Mid 17th cent. Judith with the Head of Holofernes. Elisabetta Sirani (Italian, 1638-1665). Copy after Giovanni Andrea Sirani. Oil on canvas, 129.5 x 91.7 cm. Baltimore, MD, The Walters Art Gallery. art.thewalters.org

183. Mid 17th cent. Judith with the Head of Holofernes. Attributed to Simon Vouet (French, 1590-1649). Oil on canvas, 115 x 86 cm. Vienna, Kunsthistorisches Museum.

184. C. 1600. Judith with the Head of Holofernes. Giacomo Cavedone (Italian, 1577-1660). Oil on canvas, 112 x 115 cm. Modena, Banca Popolare dell’Emilia. Alessandro Zuccari, ed., I Caravaggeschi: Percorsi e protagonisti. Milano, Skira Editore, 2010. Vol. I, p. 175.

185. C. 1600. Judith with the Head of Holofernes. Engraving. Agostino Carracci (Bolognese, 1557-1602). Private Collection.

186. C. 1600. Judith putting Holofernes’ Head into a sack held open by a maid servant. After Lucas van Leyden. Engraving, 280 x 210 mm; print made by Jan Saenredam (Dutch, 1565?-1607). London, The British Museum. Also in the Fine Arts Museums of San Francisco, and a copy is available at the Spaightwood Galleries.

268 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

187. 1600. La Rappresentatione di Judith Hebrea. Siena. Another edition of No. 80.

188. 1601. Judith with the Head of Holofernes. Galizia. Oil on canvas, 123 x 92 cm. Rome, Galleria Borghese. Pergola, p. 27.

189. C. 1601-1603. Judith Beheading Holofernes. Adam Elsheimer (German, 1578-1610). Oil on silvered copper, 24.2 x 18.7 cm. London, Victoria and Albert Museum.

190. 1602. Giudetta, sacra rappresentazione. Giovanni Angelo Lottini. Florence, Michelangelo Sermantelli.

191. C. 1605-1610. Judith with the Head of Holofernes. Giuseppe Cesari (called Cavalier d’Arpino, Italian, 1568-1640). Oil on canvas. Private Collection.

192. 1606. Lottini. Giudetta. Reprinted by Ciotti (Venice).

193. 1606. Judith with the Head of Holofernes (after Pordenone). Engraving, 18.8 c 12.8 cm. Oliviero Gatti (Italian, 1579-1648). Fine Arts Museum, San Francisco.

194. 1606-1607. Judith and Holofernes. Louis Finson (Flemish, 1580- 1617). Oil on canvas, 140 x 160 cm. Naples, Museo Diego Aragona Pignatelli Cortes, Sanpaolo Banco di Napoli Collection. This painting is a copy of a Caravaggio’s lost work. Schültze: Caravaggio, pp. 293-295. John T. Spike, Caravaggio, Second Revised Edition, 2010, mentions additional works which might be associated with Caravaggio in a Catalogue of Painting, PDF file, on a CD which accompanies the book: L. 14 Judith and Holofernes, Rome, Albani Collection, p. 461. L. 15 Judith Beheading Holofernes, Indre-et-Loire, France: Chateau Richelieu, p. 461. L. 16 Judith Beheading Holofernes, Antwerp, Alexander Voet, p. 461. L. 17 Judith Beheading Holofernes, Paris, Francois Quesnet, p. 462. L. 18 Judith Beheading Holofernes, Bologna, Palazzo Zambeccari, p. 462. L. 19 Judith Beheading Holofernes, Rome, collection of Giulio Gaulli, p. 462. L. 20 Judith Beheading Holofernes, Perugia, Conte Riberio Ranieri, p. 463.

195. 17th cent. Judith with the Head of Holofernes. Anonymous Italian artist (after Guido Reni). Pen and brown ink wash with red chalk squaring on laid paper mounted on another sheet (19.7 x 12.1 cm.). Fine Arts Museum, San Francisco. 269 FRANK CAPOZZI

196. 17th cent. Judith with the Head of Holofernes. Anonymous Italian artist. Etching. 25.2 x 17.2 cm (image). Fine Arts Museum, San Francisco.

197. 17th cent. Judith with the Head of Holofernes. Anonymous Italian artist (in the manner of Guido Reni). Pen and brown ink, black chalk, dark red and white opaque watercolor on blue laid paper faded to gray, 25.5 x 19.5 cm (sheet). Fine Arts Museum, San Francisco.

198. 17th cent. Judith and Holofernes. Mattia Preti (Italian, 1613-1699). Oil on canvas, 239 x 209 cm. Chambéry, Musée des Beaux-Arts.

199. 17th cent. Judith with the Head of Holofernes. Alexander Voet (Flemish, 1613-1670). Engraving, 31.1 x 22.9 cm. San Francisco, Fine Arts Museum. Gallery.famsf.org.

