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Juniors Pick Prom Queen; Call Lanin, Devron to Play
Vol. XLI, No. 15 GEORGETOWN UNIVERSITY, WASHINGTON, D, C. Thursday, February 18, 1960 Parents &. Profs History Fraternity Set Get-Together Names 4 Seniors Juniors Pick Prom Queen; For Next Sunday For Membership Next Sunday, February 21, Call Lanin, Devron To Play will witness the Washington The Georgetown Beta-Phi Club's Fifth Annual Recep chapter of Phi Alpha Theta, Coughlin Promises tion for the Faculty of the national honor history fra Hawaiian Weekend College and the parents of the ternity, founded in 1921, has non-resident students. recently elected four new The Junior Prom, a yearly A full afternoon has been members from the College. tradition here at the Hilltop, planned, beginning in Gaston Hall They are seniors John Cole will enliven the weekend of at 2 p.m. with a short concert by the Chimes and a greeting to the man, Bob Di Maio, Arnold February 26. The events are parents by Rev. Joseph A. Sellin Donahue, and Al Staebler. open to all students in the ger, Dean of the College. Under the auspices of Dr. Tibor . University, not just the junior Kerekes, the Georgetown chapter class. Chairman of the fete is im has grown, since its inception in presario Paul J. Coughlin. Cough 1948, to three hundred members lin is an AB (Classical) economics and is one of the most active in the fraternity. major and a member of the Class The first admitted among Catho of '61. He was on the Spring Week lic universities, it comprises mem end Committee last year and is bers from the College, Foreign present.ly a membe1.· of the N. -
Martin Cloonan Introduction an Attack on the Idea of America
MUSICAL RESPONSES TO SEPTEMBER 11TH: FROM CONSERVATIVE PATRIOTISM TO RADICALISM Martin Cloonan Introduction I want to propose something very simple in this paper: that the attacks which took place on 11 September 2001 were attacks on the very idea of America. This is not a new idea. It was cited by the New York Times soon after the attack and subsequently by the cultural critic Greil Marcus (2002). But what I want to add is that as time went on it became clear that the mu- sical responses which were made were defences of America. However, there were not uniform responses, but diverse ones and that is partly be- cause the idea of America is not settled, but is open to contestation. So what I want to do in the rest of this paper is to first examine notion that the attacks on 11 September were an attack on the idea of America, look briefly at the importance of identity within popular music, chart initial musical reactions to the events and then look at longer term reactions. An attack on the idea of America The attacks on 11 September were strategically chosen to hit the symbols of America as well as the reality of it. The Twin Towers symbolised American economic power, the Pentagon its military might. This was an attack on the psyche of America as well as its buildings and people. Both the targets were attacked for propaganda purposes as much as military ones. What more devastating way could have been found to show rejection of America and all it stands for? But the point I want to note here is that America itself is a contested notion. -
KALAUAO STREAM BRIDGE HAER No. HI-117
KALAUAO STREAM BRIDGE HAER No. HI-117 (Kalauao Stream Eastbound Bridge & Kalauao Stream Westbound Bridge) Kamehameha Highway and Kalauao Stream Aiea Honolulu County Hawaii PHOTOGRAPHS WRITTEN HISTORICAL AND DESCRIPTIVE DATA HISTORIC AMERICAN ENGINEERING RECORD U.S. Department of the Interior National Park Service Oakland, California HISTORIC AMERICAN ENGINEERING RECORD KALAUAO STREAM BRIDGE (Kalauao Stream Eastbound Bridge & Kalauao Stream Westbound Bridge) HAER No. HI-117 Location: Kamehameha Highway and Kalauao Stream Aiea City and County of Honolulu, Hawaii U.S.G.S. Topographic map, Waipahu Quadrangle 1998 (7.5 minute series) Universal Transverse Mercator Coordinates NAD 83: 04.609850.2364650 Present Owner: State