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Hoysala King Ballala Iii (1291-1342 A.D)
FINAL REPORT UGC MINOR RESEARCH PROJECT on LIFE AND ACHIEVEMENTS: HOYSALA KING BALLALA III (1291-1342 A.D) Submitted by DR.N.SAVITHRI Associate Professor Department of History Mallamma Marimallappa Women’s Arts and Commerce College, Mysore-24 Submitted to UNIVERSITY GRANTS COMMISSION South Western Regional Office P.K.Block, Gandhinagar, Bangalore-560009 2017 1 ACKNOWLEDGEMENT First of all, I would like to Express My Gratitude and Indebtedness to University Grants Commission, New Delhi for awarding Minor Research Project in History. My Sincere thanks are due to Sri.Paramashivaiah.S, President of Marimallappa Educational Institutions. I am Grateful to Prof.Panchaksharaswamy.K.N, Honorary Secretary of Marimallappa Educational Institutions. I owe special thanks to Principal Sri.Dhananjaya.Y.D., Vice Principal Prapulla Chandra Kumar.S., Dr.Saraswathi.N., Sri Purushothama.K, Teaching and Non-Teaching Staff, members of Mallamma Marimallappa Women’s College, Mysore. I also thank K.B.Communications, Mysore has taken a lot of strain in computerszing my project work. I am Thankful to the Authorizes of the libraries in Karnataka for giving me permission to consult the necessary documents and books, pertaining to my project work. I thank all the temple guides and curators of minor Hoysala temples like Belur, Halebidu. Somanathapura, Thalkad, Melkote, Hosaholalu, kikkeri, Govindahalli, Nuggehalli, ext…. Several individuals and institution have helped me during the course of this study by generously sharing documents and other reference materials. I am thankful to all of them. Dr.N.Savithri Place: Date: 2 CERTIFICATE I Dr.N. Savithri Certify that the project entitled “LIFE AND ACHIEVEMENTS: HOYSALA KING BALLALA iii (1299-1342 A.D)” sponsored by University Grants Commission New Delhi under Minor Research Project is successfully completed by me. -
Dress and Fabrics of the Mughals
Chapter IV Dress and Fabrics of the Mughals- The great Mughal emperor Akbar was not only a great ruler, an administrator and a lover of art and architecture but also a true admirer and entrepreneur of different patterns and designs of clothing. The changes and development brought by him from Ottoman origin to its Indian orientation based on the land‟s culture, custom and climatic conditions. This is apparent in the use of the fabric, the length of the dresses or their ornamentation. Since very little that is truly contemporary with the period of Babur and Humayun has survived in paintings, it is not easy to determine exactly what the various dresses look like other than what has been observed by the painters themselves. But we catch a glimpse of the foreign style of these dresses even in the paintings from Akbar‟s period which make references, as in illustrations of history or chronicles of the earlier times like the Babar-Namah or the Humayun-Namah.1 With the coming of Mughals in India we find the Iranian and Central Asian fashion in their dresses and a different concept in clothing.2 (Plate no. 1) Dress items of the Mughals: Akbar paid much attention to the establishment and working of the various karkhanas. Though articles were imported from Iran, Europe and Mongolia but effort were also made to produce various stuffs indigenously. Skilful master and workmen were invited and patronised to settle in this country to teach people and improve system of manufacture.2 Imperial workshops Karkhanas) were established in the towns of Lahore, Agra, Fatehpur Sikri and Ahmedabad. -
Glossaries of Words 30 1
