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Redalyc.Rio Branco, Grand Strategy and Naval Power
Revista Brasileira de Política Internacional ISSN: 0034-7329 [email protected] Instituto Brasileiro de Relações Internacionais Brasil ALSINA JR., JOÃO PAULO Rio Branco, grand strategy and naval power Revista Brasileira de Política Internacional, vol. 57, núm. 2, julio-diciembre, 2014, pp. 9-28 Instituto Brasileiro de Relações Internacionais Brasília, Brasil Available in: http://www.redalyc.org/articulo.oa?id=35835782002 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative ARTIGO Rio Branco, grand strategy and naval power Rio Branco, grande estratégia e poder naval http://dx.doi.org/10.1590/0034-7329201400302 JOÃO PAULO ALSINA JR.* Rev. Bras. Polít. Int. 57 (2): 9-28 [2014] Introduction José Maria da Silva Paranhos Jr., Baron of Rio Branco, epitomizes Brazilian nationalism.1 Despite the impenetrable personality that motivated Nabuco to call him a “Sphinx,” his political and diplomatic legacy, especially with regard to the demarcation of national borders, is revered as of great importance for the construction of the international identity of Brazil. Although much has been written about the character and his legacy, it seems clear the laudatory character of the vast majority of those narratives. Given the author’s dissatisfaction with this state of affairs and out of respect for the memory of Itamaraty’s patron, I intend to address an issue that lies at the heart of a series of distortions about the meaning of Paranhos Jr.’s diplomacy: the role of naval power in the broader context of the grand strategy implemented during Rio Branco’s administration as chancellor. -
A Implantação Do Mec Na Esplanada Do Castelo: Disputas E Tentativas De Preservação Da Quadra E Entorno Imediato
A IMPLANTAÇÃO DO MEC NA ESPLANADA DO CASTELO: DISPUTAS E TENTATIVAS DE PRESERVAÇÃO DA QUADRA E ENTORNO IMEDIATO. Eixo temático: História e Historiografia da Arquitetura e do Urbanismo Modernos no Brasil Sandra Branco Soares Doutorado em Restauro dei Monumenti na Università degli Studi di Roma/Itália [email protected] Resumo: O objetivo principal deste estudo é apresentar a proposta inicial de consolidação do conjunto do Ministério da Educação e Saúde Pública, conhecido como o prédio do MEC ou Palácio Gustavo Capanema, na Esplanada no Castelo, através dos diversos projetos de ocupação da quadra e de sua própria inscrição no Livro do Tombo do IPHAN. Algumas particularidades resultantes do desenvolvimento do projeto e suas diversas modificações com a obra em curso, assim como seu processo de tombamento que inclui a quadra fronteira "necessária à preservação de sua perspectiva monumental" são imprescindíveis para a compreensão de sua proteção nesses seus mais de 70 anos e tornam-se indispensáveis para fundamentar sua preservação e identificação na cidade. Além disso, torna-se imprescindível analisar a defesa, por parte do IPHAN, para proteção do edifício e da área conforme seu tombamento, diante das diversas tentativas de negociação e das fortes pressões políticas nas últimas décadas que acabaram por interferir na proposta original de proteção do entorno imediato. Palavras-chave: Prédio do MEC, Implantação do MEC, Palácio Capanema. Abstract: The main objective of this study is to present the initial proposal of consolidation of the Ministry of Education and Public Health’s complex, known also as the MEC or Gustavo Capanema Palace, in Esplanada do Castelo, Rio de Janeiro, through the different occupation projects of the court and also throught its own inscription in the IPHAN’s heritage list. -
Museus-Do-Brasil.Pdf
1 2 3 Museus do Brasil 4 5 UM GUIA DOS PRINCIPAIS MUSEUS BRASILEIROS MUSEUMS IN BRAZIL A GUIDE TO THE MAIN BRAZILIAN MUSEUMS EMPRESA DAS ARTES 6 7 8 9 10 11 Sumário 12 13 17 Fundação Iberê Camargo 73 Museu Nacional de Belas Artes 135 Museu Vivo da Memória Candanga PORTO ALEGRE, RS RIO DE JANEIRO, RJ BRasÍLIA, DF 23 Casa de Cultura Mario Quintana 79 Museu Nacional UFRJ Quinta da Boa Vista 137 Museu Estadual Prof. Zoroastro Artiaga PORTO ALEGRE, RS RIO DE JANEIRO, RJ GOIÂNIA, GO 27 Museu Oscar Niemeyer 83 Museu Imperial 141 Museu da Misericórdia CURITIBA, PR PETRÓPOLIS, RJ SALVADOR, BA 31 Memorial do Imigrante 89 Museu de Artes e Ofícios 