of Hawaii Present Use: Vehicular Bridge Significance: The Kalauao Stream Bridge is a significant resource in the history of Oahu's road transportation system. It is significant at the local level for its association with the development of this section of Kamehameha Highway, and the adjacent Aiea and Pearl City settlements, which grew into suburbs from their initial establishment as a sugarcane plantation and a train-stop “city,” respectively. Historian: Dee Ruzicka Mason Architects, Inc. 119 Merchant Street Suite 501 Honolulu, HI 96813 Project Information: This report is part of the documentation for properties identified as adversely affected by the Honolulu Rail Transit Project (HRTP) in the City and County of Honolulu. This documentation was required under Stipulation V.C. (1, 2) of the Honolulu High-Capacity Transit Corridor Project (HHCTCP) Programmatic Agreement (PA), which was signed by the U.S. Department of Transportation’s Federal Transit Administration, the Hawaii State Historic Preservation Officer, the United States Navy, and the Advisory Council on Historic Preservation. -
Walker ————————————————————————————————————————————— Birth: Abt 1535, Of, Ruddington, Notinghamshire, England
Family History Report 1 Thomas Walker ————————————————————————————————————————————— Birth: abt 1535, Of, Ruddington, Notinghamshire, England Spouse: UNKNOWN Birth: abt 1539, Of, Ruddington, Notinghamshire, England Children: Gervase (~1566-1642) Thomas (~1570-) William (~1572-1621) 1.1 Gervase Walker ————————————————————————————————————————————— Birth: abt 1566, Ruddington, Nottinghamshire, England Death: 1 Jul 1642 He was buried July 1, 1642 in St. Columb’s Cathedral Church, Londonderry, England. Children: George (~1600-1677) 1.1.1 George Walker ————————————————————————————————————————————— Birth: abt 1600, Dublin, Ireland Death: 15 Sep 1677, Melwood, England Spouse: Ursula Stanhope Birth: abt 1642, Melwood, Yorkshire England Death: 17 May 1654, Wighill Yorkshire England Children: George (<1648-1690) 1.1.1.1 George Walker ————————————————————————————————————————————— Birth: bef 1648, Of, Wighill, Yorkshire, England Death: 1 Jul 1690, Donaoughmore, Tyrone, Ireland Died July 1, 1690 in Battle of Boyne, Seige of King James II Spouse: Isabella Maxwell Barclay Birth: abt 1644, Of, Tyrone, Ireland Death: 18 Feb 1705 Children: John (1670-1726) George (~1669-) Gervase (~1672-) Robert (~1677->1693) Thomas (1677-) Mary (~1679-) 1.1.1.1.1 John Walker ————————————————————————————————————————————— Birth: 1670, Moneymore, Londonferry, Ireland Death: 19 Oct 1726 Page 1 Family History Report Spouse: UNKNOWN Birth: abt 1674, Of, Moneymore, Derry, Ireland Children: John (~1697-~1742) Robert (~1693-) Jane (~1699-) Isabella (~1701-) 1.1.1.1.1.1 John Walker -
1950-03 Great White Fleet Part 3
Big White Fleet Visits W aikiki - 1908 (Concluded) OFFICERS ENTERTAIN That evening was one of interest and pleasure. We had met many young la dies and we threw a party for them in the Wisconsin Junior Officers’ Mess. I’ll never forget the feminine shriek that came from pretty lips as one of our guests bumped her head into a hammocked Edwin North McClellan, who has written bluejacket swinging just outside the this article, has a background of unusual mess-room entrance. experience. He circled tbe globe with tbe big white fleet in 1908 and visited Hawaii many Next day, in obedience to orders, I times and is now a resident. Retired Lt. Colonel of tbe Marine Corps, and historian, went out to Pearl Harbor (Wai Momi) editor, writer and traveller, he is presently by the OR&L and returned by automo Dean of radio commentators in Hawaii. bile. We took a ride in one of the battle ship steamers to be "sold” on the Pearl keepers, John Walker and Clifford Kim Harbor idea by the Pearl Harbor Sub- ball. Committee of the Fleet Entertainment Society turned out in its fullest Committee. After steaming around the strength, on the evening of July 20th, to Lochs we landed on the Peninsula where honor the enlisted men of the Fleet at a a fine recreation hall — resplendent with Ball staged at the Moana Hotel, Seaside Hawaiian decorations and bunting—had Hotel and Outrigger Canoe Club, in a been erected. Long" tables tastefully ar duplication of the Ball and Reception ranged a la luau was loaded with lots of given to the Officers on the 17th. -