200. 17th cent. Viri Israelite audite. Kaspar Föster (Polish, 1617-1673). A biblical dialog between Judith and Holofernes. CD: CPO 999 584-2. Roland Wilson, conductor.

201. Early 17th cent. Judith Praying. Orbetto (Alessandro Turchi, also called Alessanrdo Veronese, Italian, c.1578-c. 1649). Oil on canvas, 33 x 28 cm. Roma, Galleria Borghese. Pergola, p. 122.

202. 1608. Judith with the Head of Holofernes. Giovanni Baglione (Italian, 1566-1643). Oil on canvas, 220 x 150 cm. Galleria Borghese, Rome.

203. 1608-1609. Judith and Her Maidservant. Orazio Gentileschi. Oil on canvas, 136 x 160 cm. Oslo, Nasjonalgalleriet.

204. C. 1609-1610. Judith Killing Holofernes. Peter Paul Rubens (Flemish, 1577-1640). Pen and brown ink and brown wash, 206 x 160 mm. Frankfurt am Main: Graphische Sammlung im Städelschen Kunstinstitut. Rubens drew Judith several times. There are many copies of this work, especially in the Dexia Bank, Brussels (oil on canvas), and in the museum of Carpentras, France (oil on canvas).

205. Before 1610. Judith and Holofernes. Giulio Cesare Procaccini (Lombard, C. 1570-1626). Canvas, 182 x 140 cm. Milan, Castello Sforzesco. Il Seicento Lombardo, Pl. 82.

206. C. 1610-1612. Judith and Her Maidservant with the Head of Holofernes. Orazio Gentileschi. Oil on canvas, 123 x 142 cm. Rome,

270 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

Pinacoteca Vaticana. This composition is very similar to the one in the Wadsworth Atheneum.

207. C. 1610-1620. Judith with the Head of Holofernes. Carlo Saraceni (Carlo Veneziano, Venetian, 1582/85-1620). Oil on canvas, 90 x 79 cm. Vienna, Kunsthistorisches Museum, Carlo Strinati and Alessandro Zuccari, eds., I Caravaggeschi: Percorsi e Protagonisti. Milano, Skira, 2010. Vol. I, p. 280.

208. C. 1610-1620. Judith with the Head of Holofernes. Saraceni. Oil on canvas, lost work. Formerly in the collection of Martino Longhi.

209. C. 1610-1620. Judith with the Head of Holofernes. Saraceni. Oil on canvas. Florence, Roberto Longhi Collection. R. Jullian, “‘La Judith’ de Saraceni,” Fig. 3.

210. C.1610-1620. Judith with the Head of Holofernes. Saraceni. Canvas. Lyons, Musée des Beaux-arts. Jullian, Fig. 1.

211. C. 1610-1620. Judith with the Head of Holofernes. Saraceni. Canvas. Milan, Manusardi Collection.

212. C. 1610-1620. Judith with the Head of Holofernes. Saraceni. Canvas. Rome, Dall’Oglio Collection.

213. C. 1610-1620. Judith.Saraceni. Canvas. Dresden, Gallery.

214. C. 1610-1620. Judit and Holofernes. Lionello Spada (Bolognese, 1576- 1622). Oil on canvas. Parma, Pinacoteca Nazionale.

215. C. 1611. Judith Beheading Holofernes. Cornelis Galle the Elder (Flemish, 1576-1650). Engraving, after Peter Paul Rubens, 55 x 38 cm. Washington, D.C. The National Gallery of Art. Copies at The Metropolitan Museum of Art, New York, and at the Museums of Art, San Francisco.

216. C. 1611. Judith with Her Maidservant. O. Gentileschi. Canvas. Oslo Nasjonalgalleriet.

217. C. 1610-1615. Judith. After O. Gentileschi. Canvas. Rome, Jandolo Collection.

271 FRANK CAPOZZI

218. 1612-1613. Judith Beheading Holofernes. Artemisia Gentileschi. Oil on canvas, 158.8 x 125.5 cm. Naples, Museo Nazionale di Capodimonte. 219. 1613. Judith with the Head of Holofernes. Cristofano Allori (Italian, 1577-1621). Oil on canvas, 139 x 116 cm. Florence: Palazzo Pitti. Another copy is in London in the Queen’s Gallery. The Kunsthistorisches Museum holds another copy.

220. 1613. Holofernes is killed by Judith (from The Biblical Battles series). Antonio Tempesta (Italian, 1555-1630). Etching, 210 x 289 mm. Washington, D.C., National Art Gallery.

221. C. 1615-1620. Judith with the Head of Holofernes. Saraceni. Oil on canvas, 46 ½ x 42 ½ in. Dayton, Dayton Art Institute.

222. C. 1615-1620. Judith Beheading Holofernes. A. Gentileschi. Canvas, 199 x 162.5. Florence, Uffizi.

223. C. 1615-1625. Judith with the Head of Holofernes. Antiveduto Gramatica (Florentine, 1571-1626). Oil on canvas. Stockholm, National Museum. Moir, The Italian Followers of Caravaggio, II, Pl. 119.

