DOCSLIB.ORG

4Èmes Rencontres D'art Rupestre Du Centre National De Préhistoire 16 Et 17 Mai 2013 À L'auditorium Du Musée National De Préhistoire, Les Eyzies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
4Èmes Rencontres D'art Rupestre Du Centre National De Préhistoire 16 Et 17 Mai 2013 À L'auditorium Du Musée National De Préhistoire, Les Eyzies 4èmes Rencontres d'art rupestre du Centre National de Préhistoire 16 et 17 Mai 2013 à l'auditorium du Musée National de Préhistoire! les "#$ies Ces journées sont destinées aux échanges entre chercheurs et étudiants de différents horizons partageant des problématiques et des pratiques qui, au-delà de leur diversité apparente, sont au service de l'étude de l'art rupestre. Une demi-journée (vendredi "# matin) sera consacrée à la présentation des actualités de la recherche en art pariétal et rupestre. %%% & Penser les contextes en art rupestre ( méthodes, expériences, perspectives * %%% Notion fondamentale de l'archéologie, le contexte, son sens et ses usages n'en ont pas moins évolué au cours du temps. & l'origine constitué pour désigner les regroupements définis par la lecture des enregistrements archéologiques, il prend en considération les informations extrinsèques d'un objet, une œuvre, ou un site. Dans un sens plus large, avec ou sans adjectif, il désigne aussi les conditions environnementales, naturelles et anthropologiques et se trouve, de fait, très lié à la pluridisciplinarité des études. En archéologie de l'art rupestre, cette pierre angulaire de notre raisonnement reste souvent perçue comme un objectif à atteindre, voire un mo,en de s'affranchir des grands schémas d'interprétation ou d'évolution chrono-stylistiques trop généraux et simplificateurs. Il devient ainsi une approche à part entière, avec ses cadres théoriques et ses démarches analytiques. Les rencontres d'art rupestre seront l'occasion d'évoquer différents contextes et approches de contextualisation utilisés dans les études d'art pariétal et rupestre. Leur utilisation, leur intérêt, leur diversité et leurs complémentarités éventuelles seront envisagées et discutées, quels que soient les objets et les cadres (chronologiques, spatiaux, socio-culturels) considérés. %%% 4th Roc+ ,rt Meetin-s of the Centre national de Prehistoire 16th and 17th May 2013 at the auditorium of the Musée National de Préhistoire! les "#$ies This meeting is dedicated to exchange bet1een established researchers and students from various fields of archaeolog,, who all share similar questions and practices which are, despite their apparent diversit,, aiming at advancing rock art studies. Half a day (4riday 17h AM) will be devoted to presenting news about rock art studies. %%% /0hin+in- Conte'ts in Roc+ ,rt( Methods, Experiences, Prospects1 --- The ‘context7 is a fundamental notion in archaeology. Ho1ever its meaning and uses has evolved through time. 8riginally designed to allo1 the groupings of data derived from the archaeological records, it takes into account extrinsic information of an artefact, an art1or2 or a site. In its wider meaning, it refers to past environmental natural or anthropic conditions. Thus the context is strongly related to the multifaceted rock art studies. Within the archaeology of rock art, this ma, appear as a cornerstone of our reasoning, which is often perceived as a goal to reach, or a 1a, of avoiding generic interpretation or stylistic chronology, which in turn are too broad or simplistic. So contextual studies become a proper frame1or2 for research, with its own theoretical precincts and analytical processes. The ;encontre d’art rupestre aim at creating opportunities for discussions about different approaches to contextualisation in rock art studies. 