147 Museu de Arte da Bahia SÃO PAULO, SP BELO HORIZONTE, MG SALVADOR, BA 37 Museu de Arte Brasileira FAAP 97 Museu de Ciências Naturais PUC-Minas 153 Museu Rodin da Bahia SÃO PAULO, SP BELO HORIZONTE, MG SALVADOR, BA 41 Museu de Arte de São Paulo – MASP 101 Inhotim 159 Castelo São João SÃO PAULO, SP BRUMADINHO, MG RECIFE, PE 47 Museu de Arte Sacra de São Paulo 109 Museu do Oratório 163 Museu do Mamulengo SÃO PAULO, SP OURO PRETO, MG RECIFE, PE 51 Pinacoteca do Estado de São Paulo 113 Museu da Inconfidência 167 Museu Oficina Francisco Brennand 183 Complexo CulturalCasa das Onze Janelas SÃO PAULO, SP OURO PRETO, MG OLINDA, PE BELÉM, PA 57 Museu da República 119 Museu Solar Monjardim 171 Museu de Arte Contemporânea do Centro Dragão do Mar 187 Museu de Arte Sacra RIO DE JANEIRO, RJ VITÓRIA, ES FORTALEZA, CE BELÉM, PA 63 Museu de Folclore Edison Carneiro 123 Museu de Valores do Banco Central do Brasil 175 Museu do Ceará 193 Museu Paraense Emílio Goeldi RIO DE JANEIRO, RJ BRasÍLIA, DF FORTALEZA, CE BELÉM, PA 67 Museu Histórico Nacional 129 Museu Nacional da República 179 Museu de Folclore e Arte Popular 197 Palacete Provincial RIO DE JANEIRO, RJ BRasÍLIA, DF SÃO LUÍS, MA MANAUS, AM 14 15 PORTO ALEGRE, RS Fundação Iberê Camargo 16 17 gaúcho Iberê Camargo é um dos principais artistas brasileiros da arte contemporânea não figurativa. -
“The Nude Man's City”: Flávio De Carvalho's Anthropophagic
“The Nude Man’s City”: Flávio de Carvalho’s anthropophagic architecture as cultural criticism* Panu Minkkinen Abstract. Cannibalism is one of the most recognisable taboos of the West and a benchmark with which a supposedly civilised world has traditionally sought to differentiate itself from the radically “other” of the hinterlands. As such, cannibalism has made its way both into the vocabulary of the West’s pseudo-ethnographic self-reflection (e.g. Freud) and the imaginary of its literary culture (e.g. Grimm). A less-well-known strain in this narrative uses cannibalism as a critical postcolonial metaphor. In 1928, the Brazilian poet and agitator Oswald de Andrade published a short text entitled “Anthropophagic Manifesto.” The aim of the manifesto was to distance an emerging Brazilian modernism from the European ideals that the São Paulo bourgeoisie uncritically embraced, and to synthesise more avant-garde ideas with aspects from the cultures of the indigenous Amazonian peoples into a truly national cultural movement. This essay draws on various aspects of the anthropophagic movement and seeks to understand, whether (and how) it influenced Brazilian urban planning and architecture, and especially if it is detectable in the ways in which architects Lúcio Costa and Oscar Niemeyer designed and executed the legal and political institutions in Brasília, the country’s iconic federal capital. The analysis, however, identifies a colonialist inclination in Costa and Niemeyer’s ideological debt to Le Corbusier. Instead, the radical potential of anthropophagic architecture is developed with reference to the less-known São Paulo architect and polymath Flávio de Carvalho whose aesthetic politics provide parallels with contemporary radical politics, as well. -
Brazilian Modernism and the Identity of Post-War Architecture in Pretoria, South Africa
Dossiê Brasil-África do Sul| Paranoá 18 Modern Movement Mediations: Brazilian Modernism and the Identity of Post-War Architecture in Pretoria, South Africa. BARKER, Arthur1 1Faculty of Engineering, the Built Environment and Information Technology, University of Pretoria, Pretoria, South Africa. Resumo Abstract A arquitetura brasileira de Oscar Niemeyer ins- The brazilian architecture of Oscar Niemeyer pirou o desenho de um grande número de cons- inspired the design of a number of South African truções sulafricanas. Este artigo contextualiza buildings. This article will contextualise modern as mediações do movimento moderno e aponta movement mediations and will highlight similari- similaridades em aproximação com a identida- ties in approach to identity, context and a range de, contexto e uma série de eficiências a partir of efficiencies through a comparison of Oscar de uma comparação do prédio do Ministério da Niemeyer's 1945 Ministry of Education and Educação do Rio de Janeiro, de Niemeyer, 1945 Health Building in Rio de Janeiro and Helmut e o prédio do Meat Board de Pretoria, de Helmut Stauch's 1952 Meat Board Building in Pretoria. Stauch, 1952. Key-Words: Modern Movement, Brazil Builds, Palavras-Chave: Movimento Moderno, Brasil Hellmut Stauch, Oscar Niemeyer. Builds, Hellmut Stauch, Oscar Niemeyer. DOI: http://dx.doi.org/10.18830/issn.1679-0944.n18.2017.03 Dossiê Brasil-África do Sul| Paranoá 18 Figure 1. Left: Niemeyer's Ministry of Education and Health Building in Rio de Janeiro (Author, 2012). Right: Stauch's Meat Board Building in Pretoria, South Africa (Author, 2008). 