224. C. 1615-1625. Judith and Holofernes. Giovanni Baglione (Roman, 1571-1644). Canvas. Rome, Galleria Borghese. Moir, II, Pl. 33.

225. 1618-1619. Judith with her Maidservant. Artemisia Gentileschi (Italian, 1597-1651). Oil on canvas, 114 x 93.5 cm. Florence: Palazzo Pitti.

226. C. 1616-1618. Judith. Rubens. Brunswick, Herzog Anton Ulrich Museum.

227. 1620-1622. Judith with the Head of Holofernes. Rubens. Oil on canvas, 113 x 89 cm. Florence, Uffizi.

228. C. 1620-1625. Judith with the Head of Holofernes. Antiveduto Grammatica (Italian, 1571-1627). Oil on canvas. Bloomington, Indiana University Art Museum.

229. C. 1621-1624. Judith and Her Maidservant with the Head of Holofernes. Orazio Gentileschi (Tuscan, 1565-1638). Oil on canvas, 136.5 x 159 cm. Wadsworth Atheneum Museum of Art, Hartford, CT. There are six versions of this composition.

230. C. 1622. Judith in the Tent of Holofernes. Johann Liss (German, c.

272 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

1597-1631). Oil on canvas, 128.5 x 99 cm. London, National Gallery. Liss painted several variants of the Judith story.

231. C. 1623. Judith. (called Il Mastelletta, Italian, 1575-1655). Oil on canvas, 250 x 200 cm. Bologna, S. Salvatore.

232. 1625-1627. Judith and Her Maidservant with the Head of Holofernes. Artemisia Gentileschi (Italian, 1597-1651). Oil on canvas, 182.8 x 142.2 cm. Detroit, Detroit Institute of Arts.

233. C. 1625. Judith. Attributed to the School of Guido Reni (Bolognese, 1575-1642). Oil on canvas, 44 ½ x 36 ½ in. Birmingham, Ala., Birmingham Museum of Art. Garboli, L’opera completa di Guido Reni, Fig. 125.

234. 1625-1626. Judith with the Head of Holofernes. Guido Reni. Oil on canvas, 2.02 x 1.43 m. Geneva, Sedlmayer Collection. D. Stephen Pepper, Guido Reni, A Complete Catalogue of His Works. New York, N. Y. University Press. Plate 134. For drawings, engravings, and copies of this work see Pepper.

235. C. 1625-1630. Judith with the Head of Holofernes. Guido Reni. Canvas, 234 x 150 cm. Rome, . Garboli, Fig. 126. Copies of this work are at the Prado, Madrid; Rome, Museo dei Conservatori – this copy is also attributed to Carlo Maratta; Bagnara Calabria, Chiesa del Rosario; London, sold in 1958 at Christie’s.

236. 1626. Judith with the Head of Holofernes. Francesco Giovanni Guerrieri (Italian, 1589-1655). Private Collection. Sold on January 24, 2008, by Sotheby, New York City.

237. 1627. Iudit. Federico Della Valle (Italian, c. 1560-1628). Milan, Melchior Malatesta.

238. 1627. Judith with the Head of Holofernes. Nicolas Blasset (French, 1600-1659). Statue. Amiens, Chapelle Notre-Dame du Puy.

239. 1628. Ivditha Vindex et Vindicata. Epic poem by Bartolomeo Tortoletti.

240. C. 1630-1650. Judith showing the Israelites Holofernes’ head. Etching by François Collignon (French) after a work by (Italian, 1581- 1641). Spaightwood Galleries, Upton, MA.

273 FRANK CAPOZZI

241. 1631. Judith. Jacques Callot (French, 1592-1635). Engraving, 9.8 x 7 cm. San Francisco, Fine Arts Museum. The museum has two copies. www.deyoung.famsf.org/search-collections. The Art Institute of Chicago owns another copy. The National Gallery, Washington, D.C., dates this etching c. 1627.

242. 1631. Judith with the Head of Holofernes. Willem Panneels (Flemish, C. 1600-after 1632). Etching, after Peter Paul Rubens, 18.6 x 13.2 cm. New York: Metropolitan Museum of Art.

243. 1634. Judith at the Banquet of Holofernes. Oil on canvas, 143 x 155 cm. Madrid, Prado.

244. 1635. Judith. Martin Opiz (German, 1597-1639). A three act opera, text by Marco Gagliano. This was a reworking of a libretto by Andrea Salvadori which has been the basis for an opera by Marco da Gagliano, La Giuditta, 1626. In 1646 Andreas Tscherming expanded the libretto to a five act opera, with choruses set to music by Matthias Apelle von Löwenstern, Kapellmeister to the Duke of Oels. In Dansktalend Judith (1666), Moens Skeel translated Opitz’s Judith into Danish. (The New Grove Dictionary of Opera).