9e shall consider the paradigm, relevance, diversit, and complementarit, of contextual approaches, taken from several chronological, environmental and sociocultural backgrounds. %%% Programme prévisionnel / Proposed pro-ramme Communications en anglais et en français (anglais souhaité le 16 Mai )/Lectures will be in French or in English (preferabl in English on Thurs"16 Ma )" Les temps de communication sont de 2% mn + 1% mn de questions / Duration of tal)s shoul# be 2% min + 1% min Q+, -n temps de discussion est prévu en fin de journée / More time will be allocated to discussion at the en# of the da 3eudi 16 Mai 2013 / Thursday 16 May 2013: Accueil des participants / Welcome 09h30 ?ean-Jacques Cle,et-Merle, ?ean-Michel Geneste, :tephen &ccueil et propos introductifs A 9elcome and introduction 10h00 :hennan ?ean-Michel Geneste, Catherine Benser les contextes en art rupestre Cretin 0hin2ing Contexts in ;oc2 &rt 10h30 :téphane 3oerlé, *lisa Coche, &pproche interdisciplinaire de la chronologie relative des sites ?ean-Jacques )elanno,, ?ean- d'art rupestre D 0en ornis occupation site, 0erre d'&rnhem. 5ichel Geneste, 5agen 8'4arrell, -nterdisciplinar, approach to the relative chronolog, of roc2 11h00 Cenjamin :adier art sites D @en,ornis occupation site, &rhnem land !&ustralia$ .e contexte, c'est moi E D vers une anthropologie des représentations en art rupestre ?ulien 5onne, Context, that's me E 0o1ard an anthropolog, of 11h30 representations in roc2 art 0he ;oc2 &rt of the 3orn of &fricaD to1ards an )idier Coua2aze-Kahn understanding of bovidean outliers 12h00 .7art rupestre de la Corne de l7&friqueD l7exception bovidienne Pause déjeuner / Lunch break 12h30 - 14h00 -mage vs &nimalD 3o1 3olocene :aharans sa1 their 9orldH 5aria Guagnin -mage contre &nimalD Comment les sahariens de l73olocene 14h00 vo,aient-ils leur monde H 0he Colonial Beriod ;oc2 &rt of :outhern &frica Fate :inha .7art rupestre colonial d7&frique &ustrale 14h30 Can 1e tal2 of a distinctive Cornish tradition of roc2 artH *than 9hite Bouvons-nous parler d7une tradition distinctive d7art rupestre 15h00 de Cornouailles H Pause / Break 15h30 &nthropogéomorphologie et sites d7art rupestre ?ean-Jacques )elanno, &nthropogeomorpholog, and ;oc2 &rt :ites 16h00 (iscussions 16h30 Beter ;obinson !*ditor Cradsha1 , wor) in 1rogress 4oundation$ -n tra.ail continuel 17h00 !in de la journée / End of the da$ 17h30 Conférence ouverte au public / Public Lecture : Didier Bouakaze-Kahn The 0sodilo 4ills of Bots6ana: Roc+ Art at the 7ascaux of the 8alahari9 19h00 7es collines de 0sodilo au Bots6ana: l:art rupestre du 7ascaux du 8alahari Lecture in memory of / %on#erence a la mémoire d&Alec %ampbell <endredi 17 Mai 2013 / =rida# 17 Ma# 2013 Accueil des participants / Welcome 09h30 A%'(AL)'"* / +EW* .e relevé non destructif - .a numérisation >) dans le relevé %icolas 5élard des gravures et graffiti médiévaux au chMteau de :elles à et Cambrai, %ord !4rance$ 10h00 %on invasive surve,- >) digitization of medieval engravings Lirginie 5otte and graffiti in the castle :elles !Cambrai !4rance$$ %ouvelles 4igures dans une grotte ornée du début du :tephane Betrognani, *ric ;obert, Baléolithique supérieur D .es Cernoux !Courdeilles, )ordogne$ )idier Cailhol, Claire .ucas, *lisa %e1 figures from a *arl, Balaeolithic engraved caveD .es 10h30 Coche, *milie .esvignes Cernoux !Courdeilles, )ordogne$ Comment donner une nouvelle dimension aux études d'art 3ugues Blisson, .,dia Notkina rupestre 11h00 3o1 to give a ne1 dimension to roc2 art studies &nal,ses in situ non-invasives couplant fluorescence et 5arine Ga,, 3él'ne ;ousseli're, diffraction de ra,ons P des parois ornées des grottes Fatharina 5Oller, :téphane Foni2, préhistoriques D cas de la grotte de ;ouffignac 4rédéric Blassard, ?ean-Jacques -n situ non-invasive anal,ses combining P-ra, fluorescence and 11h30 Cle,et-Merle et -na ;eiche P-ra, diffraction of decorated 1alls of prehistoric cavesD the case of ;ouffignac cave Pause déjeuner / Lunch break 12h00 - 14h00 Conventions graphiques dans l7art pariétal paléolithiqueD une approche statistique &itor ;uiz ;edondo @raphic conventions in Baleolithic ;oc2 &rt: a statistical 14h00 approach .es statuettes animali'res de la grotte d7-sturitz !B,rénées- &tlantiques$, vers une approche technologique intégrée *mma Croidieu :tone animal statuettes during the 5agdalenean, to1ards an 14h30 integrated technological approach. :. Ce,ries, G. Bin+on, C. Courdier, .a fin de vie d'un outil...réaliser une oeuvre d'art .. Chehmana, &. &bgrall et 8. *nd of a tool lifeQ ma2e a piece of art 15h00 4uentes Pause / reak 15h30 .a stratégie d7étude du contexte naturel de .ascaux par la :téphane Foni2 Commission d7Rtudes :cientifiques !"