ENG L I SH ARABI C P ERSI AN TU RK I SH ARM EN I AN K U RD I SH SY RI AC by the G eog rap hical Section of the Na z al 1a112 67206 " D vision N val St miralt i , a qfi , A d y LONDON PUBLI SHED BY ms M AJ ESTY ’S ST ION ERY FFICE AT O . To b e p urc h ased t h rough any B ookse lle r or d ire c t ly f rom E . S TI NERY FFICE a t h e f ollowi n ad d r sse M . TA O O t g e s I M P I AL HOU KI G WA D W 2 an Y LO O C . d ER SE , N S , N N , . , 28 A B I N D O N S T T N D W G E L O O N S. l R E , , . ; 37 P ETER STREET M ANCH ESTER ; ’ 1 ST. D W éRESCEN T CA D I F F AN RE S , R ; 23 F ORTH S T T E D I B U G H REE , N R ; or from E S ST EET D B LI . P N NBY LTD 116 G AFTO U O O , R N R , N 19 2 0 Print ed und e r t h e afith ority of ’ H rs M AJ ESTY S STATI O NERY OF F I CE B F D I CK H AL L at t h e U nive sit P re ss Ox ford . -
Textiles Under Mughals
Chapter V Textiles under Mughals- The advent of the Mughal dynasty gave an undeniable boost to production of the up-market textile, as to other craft. Textiles are singled out for mentioned by Abul Fazl, the minister and biographer of Akbar (1556-1605), in his Ain-i-Akbari, compile in the 1590‟s as a subject in which the emperor took particular interest. Akbar favoured woollen garment – the chosen wear of Sufis (Muslim mystics) – „from his indifference to everything that is worldly‟ in preference to the richer stuffs. His penchant for wool is also indicated by the steps he took to improve shawl manufacture; especially in the relation to dyes and width of fabric.1 Ain-i- Akbari goes into fascinating details on the manner of classifying garments in the imperial wardrobe (toshkhana). The textiles were arranged according to the date of entry which was recorded, sometime with other information, on a label tacked on to the piece (practice which survived in provision toshkhana into the 20th century). Price, colour and weight were also taken into account. Within these boundaries, textile took precedence according to the nature of the day, astrologically auspicious or otherwise on which they were received. A further refinement took into account the colours, of which thirty five are listed in the order of precedence. Abul Fazl further records that imperial workshops had been set up in the cities of Lahore, Agra, Fatehpur Sikri and Ahmedabad, where the best of the local craftsmen were requisitioned to supply the needs of the court.2 Persian masters were brought in to teach improved techniques. -
Chapter 2 Review of Literature…
Chapter 2 Review of Literature… Review of Literature….. CHAPTER- II REVIEW OF LITERATURE 2.1 Conceptual review 2.1.1 History of Kachchh 2.1.1.1 The State 2.1.1.2 Origin of name 2.1.2 History of rulers of Kachchh 2.1.3 Assortment of Textiles in Court of Western India 2.1.3.1 Brocades 2.1.3.2 Silks 2.1.3.3 Mashru 2.1.3.4 Bandhani 2.1.3.5 Laheriya 2.1.3.6 Textile Crafts for Royal wardrobe 2.1.4 History of Indian Royal Garments for Men 2.1.4.1 Upper garments 2.1.4.1.1 Jama 2.1.4.1.2 Angarkha 2.1.4.1.3 Chogha 2.1.4.1.4 Atamsukh 2.1.4.1.5 Chapkan 2.1.4.1.6 Achkan 2.1.4.1.7 Bagalbandi 2.1.4.1.8 Sadri 2.1.4.1.9 Angarkhi 2.1.4.2 Lower garments: Paijama 2.1.4.3 Headdress 2.1.4.3.1 Pagh 2.1.4.3.2 Patka [13] Review of Literature….. 2.1.5 History of Indian Royal Garments for Women 2.1.5.1 Upper garments 2.1.5.1.1 Choli 2.1.5.1.2 Kanchali 2.1.5.1.3 Angia 2.1.5.1.4 Peshwaz 2.1.5.1.5 Kurta 2.1.5.1.6 Saris 2.1.5.2 Lower garments 2.1.5.2.1 Paijama 2.1.5.2.2 Ghaghra 2.1.5.3 Headdress: Odhani 2.1.6 Children’s costume 2.1.7 Ceremonies and festivals of Rulers of Kachchh 2.2 Empirical review 2.2.1 Studies related to traditional costumes of rulers of India 2.1 Conceptual Review 2.1.1 History of Kachchh 2.1.1.1 The State Kachchh is the Princely State with 17 gun salute, 19 guns local. -
