Choosing Glee: 10 Rules to Finding Inspiration, Happiness, and the Real You Pdf, Epub, Ebook
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Comedy Taken Seriously the Mafia’S Ties to a Murder
MONDAY Beauty and the Beast www.annistonstar.com/tv The series returns with an all-new episode that finds Vincent (Jay Ryan) being TVstar arrested for May 30 - June 5, 2014 murder. 8 p.m. on The CW TUESDAY Celebrity Wife Swap Rock prince Dweezil Zappa trades his mate for the spouse of a former MLB outfielder. 9 p.m. on ABC THURSDAY Elementary Watson (Lucy Liu) and Holmes launch an investigation into Comedy Taken Seriously the mafia’s ties to a murder. J.B. Smoove is the dynamic new host of NBC’s 9:01 p.m. on CBS standup comedy competition “Last Comic Standing,” airing Mondays at 7 p.m. Get the deal of a lifetime for Home Phone Service. * $ Cable ONE is #1 in customer satisfaction for home phone.* /mo Talk about value! $25 a month for life for Cable ONE Phone. Now you’ve got unlimited local calling and FREE 25 long distance in the continental U.S. All with no contract and a 30-Day Money-Back Guarantee. It’s the best FOR LIFE deal on the most reliable phone service. $25 a month for life. Don’t wait! 1-855-CABLE-ONE cableone.net *Limited Time Offer. Promotional rate quoted good for eligible residential New Customers. Existing customers may lose current discounts by subscribing to this offer. Changes to customer’s pre-existing services initiated by customer during the promotional period may void Phone offer discount. Offer cannot be combined with any other discounts or promotions and excludes taxes, fees and any equipment charges. -
Sitcom Spec Script Survey
Sitcom Spec Script Survey 1. How would you rank yourself in terms of your sitcom writing experience? Response Response Percent Count No experience 20.5% 30 Beginner - understand the basics, but are still fairly 55.5% 81 inexperienced Advanced - written several scripts, but have not yet made any money 21.2% 31 from writing Professional - been paid to write 2.7% 4 answered question 146 skipped question 1 2. How many sitcom spec scripts have you written within the last year? Please only count COMPLETED drafts. Response Response Percent Count 0 - 2 93.8% 136 3 - 5 6.2% 9 6 - 10 0.7% 1 More than 10 0.0% 0 answered question 145 skipped question 2 1 of 18 3. Please list the sitcoms that you've specced within the last year: Response Count 95 answered question 95 skipped question 52 4. How many sitcom spec scripts are you currently writing or plan to begin writing during 2011? Response Response Percent Count 0 - 2 64.5% 91 3 - 4 30.5% 43 5 - 6 5.0% 7 answered question 141 skipped question 6 5. Please list the sitcoms in which you are either currently speccing or plan to spec in 2011: Response Count 116 answered question 116 skipped question 31 2 of 18 6. List any sitcoms that you believe to be BAD shows to spec (i.e. over-specced, too old, no longevity, etc.): Response Count 93 answered question 93 skipped question 54 7. In your opinion, what show is the "hottest" sitcom to spec right now? Response Count 103 answered question 103 skipped question 44 8. -
Saluting Cheyenne Jackson for Artistic Achievement
Saluting Cheyenne Jackson for artistic achievement WHEREAS, Cheyenne Jackson is a native of the Pacific Northwest who has shown that even through adversity and hardship, one can make their dreams come true; and WHEREAS, Cheyenne Jackson has appeared in films such as the Academy Award nominated United 93, the Sundance selected Price Check, and The Green; and WHEREAS, Cheyenne Jackson has also appeared on television programs such as Glee, Ugly Betty, Curb Your Enthusiasm, and 30 Rock; and WHEREAS, Cheyenne Jackson has appeared in such Broadway and off-Broadway productions as All Shook Up, The Agony and The Agony, The Heart of the Matter, and 8; and WHEREAS, Cheyenne Jackson has recorded two studio albums and has sold out Carnegie Hall twice; and WHEREAS, his work on Broadway, on television, in film and his activism on behalf of the LGBT community through his work with the Foundation for AIDS research and the Hetrick-Martin Institute which supports LGBT youth have been a source of inspiration for many in our community; and WHEREAS, we are proud to welcome Cheyenne Jackson back to the Pacific Northwest for his performance at Martin Woldson Theater in the hopes that his work will inspire many more; NOW, THEREFORE, BE IT RESOLVED, by the Spokane City Council that we hereby salute Cheyenne Jackson for all of his accomplishments and look forward to his performance with the Spokane Symphony. I, Ben Stuckart, Spokane City Council President, do hereunto set my hand and cause the seal of the City of Spokane to be affixed this 19th day of May in 2014 Ben Stuckart Spokane City Council President . -