=K> S "=#K$ et 0he strateg, of stud, of the natural context of .ascaux cave 16h00 ?ean-Michel Geneste b, the Commission of :cientific -nquir, !on "=K> - "=#K$ .e naturalisme à l'épreuve des faits *lena 5an-Estier %aturalism in the test of the facts 16h30 (iscussions 17h00 L7accueil sera assuré cha'ue matin 8 partir #e 9h:% autour #7un café / ;elcoming at 9h:% with coffe an# tea Les #é/euners seront proposés sous forme #e buffet, sur la terrasse #u Musée =ational #e 1réhistoire / Lunch will be pro.i#e# on the Museum7s terrace" 3eudi 16 Mai 2013 / Thursday 16 May 2013 – 10h30 3ean-Michel Geneste! Catherine Cretin MCC/DG1/Sous5#irection #e l'archéologie< Centre =ational #e 1réhistoire< 1érigueu?< France Penser les conte,tes en art rupestre Thinkin- %ontexts in .ock Art @E>-ME La notion #e contexte appli'uée au? sites préhistori'ues s7est progressi.ement élargie en fonction #e l7extension< #isciplinaire et conceptuelle, #e l7archéologie en général" (ans le cas #e l7art rupestre (sites paléolithi'ues compris)< elle pren# un sens un peu particulier< a.ec #es en/eu? liés au? problémati'ues #e correspon#ance entre le mon#e matériel et i#éel au?'uelles on se trou.e directement confronté. =ous proposons ici en guise #Aintro#uction une mise en perspecti.e #e ce concept< #epuis ses utilisations originelles 'ui .isaient le plus sou.ent 8 combiner ou s nthétiser #ifférents concepts #Aorganisation spatiale et #Aéchelles #e temps (@apoport< 199B C Chippin#ale et Taçon< 199D) jus'uA8 ses orientations
Load more

Recommended publications
  • Lithic Tool Kits: a Metronome of the Evolution of the Magdalenian in Southwest France (19,000E14,000 Cal BP)
    Quaternary International 414 (2016) 92e107 Contents lists available at ScienceDirect Quaternary International journal homepage: www.elsevier.com/locate/quaint Lithic tool kits: A Metronome of the evolution of the Magdalenian in southwest France (19,000e14,000 cal BP) * Mathieu Langlais a, d, , Anthony Secher b, Solene Caux b, Vincent Delvigne b, Laura Gourc b, Christian Normand c, Marta Sanchez de la Torre d a CNRS PACEA UMR 5199, Univ. Bordeaux, Allee Geoffroy Saint-Hilaire, CS 50 023, 33615 Pessac cedex, France b Univ. Bordeaux, PACEA UMR 5199, Allee Geoffroy Saint-Hilaire, CS 50 023, 33615 Pessac cedex, France c Univ. Toulouse Jean Jaures, TRACES UMR 5608, Maison de la Recherche, 5, Allee Antonio Machado, 31058 Toulouse cedex 9, France d Univ. Barcelona SERP, Gran Via de les Corts Catalanes, 585, 08007 Barcelona, Spain article info abstract Article history: Under the Magdatis project a new evolutionary model has been proposed for the Middle and Upper Available online 14 November 2015 Magdalenian based on a review of several lithic assemblages from southwest France. The Lower Magdalenian is not addressed in this article. Single lithic assemblages and stratigraphic sequences have Keywords: been compared according to several parameters: the origin of the siliceous raw materials, the inter- Final Palaeolithic connection between domestic tool production and hunting armatures, and the typo-technology of the Magdalenian microliths. Alongside the new techno-economic data, the geographical distribution of certain practices Lithic tool kits and particular artefacts in southwest France has led to a discussion of the cultural geography of the Armaments Territory different phases of the Magdalenian between 19,000 and 14,000 cal BP.