Al-Hadl Yahya B. Ai-Husayn: an Introduction, Newly Edited Text and Translation with Detailed Annotation
Durham E-Theses Ghayat al-amani and the life and times of al-Hadi Yahya b. al-Husayn: an introduction, newly edited text and translation with detailed annotation Eagle, A.B.D.R. How to cite: Eagle, A.B.D.R. (1990) Ghayat al-amani and the life and times of al-Hadi Yahya b. al-Husayn: an introduction, newly edited text and translation with detailed annotation, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/6185/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ABSTRACT Eagle, A.B.D.R. M.Litt., University of Durham. 1990. " Ghayat al-amahr and the life and times of al-Hadf Yahya b. al-Husayn: an introduction, newly edited text and translation with detailed annotation. " The thesis is anchored upon a text extracted from an important 11th / 17th century Yemeni historical work. -
Muslim-Jewish Relations in the Middle Islamic Period
© 2017, V&R unipress GmbH, Göttingen ISBN Print: 9783847107927 – ISBN E-Book: 9783847007920 Mamluk Studies Volume 16 Edited by Stephan Conermann and Bethany J. Walker Editorial Board: Thomas Bauer (Münster, Germany), Albrecht Fuess (Marburg, Germany), ThomasHerzog (Bern, Switzerland), Konrad Hirschler (London, Great Britain),Anna Paulina Lewicka (Warsaw, Poland), Linda Northrup (Toronto, Canada), Jo VanSteenbergen (Gent, Belgium) © 2017, V&R unipress GmbH, Göttingen ISBN Print: 9783847107927 – ISBN E-Book: 9783847007920 Stephan Conermann (ed.) Muslim-Jewish Relations in the Middle Islamic Period Jews in the Ayyubid and Mamluk Sultanates (1171–1517) V&Runipress Bonn University Press © 2017, V&R unipress GmbH, Göttingen ISBN Print: 9783847107927 – ISBN E-Book: 9783847007920 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available online: http://dnb.d-nb.de. ISSN 2198-5375 ISBN 978-3-8470-0792-0 You can find alternative editions of this book and additional material on our website: www.v-r.de Publications of Bonn University Press are published by V&R unipress GmbH. Sponsored by the Annemarie Schimmel College ªHistory and Society during the Mamluk Era, 1250±1517º. © 2017, V&R unipress GmbH, Robert-Bosch-Breite 6, 37079 Göttingen, Germany / www.v-r.de All rights reserved. No part of this work may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without prior written permission from the publisher. Cover image: Ben Ezra Synagogue, Cairo, Egypt (photographer: Faris Knight, 10/12/2011). © 2017, V&R unipress GmbH, Göttingen ISBN Print: 9783847107927 – ISBN E-Book: 9783847007920 Contents Stephan Conermann Introduction................................. -
Costume and Courtly Culture in Ming China and Mughal India
PEOPLE: International Journal of Social Sciences ISSN 2454-5899 Murali & Gupta, 2019 Volume 5 Issue 2, pp. 24 - 33 Date of Publication: 19th July 2019 DOI-https://dx.doi.org/10.20319/pijss.2019.52.2433 This paper can be cited as: Murali, A. S., & Gupta, V., (2019). Comparing Sartorial Indices: Costume and Courtly Culture in Ming China and Mughal India. PEOPLE: International Journal of Social Sciences, 5(2), 24 - 33. This work is licensed under the Creative Commons Attribution-Non Commercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. COMPARING SARTORIAL INDICES: COSTUME AND COURTLY CULTURE IN MING CHINA AND MUGHAL INDIA Anu Shree Murali Undergraduate Student, Gargi College, Delhi University, New Delhi, India [email protected] Vidita Gupta Undergraduate Student, Gargi College, Delhi University, New Delhi, India [email protected] Abstract Mughal India and Ming China, two of the greatest empires in medieval Asia, were successful in influencing the cultures of their respective territories and beyond. Although the two