2007 Prom King and Queen
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Juniors Pick Prom Queen; Call Lanin, Devron to Play
Vol. XLI, No. 15 GEORGETOWN UNIVERSITY, WASHINGTON, D, C. Thursday, February 18, 1960 Parents &. Profs History Fraternity Set Get-Together Names 4 Seniors Juniors Pick Prom Queen; For Next Sunday For Membership Next Sunday, February 21, Call Lanin, Devron To Play will witness the Washington The Georgetown Beta-Phi Club's Fifth Annual Recep chapter of Phi Alpha Theta, Coughlin Promises tion for the Faculty of the national honor history fra Hawaiian Weekend College and the parents of the ternity, founded in 1921, has non-resident students. recently elected four new The Junior Prom, a yearly A full afternoon has been members from the College. tradition here at the Hilltop, planned, beginning in Gaston Hall They are seniors John Cole will enliven the weekend of at 2 p.m. with a short concert by the Chimes and a greeting to the man, Bob Di Maio, Arnold February 26. The events are parents by Rev. Joseph A. Sellin Donahue, and Al Staebler. open to all students in the ger, Dean of the College. Under the auspices of Dr. Tibor . University, not just the junior Kerekes, the Georgetown chapter class. Chairman of the fete is im has grown, since its inception in presario Paul J. Coughlin. Cough 1948, to three hundred members lin is an AB (Classical) economics and is one of the most active in the fraternity. major and a member of the Class The first admitted among Catho of '61. He was on the Spring Week lic universities, it comprises mem end Committee last year and is bers from the College, Foreign present.ly a membe1.· of the N. -
Dr. Priyanka Sees Her 'Mymedwall' As Way to Engage Community
Brevard Business BBN News Vol. 31 No. 49 December 9, 2013 $1.00 A Weekly Space Coast Business Magazine printed in Brevard County, Florida since 1984 Dr. Priyanka sees her ‘MyMedWall’ as way to engage community By Ken Datzman Social media, which started slowly, has invaded most business sectors over the past few years. Now it is growing as a force in health care, and consumers are driving the activity in that arena. Companies and organizations are following the lead of consumers, in what looks to be a new movement in a huge business segment that hasn’t changed much over the decades. Online platforms, mobile technologies, and their associated applications seem poised to shake up the multitrillion–dollar health–care industry in the years ahead. In a recent survey by hospital market research firm YouGov Healthcare, 57 percent of users revealed that their social–media connections with a hospital strongly affected their decision to use a particular facility for treatment. Health care in general is starting to move into the consumer– engagement era. The American Diabetes Association has tens of thousands of people following its updates on Facebook, and the American Cancer Society page has throngs of followers as well. Those are just two of many examples. There is an emerging consensus in health–policy circles that informed and engaged consumers are uniquely positioned to play an important role in improving the quality of care that the U.S. delivers to patients. “Engagement is the key and it has to be on the local commu- nity level,” said board–certified internist and businesswoman Geetha Priyanka. -
The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 4-28-1961 The aC rroll News- Vol. 43, No. 13 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 43, No. 13" (1961). The Carroll News. 237. http://collected.jcu.edu/carrollnews/237 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. The (;arroll jNew degree programs NEWS feature 'Classical' A.B. Representing John Carroll University Two new A.B. degree pro- ment of Latin or Greek. language requirement by the elec The Very Rev. Hugh E. Dunn, tion of a single language, modern University Heights 18, Ohio gramR will eventually replace S.J., President of the Univer11ity, or classical. In e.!fect, the language the present A.B. and B.S. in announced, that "the new program t·cquirement of the current B.S. in Vol. XLIII, No. 13 Friday, April 28, 1961 S.S. degrees, it was announce(! will strengthen the Bachelor of S.S. program has been extended in from the President's office Arts degree and at the same time this respect to the A.B. The A.B. provide opportunities for students Classics program, however, retains ~·esterday. seeking a classical background." the two-language requirement as One program has the title "A.D. Effective this September, Carroll formerly, except for an upgrading Pellegrino reigns IClassics" in distinction to the "A. -
US, JAPANESE, and UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, and the CONSTRUCTION of TEEN IDENTITY By