    [Show full text]
  • Lithic Tool Kits: a Metronome of the Evolution Of
    Lithic tool kits: A Metronome of the evolution of the Magdalenian in southwest France (19,000–14,000 cal BP) Mathieu Langlais, Anthony Sécher, Solène Caux, Vincent Delvigne, Laura Gourc, Christian Normand, Marta Sánchez de la Torre To cite this version: Mathieu Langlais, Anthony Sécher, Solène Caux, Vincent Delvigne, Laura Gourc, et al.. Lithic tool kits: A Metronome of the evolution of the Magdalenian in southwest France (19,000–14,000 cal BP). Quaternary International, Elsevier, 2016, 414, pp.92-107. 10.1016/j.quaint.2015.09.069. hal- 02296765 HAL Id: hal-02296765 https://hal.archives-ouvertes.fr/hal-02296765 Submitted on 15 Dec 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Lithic Tool Kits: a Metronome of the Evolution of the Magdalenian in Southwest France (19,000–14,000 cal BP). Mathieu LANGLAIS1,3, Anthony SÉCHER2, Solène CAUX2, Vincent DELVIGNE2, Laura GOURC2, Christian NORMAND3, Marta SÁNCHEZ de la TORRE4 Corresponding author: [email protected] 1: CNRS PACEA UMR 5199 Univ. Bordeaux Allée Geoffroy Saint-Hilaire CS 50 023 33615 Pessac cedex FRANCE 2: Univ. Bordeaux PACEA UMR 5199 Allée Geoffroy Saint-Hilaire CS 50 023 33615 Pessac cedex FRANCE 3: Univ.
    [Show full text]
  • Homo Aestheticus’
    Conceptual Paper Glob J Arch & Anthropol Volume 11 Issue 3 - June 2020 Copyright © All rights are reserved by Shuchi Srivastava DOI: 10.19080/GJAA.2020.11.555815 Man and Artistic Expression: Emergence of ‘Homo Aestheticus’ Shuchi Srivastava* Department of Anthropology, National Post Graduate College, University of Lucknow, India Submission: May 30, 2020; Published: June 16, 2020 *Corresponding author: Shuchi Srivastava, Assistant Professor, Department of Anthropology, National Post Graduate College, An Autonomous College of University of Lucknow, Lucknow, India Abstract Man is a member of animal kingdom like all other animals but his unique feature is culture. Cultural activities involve art and artistic expressions which are the earliest methods of emotional manifestation through sign. The present paper deals with the origin of the artistic expression of the man, i.e. the emergence of ‘Homo aestheticus’ and discussed various related aspects. It is basically a conceptual paper; history of art begins with humanity. In his artistic instincts and attainments, man expressed his vigour, his ability to establish a gainful and optimistictherefore, mainlyrelationship the secondary with his environmentsources of data to humanizehave been nature. used for Their the behaviorsstudy. Overall as artists findings was reveal one of that the man selection is artistic characteristics by nature suitableand the for the progress of the human species. Evidence from extensive analysis of cave art and home art suggests that humans have also been ‘Homo aestheticus’ since their origins. Keywords: Man; Art; Artistic expression; Homo aestheticus; Prehistoric art; Palaeolithic art; Cave art; Home art Introduction ‘Sahityasangeetkalavihinah, Sakshatpashuh Maybe it was the time when some African apelike creatures to 7 million years ago, the first human ancestors were appeared.