245. C. 1635-1650. Judith with the Head of Holofernes. Pietro della Vecchia (Italian, ca.1602-1678). Oil on canvas, 73.03 x 125.73 cm. Minneapolis, MN, Minneapolis Institute of Arts.

246. C. 1635. Holofernes’ Head Being Put into the Bag. Rembrandt. Pen drawing, 18 x 21 cm. Paris, Louvre.

247. 1636. Judith and Holofernes. Francesco Furini (Italian, 1600-1646). Oil on canvas, 116 x 151 cm. Rome, Galleria Nazionale d’Arte Antica.

248. Before 1636. Judith with the Head of Holofernes. Alessandro Varotari (called Il Padovanino, Italian, 1588-1648). Oil on canvas, 112 x 85 cm. Vienna, Kunsthistorisches Museum.

249. C. 1639. Judith with the Head of Holofernes and Sketches of River Gods. Simone Cantarini (Italian, 1612-1648). Drawing, pen and iron gall ink on cream laid paper. Chicago, The Art Institute of Chicago.

250. 1640-1642. Judith with the Head of Holofernes. Guido Reni. Oil on canvas, 231 x 147 cm. London, Walpole Gallery. Richard E. Spear, The “Divine” Guido. New Haven: Yale University Press, 1997. Plate 169.

274 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

251. 1640. Judith and Tamar. Wenceslaus Hollar (Wenzel Vaclav, Bohemian, 1607-1677). After Hans Holbein, the Younger. Etching. New York, Metropolitan Museum of Art, www.metmuseum.org/works_of_art/collection_database

252. C. 1640. Judith Cutting Off the Head of Holofernes. Trophine Bigot (French, known as Master of the Candlelight, C. 1579-1650). Oil on panel, 125.7 x 196.8 cm. Baltimore, Walters Art Gallery. art.thewalters.org

253. C. 1640. Judith with the Head of Holofernes. Massimo Stanzione (Italian, 1586-1656). Oil on canvas, 199.4 x 146.1 cm. New York, Metropolitan Museum of Art. www.metmuseum.org/works_of_art/collection_database/all/Judith

254. Mid 17th cent. Judith Decapitating Holofernes. Valerio Castello (Italian, Genoa 1624-1659). Pen and brown ink, brush and brown wash, over black chalk, 18 x 14.2 cm. New York, Metropolitan Museum of Art.

255. Mid 17th cent. Judith and Holofernes. Wallerant Vaillant (Dutch, 1623- 1677). Mezzotint after Guido Reni, plate: 40.3 x 25 cm. New York, Metropolitan Museum of Art.

256. C. 1650. Judith with the Head of Holofernes. Bernardo Cavallino (Italian, 1616-C. 1656). Oil on canvas, 118 x 94 cm. Stockholm, Nationalmuseum. In this painting, Judith stands alone with the head of Holofernes. In the other two paintings, Naples, Museo di Capodimonte (101 x 127.5 cm), Judith holds high the head of Holofernes, while at her right lays the headless body of Holofernes and at her left stands the servant. In the London version (88.9 x 76.2 cm), Brinsley Ford, Esq. Judith is portrayed in the act of placing the head of Holofernes in the sack held by the servant. There are other paintings on Judith mentioned in the inventories of private collections of the 18th centuries, but today they are considered lost.

257. C. 1650. Judith. Guido Cagnacci (Italian, 1601-1663). Oil on canvas, 103 x 135 cm. Bologna, Pinacoteca Nazionale.

258. C. 1650-1655. Judith returning in Triumph with the Head of Holofernes. Willem Drost (Dutch, 1630-1680). Formerly attributed to Rembrandt. Drawing, 237 x 190 mm. London, The British Museum.

259. C. 1653. Judith Beheading Holofernes. Rembrandt. Pen drawing, 18 x 15 cm.

275 FRANK CAPOZZI

260. 1655-1658. Judith and Holofernes, fresco in the spandrels surrounding the composition Religion and the Theological Virtues. Giovanni Francesco Romanelli (Italian, Viterbo, 1610-1662). cartelen.louvre.fr

261. 1650s. Judith with the Head of Holofernes. David Teniers the Younger (Flemish, 1610-1690). Oil on canvas, 36.8 x 26.4 cm. New York, Metropolitan Museum of Art.

262. 1656. Judith and Holofernes. Mattia Preti (Italian, 1613-1699). Oil on canvas. Naples, Capodimonte.

263. C. 1665. Judith with the Head of Holofernes. Felice Ficherelli (Italian, 1605-1669). Oil on canvas, 98.5 x 75.6 cm. Chicago, The Art Institute of Chicago.

264. 1668. La Giuditta. Oratorio by Maurizio Cazzati (Italian, c.1620-1677). Bologna.

265. 1668. Oratorio di Giuditta. Antonio Draghi (Italian, c. 1634-1700). Vienna.

266. 1686. La Giuditta. Oratorio by Marc’Antonio Ziani (Italian, c. 1653- 1715). Performed at Modena, Italy. Lost work.