A Brief History of the Morehouse College Glee Club
A Brief History of the Morehouse College Glee Club The Morehouse College Glee Club is the premier singing organization of Morehouse College, traveling all over the country and the world, demonstrating excellence not only in choral performance but also in discipline, dedication, and brotherhood. Through its tradition the Glee Club has an impressive history and seeks to secure its future through even greater accomplishments, continuing in this tradition through the dedication and commitment of its members and the leadership that its directors have provided throughout the years. It is the mission of the Morehouse College Glee Club to maintain a high standard of musical excellence. In 1911, Morehouse College, then under the name of Atlanta Baptist College, had a music professor named Georgia Starr. She served the College from 1903-1905 and again from 1908- 1911. Mr. Kemper Harreld, who officially founded the Morehouse College Glee Club, assumed leadership when he joined the College’s music faculty in the fall of 1911. Mr. Harreld became both, Chair of the Music Department and Director of the Glee Club. After faithfully serving for forty-two years, he retired in 1953. Mr. Harreld was responsible for beginning the Glee Club’s strong legacy of excellence that has since been passed down to all members of the organization. The Glee Club’s history continues in 1953 with the second director, Wendell Phillips Whalum, Sr., '52. Dr. Whalum was a prized student of Kemper Harreld. He served as Student Director during his tenure in the Glee Club. Dr. Whalum, was more commonly known as "Doc", and served Morehouse College and the Glee Club with the continued tradition of excellence through expanded repertoire and national and international exposure throughout his tenure at the College. -
Rutgers University Glee Club Fall 2020 – Audition Results Tenor 1
Rutgers University Glee Club Fall 2020 – Audition results Congratulations and welcome to the start of a great new year of music making. Please register for the Rutgers University Glee Club immediately – Course 07 701 349. If you are a music major and have any issues with registration please contact Ms. Leibowitz. Non majors with questions please email Dr. Gardner – [email protected]. Glee Club rehearases on Weds nights from 7 to 10 pm and Fridays from 2:50 to 4:10 pm on-line. The zoom link and syllabus is available in Canvas. First rehearsal is this coming Wednesday, September 9th. See you there! Tenor 1 Tenor 2 Baritone Bass Maxwell Domanchich Billy Colletto III Ryan Acevedo James Carson Tin Fung Sean Dekhayser Kyle Cao John DeMarco Jonathan Germosen Steve Franklin Jeffrey Greiner Duff Heitmann Joseph Maldonado James Hwang Tristan Kilper Jonathan Ho Khuti Moses Benjamin Kritz Brian Kong Emerson Katz-Justice Aditya Nibhanupudi Matthew Mallick Matthew Lacognata Seonuk Kim Michael O'Neill Amartya Mani Michael Lazarow Allen Li Michael Schaming Gene Masso Ryan Leibowitz Gabriel Lukijaniuk Xerxes Tata Conor Wall Carl Muhler Sean McBurney Harry Thomas Bobby Weil Julian Perelman Joseph Mezza Zachary Wang John Wilson Caleb Schneider AJ Pandey Nathaniel Barnett Samuel Wilson Gianmarco Scotti Thomas Piatkowski Josh Gonzalez Patrick Cascia Kolter Yagual-Ralston Guillermo Pineiro Kyle Casem Nicholas Casey Nathaniel Eck Ross Ferguson Sachin Boteju Mike Semancik Michael Munza Evan Dickonson Soroush Gharavi Jason Bedianko Colin Smith Benjamin Shanofsky . -
2010 16Th Annual SAG AWARDS
CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. -
THE TUFTS DAILY Est
Where You Sunny Read It First 59/45 THE TUFTS DAILY Est. 1980 VOLUME LXIV, NUMBER 23 THURSDAY, OCtoBER 11, 2012 TUFTSDAILY.COM Social activist Mel King visits the Hill BY JO S H WEINER “There’s a saying, ‘If they Daily Editorial Board can name you, they can claim you,’” he said. “So I told myself, Mel King, senior lecturer ‘don’t let anybody name me.’ emeritus at the Massachusetts No change can come to any Institute of Technology and movement or group until they former candidate for Boston can assert that they are deserv- mayor, last night present- ing and have a right.” ed a lecture in the Alumnae King acknowledged the Lounge, documenting the progress that has been made observations he has made against segregation and dis- during his lengthy career as a crimination in his lifetime but social activist in the area. believes that society is plagued King, a lifelong resident of by the fact that certain groups Boston’s South End, spoke on are denied the privileges and the many instances in his life opportunities that are so read- in which he has had to com- ily available to others in the bat racism and discrimina- same environment. tion. One of the earliest cases “Lurking still in our cul- of segregation that he expe- ture is the fact that we value rienced occurred within the some groups less than oth- KYRA STURGILL / THE TUFTS Daily Church of All Nations, where ers,” he said. “Romney called In celebration of National Coming Out Day, the Tufts Queer Straight Alliance hosted a rally in the Mayer Campus he worshipped as a child from this group the 47 percent, the Center yesterday. -
