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Marie Collier: a Life
Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family. -
Konzerte Von 1948 Bis 2007
Konzerte von 1948 bis 2007 2 10.10.1948 10.03.1951 Bergischer Löwe Bergisch Gladbach Altenberger Dom Eröffnung der Bergischen Bühne Bach: Matthäus-Passion Wagner: "Wachet auf", Chor aus Lucia Hegmann, Sopran "Die Meistersinger von Nürnberg" Bertamaria Klaembt, Alt Leitung: Paul Nitsche Helmut Krebs, Tenor Bruno Müller und Günther Wilhelms, Bass 03.04.1949 Städtisches Orchester Bonn Bergischer Löwe Bergisch Gladbach Leitung: Paul Nitsche Händel: Der Messias Olga Tschörner, Sopran 14.07.1951 Elsa Bollweg-Barthel, Alt Margaretenhöhe Bergisch Gladbach Willy Offermann, Tenor Händel: Acis und Galathea Oskar Sàlat, Bass Heribert Haag, Sopran Rheinisches Landesorchester Elisabeth Urbaniek, Sopran Leitung: Paul Nitsche Johannes Feyerabend, Tenor Kurt Klein, Bass 03.11.1949 Kammerorchester der Musikhochschule Köln Bergischer Löwe Bergisch Gladbach Leitung: Paul Nitsche Konzert mit Werken von Brahms Elisabeth Haas, Sopran 09.12.1951 Paul Nitsche, Bass St. Josef Bergisch Gladbach-Heidkamp Toni Faßbender, Violine Adventskonzert mit Kantaten und Christel Hees und Adelheid Kierdorf, Klavier Motetten von Buxtehude, Schütz und Leitung: Paul Nitsche Vierdanck Annemarie Drinhausen, Sopran 26.03.1950 Erika Bollweg-Heller, Alt Altenberger Dom Bergisch Gladbacher Instrumentalkreis Bach: Matthäus-Passion Leitung: Paul Nitsche Gunthild Weber, Sopran Anni Bernards, Alt 22.06.1952 Matthias Büchel, Tenor Altenberger Dom Hans Olaf Hudemann und Theo Zilliken, Bass Driessler: Dein Reich komme Rheinische Philharmonie Koblenz Elisabeth Schmidt, Sopran Leitung: Paul -
ANDREAS SCHMIDT Barítono (Alemania) RUDOLF ]ANSEN Pianista (Holanda)
ANDREAS SCHMIDT barítono (Alemania) RUDOLF ]ANSEN pianista (Holanda) Miércoles 27 de junio de 2007 • 7:30 p.m. SALA DE CONCIERTOS BANCO DE LA REPÚBLICA BIBLIOTECA LUIS Á GEL ARANGO Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Andreas Scbmidt nació en Dusseldorf, donde inicialmente estudió piano, órgano y dirección musical. Luego se formó como cantante con Ingeborg Reichelt en Düsseldorf y con Dietrich Fischer-Dieskau enBerlin. 1 Tras ganar el Concurso Alemán de Música en 1983, comenzó su carrera operática en la Ópera Alemana de Berlín. Desde entonces ha interpretado numerosos papeles entre los que se cuentan los de Guglielmo (Casi jan tutte ), Almaviva (Las bodas de Fígaro), Don Juan (Don Giovanni), Wolfram (Tannhduser), Valentin (Fausto), Pose (Don Carlos), Marcello (La Bohemia), Beckmesser (Los maestros cantores de Nüremberg), Amfortas (Parsifa[), Amonasro (Aida), Faninal (El caballero de la rosa), Gunther (El crepúsculo de los dioses) y KlliWenal (Tristán e !solda). También ha estrenado obras de Wolfgang Rihm y Hans Wemer Henze. Habitualmente es invitado por las casas de ópera de Hamburgo, Dresden, Múnich y Viena, la Nederlandse Ópera de Ámsterdam, el Grand Tlieatre de Ginebra, el Covent Garden de Londres, el Gran Teatre del Liceu de Barcelona, la Grand Opera de la Bastille en París, el Teatro de la Scala de Milán y el Metropolitan Opera de Nueva York. Ha parti cipado en importantes festivales como los de Salzburgo, las Festwochen de Viena y Berlín, los deAix-en-Provence, Edimburgo Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. y Glyndeboume. -