267. 1693. La Giuditta. Alessandro Scarlatti (Italian, 1660-1725 ) Oratorio. Libretto by Cardinal Pietro Ottoboni.

268. C. 1695. Judith with the Head of Holofernes. Giovan Gioseffo dal Sole (Italian, 1654-1719). Oil on canvas, 109.22 x 90.17 cm. Minneapolis, MN, Minneapolis Institute of Arts.

269. 1697. La Giuditta. Scarlatti. Libretto by Prince Antonio Ottoboni, father of the cardinal. This oratorio is known as the “Cambridge” Giuditta since its manuscript is conserved in the Rowe Music Library of King’s College, Cambridge.

270. Late 17th-early 18th cent. Judith with the Head of Holofernes. Carlo Maratta (Italian, 1625-1713). Drawing, red chalk on laid paper, 28.6 x 25.8 cm. Washington, D.C., National Gallery of Art.

271. 17th cent. Judith with the Head of Holofernes. Francesco Stringa (Italian, 1635-1709). Pen and brown ink over red and black chalks on laid

276 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS paper mounted to heavier sheet, 137 x 95 mm (sheet). San Francisco, Fine Arts Museum. 272. Last half of 17th cent. Judith tapestries. Woven in Brussels-Brabant. The collection consists of eight Flemish tapestries with original border which originally belonged for about two hundred and fifty years to the great patrician Roman family, the Barberini, and which in 1889 passed into the Ffoulk collection in the U.S.A. The translation of the Latin inscription woven in the top border of each tapestry is:

1. King Nebuchadnezzar sends Holofernes, the Chief Captain o of his army, against Israel. 2. Achior, the leader of the Ammonites, while expounding the power of the God of Israel, is arrested by order of Holofernes. 3. The widow, Judith, weighed the virtues and the vices of the people; when the latter are the heavier, Israel is punished. 4. The most beautiful Judith arrays herself in garments of gladness, in order that she may free Bethulia from destruction. 5. Judith, in the guise of a fugitive, cunningly deceived Holofernes, and promises him a specious victory. 6. Holofernes, while drunken, is deprived of his head by Judith, who thus saves Israel. 7. Judith, victress, displays the head of Holofernes, to the people, who praise the God of Israel. 8. The God of Israel routs the army of Holofernes, and treasures are given to Judith. 9. The average height of each tapestry is 13 ft 6 ½ inches. The total of all widths is 120 feet. Monograph by Charles M. Ffoulke on the Judith and Holofernes Series Consisting of Eight Flemish Tapestries with Original Border. Washington, D.C. 1907.

273. 18th cent. Judith. Silver. Jerusalem, Israel Museum.

274. 18th cent. A play on Judith written in Sicilian dialect. Benedetto Soldati, Il Collegio Mamertino, p. 76.

275. 18th cent. first half. Judith Presented to Holofernes. Attributed to Antonio Gionima (Italian, 1697-1732). Oil on canvas, 171.45 x 125.73 cm. Minneapolis, MN, Minneapolis Institute of Arts.

276. 1701. La Giuditta. Oratorio by Antonio Lotti (Italian, c. 1667-1740). Also by Lotti, Judith, this was first performed at the Incurabili in Venice. The music for both oratorios has been lost. 277 FRANK CAPOZZI

277. 1703-1704. The Discovery of the Body of Holofernes. Luca Giordano (Italian, 1634-1706). Oil sketch on canvas, 76.6 x 102.9 cm. St. Louis, Missouri, Saint Louis Art Museum.

278. 1703-1704. Judith Displaying the Head of Holofernes. Giordano. Oil sketch on canvas, 77.5 x 102.9 cm. St. Louis, Missouri, Saint Louis Art Museum. There are other copies of this and the previous sketch by Giordano in the Treccani Collection, Milan, and in private collections.

279. 1703-1704. Judith Displaying the Head of Holofernes and The Discovery of the Body of Holofernes. Giordano. Fresco. Naples, Certosa di San Martino, Chapel vault.

280. 1704. La Giuditta. Oratorio by Carlo Agostino Badia (Italian, 1672- 1738). Libretto by P. Ottoboni.

281. 1704-1708. The Triumph of Judith. Francesco Solimena (Italian, 1657- 1747). Oil on canvas, 98.43 x 125.1 cm. Rochester, NY: Memorial Art Gallery, University of Rochester.

282. 1708. Ivdith Trivmphvs. Philip Brenna (Italian). Sacred Drama. Romae, Typis Io: Francifci Buagni.

283. 1709. Giuditta. Oratorio by Benedetto Marcello (Italian, 1686-1739). This oratorio has been lost.

284. 1710. La Giuditta. Badia. Libretto by Stampiglia.

285. 1716. Judith Triumphans devicta Holofernes barbarie. Antonio Vivaldi (Italian, 1678-1741). Oratorio. Libretto by Giacomo Cassetti.