    [Show full text]
  • SOM Postscript
    This is the final peer-reviewed accepted manuscript of: M. Romandini, G. Oxilia, E. Bortolini, S. Peyrégne, D. Delpiano, A. Nava, D. Panetta, G. Di Domenico, P. Martini, S. Arrighi, F. Badino, C. Figus, F. Lugli, G. Marciani, S. Silvestrini, J. C. Menghi Sartorio, G. Terlato, J.J. Hublin, M. Meyer, L. Bondioli, T. Higham, V. Slon, M. Peresani, S. Benazzi, A late Neanderthal tooth from northeastern Italy, Journal of Human Evolution, 147 (2020), 102867 The final published version is available online at: https://doi.org/10.1016/j.jhevol.2020.102867 Rights / License: The terms and conditions for the reuse of this version of the manuscript are specified in the publishing policy. For all terms of use and more information see the publisher's website. This item was downloaded from IRIS Università di Bologna (https://cris.unibo.it/) When citing, please refer to the published version. Supplementary Online Material (SOM): A late Neanderthal tooth from northeastern Italy This item was downloaded from IRIS Università di Bologna (https://cris.unibo.it/) When citing, please refer to the published version. SOM S1 DNA extraction, library preparation and enrichment for mitochondrial DNA The tooth from Riparo Broion was sampled in the clean room of the University of Bologna in Ravenna, Italy. After removing a thin layer of surface material, the tooth was drilled adjacent to the cementoenamel junction using 1.0 mm disposable dental drills. Approximately 50 mg of tooth powder were collected. All subsequent laboratory steps were performed at the Max Planck Institute for Evolutionary Anthropology in Leipzig, Germany, using automated liquid handling systems (Bravo NGS workstation, Agilent Technologies) as described in Rohland et al.
    [Show full text]
  • Marie Soressi.Pdf
    N° dordre : 2615 THÈSE présentée à L’UNIVERSITÉ BORDEAUX I Ecole doctorale des Sciences du vivant - Géoscience, Sciences de l’environnement par Marie SORESSI POUR OBTENIR LE GRADE DE DOCTEUR SPÉCIALITÉ : Préhistoire et Géologie du Quaternaire Le Moustérien de tradition acheuléenne du sud-ouest de la France Discussion sur la signification du faciès à partir de l’étude comparée de quatre sites : Pech-de-l’Azé I, Le Moustier, La Rochette et la Grotte XVI Soutenue le 16 décembre 2002 Après avis de : MM. O. Bar-Yosef, Professeur à l’Université de Harvard, Etats-Unis A. Tuffreau, Professeur à l’Université de Lille I Devant la commission d’examen formée de : MM. O. Bar-Yosef, Professeur à l’Université de Harvard, Etats-Unis Rapporteur J.-M. Geneste, Conservateur du Patrimoine Directeur J. Jaubert, Professeur à l’Université de Bordeaux I Président J. Pelegrin, Directeur de recherche au C.N.R.S. Examinateur J.-Ph. Rigaud, Conservateur général du Patrimoine Directeur A. Tuffreau, Professeur à l’Université de Lille I Rapporteur - 2002 - Résumé : Ce manuscrit présente une base de données technologiques, économiques et morpho-fonctionnelles pour quatre gisements moustériens de tradition acheuléenne (MTA) du sud-ouest de la France. Ces gisements, dont les deux gisements éponymes, ont livré des niveaux MTA de type A et MTA de type B datés du stade isotopique quatre ou de la première partie du stade isotopique trois par des méthodes de datations radiométriques. L’analyse des pièces bifaciales montre leur caractère polyfonctionnel, leur raffûtage et leur utilisation comme outils et comme pourvoyeurs d’éclats dans des localités éloignées de celle de leur production.