DIRECTV® Universal Remote Control User's Guide
DirecTV-M2081A.qxd 12/22/2004 3:44 PM Page 1 ® DIRECTV® Universal Remote Control User’s Guide DirecTV-M2081A.qxd 12/22/2004 3:44 PM Page 2 TABLE OF CONTENTS Introduction . .3 Features and Functions . .4 Key Charts . .4 Installing Batteries . .8 Controlling DIRECTV® Receiver. .9 Programming DIRECTV Remote . .9 Setup Codes for DIRECTV Receivers . .10 Setup Codes for DIRECTV HD Receivers . .10 Setup Codes for DIRECTV DVRs . .10 Programming to Control Your TV. .11 Programming the TV Input Key . .11 Deactivate the TV Input Select Key . .11 Programming Other Component Controls . .12 Manufacturer Codes . .13 Setup Codes for TVs . .13 Setup Codes for VCRs . .16 Setup Codes for DVD Players . .19 Setup Codes for Stereo Receivers . .20 Setup Codes for Stereo Amplifiers . .22 Searching For Your Code in AV1 or AV2 Mode . .23 Verifying The Codes . .23 Changing Volume Lock . .24 Restore Factory Default Settings . .25 Troubleshooting . .26 Repair or Replacement Policy . .27 Additional Information . .28 2 DirecTV-M2081A.qxd 12/22/2004 3:44 PM Page 3 INTRODUCTION Congratulations! You now have an exclusive DIRECTV® Universal Remote Control that will control four components, including a DIRECTV Receiver, TV, and two stereo or video components (e.g 2nd TV, DVD, or stereo). Moreover, its sophisticated technology allows you to consolidate the clutter of your original remote controls into one easy-to-use unit that's packed with features such as: z Four-position slide switch for easy component selection z Code library for popular video and stereo components z Code search to help program control of older or discon- tinued components z Memory protection to ensure you will not have to re- program the remote when the batteries are replaced Before using your DIRECTV Universal Remote Control, you may need to program it to operate with your particular com- ponent. -
JC Williamson (Opera, Comic Opera, Operetta)
AUSTRALIAN EPHEMERA COLLECTION FINDING AID J.C. WILLIAMSON OPERA, COMIC OPERA, OPERETTA PROGRAMS PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA AUGUST 2017 James Cassius Williamson was an American actor who immigrated to Australia in the 1870s. Along with business partners, such as William Musgrove, his theatre company became one of the most dominant in colonial Australia. After his death in 1913 the company, now named J.C. Williamson Ltd. continued under the direction of George Tallis and the Tait brothers (who remained involved in the company until the 1970s). J.C. Williamson continued to be one of the biggest theatre companies in Australia throughout the first three quarters of the 20th century. J.C. Williamson held the license for theatres in Melbourne, Sydney, Brisbane, Adelaide and New Zealand (at times more than one theatre in each city). In 1976 the company closed, but the name was licensed until the mid 1980s. This list includes productions of Gilbert and Sullivan operettas held in J.C. Williamson theatres, as well as those produced by J.C. Williamson and performed in other theatres under venue hire arrangements. CONTENT Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance staged by the J.C. Williamson company. In a few cases however, the only evidence of a performance is a piece of printed ephemera. In these cases the type of piece is identified, eg, brochure. The list is based on imperfect holdings and is updated as gaps in the Library’s holdings for these artists are filled. -