Glee- Wiedza Z 4 Sezonu Test Z Zakresu Wiedzy O 4 Sezonie- Trochę Tej Wiedzy Podstawowej, Ale I Trochę Trudniejszej ;) Dotyczy Na Razie Odcinków Od 1-10
Glee- wiedza z 4 sezonu Test z zakresu wiedzy o 4 sezonie- trochę tej wiedzy podstawowej, ale i trochę trudniejszej ;) Dotyczy na razie odcinków od 1-10. Poziom trudności: Trudny 1. Dlaczego nie wszyscy w chórze cieszyli się na dołączenie się do nich Unique? A - Była dla nich zbyt kontrowersyjna B - Bali się że jest szpiegiem VA (Vocal Adrenaline) C - Była tylo kolejną osobą do tytułu "Nowej Rachel" D - Była zbyt mało utalentowana 2. Do jakiego stworzenia z filmów porównała Becky Sue podczas pokazywania wyników jej testu Britt? A - Hobbit B - Gremlin C - Ewok D - Skrzat 3. Dlaczego Brittany przegrała wybory na przewodniczącą? A - Oszukiwała i została zdyskfalifikowana B - Obiecała, że zniesie czas wolny przysługujący uczniom np. weekendy i święta. C - Została zdradzona przez Artie'ego D - Nie mogła startować po raz drugi 4. Dokąd na randkę po wyborach Sugar zaprosiła Artie'ego? A - Do kina B - Na kręgle C - Jazda figurowa D - Jazda konna 5. Jak nazywał się stan, w którym studiowała Santana? A - Ohio B - Indiana C - Kentucky D - Iowa Copyright © 1995-2021 Wirtualna Polska 6. Dlaczego Will zdecydowała się na wyjazd do Waszyngtonu? A - Zainteresował się polityką B - Chciał walczyć o wyższy budżet na sztukę C - Znudziło mu się opiekowanie chórem D - Został wybrany i musiał byc zmusozny jechać jako przedstwiciel chórów 7. Jakiego zespołu piosenka została zaśpiewana na koniec odcinka 4x04? A - The Beatles B - Queen C - Coldplay D - My Chemical Romance 8. Jak nick nosił chłopak, z którym zdradził Kurta Blaine? A - Johnny R B - Micky S.S. C - Eli C. D - Seb X.O.X.O 9. -
Download Choosing Glee
Choosing Glee: 10 Rules to Finding Inspiration, Happiness, and the Real You, Jenna Ushkowitz, Sheryl Berk, St. Martin's Press, 2013, 1250030617, 9781250030610, 224 pages. Glee star Jenna Ushkowitz, a.k.a. "Tina," inspires fans to invoke positive thinking into everything they do in this inspirational scrapbook.Time to Gleek out!Fans of the breakout musical series will flock to Ushkowitz’s heartfelt and practical guide on how to be your true self, gain self-esteem, and find your inner confidence. In Choosing Glee, Jenna shares her life in thrall to performance, navigating the pendulum swing of rejection and success, and the lessons she learned along the way. Included are her vivid anecdotes of everything before and after Glee: her being adopted from South Korea; her early appearances in commercials and on Sesame Street; her first Broadway role in The King and I; landing the part of Tina on Glee; her long-time friendships with Lea Michele (a.k.a. Rachel Berry) and Kevin McHale (a.k.a. Artie); and touring the world singing the show’s hits to stadium crowds. Peppered throughout are photos, keepsakes, lists, and charts that illustrate Jenna's life and the choices she has made that have shaped her positive outlook.Choosing Glee will speak to the show's demographic who are often coping with the very stresses and anxieties the teenage characters on Glee face. Think The Happiness Project for a younger generation: With its uplifting message and intimate format, teens can learn how, exactly, to choose glee. -
STAR V25,1 September-23-1932.Pdf (4.758Mb)