1. Introduction 7161 km east of Brasilia, in the reading room of were also the result of a search for a new archi- the Department of Architecture at the University tectural identity after the estalishment of a Na- 3 of Pretoria in South Africa, stands a scale model tionalist Government under D.F. -
Pontifícia Universidade Católica De São Paulo Puc-Sp
PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC-SP EDUARDO SILVA ALVES WHEREFORE ART THOU, JÂNIO? PERCEPÇÕES DE TIME MAGAZINE SOBRE O GOVERNO JÂNIO QUADROS 1958-1961 DOUTORADO EM HISTÓRIA SÃO PAULO 2013 PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC-SP EDUARDO SILVA ALVES WHEREFORE ART THOU, JÂNIO? PERCEPÇÕES DE TIME MAGAZINE SOBRE O GOVERNO JÂNIO QUADROS 1958-1961 DOUTORADO EM HISTÓRIA TESE APRESENTADA À BANCA EXAMINADORA DA PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO, COMO EXIGÊNCIA PARCIAL PARA OBTENÇÃO DO TÍTULO DE DOUTOR EM HISTÓRIA SOB A ORIENTAÇÃO DO PROF. DOUTOR ANTONIO PEDRO TOTA. SÃO PAULO 2013 BANCA EXAMINADORA _______________________ _______________________ _______________________ _______________________ _______________________ Para minha mãe, que me ensinou a ler e a escrever. AGRADECIMENTOS Em primeiro lugar agradeço ao meu orientador Profº Drº Antonio Pedro Tota pelas observações, correções, revisão das minhas traduções e dicas preciosas para a realização desse trabalho e sem as quais ele não seria possível. Sou grato pelas orientações advindas das Bancas de Qualificação e Defesa. Agradeço profundamente à CAPES pelo apoio financeiro. Agradeço ao Professor Samuel Alves dos Santos, Dirigente Regional de Ensino da DER-Sul 3, grande apoiador à formação e à continuidade acadêmica dos professores da rede pública estadual. A todos os amigos e amigas da Diretoria de Ensino Regional Sul 3 de São Paulo que estiveram comigo nos últimos anos, em especial aos Diretores e PCNPs do Núcleo Pedagógico. Aos amigos Márcio Jean e Fabiana Fonseca pela revisão ortográfica. Expresso minha profunda gratidão aos amigos e parceiros acadêmicos Anderson Paiva, Ailton Laurentino, Herodes Cavalcante, Joel Santos de Abreu e Otacílio Marcondes pelas preciosas conversas que tivemos. -
BUILDING a NEW IDENTITY THROUGH ARCHITECTURE: The
BUILDING A NEW IDENTITY THROUGH ARCHITECTURE: The Case of Colombia And Government Buildings Constructed During The Term of The Liberal Republic (1930-1946) And The Case For Their Preservation Daniella Zamora Cano Submitted in partial fulfillment of the requirements for the degree Master of Science in Historic Preservation Graduate School of Architecture, Planning and Preservation Columbia University May, 2019 ABSTRACT 1930 to 1946 marks a pivotal moment in the history of Colombia, not only as a period of changing political ideol- ogies that defined how the country modernized, but also as a transitional period in the discipline of Colombian architec- ture. The Liberal Republic which began with the election of Enrique Olaya Herrera in 1930, was characterized by great- er transparency in governance and the extension of gov- ernmental services to communities that had formally been underserved. In tandem with this change was a building program that would see many new buildings constructed as outposts of the national government and its services. This building program was executed through a centralized office of construction and design. The architects of these buildings adopted a new formal, stylistic and tectonic paradigm which saw them moving away from classical and neocolonial styles of the past toward architectural forms consistent with the emerging Modern Movement. These two shifts - the one political and gov- ernmental, the other architectural - occur in parallel with one another. While it is difficult to draw direct lines of in- fluence between the politicians who operated in the halls of government and the architects called upon to design the ii structures which housed the institutional programs devised under the liberal government, these trends track along sim- ilar lines. -