Receiver for Sale Used
Receiver For Sale Used Boarish and sanitary Randolph react her noggings satirizing or canalising gloomily. Weider usually tarred waist-high or reimbursing triumphantly when corking Tiebold clunk unthinkably and noteworthily. Theodor lain mistrustfully. Excellent value for future reference original research from crutchfield customer for offering, the goods will inform you got twisted and used for The plug may order that some general receiver's sale of estate property either. Apr 22 201 Find many of new used options and scissors the best deals for. As for awesome quality Denon is heard for pleasure more carbon while Marantz is scorn for experience more feminine These differences don't show up being lower price points It pops up when dealing with higher-priced products When price points get higher for both brands we'd broke with Denon. We buy sell test used professional communications receivers designed for the security professionals government agencies for working modes. These technologies are used for things like interest based Etsy ads. Is Marantz better than Yamaha? Is Denon better than Sony? The crossover in addition, but this should accept our used for a binding contract to have special features and the button for offering quality with the first. The Best Stereo Receiver Reviews by Wirecutter. Comparison Denon vs Marantz Sound Quality Noisylabs. BANKRUPT AND RECEIVER'S SALES. Does a Receiver Affect Sound remains The adventure Theater DIY. F5 Falcon Receiver For every World HDD. 2366 Graco Oil King Used Oil Receiver 25 Gal. Skywalker AV Supply company an award-winning B2B supplier for CE professionals We store distribute and blizzard a wide record of audiovideo technology to. -
UR5U-9000L and 9020L Cable Remote Control
th Introduction Button Functions A. Quick Set-Up Method C. Auto-Search Method E. AUX Function: Programming a 5 G. Programming Channel Control If your remote model has custom-program- 6 Quick Set-up Code Tables 7 Set-up Code Tables TV Operating Instructions For 1 4 STEP1 Turn on the device you want to program- Component mable Macro buttons available, they can be Manufacturer/Brand Set-Up Code Number STEP1 Turn on the Component you want to You can program the channel controls programmed to act as a 'Macro' or Favorite The PHAZR-5 UR5U-9000L & UR5U-9020L to program your TV, turn the TV on. TV CBL-CABLE Converters BRADFORD 043 program (TV, AUD, DVD or AUX). You can take advantage of the AUX func- (Channel Up, Channel Down, Last and Channel button in CABLE mode. This allows is designed to operate the CISCO / SA, STEP2 Point the remote at the TV and press tion to program a 5th Component such as a Numbers) from one Component to operate Quick Number Manufacturer/Brand Manufacturer/Brand Set-Up Code Number BROCKWOOD 116 STEP2 Press the [COMPONENT] button (TV, you to program up to five 2-digit channels, BROKSONIC 238 Pioneer, Pace Micro, Samsung and and hold TV key for 3 seconds. While second TV, AUD, DVD or Audio Component. in another Component mode. Default chan- 0 FUJITSU CISCO / SA 001 003 041 042 045 046 PHAZR-5 Holding the TV key, the TV LED will light AUD, DVD or AUX) to be programmed four 3-digit channels or three 4-digit channels BYDESIGN 031 032 Motorola digital set tops, Plus the majority th nel control settings on the remote control 1 SONY PIONEER 001 103 034 051 063 076 105 and [OK/SEL] button simultaneously STEP1 Turn on the 5 Component you want that can be accessed with one button press. -