L/ 1 \ 1 /19£,Le NUMBER 1 VOLUME XXV HOUGHTON COLLEGE HOUGHTON, N Y SEPTEMBER 23, 1932 Choir Starts Student's Reception Frosh Parade Year's Work Held in Gym on Campus The social >ear at Ho'ton began E. erl week musr come to an end, The Houghton College A Cappella Frida) eventng, September 16, .,th and even special weeks as Freshman Choir has completed its membership the New Students' Reception in Bed 11 M ak must conclude sometime Frt- and at the present writing is already ford gymnasium The first half ok Ida, afternoon on rhe campus the t- bustly engaged in practising several the evening was spent in getting ac nat e.ent ot Freshman Week took pieces of the difficult program that quamred bi means of autograph has been arranged for the coming sea- books, which have become the s>mbol pia.e a. the annual crop ot Frosh son by the director, Professor Wilfred of every Freshman Reception After Her. put through thetr paces by a an hour of trading names and learn- , handful ot Sophs It was the Frosh Batn Parade, rapidly becommg a Hough- The personnel of this year's Choir Ing new faces, the new corners were 1 consists of many who have hitherto formally presented to the faculty ton tradition This obsener was par- tlcu larly amused by the fact that if not sung in the orgaizanon, since and the assemblage mmed to the the Frosh U! turned on their tormen- n.enty three of last >ear's members chapel for a short program WIpo have been lost through graduation While the audience were entering ' tors they probabli could have failure to return to school this vear Malcolm Cronk directed the singing ed up the map" with them, and we haie a sneaking bunch that the Sophs and heavy school programs O) the of "Come Back to Dear Old Hough- THOMAS NOAH CAQTER Evangelist 1. -
US, JAPANESE, and UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, and the CONSTRUCTION of TEEN IDENTITY By
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by British Columbia's network of post-secondary digital repositories BLOCKING THE SCHOOL PLAY: US, JAPANESE, AND UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, AND THE CONSTRUCTION OF TEEN IDENTITY by Jennifer Bomford B.A., University of Northern British Columbia, 1999 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH UNIVERSITY OF NORTHERN BRITISH COLUMBIA August 2016 © Jennifer Bomford, 2016 ABSTRACT School spaces differ regionally and internationally, and this difference can be seen in television programmes featuring high schools. As television must always create its spaces and places on the screen, what, then, is the significance of the varying emphases as well as the commonalities constructed in televisual high school settings in UK, US, and Japanese television shows? This master’s thesis considers how fictional televisual high schools both contest and construct national identity. In order to do this, it posits the existence of the televisual school story, a descendant of the literary school story. It then compares the formal and narrative ways in which Glee (2009-2015), Hex (2004-2005), and Ouran koukou hosutobu (2006) deploy space and place to create identity on the screen. In particular, it examines how heteronormativity and gender roles affect the abilities of characters to move through spaces, across boundaries, and gain secure places of their own. ii TABLE OF CONTENTS Abstract ii Table of Contents iii Acknowledgement v Introduction Orientation 1 Space and Place in Schools 5 Schools on TV 11 Schools on TV from Japan, 12 the U.S., and the U.K. -
Missing Cats, Stray Coyotes: One Citizen’S Perspective
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Wildlife Damage Management Conferences -- Wildlife Damage Management, Internet Center Proceedings for 4-1-2007 MISSING CATS, STRAY COYOTES: ONE CITIZEN’S PERSPECTIVE Judith C. Webster Vancouver, British Columbia, Canada Follow this and additional works at: https://digitalcommons.unl.edu/icwdm_wdmconfproc Part of the Environmental Sciences Commons Webster, Judith C., "MISSING CATS, STRAY COYOTES: ONE CITIZEN’S PERSPECTIVE" (2007). Wildlife Damage Management Conferences -- Proceedings. 78. https://digitalcommons.unl.edu/icwdm_wdmconfproc/78 This Article is brought to you for free and open access by the Wildlife Damage Management, Internet Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Wildlife Damage Management Conferences -- Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Missing Cats, Stray Coyotes: One Citizen’s Perspective * Judith C. Webster , Vancouver, British Columbia, Canada Abstract : The author explores the issue of urban coyotes and coyote management from a cat owner’s perspective, with specific examples from Vancouver, B.C., Canada. Following a personal encounter with two coyotes in July 2005 that led to the death of a cat, the author has delved into the history of Vancouver’s “Co-existing with Coyotes”, a government-funded program run by a non- profit ecological society. The policy’s roots in conservation biology, the environmental movement, and the human dimensions branch of wildlife management are documented. The author contends that “Co-existing with Coyotes” puts people and pets at greater risk of attack by its inadequate response to habituated coyotes, and by an educational component that misrepresents real dangers and offers unworkable advice.