Of Glass and Concrete Internal Versus External Space Relations in Oscar Niemeyer's Architecture Ref
Of Glass and Concrete Ref 043 Internal versus External Space Relations in Oscar Niemeyer's Architecture Frederico Holanda Universidade de Brasilia, Departamento de Teoria e Historia, Brasilia, Brazil [email protected] Keywords internal space x external space; Oscar Niemeyer Abstract Oscar Niemeyer’s buildings from the 1940’s to the 1960’s are almost unanimously praised. Some recent projects are very controversial, to say the least. Why so? Relations between internal and external space in Niemeyer’s architecture are examined, by referring to the fundamental syntactic notions of accessibility and visibility – how we can move between inside and outside and how we can see between these instances. In Niemeyer’s works, relations between these domains vary radically along the intervals of closure/openness and opacity/transparency. Attention here thus concentrates in the buildings’ skin. Towards one pole, there are radical examples of transparency and openness in which a simple “shade” – a horizontal slab totally open to the surroundings – is the project’s key element. In other instances, the architect’s preoccupation with integration with nature or with the urban setting around leads him to create a new structural type: a building cut through transversally by a transparency is found in many transformations, from Pampulha (Belo Horizonte, 1940), through his own house (Rio, 1953), to the Itamaraty Palace (Brasilia, 1962). Even when programs demand solemnity, traditionally equated with greater separation between inside and outside, the architect tempers the morphological distance by creatively re-interpreting devices historically employed to do so: surrounding pools and gardens, flyovers, a slightly elevated piano nobile reachable by delicate ramps, an entrance tunnel etc. -
Imagens Da Diplomacia Brasileira . Images of Brazilian Diplomarcy
IMAGENS DA DIPLOMACIA BRASILEIRA IMAGES OF BRAZILIAN DIPLOMACY MINISTÉRIO DAS RELAÇÕES EXTERIORES FUNDAÇÃO A LEXANDRE DE GUSMÃO Instituto de Pesquisa de Relações Internacionais Centro de História e Documentação Diplomática A Fundação Alexandre de Gusmão, instituída em 1971, é uma fundação pública vinculada ao Ministério das Relações Exteriores e tem a finalidade de levar à sociedade civil informações sobre a realidade internacional e sobre aspectos da pauta diplomática brasileira3 Sua missão é promover a sensibilização da opinião pública nacional para os temas de relações internacionais e para a política externa brasileira3 Ministério das Relações Exteriores Esplanada dos Ministérios, Bloco H Anexo II, Térreo 70170-900 Brasília, DF Telefones: (61) 3411-6033/6034/6847 Fax: (61) 3411-9125 Site: www3funag3gov3br AMADO LUIZ CERVO CARLOS CABRAL IMAGENS DA DIPLOMACIA BRASILEIRA IMAGES OF BRAZILIAN DIPLOMACY Direitos de publicação reservados à Fundação Alexandre de Gusmão Ministério das Relações Exteriores Esplanada dos Ministérios, Bloco H Anexo II, Térreo 70170-900 Brasília DF Telefones: (61) 3411-6033/6034 Fax: (61) 3411-9125 Site: www3funag3gov3br E-mail: funag@itamaraty3gov3br Equipe Técnica: Maria Marta Cezar Lopes Henrique da Silveira Sardinha Pinto Filho André Yuji Pinheiro Uema Cíntia Rejane Sousa Araújo Gonçalves Fernanda Antunes Siqueira Fernanda Leal Wanderley Juliana Corrêa de Freitas Luiza Castello Branco Pereira da Silva Pablo de Rezende Saturnino Braga Programação Visual e Diagramação: Juliana Orem Tradução: Dr3 Graham Howells -
British and Brazilian Art in the 1940S: Two Nations at the Crossroads of Modernism 35 Michael Asbury