empires differed on many grounds like art, society, environment etc., there are nonetheless striking similarities between the two. These similarities are often overshadowed and neglected because of the differences. One such similarity is the clearly defined social hierarchy in the society, articulated explicitly in the functioning of the court, of both these empires. An individual’s attire in Ming China clearly reflected his/her position in the courtly hierarchy. Building on this, we tried to look at the role played by attire in establishing social rank in an equally powerful and hierarchical empire of the Mughals in India. -
Pheran Through the Mists of Centuries
PUTAJ – Humanities and Social Sciences Vol. 25, No. 2 (July – Dec.), 2018 Pheran Through the Mists of Centuries Shabana Rafique*, Faiza Inayat**, Shahnaz Parveen Khattak*** Abstract The present study is an attempt to find out the historical perspective, different styles and decorative aspects of traditional Kashmiri attire i.e., Pheran. The study focuses on the assessment of modified versions of Pheran which were designed according to latest fashion trends. The most preferred styles were stitched and analyzed by taking opinion of under graduate girls students through a self-constructed questionnaire. The three types of Pheran i.e., Mughal, Kurta and Modern style were designed by flat-pattern method. According to the findings, the most appreciated style among them was Mughal. After taking the source of inspiration from the oriental costumes, various beautiful and attractive designs can be produced. The study will be beneficial in gaining attention of young fashion designers and consumers at national and international levels. Keywords: Mughal Style, Pheran, Kurta, Kashmir, Cultural Values, Fashion Designer Introduction The valley of Kashmir is known as the crown of the Indian subcontinent. In remote past, many foreign visitors of the valley were much fascinated with its beauty and offered glowing tribute to it. They called it as the Switzerland of the Asia, the heaven on earth by Firdausi and meadow of flowers by Persian scholars. The word Kashmir is also believed to be derived from the word „kashmere‟, a specific sheep „pashmina‟ from which the wool is taken for making the popular Kashmiri shawls (Asotush, 2013). This stunning valley is the inheritor of a fabulous cultural past, famous for its unique textile and apparel products i.e., carpets, pashmina shawls and various clothing items like Pheran etc. -
Pattadakal Text 3
1 ŚAIVA MONUMENTS at PAṬṬ ADAKAL Vasundhara Filliozat architecture by Pierre-Sylvain Filliozat 2 Scheme of transliteration from n āgar ī and kanna ḍa scripts Special n āgar ī letters ° ā £ ī • ū ¶ ṛ ṝ ḷ ṅ ñ ṭ ṭh – ḍ — ḍh “ ṇ ś ṣ Special kanna ḍa letters K ē N ō ¼ ḷ 3 S TABLE OF CONTENTS List of figures Introduction I. History History and chronology of Calukya kings Pulike śin II (A.D. 610-642) Vikram āditya II II. Architecture The site of Pa ṭṭ adakal The Karn āṭa-Nāgara temples at Pa ṭṭ adakal The temple of K āḍasiddhe śvara The temple of Jambuli ṅge śvara The temple of K āśī vi śvan ātha The temple of Galagan ātha The temple of P āpan ātha (M ūlasth ānamah ādeva) Miniature temples at Pa ṭṭ adakal The Candra śekhara temple The Karn āṭa-Dr āvi ḍa monuments at Pa ṭṭ adakal The temple of Vijaye śvara (Sa ṃgame śvara) The temple of Loke śvara (Vir ūpākṣa) Pr āsāda Interior Pr āsāda Exterior The Temple of Trailokye śvara (Mallik ārjuna) III. Iconography The temple of Vijaye śvara The Temple of Loke śvara External façades Loke śvara Temple, interior The temple of Trailokye śvara The temple of K āśī vi śve śvara The temple of P āpan ātha The temple of K āḍasiddhe śvara The temple of Jambuli ṅge śvara The temple of Galagan ātha IV. Epigraphy V. Conclusion Works referred to Glossary Glossary of special words in inscriptions Index 4 List of figures Photographs are by the authors assisted by Shalva Pillai Iyengar, unless otherwise stated. -