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by British Columbia's network of post-secondary digital repositories BLOCKING THE SCHOOL PLAY: US, JAPANESE, AND UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, AND THE CONSTRUCTION OF TEEN IDENTITY by Jennifer Bomford B.A., University of Northern British Columbia, 1999 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH UNIVERSITY OF NORTHERN BRITISH COLUMBIA August 2016 © Jennifer Bomford, 2016 ABSTRACT School spaces differ regionally and internationally, and this difference can be seen in television programmes featuring high schools. As television must always create its spaces and places on the screen, what, then, is the significance of the varying emphases as well as the commonalities constructed in televisual high school settings in UK, US, and Japanese television shows? This master’s thesis considers how fictional televisual high schools both contest and construct national identity. In order to do this, it posits the existence of the televisual school story, a descendant of the literary school story. It then compares the formal and narrative ways in which Glee (2009-2015), Hex (2004-2005), and Ouran koukou hosutobu (2006) deploy space and place to create identity on the screen. In particular, it examines how heteronormativity and gender roles affect the abilities of characters to move through spaces, across boundaries, and gain secure places of their own. ii TABLE OF CONTENTS Abstract ii Table of Contents iii Acknowledgement v Introduction Orientation 1 Space and Place in Schools 5 Schools on TV 11 Schools on TV from Japan, 12 the U.S., and the U.K. -
Memoirs of an Ex-Prom Queen
Memoirs of an Ex-Prom Queen Alix Kates Shulman is the author of fourteen books, including her debut novel Memoirs of an Ex-Prom Queen, which established her as a primary figure in feminism’s second wave. Born in Cleveland, Ohio, Shulman studied philosophy at Columbia University and received an MA at New York University. She became a political activist, joining the Congress of Racial Equality in 1961 and the Women’s Liberation Movement in 1967. Shulman lives in Manhattan and continues to speak on issues such as feminism and reproductive choice. Memoirs of an ex Prom Queen.indd 1 20/03/2019 12:11 Memoirs of an Ex-Prom Queen Alix Kates Shulman with a new introduction by the author Memoirs of an ex Prom Queen.indd 3 20/03/2019 12:11 This edition published in Great Britain in 2019 by Serpent’s Tail, an imprint of Profile Books Ltd 3 Holford Yard Bevin Way London wc1x 9hd www.serpentstail.com Copyright © 1969, 1971, 1972, 1985, 2019 by Alix Kates Shulman Introduction copyright © 2019 by Alix Kates Shulman Originally published in 1972 by Alfred A. Knopf, Inc. Acknowledgement is extended to the following for permission to reprint copyrighted material: Chappel & Co., Inc.: Lines from Where or When by Lorenz Hart and Richard Rodgers. Copyright 1937 by Chappel & Co. Inc. Copyright renewed. Famous Music Publishing Companies: Lines from Lotus Blossom (Marahuana). Copyright 1934 by Famous Music Corporation. Copyright renewed 1961 by Famous Music Corporation. Harcourt Brace Jovanovich, Inc.: Excerpts from “The Love Song of J. Alfred Prufrock” by T.S. -
"Glee: Silly Love Songs (#2.12)" (2011) Santana Lopez: Please. I've Had Mono So Many Times It Turned Into Stereo
"Glee: Silly Love Songs (#2.12)" (2011) Santana Lopez: Please. I've had mono so many times it turned into stereo. Santana Lopez: I've kissed Finn, and can I just say: NOT worth a buck. I would, however, pay $100 to jiggle one of his man boobs. Santana Lopez: Finn only wears that gassy infant look when he feels guilty about something. Santana Lopez: I'll just marry an NFL player. They're super reliable. Santana Lopez: I just try to be really, really honest with people when I think that they suck. Santana Lopez: That's how we do it in Lima Heights. "Glee: Sectionals (#1.13)" (2009) Mercedes Jones: I thought you and Puck were dating? Santana Lopez: Sex is not dating. Brittany: Yeah, if it was, Santana and I would be dating. Santana Lopez: Look, we may still be Cheerios, but neither of us ever gave Sue the set list. Brittany: Well... I did. But I didn't know what she was gonna do with it. Santana Lopez: Okay, look... believe what you want, but no one's forcing me to be here. And if you tell anyone this, I'll deny it - but I like being in Glee Club. It's the best part of my day, okay? I wasn't gonna go and mess it up. Rachel Berry: I believe you. Santana Lopez: Sex is not dating. Brittany: If it was, Santana and I would be dating. Santana Lopez: Sex is not dating. Brittany Pierce: If it were, Santana and I would be dating. -
Staging the Self Performance/Performativity As Affirmation of Subjectivity in Teen Gay Film