Dr. Priyanka Sees Her 'Mymedwall' As Way to Engage Community
Brevard Business BBN News Vol. 31 No. 49 December 9, 2013 $1.00 A Weekly Space Coast Business Magazine printed in Brevard County, Florida since 1984 Dr. Priyanka sees her ‘MyMedWall’ as way to engage community By Ken Datzman Social media, which started slowly, has invaded most business sectors over the past few years. Now it is growing as a force in health care, and consumers are driving the activity in that arena. Companies and organizations are following the lead of consumers, in what looks to be a new movement in a huge business segment that hasn’t changed much over the decades. Online platforms, mobile technologies, and their associated applications seem poised to shake up the multitrillion–dollar health–care industry in the years ahead. In a recent survey by hospital market research firm YouGov Healthcare, 57 percent of users revealed that their social–media connections with a hospital strongly affected their decision to use a particular facility for treatment. Health care in general is starting to move into the consumer– engagement era. The American Diabetes Association has tens of thousands of people following its updates on Facebook, and the American Cancer Society page has throngs of followers as well. Those are just two of many examples. There is an emerging consensus in health–policy circles that informed and engaged consumers are uniquely positioned to play an important role in improving the quality of care that the U.S. delivers to patients. “Engagement is the key and it has to be on the local commu- nity level,” said board–certified internist and businesswoman Geetha Priyanka. -
US, JAPANESE, and UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, and the CONSTRUCTION of TEEN IDENTITY By
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by British Columbia's network of post-secondary digital repositories BLOCKING THE SCHOOL PLAY: US, JAPANESE, AND UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, AND THE CONSTRUCTION OF TEEN IDENTITY by Jennifer Bomford B.A., University of Northern British Columbia, 1999 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH UNIVERSITY OF NORTHERN BRITISH COLUMBIA August 2016 © Jennifer Bomford, 2016 ABSTRACT School spaces differ regionally and internationally, and this difference can be seen in television programmes featuring high schools. As television must always create its spaces and places on the screen, what, then, is the significance of the varying emphases as well as the commonalities constructed in televisual high school settings in UK, US, and Japanese television shows? This master’s thesis considers how fictional televisual high schools both contest and construct national identity. In order to do this, it posits the existence of the televisual school story, a descendant of the literary school story. It then compares the formal and narrative ways in which Glee (2009-2015), Hex (2004-2005), and Ouran koukou hosutobu (2006) deploy space and place to create identity on the screen. In particular, it examines how heteronormativity and gender roles affect the abilities of characters to move through spaces, across boundaries, and gain secure places of their own. ii TABLE OF CONTENTS Abstract ii Table of Contents iii Acknowledgement v Introduction Orientation 1 Space and Place in Schools 5 Schools on TV 11 Schools on TV from Japan, 12 the U.S., and the U.K. -
Moments of Observation