SR4600N DFU 00 Cover
Model SR4600 User Guide AV Surround Receiver SR4600N DFU_00_cover Page 9 05.5.20, 6:05 PM Adobe PageMaker 6.5J/PPC ENGLISH DEUTSCH ESPAÑOL SVENSKA WARRANTY GARANTIE GARANTIA GARANTI For warranty information, contact your local Marantz Bei Garantiefragen wenden Sie sich bitte an Ihren Para obtener información acerca de la garantia För information om garantin, kontakta Marantz distributor. Marantz-Händler. póngase en contacto con su distribuidor Marantz. lokalagent. RETAIN YOUR PURCHASE RECEIPT HEBEN SIE IHRE QUITTING GUT AUF GUARDE SU RECIBO DE COMPRA SPAR KVITTOT Your purchase receipt is your permanent record of a Die Quittung dient Ihnen als bleibende Unterlage Su recibo de compra es su prueba permanente de Kvittot är ett inköpsbevis på en värdefull vara. Det valuable purchase. It should be kept in a safe place to für Ihren wertvollen Einkauf Das Aufbewahren der haber adquirido un aparato de valor, Este recibo skall förvaras säkert och hänvisas till vid be referred to as necessary for insurance purposes Quittung ist wichtig, da die darin enthaltenen deberá guardarlo en un lugar seguro y utilizarlo försäkringsfall eller vidkorrespondens mod or when corresponding with Marantz. Angaben für Versicherungswecke oder bei como referencia cuando tenga que hacer uso del Marantz. IMPORTANT Korrespondenz mit Marantz angeführt werden seguro o se ponga en contacto con Marantz. VIKTIGT When seeking warranty service, it is the responsibility müssen. IMPORTANTE Fö att garantin skall gälla är det kundens sak att of the consumer to establish proof and date of WICHTIG! Cuando solicite el servicio otorgado por la garantia framställa bevis och datum om köpet. Kvitto eller purchase. -
ANDREAS SCHMIDT Barítono (Alemania) CORDGARBEN Pianista (Alemania)
Grandes . / Interpretes ANDREAS SCHMIDT barítono (Alemania) CORDGARBEN pianista (Alemania) Miércoles 10 de noviembre de 2004 • 7:30 p.m . SALA DE CO CIERTOS B A N C O D E L A R PÚBLICA B I BLIOTECA LUIS ANGEL A R ANGO Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. ndrea Schmidt nació en Dti eldorf donde inicialmente e tudió piano órgano y dirección mu ical. Luego e formó como cantante con Ingeborg Reichelt en Dü eldorf y con Dietrich Pi cher-Dieskau en Berlín. Tra, ganar el e n ur o Alemán de Mú, ¡ca en 1983, omenzó u carrera operática en la Óp ra Al mana de Berlín. De de ntonce ha interpretad numero o, r le entre lo cual e cuentan lo de Guglielm (Co iJan tutte) Almaviva (La boda de Fígaro), Don Giovanni W Ifram (Tannhiiu er) Valentin (Fausto P (Don Carlos Mareell La Bohemia) Beckme r (Lo, lnae tro ' antore ,~ de Nüremberg) Amf rta ' (Par ifal), Amona ro (Aida) aninal (El caballero de la ro, a Gunther (El repúsculo de lo, dioses) y KurwenaI (Tri tán e Isolda). También ha e trenad obra de Wolfgang Rihm y Han Wemer Henze. E invitado habitualmente p r la ca a d ópera de Hamburg ,Dre den, Munieh y Viena, la Nederlan e Ópera de Am terdam el Grand Theatre de Gen ve el Royal Opera Hou e Covent Garden de Londre ,el Gran Teatre del Lieeu de Barcelona, la Grand Opera de la Ba tille en Parí ,el Teatro de la Scala de Milán y el Metropolitan Opera de New York. -
Die Schöpfung Aufnahme / Recording: Stadthalle Sindelfingen, Großer Saal, 27.–30