Advertentie Kate Norbury and John Stephens Staging the self Performance/performativity as affirmation of subjectivity in teen gay film In the films considered in this paper a principal character’s engagement with theatres and stages enables him to express his creativity and intelligence as a form of personal empowerment, and the process functions in turn as a strategy to gain audience approval for gay characters.We argue that the shift in cultural perception represented in this trend has been mediated by a delicate and subtle combination of performativity and comedy. While gay characters have appeared in film throughout its history, the first gay teens did not appear until the latter years of the twentieth century, when a new direction began to emerge with Hettie Macdonald’s Beautiful Thing (1996), Simon Shore’s Get Real (1998), and David Moreton’s Edge of Seventeen (1998). Subsequent films have been concerned to explore the inner depths of gay teenagers, a recent direction perhaps prompted by the late twentieth-century reclamation of agency and resistance after the poststructural critique of the subject. The breakthrough film, and arguably the first that positively affirms young gay male identities, remainsBeautiful Thing. Of key relevance for our concerns here is the grounding of subjective agency in the interests of the two gay protagonists: Jamie watches old- fashioned Hollywood musicals and idolises popular gay icon Lucille Ball, whereas Ste is the soccer star on his team. Over the next decade, such interests in forms of performativity – artistic or sporting – become a key element in representations and valorisations of gay subjectivity,1 as the path- breaking ‘coming-out’ teen films from the late 1990s have been followed by 1 This development has not yet received scholarly attention, although to some extent Elizabeth Gould’s work is a forerunner. -
CORE, I.S. Coordinator Leaving Position Prom Queen
Volume 74 , Issue 9 May 6, 2011 Terrorist Osama Bin Laden dead BY ANNE B ELLE CH O I with Obama’s statement. “This Staff Writer represents a defining moment in history,” he said. On Sunday night, May 1, “[Bin Laden] just stands President Obama announced to behind an idea, but does not em- the nation that Osama Bin Laden body it. It doesn’t end with him is dead. and it should not be very signifi- The cause of his death was cant,” shared Sophomore Ryan the effort of a U.S. military op- Janowski. eration in “It’s a Abbottabad, good thing,” P a k i s t a n . Junior Bon- The target jovy Dizon, was the com- photo courtesy of Mr. Runyan says. “It’s pound where good for those From left to right: (First Row) Gabriel Pollack, Andrea Posantes, Rachel Chavez, Sharlyn Morales, and Bin Laden who have had Brian Sanchez. (Second Row) Carlos Santiago, Sergio Sanchez, Adrian Gonzales, Teodoro Antonio, was thought hardships be- Karmina Padgett, Nicole Acevedo, Noah Luke, Daisy Garcia, Mr. Runyan. (Third Row) Zack Lieber, to be in hid- cause of [Bin Andres Huerta, Thomas Pena, Chris Castro and Thomas Gauna. ing. During Laden] and this attack, the many peo- a team of ple who have Breaking barriers through Skills USA A m e r i c a n been killed by forces killed BY STEPHANIE OKUAKI AND JE ss ICA and shoot for the stars is one of nio, an ESL student at Cleveland, him.” Bin Laden photo illustration by Ryan Drantch HO NG the most rewarding things to do didn’t just conquer nine grueling The opin- and took his Guest Writers in life. -
Q&A with the Junior Prom Court
Edition 4 March/April 2018 [email protected] Q&ABy Kaylin Scoles With the Junior Prom Court Isabella Galvan all dressed up.” Prom is quickly approaching and the What was your reaction when you found out How are you preparing for prom? class of 2019 is ecstatic to attend their first you were nominated? “First I need to find a dress because “Touch of Class” Prom this year on April “I was shook but I couldn’t help but I have been slacking with that. Hopefully, I 20th. The Junior and Senior prom court was smile.” cooperate with myself because that doesn’t announced at Spir-it Start-Up and since What are you most excited for about prom? always happen when getting ready for things then, the court has been preparing for the “Jamming out to the HSM 3 album like this.” memorable day. The Junior class has fantas- while getting ready.” What’s your favorite thing about being on tic nominees this year who are honored to How are you preparing for prom? prom court? represent our class and can’t wait to enjoy “Lots of face masks.” “I’m not even going to lie that free this day. Here is your 2018 Junior Prom What’s your favorite thing about being on ticket is really nice.” Court: prom court? What’s your go-to song for prom? Brandon Gumayagay “The free stuff.” “My go to song mmmmm, either a What was your reaction when you found out What’s your go-to song for prom? good throw back from Ciara (“One Two Step”) you were nominated? “Hands down, “Can I Have This or “Stir Fry” by Migos.” “I remember laughing profusely, Dance.” If you could chose what food we could have at because I didn’t think I’d actually win. -