    [Show full text]
  • Dordogne, Where the Largest Concentration of Prehistoric Art in the World Is Found
    IINN DOORDOGNERDOGNE SSeptembereptember 1122 ttoo 220,0, 22013013 Dear Alumni, Parents and Friends: Join us for this unique opportunity to experience the authentic character of the historic villages in France’s picturesque southwestern département of Dordogne, where the largest concentration of prehistoric art in the world is found. For one full week, immerse yourself in the rich local culture and rhythms of daily life in Dordogne, and explore the history of early humans who etched their stories into cave walls. We are delighted to invite you to spend seven nights in the heart of Dordogne, where all of France’s provincial charms have been distilled into one of Europe’s most beautiful and intact medieval villages, Sarlat-la-Canéda. Stroll through its traditional, twice-weekly market and marvel at the warm, medieval ambiance of the honey-colored stone buildings on the square. Our expert-guided excursions explore four UNESCO World Heritage sites: the dramatic cliffside village of Rocamadour, L’Abri du Cap-Blanc, Rouffi gnac Cave and Les-Eyzies-de-Tayac; and see the prehistoric troglodyte village of La Roque Saint-Christophe. Specially arranged and exclusive, enriching lectures and the VILLAGE FORUM™ provide personal perspectives on daily life in the villages of Dordogne. This unique sojourn features traditional provincial ambiance and modern accommodations and amenities in the family-owned PLAZA MADELEINE HÔTEL. This hôtel de charme is located in a 19th-century building in medieval Sarlat-la-Canéda and the staff is known for its warm hospitality. VILLAGE LIFE™ IN DORDOGNE is exceedingly popular and includes all accommodations, specially arranged excursions and a great opportunity to experience an itinerary not available anywhere else! I encourage you to reserve now while Early Booking Savings and space are available.
    [Show full text]
  • Non-Figurative Cave Art in Northern Spain
    THE CAVES OF CANTABRIA: NON-FIGURATIVE CAVE ART IN NORTHERN SPAIN by Dustin Riley A thesis submitted To the School of Graduate Studies in partial fulfllment of the requirments for the degree of Master of Arts, Department of Archaeology Memorial University of Newfoundland January, 2017 St. John’s Newfoundland and Labrador Abstract This project focuses on non-figurative cave art in Cantabrian (Spain) from the Upper Palaeolithic (ca. 40,000-10,000). With more than 30 decorated caves in the region, it is one of the world’s richest areas in Palaeolithic artwork. My project explores the social and cultural dimensions associated with non-figurative cave images. Non-figurative artwork accounts for any image that does not represent real world objects. My primary objectives are: (1) To produce the first detailed account of non-figurative cave art in Cantabria; (2) To examine the relationships between figurative and non-figurative images; and (3) To analyse the many cultural and symbolic meanings associated to non- figurative images. To do so, I construct a database documenting the various features of non-figurative imagery in Cantabria. The third objective will be accomplished by examining the cultural and social values of non-figurative art through the lens of cognitive archaeology. ii Acknowledgements I would like to thank and express my gratitude to the members of the Department of Archaeology at Memorial University of Newfoundland and Labrador for giving me the opportunity to conduct research and achieve an advanced degree. In particular I would like to express my upmost appreciation to Dr. Oscar Moro Abadía, whose guidance, critiques, and continued support and confidence in me aided my development as a student and as a person.