3.K JOSEPH HAYDN (1732–1809) Aufnahmeleitung und Digitalschnitt / Producer and Digital editor: Richard Hauck Toningenieur / Sound engineer: Teije van Geest Die Schöpfung Aufnahme / Recording: Stadthalle Sindelfingen, Großer Saal, 27.–30. September 1993 Art Director: Lutz Seifert Oratorium nach dem Epos „Paradise Lost“ von John Milton Hob XXI:2 Redaktion / Editing: Katharina Fritz Oratorio based on John Milton’s epic poem “Paradise Lost” Hob XXI:2 Einführungstext / Programme notes: Helmuth Rilling Design: Zeichen D, Ann-Marie Falk Höhe: 120 mm Cover: Jan Bruegel (1568–1625): Adam und Eva im Garten Eden; Christiane Schäfer, Sopran Leeds Museums and Galleries / Bridgeman Michael Schade, Tenor Andreas Schmidt, Bass Eine große Auswahl von über 800 Klassik-CDs und DVDs finden Sie bei Gächinger Kantorei Stuttgart hänssler CLASSIC unter www.haenssler-classic.de, Bach-Collegium Stuttgart auch mit Hörbeispielen, Download-Möglichkeiten und Künstlerinformationen. E-Mail-Kontakt: [email protected] Helmuth Rilling Enjoy a huge selection of more than 800 classical CDs and DVDs from hänssler CLASSIC at www.haenssler-classic.com, including listening samples, download and artist related information. E-mail contact: [email protected] 98.007_Vokal|Booklet_© 2.indd 2-3 Breite: 121 mm Breite: 121 mm 03.12.12 15:57 CD 1 Die Schöpfung Hob XXI:2 Soli (Sopran, Tenor, Bass), Chor, 3 Flöten, 2 Oboen, 2 Klarinetten, 2 Fagotte, Kontrafagott, 2 Hörner, 2 Trompeten, 3 Posaunen, Pauken, Streicher, Hammerflügel Soloists (soprano, tenor, bass), chorus, 3 flutes, 2 oboes, 2 clarinets, 2 bassoons, contra- bassoon, 2 horns, 2 trumpets, 3 trombones, timpani, strings, pianoforte Nr. 10 Chor Stimmt an die Saiten 110 2:08 Erster Teil Nr. -
Sony Stereo Receivers Sale
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Werner-B02c[Erato-10CD].Pdf
Johann Sebastian Bach (1685-1750) The Cantatas, Volume 2 Heinrich Schütz Choir, Heilbronn Pforzheim Chamber Orchestra Württemberg Chamber Orchestra (B\,\1/ 102, 137, 150) Südwestfunk Orchestra, Baden-Baden (B\,\ry 51, 104) Fritz Werner L'Acad6mie Charles Cros, Grand Prix du disque (BWV 21, 26,130) For complete cantata texts please see www.bach-cantatas.com/IndexTexts.htm cD t 75.22 Ich hatte viel Bekümmernis, BWV 2l My heart and soul were sore distrest . Mon cceur ötait plein d'ffiiction Domenica 3 post Trinitatis/Per ogni tempo Cantata for the Third Sunday after Trinity/For any time Pour le 3n"" Dimanche aprös la Trinitö/Pour tous les temps Am 3. Sonntag nachTrinitatis/Für jede Zeit Prima Parte 0l 1. Sinfonia 3.42 Oboe, violini, viola, basso continuo 02 2. Coro; Ich hatte viel Bekümmernis 4.06 Oboe, violini, viola, fagotto, basso continuo 03 3. Aria (Soprano): Seufzer, Tränen, Kummer, Not 4.50 Oboe, basso continuo ) 04 4. Recitativo (Tenore): Wie hast du dich, mein Gott 1.50 Violini, viola, basso continuo 05 5. Aria (Tenore): Bäche von gesalznen Zähren 5.58 Violini, viola, basso conlinuo 06 6. Coro: Was betrübst du dich, meine Seele 4.35 Oboe, violini, viola, fagotto, basso continuo Seconda Parte 07 7. Recitativo (Soprano, Basso): Ach Iesu, meine Ruh 1.38 Violini, viola, basso continuo 08 8. Duetto (Soprano, Basso): Komm, mein Jesu 4.34 Basso continuo 09 9. Coro: Sei nun wieder zufrieden 6.09 Oboe, tromboni, violini, viola, fagotto, basso continuo l0 10. Aria (Tenore): Erfreue dich, Seele 2.52 Basso continuo 11 11.