286. 1723. Il Trionfo di Giuditta. Oratorio by Giuseppe Porsile (Italian, 1680-1750).

287. 1726. La Giuditta. Oratorio by Francisco António de Almeida (Portuguese, c. 1702-1755).

288. 1728-1733 Judith Displaying the Head of Holofernes. Solimena. Oil on canvas, 105 x 130 cm. Vienna: Kunsthistorisches Museum.

289. 1730-1740. Judith and Holofernes. Giulia Lama (Italian, 1681-1747). Oil on canvas, 107 x 155 cm. Galleria dell’Accademia, Venice. 278 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

290. 1734. Betulia Liberata. Metastasio. 291. 1738. Judith with the Head of Holofernes. Francesco Ladatte (Italian, 1706-1787). Terracotta, H. 69.85 cm. Minneapolis, MN, Minneapolis Institute of Arts. www.artsmia.org

292. C. 1741. Judith. Ladatte. Marble, H. 0.90 m; W. 0.53 m; D. 0.35 m. Paris, Louvre. cartelen.louvre.fr

293. 1743. La Betulia Liberata. Oratorio by Niccolò Jommelli (Neapolitan, 1714-1774). After Metastasio. Performed in Venice.

294. C. 1749. Judith with the Head of Holofernes, and a Vision of the Virgin and Child Casting Out Evil. Gottfried Bernhard Göz (German, 1708-1774). Drawing, pen, brown ink and wash, heightened with white gouache on white laid paper, 14.61 x 17.3 cm. Minneapolis, MN, Minneapolis Institute of Arts. www.artsmia.og

295. 1768. Il trionfo di Giuditta o sia Bettulia liberata nella caduta d’Oloferne Gran Duce degli Assiri. Opera tragica in versi martelliani in cinque atti, da rappresentarsi nel Teatro Rangoni. Modena: per gli eredi di Bartolomeo Soliani. 1768. Canberra: National Library of Australia.

296. 1771. La Betulia Liberata. Oratorio by Wolfgang Amadeus Mozart. On a text by Pietro Metastasio.

297. 1771. La Betulia Liberata. Lost oratorio by Josef Myslivececk (Czech, 1737-1781). For some music historians, this lost oratorio is the one attributed to Mozart.

298. C. 1772. Persian Sibyl and Two Figures from Judith and Holofernes from the Sistine Chapel Ceiling. Jean-Claude Richard, Abbé de Saint-Non (French, 1727-1791). After Fragonard, after Michelangelo. Etching and roulette. Washington, D.C., National Gallery of Art.

299. C. 1775. Betulia liberata dal valore di Giuditta. A sacra rappresentazione by Gregorio Mancinelli, with servants speaking in Roman dialect.

300. 1787. Judith Triumphans. Oratorio by Bonaventura Furlanetto (Venetian, 1738-1817). Performed in Venice, Church of the Pietà.

279 FRANK CAPOZZI

301. 1790. Bethulia Liberata. Oratorio by Bonaventura Furlanetto, based on the Betulia Liberata by Pietro Metastasio.

302. 19th cent. Renaissance-Style Pendant with Judith Holding the Head of Holofernes. Reinhold Vasters (German, 1827-1909). Gold enamel, diamonds, rubies, pearls, 5.3 cm. Baltimore, MD, The Walters Art Museum. art.thewalters.org

303. 19th cent. Judith holding the Head of Holofernes. Unknown artist. Oil on canvas. Church of San Simpliciano, Milan.

304. 19th cent. Judith. Lanvin (French, active during the 19th cent.) Stipple engraving. San Francisco, Fine Arts Museum, on loan from the California State Library.

305. 1820-1824. Judith and Holofernes. Francisco José de Goya y Lucientes (Spanish, 1746-1828). Oil transferred to canvas from mural, 144 x 82 cm. Madrid: Museo del Prado. Originally in the Quinta del Sordo, Goya’s country house.

306. 19th cent. Judith and Holofernes. Theodor Richard Edward von Holst (1810-1844, English). Pencil on paper, 22 x 17.5 cm. Private collection.

307. 1832. Betulia Liberata. A play written in Judeo-Italian dialect by Luigi Douclou.

308. Before 1837. Holofernes and Judith. Pellerin (French, printer). Print, 34.5 x 42.1 mm. Paris, Musée des Civilisations de l’Europe et de la Méditerranée.

309. 1838. Judith. Tragedy in five acts by Friedrich Hebbel (German, 1813- 1863). Hamburg: Hoffmann und Camp, 1841. Translated into English by Marion W. Sonnenfeld. Lewisburg: Bucknell University Press, 1974.

310. 1840. Judith. August Riedel (German, 1802-1883). Oil on canvas, 131 x 96 cm. Munich, Neue Pinakothek.

311. 1857. Giuditta. Drama by Paolo Giacometti (Italian, 1816-1882).