    [Show full text]
  • Corrosion Stratifications on Glass Jewellery Excavated Beneath the Market Square in Kraków, Poland
    2014, vol. 40 (2): 233–240 Corrosion stratifications on glass jewellery excavated beneath the market square in Kraków, Poland Dominika Zabiegaj1, Barbara Szala2, Elżbieta Greiner-Wronowa3 1 CNR, Institute for Energetics and Interphases; Genova, Italy 2 AGH University of Science and Technology, Faculty of Geology, Geophysics and Environmental Protection; al. Mickiewicza 30, 30-059 Krakow, Poland; e-mail: [email protected] 3 AGH University of Science and Technology, Faculty of Materials Science and Ceramics; al. Mickiewicza 30, 30-059 Krakow, Poland, e-mail: [email protected] © 2014 Authors. This is an open access publication, which can be used, distributed and reproduced in any medium according to the Creative Commons CC-BY 4.0 License requiring that the original work has been properly cited. Received: 9 September 2013; accepted: 26 July 2014 Abstract: Glass has been one of the materials selected for its decorative purposes since early mankind. Its pro- duction was complex and varied all around the world, considering the sources of local materials used for its pro- duction as well technological knowledge about the manufacturing process. The aim of this work is to put some light on glass jewelry unearthed during the archeological excavations at the Main Market Square in Kraków, and to increase the importance of a stratifications investigation of ancient subjects by induced corrosion, using glass sensors. The collected data helps to determinate the definitive condition of a historical object. This data will also help to establish the chemical nature of the corrosion products and the altered glass and metal surfaces. Moreover, the ring presented in this work can be considered to be from a small group of fine medieval jewelry corresponding to the upper class of the population, such as the nobility or wealthy merchants.
    [Show full text]
  • Timeline for Homo Sapiens - 3Rd Edition from 2.5M B.C.E
    Timeline for Homo sapiens - 3rd Edition From 2.5M B.C.E. to 300,000 B.C.E. Hominin Species had organized the 1st Industrial Complexes making stone tools in quantities. By 1.8M B.C.E. hand axes and stone points that were flaked on two sides, hominins are demonstrating skill and technique. Undisputed evidence of a footprint that dates to 1.5M B.C.E. of a, "most Many Glacial likely", Homo erectus walking upright in Africa. Homo erectus fossils have been dated and from 1.8M B.C.E. to the 210,000 B.C.E. (12 discoveries are outside of Africa). Bone Interglacial Tools are found at the same epoch. From 1.5M B.C.E. to 790,000 B.C.E. evidence of Epochs occur hearths and cooking. The 1st living species that took control of fire. 500,000 B.C.E. over the 2.5 Hominin Species are hunting large animals with spears. Four wooden spears dated million years circa 400,000 B.C.E. have been found in Germany in 1995. Use of pigments on the body B.C.E. to and painting developed next around 400,000 B.C.E. to 300,000 B.C.E.. Descended from 300,000 B.C.E.. Sea levels rise Homo heidelbergensis, Homo neanderthalensis exists as a distinct species from around and fall 300ft 600,000 B.C.E./500,000 B.C.E. to around 26,000 B.C.E. and no fossils exist that are on average. younger than this time. 570,000/470,000 years tops Homo Sapiens by 370,000/270,000 Average years of existence as a distinct species.
    [Show full text]
  • 6 Karavanic Format Kolektivni Monografie
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/287643498 Research on Underwater Mousterian: The Site of Resnik - Kaštel Štafilić, Dalmatia, Croatia Chapter · January 2015 DOI: 10.5817/CZ.MUNI.M210-7781-2015-6 CITATIONS READS 2 289 1 author: Ivor Karavanić University of Zagreb 98 PUBLICATIONS 2,099 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Experimental approach to the coevolution of language/cognition and Palaeolithic stone tool production View project PALAEOARTEAST: "Defining cultural boundaries in the European Upper PALAEOlithic: Archaeology and Rock arT in EASTern Europe" View project All content following this page was uploaded by Ivor Karavanić on 21 December 2015. The user has requested enhancement of the downloaded file. Bibliographic Citation of the book: SÁZELOVÁ, Sandra, Martin NOVÁK and Alena MIZEROVÁ (eds.). Forgotten times and spaces: New perspectives in paleoanthropological, paleoetnological and archeological studies. 1st Edition. Brno: Institute of Archeology of the Czech Academy of Sciences; Masaryk University, 2015, 618 p. ISBN 978‐80‐7524‐000‐2; ISBN 978‐80‐210‐7781‐2. DOI: 10.5817/CZ.MUNI.M210‐ 7781‐2015. Bibliographic Citation of the article: KARAVANIĆ, Ivor. Research on underwater Mousterian: The site of Resnik – Kaštel Štafilić, Dalmatia, Croatia. In: Sandra SÁZELOVÁ, Martin NOVÁK and Alena MIZEROVÁ (eds.). Forgotten times and spaces: New perspectives in paleoanthropological, paleoetnological and archeological studies. 1st Edition. Brno: Institute of Archeology of the Czech Academy of Sciences; Masaryk University, 2015, pp. 73–79. ISBN 978‐80‐7524‐000‐2; ISBN 978‐80‐210‐7781‐2.