Epigraphy 02
STUDY MATERIAL FOR B.A HISTORY EPIGARPHY SEMESTER - VI, ACADEMIC YEAR 2020 - 21 UNIT CONTENTS PAGE Nr I INTRODUCTION TO EPIGRAPHY 02 II EVOLUTION OF SCRIPTS 09 III DATING SYSTEM 20 IV EMINENT EPIGRAPHISTS 22 V INSCRIPTIONS AND COPPER PLATES 28 Page 1 of 32 STUDY MATERIAL FOR B.A HISTORY EPIGARPHY SEMESTER - VI, ACADEMIC YEAR 2020 - 21 UNIT - I INDIAN EPIGRAPHY Epigraphy is a sine qua non for constructing the political and cultural history of ancient India. Generally, historical information is acknowledged as true when it is substantiated by an epigraphical record. In the study of the history of literature and language, epigraphy has a vital role to play. What is an inscription? The word epigraphy is derived from two Greek words viz., ‘epi’ which means ‘ upon’ and ‘graphie’ meaning ‘to write’. Epigraphy may be defined as any descriptive and analytical study of the inscriptions. The word ‘Inscription’ is most commonly used as a synonymous with epigraph. This word has been derived from a Latin word Inscribere, which also gives the meaning ‘to write upon.’ According to Dr. D. C. Sircar, “Inscription literally means only writing engraved on some object.” The Encyclopedia Britanica states that “Inscriptions are the documents, incised on some hard permanent material in the form of letters or other conventional signs, for the purpose of conveying some information or preserving a record. J. F. Fleet has tried to present a summed up description of inscription, like this: “The inscription are notifications, very frequently of an official character and generally more or less of a public nature, which recite facts, simple or complex, with or without dates and were intended to be lasting records of the matters to which they refer.” In India, rocks as well as lithic, metallic, earthen or wooden pillars, tablets, plates and pots and also bricks, sheets, ivory plaques and other objects were generally used for incising inscriptions. -
Sur Les Chemins D'onagre
Sur les chemins d’Onagre Histoire et archéologie orientales Hommage à Monik Kervran édité par Claire Hardy-Guilbert, Hélène Renel, Axelle Rougeulle et Eric Vallet Avec les contributions de Vincent Bernard, Michel Boivin, Eloïse Brac de la Perrière, Dejanirah Couto, Julien Cuny, Ryka Gyselen, Claire Hardy-Guilbert, Elizabeth Lambourn, Fabien Lesguer, Pierre Lombard, Michel Mouton, Alastair Northedge, Valeria Piacentini Fiorani, Stéphane Pradines, Hélène Renel, Axelle Rougeulle, Jean-François Salles, Pierre Siméon, Vanessa Van Renterghem, Donald Whitcomb, Farzaneh Zareie Archaeopress Archaeology © Archaeopress and the authors, 2019. Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78491-984-9 ISBN 978-1-78491-985-6 (e-Pdf) © Archaeopress and the authors 2018 Cover illustration : Le château de Suse depuis le chantier de la Ville des Artisans, 1976 (© A. Rougeulle) All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electro- nic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Oxuniprint, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com © Archaeopress and the authors, 2019. Sommaire Editeurs et contributeurs �����������������������������������������������������������������������������������������������������������������������������������������iii Avant – Propos ������������������������������������������������������������������������������������������������������������������������������������������������������������