312. 1863. Yudif. Opera in five acts by Alexander Nikolayevich Serov (Russian, 1820-1871). Based on a Russian translation of Paolo Giacometti’s drama. The Great Russian tenor Fedor Fedorovich Chaliapin (1873-1938) sang the role of Holofernes in a 1898 production of this opera. And the well

280 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS known stage designer Aleksandr Yakovlevich Golovin (1863-1930) created the sets for a 1908 production.

313. 1869. Judith and Holofernes. Henri Regnault (French, 1843-1871). Oil on canvas, 230 x 302 cm. Marseille, Musée des Beaux-Arts.

314. 1880. Judith thanks Jehovah for being able to free her homeland from Holofernes. Pedro Américo (Brazilian, 1843-1903). Oil on canvas, 229 x 141 cm. Rio de Janeiro, Museu Nacional de Belas Artes.

315. 1886. Judith. Jacques François Fernand Lematte (French, 1850-1932). Oil on canvas. Saint-Quentin, Aisne, Musée Antoine Lécuyer.

316. 1888? Judith or the Regeneration of Manasseh. An Oratorio by C. Hubert H. Parry. London, Novello, Ewer and Co.

317. 1896. Judith and Holofernes. A poem by Thomas Bailey Aldrich (American, 1836-1907). Boston, Houghton, Mifflin and Company, 1896.

318. 1888. Judith. Paul Peel (Canadian, 1860-1892). Oil on canvas, 83 x 60.4 cm.

319. 1901. Judith I. Gustav Klimt (Austrian, 1862-1918). Oil on canvas, 33 1/8 x 16 1.2 in. (84 x 42 cm.) Vienna, Österreichische Galerie.

320. 1903. Judith. Richard Wetz (German, 1875-1935). Opera in three acts. Libretto by Wetz.

321. 1905. Judith of Bethulia. A tragedy by Thomas Bailey Aldrich. Boston, Houghton, Mifflin and Company, 1904. The play was first produced at the Tremont Theatre, Boston, on October 13th, 1904.

322. 1909. Judith II (Salome). Gustav Klimt. Oil on canvas, 178 x 46 cm. Venice, Galleria d’Arte Moderna.

323. 1909. Judith and Holofernes. A short film directed by Louis Feuillade (French, 1873-1925). Renée Carl played the role of Judith.

324. 1909. Judith and Holofernes. Max Beckmann (German, 1884-1950). Brush and brown ink, 21.4 x 20.5 cm. Washington, D.C., National Gallery of Art.

281 FRANK CAPOZZI

325. 1910. Judith and Holofernes, from Das Buch Judith. Lovis Corinth (German, 1858-1925). Color lithograph, 27.31 x 23.5 cm. Minneapolis, MN, Minneapolis Institute of Arts. www.artsmia.org

326. 1910. Judith. A tragedy in five acts by Martin Schütze. New York: Henry Holt and Company, 1910.

327. C. 1910-1920. Judith. Bruno Goldschmitt (German, 1881-1964). Plate 14 from the Portfolio Die Bibel (The Bible). Wood engraving, 415 x 296 mm. San Francisco, Fine Arts Museum.

328. 1914. Judith of Bethulia. Film directed by D. W. Griffith (American, 1875-1948). The main roles were played by Blanche Sweet (Judith) and Henry B. Walthall (Holofernes). One of the writers was Aldrich (#320).

329. 1917. Queens who cut the hogs of Glanna / Judith of Scripture, and Gloriana. Harry Clarke (Irish, 1889-1931). The artist was commissioned by the Rt. Hon. Laurence Waldron to create a set of stained glass to accompany the words within J. M Synge’s (1871-1909) poem Queens. The set was designed to be hung in the library of Waldon’s Killiney Bay house. www.spiritoftheages.com

330. 1919. Judith. A play in three acts by Arnold Bennett. New York: George H. Doran Company, 1919.

331. 1922. Judith. Comédie dramatique in trois actes et cinq tableaux. Bernstein Henry (French, 1876-1953).

332. 1924. Judith. Tragedy in three acts by Henry Bernstein. Paris: Arthème Fayard & Cie, Editeurs.

333. 1925. Judith. Arthur Honegger (1892-1955, Swiss). Orchestration for a biblical drama by René Morax.

334. 1925. Judith. Honegger. Serious opera, second version.

335. 1926. Judith. Franz von Stuck (German, 1863-1928). Oil on canvas. 83 x 157 cm. Schwerin, Staatliches Museum.

336. 1926. Judith. A serious opera in three acts and five tableaux. Music by Arthur Honegger. Book by René Morax. English version by Frederick H. Martens. New York: Fred. Rullman, Inc., 1926.

282 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

337. 1927. Judith. Honegger. “Action musicale” oratorio, third version.

338. 1927. Judith and Holofernes. Stuck. Oil on canvas, 82 x 74 cm. Munich, collection of Otto Heilmann.

339. 1928. Judith in the Tent of Holofernes. Benjamin Miller (American, 1877-?). Woodcut, 32.7 x 221.75 cm. (image) Minneapolis, MN, Minneapolis Institute of Arts.