John Walker Moments of Observation Sheldon Museum of Art January 18–July 14, 2019 Introduction and Beer With a Painter: John Walker, Revisited by Jennifer Samet ohn Walker’s recent paintings are about a compression of energy: forms and patterns J locked into one another. There is an urgency to his most recent paintings, a directness that is about that relationship between a person and a place, and the impulse to record that relationship through mark making. It is symbolized by how the forms lock into one another: the penetration of earth and shallow water. I think about the painting by Cezanne, The Bay of Marseilles, Seen from L’Estaque, which is also about water and shore locking into one another like mirroring, perfect jigsaw puzzle pieces. For more than fifteen years, Walker has turned his attention and gaze to Seal Point, Maine, where he lives and works. But in the newest paintings, Walker pares down his formal vocabulary to elements like patterns of zigzag lines, painterly, irregular grids, oval-shaped forms and dots. They are abstractions, but they are also landscape paintings that turn the genre on its head. They are oriented vertically, rather than the horizontal format we traditionally code as landscape. The horizon line is pushed to the uppermost portion of the canvas so that only a thin band of form suggests sky, clouds, sun or moon. Instead, Walker focuses on the patterns that form when earth and water meet. And in this area of Maine, the inlets and bays are as much about mud as they are about water. -
Stan Kenton the Kenton Era Mp3, Flac, Wma
Stan Kenton The Kenton Era mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Kenton Era Country: US MP3 version RAR size: 1501 mb FLAC version RAR size: 1261 mb WMA version RAR size: 1441 mb Rating: 4.8 Votes: 150 Other Formats: MPC ADX WAV MP3 MP3 VOX AIFF Tracklist Part 1: Prologue A1 Prologue - Stan Kenton Speaks Of The Development Of His Music Part 2 - Balboa Bandwagon B1 Artistry In Rhythm (Opening Theme) B2 Two Moods B3 Etude For Saxophones B4 I Got It Bad And That Ain't Good B5 Lamento Gitano B6 Reed Rapture B7 La Cumparsita B8 St. James Infirmary B9 Arkansas Traveler B10 Artistry In Rhythm (Closing Theme) Part 3 - Growing Pains C1 Russian Lullaby C2 I Lost Sugar In Salt Lake City C3 Opus A Dollar Three Eighty C4 I Know That You Know C5 I'm Going Mad For A Pad C6 Ol' Man River C7 I'll Remember April C8 Liza Part 4 - Artistry In Rhythm D1 One Twenty D2 Body And Soul D3 Tea For Two D4 Never Thought I'd Sing The Blues D5 I've Got The World On A String D6 Everybody Swing D7 You May Not Love Me D8 More Than You Know Part 5 - Progressive Jazz E1 Artistry In Harlem Swing E2 If I Could Be With You (One Hour Tonight) E3 By The River Ste. Marie E4 Sophisticated Lady E5 Interlude E6 Over The Rainbow E7 Machito E8 Elegy For Alto Part 6 - Innovations F1 In Veradero F2 Amazonia F3 Salute F4 Coop's Solo F5 Ennui F6 Samana Part 7 - Contemporary G1 Swing House G2 You Go To My Head G3 Baa-Too-Kee G4 Stella By Starlight G5 Bill's Blues G6 Modern Opus G7 Zoot Part 8 - Epilogue Epilogue - Stan Kenton Speaks A Word In Summation And Looks -
An Examination of the Theories and Methodologies of John Walker (1732- 1807) with Emphasis Upon Gesturing
This dissertation has been 64—7006 microfilmed exactly as received DODEZ, M. Leon, 1934- AN EXAMINATION OF THE THEORIES AND METHODOLOGIES OF JOHN WALKER (1732- 1807) WITH EMPHASIS UPON GESTURING. The Ohio State University, Ph.D., 1963 Speech—Theater University Microfilms, Inc., Ann Arbor, Michigan AN EXAMINATION OP THE THEORIES AND METHODOLOGIES OP JOHN WALKER (1732-1807) WITH EMPHASIS UPON GESTURING DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By M. Leon Dodez, B.Sc., M.A ****** The Ohio State University 1963 Approved by Department of Speech ACKNOWLEDGMENT I wish to express my gratitude to Dr. George Lewis for his assistance In helping to shape my background, to Dr. Franklin Knower for guiding me to focus, and to Dr. Keith Brooks, my adviser, for his cooperation, patience, encouragement, leadership, and friendship. All three have given much valued time, encouragement and knowledge. ii CONTENTS Page ACKNOWLEDGMENTS ................... 1 Chapter I. INTRODUCTION............................... 