"The Only Flying Turtle Under the Sun," the Bildungsromon in Contemporary Women's Fiction
"The Only Flying Turtle Under The Sun," The Bildungsromon in Contemporary Women's Fiction by Rebecca Smith In Marge Piercy's novel Small Changes, Beth, one of the two main characters, finds herself trapped in a marriage that she had been conditioned to think was all she wanted from life, but that she his gaze. His anger was muted but actually discovers to be stifling and growing. She was something that deadening. Beth analyzes her husband was not working as it was supposed Jimbo's reaction to her dissatisfaction to. He was still trying to fix it. and her own fear in this excerpt from Soon he would lose his patience. the book: Then would he return it or break it? She felt caught in the gray web of One night as she lay trying to fall asleep beside him she remembered from a wild turtle would make a something from the summer when she child laugh. Threatened, they had was ten. One Saturday at a company a shell they could draw into and picnic . she had found a box tuck up inside. They were cautious turtle. He had a beautiful shell, and long-lived. No one could divided into sort of shingles above teach a turtle to do tricks. They and polished wood on the bottom. were quiet and could be mistaken They brought him back and made a for something not really alive, a home for him in the yard. They put rock or piece of wood. Sometimes up a chicken-wire fence and built a they aroused sadism in people. -
Choosing Glee: 10 Rules to Finding Inspiration, Happiness, and the Real You Pdf, Epub, Ebook
CHOOSING GLEE: 10 RULES TO FINDING INSPIRATION, HAPPINESS, AND THE REAL YOU PDF, EPUB, EBOOK Jenna Ushkowitz,Sheryl Berk | 216 pages | 14 May 2013 | GRIFFIN | 9781250030610 | English | New York, United States Choosing Glee: 10 Rules to Finding Inspiration, Happiness, and the Real You PDF Book Schuester tells her this is not a "Hello" song for the assignment, so she goes to the music store in search of a new song. Shortly after, New Directions are assigned to write two new original songs, but Puck and Quinn believe they should go outside and let New York write the songs for them. His death came at a cost, to have eternal life you must finish your end of the deal by giving your life to God. So if you find a current lower price from an online retailer on an identical, in-stock product, tell us and we'll match it. She then decides that she and Finn should throw the competition and allow Sam to win in hopes that this will give him the confidence boost, as well as the increased confidence from his team members, needed to strengthen himself and the team. Artie ; and touring the world singing the show's hits to stadium crowds. See all 6 - All listings for this product. She realizes that it is only the right thing for her to do, so she tells the truth about stuffing the ballot box in Kurt's favor, and in turn she receives a suspension on her permanent record and she is banned from competing at Sectionals. Rachel says it's happy to know she's missed because growing up can be lonely and that she misses her friends, dads and Finn. -
The Symbolic Meaning of Blood in Stephen King's Carrie Author
Örebro University Department of Humanities Education and Social Sciences English Bloody Horror! The Symbolic Meaning of Blood in Stephen King’s Carrie Author: Rebecka Fransson 19890221 C-Essay Fall 2015 Supervisor: Dr Anna Linzie Abstract In the novel Carrie by Stephen King, there is an abundance of symbolism. There are glaring references to religion and young adult rituals of freeing yourself and King hint at traditional folkloric fantasy, such as Cinderella. This essay focuses on the motif of blood in Carrie, its symbolic meaning and its connection to the Gothic. In the novel, King deploys this symbolism in three key parts. The analysis in this essay indicates that blood symbolizes power, repentance and identity in Carrie. List of Contents Introduction .............................................................................................................................................................................................. 1 Background ............................................................................................................................................................................................... 5 Discussion .................................................................................................................................................................................................. 9 The shower .................................................................................................................................................................................................................