    [Show full text]
  • Online Supplementary Material for 'Upper Palaeolithic Population
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Apollo Online Supplementary Material for ‘Upper Palaeolithic population histories of Southwestern France: a comparison of the demographic signatures of 14C date distributions and archaeological site counts’ Additional methodological information 1. Bayesian modelling of radiocarbon dates Radiocarbon dates were collected through a literature review and dealt with as described in the methods section of the main text. Where multiple radiocarbon dates were available, along with detailed stratigraphic information from the excavators, Bayesian models were built using Oxcal 4.2. Individual site models, along with the stratigraphic and site bibliography can be found in Collins (2012). Tables S1 and S2 show the radiocarbon dates used for the analysis, divided into those used for the Bayesian models, and those that could not be modelled. While no filtering of dates was undertaken, the use of Bayesian models, alongside outlier analysis, on the modelled dates should elucidate the impact of applying filters. The use of Bayesian modelling restricts the range of the posterior probability distribution, based on formalized stratigraphic information. The use of outlier analysis also down-weights the importance of outlying dates in the model, and the posterior distribution of a date identified as an outlier can be very different to the prior (unmodelled) distribution for the same date. Radiocarbon sample pretreatment methods have advanced dramatically since the early days of chronometric dating, most notably with the introduction of ultrafiltration since the early 2000s in order to reduce contamination in samples (Higham et al. 2006). In recent years several re-dating programmes have been undertaken at Palaeolithic sites, often producing very different results from the samples dated using earlier pretreatment protocols.
    [Show full text]
  • Defining Magdalenian Cultural Groups in Franco-Cantabria by the Formal Analysis of Portable Artworks
    Defining Magdalenian cultural groups in Franco-Cantabria by the formal analysis of portable artworks ∗ Olivia Rivero & Georges Sauvet The motifs, techniques and stylistic features of Upper Palaeolithic art offer enormous Paris potential for the investigation of social and cultural interactions in south-western France and northern Spain during the later stages of the last ice age. The key regions of Aquitaine, Cantabria and the Pyrenees clearly share an overall family resemblance, but detailed analysis of horse heads on portable objects of bone, antler and stone from Magdalenian contexts reveal that particular features can be attributed to different Madrid regions at different periods. Furthermore, the 0 km 500 patterns of interconnection are structured very N differently in the Upper Magdalenian than in the Middle Magdalenian, perhaps as rising temperatures in the latter period led to territorial expansion and social realignment. Keywords: France, Spain, Upper Palaeolithic, Magdalenian, mobiliary art, cave art, stylistic analysis, correspondence factor analysis, ascending hierarchical clustering Supplementary material is published online at http://antiquity.ac.uk/projgall/rivero339 Introduction Style in archaeology may be used in different ways and serve various purposes (Conkey & Hastorf 1990). The pioneers in the study of Palaeolithic art used it as a chronological marker within an evolutionary perspective (Breuil 1952). Leroi-Gourhan (1965) subsequently proposed a chronocultural scheme of four stages, based on the evolution of animal representations using features such as the perspective of horns and hooves, the number of legs by pair and the presence of anatomical details and conventions. In this culture- historical approach, a unique evolution was assumed to take place everywhere and to follow * CREAP “Cartailhac”, TRACES-UMR 5608, Universit´e de Toulouse-le-Mirail, All´ee A.
    [Show full text]