1 II, BIOGRAPHY................................... 9 III. THE PUBLICATIONS OP JOHN WALKE R............. 27 IV. JOHN WALKER, ORTHOEPIST AND LEXIGRAPHER .... 43 V. NATURALISM AND MECHANICALISM............... 59 VI. THEORY AND METHODOLOGY..................... 80 VII^ POSTURE AND P A S S I O N S ......................... 110 VIII. APPLICATION AND PROJECTIONS OP JOHN WALKER'S THEORIES AND METHODOLOGIES......... 142 The Growth of Elocution......................143 L a n g u a g e ................................... 148 P u r p o s e s ................................... 150 H u m o r ....................................... 154 The Disciplines of Oral Reading and Public Speaking ......................... 156 Historical Analysis ....................... 159 The Pa u s e .................................. -
Romantic Sketches for Orchestra Capitol H-501 Georges Tzipine Released May, 1954
Capitol Albums, 501 to 600 and Series Labels Romantic Sketches for Orchestra Capitol H-501 Georges Tzipine Released May, 1954. A Man and his Music Capitol L-502 Skitch Henderson Released May, 1954. Unreleased/unknown Capitol 503 Ray Anthony Plays for Dancing Capitol EAP-1-504 Ray Anthony Released June, 1954. Unreleased/unknown Capitol 505 I Get So Lonely Capitol EAP-1-506 The Four Knights Released June, 1954. Dixieland Capitol EAP-1-507 Pee Wee Hunt Released May, 1954. Stan Kenton Plays the Compositions of Pete Rugolo Capitol EAP-1-508 Stan Kenton Released June, 1954. Music, Martinis, and Memories Capitol EAP 1 through 4-509 = W-509 Jackie Gleason Released August, 1954. Later pressed as two double-EP’s, EBF-1-509 and EBF-2-509. Later pressed as two ten-inch LP’s, H1-509 and H2-509. Young at Heart Capitol EAP-1-510 Frank Sinatra Released March, 1954. And Awaaay We Go! Capitol H-511 Jackie Gleason Released May, 1954. No Reservations Capitol H-512 Frances Faye Released July, 1954. Barrelhouse, Boogie and the Blues Capitol H-513 Ella Mae Morse Released 1954. Nat King Cole 10th Anniversary Album Capitol W-514 Nat King Cole Released May, 1954. White label with purple print. Although Jackie Gleason’s Music, Martinis, and Memories has a lower catalog number, this LP was the first album in the W- series. At the time this was an experimental and novel idea. The records contained sixteen songs – twice what one found on a ten-inch LP. However, the album cost less than two ten- inch albums, making it more economical to buy the W- series album in the larger size. -
Memoirs of an Ex-Prom Queen
Memoirs of an Ex-Prom Queen Alix Kates Shulman is the author of fourteen books, including her debut novel Memoirs of an Ex-Prom Queen, which established her as a primary figure in feminism’s second wave. Born in Cleveland, Ohio, Shulman studied philosophy at Columbia University and received an MA at New York University. She became a political activist, joining the Congress of Racial Equality in 1961 and the Women’s Liberation Movement in 1967. Shulman lives in Manhattan and continues to speak on issues such as feminism and reproductive choice. Memoirs of an ex Prom Queen.indd 1 20/03/2019 12:11 Memoirs of an Ex-Prom Queen Alix Kates Shulman with a new introduction by the author Memoirs of an ex Prom Queen.indd 3 20/03/2019 12:11 This edition published in Great Britain in 2019 by Serpent’s Tail, an imprint of Profile Books Ltd 3 Holford Yard Bevin Way London wc1x 9hd www.serpentstail.com Copyright © 1969, 1971, 1972, 1985, 2019 by Alix Kates Shulman Introduction copyright © 2019 by Alix Kates Shulman Originally published in 1972 by Alfred A. Knopf, Inc. Acknowledgement is extended to the following for permission to reprint copyrighted material: Chappel & Co., Inc.: Lines from Where or When by Lorenz Hart and Richard Rodgers. Copyright 1937 by Chappel & Co. Inc. Copyright renewed. Famous Music Publishing Companies: Lines from Lotus Blossom (Marahuana). Copyright 1934 by Famous Music Corporation. Copyright renewed 1961 by Famous Music Corporation. Harcourt Brace Jovanovich, Inc.: Excerpts from “The Love Song of J. Alfred Prufrock” by T.S.