T H E A RT O F DIPLOMACY B R A Z I L I A N MODERNISM PAINTED FOR WAR THE A R T O F DIPLOMACY BRAZILIAN MODERNISM PAINTED FOR WAR EMBASSY OF BRAZIL IN LONDON APRIL - JUNE 2018 3 5 First edition of one thousand copies published in February 2018 by the Embassy of Brazil in London, on the occasion of the exhibition The Art of Diplomacy - Brazilian Modernism Painted For War, presented from 6 April to 22 June 2018. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, now known or hereafer invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher. Every efort has been made to trace copyright holders and to obtain their permission for the use of copyright material. The publisher apologises for any errors or omissions and would be grateful if notified of any corrections that should be incorporated in future reprints or editions of this book, via [email protected]. A catalogue record for this book is available from the British Library ISBN 978-1-5272-1858-1 The text of the catalogue The Art of Diplomacy - Brazilian Modernism Painted For War is set in Adobe Source Sans Pro. Printed and bound in Great Britain by Pureprint Group on woodfree Arctic Matt 170 g/m2. The facsimile of the original 1944 catalogue is printed on Arctic Matt 90 g/m2.. Measurements of artworks are given in centimetres (width x height). -
Brazilian History
Brazilian History Brazilian History: Culture, Society, Politics 1500- 2010 By Roberto Pinheiro Machado Brazilian History: Culture, Society, Politics 1500-2010 By Roberto Pinheiro Machado This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Roberto Pinheiro Machado All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0349-6 ISBN (13): 978-1-5275-0349-6 To Cláudia Mendonça Scheeren CONTENTS Introduction ................................................................................................. 1 Chapter One ................................................................................................. 9 The Colonial Period (1500–1822) 1.1 From the Discovery to the Colonization 1.2 The French Invasions (1555–1560 and 1594–1615) 1.3 The Dutch Invasions (1624–1625 and 1630–1654) 1.4 The Iberian Union and the Portuguese Territorial Expansion 1.5 The Discovery of Gold and the Minas Gerais 1.6 The Conspiracy of Minas Gerais and Brazilian Neoclassicism 1.7 The Conspiracy of Bahia and the Emergence of the Notion of Citizenship 1.8 A European Monarchy in the Tropics and the End of Colonial Rule Chapter Two .............................................................................................. 49 The Brazilian Empire (1822–1889) 2.1 The Costly Independence 2.2 The First Empire (1822–1831) 2.3 The Regency (1831–1840) 2.4 The Second Empire (1840–1889) 2.5 Culture and Society in the Brazilian Empire Chapter Three ......................................................................................... -
Modern Urbanism and Architecture in Brazil: the Emergence and Growth of New Concepts in the Vargas Era
URBAN TRANSFORMATION: CONTROVERSIES, CONTRASTS and CHALLENGES MODERN URBANISM AND ARCHITECTURE IN BRAZIL: THE EMERGENCE AND GROWTH OF NEW CONCEPTS IN THE VARGAS ERA. A LOOK AT THE CAPITAL, THE CITY OF RIO DE JANEIRO VERA F. REZENDE Address: Rua Duque Estrada 85, apt. 501, Gávea, Rio de Janeiro , Brazil, CEP 22451-090. E- mail: vrezende@ openlink.com.br FERNANDA AZEVEDO RIBEIRO Address: Rua Nossa Senhora das Mercês 116, apt. 401, Fonseca, Niterói, Rio de Janeiro, Brazil, CEP 24130-050. E-mail: [email protected] ABSTRACT The article discusses the relationship between the emergence and growth of the concepts of modern urbanism and architecture and its achievements under the dictatorial government of Getúlio Vargas (the Vargas Era) in Brazil. The period of his government, which began with the Revolution of 1930 and lasted until 1945, was one of great political and institutional centralization. The goal of building a new nation different from the Old Republic led to broad reforms in various sectors, including public administration and urban planning. From 1937, urban planning in Rio de Janeiro entered a new era due to the adoption of mechanisms such as the City Planning Commission. This and other centralized institutions played an important role in the process of urban transformation, mostly concentrated in the downtown area on newly available posts from the dismantling of hills and landfill resulting from it, along with the opening of a number of new arterial routes, including Presidente Vargas Avenue. The following points are discussed: - The official decisions at the federal level did not favor modern architecture for the construction of public buildings.