340. 1931. Judith. Jean Giraudoux (French, 1882-1944). Tragedy in three acts.

341. 1948. Giuditta. Carlo Terron (Italian). Dramma in tre atti. Pubblicato in: Il Dramma: Mensile di commedie di grande successo. A. 25, no. 94 (1 ottobre 1949), pp. 7-25.

342. 1949. Judith (Choreographic Poem for Orchestra). William Schuman (American, 1910-1992). In five movements. World première performance January 4, 1950, Louisville, Kentucky. The following commentary was printed on the original First Edition Records LP release: “This is the story of Judith. But the myth from which the story stems is much older. The story has its foundation in some ancient fertility rite or ritual of re-birth, in which the woman casts off the garments of mourning… symbols of her isolation, and puts on her garments of gladness… symbols of her femininity… thereby defeating the enemy… Death”. Reprinted on the CD First Edition Music, FECD-0011.

343. 1961. Judith. A film made for TV, based on Hebbel’s play, directed by David Stivel (Argentina, b. 1930). Judith is played by Violeta Antier and Holofernes is played by Alfredo Alcön.

344. 1965. Judith. A film made for TV, based on Giraudoux’s play, directed by Oswald Döpke (West Germany, b. 1923). Judith is played by Luitgard Im and Holofernes is played by Kurt Heintel.

345. 1966. Judith. A film made for TV, based on Hebbel’s play, directed by Wilm ten Haaf (West Germany). Judith is played by Erika Helmert and Holofernes by Eklehard Schall.

346. 1969. Judith and Holofernes. Opera in 3 acts by Myron Fink (1932-). Libretto by Don Moreland. First Performance: SUNY Purchase, NY, Feb. 4, 1978 (Concert performance with piano). A modern reading of the Apocryphal Book of Judith in which Holofernes, the Babylonian general, longs for death 283 FRANK CAPOZZI and Judith seeks immortality by saving her city.

347. 1969. Judith. A TV drama directed by Robert Maurice (French). Friedrich Hebbel’s play. Judith is played by Evelyn Istria and Holofernes is played by Georges Aminel.

348. 1969. Judith. Stella Wilchek. A fictionalized recount of the biblical story. New York: Harper & Row, Publishers.

349. 1978. Judith. Edited by B. J. Timmer. A revised and updated edition of the old English poem Judith. Exeter, UK, University of Exeter.

350. 1980. Judith. A TV film directed by Marin Caric (Yugoslavia). With Bozidar Boban playing Holofernes and Dubravka Miletic playing Judith.

351. 1984. Judith. Rolf Hochhuth (German, 1931- ). A play in four acts. Hamburg: Rowohlt Verlag GmbH.

352. 1990. Judith. Simon Kogan (Russian). 18” h, bronze, patina, edition of 9. Sculpted in 1990, cast in 1994. Artist’s collection. I would like to thank the artist for the information and photo of the art works.

353. 1991. Judith, Juliana, and Elene: three fighting saints. The Anglo- Saxon poem is translated freely by Marie Nelson into modern English along with the parallel Anglo-Saxon text. New York: Peter Lang Publishing, Inc.

354. 1993. Judith. Simon Kogan. Handmade watercolor on WareFort coldpressed paper, 22x30 in. Artist’s collection.

355. 1997. Judith on Red Square. Vitaliy Komar and Alexander Melamed (Russian). Oil on canvas. Judith is holding the head of Stalin. New York Times, 6/22/1997 (retrieved on 10/16/2010).

356. 1998. The Widow Judith. Sally Clark (Canadian). A play in two acts. Opened February 4, 1998 at the Glen Morris Theater, Toronto, Canada. In association with the University of Toronto Graduate Center for Study of Drama. Melanie Nicholls-King played the role of Judith, and Richard Clarkin played the role of Holofernes.

357. 1999. I’ll make Your Head Shorter by a Head (After Klimt’s Judith I). Drawing watercolor (22.5 x 14.875 in.) by Tina Blondell (American). Minneapolis, Minneapolis Institute of Arts.

284 JUDITH AND HOLOFERNES: A CHRONOLOGICAL LIST OF WORKS

358. 2002? Judith. Michael John Angel (British, 1946- ). Oil on canvas, 76.20 x 83.87 cm. Private Collection.

359. 2007. Judith. Film directed by Eric Chaussé (Canadian). Jérémie Aubry plays the role of Holofernes and Annick Fontaine plays the role Judith. The plot is loosely based on the biblical story.

360. 2008. Judith and Holofernes. Judith G. Klausner (American). Famous historical beheading recreated with mantises, fabric, paint, sand, clay and mixed media (8” x 8” x 8”). www.rogue-entomologist.com/pic/41/

361. 2010. Performance of Metastasio and Jomelli’s oratorios at the Salzburg Whitsun and Ravenna Festivals under the leadership of Riccardo Muti.

285